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  • 3 months ago
Transcript
00:00A few hours after a 1,000,000 views video
00:05This is proof valid, and you have to pass a preventive prison decree.
00:09Hi, what's up?
00:10What the hell are you doing here?
00:12I'm innocent by mistake.
00:17You could use the bathroom.
00:18A COACH
00:19Who is this?
00:20Who are you?
00:21I am that.
00:22Who are you and why do you come to my house?
00:24My colleagues. We were there studying math for an exam.
00:27Can you explain to me how you studied, leaving the books and notes here in the kitchen?
00:32I'll explain it to you another time, Marifran, because I'm in a hurry.
00:35I'm telling you, this girl is covering up her pain with sexual activity out of the ordinary.
00:41We're back to square one.
00:42It can't be. It can't be. No, no, no, no.
00:45Are you doing therapy?
00:48You were in the lawyers' office that argued in Madrid against IbƔƱez.
00:54I prefer that we leave him here. I mean, let's look for other lawyers.
01:01I'm here.
01:03El Seireta, welcome. How are you?
01:06Hi.
01:08What's the matter? Don't you like the bar?
01:10I always imagined the place in a bigger city. Madrid, Barcelona.
01:15Yeah, but the one you see has its charm, really.
01:20Cheers!
01:24Shut up, shut up, shut up.
01:27What the hell do you have to do with Javier Romagna?
01:29Nothing, nothing.
01:30Give me a fucking reason, a fucking reason for me to have to leave you with a heart like yours.
01:53Sorry, sorry, sorry. I'm so sorry.
02:24Hi.
02:26How are you? Good?
02:29Good?
02:30Yes.
02:32I'm going to the bathroom for a moment.
02:35Come here.
02:36Hey!
02:37I'm sorry, bro.
02:38Chill, chill, chill.
02:39Don't mess with the kid, man.
02:42What's the matter, man? You look a little sleepy.
02:45Yeah, it's just that...
02:47I haven't slept very well today.
02:49Not because of the mattress, which is more comfortable than I thought, but...
02:55It seems to me that the humorist, the son of the picolet, has come out.
02:58The son of the picolet?
03:00My father is not a picolet.
03:02No, no, no, I swear I'm not. He's an electrician.
03:05Yes, yes, yes, I swear.
03:06What a spark you have. Just like your father's.
03:10Very good.
03:12Yes, yes, yes.
03:13Just like your father's.
03:15Very good.
03:16Yes, yes.
03:17I'm not lying to you.
03:18Yeah, yeah, I know.
03:19You know what?
03:20You know what happens?
03:21It's this place.
03:22This place.
03:23That confuses us.
03:24Okay.
03:25Well, that...
03:27We're going to give you a little message for your father.
03:29But I'm telling you, really...
03:32Look how pretty.
03:34I already have one in the cell, huh?
03:36Yeah, right.
03:37But it seems you don't get this, right?
03:39No, I don't know.
03:41Don't worry, I'll explain.
03:43This blanket is to keep you from hearing
03:45the shit we're about to give you.
03:48Wow, I'm really sorry.
03:50I'm not.
03:52Okay, okay, forgive me.
03:56Sorry, sorry, sorry, sorry, sorry, sorry, sorry, sorry, sorry.
03:59Sorry.
04:00Ay, ay, ay, ay.
04:11Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah
04:42I brought curasanes.
04:45But I thought your mother was coming.
04:47Yeah, it's just that now with the taxi, I get a lot of drugs.
04:50Yeah, well, nothing, curasanes for three.
04:54Because no one else will come, right?
04:57No, I'm not going to see anyone, if that's what worries you.
05:00Okay.
05:02And sorry if I got a little ... dry.
05:06But I was in shock.
05:08Yeah, I understand. But I was doing everything to help John.
05:11Yes, I know you were doing it with a very good intention, but you can't play to be a psychologist.
05:15Do you know that it is dangerous to give advice on certain issues without having the right information? Do you know that?
05:20Well, I looked for the right information.
05:24Where?
05:25First I read a lot, a lot, on the Internet.
05:29And then, well, if I offered to help you with the videos, it was a bit to learn your advice without you realizing it.
05:40Okay, okay, okay. So instead of helping me get patients, you were taking them away from me, right?
05:45It's not that either, Bea. Well, I think you're exaggerating a bit, aren't you?
05:49Good morning.
05:50Hello, aunt.
05:51What are you talking about? Desi's office, right?
05:54Does the aunt have an ear? Does she have an ear?
05:56Well, yes.
05:57Well, you should know that in my time there was a program called, let's talk about sex, which was led by a woman named Elena Ochoa.
06:03I have no idea.
06:04It was in the last century. But from that program we learned a lot about women.
06:09Of course, it has nothing to do with your office, but ...
06:12Well, I think those videos you were doing could help you.
06:15Well, I'm not going to continue.
06:17Why?
06:18Because no, because I've seen what my colleagues do. I don't think it really helps.
06:22Well, not to mention the non-professional accounts that are dedicated to giving advice without any kind of rigor.
06:27I mean, I think ... You can't give the same value to a generic advice that you get from the Internet
06:34than to one that a professional gives you in a private consultation on a very specific topic.
06:39Answer now, Desi.
06:44I can't believe it.
06:45What?
06:4636 messages for Desi's office.
06:49I'm giving you the badge and you're still with this?
06:51Desi, seriously?
06:52Let's continue with this.
06:53Okay.
06:54I'm going.
06:58That's it. Closed group.
06:59Okay, so now you tell your clients or whatever that the consultation is already closed.
07:04Okay, go like this.
07:05Okay.
07:08Is that it?
07:09Go have breakfast.
07:11Very good.
07:16Well, that's it, that's it.
07:20Very good. Well, nothing.
07:22Very good. Okay.
07:23Nothing, thank you.
07:26Nothing.
07:27What?
07:28Nothing else.
07:29Nothing?
07:30Fuck, I don't understand.
07:31But are all the lawyers full?
07:32I don't understand.
07:33I'm starting to see IbaƱez's shadow everywhere.
07:36I swear.
07:37Yes?
07:38Okay.
07:39Do you want us to call the lawyer?
07:43I mean, yes, but in this case, with IbaƱez in the way, everything ...
07:48No.
07:49We wait, right?
07:50Look, we haven't called these three yet.
07:52Do you think?
07:53Yes.
07:54There is still hope.
07:55Come on, let's go get them.
07:56We are going to call ourselves because what is clear is that they are not going to call us.
08:00Okay.
08:03Look at the movie.
08:06Can you imagine that he is a lawyer?
08:07The best in Spain.
08:08The best in Spain.
08:09And he comes here to find us, to save us.
08:13With a suitcase.
08:14Let's go.
08:15Just in case.
08:16I love you so much.
08:17I love you.
08:21Hello, Pichurri.
08:22And what a little bird of prey, my poor thing.
08:25Well, and you?
08:26I can imagine how you are, huh?
08:28But the important thing is that the mood does not decay.
08:30This is the most important thing.
08:32Very good, Chari.
08:33But what are you doing here, honey?
08:34What do I do here?
08:35You have put Jon in jail and you think I'm going to stay at home so calm?
08:38Come on.
08:39Not at all.
08:40Not at all.
08:41Well, to the point.
08:43When can I go see Jon?
08:45Okay.
08:46Let's see, Chari.
08:47Until the trial is held, there are no visits.
08:50Are you telling me that you have not been able to go see him?
08:54No.
08:56But what lawyer do you have?
08:57Have you hired the fool of the town or what?
08:59Let's see, we've had some problems, okay?
09:01What problems?
09:02Many problems.
09:05Especially that right now we don't even have a defense lawyer.
09:08Are you telling me that you don't have a lawyer?
09:10That's just what I just said.
09:12Oh my God, my poor thing.
09:14Let's see, Chari, please, wait a second.
09:16We talked to the boy yesterday.
09:17It's okay.
09:18Yes, but yesterday is yesterday and today is today.
09:21Mom, please.
09:22No, no, no, no, no, little one.
09:23This is not going to stay that way.
09:25And I'm not going to stop until we can see Jon.
09:31And what are you going to do?
09:36I have my resources.
09:45Lessie.
09:46Hey, what's up, Jacobo?
09:47How are you?
09:48Fine.
09:49Hey, yesterday I tried the herbs you recommended to me.
09:51Ah, this is like to raise the libido.
09:53Yes, yes, yes, they have been great.
09:54Thank you very much.
09:55Well, I'm glad that at least someone listens to my advice.
09:58Why do you say that?
10:00No, because there are people who think I'm not doing well.
10:02Girl, well, it has been great for me.
10:04Really, in fact, I was going to ask you for a second consultation,
10:06but you closed the chat and I don't know.
10:08Yeah, I closed the chat and the consultation.
10:10No way.
10:11Yes.
10:12Seriously?
10:13You can't raise your hand with me, even if it is.
10:15No, I can't.
10:16Come on, it's me.
10:17Come on.
10:18Yeah.
10:19What if?
10:20It's that if I raise it with you, I have to raise it with everyone.
10:22Yeah.
10:23Well, nothing, thank you.
10:25Anyway.
10:26Nothing.
10:27Well, come on.
10:28Bye.
10:29Bye.
10:30Lessie.
10:31Isn't that the boy from yesterday?
10:32Yes, it's Jacobo.
10:33In fact, he came to ask me for another consultation,
10:35but don't worry, I told him no.
10:36Well, I'm sure he'll be fine without you.
10:38Yes, he will, but what about John?
10:40Because in the end, the money was for him.
10:42Yeah.
10:43The thing is, I don't think you would make as much money
10:46as to be able to hire the best buffet in Spain.
10:48No, I was making a lot of money, but at least I was doing something,
10:51and I felt useful, you know?
10:53Yeah, I understand.
10:54But you know what Bea said.
10:56That cabinet, no.
10:57Yes, she has told me 30 times.
10:59Yeah.
11:00What happens is that you can stay at home
11:02and receive your friends at home,
11:04and so you talk about your things,
11:06they can tell you their problems, right?
11:09Sure.
11:10And then if they are very grateful,
11:12they can come with a gift, a bag, a cake, right?
11:1630 euros, so to speak.
11:18So to speak, 30 euros.
11:19And of course, you have to take it,
11:21because if you don't, it's like bad manners, right?
11:23Very bad manners.
11:24Of course, of course.
11:25Well, nothing, I'm going to see if Jacobo catches me.
11:28Okay.
11:31Freedom for John.
11:32There is an innocent in prison.
11:34National shame, comrades.
11:35Thank you, thank you.
11:36Solidarize yourself.
11:37Please, there is an innocent in prison.
11:39Justice, justice, please, justice.
11:42Gentleman, gentleman.
11:44They have imprisoned my grandson unfairly,
11:46and only if we unite,
11:48if the people rise up with a single voice,
11:50we will be able to end this.
11:54Will it be without shame, the guy?
11:57Now I know how the people from the NGOs feel.
12:00Freedom for John.
12:02There is an innocent in prison, comrades.
12:04There is an innocent in prison.
12:06Take it, take it, take it.
12:08National shame.
12:09There is an innocent in prison who is my grandson.
12:12Please, show solidarity with the cause.
12:14There is...
12:15Chari, Chari, Chari, let's see what's going on.
12:17There is an innocent in prison.
12:19Yeah, yeah, yeah, I know,
12:21but it's just that several of the neighbors
12:23have already called for the voices, understand me?
12:25Come on, I'll take you home.
12:27GĆ³mez, GĆ³mez.
12:28We're going to have a little bit of left hand here
12:30because she's the mother of the sergeant,
12:32well, of the former Romanian sergeant, I don't know if...
12:34Yes, yes, I know.
12:35But with these people you have to have a hard hand.
12:37If you don't, you get a beard and you don't do a fucking thing.
12:39Well, we're going to have a little less of a hard hand
12:41and a little more of a left hand, okay?
12:43We're going to have a little tact, we're going to keep calm, okay?
12:46We're going to see what's going on here.
12:48Yes, yes, yes.
12:49Fuck.
12:52Chari, uh, I'm sorry, with all due respect,
12:55but can I know what you're doing?
12:57Well, I think the sign speaks for itself, right?
13:00Yeah, yeah, but understand us,
13:02we can't allow you to put all this fuss
13:04here in the middle of the square.
13:06But I can't allow the mess you've put my grandson in either.
13:09Yeah.
13:10A poor 18-year-old boy is innocent.
13:12Yeah, yeah, if I don't know...
13:13MartĆ­nez!
13:14Are you aware that my grandson
13:16is not allowed to visit?
13:18I'm aware, yes, I'm aware.
13:20Well, that's why I have no choice
13:22but to strike a hunger strike
13:24until we're allowed to see him.
13:26What do you mean, a hunger strike?
13:28Watch it!
13:29And if it doesn't work, we'll have to move on to action.
13:32Because here, where you see me,
13:33I've gone to a lot of parties in the 80s.
13:35I'm a friend of Cojo Manteca.
13:37I'm the one who put the firewood in the fire.
13:39Chari...
13:40Chari, please, don't make it harder for us, okay?
13:43Where's the key?
13:44Come on, we'll unchain you,
13:45we'll take you home in a moment,
13:47and nothing's happened here, okay?
13:48Well, it's not going to happen.
13:49I'm not going anywhere
13:51until we're allowed to see him.
13:53Chari, really, but if it were up to us...
13:55It's just that...
13:56Well, of course...
13:57But it's not up to us, do you understand?
14:00Well, it's not my problem, Majo,
14:01but until I get what I want,
14:03I'm not going anywhere.
14:05Fuck...
14:07Should I call the lieutenant?
14:08No, no, no.
14:09Let me give him a...
14:11I'm going to call Javier, okay?
14:13Let's see if he can think of something...
14:18Javier?
14:19What's up, MartĆ­nez?
14:21How do I explain this to you?
14:23Try to tell me right away, you'll see.
14:25Well, it turns out that your mother
14:29has decided to go on a hunger strike
14:31and has chained herself to the palace fence.
14:33What?
14:34Yes, because since they won't let you visit John,
14:38how do we proceed? What do we do?
14:44Javier?
14:45Yes, yes, I'm here.
14:46Answer this question, MartĆ­nez,
14:48and tell me the truth, please.
14:52Is she dressed?
14:54Ah, yes, yes, yes, for the moment, yes.
14:57I'm on my way.
14:58Okay.
15:02Come here.
15:03Justice for John!
15:05Justice for John!
15:07Justice for John!
15:09Chari, Chari, Chari, please!
15:13What's up?
15:16I've heard a lot about you.
15:18And I know that you've come here to London.
15:22I don't understand why Angela Bradley
15:26has gone so far
15:28not to talk about Paco's friends,
15:31that colleague in Bavaria.
15:35Which one do you want to hear?
15:39There you have it, your wife, talking to a friend.
15:41And you listening to her, or what?
15:43No, it's just that I haven't been able to avoid
15:45listening to the conversation.
15:46But you don't understand a word of Swedish.
15:48Okay, okay, but you don't need to understand the words.
15:51The language of love is universal.
15:52The language of love?
15:53Yes, man, I've perfectly grasped the affection she has for you.
15:56And also the excitement that makes her be here.
15:58Really?
15:59Yes, man, really.
16:01Paco here, Paco there.
16:03It's incredible, man.
16:04The amount of years you've been together,
16:06and she's crazy about your bones.
16:08But you're clear about it, aren't you?
16:10No, of course not, clarinetist.
16:11You're talking to an expert in non-verbal communication.
16:14And that in politics is fundamental
16:16to study the opponent, you know?
16:18Look, speaking of love,
16:21here's Casanova, look at him.
16:24I need a coffee, urgently, and if it's in Mera, better still.
16:27Come on, we'll put it on for you right now.
16:30I was here talking to Paco about, fuck,
16:32the luck he has with Elsa, really.
16:34But well, what can I tell you about love?
16:36You've always been in another league, man.
16:39Me?
16:40I don't know, don't overdo it.
16:42Overdo it, you say?
16:43What, my nephew?
16:44You're a figurehead.
16:45I got to a point where I lost count of the girlfriends I had.
16:48What? What's wrong with you?
16:49What?
16:50Well, she's telling you to stop, to stop.
16:52That?
16:53What's wrong, are you jealous or what?
16:55Yes, how strange that we've already noticed
16:57some girls from the village.
16:58No, no, the truth is no.
17:00And in fact, I'm not looking for any of that either.
17:04Of course not, if there will be time, right?
17:06If in love you have to go slowly.
17:10Paco.
17:11Really?
17:12Slowly.
17:13Come on, please.
17:15Look, you know what?
17:16I think I'm going to have better coffee at home.
17:18You don't need to prepare anything, okay?
17:20Come on.
17:21But what's going on?
17:23You're an expert in verbal communication, right?
17:26What?
17:27But what?
17:28What did I say now?
17:29What did I do?
17:32You don't know how to get it right, fuck.
17:36Fuck.
17:39So, Borja, your problem is that you don't feel sexually attracted to anyone.
17:44So your boyfriend is not capable of making you have an orgasm.
17:48Let's see, Lucas, if you tell me you haven't had sex in this last month
17:52and you can do it alone,
17:55what I can recommend is that you go to the doctor.
17:57Because this thing with the legs is a very important thing, okay?
18:01Look, if I'm not going to recommend you some sex toys,
18:04I'm not sure this is a problem.
18:06What it could be is that you're asexual.
18:08Well, and above all, that you talk to your girlfriend,
18:10because if it wasn't you, it was her who hit you,
18:13who's cheating on you, Lucas.
18:15Because, girl, nowadays, who needs a boyfriend, right?
18:19No, man, no, but neither do I.
18:22No, don't cry, Lucas.
18:24This is not a problem, nor is it that you're a weirdo,
18:27it's just an option like any other, right?
18:30If I'm going to make a discount on you for cheating,
18:33I'm going to take 10 euros from you.
18:38He's like a monkey, he eats you.
18:40Bring him to me for a little while.
18:42What's going on here? What are you doing?
18:44What's going on?
18:45I want to see my great-grandson.
18:47Ah, your great-grandson?
18:48Yes.
18:49Well, look how easy it is.
18:50You unchain yourself right now and go with the light,
18:52the child is delicious, really.
18:54Don't even dream about it.
18:56But what's going on? Don't you want to see John?
18:58Yes, I want to see John, how can I not want to see him?
19:00But what can't be is that I'm going to visit John on odd days
19:02and you on odd days.
19:03Calm down, calm down,
19:04that Grandma is doing this for John.
19:06Don't bother me.
19:07Which side are you on?
19:08Well, which side am I on?
19:09John, because we don't have a lawyer, Dad,
19:11and we have to protest.
19:12We can't do this.
19:14They can't do what they're doing to John either,
19:16and they're doing it.
19:17That's how you talk.
19:18The situation is calm.
19:19No, you, please don't add more firewood to my fire.
19:21Please, MartĆ­n.
19:22I remind you that you are not allowed to talk on the phone with your son.
19:24And if something has happened to him, what?
19:26Don't tell me that because that doesn't leave me calm.
19:28Well, it's the reality, PichurrĆ­n.
19:30Because you know perfectly and better than anyone
19:32what kind of criminals John is with.
19:34And you know how John is, Dad.
19:35He's sensitive.
19:36He doesn't have to be having a good time there,
19:38locked up alone.
19:39Enough, please.
19:40No, no, we can't stay with our arms crossed.
19:42That's why we're here.
19:44No, no, they won't move us.
19:47No, no, they won't move us.
19:49That's it, it's over.
19:50Silence.
19:51Silence, Mom, please.
19:52Silence now.
19:53It's over, Mom.
19:54What?
19:55Come with me for a moment.
19:56What?
19:57Well, let's keep calm.
19:58What calm, MartĆ­n?
19:59We have to keep calm.
20:00What does this always tell me in this kind of situation?
20:02We have to keep calm.
20:04Besides, this isn't good for you.
20:06You know.
20:07Yeah, well...
20:08Well, breathe a little.
20:09Okay, okay, okay.
20:10Breathe.
20:11He's your mother and we know how he is.
20:13And this, well...
20:14Okay?
20:15Okay.
20:17I don't...
20:20GĆ³mez!
20:21GĆ³mez!
20:23I'm sorry, I've lost my mind today.
20:25And...
20:26Fuck.
20:27You've lost your mind.
20:28Get a grip already.
20:30Fuck.
20:31No, no, they won't move us.
20:34No, no, they won't move us.
20:37Just like the river by the sea.
20:40What river by the river, Mom?
20:42Please, stop it.
20:50Careful.
20:51Hey, careful.
20:53Ouch.
20:54What's wrong?
20:55Aren't you comfortable or what?
20:57Sorry.
20:58Don't worry.
20:59Did I do something?
21:00No, no, what are you going to do?
21:01Well...
21:02Are you sure you're okay?
21:03Yes, but I wouldn't know either.
21:04If I had broken something, I wouldn't have found out either.
21:06The question is, why are you taking pictures of these houses in this town?
21:11Well, for the architecture.
21:14I don't know.
21:15It's different, I find it curious.
21:17Yes, curious.
21:19I'm really sorry, I haven't seen you, I swear.
21:21No, no, I know you haven't seen me.
21:23Well, I thought you were doing the Swedish girl, you know?
21:25The Swedish girl?
21:26Of course, the Swedish girl.
21:28I mean, the Swedish girl as an expression.
21:30Like...
21:31Well, I'm not hearing...
21:33Yes, I know what you're saying.
21:35Okay, I know.
21:36You Spaniards are so funny.
21:38Ah, the Spaniards.
21:39I'm not Spanish.
21:40No, I'm actually Swedish.
21:42It's not true.
21:43I swear.
21:44No, seriously, come on.
21:45Yes, I know.
21:46How can you be Swedish?
21:47I promise you, I'm Swedish.
21:48Totally Swedish.
21:49Yes, yes, totally.
21:50I can't believe it.
21:51Fuck, what a aim I have, I'm really sorry.
21:53No, no, yes, for the aim too, mine.
21:55And what does a Swedish girl do in front of the king?
21:58Well, that's a long story.
22:00But I'll tell you another day, okay?
22:02I have to go.
22:03Yes, yes, of course.
22:04As you wish.
22:06See you.
22:13Hey, bird.
22:14So you're not a couple, you almost break your neck
22:17getting Paco's daughter's license.
22:19What are you saying, really?
22:20Stop saying bullshit.
22:21Bullshit, yes, yes.
22:23Paco's daughter.
22:25The Swedish one.
22:29From Sweden.
22:32Not from Sweden, Valencia, from Sweden.
22:43You too?
22:44Let's see, we're talking about my son.
22:46My nephew.
22:47And my son too.
22:48But you won't get anything that way.
22:51What I don't understand is how you don't get involved with us.
22:53Come on, Dad, join us.
22:54What for? To make things worse, Silvia, please.
22:57It can't get worse, my love, that's it.
22:59My son is too prudent.
23:01Well, let's see, what were we talking about, girls?
23:03What's that, Grandma?
23:04You can drink water when you're starving.
23:06Yes, you can drink water to survive.
23:07Sorry, starving?
23:08Didn't you tell me?
23:09You only told me here in Catedral T?
23:11I made it clear.
23:12But come on, if you don't have to eat, you don't eat.
23:15Very good.
23:16Look, Luz, look at all the people who have come there.
23:18No, Mom, they're tourists.
23:20Well, better, international coverage.
23:22Justice for John!
23:24Justice for John!
23:26Justice for John!
23:27Justice for John!
23:29Justice for John!
23:31Justice for John!
23:33Justice for John!
23:35In case you don't watch TV, let us understand.
23:37Very good, very good.
23:39What are you doing?
23:40What are you doing?
23:41Seriously?
23:42Are you going home?
23:44I think you've seen too many movies.
23:46I wish you were in a movie, IbaƱez.
23:48Movies win the good ones.
23:50Blessed are the eyes, Sergito.
23:53You too, Chari.
23:54But what are you doing here?
23:55You see the twists and turns of life, huh?
23:58Who was going to tell us that we were going to meet in this situation?
24:02Well, yes, yes.
24:03And all because of you.
24:05No, no, sorry, don't get me wrong.
24:06It's not my fault.
24:08Do you remember, Sergito, when I found you in the park crying
24:11because you had fallen and your knee was bleeding?
24:16Vaguely.
24:17Well, I remember perfectly.
24:20I took you to my house to heal you and give you a snack
24:23until your mother came for you.
24:27You remember, don't you?
24:31MartĆ­nez.
24:33MartĆ­nez, call the firemen.
24:35Yes, yes, I've been calling.
24:37The thing is, they don't answer the phone.
24:39No, the firemen don't answer the phone.
24:43I know why, MartĆ­nez.
24:44MartĆ­nez, you're a bit of an excuse, aren't you?
24:46No.
24:47Justice for John!
24:48Here you go, Dad.
24:49Very good.
24:50OlƩ!
24:53We weren't going to get you involved.
24:54If we're going to...
24:56Don't look at us!
24:58Join us!
24:59Don't look at us!
25:01Join us!
25:03MartĆ­nez, call the firemen.
25:05Yes, yes.
25:06Justice for John!
25:07What?
25:08Justice for John!
25:09What?
25:10Justice for John!
25:11Justice for John!
25:12Justice for John!
25:13Justice for John!
25:14Justice for John!
25:16Justice for John!
25:18Justice for John!
25:19Do you think the protest in the square will help?
25:23Who knows?
25:24But well, everyone does what they can to help John, right?
25:27Yes.
25:28Even if it's with the worst idea possible.
25:30Yes.
25:31Don't get frustrated now either.
25:33That's it.
25:35In fact, I have to go to the good news.
25:39Why me?
25:40Yes.
25:41I know you've taken the idea of closing the consultation very well.
25:43I'm very proud of you.
25:46Yes, well...
25:47It's just that...
25:48It wasn't a good idea.
25:49That's it.
25:50Yeah, but I don't know.
25:51I...
25:52Maybe there's another person who goes through everything,
25:54who keeps going,
25:55and you, however, look, how good.
25:57Yes, yes, that's true.
25:59I'm also telling you,
26:01I know you do it with a very good intention.
26:03Let's find another way you can help...
26:06What's wrong? Is something wrong?
26:09No.
26:10No, nothing, everything's fine.
26:11Okay, okay.
26:12I was telling you that we can find a way
26:14in which you can help the cause, you know?
26:16Yes, of course.
26:17You!
26:18Fucking psychologist!
26:19That I've cheated on him and I've hit my boyfriend?
26:22What do you want me to tell you?
26:23Oh, cool.
26:24It's just that you hit people like that.
26:26Look, I've never been unfaithful to my boyfriend.
26:29But the very idiot who's just been in a camp.
26:31Well, maybe he slept there with another one, right?
26:33And how do you want me to know?
26:35Well, if you don't know, why do you meddle?
26:37Well, girl, I'm also telling you one thing,
26:38that if your boyfriend has cheated on you,
26:39you're doing him a favor, right?
26:40But don't tell him to leave me.
26:41In any case, I'll leave him.
26:43Well, that's fine.
26:44That's fine.
26:45Sorry to meddle.
26:46First of all, if your boyfriend leaves you
26:48because I did it to someone,
26:49maybe he doesn't have many lights.
26:51That's also true.
26:52Yes.
26:53Then, secondly,
26:54the legs, okay?
26:55Not only are they transmitted via sexual,
26:57also by contact with bedclothes,
26:59towels...
27:00Did you say he was in a camp?
27:02Uh-huh.
27:03Well, maybe he's been infected out there, right?
27:07Are you sure?
27:08I'm sure. I don't know.
27:09But he's your boyfriend.
27:10Ask him and you'll get out of doubt.
27:12Okay.
27:13Okay?
27:22Phenomenal.
27:25Let's go upstairs.
27:26Okay.
27:29You just saw the consequences of your actions.
27:33Let's see.
27:34Urgent, urgent,
27:35what is said urgent,
27:36well, neither.
27:37I mean, well,
27:38when you can come,
27:39and without pressure, okay?
27:42Okay, well, here we are.
27:44Perfect, thank you very much.
27:47I'm starting to get hungry.
27:49But we started you, Lu.
27:50I don't know how Gandhi was 21 days without eating.
27:53Well, that's how the man stayed,
27:54like a sigh.
27:56I don't know.
27:57This...
27:58I don't know.
27:59I don't know.
28:00I don't know.
28:01This...
28:02I don't know.
28:03This...
28:04I really had to have been disconnected.
28:05No.
28:06Yes.
28:07You trust, really.
28:08Trust.
28:09You'll see how the authorities give in
28:11as soon as the press does something.
28:13But what press, Charly?
28:14Only that man is recording with his cell phone.
28:16Oh, my God.
28:17We just need to go viral.
28:19MartĆ­nez.
28:20The firefighters?
28:21I've already managed to talk to them.
28:22They told me they had a lot of trouble,
28:23but they're on their way.
28:24A lot of trouble?
28:25Yes.
28:26A lot of trouble?
28:27Will you and I talk about this with MartĆ­nez?
28:29We'll talk.
28:32Nothing.
28:35No.
28:36No, no, no, no, no, no.
28:38But, Menchu, what are you doing here?
28:40Well, to show solidarity.
28:41Can't you see?
28:42Yeah, but in your state,
28:43you can't go on a hunger strike, you know?
28:45Well, that's why I brought my tupperware,
28:47my sandwich,
28:48and I eat for three,
28:49I bring everything.
28:50In the end, you're getting me in trouble.
28:51Oh, really, MartĆ­nez?
28:52Well, if there's a problem,
28:53let that lieutenant of yours come and talk to me.
28:55I'll tell him four things.
28:56Say yes, Menchu.
28:57Don't look me in the mouth.
28:58Don't look me in the mouth.
28:59Don't look me in the mouth.
29:00Well, well.
29:01Well.
29:04For me, you can do whatever you want.
29:06You'll get tired.
29:08I'm going home to have dinner.
29:12And don't worry about me.
29:15They also give dinner in jail.
29:20What a disgusting person.
29:21What a disgrace.
29:22I don't even know how he can take it.
29:24Hey, hey, hey, calm down, calm down.
29:26With how cute he was when he was little.
29:28He's become a Darth Vader again.
29:43Sergio.
29:45What?
29:48You have a bad face.
29:49Yes, I can imagine.
29:51What face do you want me to have?
29:53I don't know.
29:54With the one the Romans have set up for me.
29:56Company on the street.
29:58I already found out.
30:00Oh yeah? You already found out?
30:02Damn.
30:03The news is flying around in town.
30:05The news and the videos.
30:11Brother, listen to me.
30:13And do what you have to do
30:15so that family can visit their son.
30:17It's not that easy.
30:21His contacts.
30:23It's enough punishment to be in jail.
30:25Don't you think?
30:27But what do you think I am?
30:29I'm a monster.
30:30That I have no feelings.
30:32That I don't care about anything.
30:33Fuck, not a minute goes by
30:35without me remembering how bad it has to be
30:37for that boy to be in jail.
30:39Fuck.
30:40But what's the other option?
30:42That Nuria is in his place.
30:43I know, I know.
30:45But you can also make things easier for that kid.
30:47That at least he can receive visits.
30:50We can't slack now, Diana.
30:53It would also be a little suspicious.
30:56Sergio.
30:57What?
30:58How long do you think it can take
31:00for the press to be interested in the case?
31:02Fuck, I don't know.
31:04Do you really think the Romanians
31:06will give in without getting anything?
31:10Well, I don't know.
31:11But I'm afraid not.
31:14Then maybe you regret
31:16not stopping this show sooner.
31:19We have to allow visits to John.
31:22For his sake, and for ours.
31:32You look great, Greta.
31:34Don't say no.
31:35You're so annoying.
31:37No.
31:38What do you mean, no?
31:39You're so beautiful, so smart, so gorgeous.
31:42Yes, and she has a lot of time
31:44to have a relationship with a great player like me.
31:47What nonsense is that?
31:48Why wouldn't she look at someone like you?
31:50Of course she can look at someone like me.
31:52Look, she can look in the eyes,
31:54in the hair,
31:56in the wheels.
31:58Why can't she look at you now?
32:00I really thank you
32:03for trying to cheer me up with all this.
32:06But it's not a topic that makes me feel comfortable.
32:09But I've always been very good at this mustache thing.
32:13Didn't you have a guy who resisted you?
32:15Look, even you, saying churri,
32:17have more possibilities than me.
32:19You're calling me old.
32:20It's true.
32:21Besides, I'm going to tell you something.
32:22Rejecting a date with a Swede,
32:25a Spaniard,
32:26that's going to violate the laws of nature, kid.
32:28A super modern thought, man.
32:30It was a joke, fuck.
32:31No, man, I'm serious.
32:33Look me in the eyes.
32:35Don't you like me?
32:40It's true
32:42that I've always been good
32:44at relationships with girls.
32:47But that was before.
32:50Now, for whatever reason,
32:55I feel insecure.
32:56Fuck.
32:57Very good.
32:58You have to work on that insecurity.
32:59No.
33:00That's it.
33:01No.
33:02What do I have to offer the girls right now?
33:04No, no, seriously.
33:05Tell me one thing.
33:06I used to be able to take them with the motorcycle anywhere.
33:10We could go to a disco to dance.
33:12Now what?
33:13You can do a lot of things, man.
33:14Go for a walk, go to the movies.
33:16Yes.
33:18Who likes to go to the first row of the cinema?
33:21The first row?
33:22Oh, the stairs.
33:23I don't care, man.
33:24Fuck.
33:25I'm sure you're a great player.
33:26And you know why I'm telling you this?
33:28Because you're my nephew.
33:30And we share genes.
33:32And we've always had a special gift for women.
33:35And that's the same special gift that has helped you
33:37with Mabela's relationship.
33:40Look.
33:42If you don't want to talk, you can't do anything, boy.
33:44It's time for you to go.
33:45You can't do that.
33:55Chari, I don't know if this is going to help
33:58so that they don't let us see John.
34:00You'll see how it does.
34:02Oh, please.
34:03But what a beautiful thing.
34:05Bring it closer, bring it closer.
34:06Oh, what a thing.
34:08Please, let's go home, let's go home.
34:11I don't want to go home.
34:12I'm chained, handcuffed.
34:13Don't your legs hurt?
34:15My legs are going to hurt.
34:16If your grandmother doesn't work, I'll triple.
34:18I asked you a question.
34:19I don't want questions, really.
34:20Stop worrying about me, please.
34:21I want to be here.
34:22I'm not talking to you, Menchu.
34:24This can be drunk, right?
34:26Because it's water.
34:27It's water.
34:28Be careful.
34:30The phone, the phone.
34:32Take it.
34:33I don't have hands.
34:34Martinez, help him.
34:35Take it.
34:37This one?
34:38Yes.
34:39Okay, I'll put it on speaker.
34:40It's Estrella.
34:41Who's Estrella?
34:42She's the lawyer.
34:44Tell me, Estrella.
34:45I just got a call from a penitentiary institution.
34:48Because I guess I still have to act as John's lawyer.
34:51But what's going on?
34:52Is John okay?
34:53Yes, yes, yes.
34:54He's fine, he's fine.
34:55Don't worry.
34:56But, well, they told me that they have authorized the visits.
34:59But we can't go.
35:00We can't go.
35:01Maximum two.
35:02But yes.
35:03But how many people are there?
35:05I'll tell you later.
35:08The people united will never be defeated.
35:11The people united will never be defeated.
35:21Are we really going through this?
35:28No.
35:29No.
35:34But have they hit him here?
35:35I don't know.
35:37But don't worry.
35:38Nothing's going to happen to John.
35:39Are you sure?
35:40Are you sure he's not going with them?
35:41Yes.
35:42Are you sure?
35:43But...
35:44He's going to be okay, okay?
35:45Don't worry.
35:46He's going to be okay, my love.
35:47He's going to be okay.
35:50I'm fine, I'm fine.
35:53Okay, okay.
35:54Don't worry, don't worry, don't worry.
35:56Sit down.
35:57I'm sorry.
35:58I'm fine.
35:59Okay, I know.
36:03What's wrong?
36:04Nothing, how are you?
36:05I'm fine.
36:06Yes?
36:07Yes, yes, I'm fine, I'm fine.
36:08Are you sure?
36:09Yes, don't worry, I'm fine, I'm fine.
36:11We don't worry, do we?
36:12Tell us everything, okay?
36:14Really, tell us everything.
36:16Okay?
36:17Don't hide anything from us.
36:19Okay, well, I've had some problems.
36:29Like what?
36:32Like the fact that you don't talk to me.
36:34I'm sorry, I'm sorry, I'm sorry, I'm sorry.
36:36I'm sorry, I'm sorry, I'm sorry.
36:38I'm sorry, I'm sorry, I'm sorry.
36:40Hey!
36:45If the kid touches me, I'll kill him.
36:47Got it?
36:48Let's go!
36:55Mr. Popeye, I didn't know you had dealings with the Picoletos.
36:58Well, since I got my ass kicked.
37:00Is there a problem?
37:03You know, lighten up.
37:06From now on, Elvis is mine.
37:09Do you understand?
37:12Let's go.
37:14Let's go!
37:19Let's go.
37:22Thank you, thank you, Popeye, really.
37:25Do you want to hit me yourself or...?
37:27What the hell?
37:29You're a genius, Tronco, you're a genius.
37:31Today he came to see me.
37:33There, in Elvis Abyss.
37:34Yes.
37:35To leave me forever.
37:36Wow, I'm so sorry.
37:37Not at all.
37:38It was the other way around.
37:39Suddenly, I read the letter you wrote to me
37:42and he hugged me.
37:44Can you imagine the joy we had in Elvis Abyss?
37:47The joy of...
37:48Samba de Janeiro, we had.
37:50De Janeiro, really?
37:51De Janeiro, of the good, of Rio de Janeiro.
37:53Fuck, come on.
37:54I'm empty of love, come on.
37:56I'm very happy, Popeye.
37:58You don't know me.
37:59Come on.
38:03As long as I'm here,
38:04nothing good is going to happen to you.
38:06Romeo, come on.
38:09Listen, I haven't told you yet,
38:11but I played...
38:12Well, what the hell, I played in the RAR.
38:14I played with Sigmar Tobis, with...
38:23Popeye?
38:25That's it.
38:26And that's all.
38:29Okay.
38:31And...
38:32And you've become friends with this Popeye?
38:35Yes.
38:36And you know him?
38:37Popeye?
38:38I know him and everyone knows him.
38:40I don't give a shit.
38:41What's he like?
38:43Well...
38:44Be careful with Popeye.
38:46I know, I know.
38:47But I'm lucky because now I'm under his protection.
38:50What?
38:51Yes, yes, yes.
38:52I mean, now I'm...
38:53He says I'm his.
38:54His? What's his?
38:56That I'm his Elvis.
38:57His Elvis? What's that?
38:58Yes, because he calls me Elvis.
39:00Ah, Elvis.
39:01He says I look like Elvis.
39:02Ah.
39:03I look like Elvis, yes.
39:05Careful, huh?
39:06Careful with that, careful.
39:08Because he can be good, but he can also be very bad.
39:10Don't worry, I've got him under control.
39:13Yes.
39:16We're very proud of you, my love.
39:18Very.
39:21Go for it, okay?
39:23With strength, okay?
39:25With spirit, the whole family, okay?
39:27We have to be strong, okay?
39:29Until the day of the trial, okay?
39:31What do you mean, until the day of the trial?
39:35Until the day of the...
39:36Are you telling me I have to stay here until the day of the trial?
39:39Wait, dad, please.
39:40How many days is this?
39:41This isn't what you told me, dad.
39:44Listen to me.
39:45Estrella is no longer your lawyer.
39:51Okay?
39:52Well, it's okay, because that woman was a show.
39:55That's what she was, please.
39:56Definitely.
39:57The thing is, we still don't have the ideal lawyer for you.
40:01We're working on it.
40:03John, let's go, huh? Let's go.
40:05Let's go.
40:07Show me the video.
40:09Show me the video.
40:11Well, look at...
40:15...the one that your grandma Charlie made.
40:17Okay?
40:23What is this?
40:31What is this? What are you doing?
40:33We're crazy.
40:34We're crazy.
40:35It's so cool.
40:36But I can't.
40:41You're all chained up.
40:42I mean, you're all chained up.
40:44Some more than others, but we're all there.
40:51Look at this.
40:53Civil Guard.
40:55Here.
40:56Here.
40:58Anti-system.
40:59I'll do anything for you, son.
41:01You take the mustache off.
41:03Do you want this?
41:04It would look good on him.
41:05The same mustache.
41:06The same mustache.
41:08Cut and copy.
41:11You're funny.
41:12You're very funny.
41:13With color.
41:14I've been a rebel, you know?
41:15You're going to be a rebel.
41:17A piece of bread.
41:18Look at you.
41:19Kid, look.
41:20We've never told you this.
41:21Oh, well.
41:22Yes, a pendant.
41:24Let your mother tell you how she made me the hole in the pendant.
41:27We haven't told each other this.
41:28Me, but...
41:30I wanted him to be a bit rebellious, like Julio.
41:32I wanted him to have his pendant, but he didn't want it.
41:34Julio.
41:35So I took a pendant he had without a tip.
41:38Without a tip.
41:39Before going to a party.
41:40I put it on him.
41:42And I did...
41:43I still hear the...
41:45Crunch.
41:46I put it on him.
41:49At four o'clock, the ear of an elephant.
41:51I had the ear.
41:52I could fit things in it.
41:54The ear.
41:55The ear.
41:57Yes.
41:58It's a defect.
42:01Hey, listen to me now.
42:02You're not a police officer.
42:04You could get a tattoo here.
42:06There's a guy here who gets tattoos for free.
42:08Don't you dare get a tattoo here.
42:10We can put a little tricornium on it.
42:12Oh, how funny.
42:13Yes, yes.
42:14On the triceps, yes.
42:15On the triceps, yes.
42:16Yes, yes.
42:18Tricornium.
42:20Hey.
42:36I just got the conditional.
42:38Are you leaving?
42:39Right now.
42:40I have to go get my things.
42:49Hello, how are you?
42:50I'm Beatriz Vega.
42:51And I wanted to announce that today I'll be doing a live
42:54to talk about how to overcome a rupture
42:56and the tools that can help us in these cases.
42:59I invite you to leave any questions you may have in the comments.
43:04It's very interesting to see two aunts from different generations
43:07debating on topics that are a bit...
43:09Taboo.
43:10What's going on? Are you still looking for a lawyer?
43:13There isn't one. There isn't one and the trial is now.
43:16There isn't one.
43:17Now that, well, I can see that you can already receive visits,
43:20could you organize so that Desi could see him?
43:24Yes, do you think they'll be comfortable?
43:28I have to go.
43:29No, man, now that we're here...
43:37I'll be waiting for you at six.
43:39You should have put a cap here, in the middle of the bar.
43:41But not in the middle of the bar. In the middle of her husband's bar.
43:45It's Armando's trial sentence.
43:47And you're not going to open it?
43:48I don't dare, Maricela.
43:51What's going on?
43:54Oh, please, what's going on?
43:57Why am I in jail?
43:59Huh?
44:00What did you think?
44:01That I wasn't going to find out?
44:03The pharmacist's lawyer received a video.
44:06And it's clear that John is threatening you to confess.
44:09Where did that video come from?
44:11Where did it come from?
44:13Forget about the rest.
44:14The only thing that matters is to think about your future, okay?
44:17Future, dad?
44:18When have you cared about my future, damn it?
44:21Oh, I'm thinking about something that might be a little crazy, but...
44:25But it doesn't matter, I'm desperate.
44:27Say it.
44:28I know a lawyer.
44:29Who?