Remington Steele S04E03
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00:00Page 46, babe of the month, a man telling us what Laura Holt, private investigator,
00:09is doing in a publication of that sort.
00:11Secretaries, I'm talking teachers, taking playmate-style pictures.
00:15These women actually pay you to photograph them in the nude?
00:18Is there something you're not telling me?
00:19Whoever gave you that idea?
00:20Is there something you're not telling me?
00:21The FBI came to our office and you didn't tell me?
00:22You...
00:23Sly devil.
00:24Pervert!
00:25Your picture appears in a porno magazine and I'm the pervert?
01:25I'm the pervert?
01:26I'm the pervert?
01:27I'm the pervert?
01:28I'm the pervert?
01:29I'm the pervert?
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02:30I'm the pervert?
02:31I'm the pervert?
02:32I'm the pervert?
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02:45I'm the pervert?
02:46I'm the pervert?
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02:50I'm the pervert?
02:51I'm the pervert?
02:52I'm the pervert?
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03:00I'm the pervert?
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03:08I'm the pervert?
03:09I'm the pervert?
03:10I'm the pervert?
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03:15I'm the pervert?
03:16I'm the pervert?
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03:30I'm the pervert?
03:31I'm the pervert?
03:32I'm the pervert?
03:33I'm the pervert?
03:34I'm the pervert?
03:35I'm the pervert?
03:36I'm the pervert?
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03:42I'm the pervert?
03:44Undercover.
03:45The photographer is Douglas Veenhoff.
03:48Ring a bell?
03:49Ah, yes, yes. Veenhoff.
03:53The Veenhoff matter, yes.
03:55A sleazy job, but someone had to do it.
03:59You're aware then that Veenhoff is wanted
04:00for interstate trafficking and pornographic materials?
04:02Shocking, isn't it?
04:03According to his appointment book,
04:05Laura Holt was the last person to see him.
04:07She might know where he is.
04:09Well, I assure you gentlemen,
04:10as soon as Miss Holt gets in,
04:12As soon as Holt gets in, you shall be the first ones to know.
04:16The Remington Steel Agency prides itself on its cooperation with the authorities.
04:20Suppose we have a look at your files, then, in the spirit of cooperation.
04:24Oh, yes. Mildred, look into that, will you, please?
04:27As long as they have a warrant.
04:30I'm sure you can make an exception this one time.
04:33Oh, listen, pal.
04:36How long do you think we'd stay in business if we opened our files...
04:38to every clown who came by flashing a badge?
04:41I could walk out that door and be back here with a court order in 30 minutes.
04:44I could close you down in a day.
04:46Oh, don't threaten us with this bureaucratic beeswax buster.
04:49I didn't spend six years with the I.R.S. fraud squad for nothing.
04:53Uh, excuse me, gentlemen. Just a moment, will you, please?
04:56Miss Krebs.
04:58Excuse me.
05:00Hi.
05:02Mildred, this is not a criticism, but what the hell are you doing?
05:05Clients' files are privileged information.
05:07Come on, but the F.B.I., Mildred. You remember London. You do remember London.
05:10The five passports, deportation, once they begin excavating my past.
05:14Relax, chief.
05:16Non-cooperation between agencies is the backbone of bureaucracy.
05:19By the time Colby and Rhodes get back here with a warrant...
05:22you'll be six feet under.
05:24Let's just hope it's not an early grave, Mildred.
05:26Oh, okay.
05:28In they go.
05:30All right.
05:32You better start carving that tombstone right away, Mildred.
05:35Also, get me the file on the Fianoff case.
05:37There isn't one. What do you mean, there isn't one?
05:39What do you mean? We don't have a client called Wienhoff.
05:42Oh, God.
05:44Oh, come on.
05:46All right. You mean...
05:48Uh, yes, could you get me the listing for, uh...
05:51Wienhoff.
05:53Wienhoff Photography.
06:09Wienhoff.
06:39Wienhoff.
07:10Oh, hi.
07:12Uh...
07:14Sorry. I had a table that wouldn't clear...
07:16and my boss wouldn't let me go.
07:18I'm not too late, am I?
07:22I-I'm afraid you, uh, have the wrong person here.
07:25I-I mean, I'm here now.
07:27Might as well do what we can, don't you think?
07:29Uh, miss, miss.
07:31I have to admit, I'm a little nervous.
07:33I never did this sort of thing before.
07:35I'm a little new at this myself.
07:37Oh.
07:39Tell me, uh, Jackie...
07:41now, exactly, um...
07:43what kind of photographs did you have in mind?
07:46Oh, I-I was sort of hoping you can do for me...
07:48what you did for Betsy Blomquist...
07:50only, uh, no leather.
07:52Satin's more my style, don't you think?
07:54Oh. Oh, absolutely.
07:56There's really no question about it.
07:58Now, uh, did I, uh...
08:00did I happen to mention what I'd do with the photographs?
08:02You're not gonna do anything with them, I hope.
08:04I want to give them to Mikey for a wedding present.
08:07That'll surprise him, don't you think?
08:09Uh, not too much, I hope, huh?
08:11Uh, if you got a dressing room,
08:13I'll slip into something a little more...
08:15Say no more, say no more.
08:17Right through here, okay, Jackie?
08:19Take your time, take it, uh...
08:21just...
08:23please, okay?
08:25Don't worry, don't worry.
08:29Vito!
08:32Now, if you're not gonna be a human being about this, fine.
08:35Maybe I can knock some sense into that...
08:37end of those skull of yours, Vito.
08:39Hey!
08:41Now, hand over those files!
08:43I'm not Weinhof.
08:45For the last time, give me those files!
08:48For the last time, I'm not Weinhof!
08:50Where you want me, Mr. Weinhof?
08:54Hey, come on, you guys, this is my hour!
08:57Hey, come on, you guys, this is my hour!
09:06Help!
09:17Smile.
09:20Oh, God.
09:25Remington Steel Investigations.
09:27Laura Holt.
09:29I'm sorry, she's not in right now. May I take a message?
09:31Tell her Weinhof called.
09:39Does Miss Holt know where you are?
09:41Sometimes I wonder. Look, I gotta move.
09:43I'm getting stir-crazy here.
09:45No, uh-uh. You're gonna stay right where you are...
09:47until I can reach Miss Holt.
09:49Okay. In that case, tell her to bring me something to eat...
09:51whether it be a double cheeseburger, a large order of fries, onion rings.
09:54Anything to drink?
09:56Diet cola.
09:58Okay, you got it. What's the address?
10:00He's got me stashed at someplace called the Melrose Apartments.
10:039-1-2-1 Melrose.
10:06Apartment 303.
10:19Mr. Weinhof?
10:49Mr. Weinhof?
11:19Mr. Weinhof?
11:49Mr. Weinhof?
12:10Weinhof!
12:19Weinhof!
12:49Weinhof!
12:59Hey! What do you think you're doing?
13:06Somebody call the cops!
13:08He's stealing my car!
13:10Car thief! He's a car thief!
13:14Come back, you louse! Come back with my car!
13:29Hey, what's going on?
13:31Weinhof?
13:33Yeah.
13:35What the hell did you do to my roof?
13:38Come on. It's not safe in here.
13:44Morning.
13:46Morning.
13:48What happened to your lip?
13:50Racket ball.
13:52I didn't know you played.
13:54Laura, is there anything I should know about?
13:58I mean, clients, cases?
14:00Not really. Why?
14:02Oh, no reason. I just thought we could have a bite to eat. That's all.
14:06I'm sorry. I'm sorry.
14:08I'm sorry. I'm sorry.
14:10I'm sorry.
14:11I thought we could have a bite to eat. That's all.
14:13Sorry. I promised a friend I'd do him a favor.
14:16Oh, really? What sort of favor?
14:18Oh, it's an afternoon's work. I wouldn't want to bore you with the details.
14:22Oh, no, no, no. I'll just come along for the ride.
14:25I'll get a breath of fresh air.
14:27Really, Mr. Steele, it's a personal matter. I wouldn't want to trouble you.
14:30No trouble.
14:32Here you go.
14:41Follow me. Keep a sharp repeal.
14:43What for?
14:45Anything. Anybody.
14:55Come on. It's not safe here.
14:58How do you know?
15:00I'm a trained investigator.
15:02There's death behind that door.
15:12This, uh, friend of yours, uh, what does he do?
15:17He's a photographer.
15:19Oh. For a newspaper?
15:22No, no. He has his own studio.
15:25Does portraits mostly.
15:27Oh, I see. Graduations, weddings, kids, dogs, that sort of thing.
15:32Uh, more or less.
15:35Oh.
15:38More or less.
15:43Has he, um, ever taken your photograph?
15:46Mine? No. Me?
15:49You know how camera-shy I am.
15:51Oh, yes.
15:53Versible, shrinking violet.
16:04Um...
16:06This, uh, friend of yours wouldn't be mixed up in anything, um, legitimate, would he?
16:12Your imagination never stops, does it?
16:14At the moment, it's working all the time.
16:16All right. A couple of days ago, someone broke into Wienhoff's studio,
16:20roughed him up and demanded he turn over his files.
16:23That's his name, Wienhoff?
16:25Yes. Luckily, he was interrupted by Wienhoff's next appointment.
16:29I managed to get a line on a man who fits his description.
16:32If it's who I think it is, we may have a mini Watergate on our hands.
16:36How so?
16:38Ever heard of Ford Stevens?
16:40No.
16:42He's the candidate for state senate and very likely the man I'm after.
16:46What's his connection with Wienhoff?
16:49When I find out, I'll let you know.
16:53Is there something you're not telling me?
16:56Whatever gave you that idea?
16:58Is there something you're not telling me?
17:01Whatever gave you that idea?
17:23Sit tight. I'll be back in a minute.
17:421,500 flyers and I want to check this out.
17:45Thank you. Thanks a lot. I'll check that for myself.
17:48Could you call the governor, please? Thank you.
17:51I'll call this man. Could you call and check on that contribution?
17:55Excuse me. I'd like to see Ford Stevens, please.
17:59Wait here.
18:22All right.
18:24Why don't you swing around the back and let me out?
18:27Take a leisurely drive up to Santa Barbara...
18:30and help yourself a big, fat, juicy steak.
18:33Thanks, Mr. Seale.
18:35Pleasure.
18:47No! No!
18:51No way! Look at the picture!
18:54I look like an albino!
18:56Make it darker. Add some color. I don't know.
18:59Just make it work.
19:01Right, right. I gotta go.
19:03What's up?
19:05Laura Holt, Remington Seale Investigations.
19:10What does she want?
19:12I don't know. She wants to see you.
19:14Tell her I'm out.
19:16Tell her... No, no!
19:18Tell her I'm on a campaign swing up north.
19:21Be in Fresno till Friday.
19:23Okay.
19:33He will return your call. Thank you.
19:37PHONE RINGS
19:46So?
19:48Stevens is campaigning up north.
19:51He won't be back till Friday late.
19:54He'll like this story.
19:56Why do you say that?
19:58Obviously, from your tone of voice, you don't believe that.
20:02According to his appointment book,
20:04Stevens has an interview with Channel 6 tonight at his home in Fremont Place.
20:09Isn't it a wonderful feeling, Laura, being on the same wavelength?
20:13I mean, it's almost as though we can read each other's thoughts...
20:17without actually having to articulate a thing.
20:27I know you'll do your best, Sergeant, but you've got to understand...
20:30if my boss finds out that car's been stolen, I am dead meat.
20:34All right.
20:36Goodbye.
20:44PHONE RINGS
20:50Aren't those people ever in?
20:52Now what?
20:54Oh, Miss Holt. Steel.
20:56Weenhoff?
20:58Weenhoff?
21:00Remington Steel. How do you do?
21:02Hiya.
21:04Yes. Well, not quite what I'd pictured, but, well, never mind.
21:08Mildred's been a terribly long day. Perhaps you could fix her some cold drinks?
21:12Right away, Chief.
21:14So, Weenhoff, why don't you come and sit down?
21:17Miss Holt tells me that you two have known each other for quite some time.
21:22Oh. Well, yeah, I guess about three weeks.
21:25Years? No.
21:28That long? How long?
21:31I understand you're a photographer.
21:33Well, yeah, yeah. What I do is boudoir photog...
21:38...raphy.
21:40Boudoir photog...
21:43...raphy.
21:45Hmm. Mildred, I'll give you a hand with the drinks, all right?
21:53What happened? Somebody tore the room apart.
21:56Whatever you do, don't tell him you took my picture.
21:58Why not? I wouldn't want him to get the wrong idea.
22:02I don't know what game our taciturn colleague is playing.
22:05I've given her enough opportunity to fess up and she hasn't said a word.
22:09You know those two FBI guys? They came to Weenhoff's apartment.
22:12I barely got him out in time.
22:14Like a bad head cold, those two. Hard to shake off.
22:20By the way, Melvin, where's the Auburn?
22:23Um, in the shop.
22:25It has, um, sticky lifters.
22:28Again?
22:31So, uh, tell me.
22:34What exactly is this, uh, boudoir photography?
22:39Well, it's only the hottest new craze this week in the country. Women.
22:42And I'm talking housewives. I'm talking secretaries.
22:45I'm talking teachers taking playmate-style pictures.
22:49These women actually pay you to photograph them in the nude?
22:53Well, yes and no.
22:56I mean, most of them come in not expecting to do any real nudity, you know.
23:00But a couple of glasses of wine?
23:03Oh.
23:05A little slideshow of some of the previous clients.
23:08And next thing you know, these women are, well, getting into the real hearty stuff.
23:13Well, I'm sure we all find this very fascinating.
23:16But, uh, we've got to go.
23:19With any luck, this case will be wrapped up by tonight.
23:22Thank heavens for that.
23:24Next thing you know, they'll be wanting to take your picture.
23:27Hmm.
23:53Check upstairs.
24:04Eldred, when I'm behind that camera, sex never...
24:07Who is it?
24:09FBI. Open up.
24:11Go. Get.
24:14Hmm.
24:21You got a warrant this time?
24:23Hey! How are ya?
24:26Okay, Vienhoff. Let's move it.
24:34He offered me 20 grand for my files.
24:37Told me he's a talent agent.
24:39He's no agent. Not even from the FBI.
24:42How do you know?
24:43That gun.
24:44What about it?
24:45That's not government issue.
24:46What?
24:47Come on. Come on.
24:49It's not safe here.
24:52Oh!
25:12Oh, that's fine. Thank you very much.
25:14Uh, Mr. Steele, just hold, please.
25:17I just don't have time to deal with you right now.
25:19of my campaign.
25:20I'm a very busy man.
25:21I'm sure the news media would enjoy hearing
25:23just how busy Mr. Stevens.
25:25Breaking and entering, extortion, assault and battery,
25:29quite an agenda.
25:31Isaac, what does the name Douglas Vinoff mean to you?
25:38All right.
25:41I'll tell you exactly how it happened.
25:43But you have to understand something.
25:45My whole life is invested in this campaign.
25:48This house, my kid's future, pension plan,
25:51the risk is enormous.
25:52We're all ears.
25:56It's my wife.
25:58She, uh, excuse me.
26:11Oh, that's a baby.
26:14Babes.
26:17Age 27.
26:23Your wife?
26:24No, uh, Lucille Bascomar, next door neighbor.
26:28She and Emily, that's my wife, went down
26:30to this boudoir photographer and had
26:33all these damn pictures taken.
26:36Now, when she first showed them to me, I was flattered.
26:39In fact, it was kind of a turn on.
26:43We've been married a long time.
26:48Then I saw this.
26:49Are you saying Douglas Vinoff took this picture?
26:52Yes, that's why I wanted his files.
26:54Can you imagine what it would do to my campaign
26:56if my wife ended up in a smut magazine like this?
26:58Well, I don't think there's much chance of that, Mr. Stevens.
27:01Your wife would have to sign a release before Vinoff
27:03could sell her pictures.
27:05Lucille didn't sign any release.
27:09Are you certain?
27:11Of course.
27:12Don't be absurd.
27:13Those pictures were meant for her husband's eyes only.
27:16Mm.
27:17As were mine.
27:19I can see your predicament, Mr. Stevens, but the question is.
27:28What's the question?
27:34The question is, what are we going to do
27:36about Vinoff and this trash?
27:40It's already, it's already on the local newsstands.
27:46Probably hundreds throughout the city.
27:47Thousands across the country.
27:51Mr. Stevens, if we promise to deliver
27:56your wife's negatives to you, will you leave Vinoff alone?
28:01Absolutely.
28:03We'll get right on it.
28:05And don't worry about Vinoff.
28:06I have a feeling he's going to get what's coming to him.
28:08I hope so.
28:09Miss Holt, I have the funny feeling I've
28:13seen you somewhere before.
28:15No, I don't think so.
28:16Wait, wait a minute.
28:17It'll come to me.
28:19Ford never forgets a face.
28:21Photographic memory, eh?
28:28Century Plaza Hotel.
28:30Presidential primary, 1984.
28:33You were wearing some sort of provocative gown.
28:38No.
28:47Provocative gown?
28:50Presidential primary?
28:53Where was I?
28:53Mind on the case, Mr. Steele.
28:56We may have gotten Vinoff off the hook with Stevens,
28:58but he's not off the hook with me.
29:00Obviously, he neglected to tell you he was
29:02peddling his pictures on the side.
29:03I'm going to wring his fat, greasy neck.
29:06Oh, Laurie, you're taking this awfully personally.
29:08After all, it's not as though you were between those pages.
29:12The object of desire for every slobbering pervert,
29:16every sex-starved marine, every convict on death row
29:21who wishes to kind of.
29:22Mr. Steele, please.
29:23I've got a headache.
29:36All right, Wienhoff.
29:40Mildred?
29:44Vinoff's wanderlust is beginning to annoy me.
29:49I'm going to find that creep and bury him.
29:56What do you mean, Tijuana?
29:59What spare parts?
30:02No, no, listen.
30:03Listen to me.
30:04I don't care if you've got 5,000 stolen cars on your books.
30:07I have got to have that Auburn back.
30:09When?
30:10Yesterday was too late.
30:13You hungry?
30:15How could you think of food at a time like this?
30:18We have killers on our tail and no wheels.
30:20But if I'm going to die, it might
30:21as well be on a full stomach.
30:23Please, don't whine.
30:25You're making me wish I was dead.
30:28You got something against me or something?
30:30You've been putting me down all day.
30:32It's your job.
30:33What about it?
30:34It stinks.
30:36Oh, hey, look, Mildred, let me tell you something.
30:40When I was maybe five, my dad bought me my first camera.
30:45It was an old box kind of thing with a great big lens,
30:49worn leather case.
30:51But I loved that camera.
30:53He was an illustrator.
30:54My dad worked in advertising.
30:57And his father was a sculptor.
31:01Well, mostly he was a farmer.
31:04But he loved to sculpt the ice in the wintertime.
31:07What about your mother?
31:09She believed in me.
31:12I wouldn't be doing this boudoir stuff if I could
31:14sell my serious pictures, Mildred.
31:18You don't believe me, do you?
31:22Maybe it can make us a pot of coffee.
31:24Could tie this over.
31:26Might be a cookie.
31:27You go too far.
31:32Let's call it a night, shall we?
31:34Pick up the scent in the morning.
31:44You're becoming a regular fixture around here, aren't you?
31:48You know him?
31:49Passing acquaintance.
31:50I can't afford to be a nice guy.
31:52I'm not a nice guy.
31:53I'm a nice guy.
31:54I'm a nice guy.
31:55I'm a nice guy.
31:55I'm a nice guy.
31:56I'm a nice guy.
31:57I'm a nice guy.
31:58I'm a nice guy.
31:59I'm a nice guy.
31:59I'm a nice guy.
32:00I can't afford to be a nice guy anymore, Weenhoff.
32:02I want those files.
32:04He isn't Weenhoff.
32:07Uh-huh.
32:09I think before you start anything,
32:10I should tell you that there is an FBI agent right behind you.
32:14You know him too?
32:17How do you know that guy?
32:35He came to the office this morning.
32:37The FBI came to our office, and you didn't tell me?
32:40You came down here to this studio and didn't tell me?
32:44I would have, but I was too busy trying to figure out what
32:46it was that you weren't telling me.
32:48You knew that picture was in that magazine all along,
32:51didn't you?
32:52You, you.
32:53Sly devil?
32:54Pervert!
32:55Pervert?
32:56Your picture appears in a porno magazine,
32:59and I'm the pervert?
33:00It isn't my picture.
33:02Oh.
33:16Oh.
33:29Yeah, forget Weenhoff.
33:31I found him.
33:37Mildred?
33:40Oh, Miss Holt.
33:41Thank God you're here.
33:43You know those FBI agents, boss?
33:44Mm-hmm.
33:45Give me these $3 bills.
33:48I've got just two words for you, bedside babes.
33:52I have never felt more humiliated, more ashamed,
33:56or more violated in my life.
33:58Whatever possessed you to put my face on that picture?
34:04I needed the money.
34:06You needed the money?
34:08Yeah.
34:09Well, you know, see, I had this great deal going
34:13with a magazine in Ohio.
34:16They buy my pictures, no questions asked.
34:19I never dreamed anybody'd find out.
34:20You know what I'm saying?
34:21I'm talking Ohio.
34:24Anyway, see, I had this great shot of a gal who's
34:27got the body of Venus de Milo.
34:29Unfortunately, she's got the face of Buster Keaton.
34:31Mm.
34:34So you did a little dark room magic,
34:38and you put Miss Holt's face on another woman's body.
34:41You got it.
34:42It's called digital retouching.
34:44It is the latest thing you should see.
34:46The shots I've got of UFOs flying through San Francisco.
34:51All right, Beenhoff, let's start at the beginning.
34:53Aside from Ford Stevens, did anyone else
34:56threaten you for your files?
34:58You mean besides my clients' husbands?
35:03Jealousy.
35:05Mr. Steele, jealousy is an epidemic in this country.
35:11An epidemic.
35:12I mean, most of these guys just love
35:14the pictures of their wives, you know,
35:15but then it occurs to them.
35:18Somebody had to take these pictures.
35:20Now they freak out.
35:22One guy actually threatened to bash
35:23my head in with a golf club.
35:26What did he look like?
35:27I don't know.
35:28I talked to him on the phone.
35:29The man at the studio?
35:30Possibly, possibly.
35:31Anyone else?
35:33Well, those two guys that said they were talent agents.
35:36He means those FBI guys.
35:37They offered him $20,000 for his files.
35:39And?
35:40Are you kidding?
35:41I jumped at it.
35:43But before I could get anything together,
35:45my filing system is not exactly up to date,
35:48guys started pouring out of the woodwork.
35:50I realized, hey, I'm not going to get a chance
35:53to spend my $20,000.
35:55So when you suggested maybe I should
35:57hole up until you get things straightened out,
35:59I jumped at that too.
36:00What's in those files that makes them so valuable?
36:02I don't know, names, addresses, maybe negatives.
36:07How many other pictures did you sell to bedside babes?
36:11I don't know, a couple, maybe.
36:17Which couple?
36:19Theory, Miss Holden.
36:21The common denominator here seems to be that magazine.
36:24The phony FBI came looking for me to get to Vienhoff
36:27to get to somebody whose picture is in that magazine.
36:30Yeah, but who?
36:31Her.
36:34Do you remember her name?
36:36No.
36:38Bet you it's in my files, though.
36:39Well, let's just hope we can get to them before they do.
36:42Now, come on.
36:55You're the one with the connection, Sal.
36:56Use them to trace the license number.
36:59And Sal, make it snappy.
37:01He knows we're onto him.
37:05Want anything?
37:06Yeah.
37:07Give me a ham and cheese, no mayo, and a little mustard.
37:11See if they can warm it up for me.
37:12OK.
37:25I thought you said you knew where everything was.
37:27I do.
37:28It's right here.
37:29If the prices ever go down, I'd like to put all this
37:31on a computer someday.
37:33I pity the computer.
37:35Uh-huh, bingo.
37:36Hey, that's her.
37:40Who is she?
37:41Eileen Fitzgerald, care of Castle Rock.
37:431, 2, 3, 1, 2, Victory Boulevard.
37:46Castle Rock?
37:47Oh, yeah, a miniature golf course out in the valley.
37:49Now, I remember her.
37:51Home address?
37:53Nope.
37:54Well, we'll see if Mildred can dig one up.
38:01Leave a mess.
38:02Yes.
38:05Not available.
38:08Not available.
38:11Not available.
38:12Not available?
38:13She's got less of a past than Mr. Steele.
38:15Where's the agency's gun?
38:17Oh, in the drawer, I think.
38:23Excuse me.
38:23Marie, what kind of a person has no driver's license,
38:28no social security number, no birth certificate,
38:31no record of their existence whatsoever?
38:33Hard and plain sight.
38:34A murderer.
38:35A bigamist.
38:36A embezzler.
38:37We could be looking for anyone.
38:38Yeah, but who?
38:39James Kahn, Jill Atkinbury.
38:42Who?
38:43Married out as 1979.
38:44Kahn's ex-wife was married to a two-bit felon
38:45who testified against the mob.
38:47The FBI gave him a new identity.
38:48Whole family disappears.
38:50Much like our gun, actually.
38:53Don't quote me, Mildred, but he may be onto something.
38:56See what you can dig up on the Federal Witness Protection
38:59Program.
39:14Some, uh, somebody hire a PI?
39:17Shh.
39:21Found the bullets.
39:22Found the gun.
39:24And I found that the best place to go with a problem like
39:27yours is the police.
39:28Maybe somebody at Castle Rock can give
39:30us a line on Eileen Fitzgerald.
39:32Hey, hard and plain sight.
39:33That was brilliant, Mr. Steele.
39:35Brilliant, really?
39:36Bit dull, actually.
39:38Not a bad idea, though, eh?
39:40Eh?
39:42It's a 1936 supercharged speedster.
39:45License plate, Auburn One.
39:47So, uh, why do you want me to find it?
39:49You're a PI firm.
39:50Yeah, but we're a big PI firm.
39:53Stolen cars are small potatoes.
39:54You got 24 hours.
39:56Hold the elevator.
39:59Keep an eye on Dean House, Mildred.
40:00Yeah?
40:03Keep an eye on Dean House, Mildred.
40:18Yeah?
40:27What's that?
40:28Miniature golf.
40:29You sure?
40:31OK.
40:32All right.
40:33What's the address?
40:38Yeah.
40:40OK.
40:41Thanks.
40:56What time is it?
40:58We got about five minutes.
41:01It's ironic.
41:03All this trouble to hide from them,
41:04and we turn up right under their noses.
41:06You didn't know Vinhoff was going to sell
41:07your pictures to that magazine?
41:09No.
41:11I've been through this 100 times, Michael.
41:13I never should have had those pictures taken.
41:16Eileen, regardless of what's happened,
41:18those pictures are the best birthday
41:20present you've ever given me.
41:23Michael, if I hadn't testified,
41:28none of this would have happened to you, and I'd have.
41:30Hey, you're my wife.
41:33I love you.
41:34We're in this together.
41:36Could be worse.
41:38We could be at your mother's.
41:52All right.
41:53It's business as usual.
41:55We get the money, we sign for it,
41:57just like we do every week.
41:59As soon as they're gone, we're out of here.
42:00Where to?
42:03As far as we can get it, $5,000 and change.
42:05We could call the number.
42:07No.
42:09No, it'll just be the same thing all over again.
42:12New name, new town, new job.
42:16No.
42:17From now on, we're on our own.
42:27Come on.
42:57Come on.
43:27Come on.
43:57This way.
44:27Bang.
44:38Bang.
44:54Bang.
44:57Bang.
44:58Bang.
45:09Bang.
45:20Bang.
45:21Bang.
45:25Bang.
45:27Mike.
45:38Oh, Michael!
45:39Oh!
45:40Oh!
45:41Michael!
45:52Ah!
45:57Look, if there's anything I can do to make it up to you...
46:07If it's not me, you're in the doghouse with me.
46:10Any advice?
46:11Put it in drive and pray you never cross that path again.
46:16Good advice.
46:17Okay, take care.
46:18You know, boss, I didn't do bad on this one.
46:20You have a keen nose for a fraud, Mildred.
46:23Always a good asset.
46:24Does that mean you're proud of me?
46:25Well, if it hadn't been for your persistent shuffling of vino from place to place, the
46:29phony F.B.I. would have grabbed him, and poor old Fitzgerald's would be dead ducks.
46:48Found your car.
46:51Speaking of dead ducks...
47:07I suppose you're wondering why I went to Beenhoff in the first place.
47:10I thought I'd crossed my mind.
47:12It all started innocently enough.
47:15I needed a portrait for the alumni journal, and...
47:18Of course you did.
47:20You see, that's what I mean.
47:22That's exactly why I didn't come to you about this in the first place.
47:25I needed a portrait.
47:26He took a portrait.
47:27I didn't know anything about Beenhoff's boudoir business until he came to me with his problem.
47:34The alumni journal, eh?
47:35Ah, perfectly legitimate.
47:36Oh, the alumni are going to be delighted with this, aren't they?