• 2 months ago
movie
Transcript
00:00All I can be is sorry, and that is all I am.
00:26I'm afraid you still don't mean it.
00:55I'm afraid you still don't mean it.
01:24We'll try again in the morning.
01:55See you tomorrow, Hallie.
02:08See you tomorrow, Hallie.
02:21Fuck me.
02:28I read it 300 times yesterday.
02:31259.
02:34Again, please. Now.
02:39What the hell is that voice?
02:59Forgive me for the harm I've caused this world.
03:04None may atone for my actions but me.
03:14And only in me shall their stain live on.
03:30I really am sorry, okay?
03:35I'm sorry.
03:38No paraphrasing.
03:40Again.
03:59I'm sorry.
04:27I'm sorry.
04:57I'm sorry.
05:17I'm sorry.
05:47I'm sorry.
06:07I'm sorry.
06:36It's past 1100, and Hallie's been in the break room since yesterday.
06:40Okay.
06:41I wonder if, as department chief, you feel you should check on her progress?
06:45Mark doesn't have that power.
06:47Well, he can ask.
06:48He's not going to.
06:49He might.
06:50Okay.
06:51Hi.
06:54I'm so sorry to interrupt.
06:57We met the other day. I'm Bert from optics and design.
07:01Hi, Irving.
07:03Hi, Bert.
07:04What are you doing here?
07:05Do you know exactly how the wet fuck?
07:06Do you know where this office is?
07:08My predecessor, Alice Kaye, came here once when they still did the summits,
07:12and she left erections.
07:13Give us them reversed.
07:14Okay, it's all right.
07:16What can we do for you, Bert?
07:18Well, Irving, I kept thinking about what you said about being excited
07:23for the new handbook totes, and maybe you were kidding or teasing.
07:27No, not at all.
07:29Okay, good.
07:30I've been fretting, though, because you mentioned the anticipation
07:33could distract from your work, which was the opposite of my intent.
07:37So I figured, heck, let's bring them over now.
07:40That way it won't be on your mind.
07:43You brought pre-release handbook totes for us.
07:48Seemed like the right thing.
07:49I know your time is valuable.
07:51Okay, well, you can drop them on the desk.
07:53Long hike back to O&D.
07:55Right.
07:56I also wanted to extend an invitation.
07:59Again, I know you work hard,
08:01so if an informal tour of O&D ever sounds refreshing,
08:06I'd be happy to personally offer that to Irving and any one of you.
08:11Directions are in the front bag, reversed.
08:14Hard pass.
08:17Okay.
08:20Thank you, Bert.
08:32Just seems soon to be taking them up on his offer.
08:35It's absurd. We've never visited them before now.
08:38Kia's whole original vision saw us all working together.
08:43That was before O&D started disemboweling people's bowels.
08:46Nonsense. I'll be back by 1.
08:50He's gonna die.
08:53Irving.
09:02How many times?
09:071,072.
09:32What about the voice behind the door?
09:35Crying baby, you mean?
09:37No. Like the angry, mumbly guy.
09:40Guys, you're really not supposed to talk about the break room.
09:45You know, the important thing is you apologized correctly,
09:49and now you're out.
09:51What you gotta do is trick the machine
09:53by thinking about something you're really sorry about.
09:55So?
09:58I like to imagine my Audi's love made with a mil for 2,
10:01which is obviously badass, but I do pity the husbands.
10:28Hey.
10:31Break room sucks,
10:33but that's why we have protocols and procedures,
10:36so we don't end up there.
10:38You'll learn. I promise.
10:53Hello?
10:55Who's that?
10:57Oh, hi.
10:59It's Irving B. from Macrodata Refinement.
11:03We met in the hall the other day.
11:08Bert's over there by shelf 6.
11:11Don't touch anything.
11:16The big envelopes can handle an appendix reissue,
11:20but, of course, we ship all the hallway pieces in frame.
11:26Huh?
11:28So much to remember.
11:30Felicia and I make do.
11:33I'm sure it's easier than what you MDR kids get up to all day.
11:38I can only imagine what it's like when the new art comes in.
11:42I mean, you see it before anyone.
11:45It's so dumb.
11:47But I actually cried
11:50when you guys put up the youthful convalescence of Kier.
11:53No. I did.
11:55I never thought I'd see the handbook passage depicted visually.
11:58It was only up for a month or so.
12:02Man, what a month.
12:10Come here.
12:13Once the hall art's been cycled through all the departments,
12:18it ends up back here.
12:20Wow.
12:25Where did Felicia go?
12:27Supplier on.
12:31Voila.
12:38Let not weakness live in your veins.
12:41Cherished workers drown it inside you.
12:44Rise up from your deathbed and sally forth,
12:48more perfect for the struggle.
12:53Exactly.
12:57I can't believe you.
13:00You have this.
13:12I'm sorry.
13:14What time is it?
13:16I have to go.
13:35Really?
13:37I got too far ahead of myself.
13:40I got to 4%.
13:42Yes! Feels good, right?
13:45I guess.
13:47Awesome. I'm glad you agree.
13:51Great work.
14:09♪
14:39♪
15:09♪
15:25What's this?
15:27Will you put that away?
15:29Put what away?
15:31It's a map of the hallways.
15:33No, it isn't.
15:35I thought we weren't supposed to make maps.
15:37No, we're not. I didn't.
15:39It's just something I found. I think Petey made it.
15:41Oh, shit. You didn't turn it in?
15:43You're such a hypocrite,
15:45lecturing me on following the rules.
15:47I wasn't lecturing you.
15:49I'm just trying to keep you out of the break room.
15:51I can't believe Petey was a mapper. Let me see.
15:53He's got wellness, management,
15:56perpetuity, everywhere we know of.
15:58This must have taken him weeks.
16:00Why aren't we supposed to map the office?
16:02It's an Egan rule. Render not my creation a miniature.
16:05Why?
16:07What the fuck is this?
16:09They look like houses, right? That's how houses look.
16:11Yeah, exactly, because these are random board doodles.
16:14Well, maybe they're on the outside,
16:16and Petey found a way to get to them.
16:18So why would they be on a map of the severed floor?
16:20It could be a thing. You don't know.
16:22It's not a thing.
16:24Clearly, he was trying to tell you something.
16:26Uh, no.
16:28Go like a boot, Mark.
16:30You're more loyal to this place than to your friend.
16:32I'm loyal to how it felt around here before you showed up.
16:36You mean when Petey was here?
16:38Yeah, because there was balance.
16:40We could have fun and work
16:42without the whole goddamn department imploding.
16:44The work is bullshit.
16:46The work is mysterious and important.
16:49And we deal with the uncertainty it brings us
16:52in the way that Keir would have wanted.
16:55Together.
16:57As a family.
16:59I could not,
17:01with a razor to my throat,
17:03be less interested in being your family.
17:12Your best friend left this for you,
17:14and you don't give a shit.
17:30You're right.
17:32I don't give a shit.
17:34Mark!
17:38There. It's gone.
17:40Thank you, Helly. Now we can get back to work.
17:48Mark!
17:52It's an emergency.
17:55Okay, uh, all right.
17:57I was going to get Mr. Milchert,
17:59but I thought it best not to break the chain of command.
18:02It's just raining contraband today.
18:04What do you mean?
18:06It doesn't matter.
18:08Has anyone seen anything like this before?
18:10Passage 31, page 110.
18:12Be content in my words,
18:14and dolly not in the scholastic pursuits of lesser men.
18:17No books except the handbook, I know.
18:20What are you doing?
18:22His ego's pissed, because Helly called him out for bootlegging.
18:25My ego's fine. I'm just trying to...
18:27Damn.
18:29Mark, what is this?
18:31Maybe it's another PD message.
18:33Flip through, see if my name's anywhere.
18:35I bet it's a loyalty test.
18:37Remember the spicy candy?
18:39I'll be turning this into Milchert.
18:41What? Why? It's booty.
18:43It's booty with your name on it.
18:45Excellent decision, Mark.
18:47This is an idolatrous text that should be brought to him immediately.
18:56So, what's their space like?
18:58Stalactites and shit?
19:00No, it's nice.
19:02Bert's fostered a really welcoming environment.
19:04He understands the spirit of Lumen.
19:06Helly?
19:08Helly?
19:10Helly?
19:12Helly?
19:14Helly?
19:16Helly?
19:18Helly?
19:20Helly?
19:22Helly?
19:24Helly?
19:27Excuse me!
19:29Jesus, Helly!
19:31I want a camera!
19:33I am so sorry, Miss Cobell. I...
19:35What is happening here?
19:37What's happening is you're going to give me a video camera
19:39so I can tape a resignation to my Audi
19:41right fucking now.
19:43Or you're going to have to explain to her
19:45why she's missing four fingers.
19:47Okay. That's just...
19:49It's Cobell, right?
19:51Yes.
19:53Cobell,
19:55do I look like I'm fucking around right now?
19:57No, no,
19:59you do not.
20:01Helly?
20:03Hi, Mark.
20:05I'm just catching up with your trainee.
20:11Mr. Milchak,
20:13could you get the video camera, please?
20:23Okay.
20:43Hey.
20:53Hey.
21:16Well, boss,
21:18guess this is the part where I should tell you to go to hell.
21:21Except you're already here.
21:31I was never sorry.
21:51Helly,
21:53I watched your video
21:55asking that I resign.
21:57I also received and responded
21:59to your previous request.
22:01I assumed that would resolve the issue,
22:03but now Miss Cobell says
22:05you threatened to cut off your fingers.
22:13I understand that you're unhappy
22:15with the life you're leading,
22:17but I understand
22:19that you're unhappy with the life
22:21that you've been given.
22:23But you know what?
22:25Eventually, we all have to accept reality.
22:27So...
22:29here it is.
22:33I am a person.
22:36You are not.
22:39I make the decisions.
22:42You do not.
22:45And if you ever
22:47do anything to my fingers,
22:49know that I will keep you alive
22:51long enough to horribly regret that.
22:55Your resignation request is denied.
22:58Turn it off.
23:17Welcome your child into a world
23:19surrounded by nature?
23:21No, thanks.
23:23Uh...
23:25Scroll down to explore
23:27our rustic birthing cabins.
23:29Uh...
23:31I don't know. It just...
23:33It looks more like a shitty ski resort
23:35than a birthing center to me, but...
23:37Okay, sure, fine.
23:39But it's gonna be awesome,
23:41and you're gonna like it.
23:43How much of this was Rican's idea?
23:45I don't know.
23:47Just get all of your snark out now,
23:49or you're never gonna earn your uncle badge.
23:51You know what?
23:53I think I might have some more snark in me.
23:55I'm kind of tired.
23:57Okay, bae.
24:15♪♪♪
24:45♪♪♪
24:47♪♪♪
24:49♪♪♪
24:51♪♪♪
24:53♪♪♪
24:55Have you heard from the board yet?
24:59No.
25:01Kilmer wasn't your fault,
25:03and it certainly wasn't mine.
25:05They'll understand.
25:11It wasn't your fault, Harmony.
25:15If you want a hug,
25:17go to hell and find your mother.
25:19Jesus.
25:21Since Petey reintegrated...
25:23The board's never acknowledged reintegration.
25:25We have to get his chip.
25:29His corpse is scheduled
25:31to be destroyed by cremation
25:33following his funeral on Sunday.
25:35FYI.
25:45♪♪♪♪
25:47♪♪♪♪
25:49♪♪♪♪
25:51♪♪♪♪
25:53Vision.
25:55Fur.
25:57Wit.
25:59Cheer.
26:01Humility.
26:03Benevolence.
26:05Nimbleness.
26:09Property.
26:11Wiles.
26:13Wiles.
26:17Wiles.
26:19♪♪♪♪♪
26:39The news report said that he worked at Lumen, so I thought maybe I knew him.
27:05What are you doing here?
27:06He used to come by my shop.
27:08He adored my hibiscus wrap.
27:10Oh, my God.
27:12Wow, what a small world.
27:14Oh, poor, poor man.
27:17Well, on the upside, at least now we both have a date.
27:19Ha, ha, ha, ha.
27:23Oh, there he is.
27:24If you'd like to go in and pay your respects,
27:26I'll wait right here for you.
27:27Yeah, I think I might swing by the bathroom,
27:29but I'll see you in a sec.
27:32Service is starting soon.
27:33Yeah.
27:38I'll see you in a second.
27:44I've actually been here.
27:46Uh, whiskey, Wilkes.
27:48Oh, it's just wine, sir.
27:50Right.
27:51Red, please.
28:08No, that is not a perfectly decent wine.
28:15Oh, my God.
28:16Oh, my God.
28:18Oh, my God.
28:19Oh, my God.
28:21Oh, my God.
28:22Oh, my God.
28:24Oh, my God.
28:25Hello.
28:26Were you a friend?
28:31He was my dad.
28:33Oh, I'm so deeply sorry.
28:39I suppose you were close and everything, hm?
28:55White, please.
29:03I'm sorry.
29:04I don't know you.
29:05I'm Nina.
29:06Oh, uh, Mark's got me.
29:08I'm Peter's ex-wife.
29:11Oh, yeah, sure.
29:13Sorry.
29:19You're from Lumen.
29:30So you didn't even know him at all.
29:32Well, I just figured I'd know him.
29:33Hey, Mom.
29:34They want to start.
29:36OK, baby.
29:37Hi.
29:38You're, uh, are you June?
29:42Yeah.
29:44It's nice to meet you.
30:02Hi.
30:18So you knew my dad?
30:20Um, yeah, at work.
30:28Oh, you're one of those.
30:32You ever think that maybe the best way
30:33to deal with a fucked up situation in your life
30:35isn't to just shut your brain off half the time?
30:41I'm not exactly sure.
30:46We're happy you're here.
30:48We're going to perform something for you.
30:51Oh.
30:52I'm glad you're here, baby.
30:54We're going to play a room.
30:55The room's going to melt your face off.
30:57A rock tune.
30:57It's rock and roll.
31:00Rock show time.
31:07Say your prayers, little one.
31:09Don't forget my son to include everyone.
31:14We tuck you in, warm within, and keep you free from sin
31:18till the Sandman, he comes.
31:23Sleep with one eye open.
31:27Grip in your pillow tight.
31:30Exit light.
31:34Enter night.
31:38Lead us in.
31:41We're off to never, never land.
31:52Something's wrong.
31:53Shut the light.
31:54Heavy thoughts unite.
31:56And they aren't of snow white.
32:00Dreams of war, dreams of lies, dreams of dragons far,
32:04and of things that will bite.
32:08Sleep with one eye open.
32:12Grip in your pillow tight.
32:15Exit light.
32:19Enter night.
32:23Take my hand.
32:26We're off to never, never land.
32:31I pray the Lord my soul to keep.
32:33I pray the Lord my soul to keep.
32:35And if I die before I wake.
32:37And if I die before I wake.
32:39I pray the Lord my soul to take.
32:41I pray the Lord my soul to take.
32:43Hush, little baby, don't say a word.
32:47Never mind that noise you heard.
32:51You're just a monster under your bed.
32:55You're clothed in your head.
32:58Exit light.
33:02Enter night.
33:06Lead us in.
33:10We're off to never, never land.
33:12We're off to never, never land.
33:16We're off to never, never land.
33:19We're off to never, never land.
33:22Let's go.
33:35No!
33:42♪♪
33:53Mark, sweetheart, are you all right?
33:54I'm so sorry.
33:56I think I have the cystitis under control.
33:57This was a mistake. I had to go.
33:59Okay, well, let me come with you.
34:00Yeah, that's not necessary.
34:01No, it's fine.
34:03Our father, who art in heaven...
34:06So, was the funeral just too sad, or...
34:11Uh, something like that, yeah.
34:13If you ever want to talk...
34:15No, thank you. I just...
34:18Fine.
34:20But thank you for, you know,
34:22being my funeral buddy today.
34:24Huh.
34:25Good night.
34:27Good night.
34:40♪♪♪
34:50♪♪♪
35:00♪♪♪
35:10♪♪♪
35:20♪♪♪
35:30♪♪♪
35:40♪♪♪
35:50♪♪♪
36:00♪♪♪
36:10♪♪♪
36:20♪♪♪
36:30♪♪♪
36:40♪♪♪
36:50♪♪♪
37:00♪♪♪
37:10♪♪♪
37:20♪♪♪
37:30That's Petey?
37:34That's Petey.
37:38How did you...
37:39Would you mind taking that up to Diagnostics for me?
37:44Huh.
37:49You requested me, Ms. Cobell?
37:53Ms. Casey, I'd like you to run a special wellness session
37:57with Margas.
37:59Margas?
38:01What's the problem?
38:05He just needs it.
38:07Trust me.
38:18Okay.
38:26Kier invites you to drink of his water.
38:30Perfect.
38:31Felicia said you'd be here.
38:35Is it awful to say I don't care for that one?
38:40No.
38:42Honestly, it makes me nervous, too.
38:47I missed that, but I keep thinking he could slip.
38:54It was a thrill to have someone from MDR come see us.
38:59To take an interest like you did so.
39:03If I embarrassed myself...
39:04You didn't.
39:06Unless you did.
39:10Are you embarrassed?
39:14No.
39:17Good.
39:21I have four more stops.
39:26Would MDR consider joining me?
39:31MDR would.
39:34You're crazy.
39:36I wish I could nap.
39:38I think I sleep 15 hours a night up there.
39:41It's a character flaw.
39:42Just means you're a party guy, Disco King.
39:44I can't be falling asleep, Bert.
39:47Who cares?
39:48The handbook cares.
39:49No workplace shall be repurposed for slumber.
39:53I know the handbook, old man.
39:55I'm more of a first-edition guy.
39:59Original word of Kier.
40:01And I shall whisper to ye, dutiful through the ages,
40:05in your noblest thoughts an epiphany shall be my voice,
40:09you are my mouth,
40:12and through ye I will whisper on
40:16when I am ten centuries devised.
40:21I don't understand.
40:23He doesn't just speak to us through the handbook,
40:26the paintings.
40:28He finds other ways.
40:33You think you need your job,
40:37but I've lived abroad as a vagrant,
40:39abstaining from my own money
40:41to rely on the charity of strangers.
40:45Most were beggars themselves, yet they were happy,
40:49and so for that summer was I.
40:54Your job needs you,
40:58not the other way around.
41:06Safe travels from D.R.
41:09Thanks, O.M.D.
41:30Mark?
41:32I'm gonna go.
41:34Do it.
41:35I'm working up till the bell.
41:37I think I may still crush this thing tonight.
41:40Hope you do.
41:44See you soon.
42:04♪
42:35♪
42:48Knew it.
42:55Sometimes I ask people to sculpt how they feel out of clay.
43:01Would you like to do that?
43:07All right.
43:32♪
43:35♪
43:39Destiny,
43:41an acrostic poem experienced by the author Rick and Hale.
43:45♪
43:48♪
43:51♪
43:55♪
44:06D is for dreaming,
44:09the start of it all.
44:16E is for energy,
44:20breaking down walls.
44:24S is for stewardship of home and of Earth.
44:33T is for terror, which gives us more worth.
44:41I is for eyes,
44:45which observe us with love.
44:49Until N, meaning newness,
44:52rains down from above.
44:57And Y,
44:59that's a question we needn't now ponder,
45:03for destiny, friends,
45:06shall deliver all yonder.
45:10Hey, how are you?
45:13Good.
45:14Yeah? Seems like you're getting the hang of stuff here.
45:17♪
45:20Cool.
45:21♪
45:24♪
45:27♪
45:30♪
45:33♪
45:36♪
45:39♪
45:42♪
45:45♪
45:48♪
45:51♪
45:54♪
45:57♪
46:00♪
46:03♪
46:06♪
46:09♪
46:12♪
46:15♪
46:18♪
46:21♪
46:24♪
46:27♪
46:30♪
46:33♪