Remington Steele S01E04
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00:00These are secret agents we're talking about, bombs, poison darts, big fat guys with deadly
00:11hats, they throw at your neck.
00:17It seems people are trying to kill him.
00:19The CIA.
00:20The CIA?
00:21Why don't you tell me why your people are trying to kill Sheldon Quarry?
00:28It's a man bent over a car.
00:30Hey!
00:36Try this for a deep, dark secret.
00:39The great detective Remington Steele?
00:42He doesn't exist.
00:43I invented him.
00:45Follow.
00:46I always loved excitement.
00:48So I studied and apprenticed and put my name on an office.
00:52But absolutely nobody knocked down my door.
00:55A female private investigator seemed so feminine.
00:59So I invented a superior.
01:01A decidedly masculine superior.
01:04Suddenly there were cases around the block.
01:06It was working like a charm.
01:09Until the day he walked in with his blue eyes and mysterious past.
01:14And before I knew it he assumed Remington Steele's identity.
01:18Now I do the work and he takes the vows.
01:23It's a dangerous way to live.
01:25But as long as people buy it, I can get the job done.
01:29We never mix business with pleasure.
01:32Well, almost never.
01:35I don't even know his real name.
02:23Oh, my Lord!
02:25It's not what you think.
02:27I don't think anything.
02:29I just changed the beds.
02:31It's hair dye, see?
02:33It's hair dye!
02:35Look, I'm sorry about the mess.
02:37But you have to understand.
02:39I'm not trained for this kind of thing.
02:41Are they still out there?
02:43Who?
02:44Who?
02:52Come on.
03:23Ah!
03:39Ah!
03:52Ah!
04:23Last chance.
04:25What?
04:27Oh!
04:29I just can't, Murphy.
04:31Sure you can.
04:33You can get in my car.
04:35We drive to your place,
04:37pick up your clubs and some clothes
04:39and we're in Palm Springs by 8.30.
04:41If only it were that simple.
04:43It is that simple.
04:45You see, you got it all backwards.
04:47It's the men who are supposed to work too hard and die young.
04:49It's the weekend, Laura.
04:51Murphy.
04:53You know, if a guy hadn't known you so long
04:55and didn't like you so much
04:57and wasn't so sure you'd never lie to him,
04:59he could convince himself you didn't want to go.
05:01Taxes or no taxes.
05:03But you do know me.
05:05And you do like me.
05:07And you know I wouldn't lie to you.
05:09Right.
05:13See you Monday, Laura.
05:17Murphy.
05:19Have fun.
05:21You bet.
05:35No crowds of troubled clients
05:37clamoring for my services?
05:39It's Friday. People'd rather bowl.
05:41See you Monday.
05:43But, uh, don't get lost on the freeway.
05:45Uh-huh.
05:49Miss Wolfe.
05:55Hey, give a girl a break, will ya?
05:57May I ask what it is you're doing in my bathroom?
05:59Forget it.
06:01It's dry enough.
06:03Is it 6 o'clock yet?
06:05Why? What happens at 6 o'clock?
06:07Come 6 o'clock, all these offices are gonna open up
06:09and I'm gonna have to go to the bathroom.
06:11I'm gonna have to go to the bathroom.
06:13I'm gonna have to go to the bathroom.
06:15I'm gonna have to go to the bathroom.
06:17Come 6 o'clock, all these offices are gonna open up
06:19and empty out.
06:21And all the bars and restaurants on the ground floors
06:23of all these high-rises,
06:25they're gonna fill up with people hungry
06:27to bury themselves in anything but what they do for a living.
06:29They'll buy each other drinks,
06:31tell each other pretty lies
06:33and hope the spell doesn't break before dinner.
06:35Is that a fact?
06:37Yeah. Get lucky it lasts till Monday.
06:39Well, that's wonderful
06:41if one is satisfied with managing one's love life
06:43like a game of chance.
06:45I prefer the tried-and-true method.
06:47One makes a date and casts a spell of one's own.
06:49Which reminds me, Gail called.
06:51Excellent case in point.
06:53We've planned this evening for weeks.
06:55Front row center for the Bolshoi,
06:57dinner at Andre's, a leisurely drive back to my place.
06:59She said she was sorry she had to cancel.
07:01Something about the croup.
07:03Ta-ta.
07:15Look at you.
07:17What?
07:19Tell me that briefcase is just for show,
07:21a little prop to intimidate the hired help.
07:23You don't really plan on spending your weekend
07:25cuddled up with all that paperwork, do you?
07:27Now, it's not that I don't think
07:29your concern is genuine
07:31or your motive's pure,
07:33but would you mind skipping ahead
07:35and telling me where we're going with this?
07:37You look exhausted.
07:39Really? Thank you.
07:41You know what my suggestion would be?
07:44Get out of town away from the pressures of work.
07:49You and me on a date?
07:51Boggles the mind, doesn't it?
07:55It sounds wonderful.
07:57It will be wonderful.
07:59And just when can I expect
08:01all this wonderfulness to happen?
08:03Actually, I was thinking about tonight.
08:05Tonight?
08:07I don't think there's a moment to lose.
08:09It's 5.45.
08:11You wait until 5.45 on a Friday night
08:13and ask me out?
08:15Let me guess. Sheila hasn't months.
08:17Susan got hit by a car.
08:19Mary, measles. Doris, diphtheria.
08:21Gail, croup.
08:23What difference does it make so long as you're free?
08:25What in the world makes you think
08:27that I'm free?
08:29It's Friday night. Friday night!
08:31Big plans, have we?
08:33Yes. As a matter of fact, I do.
08:37You can think what you want.
08:39This big briefcase is a very small part
08:41of what I expect to be a very full weekend.
08:51Am I correct in assuming
08:53tonight's off?
09:11Lock up when you leave.
09:33Ah, look back.
09:35I can't believe it.
09:37Such beautiful flowers.
09:39I can't believe two such beautiful women
09:41could work together on one small jumbo jet.
09:43Tell me, is Deidre there?
09:49Deidre?
09:51I just got off the phone with Misha.
09:53You'll never guess who fell into two front row
09:55center seats for the...
09:57Bolshoi?
10:09Deidre?
10:11There's a man standing in my office
10:13holding a handrack.
10:15Hmm. Let me get back to you.
10:23I'd ask you to take a seat,
10:25but you've already helped yourself to some furniture.
10:35Are you Remington Steele?
10:37Are you Remington Steele?
10:39That all depends
10:41on how you feel towards Mr. Steele.
10:47Who is it?
10:49Steele.
10:51Steele.
10:58I thought I made it very plain.
11:00I have plans for tonight.
11:02I'm going out.
11:04Yes, you made it very plain,
11:07but he needs our help,
11:09and I promise if you've ever encountered
11:11a more desperate creature in your life,
11:13I shall leave in an instant.
11:19Oh, Mrs. Holt,
11:21my name is Sheldon Quarry.
11:23Oh, hold on just one minute.
11:37Come in, come in.
11:41What happened to him?
11:43It seems people are trying to kill him.
11:45People? What people?
11:47The CIA.
11:49It's hair dye.
11:51The CIA?
11:53Why?
11:55A whim, perhaps.
11:57The point is, he wants us to stop them.
11:59But why us?
12:01Apparently, we don't know.
12:03I don't know.
12:05But why us?
12:07Apparently, we have the background for the job.
12:09Perhaps we should caucus
12:11in the other room
12:13if you'll excuse us.
12:19Background?
12:21It seems Sheldon works for the CIA.
12:23Several days ago, men started following him
12:25and people started shooting at him,
12:27so he ran, and who did he run to?
12:29To none other than that famous ex-CIA agent
12:31Remington Steele.
12:33He must have read about you in the papers,
12:35all that vague reference
12:37to secret missions,
12:39all that gop about government service.
12:41Yes, all that gop.
12:43Now, what are we going to do about it?
12:51Mr. Quarry.
12:53Sheldon.
12:55Sheldon, what would you say
12:57if I told you that Mr. Steele
12:59never had anything to do with the CIA?
13:03Miss Holt,
13:05um,
13:07let me explain something to you.
13:09Down at the CIA,
13:11I worked in IR,
13:13that's information retrieval.
13:15At the company, I'm known as the answer man.
13:17You want to know how much wheat
13:19was harvested in the Ukraine in 1963?
13:21I know that.
13:23You want to know how many MiGs
13:25can land on the island of Bava off Cuba?
13:27I know that, too.
13:29You want to know who was Miss Rheingold of 1957?
13:31I'm the guy, the answer man.
13:33That's me.
13:35So, don't try and tell me
13:37that things are not
13:39as I already know them to be.
13:45I ran a thorough check on you,
13:49and you have no birth certificate,
13:51no fingerprints on record,
13:53no records of any kind.
13:57And you want me to believe
13:59that I wasn't with the company?
14:05Well,
14:07I guess you have us there, Mr. Quarry.
14:09Sheldon.
14:11Can we caucus?
14:18What the hell are you doing?
14:20What did you want me to say?
14:22I'm sorry, Mr. Quarry, you're wrong.
14:24Remington Steel can't help you
14:26because there is no Remington Steel.
14:29It's just a kind of mistake.
14:31He needs some help,
14:33someone to contact.
14:35Whoever it is you contact
14:37in a situation like this and...
14:39And what? These are secret agents
14:41we're talking about.
14:43Bombs, poison darts,
14:45big fat guys with deadly hats.
14:47They throw at your neck.
14:49Um, I'm not interrupting, am I?
14:51Oh.
14:53Um,
14:55I just wanted to say...
14:57that being here
14:59with you people,
15:01well, it's the first time I felt
15:03really safe in a long time.
15:05What I mean to say
15:07is, uh,
15:09I haven't had a sound night's sleep
15:11or a hot meal since Wednesday.
15:19Sit.
15:27Oh, no, no, I didn't mean for...
15:29No, please, don't do that
15:31on my account. I don't want to be
15:33any trouble.
15:35You eat this.
15:49I'm supposed to get married
15:51tomorrow.
15:53To Lucille.
15:55As a matter of fact,
15:57I was on my way to my
15:59wedding rehearsal.
16:01I was walking out of the agency
16:03and I see one of my ushers,
16:05Lenny Palmieri,
16:07and he's standing across the courtyard,
16:09right?
16:11And he waves to me
16:13and he gives me a little nod
16:15like he needs a ride home
16:17and I say yeah
16:19and he beats me over to the car
16:21and he must have seen
16:23the tuxedo boxes
16:25on the passenger seat because
16:27he walks around
16:29and grabs
16:31a hold of the driver's door.
16:38First thing I see is his
16:40body flying up
16:42in the air like, uh,
16:44like he was let out
16:46of some jack-in-a-box or something.
16:50I mean, it was almost funny.
16:53Then I hear
16:55the bang and
16:57I see the fire
17:02and then
17:04the smell hits me.
17:06Oh my God.
17:10Oh, Lucille.
17:12She probably
17:14thinks I'm dead by now
17:16or wishes I was.
17:18You haven't called her?
17:20No, I don't dare.
17:22I thought they'd have a
17:24trace on her in a second.
17:29Well,
17:31there's not much we can do with regard
17:33to the CIA tonight
17:35but at least
17:37let me put Lucille's mind at ease.
17:39Oh,
17:41Miss Holt, I'm really sorry
17:43that you have to break your date
17:45on my account.
17:47Date?
17:49Oh, yes, my date.
17:52I totally forgot about it
17:54and all the excitement.
17:56Well,
17:58if you'll both excuse me,
18:00private,
18:02personal,
18:04you understand.
18:16Yes, yes.
18:18This is Laura Holt.
18:20About 15 minutes ago?
18:22Yes, yes, we'll cancel it.
18:50Yes,
18:52what is it?
18:54I'm awfully sorry to bother you.
18:56I'm looking for Lucille Seward.
18:58Who is looking for Lucille Seward?
19:00I'm...
19:02My name is Laura Holt.
19:04I'm a friend of Shell Inquiries.
19:06Come in, please.
19:12All right.
19:14Where is he?
19:16Pardon me?
19:18Oh, you, you're pardoned.
19:20Shell is going to get the chair.
19:22Do you know how many times
19:24I've canceled the wedding rehearsal?
19:26Where the hell is he?
19:28Hasn't he ever heard of a phone?
19:30I even made room for him
19:32in my publishing business.
19:34And how does he repay me?
19:36For four days, we're all worried sick.
19:38I have a daughter who's hysterical.
19:40I have 90 pounds of roast beef in the freezer.
19:42Mr. Seward.
19:44I have 30 pounds of shrimp.
19:46I'll get you for a dollar more a pound
19:48when they call them prawns.
19:50Makes it sound like they all went to college.
19:52I have all this food.
19:54I have ice sculptures and centerpieces.
19:56Daddy, forgive him. He's an ass.
19:58Lucille, I will not tolerate this.
20:00Daddy!
20:02It's the only way with him.
20:04Is Sheldon really all right?
20:06Where is he?
20:08Well, I'm afraid I can't tell you that.
20:10But he's fine. He's fine.
20:12Lucille, you're supposed to be resting.
20:14Isn't he a wonderful father?
20:16He loves us best when we're sedated.
20:18I want to hear everything.
20:20Well, I'm afraid
20:22there's not an awful lot to tell you.
20:36Feels good to be clean again.
20:38I found these clothes
20:40in Miss Holt's closet
20:43for the lucky break, huh?
20:45Men's clothing?
20:47Laura's closet?
20:49Lucky break indeed.
20:51Must be great
20:53being Remington Steele.
20:55It has its moments.
20:57Are you serious?
20:59I've wanted to be like you all my life.
21:01Relax, Sheldon.
21:03Remember, you're only wearing a towel.
21:07All through school
21:09you dream of being a hero.
21:11Everybody laughs at you.
21:13But you keep telling yourself
21:15just wait till you grow up.
21:17You'll be throwing ticker tape
21:19at your parade.
21:21And then finally you do grow up.
21:23Only there's no parade.
21:27No ticker tape.
21:29And you finally realize
21:31that you're just not cut
21:33from that particular ball to cloth.
21:38So you find a nice girl
21:40and on Sundays
21:42you look at sensible cars together.
21:46Find yourself talking marriage
21:48and going into the family business.
21:52Oh, well.
21:54You wouldn't understand about that.
21:58That's what happens to the rest of us.
22:04Excuse me.
22:10Sheldon?
22:36It occurs to me
22:38sometimes
22:40I mean
22:42I know you think I lead an exciting life
22:44and yes, I suppose I do.
22:48But don't you think it's rather like
22:50the tree falling in the forest?
22:52If there's no one there to hear it
22:54it doesn't really make much of a noise,
22:56now does it?
23:00An exciting life
23:02without someone to share it with.
23:04What I'm trying to say is
23:06anytime you'd like
23:08I'll trade places with you.
23:10What do you say?
23:12Sheldon?
23:14Do we have a deal?
23:23If I'm nice enough to say
23:25all this sugary slop
23:27the least you can do is stay awake.
23:34Well,
23:36are we going to have a wedding Saturday or not?
23:38We're certainly going to try.
23:40That's the most encouraging news
23:42I've had all week.
23:44Mr. Seward?
23:46Yes?
23:48It's almost time for me to go.
23:50Perhaps Lucille will take her medication now.
23:52Honey, let her give you your shot, will you?
23:54You won't forget.
23:56You'll tell him what I told you.
23:58With any luck,
24:00the next time I see you
24:03you'll be mine.
24:13Well,
24:15anything I can do for Sheldon.
24:19She's my daughter.
24:21She loves him.
24:23Doesn't matter much what I think, does it?
24:33I love you.
24:35I love you.
24:37I love you.
24:39I love you.
24:41I love you.
24:43I love you.
24:45I love you.
24:47I love you.
24:49I love you.
24:51I love you.
24:53I love you.
24:55I love you.
24:57I love you.
24:59I love you.
25:01I love you.
25:03I love you.
25:05I love you.
25:07I love you.
25:09I love you.
25:11I love you.
25:13I love you.
25:15I love you.
25:17I love you.
25:19I love you.
25:21I love you.
25:23I love you.
25:25I love you.
25:27I love you.
25:29I love you.
25:31I love you.
25:33I love you.
25:35I love you.
25:37I love you.
25:39I love you.
25:41I love you.
25:43I love you.
25:45I love you.
25:47I love you.
25:49I love you.
25:51I love you.
25:53I love you.
25:55I love you.
25:57I love you.
25:59I love you.
26:01I love you.
26:03I love you.
26:05I love you.
26:07I love you.
26:09I love you.
26:11I love you.
26:13I love you.
26:15I love you.
26:17I love you.
26:19I love you.
26:21I love you.
26:23I love you.
26:25I love you.
26:35Excuse me.
26:55Steak, wine, parts of a palm, certainly seem
27:07to appreciate the finer things.
27:10Of course, what's the point of buying it if you
27:13have no one to share it with?
27:23They're onto us.
27:24We've got to get out of here.
27:25There are men's clothes in your bedroom closet.
27:27Sheldon, time to get up.
27:30Men's toiletries in your bathroom.
27:32What are you talking about?
27:33I'm talking about men's bikini underwear.
27:34I'm talking about a t-shirt, a t-shirt that says,
27:36bankers do it with interest. Yuck.
27:38I'm talking about little clothes.
27:39I can't believe it.
27:40I'm chased through the canyons by Mario Andretti.
27:42I have to fight off the galloping gourmet
27:44to get a ride home.
27:45You can't believe it.
27:46How do you think I feel all this time not even knowing
27:48that you've lived with a man?
27:50I don't live with a man.
27:52Not anymore.
27:54Mr. Steele, what's going on?
27:56They know you're with us.
27:58Our only chance is to keep going.
27:59We'll rent a car.
28:00Where's yours?
28:01Sitting at the supermarket.
28:02The supermarket?
28:03Don't ask.
28:06I'm ready.
28:09You live with a man who wears white belts?
28:12Am I disappointing?
28:23Ah!
28:24Ah!
28:49Laura?
28:53Laura?
28:59Finally.
29:01We're sleeping together.
29:10Must make it a point to tell Murphy.
29:15You would, too.
29:16Damn right.
29:18He still doesn't trust me, does he?
29:21It's not you.
29:24It's me.
29:27He worries about me.
29:32Worries I'll get in too deep, and you'll be gone,
29:39and I'll be left in too deep.
29:45Murphy thinks that?
29:50He isn't the only one.
29:56Oh.
30:05Ah!
30:06I think I'll stretch my legs.
30:15Damn it.
30:40Wow.
30:41Is he a man of action or what?
30:45I'm not sure I have an answer for that question.
30:55What are you doing?
30:56I'll tell you what I'm not doing.
30:57I'm not driving in circles trying to elude people I don't know
31:00who want to kill a nice little nebbish for reasons I don't even understand.
31:03I'm also not about to sit in that car doing nothing
31:05while Sheldon looks at me like I'm Babe Ruth and George Washington
31:08and all rolls into, yes, information?
31:10I'd like the number of the Central Intelligence Agency.
31:13No, that's not a residence.
31:21It's 9 o'clock.
31:23Seven more hours and Lucille was supposed to become Mrs. Sheldon Quarry.
31:27Oh, Sheldon, seven hours is a long time.
31:31Besides, Mr. Steele is on the phone with the agency now.
31:35Really?
31:36Mm-hmm.
31:38Boy, what I love to see their faces when they pick up the phone in here.
31:44This is Remington Steele.
31:47You and me both.
31:49He'll fix everything.
31:51He and my future father-in-law, the two of them, they're just amazing.
31:56You know, he built that business of his up from scratch?
31:59It's publishing, right?
32:00No, foreign editions of American classics.
32:04I mean, it's such a great idea.
32:06The world is in love with everything American.
32:09You know, China opens up for Western culture, and pow!
32:12He's right in there in front of everybody else.
32:14Know what he's working on now?
32:16I mean, gun with the wind.
32:18Think about that.
32:20In a year from now, you'll be able to go to China
32:22and sit in a park and turn to the Chinese fellow sitting next to you
32:26and say, how about that red butler?
32:29Yeah.
32:32They can't wait to see me again.
32:35Just like old times.
32:44Central Intelligence Agency.
32:47They're listed in the phone book.
32:50Why shouldn't they have their name in the lobby?
33:02So tell me about this fellow you lived with.
33:06Here we are.
33:17Steel?
33:19It's Saturday.
33:20Help up.
33:21Come on in.
33:23Come on in.
33:25Come on in.
33:27Come on in.
33:29Come on in.
33:32Steel.
33:34Lord, look at you.
33:38How long's it been?
33:40Danang, during the rainy season.
33:43Look at you.
33:44Good to see you, too.
33:45Sit, sit.
33:47You and, um...
33:49Laura.
33:50Laura.
33:51So this is Laura.
33:53Your secretary?
33:54Assistant.
33:55Associate.
33:56Whatever.
33:57Sit down.
34:03Been reading about you.
34:05Scoring all those big bucks in the private sector.
34:08It's inadequate living.
34:10Remington, don't bull a bull artist.
34:13Is he paying you enough?
34:15If he gives you any trouble, you tell me.
34:18I'll have him audited.
34:27So?
34:28So.
34:29What brings you here, Steel?
34:31Me?
34:32Here?
34:33Nothing in particular.
34:34Just thinking about the good old days.
34:36Danang, the rainy season.
34:38Oh, um, you know who I ran into the other day?
34:41Who?
34:42Shelley Quarry.
34:43Remember Shelley Quarry?
34:44Information retrieval.
34:45No.
34:46Of course you do.
34:48The answer man?
34:49Never heard of him.
34:54You know what time it is?
34:57Uh, it's a little after one.
34:59I gotta run, folks.
35:01I promised my kid I'd take him go-kart racing.
35:03Great seeing you again, Steel.
35:05Nice meeting you too, Laurie.
35:07Laura.
35:08Whatever.
35:18Well, uh...
35:21Well, uh...
35:26Well, uh...
35:44Who's kidding who?
35:57Well?
35:58Did you straighten it out?
36:00It's all very confusing, Sheldon.
36:02Confusing?
36:03What are you talking about?
36:04It's very simple.
36:05They're trying to kill me.
36:06Hey, wait a minute.
36:07Wait a minute.
36:08What happened up there?
36:09A man bent over a car.
36:13Hey!
36:17That's Charlie Webb.
36:19Shelley.
36:21Charlie?
36:22Shelley, no!
36:26No!
36:52Don't you bull a bull, artist.
36:54You don't know me, and I don't know you.
36:56No.
36:57So before you go go-karting with your kid,
36:59why don't you tell me why your people are trying to kill Sheldon Quarry?
37:02They're not.
37:03Tell that to Charles Webb.
37:04He just got splashed all over the car park trying to bomb our car.
37:07He wasn't trying to bomb it.
37:08He was probably trying to defuse one.
37:10What?
37:11You heard me.
37:13Is Webb dead?
37:16Sheldon?
37:17He's fine.
37:18He's in the stairwell.
37:20Look, I don't know where you people get your information,
37:23but get it straight.
37:24No one here wants to kill Sheldon Quarry.
37:27We were following him, that's all,
37:29trying to find out what the hell is going on.
37:33Lenny Palmieri dies getting into a car.
37:36Now, Webb, how do you think that looks?
37:39I'll tell you how it looks.
37:40It looks rotten.
37:42It looks like little Sheldon had something going.
37:44A covert operation.
37:46Something I don't even know about.
37:49And I'm the operations director.
37:51People are dying, and I want to find out why.
37:55You really don't know?
37:57We've been following him since Wednesday,
37:59and the only thing we're sure about is the blonde.
38:01Blonde? What blonde?
38:03The blonde, the blonde, the one who shot at him yesterday.
38:07You don't know about the blonde?
38:22She was at Lucille's last night.
38:24She was working there as a nurse.
38:26At the house?
38:28Perhaps I should bring Sheldon in here.
38:30Perhaps you should.
38:34I want to ask you something.
38:36I ran a small check on you after you called this morning.
38:40Mister, who the hell are you?
38:43Don't you remember?
38:45Da-nang, the rainy season?
38:51He's gone.
38:53You sure? You think somebody took him?
38:56What time is it?
38:581.45.
38:59I think he just left.
39:01Left? Left us to go where?
39:22How much longer do I have to wait?
39:25I called Minister's house, and they said he was on his way.
39:28Honey, you know it's not easy
39:30trying to put a wedding back together in three hours.
39:33Stay put. Don't scream.
39:35That's probably him right now. I'll get him.
39:41I'm sorry.
39:43I'm sorry.
39:45I'm sorry.
39:47I'm sorry.
39:49I'm sorry.
39:56Reverend.
39:58Mrs. Seward. Simon.
40:00Simon Cordman, Sheldon's best man.
40:02I'm not too late, am I?
40:04I didn't know that Sheldon had a best man.
40:06He does, and here I am.
40:08Don't worry about a thing, just point me to wherever he's hiding,
40:11and I'll take care of myself.
40:13He's behind the trellis at the far corner of the yard.
40:16Trellis, yard, gone.
40:19Excuse me, isn't it a lovely day for the wedding? Absolutely splendid.
40:23You all look wonderful, wonderful. Hello, how are you, Rachel? Good to see you, too.
40:27Hello, George. Hello, hello.
40:33You're naughty, naughty. Steal.
40:36I spend a day and a night trying to keep you alive, and you sneak away without telling me.
40:39What are you doing here? What do you mean, what am I doing here?
40:42Why, I'm your best man, and the name's Simon Courtney.
40:44What are they doing here?
40:46This is Mr. Price from the CIA, which is not trying to kill you.
40:49And, of course, you know Laura.
40:51Did you see her out here yet? No, but I haven't checked her house.
40:54See who out here? This is my wedding you're messing up.
40:57Sheldon, did a blonde woman try to take some shots at you yesterday?
41:01Well, yeah. Well, she isn't employed by the CIA.
41:05Well, then, why is she trying to kill me?
41:07I don't know. All I do know is that she's going to try it again, given the chance.
41:11So, I'm afraid I can't allow you out there until she's found.
41:37Patience. Patience.
41:46Patience.
41:48Patience.
42:13What the hell is the hang-up?
42:15Get out from behind the trellis before you start down the aisle.
42:18Get back out there and find out what the problem is.
42:25Daddy took care of it. Oh, that's a crock.
42:38You're supposed to be out front. Can't you hear the music?
42:45Oh, my God.
43:15Ä°yi.
43:38Mr. Price?
43:42Oh, I'm terribly sorry.
43:45Oh
44:15Oh
44:27That's her
44:38Any heroes around here, I don't know anything about very well then enjoy yourselves
44:45Oh
45:03Nobody tells my Lucille to shut up. Let's get married
45:07So
45:14So it wasn't just exporting American fiction to China not really
45:18In every shipment of books was a specially prepared single volume filled with American computer
45:26technological secrets
45:29Price found this volume right before the blonde knocked him on the head
45:34Which brings us the motive?
45:37Which would be obvious to a child of three
45:39Well, he didn't do it for the money. I he honestly believed that no one country should know more than any other
45:46Equality equals security exactly. You see if everybody knows as much as everybody else then no one country can get the upper hand
45:54Knowledge is power. Of course. I just happen to be in the right place at the wrong time
45:59You see when John found out that Lucille was gonna marry a guy who worked for the CIA
46:03Well, he just naturally assumed that they were on to him, which of course they weren't of course
46:11So, how does it feel to get married and become a hero in one fell swoop
46:16Do you really think I'm a hero? I mean, do you really mean that?
46:23I gotta go isn't married life great
46:26You know, of course it he thinks you're the greatest things in sliced bread
46:32How does that make you feel?
46:35makes me feel
46:38Like dancing what I mean it
46:47Now tell me about this chap you live with
46:50I
47:09Don't believe it. Oh
47:13Ask me how my weekend was go on. No, I'll tell you it was wonderful
47:19Laura I'm worried about you. I mean here you are in exactly the same position. I left you in Friday night
47:24Yes, haven't you ever heard the expression all work and no play?
47:28Huh, Laura, I'm serious. I'm very concerned
47:31You got to get out from behind that desk, you know get out and take some chances live a life for crying out loud. I
47:39Mean you can't hide behind a desk forever. Gotcha good
47:43Oh
47:49I didn't mean to come down on you quite so strong, but it's for your own good
47:57Thanks Murph, you're welcome
48:14I
48:16He's right, you know little excitement
48:20Would do no product good you think so, huh?
48:25So how was your weekend
48:43You