• 2 months ago
Transcript
00:00of time, of love deep, of love from the soul.
00:10Please, have patience, please.
00:12I'm so sick of...
00:14with you, with my mom, with Jesusa...
00:18I... I don't know if I can have patience...
00:21I don't know if when you have those proofs that you say...
00:25I'll be willing to take this back.
00:28Because you make me very sad, Sebastián,
00:31and very disillusioned.
00:34Goodbye.
00:36♪♪♪♪
00:42Are you sure, Adria?
00:44Engineer, please,
00:45since you asked me to start working on this,
00:48don't hesitate to do it.
00:49I spoke to Cisneros,
00:50a great friend of mine for a long time.
00:53Yes, I know him.
00:55But what did Cisneros tell you?
00:57Well, he's going to try to stop time
00:59so we don't lose the rights we have on schedule.
01:02Even though the campaign will be released
01:04a couple of days after the scheduled dates,
01:06I think we'll make it.
01:07If that were possible, we'd be safe.
01:11You can't compare the loss of two or three days
01:14without being in the air,
01:17losing the rights to the exhibition of the entire campaign,
01:21and the competition keeping our time in the air.
01:24I know, Engineer.
01:25That's why I proposed an idea to Cisneros.
01:28He loved it.
01:29He said it was a wonderful idea.
01:31What did you propose?
01:34We're going to make a 10-second preview of the campaign
01:37so we don't lose the scheduled dates.
01:39Previews using the brand's image
01:41and an audio that says,
01:43something is coming up soon,
01:45or something will change your life.
01:47Don't miss it.
01:49That's a great idea.
01:52Take care, Brenda.
01:53Someone's asking a lot of questions
01:55about how you got personal access
02:01to a confidential file.
02:10Answer it!
02:19What do you want?
02:21Who's asking questions?
02:22Don't you feel disgusted by me?
02:24Don't you feel repulsed to hear my voice?
02:27Javier, I already told you that was a misunderstanding.
02:31Please don't say you helped me.
02:34Besides, it's not in your best interest to know.
02:36If they fire me, they'll fire you too.
02:39Yes, I know.
02:40But do you know the difference between you and me?
02:43I know how to work and I can find a job.
02:45You, on the other hand,
02:47all you know how to do is sleep with your boss.
02:50All I feel now is a deep disgust for you.
02:55Javier?
03:02Helena!
03:08This way, we won't lose so much money.
03:10People will keep seeing the brand and the image will be refreshed.
03:13I've been trying to do everything I can
03:16to solve this problem Sebastian caused, Engineer.
03:20I appreciate it, Adriel.
03:22And I'll take into account what you're doing for the company.
03:26I have a question, Engineer.
03:27Are you working on the post-production?
03:30Do you think we'll make it with the campaign
03:31even if it's a few days after the deadline?
03:34That's what it's all about.
03:36In the meantime, take care of the previews.
03:40If we need them, of course.
03:42Of course, Engineer. Of course.
03:44Of course. Count on it.
03:46I'll start working on that right now
03:48and I'll send it to you for final approval.
03:57What's up?
03:58I was just thinking of calling you.
04:02Hey, what's going on? Why are you like this?
04:04Mario found out everything.
04:06He wants to take Maca to Guadalajara.
04:08How did he find out?
04:10I don't know.
04:11He hit me. He probably fought with Daniel.
04:14I swear I've never seen him so angry.
04:16I was scared.
04:18Barbara, you have no idea how I feel.
04:22Me too.
04:24Besides, he knows this baby might not be his.
04:27Yes, it's a problem.
04:29If Mario makes a bad plan,
04:31that could help him prove your infidelity
04:34and gain Maca's custody.
04:36No, no, no.
04:37If he takes Maca from me, I'll die.
04:40You have to find out as soon as possible
04:41who the father of your baby is.
04:43Look, I did some research on the Internet
04:46and it seems you can do a blood test
04:48every eight weeks, I think.
04:50Yes, I did some research too,
04:52but I'm really scared of the result.
04:56If it's Daniel,
04:57things will get really complicated with Mario.
05:01What a coincidence that Adrian has the solution
05:03when neither you nor I were able to find it.
05:05Adrian is a good guy.
05:07He's been in the company for a long time.
05:10He has good contacts.
05:12Well, there's no need for him to save us.
05:15The commercial will be ready.
05:16I'm going back to Mexico tomorrow night.
05:18The campaign will be ready on time.
05:19I wouldn't want anything more than that.
05:22But until I have the campaign,
05:24I won't tell you anything, Adrian.
05:26Dad, I understand that after what happened,
05:27I can't ask you to confess,
05:29but this time I give you my word that I'll keep my word.
05:31I hope so.
05:33I need good news.
05:35Why? What happened?
05:36Renata and I broke up.
05:39She found Greta in my house.
05:41What?
05:42It all got complicated, son.
05:43That wasn't the only thing.
05:45I'm at home waiting for a private investigator
05:47because Renata's ex-husband is threatening her
05:51and I need to deal with him.
05:57Mario is a good man.
05:59He has a good heart.
06:01I hope that when he calms down,
06:02he won't take drastic measures.
06:05Especially for Maca's sake.
06:08I hope so.
06:09Even though I failed as a wife and I fell in love with Daniel,
06:14I think I've been a good mother.
06:18Of course you have.
06:20But you have to wait for Mario to calm down
06:23because of his anger and pain.
06:27Yes.
06:28As soon as I get to Mexico, I'll talk to Valero
06:30and tell him to give me the ultrasound
06:32of everything I need to end this anguish.
06:37Hey, I love you so much.
06:40You're not alone, Barbara.
06:42You know I'm with you in everything.
06:44In fact, if you need me to talk to Mario about Maca,
06:48I will.
06:50I'll do everything I can to make sure you're okay.
07:08Son, I feel so sorry for you.
07:13I tried to stop this from happening, but I couldn't.
07:18You're not responsible.
07:19Yes, I am.
07:21You took care of your family, and this happened at my house.
07:26And I found out too late what was going on.
07:31That's why Daniel doesn't live here anymore, right?
07:35That's why you told me you had to fix things
07:38you didn't agree with.
07:39Yes, son.
07:41I had to run because of you, Maca, and us.
07:48And now I see my only two grandchildren
07:51facing the same fate as you.
07:56And now I see my only two grandchildren
07:59facing death as enemies.
08:04Daniel doesn't understand the reasons.
08:08He doesn't understand the forbidden passion
08:10he feels for Barbara.
08:15You shouldn't have told Mario the truth.
08:18I couldn't keep quiet, Mom.
08:20Especially when he wanted to do something
08:21to prevent him from divorcing Barbara.
08:23But do you realize how things turned out?
08:25They're a pair of savages.
08:27Just look at the way you look at them.
08:31It was inevitable.
08:32Good thing your grandfather intervened.
08:34Otherwise, I don't know what would've happened.
08:36I'm worried about Barbara.
08:37I've been calling her, but she won't answer.
08:40I'm sure she and Mario are facing this problem.
08:43They'll have a lot to say and a lot to blame themselves for.
08:46I'm desperate, Mom.
08:47Listen, son.
08:49Calm down.
08:50For a moment,
08:51put yourself in your cousin Mario's shoes.
08:55Can you imagine the pain he's in
08:56because of the double betrayal
08:57your relationship with his wife has caused him?
08:59Of course I'll put myself in his shoes, Mom.
09:01I don't want to be him.
09:03It hurts me to see him suffer because of us.
09:05But I need to protect Barbara.
09:06She's pregnant and this won't do her any good.
09:09What happened won't do anyone any good.
09:12It's a real tragedy that's only just begun.
09:15Sit down.
09:16I'll heal you. That's what I'm your mother for.
09:20Maca and Barbara have been the reason of my life.
09:26And what Daniel did to me is unforgivable.
09:30You know how much I regret it
09:32and what I would've done to avoid it.
09:37I can force Barbara to stay with me,
09:40but I won't give up on Maca.
09:46I'm going to take her to Guadalajara
09:49and I'll wait to find out which of us is Barbara's child.
09:56Now I understand why Barbara was shocked
09:58when she found out she was pregnant.
10:01Because she denied it from the beginning.
10:08I swear I never imagined I'd live something like this.
10:15Cry, son. Don't hold back.
10:19You have enough reasons to hold back your tears.
10:23Cry, son. I understand you perfectly.
10:27Cry. Cry, son.
10:31I'm with you.
10:35Do you know anything about your sister?
10:37Anything about what?
10:39I've been calling her and she won't answer.
10:41Lately, I've been chasing her to talk to her.
10:44I just talked to her.
10:47So she does talk to you?
10:49Well, Mom, she's got a lot going on.
10:51She's coming back to Mexico with Maca.
10:53That's good. I miss my granddaughter a lot.
10:57Living on that ranch must be the worst experience of her life.
11:01Mom, I'm going to say goodbye.
11:03I'm going to grab my bag and go to the airport.
11:05I'm sorry, but I have to go.
11:08Mom, I'm going to say goodbye. I'm going to grab my bag and go.
11:11I'm sorry, but I have to go.
11:12What do you mean? I told you I'm going.
11:15I have an exhibition in Los Angeles tomorrow.
11:16Oh, okay.
11:17Your exhibition.
11:18I'm sorry, but I have so many things going on,
11:20I almost forgot.
11:22It's so bad to take such a short trip.
11:25If you want the driver, he's available.
11:28Thank you. Yes, I think so.
11:31Well...
11:32Mom, I spoke to Sebastián and he said he's going to look for evidence
11:37to prove that you haven't told me the whole truth.
11:40Why don't you tell me once and for all that you're hiding from me?
11:43Again with that, honey?
11:44Yes, Mom, again with that, as many times as necessary.
11:47Well, the truth is that that boy turned out to be a jerk
11:50who only wants to put you against me.
11:52And you'd be very stupid if you allowed it, huh?
11:54I'm good or bad, but I'm your mother.
11:56I gave you life.
11:57And you barely have a few months to get to know him.
12:01So I hope to have your loyalty and that you don't fall for his provocations.
12:06Because with yours, with or without reason, it's incredible.
12:13Are you sure you're going to finish the commercial for Sunday?
12:16That's the idea.
12:17I already gave my dad as a fact.
12:19But hey, here we are working like crazy against the clock.
12:21Let's see, calm down, okay?
12:23I'm sure they're not going to talk.
12:24Oh, I'm dying to see the face of the source's lawyer.
12:27When he sees that he didn't get away with his own, uff.
12:30Yes.
12:31And it seems to me too much of a coincidence
12:33that Adriana has managed not to lose the rights to broadcast.
12:36And besides, we could get the commercial out two or three days later.
12:39Yes. Yes, because the TV could have sanctioned us.
12:42And get a lot more money by selling the space to the competition.
12:45It smells to me that there is a cat locked up here.
12:48Look, I already asked Javier, the systems guy, to help us
12:51to find out how they could enter the campaign file and change the dates.
12:55Please, you need to know, Trana, okay?
12:59And also talk to the sailor.
13:01They had to come in at night to make those changes,
13:04either from my office or from one of their cubicles.
13:07Okay.
13:08And right now I'm investigating with the security and the police.
13:11I'm right here at the soda shop.
13:12I came to leave equipment and some paperwork.
13:14All right. Thanks, Victor.
13:16Maybe I'll pressure Javier on Monday.
13:18Please.
13:19And let him know that if he gives us evidence against Adriana or Brenda,
13:22he will receive a good reward.
13:25I need you to locate my ex-husband.
13:28Mrs. Renata.
13:31What information do you know about this person?
13:35I don't know his name is Jose.
13:37Do you know his last name?
13:40No.
13:41I know he was in prison for domestic violence.
13:45Renata even lost a baby because of the beating he gave her.
13:51Any photograph or video?
13:54No.
13:55Any other information?
13:56No.
13:57Can I talk to Mrs. Renata Gamboa?
14:01I would speed up the investigation if I have more information about that person.
14:05Because just knowing his name and that he was married to Mrs. Gamboa
14:10does not allow us to denounce much as you would like.
14:15I will try to find out more about Jose today.
14:18As soon as I have the information, I will let you know.
14:21I think it's good.
14:22See you later.
14:23Excuse me.
14:31She is...
14:33Hi, Fatima.
14:39Verania, what are you doing in my house?
14:41Well, we have a common topic.
14:43Sebastián.
14:45No, you're wrong.
14:46You and I don't have anything in common anymore.
14:48Oh, yes.
14:49It's true.
14:50I already found out that you and Sebastián are over.
14:53Well, I already told you that Sebastián is not the man of a single woman.
14:58Verania, I have a lot of things.
14:59Please leave my house.
15:00Leave me alone.
15:01Oh, look.
15:02Maybe this could interest you.
15:03Because right now Sebastián is in New York.
15:06Yes.
15:07And everything indicates that he is organizing things
15:09so that we can go live there together again.
15:13Oh, really?
15:14Well, enjoy yourself.
15:15Yes?
15:16Oh, how nice.
15:17Thank you very much.
15:18Hey, but that is clear.
15:20Well, I already told you.
15:23Sebastián always comes back to me.
15:26Verania, get out of my house.
15:29I don't want to see you again.
15:30Get out!
15:36Good afternoon.
15:51Daniel!
15:53Daniel!
15:54Anselmo told me that you got into a fight with Mario.
15:58Look how your cousin left you.
16:00What are you doing here, Marcos?
16:02How did your cousin find out that you were with his wife?
16:04I told him myself.
16:05Please let me be alone.
16:07Who is the son that Barbara is waiting for?
16:09Her husband?
16:10No.
16:12It's mine.
16:15No, Daniel, but...
16:16But how can you be so sure if he was sleeping with both of them?
16:19Let's see, he was only sleeping with me.
16:21And with that son, no one will be able to separate us.
16:24Daniel, that woman changed you.
16:26She got the worst out of you.
16:27Before, you thought about the others, huh?
16:29And look at you.
16:30Now you're building a relationship about the destruction of a family.
16:33I didn't destroy anything.
16:34Of course you did, Daniel!
16:36And what don't you think?
16:38Don't you think he's going to leave you just like he left Mario?
16:42That will never happen.
16:44Well, don't be so sure, huh?
16:46Because you would also deserve it for playing hard to get with your cousin.
16:50Please leave me alone, right?
16:51Now!
16:52I'm leaving.
16:55But I don't think your conscience will let you live in peace.
16:59Do you know that what you're doing is a skill?
17:03No, Daniel.
17:07You still have time to get away from that woman and apologize to your cousin.
17:13For this madness, please.
17:15Please.
17:45I love you.
18:15I love you.
18:45Love without time.
18:47That time is one.
18:49The right lover.
18:51Second by second.
19:05Where's my dad?
19:09I don't know, my love.
19:10I don't know where he is.
19:12He told me he was coming to Remigio's party, but he didn't show up.
19:16Well, I'm sure something happened to him.
19:19And tell me, how was the party?
19:21What do you care?
19:23Come on, Karina.
19:24You've been very rude to me since yesterday.
19:27That's it.
19:28What are we going to do?
19:29You're a bad mother.
19:30Very bad.
19:32You don't love the baby.
19:34You don't love my dad and you don't love me.
19:36That's not true, my love.
19:38It is true.
19:39Yes, it's true.
19:40I told you that you didn't want the baby to be born.
19:43And he hasn't done anything to you.
19:45That's why you're bad.
19:48My love.
19:49Of course I love him.
19:51I love him very much.
19:53It's just that the baby came at a time when I didn't expect it.
19:58And I didn't know how to handle it.
19:59But of course I love him.
20:01No, no, no.
20:02You don't love us.
20:04And I'm going to tell my dad to take me with him to Guadalajara.
20:06And also to my little brother when he's born.
20:09Maca, you can't go.
20:10You can't go.
20:11Why not?
20:13I thought that when I had a little brother, we would all be together.
20:17But you don't love us.
20:19Now you only love Daniel.
20:21And he's as bad as you.
20:39But then is it true that Sebastian is in New York?
20:42Yes.
20:43How did you know?
20:45We're supposed to be the only ones who know.
20:47Mr. Federico, Victor and I.
20:49And none of us have spoken.
20:52Because Verania told me very kindly at my house.
20:55Verania?
20:56But how did she know?
20:57Well, because of Sebastian, Triana.
21:00No, no, no.
21:01No, how do you think?
21:03So who else?
21:04No, I don't know.
21:05Let me find out if something happened to Victor by chance.
21:09And that Verania heard it.
21:11I don't think Sebastian talked to Verania to tell her.
21:14Let's see, the fact is that Verania knows.
21:17Yes.
21:18I don't know what to believe, what to think about Sebastian.
21:22I talked to him a while ago and he didn't even tell me.
21:25Did you talk to him?
21:26Did you talk to Sebas?
21:27Yes.
21:28Yes, I talked to him.
21:30Because I'm tired, Triana.
21:31I'm tired of all the lies and hidden truths.
21:34In the middle of Jesus, of my mom, of him.
21:36I'm so disappointed in this that I don't know who Sebastian really is.
21:42Dad, I'm looking for you.
21:44Why didn't you go to Remigio's party?
21:48What happened to you?
21:49Nothing, my love.
21:51I'm fine.
21:52Who hit you?
21:53Nobody.
21:54I went to ride and I fell off the horse.
21:57That's why I didn't make it to the party.
21:59Does it hurt a lot?
22:01A little.
22:02And tell me, my love.
22:04Did you have fun at the party?
22:05Yes.
22:07My love, you're going to have to say goodbye to Remigio.
22:12We're going back to Mexico today and the most likely thing is that we won't go back to this ranch.
22:18The only thing I would like to go back to is for Remigio, for Grandpa and for Aunt Lucia.
22:23Just for them.
22:25Guys, I'm telling you, this house is huge.
22:27It's a garden.
22:29Guys, I'm telling you, this house is huge.
22:31It's a garden.
22:32You're going to love it and we're going to play there all day, okay?
22:35What are these kids doing here?
22:37These kids are my children and they're going to come see me whenever I feel like it.
22:43I didn't authorize you to bring them.
22:46Oh, it's just that you told Pablo that this is our house, so...
22:50I mean, if you know what's best for you, you won't go against me.
22:53Because I might miss something I heard about you and your husband and I don't think you'll like it.
22:58Okay.
23:00I'm glad it's very clear.
23:01Come on, kids.
23:02Let's play in the garden.
23:06Careful.
23:08Oh, how exciting.
23:10They're finally here.
23:11Enjoy as long as you can, stupid.
23:23I'm going to look for someone to go with me to say goodbye to Ramiro.
23:28But...
23:30But what?
23:32I want to go live with you in Guadalajara.
23:36And that?
23:38I want to be with you.
23:39I don't want to live with Mom anymore.
23:42Because she doesn't love us, Dad.
23:43She's bad.
23:45Bad just like Daniel.
23:54Hey, do you have any idea who makes avalos?
24:00Okay, send me your information.
24:01I need to sell my dad's factory, okay?
24:03Come on, guys.
24:05Thank you, Mauro.
24:06This is going to be our house.
24:08Just look at the garden.
24:10Oh, how exciting.
24:12Hi, honey.
24:14Kids, do you remember Pablo?
24:16Well, Pablo is my husband now.
24:19Say hi.
24:21Hi, kids. How are you?
24:23Hi.
24:24I didn't know you were coming.
24:26Did you tell my mom?
24:28Yes, yes, she agrees.
24:30In fact, your mom has changed a lot with me since your dad died.
24:33And for good, huh?
24:35Kids, go play and I'll catch up with you, okay?
24:41I find it strange that my mom has agreed.
24:43One thing is that she wants us to live with her
24:45and another thing is that she accepts your children.
24:47I hope she's the only one who can take that.
24:49Well, she didn't object.
24:50And today you're only going to spend a few hours with us,
24:53but later we're going to spend two weekends a month.
24:58Well, if that makes you happy and my mother doesn't,
25:01it's fine by me.
25:03I have to go out later. See you.
25:05Honey, aren't you going to stay and play with the kids?
25:08Honey, I'm watching the factory.
25:10I can't right now.
25:12See you later.
25:21Come on.
25:31Maca doesn't want to live with you anymore.
25:34She just told me.
25:36And you know what else she just told me?
25:40That you and Daniel are bad and I completely agree with her.
25:44Calm down, please.
25:45I can't calm down when I see my daughter suffering
25:48for what you're doing with Daniel, who's your lover.
25:53What's going on? Why are you screaming?
25:57I'm sorry, Grandpa, you don't have to witness this,
25:59but right now I'm leaving with my daughter away from here.
26:02Whatever Barbara does, I don't care.
26:04I'm not going to let you take Macarena.
26:07I want to be with Dad.
26:08Let's see, you're a girl, you don't decide.
26:14Let's see, calm down.
26:15Maca, honey, go get the inhaler.
26:17The inhaler, go get the inhaler!
26:26What does Mrs. Carla know about you?
26:29What secret are you blackmailing her with so that you let her bring her children?
26:32And why are you so nosy?
26:33No, no, I'm not nosy.
26:35I just heard you talk and I'm very worried about what I heard.
26:38You know what?
26:39I've had enough of you, Jesusa.
26:41I warned you not to get involved anymore.
26:43So pack your things and leave my house.
26:45Of course, it's better to run than tell me the truth.
26:48Think whatever you want.
26:50I don't need you anymore.
26:51In fact, you're getting in my way.
26:53So leave at once.
26:55I gave you my life, Greta.
26:57And I paid for your services, yes, very well.
27:00So I don't want drama.
27:02In fact, so you can see that I'm fair, I'm going to give you your compensation.
27:05Although I told you I wasn't going to give it to you.
27:07Save the compensation.
27:10I was never on your side for money.
27:12But for affection.
27:14I tried to give you the best of me all these years.
27:17But I see it didn't work.
27:19No, you don't want to make me feel bad.
27:22You caused me to make this decision.
27:25What did you think?
27:27That you were family?
27:29That you are nothing more than a maid.
27:31Who always pretended to be above me.
27:33But you are very wrong.
27:35And one thing I tell you.
27:37Don't you dare open your mouth and talk about my secrets.
27:40Because I accuse you of being a thief and I put you in jail.
27:42Period. It's over.
27:44You understood me, right?
27:58My love.
27:59Yes.
28:00Yes.
28:01Good.
28:02Breathe.
28:03Good.
28:04Breathe.
28:05I don't want to fight anymore, please.
28:07Not anymore.
28:08Please.
28:09We're not going to fight anymore, okay?
28:11But calm down.
28:12Enough.
28:13Let me go!
28:14I just want to be with my dad!
28:17Let's see.
28:18My love.
28:19Calm down.
28:20Go say goodbye to Remigio.
28:21Yes?
28:22And as soon as you return, we'll go with your mom.
28:24You and I.
28:25To Mexico.
28:26And there we'll fix our problems.
28:27Okay?
28:28Everything will be fine.
28:29Yes?
28:30Breathe.
28:31Breathe.
28:34Calm down.
28:35Calm down.
28:38Breathe.
28:41My love.
29:08My love.
29:30How is Daniel doing?
29:32Fine, fine.
29:34Maca is leaving and is saying goodbye to Remigio.
29:37Adios, Remigio. Te voy a extrañar mucho.
29:40Y yo a ti.
29:44Este es el número de mi casa y el de mi papá, por si necesitas algo.
29:49Gracias.
29:53De verdad, Remigio. Muchas gracias por ser mi amigo.
29:58Gracias a ti. Nunca había tenido una amiga tan bonita y tan buena como tú.
30:07Adiós.
30:37Adiós.
30:58Daniel, ¿qué haces aquí? Si Mario te ve, te va a matar.
31:01A ver, ¿no puede dejar que te fueras y despedirme?
31:04Oye, perdóname por haberle dicho que nos amamos, pero no me puedo quedar callado.
31:07Claro, fuiste tú. ¿Por qué no esperaste hasta que me divorciara como habíamos quedado?
31:11Porque no podía verlo a la cara y seguía ocultando la verdad.
31:14Pues lo complicaste todo, ¿eh? Ahora Mario me puede quitar la custodia de Maca por haberla sido infiel.
31:21Perdóname. De verdad, no pensé en eso.
31:23No, pues es un caos todo.
31:24Es un caos, pero estamos juntos. No lo olvides, ¿eh?
31:28Y mañana mismo voy a México porque yo no voy a estar lejos de ti.
31:31No, no. Quiero que las cosas se calmen.
31:34¿Ok?
31:35Está bien, está bien.
31:37Pero cualquier cosa que necesites, no dudes en llamarme.
31:39¿Sí?
31:42Va a ser un infierno estar lejos de ti.
31:44¡Vámonos, Bárbara!
31:46¿Por qué tardas tanto, carajo?
31:48Ya, ya voy. Pasé al baño.
31:55¿Te vas o te quedas?
31:57No, ya. Perdón.
32:01No, no, no.
32:31No, no, no.
33:01No, no, no.
33:19Por favor, por favor, vete. No quiero verte, ¿eh?
33:22Tuve que venir porque no contestas mis llamadas.
33:26Contraté a un investigador privado para que me ayude a dar con tu marido.
33:30Pues, no sé ni cuál es el apellido de José.
33:34Y eso va a retrasar la investigación.
33:36Escúchame bien. No lo investigues.
33:39Ya te dije que José me amenazó con hacerte daño a ti,
33:42a Sebastián, a Fátima,
33:44a toda la gente que quiero si no hago lo que él quiere.
33:47Pues, ¿con más razón tengo que dar con él?
33:50¿Para protegerte a ti y a todas las personas que son importantes en tu vida?
33:55A ver, no me estás escuchando.
33:58Es un hombre muy peligroso.
34:01Tenemos que detener a ese infeliz.
34:05A ver, a ver así, a ver si así me entiendes.
34:09Él está más cerca de ti de lo que tú crees.
34:11¿Ya?
34:13Se ha convertido en tu amigo.
34:16Está muy cerca de ti.
34:17No me digas que es.
34:19Sí, mi ex marido es Juan José Ortega.
34:22¿Qué estás diciendo?
34:23Lo que hoy es tu amigo Juan.
34:27Y mi ex marido son la misma persona.
34:32Gracias por todo.
34:33No tienes nada que agradecer, hijita.
34:36Fue maravilloso tenerte aquí.
34:39Te voy a extrañar mucho.
34:41Yo más, abuelo.
34:45Acuérdate que prometiste que íbamos a hablar una vez a la semana, ¿eh?
34:48Yo me encargo de eso.
34:53Gracias, hijo.
34:54No sabes cómo me hubiera gustado poder evitar esto.
34:59¿Cómo pudiste ocultarme algo tan grave?
35:01Porque ya te dije que me amenazó con matarte a ti y a mis seres queridos.
35:06Si te lo digo ahorita es porque corres más peligros y sigues confiándole todas tus cosas.
35:13Te he hecho daño a ese desgraciado.
35:15Sí.
35:16Sí.
35:17Me he lastimado en lo que más quiero.
35:20Que eres tú.
35:21Perdóname, Renata.
35:24Por andar con mil cosas en la cabeza te descuide.
35:26Soy un estúpido.
35:29Yo era quien debía protegerte.
35:32Pero hasta permití que ese tipo se convirtiera en mi amigo.
35:36Ahora entiendo todo.
35:37No sé cómo no me di cuenta.
35:39Porque es un hombre muy hábil y muy peligroso.
35:43Así que te pido por última vez, aléjate de él y aléjate de mí.
35:47Por favor.
35:48Renata, no me digas eso.
35:51Ya, es que no me escuchas y me desespera.
35:56Vete, por favor.
35:58No me vuelvas a buscar a mí, no lo vuelvas a buscar a él tampoco.
36:02¿Ya?
36:04No lo voy a hacer.
36:06Lo siento.
36:12Ya, listo.
36:15Despídete.
36:16Te vemos en el coche.
36:20Gracias.
36:27Gracias por todo y espero que algún día puedan perdonarme.
36:47¿Sabes cuándo dejó el hotel?
36:51Está bien, gracias.
36:55José ya dejó el hotel y no contesta el celular.
36:58Y ya no recibe los mensajes.
36:59No, no me extraña nada.
37:00Conmigo siempre usa distintos celulares.
37:02Tenemos que ir a la policía a denunciarlo.
37:04Yo ya lo hice, pero no sirvió de nada.
37:07Necesito pruebas contundentes y no las tengo.
37:10Intenté grabarlo, no lo conseguí.
37:12No tengo forma de acusarlo.
37:14Voy a contratar a alguien para que te proteja.
37:16Por eso contraté a Armando.
37:18Para eso lo tengo.
37:19Pero hay que poner refuerzos.
37:22Voy a contratar a una patrulla para que te cuide de día y de noche.
37:27Me cierve la sangre solo de pensar que este demente está cerca de ti
37:32y que te puede volver a hacer daño.
37:35Ay, cómo pude haber caído en su juego.
37:38Ya te dije que es muy manipulador.
37:40No es tu culpa.
37:42Por favor, te lo suplico, vete.
37:46Seguir aquí no solamente te expone a ti, sino a mí también.
37:49Por favor, escúchame.
37:51A mí no me importa exponerme, pero a ti sí.
37:58Jesúsa.
37:59Señora Ana, necesito de su ayuda.
38:02Pasa, por favor, claro.
38:06Gracias.
38:08Por favor, pasa, pasa, pasa. ¿Quieres tomar algo?
38:11No, no, gracias.
38:13Por esa maleta puedo suponer que Greta te echó de su casa.
38:18Jesúsa, esta es tu casa.
38:20Es una casa sencilla, pero puedes quedarte aquí
38:23el tiempo que necesites mientras decides qué hacer con tu vida.
38:27Muchas gracias, señor Julián.
38:30Me voy a llevar tu equipaje al cuarto de visitas.
38:34Bueno, las dejo para que platiquen a solas.
38:36Gracias, gracias, señor.
38:38Siéntate.
38:43Ay, llora, llora, mujer.
38:47Desahógate, que puedo suponer el dolor que sientes.
38:54¿Por qué no te vas a vivir a mi casa en lo que atrapamos a ese imbécil?
38:57¿Cómo crees?
38:59¿Te estás escuchando?
39:01Eso va a hacer que se ponga peor.
39:03Es que no me escuchas.
39:06Por favor.
39:08Yo sé que me quieres tanto como yo a ti.
39:10Adiós, ya.
39:12Sí, te quiero y por eso quiero que te vayas, ya.
39:15Ya bien, me voy.
39:18Pero promete que si pasa algo, lo que sea, a cualquier hora, me vas a llamar.
39:26Por favor.
39:41Dejé de serle útil y me convertí en un estorbo para ella.
39:45Porque aparte de lo del patrón Gonzalo,
39:48descubrí que algo se trae entre manos con la esposa de Pablo.
39:51¿Con Carla?
39:52Ajá.
39:53¿De qué se trata?
39:54No estoy bien segura.
39:56Pero bueno, señora Ana, ahorita lo más importante es que me vaya Morelia.
40:00Quiero ir al hospital Santa Clara donde nació Bárbara.
40:03Ay, me parece muy bien, Jesúsa,
40:05porque Sebastián quería los datos del hospital para él ir a investigar.
40:09Pero si tú lo haces, nos ayudas a todos.
40:26Ay, ojalá y ahí, o en el consultorio del doctor Ulloa,
40:31pueda encontrar una prueba que demuestre que Bárbara sí fuese temecina.
40:35Seguramente en los archivos del doctor habrá constancia de algún ultrasonido o algo
40:41donde podamos ver las semanas de gestación.
40:44Sí.
40:46¿Y qué tal?
40:48Bien.
40:49Seguramente en los archivos del doctor habrá constancia de algún ultrasonido o algo
40:54donde podamos ver las semanas de gestación que tenía cuando nació.
40:58Exactamente.
41:01Es lo menos que puedo hacer, señora Ana.
41:04Ay, si yo no le hubiera mentido al señor Federico como Greta me lo pidió,
41:09esto no estaría pasando.
41:15Repárame un café y me lo mandas con Jesús a mi recámara.
41:19Susa no está. Ya se fue de la casa.
41:23¿Cómo? ¿Sin despedirse?
41:25¿Y sabes por qué se fue? ¿Te dijo algo?
41:29No, no me dijo nada. Solo que no pensaba volver.
41:33Es increíble que la gente sea tan malagradecida, de verdad.
41:37Espero que tú no vayas a hacerme lo mismo.
41:44Qué barbaridad.
41:49Sirve que te distraes un poquito de todo lo que estás viviendo.
41:52Sí, ya sé.
41:53Willy.
41:55Hola, Diego. Qué gusto verte.
41:58Lo vi, lo vi. ¿Cómo estás?
42:00¿Cómo estás?
42:02Felicidades por tu exposición de mañana. No se lo voy a perder.
42:05Muchas gracias, muchas gracias. Ahí nos vemos.
42:07Perdonen mis modales. Les presento a Fátima Oriarte, es una de mis exponentes.
42:12Él es Willy de Artigues y él es Jim Wilson.
42:15Willy de Artigues. Yo sigo tu trabajo. Qué gusto.
42:19Me encanta, me encanta.
42:21Sus obras se cotizan en todo el mundo. Y Diego fue el que le descubrió.
42:26Si vas a exponer con Diego, espérate, es que eres de los buenos, porque él solo elige a los mejores.
42:33Ya verás su obra mañana, Willy. Te va a encantar, estoy seguro.
42:36No me lo voy a perder. Es más, ¿interrumpimos?
42:41Si nos sentamos con ustedes, ¿va a tomar una copa?
42:43No, por favor.
42:49Qué gusto, de verdad, de verdad.
42:52A ver, cuéntame, Fátima. Cuéntame más de ti.