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00:00:00We have been waiting for 6 months, now we are in the same situation.
00:00:20What are we going to do now?
00:00:24We have been waiting for 6 months, now we are in the same situation.
00:00:44The work Washu Alley 37 is part of the series Raffle City by the Norwegian artist Finn Hwang.
00:00:51The series consists of 126 sculptures, some of which are in the most important collections in the world.
00:00:58The sculptures themselves consist of pieces of rubble in a Chinese old town,
00:01:03whose building parts had to be moved to a shopping center after the demolition.
00:01:10Under the working conditions in China, the artist had detailed reconstructions of the building parts made.
00:01:17The intimate surfaces were sophisticatedly refined in the use of the most modern industrial method.
00:01:22This is a manufacturing-technical transfer, which does not happen by the artist himself,
00:01:27but by employed workers or traditional craftsmen.
00:01:40We are going to have a drink, are you coming?
00:02:00Monika, is everything okay?
00:02:06When did you plan to tell me that you were leaving?
00:02:09Then I would have looked around.
00:02:13I wanted to tell you as soon as I signed.
00:02:18You have a great standing here.
00:02:20It is clear to you that a new leader means a new team.
00:02:23You haven't done it since yesterday.
00:02:25With your competence you will definitely find something new.
00:02:29I would have liked to have the time to look for something new.
00:02:59Excuse me, are we having a ladies' night?
00:03:09Yes.
00:03:10Are we having a ladies' night?
00:03:11Would you like to have a drink?
00:03:12No, thank you.
00:03:13It's worth it, honestly.
00:03:14Thank you.
00:03:15Do you have a cigarette?
00:03:16No, I don't smoke.
00:03:17But we have a machine in here.
00:03:18Yes, there is a machine.
00:03:20All right, thank you.
00:03:42What is it?
00:04:10A break or a Berlin?
00:04:12How much is it?
00:04:142,000?
00:04:162,000 is too much.
00:04:23Please, down.
00:04:24Please, down.
00:04:25Please, please.
00:04:26Stay, stay.
00:04:27Yes, it's okay.
00:04:28It's okay.
00:04:30I'm sorry.
00:04:39I'm sorry.
00:04:50I'm sorry.
00:05:00It's okay.
00:05:04I'm Joseph.
00:05:09I'm Monica.
00:05:12Nice to meet you, Monica.
00:05:16Nice to meet you, Joseph.
00:05:32The last time I was hiding from the police I was 17.
00:05:36I had green hair and I think I was protesting against Atomkraft.
00:05:41Why?
00:05:42Atomkraft is good.
00:05:44Are you serious?
00:05:46When we came to France, there were four of us.
00:05:50Hey, guys.
00:06:00They are Russian.
00:06:02I like them.
00:06:05And where do you come from?
00:06:08I'm from Congo.
00:06:15I'm a star.
00:06:17The zone I'm from is complicated.
00:06:19I'm from here.
00:06:20I'm from here.
00:06:25I was on the way to Madrid.
00:06:27But I had some problem with my passport.
00:06:29I'm here by accident.
00:06:41And you were all the time in Frankfurt?
00:06:43Always.
00:06:45So what's your business?
00:06:47I am a curator.
00:06:49You sell art?
00:06:51No, not exactly.
00:06:54I do exhibitions.
00:07:04And you?
00:07:05What do you do?
00:07:06Me?
00:07:08I'm a businessman.
00:07:12I import, export.
00:07:14A bit like a translator.
00:07:16Okay.
00:07:20I'm going here.
00:07:23Do you want a coffee?
00:07:25Yes.
00:07:30Gabi.
00:07:31Oh, no, Joseph.
00:07:33Hello.
00:07:34Hello.
00:07:35Hello.
00:07:36Hello.
00:07:37Hello.
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00:08:00Hello.
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00:08:29Hello.
00:08:30Hello.
00:08:31Hello.
00:08:32Hello.
00:08:36Okay, we'll ship the container in a couple of weeks.
00:08:39Give me a code.
00:08:46Here it is.
00:08:54She left?
00:09:00It's a good thing.
00:09:25He probably didn't tell you because he has a bad conscience.
00:09:28Every man for himself.
00:09:30Exactly.
00:09:33You have to see it as an opportunity.
00:09:35I haven't applied for a job in a hundred years. I don't even know how to do it anymore.
00:09:41Actually, I thought about doing a sabbatical.
00:09:43I have time to think about it.
00:09:45You should take yourself seriously.
00:09:55Yes, hello?
00:09:59Who's there?
00:10:03Ah!
00:10:04Hi!
00:10:10No, I'm working.
00:10:14I can...
00:10:16I can't talk right now.
00:10:18Can I call you back?
00:10:20Okay.
00:10:21Bye.
00:10:28Okay.
00:10:50Nice to meet you.
00:10:51Monica.
00:10:58How are you?
00:10:59I'm good.
00:11:00I see you're accompanied.
00:11:01With a pretty woman behind you.
00:11:03Hi.
00:11:04Didi.
00:11:05Nice to meet you, madam.
00:11:06My pleasure. Have a good evening.
00:11:10How are you?
00:11:11I'm sorry, I don't speak French.
00:11:13You don't speak French?
00:11:14No, I don't.
00:11:15You don't understand me?
00:11:16No, I don't.
00:11:17What?
00:11:18I don't understand you.
00:11:29Hi.
00:11:30How are you?
00:11:31I'm good.
00:11:32How are you?
00:11:33I'm good.
00:11:34I'm good.
00:11:38I like this place.
00:11:39It's Denis Barth.
00:11:40It's?
00:11:41Denis Barth.
00:11:42Denis?
00:11:43It's an African place to be in Frankfurt.
00:11:44When I need some African music and vibration, I come here.
00:11:48Hi.
00:11:49I'm Amara.
00:11:50I'm Monica.
00:11:51Are you here for the first time?
00:11:52Yes.
00:12:19Amara is like my brother.
00:12:25He's like my family.
00:12:28Bon voyage, amor.
00:12:34Merci.
00:12:48I learned that women have to be cats and not dogs.
00:13:03Cats are nice and the dogs bark right away and that's unpleasant.
00:13:11Don't eat it, it's called cat. Cat, it's a little bit like cocaine.
00:13:24Really? Yeah.
00:13:41What are they talking about? Are they fighting?
00:13:55No, they are talking about politics.
00:14:12Oh God, Joseph, I hope you don't think I'm a pervert.
00:14:18Can you go on talking about Mobutu? And don't look.
00:14:31Okay, I feel totally embarrassed now.
00:14:34Don't worry, I have experience.
00:14:38Are you sure?
00:14:39Yeah, sure.
00:14:40Okay, back to Mobutu. So, really? I mean, you stole Mobutu's Harley Davidson?
00:14:48Yeah, really.
00:14:49Come on.
00:14:50We sold them to the Belgians.
00:14:51I don't believe you.
00:14:52Why not?
00:14:53Stealing Mobutu's Harley Davidson, what?
00:14:56I was young. It's long ago.
00:15:04This is my house.
00:15:10You're cold, aren't you?
00:15:12Just a little bit.
00:15:21Good night.
00:15:26Good night.
00:15:40No, this looks like a fantastic pop-art exhibition.
00:15:45But it's not.
00:15:48You won't find this.
00:15:50Then you obviously have completely different pressure plates than I do.
00:15:54No, you shouldn't check it, you should correct it, please.
00:15:57Thank you. Bye.
00:15:59Come on.
00:16:03This looks like LSD.
00:16:05It does, doesn't it?
00:16:08You have to shave a little more carefully, okay?
00:16:20Peter, I'm going to apply for the management position here.
00:16:25Are you going to become a politician or what?
00:16:29Why not?
00:16:31You can do something for me, too.
00:16:38And what did you apply for?
00:16:40Who, for example, is in the commission of inquiry?
00:16:45The usual suspect, of course.
00:16:51Ludwig from the MMK.
00:16:53The cultural representative.
00:16:54Two local politicians.
00:16:56One can't do anything with performance.
00:16:59The other doesn't like too much content.
00:17:01The women's commissioner would rather be on your side.
00:17:04The women's commissioner would rather be on your side.
00:17:09Quite the opposite of Gisela Bauer.
00:17:12Why?
00:17:16At the last board meeting.
00:17:18You shouldn't have said your suggestions were too colorful.
00:17:22Oh, I'm so sorry.
00:17:26But it was also schnapps ideas.
00:17:28Really, I...
00:17:31Schmidt Fournier is probably also in the commission of inquiry.
00:17:35Oh.
00:17:38He often goes paddling with the cultural representative.
00:17:41Paddling?
00:17:42Yes.
00:17:48Do you also paddle?
00:17:50Yes.
00:17:57You don't dare to tell me that.
00:17:59Why shouldn't I dare to tell you?
00:18:29Yes.
00:19:00Thank you.
00:19:10Mr. Schmidt Fournier.
00:19:11Mrs. Albrecht.
00:19:12Could you hold this for a moment?
00:19:13Thank you.
00:19:14We haven't seen each other in a long time.
00:19:15The rooms are fantastic.
00:19:18Now they just have to be filled.
00:19:22Judith, you know Mrs. Albrecht, the curator of the Kunsthalle?
00:19:26Of course.
00:19:28That makes me very happy.
00:19:29These are always very self-willed, but very clever exhibitions.
00:19:34What a nice compliment. Thank you.
00:19:36Hello.
00:19:37Good that I can finally welcome you, too.
00:19:39Judith.
00:19:40Good day.
00:19:41How are you?
00:19:42Nice to have you here, Peter.
00:19:43I heard that you are facing new tasks in the coming year.
00:19:48Yes.
00:19:50I didn't like the decision.
00:19:53That's a shame.
00:19:55But are there any successors?
00:19:58If I could personally wish for someone, it would be Monika.
00:20:03Without her, I wouldn't have been able to do it in the last few years.
00:20:07Indeed, yes.
00:20:11Yes, after this long collaboration with Peter,
00:20:14I can imagine a continuation of the Kunsthalle.
00:20:16And I can also imagine giving it a new direction.
00:20:19Of course, only if an in-house application comes into question at all.
00:20:22You are always happy about many good applications.
00:20:24I can only wish you much success.
00:20:26Peter, I absolutely have to introduce you to someone.
00:20:29The ladies will excuse us for a moment.
00:20:31Yes? Come on.
00:20:39Well, a big compliment to you, too, for these wonderful rooms.
00:20:45Thank you.
00:20:56Thank you.
00:21:26Thank you.
00:21:52For you.
00:21:53Thank you.
00:21:56Thank you.
00:22:04Come in.
00:22:27Thank you.
00:22:35How are you?
00:22:37Good.
00:22:39I'm trying to get a new job. It's not so easy.
00:22:42What job?
00:22:44Director of a Kunsthalle.
00:22:47But I'm not so good in small talk.
00:22:53If you play the game, you play the game.
00:22:55It can be funny.
00:23:00Sit.
00:23:21Thanks.
00:23:26Thanks.
00:23:47Now I'm Joseph Solada.
00:23:50But soon I'm going to be Herr Joseph.
00:23:53And how does Herr Joseph look like?
00:23:56I don't need a lot of money.
00:23:58I just need one or two million for myself.
00:24:13This is probably the best rye cake I've ever had.
00:24:19Please eat.
00:24:23Thank you.
00:24:45You asked about my business.
00:24:49What is it?
00:24:54Diamonds.
00:25:01In Congo they are like potatoes.
00:25:04You just go to the bush and pick them.
00:25:09I have some land there.
00:25:16I'm going to open a mine.
00:25:19This is just a condition.
00:25:22This is just a condition.
00:25:30Why are you smiling?
00:25:35Nothing.
00:25:38You're pretty.
00:25:51Thank you.
00:26:22What happened?
00:26:26I didn't want to go to the army.
00:26:52Okay.
00:27:01How come a beautiful woman like you is alone?
00:27:09How do you know I'm alone?
00:27:12I know why.
00:27:14Because men are afraid of you.
00:27:18Me, I'm not afraid.
00:27:22Okay.
00:27:32Stop it!
00:27:33No!
00:27:52I'll get myself a glass of water.
00:28:16Thank you.
00:28:18Thank you.
00:28:30I really have to work today.
00:28:34Why do you want this job?
00:28:38I don't know.
00:28:40I'm getting old.
00:28:42I don't want to become invisible.
00:28:44If you think you are invisible, you won't get this job.
00:28:49But I think you will get it.
00:28:51Yeah?
00:28:53If not, we can go to Angola.
00:28:57There is a lot of Congolese in exile.
00:29:00Half of my family is there.
00:29:02Maybe you can open a gallery.
00:29:06You don't believe me?
00:29:08You don't believe me?
00:29:17I really have to work today.
00:29:19No.
00:29:26You want to go to Africa?
00:29:31Why not?
00:29:32Do you believe me?
00:29:35Yeah, I believe you.
00:29:56Yeah, yeah, yeah.
00:29:57Is this the fucking guy who is telling the story about marrying me?
00:30:01Hey!
00:30:03Hello.
00:30:04Hello.
00:30:05Hey!
00:30:06Hello!
00:30:08Hey.
00:30:09Hi.
00:30:15This is Joseph.
00:30:16Ah, bonjour.
00:30:17Bonjour.
00:30:18Hello, I'm Ursula.
00:30:20Bonjour.
00:30:21Merci.
00:30:22Thank you.
00:30:23Peter, hello.
00:30:24Nice to meet you.
00:30:26Martin.
00:30:27Hi.
00:30:35Monica said you come from Congo, right?
00:30:37Yes, Congo, Kinshasa.
00:30:46Can I use the bathroom?
00:30:47Yes, of course.
00:30:48It's around the corner on the right side.
00:30:57I'm glad you met someone.
00:30:59Yes, why?
00:31:00I'm introducing you.
00:31:15Is this okay?
00:31:16Yes.
00:31:18Is it for you?
00:31:19Okay.
00:31:23Judith Schmidt-Fournier, for example.
00:31:25She was a former ballet dancer, right?
00:31:27His niece.
00:31:31That's not his niece.
00:31:32That's his wife.
00:31:33Yes, and his niece.
00:31:34She's the daughter of his cousin.
00:31:36That's what she looks like, to be honest.
00:31:38The niece.
00:31:39The eternal niece.
00:31:40Judith Schmidt-Fournier.
00:31:41Judith Schmidt-Schmidt-Fournier.
00:31:42I think she was also called Schmidt before she met him.
00:31:45Anyway, this woman drives me crazy.
00:31:47What did she say?
00:31:48What did she say?
00:31:49This is the...
00:31:50Voluntary.
00:31:51Voluntary.
00:31:52Exactly.
00:31:53My exhibitions are voluntary.
00:31:55Yes.
00:31:56That's a compliment.
00:31:57That's a compliment?
00:31:58Yes.
00:31:59But not from this mouth.
00:32:00No, that's...
00:32:01The woman just has no idea.
00:32:02But then she should stay at home.
00:32:03Because every time she stands in front of me, I start talking nonsense.
00:32:06You know, I just don't feel like telling people all the time
00:32:09that it's the biggest and the most beautiful and the best,
00:32:11that has never been shown before and the most extraordinary
00:32:13and above all, above all, the most expensive.
00:32:15Good.
00:32:16But sometimes you have to take a position where you think
00:32:18the artist is an asshole or where you think it's speculative.
00:32:22Yes.
00:32:23Yes, but there are limits to pain, right?
00:32:25Yes, as a curator, you can afford that.
00:32:27But as a leader, you have to see that the hut shines.
00:32:30No, that the hut burns, Peter.
00:32:31You're so wild.
00:32:32It's really terrible.
00:32:33No, really.
00:32:34This will be my first exhibition.
00:32:36Burning down the house.
00:32:40A little late, puberty.
00:32:44What are you talking about?
00:32:45Now this smile again.
00:32:46Why are you smiling again?
00:32:48I think Peter thinks I'm too eccentric.
00:32:50What's wrong with that?
00:32:51Yeah, thank you.
00:32:52What's wrong with that, huh?
00:32:56Nothing.
00:33:01Water, please.
00:33:02And you, Josef, what do you do?
00:33:09Many things.
00:33:11Import, export.
00:33:15Josef sells diamonds.
00:33:19Really?
00:33:22Mm-hmm.
00:33:27And you get them from Congo?
00:33:29Yes.
00:33:31From a company?
00:33:33No.
00:33:34I get them on other ways.
00:33:38Yeah, he owns a piece of land there, so he's planning to open a mine.
00:33:42What does it mean, you open a mine?
00:33:44What do you do then?
00:33:46In the beginning, before the machine, you start with people digging.
00:33:50You get half of the money, they get the other half to split.
00:33:54And they dig with their hands?
00:33:57Yeah, but they get half of the money.
00:33:59You pay the food, the tents, the medicine, the security.
00:34:03You just need good connection to sell them.
00:34:06So if you own some land, you just open a mine like this?
00:34:10Why not?
00:34:16If it's yours, it's yours.
00:34:19In Congo, you're born on money.
00:34:21So let's invest some money in Congo.
00:34:24Maybe a very good investment.
00:34:27Finally.
00:34:29But my money or your money?
00:34:31Your money.
00:34:32Maybe it will be my success?
00:34:33Yeah, yeah.
00:34:35Marsman wants to work for you.
00:34:37And how do you know the value of a diamond?
00:34:41That's my profession. This is what I do.
00:34:43I always wanted to know what this one's worth.
00:34:48Sorry, I don't want to destroy your marriage.
00:34:52And don't you need a certificate because of the blood diamonds?
00:34:59No, I don't need a certificate.
00:35:01And don't you need a certificate because of the blood diamonds?
00:35:08You people always speak about blood diamonds.
00:35:12Some people say it's just an invention from the Jews.
00:35:19I think it's a...
00:35:22It's a bit more complex, right?
00:35:24Yes.
00:35:25Have you been to Congo?
00:35:28No.
00:35:29No?
00:35:30No.
00:35:31So what do you know?
00:35:40Excuse me, I have to make a call.
00:35:49Who wants an espresso?
00:35:54Whiskey.
00:35:55Whiskey.
00:36:00Good.
00:36:01Interesting.
00:36:02This time a really interesting hunter.
00:36:04It's fun.
00:36:05What are you doing here?
00:36:06Late Antiquity.
00:36:07Stoica.
00:36:08Really great students.
00:36:22You and your friend, you think I'm a joke?
00:36:24No.
00:36:25You think it's just a funny story?
00:36:28I believe you.
00:36:30I believe you.
00:36:35I mean...
00:36:38It was a little bit strange when you say this thing with the invention of the Jews.
00:36:48For you it's easy.
00:36:49You, European people, fill out the paper.
00:36:52Next day, your business starts.
00:36:54For the rest of the world, it isn't like that.
00:36:56We have to be more inventive.
00:37:00I'm not the one who wants to be rich, huh?
00:37:03Yeah, yeah.
00:37:04But I only share this thing with you.
00:37:06Nobody else.
00:37:08I didn't tell you to talk about my plans.
00:37:13I'm sorry.
00:37:15Hey.
00:37:18Joseph.
00:37:20Can you wait a second?
00:37:21I said I'm sorry.
00:37:22Okay?
00:37:31Maybe we should marry.
00:37:33So that you get your papers.
00:37:35I will not marry because of the papers.
00:37:38You don't understand?
00:37:40Never.
00:37:43You know what?
00:37:45My father was colonized.
00:37:47Me, I'm not.
00:37:49Never.
00:37:55I'm sorry.
00:37:56Never.
00:38:03Where do you go?
00:38:04I need to think.
00:38:16Twelve euro, please.
00:38:26One.
00:38:45I was so fed up.
00:38:46I couldn't stand it any longer.
00:38:47And so I left.
00:38:48I moved out.
00:38:49I took my things.
00:38:50I took one suitcase and that's just it.
00:38:53That's good.
00:38:55Of course I shouldn't have left my family.
00:38:57It's not because of my wife, you know.
00:38:59She got a bit fat.
00:39:00I didn't like her anymore.
00:39:02It's because of my kids.
00:39:03They hate me.
00:39:05They would be happy when I die in a car crash.
00:39:19You're a businessman, right?
00:39:21I've seen you here a couple of times.
00:39:24Yes.
00:39:25I like this place.
00:39:27You're from Congo?
00:39:29Mm-hmm.
00:39:30Congo, Kasai.
00:39:32It's a diamond area.
00:39:35True.
00:39:40So that's your business?
00:39:43Yes.
00:39:45Gold and diamonds.
00:39:50Well, I like diamonds.
00:39:51Never bought some but I like them.
00:39:55I like you.
00:39:58You're a good guy.
00:40:05Cheers.
00:40:08Cheers.
00:40:13Let's meet and you show me what you got.
00:40:18I got a nose for good business.
00:40:21Business people.
00:40:34Voila.
00:40:37Thank you.
00:40:39Pleasure.
00:40:47Cheers.
00:40:49Forward.
00:40:50Forward.
00:40:52Forward.
00:40:53Forward.
00:40:54Forward, forward, forward.
00:40:57Perfect.
00:40:58Down, down, down.
00:40:59Okay, back.
00:41:11Forward.
00:41:13Yes.
00:41:15Forward.
00:41:19Forward.
00:41:21Okay.
00:41:22Forward.
00:41:23Okay.
00:41:24Forward.
00:41:26Yes.
00:41:27Yes.
00:41:36You're the accountant, right?
00:41:37Yes.
00:41:39German passport.
00:41:40You have a governor?
00:41:41No.
00:41:42I'm Japanese.
00:41:48Okay.
00:41:59Hey, Joseph.
00:42:01It's me, Monica.
00:42:04I tried to call you many times.
00:42:07You disappeared.
00:42:11Are you okay?
00:42:15I hope so.
00:42:16Bye.
00:42:18Bye.
00:42:49Bye.
00:42:52Hey, Denise.
00:42:53Ah, Lili.
00:42:54Hi.
00:42:55Hello.
00:42:57I hope I'm not bothering you.
00:42:58I was just in the area.
00:43:00I thought I'd drop by.
00:43:03Nice to have you here.
00:43:04Thank you.
00:43:09Anything else?
00:43:10Coke, beer, Fanta.
00:43:14Hey, Monica.
00:43:15Do you want a drink?
00:43:17Um...
00:43:18Is it too early for alcohol?
00:43:20I can give you some whiskey.
00:43:29Here you go.
00:43:30Thank you.
00:43:33You're alone again today.
00:43:36Where's Joseph?
00:43:39That's a good question.
00:43:40I'd like to know that, too.
00:43:42I was hoping you could tell me.
00:43:47Do you know where he is?
00:43:48No, I don't know.
00:43:49You know how Congolese men are.
00:43:51He's somewhere.
00:43:52He's probably drunk or he took money from someone and then he's gone.
00:43:58Weren't you in his apartment?
00:44:00Yes.
00:44:01Yes, I was.
00:44:02And?
00:44:03Yes, it's empty.
00:44:05How empty?
00:44:06Empty.
00:44:07It was emptied.
00:44:08Is this the first time?
00:44:09Yes.
00:44:10Yes?
00:44:12Let's start over.
00:44:14Let's start over.
00:44:17And there you come up with a false story again.
00:44:20Why do you say that?
00:44:21No, I'm just saying.
00:44:22I mean, if you...
00:44:23Look, I'm an African woman.
00:44:24I know these Congolese people.
00:44:27But not all Congolese are Benelili.
00:44:30I don't want to talk badly about him.
00:44:33I like him, but...
00:44:34You know when he's going to show up.
00:44:36When?
00:44:37When we see him.
00:44:38Maybe in a minute.
00:44:40You never know.
00:44:42You can always come back.
00:44:43They're there.
00:44:44We're like your family.
00:44:45Your second family.
00:44:49He'll come back, Monica.
00:45:03Under my leadership, I would focus on exhibition formats
00:45:06that create current social context.
00:45:09I would combine internationally recognized positions
00:45:12with experimental or audience-challenging projects.
00:45:15That's a bit too generic.
00:45:17You can express that better.
00:45:19More precisely.
00:45:20And put your hands away, please.
00:45:24What wouldn't be too generic?
00:45:26Yes, for example...
00:45:29You need one or two adjectives
00:45:31to show that you mean it.
00:45:37Okay.
00:45:40Under my leadership, the program...
00:45:42No, no.
00:45:43Don't brush your hair.
00:45:50Under my...
00:45:51I'm sorry.
00:45:52I'm not doing anything with my hands.
00:45:54Yes, you are.
00:45:55What?
00:45:56Do you still have them?
00:45:57I'm not doing anything with my hands.
00:45:59Of course.
00:46:06Anything else?
00:46:07Anything else?
00:46:09I think you're disappearing behind the words.
00:46:13You're not talking about yourself.
00:46:16Yes?
00:46:17Look at me.
00:46:18I'm here.
00:46:19Come.
00:46:23Come, Monica.
00:46:29I'm sorry.
00:46:30That's enough.
00:46:31No, no.
00:46:32We'll continue.
00:46:35Can we leave it at that?
00:46:36No.
00:46:46I'm an exhibition designer, art historian and culture manager.
00:46:50I've been working in the field of visual arts for over 20 years
00:46:53and organize international exhibitions.
00:46:55Especially in Europe, but also in Latin America and the USA.
00:46:59Among them, exhibitions in the context of some of the most important art biennials and...
00:47:07I know the culture business,
00:47:12the institutional work from various perspectives
00:47:15as a researcher, as a promoter of young art,
00:47:18as a mediator, but also as a producer.
00:47:37PHONE RINGS
00:47:46Hello?
00:47:50Hello?
00:48:07Hey.
00:48:11Can I come in?
00:48:14Yes.
00:48:32Nice apartment.
00:48:33Are you a professor?
00:48:34Where's Joseph?
00:48:36Didn't he call you?
00:48:39No.
00:48:43He's in jail now.
00:48:47Why? What did he do?
00:48:49Don't you remember?
00:48:52Can I smoke?
00:48:54Sure.
00:49:00He messed up.
00:49:01He messed up.
00:49:31How much money do you have?
00:49:34I don't have any more.
00:49:35I came to you in a hurry.
00:49:37So 1,500 euros left.
00:49:40Left over, yes?
00:49:41To pay.
00:49:44Is your husband there?
00:49:46Do you need a little help?
00:49:49Yes, good, but I don't have that much.
00:49:52How much do you have?
00:49:53200, 300, 400, 500?
00:49:56Probably, yes, approximately.
00:49:58You're looking for your husband, aren't you?
00:50:00He's your husband, isn't he?
00:50:02He calls me all the time.
00:50:04He wants to get out.
00:50:07What did he mess up?
00:50:09I already told you.
00:50:11He can't keep his feet wet.
00:50:13That's why.
00:50:16Well, I'll see how much I have.
00:50:29220.
00:50:34So little?
00:50:37Yes, I don't have any more here.
00:50:40Okay, I'll try to pay for it by January morning,
00:50:43but can I call you when you have the money?
00:50:48Let me know when I should come back to get the rest.
00:50:51Okay.
00:50:56Write me your number, I'll get in touch.
00:51:08Thank you.
00:51:12Hey, Britta.
00:51:13How are you?
00:51:14May I come in?
00:51:19Wow, you look great.
00:51:22Oh, do I have to get dressed?
00:51:24Are you the experts?
00:51:25No, we're the accordionists.
00:51:27Oh, the accordionists, I understand.
00:51:29Wait a minute, I'll be right back.
00:51:33I'll be right back, okay?
00:51:51Thank you.
00:52:11Thank you.
00:52:12Can I have some sugar, please?
00:52:13Sure.
00:52:17Thank you.
00:52:22Thank you.
00:52:31This is where we work.
00:52:34It's nice.
00:52:40What happened?
00:52:44I had some problem with my papers.
00:52:51They put me in jail.
00:52:54Why didn't you call me?
00:52:58I could have helped.
00:53:00It was not necessary.
00:53:01The door closed, the door opens again.
00:53:21I got something for you.
00:53:43It gives you fortune.
00:53:46Thank you.
00:53:52Thank you.
00:54:02You lost your flat, huh?
00:54:05I know.
00:54:21Yeah, just put the box in here for now.
00:54:46Sorry for the mess.
00:54:48I didn't expect anybody to move in.
00:54:51It's okay.
00:55:02Thank you.
00:55:03You're welcome.
00:55:12What did you do in jail?
00:55:14Planned steal OIB.
00:55:16What?
00:55:18A lot of coolies.
00:55:19I made 120 euros.
00:55:23120 euros?
00:55:25I paid much more to get you out.
00:55:30Barbara said he paid.
00:55:36No, I paid.
00:55:42I give it back to you.
00:55:49Thank you.
00:55:55I don't like Ambara.
00:55:57I don't trust him.
00:55:58He's my family here.
00:55:59He's my friend.
00:56:02It's more than money.
00:56:19I made myself a glass of wine.
00:56:20Do you also want one?
00:56:23No, thank you.
00:56:25Okay.
00:56:50I don't like my skin.
00:56:53I don't like my skin.
00:56:55Even worse.
00:56:57Because my skin crushes me.
00:56:58What?
00:57:02When Bino was with you,
00:57:03what did you do that you turned him into a pig?
00:57:05What did you do?
00:57:07We didn't.
00:57:08I didn't do anything.
00:57:10What did you do?
00:57:11If I tell you I don't want to be a pig,
00:57:13I want to be a pig.
00:57:15We need to be more careful.
00:57:16We need to be more careful.
00:57:17We need to be more careful.
00:57:18That's what I'm talking about.
00:57:21I'm going to get some tea.
00:57:25How's business in Bissau?
00:57:28It's going well.
00:57:35Have you seen Nyabinga?
00:57:37No, I haven't.
00:57:39The container is full.
00:57:41I haven't seen him.
00:57:43I've been to Bangola, but I haven't seen him.
00:57:46That's why I'm here.
00:57:48I'm going to get some tea.
00:57:50You have to be patient.
00:57:54I'm going on an expedition.
00:57:58What are you doing?
00:58:01Are you going to tell the whole world?
00:58:06You're going to tell the whole world?
00:58:08You're going to tell the whole world?
00:58:10What are you going to do?
00:58:12Business must be calm.
00:58:15No.
00:58:17I have to tell the whole world.
00:58:19I have to tell the whole world.
00:58:23I'm going to the casino.
00:58:25I don't have the time for that.
00:58:27I have to get some tea.
00:58:29I'm going to Bangola.
00:58:31I have to get some tea.
00:58:34Do you know what I'm doing?
00:58:36I'm going to Bangola, but I haven't seen him.
00:58:39I haven't seen him.
00:58:41He's not here.
00:58:43You're the one who's been pushing her around.
00:58:44You're not the one who's been pushing her around.
00:58:47Show some respect.
00:59:11Hey.
00:59:13Hey.
00:59:33I love you.
00:59:43Hey.
00:59:59Do I look fat in this?
01:00:01No, no, no. You are beautiful. I like it.
01:00:05Yeah.
01:00:13What did you tell Vladimir? When did we marry?
01:00:15Last month.
01:00:17And where?
01:00:18They won't ask.
01:00:22Don't we need rings?
01:00:24Don't worry too much.
01:00:27Shall I take it? I can put it in my bag.
01:00:34Thanks.
01:00:43Thank you.
01:01:07Merci, madame.
01:01:08Thank you.
01:01:14Joseph told me you've got your own airplane.
01:01:18No, no.
01:01:19I sold it.
01:01:21You have sold it?
01:01:24You like to fly?
01:01:25I try to avoid it.
01:01:28You know, I travel a lot.
01:01:31My kids already speak a little bit Chinese.
01:01:34Really? Wow.
01:01:36I do a lot of business there.
01:01:38Do you have kids?
01:01:40No, I don't have kids.
01:01:41Why not?
01:01:43I didn't want any.
01:02:12Merci.
01:02:16Hi, I'm Monica. Nice to meet you.
01:02:18Nice to meet you.
01:02:20Have you called your mother?
01:02:21Yeah, sure.
01:02:22I called her last week.
01:02:24She told me something else.
01:02:34Your diploma.
01:02:42I don't think I like it.
01:02:44But Kali, I don't see my favorite flavor.
01:02:47The makala.
01:02:48Makala.
01:02:49I made it.
01:02:50With the peppers.
01:02:51What is makala?
01:02:52It's like a little African donut.
01:02:57Is that meat for onsen?
01:02:58Yeah.
01:03:00I don't see anyone taking the tomato.
01:03:04This is pondu.
01:03:05Pondu.
01:03:06African food is spicy.
01:03:12Bon appétit.
01:03:14You asked for sauce for your tea.
01:03:16Merci, madame.
01:03:21Tupolol.
01:03:23Likam bozabun.
01:03:25Monica.
01:03:42Hello.
01:03:44I love this.
01:03:46I eat goat.
01:03:47You like it?
01:03:48No.
01:03:49No?
01:03:50What's the name of the movie?
01:03:51The Eyes of a Companion.
01:03:53Oyo and Kokiko Salama Sangowana.
01:03:56Natalo Muke.
01:03:58Kokiko Bongisa.
01:04:00The Eyes of a Companion.
01:04:02The Eyes of a Companion.
01:04:04The Eyes of a Companion.
01:04:06The Eyes of a Companion.
01:04:08The Eyes of a Companion.
01:04:09The Eyes of a Companion.
01:04:10Kokikobongisa.
01:04:11Potefuta Bakute.
01:04:13This movie is good.
01:04:15Oyo
01:04:16and Kaka Maskinwi Pele.
01:04:18Oyo and Kala.
01:04:19Para hotel.
01:04:20And Kala.
01:04:21And in Kelabiso.
01:04:24What kind of film will I see in the future?
01:04:28We can't wait.
01:04:29In the future,
01:04:32maybe dollars.
01:04:37Tell me the rate of the price you offered for this film.
01:04:3975,000.
01:04:46Jackie Culler for Angola?
01:04:49Jackie Culler for Angola.
01:04:52We'll think about it.
01:04:54Look, you must come to Luanda.
01:04:58I will show you the country.
01:05:00Thank you. It's very nice.
01:05:02Why not celebrate in your wedding?
01:05:04Yeah.
01:05:06A big wedding, you know.
01:05:081,000 to 2,000 people.
01:05:11Thank you.
01:05:18Thank you.
01:05:23Cheers.
01:05:25I told you, we'll have a four by four.
01:05:28A what?
01:05:30A four-wheel drive, a big Mercedes.
01:05:32We'll live in the house, a big house outside of town.
01:05:36Sounds like a gated community.
01:05:38It's nice.
01:05:40I don't know. I don't want to live outside of town.
01:05:44It's boring.
01:05:45When you have money, you have to be outside.
01:05:47It's normal.
01:05:54So you are really a prince, huh?
01:06:07Did you have a party last weekend?
01:06:09Shall we go?
01:06:10No, no.
01:06:18Wait, wait, wait.
01:06:20Where are you going?
01:06:23We'll find out where everyone else is.
01:06:25It's normal.
01:06:36We'll find out where everyone else is.
01:06:40We're glad you're doing well.
01:06:42Good night.
01:06:44Good night.
01:06:46We'll find out where everyone else is.
01:06:48We'll find out where everyone else is.
01:07:05You still want to get married?
01:07:09You mean for real?
01:07:18Yes.
01:07:28I... I cannot find it.
01:07:31How does it look like?
01:07:33It's a little green one with a red stripe.
01:07:40It looks like trash.
01:07:43These are my papers.
01:07:48You're nearly 60.
01:07:51I didn't want to go to the army.
01:07:53They blame me, I blame them.
01:07:57I'm going to be a rentman soon.
01:08:01So we can go to Altesheim together.
01:08:19Mr. Padikanga.
01:08:21Good day.
01:08:33Silvia?
01:08:35Yes, it's me again.
01:08:37I have an Afghan here.
01:08:39He doesn't have an income at Eurodag either.
01:08:41Good.
01:08:43Then we have to listen to him too.
01:08:45Thank you.
01:08:47Thank you.
01:08:52So...
01:08:55And you are?
01:08:57Monika Albrecht.
01:09:00Monika Albrecht.
01:09:07You smell so good again today.
01:09:09Did you buy a new perfume?
01:09:13Mr. Padikanga.
01:09:17Thank you.
01:09:21So...
01:09:24Mr. Padikanga would like to register in Frankfurt am Main with me.
01:09:27But Mr. Padikanga has a residence permit in Shida.
01:09:31Plus a spatial restriction.
01:09:34I thought you got rid of it.
01:09:37Well, for people who stick to the rules.
01:09:42I have here...
01:09:46I have a license.
01:09:48It's African.
01:10:15You can't lie to him twice.
01:10:18You can talk to her. It's impossible.
01:10:29Is there anything else I can do for you?
01:10:32Mr. Padikanga can't find his residence permit.
01:10:37But we would like to register our marriage.
01:10:40Ah, you want to get married.
01:10:43Well, then you have to go to the district government here in Detmold
01:10:48and get yourself a new one.
01:10:51But I just saw...
01:10:53They've been closed for 20 minutes.
01:10:56And you don't have such a form here?
01:10:59Yes, but I have no right to issue it.
01:11:03You don't lose the permission to stay in a country so easily.
01:11:08Or you shouldn't do it so easily. Look for it again.
01:11:13Thank you.
01:11:22She's in love with me.
01:11:25Who?
01:11:27Frau Kirschke.
01:11:30She's in love with you?
01:11:33Yes.
01:11:37I had sex with her in her garden.
01:11:40What?
01:11:42You had sex with Frau Kirschke?
01:11:46Just joking.
01:11:52But how do you know she has a garden?
01:12:07What was this thing with the Überweisungsträger?
01:12:12It has business.
01:12:19It means you have to survive without Staat, Polizei, System D.
01:12:24What are you talking about?
01:12:26When the Congo broke down, Mobutu said,
01:12:29Debrouillez-vous, help yourself.
01:12:36Probably Germany is not the right country for Debrouillez-vous, huh?
01:12:40I do whatever I need to do to survive.
01:13:11Hello, Dede.
01:13:14How are you?
01:13:16Fine, thank you.
01:13:18That's good.
01:13:21I'm going to tell Sabine.
01:13:25Ah, you changed the letters.
01:13:28Yeah.
01:13:30Looks very good now. Very elegant.
01:13:33This one is better.
01:13:54This is my friend, Ouzoula.
01:14:25Thank you.
01:14:28Thank you.
01:14:30Thank you.
01:14:32You look good.
01:14:34Let's speak all the languages here.
01:14:37You want some work?
01:14:39Yes, yes. It was a spontaneous idea.
01:14:42Spontaneous.
01:14:44A spontaneous visit.
01:14:46Yes.
01:14:49Let's take a look at the profile.
01:14:51Here it is.
01:14:52Bruce Kelly.
01:14:54You're right.
01:14:56He has blue hair.
01:14:58This is Monica Verchacci.
01:15:00No compliments.
01:15:02I just wanted to say,
01:15:04when I close my eyes,
01:15:07I feel like...
01:15:12You look good.
01:15:16What is Siska?
01:15:23It's a song.
01:15:25Siska is a Congolese woman.
01:15:27We don't know her.
01:15:29She's a strange woman.
01:15:31A woman of dreams.
01:15:33Sing again, please.
01:15:45I love you, Siska.
01:15:48I love you, Siska.
01:15:56I just wanted to say,
01:15:58Monica is a white woman
01:16:01with a heart like an African woman.
01:16:05You see?
01:16:07She's true.
01:16:09Monica is extra.
01:16:11Extra.
01:16:13Monica.
01:16:17Again, compliments.
01:16:24I don't think I know you.
01:16:26No, not at all.
01:16:28I'm Ambara.
01:16:29Ursula. Nice to meet you.
01:16:31Are you a professor?
01:16:33No, I'm not. I'm a lawyer.
01:16:36Why did you hide from me for so long?
01:16:39Why did you hide from me for so long?
01:16:42Let's go.
01:16:44How are you?
01:16:49Do you want a drink?
01:16:51It's okay.
01:17:07Please.
01:17:10Boni.
01:17:13Let's go.
01:17:19Be careful.
01:17:26What's your family life like?
01:17:28I've been married for 30 years,
01:17:31but I don't have any children.
01:17:33You don't look like it.
01:17:35You don't look like it.
01:17:37You're charming.
01:17:39I really wanted to say...
01:17:44I've seen you in the casino.
01:17:46You look like a model husband.
01:17:48You look like a model husband.
01:17:51I'm not sure I can work there.
01:17:54I'm not sure I can work there.
01:17:57You should go to the registration office.
01:18:00I can't.
01:18:02I'm not sure I can work there.
01:18:04If you don't, you'll have to pay for it yourself.
01:18:07You don't know how to do it.
01:18:10You don't want to be in danger.
01:18:11I've been doing it for a long time.
01:18:14I'm not going to let you do it.
01:18:17I'm not going to let you do it.
01:18:19Take him away.
01:18:22Where did he go now?
01:18:24Ambara got some problems with his family.
01:18:27Bye.
01:18:31Bye, Monica.
01:18:33Bye.
01:18:34You're so nice.
01:18:35Thank you very much.
01:18:37Goodbye.
01:18:38See you next time.
01:18:51Where are they going now?
01:18:53Ambara is a very good friend of Joseph's.
01:18:57Would you like something to drink?
01:18:58No, I'm fine. Thank you.
01:19:02No, I'm fine.
01:19:07And did you imagine this for your life?
01:19:17You didn't ask me about that with Peter either.
01:19:19No, you didn't want to marry him either, did you?
01:19:22Yeah, he didn't need any papers either.
01:19:25That's true.
01:19:27And how's the application going?
01:19:29Are you going to distract me now?
01:19:31That's true.
01:19:36Marrying him over papers...
01:19:40...isn't right.
01:19:42Is love enough for you?
01:19:46Not necessarily.
01:19:47Oh.
01:19:50It's risky.
01:19:51What?
01:19:53I don't know.
01:19:54It's risky.
01:19:55What?
01:19:58What? What's risky?
01:20:00Everything I say is wrong.
01:20:01Yes, I know.
01:20:03I can understand that, but...
01:20:05What?
01:20:09The fascination.
01:20:13Honestly.
01:20:19Madness.
01:20:21I wouldn't have thought that,
01:20:23but I think I'd prefer it if you left.
01:20:28You have a certain obligation to supervise, don't you?
01:20:32Are you my prison guard now?
01:20:34No, but I'm watching out for you.
01:20:41I'm sorry.
01:20:46It's okay.
01:20:47It was a nice evening.
01:20:50Monica Versace.
01:20:53I'm glad you liked it.
01:20:54Really?
01:20:58Have a good time.
01:21:17Monica, are you coming?
01:21:19Yes.
01:21:40Thank you for the invitation.
01:21:43I'm really happy to be here today.
01:21:47Since most of you are familiar with my long-term work here,
01:21:53I'll spare you a detailed overview of my career so far.
01:21:58I'll just be calling in a few of the most important stations
01:22:03outside of Frankfurt to remind you.
01:22:06Then I'll go into detail about my curatorial concept
01:22:10for the Frankfurt Art Gallery.
01:22:17I'm an exhibition curator,
01:22:19art historian and cultural manager.
01:22:22I've been working in the field of visual arts for over 20 years
01:22:26and organize international exhibitions,
01:22:29especially in Europe, but also in Latin America and the USA,
01:22:33including exhibitions in international art halls and museums,
01:22:38but also in some of the most important art biennials.
01:22:42I know the institutional work from various perspectives,
01:22:46as a researcher, as a mediator,
01:22:49as a promoter of young art and also as a producer.
01:22:53In the last few weeks,
01:22:55despite my long-term work as a curator here,
01:22:59I took a close look at the profile of our house
01:23:03and thought about how our institution
01:23:06will develop over the next few years.
01:23:10Hey, Jules.
01:23:11Hi, Monika.
01:23:12Good, and you?
01:23:13I need a drink.
01:23:14Hi, Lili.
01:23:15I need a gin and tonic.
01:23:18Hi.
01:23:21Hey.
01:23:27How are you?
01:23:29So terrible.
01:23:31I'm so sorry.
01:23:33It's okay.
01:23:35It's okay.
01:23:36How are you?
01:23:37Good.
01:23:38So tell me, how was it?
01:23:40Thank you.
01:23:41I think it was pretty good.
01:23:43That's great. I knew it.
01:23:45Yeah?
01:23:46Do you also want a gin and tonic?
01:23:48No, a beer.
01:24:06Shit.
01:24:36Thank you.
01:25:04How much do you owe them?
01:25:06Ten thousand.
01:25:11Ten thousand.
01:25:15I gave it to Ambera.
01:25:19Something went wrong.
01:25:21I told you he's an asshole.
01:25:30I don't want to live like this, Joseph.
01:25:33For me, you don't have to be rich.
01:25:37I don't want to be afraid about you.
01:25:40Okay?
01:25:42It was just bad luck.
01:25:46Doesn't look like bad luck.
01:25:49Oh.
01:26:03Hello.
01:26:06Vladimir.
01:26:09Tea.
01:26:10Tea, tea.
01:26:12Problem is a tea.
01:26:15Carcassonne, Jaguar.
01:26:17Okay.
01:26:18I'll be back.
01:26:22Okay.
01:26:24I'm always very happy here.
01:26:26Because it's right by the sea.
01:26:28It sounds really great.
01:26:29It sounds great.
01:26:31Come on, Azizan.
01:26:33Azizan.
01:26:37Did you like it?
01:26:39I found it very relaxing.
01:26:41I can't say the same about the other six galleries.
01:26:45Yeah, I liked it too.
01:26:47It's nice when evenings are like this.
01:26:48Absolutely.
01:26:49A good exhibition.
01:26:50We're going to the coca-loca.
01:26:51Are you coming?
01:26:54Only if you come with me.
01:26:58But tell me, Azizan.
01:27:00How did you get into collecting?
01:27:02When did it start?
01:27:03Collecting?
01:27:04Collecting?
01:27:05You can't explain that.
01:27:08I mean, you try to explain love.
01:27:10But no, it was more of this strange coincidence.
01:27:13I get to know young artists.
01:27:15And my father gives me money to get a driver's license.
01:27:18And then I buy art.
01:27:20And it stayed that way.
01:27:21My father also collected crown corks.
01:27:25Look, I don't think he has that one yet.
01:27:26Yes.
01:27:29Bring it with you.
01:27:30Yes, bring it with you.
01:27:32Very nice.
01:27:35And tell me, did you hear anything from the invention commission?
01:27:40No, not yet.
01:27:44I'm sure you don't have to worry about that.
01:27:46It'll work.
01:27:48How can you be so sure?
01:27:50Well, you've already convinced me.
01:27:53Come on.
01:27:55No, your lecture was great.
01:27:58I don't agree with everything, but...
01:28:01It had a very good form.
01:28:04I'm glad, thank you.
01:28:06Hey.
01:28:07Ah, hello.
01:28:10How are you?
01:28:11Good.
01:28:14Oh, excuse me.
01:28:16I'm Joseph Badibanga.
01:28:18Michael Schmidt-Fournier.
01:28:20Badibanga.
01:28:21Where is the name from?
01:28:23I'm from Congo.
01:28:25Ah, Kabya Kabam.
01:28:27A great Congolese artist.
01:28:28Mm, Kabya Kabambi.
01:28:30Yes, I made an exhibition of him years ago.
01:28:34You speak French?
01:28:35Yes, yes.
01:28:36I was in Kinshasa five or six years ago.
01:28:39Do you know him?
01:28:41Yes, I know him. I met him there.
01:28:43Ah, yes, but he's an extraordinary man.
01:28:45And you know him personally?
01:28:47He's a friend of my aunt.
01:28:49Ah, very good.
01:28:50But have a whisky with us.
01:28:53Well, no, I don't.
01:28:55But...
01:28:56I don't really have the time.
01:28:58Ah, too bad.
01:29:01Well, I have to go.
01:29:03See you next time.
01:29:05Bye-bye.
01:29:06Thank you.
01:29:07Goodbye.
01:29:09I'll see you next time.
01:29:10Yes, yes.
01:29:12Back to your passion for collecting.
01:29:14Can you imagine getting rid of your works?
01:29:18Or separating them?
01:29:20Yes, in theory.
01:29:22Yes, let's say so.
01:29:24Maybe there's something like a saturation.
01:29:27You have to invite someone.
01:29:29Or you let go.
01:29:31Invite someone.
01:29:51D, E.
01:29:53D, E.
01:29:5545.
01:29:5762.
01:29:5962.
01:30:0161.
01:30:03Let's see.
01:30:051, 2, 1, 2.
01:30:12Hey.
01:30:15Hey.
01:30:17Hey.
01:30:19Hey.
01:30:20Hello, Monica.
01:30:21Hello.
01:30:220, 0.
01:30:230, 0.
01:30:2419.
01:30:320, 7.
01:30:35What are you doing?
01:30:37Working.
01:30:49Does Gabriele Fischer also know what you are doing with her account?
01:30:54Gabi wants to earn money.
01:30:56What kind of money?
01:30:57It's from Mobutu.
01:30:58I thought he's dead.
01:30:59Yeah, but his money is still alive.
01:31:04You are using her.
01:31:07Goodbye, Gabi.
01:31:13Goodbye, Monica.
01:31:14Goodbye.
01:31:15Goodbye.
01:31:31She knows it.
01:31:38Maybe you should find a little job.
01:31:41What for?
01:31:42Earn money, pay the rent.
01:31:45What kind of job?
01:31:48I don't know.
01:31:49Kitchen.
01:31:53So what do I do then?
01:31:55I will work.
01:31:578, 10 hours a day.
01:31:59Who will I be?
01:32:03You know, I can do everything for money.
01:32:06Even clean the toilet.
01:32:07I don't care.
01:32:09I will do it.
01:32:10But it has to bring me somewhere.
01:32:16And what do you do for our relationship?
01:32:19You never say where you go, you never say what you do.
01:32:23Is it about using my flat, using me?
01:32:28If I want to use somebody, there is plenty outside.
01:32:31A lot of people.
01:32:43I want you to stop it.
01:32:45You're not in fucking Congo.
01:32:53Where does the money come from?
01:32:54My friend, Osula.
01:32:55I don't want a gift from your friend.
01:32:56It's not a gift, we have to pay it back.
01:33:10If you don't follow certain rules,
01:33:13you will lose this game, Joseph.
01:33:16I'm trying to help you here.
01:33:22I don't need your help.
01:33:24I need your respect.
01:33:45I'm sorry.
01:34:11Good red stones.
01:34:12And how much did he say?
01:34:138,000.
01:34:21Okay.
01:34:40I can offer you 4,000.
01:34:41Cash.
01:34:47You know that this is no serious offer.
01:34:50I don't have to buy them.
01:34:51You know, I just do it for fun.
01:34:59As I understand, you need money.
01:35:11Yes.
01:35:12Thank you.
01:35:40You're concentrating on me,
01:35:41but I'm concentrating on a guy
01:35:43who's just appeared at the window
01:35:46with a very young girlfriend.
01:35:48The guy's about 65,
01:35:50kind of got long curly hair stuff,
01:35:53which I'll never have.
01:35:55But anyway,
01:35:56Keith can see that I'm distracted by something,
01:35:59so I just write on the museum plan.
01:36:08Fuck me.
01:36:12Or fuck me.
01:36:14So anyway,
01:36:15I'm getting a vibe,
01:36:16so I write down...
01:36:17Hey, love.
01:36:19Sorry.
01:36:20This is Joseph.
01:36:21This is Douglas,
01:36:22an old friend of mine,
01:36:23and we're planning the next exhibition together.
01:36:26Hi.
01:36:27Nice to meet you.
01:36:28Nice to meet you, finally.
01:36:30Do you want to eat something?
01:36:31We did some spaghetti.
01:36:32Oh, no, thank you.
01:36:37So we are...
01:36:38All right, so back to fuck me.
01:36:39Back to fuck me.
01:36:40Then I have to let you know
01:36:43that actually it's...
01:36:46So I just write down the guy's name.
01:36:48Do you want a drink?
01:36:52Don't look at me.
01:36:54You know what?
01:36:55I would love something to drink.
01:36:56Thank you.
01:36:58Okay.
01:37:02No way, Robert Plant.
01:37:03Keith doesn't know Robert Plant.
01:37:05In the meantime,
01:37:06he's walked in,
01:37:07Robert Plant,
01:37:08and Keith still doesn't know who this is.
01:37:10So I have to then write down the name
01:37:13of Robert Plant's band
01:37:15in the 1970s.
01:37:18And Keith, you're a lot older than I am.
01:37:21You are so-and-so?
01:37:22Yes, I did want to thank you.
01:37:24Led Zeppelin.
01:37:26I don't believe it, really.
01:37:27So can you imagine
01:37:28that he's been planning a show
01:37:30about a 1970s rock band
01:37:32with some fuck me involved
01:37:34and then a negative?
01:37:36Oh, thank you.
01:37:37Oh, thank you.
01:37:38Ah, that's great.
01:37:41Cheers.
01:37:42Cheers.
01:37:43Cheers.
01:37:49Let's move back to work.
01:37:51Last room.
01:37:52Come on, Douglas.
01:37:53Still work, okay.
01:37:54Yeah.
01:37:55So...
01:38:02What do we think that is?
01:38:04This is...
01:38:06a screen.
01:38:07Ah, that's a six metre wide screen.
01:38:10No, it's five metre.
01:38:11Five metre.
01:38:13We talked about it, Douglas.
01:38:34Do we have a problem with the distance
01:38:36between the beamer and the screen
01:38:37because we moved it in?
01:38:39No, it's fine.
01:38:40No, no, okay, okay.
01:38:42Do you have a moment?
01:38:43Yes.
01:38:44I'll check the press release.
01:38:51It's in the bag.
01:38:52Don't be so esoteric.
01:38:53Okay.
01:38:54Thank you.
01:38:56Of course, not everything was delivered.
01:38:58Yeah, but, Douglas, you know I can do night shifts, huh?
01:39:03Okay, see you.
01:39:04Bye, sweetheart.
01:39:06Peter.
01:39:07One of the beamers can't be synchronised.
01:39:09They sent the wrong one.
01:39:11We don't have the other one yet, of course.
01:39:13So we'll have to do a preview after the press release.
01:39:17We'll try to patch up the walls.
01:39:19We'll try to patch up the walls.
01:39:21We'll try to patch up the walls.
01:39:22We'll try to patch up the walls.
01:39:23We'll try to patch up the walls.
01:39:26Monika, I just spoke to the board.
01:39:37I don't have it, right?
01:39:40I'm not afraid.
01:39:45I'm sorry.
01:39:49Is it official?
01:39:51No, not yet.
01:39:53Okay.
01:40:00I've sent you the list of people.
01:40:02You know, for my speech.
01:40:04If you'd be so kind, you could just look over there.
01:40:07Just to see if I've forgotten anyone I have to thank.
01:40:10I'll do that.
01:40:11Thank you.
01:40:23Thank you.
01:40:30Smoking is smoking.
01:40:44Do you know how my uncle died?
01:40:54Okay.
01:40:55The only level of conversation this family had was cynicism.
01:40:59Right?
01:41:01Cynicism.
01:41:02Cynicism.
01:41:03Cynicism.
01:41:04So, they were on Mallorca.
01:41:07Yeah.
01:41:09Sitting on the beach.
01:41:1235 degrees.
01:41:14Tante Gisela, slightly tipsy, watching Uncle Dieter.
01:41:19And she was talking about what kind of nonsense he's doing
01:41:22while he's shouting and waving in the water.
01:41:27His two flubby sons also making jokes and stupid comments
01:41:32with Tante Gisela.
01:41:34Till his heart attack was over,
01:41:37and there was still his dead body floating in the water.
01:41:43LAUGHTER
01:41:50Tragedy.
01:41:51No, the tragedy is that it was his fault.
01:41:54He sat on the couch the whole life
01:41:57and he made stupid jokes about everything.
01:42:00And when he died, nobody took him seriously.
01:42:13You know what I think?
01:42:28I think you should go home.
01:42:42I know.
01:43:13How are you?
01:43:21I was out with Douglas.
01:43:26I don't care.
01:43:31I don't care.
01:43:35I don't care.
01:43:39I don't care.
01:43:42It's your body. It's your problem.
01:43:45It's your responsibility.
01:43:48If you want to give your body to me, you can do it.
01:43:51If you want to give your body to another person, it's your thing.
01:43:54I didn't.
01:43:56My first wife is my wallet.
01:44:01And the good thing is, she stays with me and she never asks questions.
01:44:13I'm sorry.
01:44:27I'm sorry, Monique. Really.
01:44:34You're strong.
01:44:38You're going to make it.
01:44:42You're going to make it.
01:45:12You're going to make it.
01:45:37Should I stop?
01:45:42No.
01:45:54I'm not your enemy.
01:46:12I'm not your enemy.
01:46:14I'm not your enemy.
01:46:40Everything there?
01:46:44Yes.
01:46:56Do you need this?
01:47:02No, this is something else.
01:47:11I think for the registration it's enough.
01:47:14And if there's something missing, we still can hand it in, yeah?
01:47:19Pick you up from the Constante, then we can go together?
01:47:22No. No, no.
01:47:24We meet at the Standesamt.
01:47:27I'm sorry, I have to go.
01:47:29Okay.
01:47:30Bye.
01:47:33Bye.
01:47:35Stop.
01:47:42Go back a bit.
01:47:45Stop.
01:47:48A bit more.
01:47:53Hans, you had to go a bit forward.
01:47:56Stop.
01:47:58And now the whole canvas a bit smaller.
01:48:02Stop.
01:48:05Stop.
01:48:24Okay, I'd like to see it.
01:48:35Thank you.
01:49:05Stop.
01:49:35Stop.
01:50:02Joseph?
01:50:05Joseph?
01:50:35Joseph?
01:51:05Joseph?
01:51:13I don't think they made the right decision.
01:51:15They made a mistake.
01:51:17I applied, I got a rejection letter.
01:51:19Everything's fine.
01:51:29Did Joseph drown again?
01:51:31No.
01:51:35No.
01:51:42I don't know how much they're worth.
01:51:44Maybe you should take the receipt.
01:51:56Are these diamonds?
01:51:58From Joseph, yes.
01:52:00And you let them be valued?
01:52:03No.
01:52:07Are they real?
01:52:11I think so, yes.
01:52:18And where did he get them?
01:52:21For what reason?
01:52:23It could also be glass.
01:52:25Or salt.
01:52:28You can test it.
01:52:30I'm a professional.
01:52:34Good.
01:52:42Can I help you somehow?
01:52:47Monika, that's nonsense.
01:52:49No, we're testing it now.
01:52:51No.
01:52:53Monika, come on.
01:52:55Better go to the jewelry store.
01:53:00Okay.
01:53:09I'll pay you back in a different way, okay?
01:53:16Maybe only one stone wasn't real.
01:53:30Diamonds from Greece.
01:53:53Diamonds from Greece.
01:53:57The hardest stone in the world.
01:54:01There's an old story.
01:54:03If you wanted to smash a diamond
01:54:05with a hammer on an anvil,
01:54:07the anvil and hammer would break.
01:54:13This is not recommended for testing.
01:54:17A crystalline dust would remain
01:54:19from valuable diamonds.
01:54:23The diamond has,
01:54:25parallel to the crystal surfaces,
01:54:27a very good splitability.
01:55:01It doesn't have a cap,
01:55:03because it's not heavy.
01:55:30I'm going to the jewelry store.
01:56:01I'm going to the jewelry store.
01:56:03I'm going to the jewelry store.
01:56:05I'm going to the jewelry store.
01:56:31Hey.
01:56:33Hey.
01:56:41How are you?
01:56:45I'm okay.
01:57:00I'm okay.
01:57:23I had a strange dream.
01:57:27And what was so strange?
01:57:29I went to the church
01:57:31in the white couture.
01:57:34With four horses.
01:57:37You were beautiful,
01:57:39in your white dress.
01:57:41And so many people were waiting for us.
01:57:45I told Dédé,
01:57:47and he said,
01:57:49Joseph, you are crazy.
01:57:53Go to the doctor.
01:57:56I didn't know that you were such a romantic.
01:57:59I used to be.
01:58:30I have to go to Francfort Order
01:58:32this night,
01:58:34to meet a guy.
01:58:37Do you want my car?
01:58:41You sure?
01:58:43Yeah, of course, you can have it.
01:59:00Here, the key.
01:59:02Thank you, I'll give it back to you.
01:59:04Okay, bye-bye.
01:59:06Bye-bye.
01:59:29Bye.