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00:00I'm glad I didn't come with the intention of staying because we wouldn't have been able to get out of this.
00:27What do you say? Something would have happened to us.
00:29Do you think Mr. Pellicer has gone out to eat?
00:31Surely. Get rid of the body scare, sister.
00:33Marcelo, don't be naïve.
00:35These are the ones hidden in the office of the mayors. They would have put us on the streets of Ipso facto.
00:40At least things have gone well.
00:43Let's hope.
00:44We have managed to tear the pages of both newspapers and it seems that before anyone saw my portrait.
00:49You said it yourself, it seems. But we have no certainty.
00:53And don't you think that if someone had recognized me, we would have realized?
00:56No, Marcelo. Not necessarily. That person could have gone straight to the civil guard.
01:00I don't know. They would look at us differently. We would notice something.
01:05Let's hope you're right. Now the most important thing is not to lower the guard. Do you hear me?
01:10Yes, woman.
01:11The important thing is to stay here, but without drawing attention. Understood?
01:15I already told you yes.
01:16Well, the most important thing now is that you honor what you have said.
01:20Let's get out of here.
01:22Let's go.
01:27A few days later
01:40You have to forgive me for arriving so late. I was busy with the shopping and you know what time it is.
01:45Don't worry, we have excused you from dinner anyway.
01:52Did I miss something?
01:54No. It was a very normal dinner.
01:59Are you sure? You don't seem very happy.
02:05It's just that ...
02:09Something happened that I didn't expect.
02:12And it is?
02:15I don't know if it's convenient to talk about it with you, not because I don't trust you, but ...
02:21Because it affects the family and third parties and ...
02:25Well, talking about things is always good.
02:28And doing it with someone from outside sometimes gives us a perspective that we had not contemplated before.
02:36Well ...
02:38In short,
02:40Don Pelayo didn't come to dinner until it was already started.
02:44And when he showed up, he was in a very worrisome state of drunkenness.
02:51What are you telling me?
02:53And the worst of all was not that state of drunkenness, but the announcement he wanted to make to the whole family.
03:00What?
03:04That Catalina is pregnant.
03:09And what did Catalina say?
03:10No.
03:12Has she confirmed it?
03:13No.
03:14Has she denied it then?
03:15No, no. Neither one nor the other.
03:18She got up and pushed Pelayo out of the dining room and ...
03:22My God, what a situation.
03:25And if what the count said is true,
03:28I don't want to tell you the consequences of a pregnancy out of wedlock for the reputation of the Lujan family.
03:34And for the life of my cousin Catalina, which is the most important thing.
03:37Yes, I know your cousin a little, but I value her.
03:43Let's hope the pregnancy thing is not true.
03:45It would be a very bitter trance for her.
03:48I just hope this has been a delirium of Pelayo because of the drunkenness and that's it.
03:52I hope it's just a delirium.
03:56And about ...
03:59the pregnancies out of wedlock,
04:03I wanted to talk to you about the conversation we had about ...
04:08that Hanna and Curro could be brothers.
04:11It's not that they could be, it's just that, according to Curro, they are.
04:15The more I think about it, the less I can believe it.
04:19I don't know them as much as you do, but I do believe it.
04:25Could you tell me everything you know again?
04:29If I know, I don't know much either, Martina.
04:31What Curro told me, that he and Hanna are brothers,
04:35the two sons of Don Lorenzo, but of different mothers.
04:39And Hanna is the daughter of the captain of the Mata with a maiden of La Promesa.
04:47It's just ... it seems so strange to me.
04:51It seems impossible to me.
04:53But why?
04:54It's not because of Don Lorenzo's moral rectitude, because he does much worse things, we already know that.
05:00And then?
05:03Hanna gives Curro four years.
05:07Four or five years before Curro was born.
05:11The captain could not seduce any maiden of La Promesa because he did not step on La Promesa.
05:15Come on, he hardly stepped on Spain.
05:18How can you be so sure?
05:19Because as far as I understand, the captain was living in Cuba several years before the war.
05:25But when it started, he wanted to escape the conflict.
05:29So Hanna had to be born before the war started?
05:33Exactly.
05:34And I know all this because my uncles are always reproaching Lorenzo for escaping the wars.
05:40In fact, when he returned to Spain, he was sent to Morocco and did practically the same.
05:46So what Curro told me ...
05:50It has to be a ... it has to be a hoax.
05:54And this is very strange to me, because I know that Curro hates lies.
06:14Oh my, what a face, what's up?
06:17Has something happened today?
06:18Something, Candela, something little.
06:21Mari Morena is in a bad mood, come on, it has happened, impossible.
06:25Maria, why don't you tell us all at once?
06:27Well, since they don't have money ...
06:29Count Dañi, who has shown up at the dining room when everyone was already having dinner.
06:33Let's see, Maria, being late is rude, but come on.
06:37No, not only that, Mrs. Simona, who has shown up disorganized, in the dining room,
06:43and with a slut ...
06:45With a slut, what am I waiting for?
06:47Drunk.
06:48Drunk, drunk, but drunk.
06:50Come on, I'll tell you.
06:51What a shame.
06:52Let's see, yes, it's not right to arrive late and in a drunk state to a dinner,
06:57but come on, it's not that bad either.
06:59Not only that, Mrs. Simona,
07:02who has arrived at the dining room, drunk, disorganized, and on top of that ...
07:06That he has sat at the table as if nothing had happened.
07:08No, no, he has not sat down, he has released a bomb.
07:11Since you do not know what I have said about Miss Catalina,
07:16hold on, I'm going.
07:17Oh, mother.
07:18She is pregnant.
07:23Mrs. Simona, you had to know something about all this.
07:26Do you want me to tell you everything?
07:28No, no, no, no, I didn't know anything.
07:31Well, even if I had known, I wouldn't have told you either.
07:35A single pregnancy.
07:36Come on, what the gentlemen lacked, as it is.
07:39Now you will see how long it takes to get married.
07:42No, let's see, let's see, we don't know if the pregnancy is true either, right?
07:45Exactly.
07:46And also, as you said, Maria, Mr. Pelayo was very drunk.
07:55Does it take a little to set up a colloquium or not?
07:58Come on, everyone to work.
08:00Don't you like us to talk, Mr. Pellicer?
08:04Don't tickle me, Mrs. GarcÃa.
08:07And why? I don't think I have it.
08:10What do you think if we go back to work?
08:12A great idea.
08:14Great.
08:15I'm in a hurry.
08:16Well, come on.
08:18Come on.
08:19Come on.
08:20Yes, come on.
08:22Come on.
08:40Thank you very much for the lover and for the breakfast, sir.
08:43But you didn't have to worry about these things.
08:48Of course I'm worried, sir.
08:53And I feel like I'm wasting time.
08:55What?
08:56But not looking for you.
08:58So what do you mean?
09:00I mean that the investigation is not progressing.
09:03The days go by and you are still here, unjustly locked up.
09:06And surely the murderer is still out there.
09:09Who knows if he's thinking of killing again.
09:11No, no.
09:12In fact, the investigation is stopped, sir.
09:14Well, that's what I think.
09:16And why do you say that?
09:31Because I've been talking to Sergeant Gordino.
09:34And he has made me understand that the investigation is practically concluded.
09:37And do you know why?
09:38No, I can't imagine.
09:40He says that with his testimony and the evidence gathered, he can close the case if he wants to.
09:44Well, that's good news then.
09:46No, it's not.
09:47Yes, it is.
09:48Mr. Baeza, your attitude is desperate.
09:50You know that.
09:51Sir, don't get angry.
09:52And less with Sergeant Gordino.
09:54If he came to this conclusion, it was because I made it easier for him.
09:58I know.
09:59And very badly done on your part.
10:00I already told you.
10:01Well, he was right.
10:02No, if he has to get angry, it is better that he does it with Sergeant Gordino.
10:11Mr. Baeza, the real murderer is still out there.
10:13Well, that is according to his conviction, not that of the sergeant.
10:19I know.
10:21Since the sergeant does not want to do what he has to, we will have to be the others who do it.
10:24No, sir.
10:25That seems to me an unfortunate idea.
10:27Well, not unfortunate, crazy, I would say.
10:29I'm not going to give up.
10:33Mr. Baeza, cover yourself now that you can, okay?
10:37The cold of this cell can get into your bones, especially at night.
10:50Does the lady prefer to eat something else?
10:53The lady could not eat without a piece of wind.
10:56As you like, sir.
10:57As you like, sir.
11:01And on top of that, they make us wait.
11:03Where will Catalina and Pelayo be?
11:06Something tells me that one of the two is sleeping with the nun.
11:10Well, it is better for them to present themselves here.
11:11Both, the nun and Catalina.
11:13Especially her.
11:15Who did not even dare to return to the dining room after the fright last night.
11:18Well Cruz, she will give you the appropriate explanations.
11:21Do you think so?
11:22No, I don't think so, nor am I overpatient.
11:26What? Do you think the time has come for you to have Catalina called?
11:29Or do we not deserve an explanation?
11:31Yes, I think so.
11:34Teresa.
11:35Yes, sir.
11:36Please, tell my daughter that we are waiting for them.
11:40She and Don Pelayo.
11:42Right now, sir.
11:45Since when are things asked for favor at the service?
11:48It's not too much either.
11:50Sure, that's why things happen later.
11:56THE NIGHT BEFORE
12:03Do you know what we're going to do, miss?
12:05I can imagine.
12:07I've been coming down to see you for years.
12:11I'm sure if you eat a little, you'll calm down.
12:15Have you had breakfast yet?
12:17No, and not because I'm hungry.
12:20In its natural state.
12:24I didn't want to go down to the dining room.
12:27To avoid them all, I couldn't face the truth and ...
12:33Well, it's useless.
12:35Because Pelayo left last night.
12:37Yeah, yeah, I know.
12:41What this man did has no justification.
12:45Well, he drank, Simona.
12:47And luckily he didn't say everything, because otherwise ...
12:49If you say it, fine.
12:51But if he says it, no.
12:52And now that they don't stop, that alcohol made him sing ...
12:56No, because it's to hit him with the ...
12:58The knee on all those.
12:59Well, well ...
13:00Neither good nor good, miss.
13:02Because you have to take responsibility for your actions.
13:04And if you are so brave to fight uncontrollably,
13:06you are also to assume the consequences.
13:08Come on, I say!
13:12And now you laugh?
13:14No, Simona, you're very funny.
13:15You're very funny.
13:18Come on.
13:19The clown Simona.
13:22If I laugh because I don't cry.
13:26It's what scares her, miss.
13:28You know it perfectly.
13:30All this overwhelms me.
13:32It's just that it's all so strange.
13:35It's as if I had to climb a very high tower and ...
13:38And feel the vertigo even before climbing.
13:40Yes, well ...
13:42And don't tell me that I already told you, please.
13:44I hate to be told that.
13:46Okay.
13:48If you don't want to hear it, I won't tell you, but ...
13:51Whether I tell you or not, it's up to you.
13:55Excuse me, miss.
13:57Your father is asking for you in the dining room.
14:00I'm coming now.
14:15How can one present himself like this in front of those he pretends to be his future in-laws?
14:20By presenting yourself like this, do you mean the truth in front of you?
14:23I mean Ebrio.
14:25Smoking, come on.
14:26Well, because what Ayala said is not the time.
14:30Anyway, you're right about that.
14:32It is true that Pelayo has never been a saint in my business, but beyond that ...
14:36Last night was ...
14:38An unjustifiable defeat.
14:40An absolute indelicacy.
14:41An absolute indelicacy.
14:43Please, we were having dinner.
14:45And all of a sudden, that pedimetre stands here and says whatever he wants.
14:48And in a regrettable state.
14:56I'm willing to tell the truth.
15:00Good, daughter.
15:02That's something.
15:05I wanted to apologize for what happened last night.
15:09But only for the forms, because what Pelayo said is ... is true.
15:15I'm pregnant.
15:19Very good.
15:21You let it go like that and you're hooked.
15:24Well, it's ...
15:26It's a pregnancy, it's something natural, right?
15:28Yes, yes. Very natural.
15:30A lot.
15:31You just need one little detail.
15:33And that is that you are the daughter of the Marquis of Lujan and you are single and uncompromising.
15:38Well ...
15:40There are even more details than you can imagine.
15:43Do you want me to tell you?
15:45For God's sake.
15:47Daughter.
15:49Can you tell us everything?
15:52Because you are making me understand that there is something else.
15:56Yes, there is something else.
15:59I need an apology.
16:01My apologies.
16:03For the despicable behavior I had last night.
16:06I beg you to forgive me, I was overwhelmed because ...
16:08Because neither Catalina nor I know that we have not acted in the best way.
16:14But there is no more remedy.
16:16And the reality is that we are expecting a child.
16:19Both.
16:24And I wanted to take the opportunity to apologize to you, Catalina.
16:27For embarrassing you in front of your family.
16:30I promise you.
16:31And I also promise all of you.
16:33That I am willing to amend my mistake.
16:58And what is that?
16:59Money.
17:01But it's not for you.
17:02It's for Mrs. Adarre.
17:05It's not much.
17:06But ...
17:07Well, for now, it's all I've been able to get.
17:11I don't know if I understand you, Mr. Pellicer.
17:16Mr. Marqués has confirmed the order given by his wife.
17:20Mrs. Adarre will not be able to work again, I promise.
17:23What a surprise.
17:25The Marquis doing what the Marquess wants.
17:27Don't worry.
17:28Anyway, I don't think Mrs. Pia kept the hope that her luck would change.
17:32I can imagine.
17:34And anyway, why don't you give him the money?
17:38I don't see why.
17:40Well, because you are the one who managed to get rid of the Marquis.
17:44And I'm sure you're glad to see him.
17:48No.
17:49If you limit yourself to fulfilling the task I just gave you, it will be enough.
17:55I'm sure of it.
17:57Yes.
18:00I don't want Mrs. Adarre to be deceived.
18:02I'm not the one who's giving you this money.
18:04It's the Marquis.
18:05As an apology for not being able to return your job.
18:08And ...
18:09And also as ...
18:10As an act of goodwill.
18:13In addition to the maintenance that she received for Diego.
18:18As you say.
18:21Do you want anything else?
18:22No. No, that's all.
18:24Thank you very much, Miss Fernanda.
18:27You're welcome.
18:37It seems that everyone has proposed to see me with such a visit.
18:40I have some things for you.
18:42This is endless.
18:43Let's see, what is your excuse for coming?
18:46Well, look, I had to do some errands in Lujan.
18:49And that's why I went to see Mrs. Pia, who, by the way, sends her a lot of love and ...
18:54And in passing I came to see you.
18:56And how is the boy?
18:58Well, very well.
18:59That's the important thing.
19:05I brought you some piñatas.
19:07To see if a little sweet I encourage you.
19:10Thank you very much.
19:13Encourage me, right?
19:14I'll tell you that I'm going to eat them anyway.
19:19And why don't we talk about the circumstance that is not mine?
19:22Tell me, for example, about your relationship with Mr. Manuel.
19:25How are things going?
19:27Well, there is not much news.
19:31Oh yes.
19:32But has something happened?
19:34No, nothing special, but ...
19:37Manuel seems to have to go to a social event and wants me to accompany him as his partner.
19:42And what social event are we talking about?
19:45It must be a small thing, as Manuel told me.
19:48Like an intimate snack that he has organized with Don Jacobo, the son of the Marquises of Moguer,
19:52and with the rest of his friends.
19:54I know them, yes.
19:55The Mogueros, Luján, they appreciate each other a lot, yes.
19:58And the idea of ​​Mr. Manuel is wrong.
20:01I think that ...
20:03that an intimate meeting is the perfect scenario for you to debut as the promised one.
20:09Besides, it's going to happen.
20:11As you believe.
20:13The truth is that I don't know if I fit among all those people.
20:16You know how to get involved anywhere.
20:19You know how to be there and you have an intelligent and pleasant conversation.
20:22Well, it's between the service, but ...
20:23Intelligence does not understand surnames, miss.
20:26Be yourself.
20:27You'll see how you're doing. Enjoy.
20:29Thank you, Mr. Huerta.
20:30And if you don't know what to do, don't do anything.
20:33Just sit down and smile.
20:37I hope everything goes well.
20:40I hope so.
20:42This is ridiculous.
20:43You are here, in prison, and I'm telling you all this about the snack.
20:47No, no, not at all.
20:48Besides, if you're doing it, it's because I asked you to.
20:53Anyway, I'm going to have to go.
20:54I don't want Mrs. Petra to get me into a good fight.
20:56No, yes, of course.
20:57Go, go.
20:58Don't provoke the beast for my sake.
21:03I want you to know that all the service people send you memories.
21:05And many kisses and many hugs.
21:07Very good.
21:08Go, go.
21:09Don't be late.
21:12Don't lose hope.
21:13I won't.
21:23I love you.
21:39Come on, what's up?
21:40What's wrong with you?
21:42I was thinking about Mrs. Pia.
21:43Oh, come on.
21:45It's very unfair, Candela.
21:47It was already unfair when she stopped being a keymaker.
21:49It's even more unfair that they don't let her come back, not even as a maid.
21:52There is no right.
21:53Look, that topic made me very angry.
21:57It's just that my poor thing is going through a calvary and I'm even ashamed to take this.
22:01And what is that?
22:02Money.
22:03I'm going to give it to Mr. Pellicer on behalf of the marquis to give it to Mrs. Pia.
22:07As if he were going to fix something.
22:09Look, Maria.
22:11In everything before, I have to give you the reason because you take it.
22:14But not the money.
22:17And why is that?
22:18Well, I'm going to explain it to you in a well-explained way.
22:20And go ahead.
22:22I'm fine with everything good that happens to Mrs. Darre because she's going to win.
22:27And this is good news.
22:30Oh yeah?
22:31Yes, miss.
22:32Because you say that that money is not going to fix anything.
22:35And I don't agree with that.
22:37You think that Mrs. Pia already receives an assignment from the marquis.
22:41A good quarter.
22:43To pay for Diego's education.
22:46And thank goodness.
22:47And now with the help of the marquis.
22:49Well, he's not going to come anymore while he's looking for something.
22:54Yeah, Mrs. Candela.
22:55And another thing I should tell you.
22:57Mrs. Darre doesn't have any more suitors because she doesn't love us.
23:00And what does that have to do with it?
23:02A lot.
23:03She's a pretty woman.
23:04A figure to look at and a hair that draws attention.
23:08Come on.
23:09Mrs. Pia is not going to have a problem finding love either.
23:13Yes, yes, that's true.
23:14Although she has a career that I don't want for myself.
23:17With how sensible she is and the bad eye she has for men.
23:20She's totally right.
23:22What do you want?
23:23That she had to go through death to get rid of her husband.
23:26And then resurrect as Jesus Christ.
23:29Come on, give me the money.
23:30That if you want, I'll take it to the house of Beni.
23:32And in passing, I can go to Diego.
23:34I feel like waiting for him.
23:35He's a good guy.
23:36One, two, three, whatever you want.
23:38Well, if you don't mind.
23:39Of course I don't mind.
23:41And now, another thing I'm going to tell you.
23:43As unfair as it seems to you.
23:45We have to thank the Marquis.
23:47For not having left Mrs. Pia helpless.
23:49Because it would have been the easiest thing for him.
23:52He just needed it, right?
23:53Of course.
23:54Because all this story of going through death to Mrs. Pia.
23:57Mr. Marquis gave him his blessing.
23:59Another thing is that now the Marquise doesn't want Mrs. Pia back.
24:01And the Marquis brought her back.
24:03You'll see how they find out about that.
24:05He would be ashamed.
24:07That's what the truth has today when it leaves you bad.
24:10I mean, do you think this envelope is because the man feels guilty?
24:15As I see it.
24:18As I see it.
24:46Let it be known that I come in peace.
24:50I need to fix our relationship.
24:58But do you really think what I've done is so serious?
25:02Do you think it's Mrs. Simón and Mrs. Candela? I trust them.
25:08I don't know if the solution is that we are angry forever.
25:10Forever.
25:14Tell me something, please.
25:18You're not going to tell me the word again.
25:21Don't you want to stop talking about all this as if it were a joke from a little girl?
25:26I'm sorry.
25:28What you did was very serious.
25:34I know.
25:35And I've explained it to you.
25:37Yes.
25:39And you didn't convince me.
25:42There are no enough arguments to justify the betrayal you've done to me.
25:46I haven't betrayed you, my love.
25:48Of course you have.
25:49I haven't done that.
25:54You can put all the nuances you want.
25:57It wasn't a premeditated betrayal.
25:59It was an abrupt betrayal.
26:01But it was a betrayal.
26:06Look.
26:08I don't know where I read it or who said it.
26:11But I think it's true.
26:14Trust wins with a thousand acts and loses with just one.
26:18Please.
26:19No.
26:22You betrayed the trust I had placed in you.
26:27And that trust was everything to me. Do you understand?
26:38Maybe you're right.
26:42And the most logical thing to do is to stay together forever.
26:46What are you saying?
26:49Are you saying that we won't talk to each other anymore?
26:52Are you saying that we should ignore each other? Is that what you want?
26:57Yes.
27:02Look, you're aware of what you're saying.
27:09I've been thinking about leaving Arma de la Promesa.
27:13No.
27:14Don't say that.
27:16It's already been decided.
27:20I'm leaving in a few days.
27:38A FEW HOURS LATER
27:49You look half as good as you really are.
27:52Of course.
27:53Did they have to cost you a fortune?
27:55Well, the occasion deserves it.
27:56I think so.
27:57Of course.
27:59And you're going to look perfect with the dress.
28:01The dress is ugly.
28:02But I love it.
28:04We've already made the final arrangements and you have to try it again.
28:08As long as it's necessary, right?
28:09Come on, you're just going to show off.
28:10Besides, you're going to look like a glove.
28:12You're going to look beautiful.
28:14We haven't talked about the hairstyle yet.
28:16Oh, that's true.
28:17Well, I think you're going to look very good like this, backwards.
28:20That way, you'll leave your sweet little face exposed.
28:23Well, I think I'd look more loose.
28:25Loose, Teresa, daughter? You're poor.
28:28But I'm not rich either, Maria.
28:30Well, for now.
28:32I meant that you should wear a loose part.
28:34Because that way, when the sun shines on you,
28:37you'll appreciate your golden color more.
28:39Oh my God.
28:40Between the sweet face and the sun, I don't know what to tell you.
28:43You want to stop talking nonsense.
28:44It's such a blessing.
28:46Well, I'm very tired.
28:48Let's see.
28:55You look gorgeous.
29:00Good afternoon.
29:02Manuel.
29:05What happened?
29:08The snack has been suspended.
29:16Apparently, my friend Jacobo has suffered an indisposition.
29:24I'm sorry.
29:25I'm sorry.
29:33This is almost done.
29:34Almost, almost?
29:35Yes.
29:36Two minutes and it's done.
29:40What are you doing?
29:41I'm getting dressed.
29:42Where to?
29:44First, to get changed.
29:45And then, I'm going to see Doña Pia.
29:47Because today, I have an afternoon off.
29:49We're done.
29:51I'm crazy to see her and the child.
29:52I can't even tell you.
29:53Ah, normal.
29:54Besides, I'm going to give her some money.
29:56Ah, and that?
29:57Don Alonso, I want to give her a compensation
29:59for the fact that his wife has refused
30:01Doña Pia to come back.
30:03You have to say it.
30:04She's a pain in the ass.
30:05Well, yes.
30:07Give her a big hug from me.
30:09I'll give it to her.
30:11And don't stop telling her
30:12that she can count on us for whatever she needs.
30:14I'll tell her.
30:15The truth is that things are not that easy.
30:18But at least, if she knows she can count on us, then...
30:22Something else is wrong with you, right?
30:24What is it?
30:25Come on.
30:26What is what?
30:28You know.
30:29It's because of Miss Catalina, right?
30:32That's right.
30:34Last night, I lied.
30:35Oh, Simona.
30:38I had known for a long time
30:40that Miss Catalina was waiting for me.
30:43I was surprised that you didn't know.
30:45You know everything.
30:46But don't worry.
30:47I don't mind.
30:49Thank you, Candela.
30:51I understand perfectly well
30:52that you won't tell anyone.
30:53But, Candela, I couldn't fail Miss Catalina.
30:56Of course not.
30:58And now, the truth is that I don't care.
31:00Because everyone knows it.
31:01But...
31:02But I suffer.
31:03Because...
31:04You know I love her like a daughter.
31:07And...
31:08I'm worried about her future.
31:09Well, what do you want me to tell you?
31:10It doesn't seem so serious to me either.
31:12Because, look.
31:13Miss Catalina has something.
31:14She has money.
31:15And she has the father of her child by her side.
31:18Besides,
31:20she's not going to be the first girlfriend she gets married to.
31:23And she won't be the last.
31:24Because, as Reza has said,
31:26when the passion tightens,
31:28there's no way out.
31:30Even so, Candela, I'm worried.
31:33I can't help it.
31:35When things start to go wrong,
31:37then...
31:38there's no one to fix them.
31:41Go on, go.
31:43I'm going.
31:44Don't tell me not to take care of you.
31:45Bye!
31:46A kiss for Diego.
31:47Yes!
31:54A kiss for Diego.
31:59Well, don't worry about it.
32:00It's not worth it.
32:02Well, it'll pass.
32:03It's fine.
32:04Of course it will.
32:06And you'll see that when Mr. Manuel's friend recovers,
32:09he'll organize another party.
32:11And if it's not a party,
32:12then it'll be any other party.
32:14But the important thing is that Mr. Manuel wants to introduce you to society.
32:17And you have to stay with that.
32:19I mean,
32:20you're better.
32:22I'm better.
32:23Teresa isn't so good.
32:24Hey!
32:27Thank you very much.
32:28And not only for helping me so much,
32:29but for...
32:31for being there whenever evil comes.
32:33I understand that you won't be able to go to that dinner.
32:37What a shame.
32:40Although you shouldn't be sad.
32:43Because believe me, it's much better this way.
32:47I'm sorry.
32:49I'm sorry.
32:51I'm sorry.
32:53I'm sorry.
32:55I'm sorry.
32:57I'm sorry.
32:59I'm sorry.
33:00I'm sorry.
33:02What do you mean?
33:04That this is too much for you, Hanna.
33:09You don't care about that.
33:10No.
33:11I don't care.
33:13But...
33:14I'm really telling you this for your own good.
33:16Because not even a few elections
33:18or the advice of your friends
33:20or even that dress
33:21will turn you into something you're not,
33:23and you'll never be.
33:26And really,
33:27it's better not to have gone
33:28than to go and make a fool of yourself.
33:30And what do you know, Mrs. Petra?
33:32Well, I know what all the people know, writer.
33:35And the sermonist says it.
33:37Even if the frog wears silk,
33:40the frog stays.
33:43Honour, yes.
33:55Don't listen to her, Hanna.
33:58It's complicated.
34:00That wolf gets along very well in Spain.
34:03He's the only talent he has.
34:14Manuel.
34:17Right now, I'm not the best companion.
34:21You never are.
34:23But we love you.
34:25I'd rather be alone.
34:26Do you want another coffee?
34:32It's clear that you don't care what I say, right?
34:35No. No, of course not.
34:40Why are you like this?
34:45Because the snack my friend was celebrating,
34:48Jacobo,
34:49in a week his palace has been canceled.
34:53What?
34:55What?
34:56I mean, are you like this because of a snack?
35:00No.
35:02I'm like this because that snack was important.
35:05Hanna was going to accompany me.
35:06It was going to be our first social act.
35:09With how beautiful she was going to be with Leonor's dress.
35:14And do you know why it was canceled?
35:18For an abdominal indisposition.
35:25I feel sorry for her.
35:26Yes, I miss her.
35:32Do you miss her? Why?
35:37Well, it doesn't matter.
35:38They're my things.
35:39I work.
35:41Do you miss her? Why?
35:43Let's see.
35:44I find it strange that a meeting scheduled for next week has been canceled
35:49because today the host had an abdominal indisposition.
35:54That is, they have seen it so badly
35:56that they already know that it will not be good for next week.
36:00Yes, I think the job has just put me on the right track.
36:04It seems very good to me.
36:07Please,
36:09where to?
36:12I heard Aunt Cruz talking on the phone.
36:16I didn't want to pay attention because I didn't hear what she was saying
36:19or who she was talking to, but ...
36:22Now I think it makes sense.
36:27Do you mean that my mother has been maneuvering behind my back
36:30so that Jacobo's family would withdraw his invitation?
36:34It is what it seems.
36:40So that snack has been canceled.
36:44No.
36:47They have decided not to invite us thanks to my mother.
36:52I'm sorry.
37:05Pass me a hammer, please.
37:10Here it is.
37:11Thank you, Lope.
37:22Those are the umbrella rods you were talking about, MarÃa.
37:24There you have them, Simona.
37:26You turned them into lightning bolts.
37:27In radios, MarÃa.
37:29That's what I say, lightning bolts.
37:31And this, more than fixing the bike,
37:33haven't you just destroyed it?
37:35Well, it's your turn, Candela.
37:36What you have to understand
37:38is that the wheel has to be perfectly circular,
37:41so that these lightning bolts fit there.
37:43Lightning bolts.
37:44That's it, lightning bolts.
37:45What a thing, anyway.
37:46I'm leaving.
37:47I'm leaving.
37:48There are many bicycles,
37:50and not so many free afternoons.
37:51Goodbye.
37:52Enjoy.
37:59This is known as weaving a metal spiderweb, Simona.
38:02Totally.
38:03Now that it takes time.
38:06I think so.
38:07I didn't think doing something so simple
38:08would cost us so much work.
38:10Me neither.
38:11What I do know is that if the wheel is not completely circular,
38:14we have wasted time.
38:17Two months later
38:24And there are some...
38:27that they can't even fit.
38:29Let's see.
38:30Let me see.
38:32Let me see.
38:36Be careful not to get stains.
38:41There we are.
38:44Thanks, Lope.
38:45Well done, well done. As my mother used to say.
38:48This is getting rounder than Mrs. Simona's empanadas.
38:51My empanadas?
38:53I've been surrounded by Andalusians for so long,
38:55and I'm still surprised how exaggerated you are.
38:57Nothing exaggerated, Mrs. Simona. Expressive.
39:00Ah, that's it.
39:01And do you think that's going to hold up
39:03the weight of the bike or the one that goes up?
39:06Man, not like that.
39:07We need to put the camera and the cover.
39:10Well, yes, it's tiring. Have you fixed a bike?
39:13No, no, it's just that Marcelo isn't fixing a bike.
39:15He's building it again.
39:16Careful, Lope is right. It's not the same.
39:19Exactly, Lope.
39:21The last thing I needed was Fusté's kisses.
39:47You told me to focus on controlling
39:49that everything goes well in the promise,
39:51and that's what I'm doing, within the possibilities.
39:53I knew I could trust you.
39:56The cooks miss you too.
39:58Of course, you're going to end up putting me on the inside.
40:03How are you?
40:04Good.
40:05Good, but good, good, or good to get out of the way?
40:08No, good. Given the circumstances, you see what they are.
40:12Here, one is governed by other things.
40:14You have no choice.
40:15What things?
40:16Today I had a good day.
40:18Not only did I receive Mr. Manuel's visit,
40:20he has also come to see me,
40:22the lady of the exhibit, and now you introduce yourself.
40:25I have no complaints.
40:26And if I had, I would be an ingrate.
40:28Those things.
40:32All this makes me very uncomfortable.
40:35Romulo, I confess, I'm not going to lie to you.
40:38What do you mean by all this?
40:40Well, you're here, in prison, accused of something very serious.
40:43Waiting for trial.
40:44And you don't seem to care.
40:46Yes, I do care.
40:48But I'm not worried about my luck, because it's clear that it doesn't depend on me.
40:53So why should I worry?
40:55No, you know what worries me?
40:59I keep thinking about Mrs. Darre and her luck.
41:02And I've found out that the Marquise doesn't want me to work at the house again.
41:06That's right, unfortunately.
41:09Can I ask you something?
41:11Whatever you want.
41:12Intercede for her before Mr. Marquise.
41:16I've already done it, Romulo.
41:17And?
41:18Well, it's no use.
41:20Don Alonso has come to say that, in spite of his grief, he cannot contradict his wife.
41:26With those words?
41:27Maybe not, but similar.
41:29Yes.
41:30He felt so frustrated by the situation that he even gave me money to give it to Pia,
41:34so that I could move on until I find a new job.
41:37Something is something.
41:38No, it's something more than that.
41:40Because Pia has already received money from the Marquises who help her take care of Dieguito.
41:45This new help from the Marquise is an act that honors her.
41:49Of course.
41:51Don Alonso is a good man.
41:54And you are also a good man, Ricardo.
41:58If you say so.
42:02Hey, are you okay? Because you look bad.
42:04Yes, don't worry.
42:06Well, nothing strange happens to me. It's just that I'm here and the air doesn't run and I can't move.
42:11Well, if that's all.
42:12Yes.
42:16And how are things going with your son?
42:20I don't know what to tell you. Bad. As always.
42:24Well, right now he's fulfilling the order you gave him before they locked you up.
42:29What order?
42:30Yes.
42:31Mr. Marquis, it is the order for which he has to go to Puebla de Tera and Vialquino.
42:37Ricardo, I don't know what you're talking about.
42:54Santos.
42:57How was your trip?
42:59Let's go.
43:03I wasn't expecting you back so soon.
43:07Well.
43:10I find you tired. I'm going to the kitchen until they bring you something.
43:14No, no, no. Don't worry, Mr. Arcos.
43:17I'm really not hungry. I'm just tired.
43:22No. I wasn't expecting you back yet.
43:25Not yet?
43:27Yes.
43:31I also expected my trip to last longer.
43:37That means something has gone wrong.
43:42You found out something about your mother, something you didn't like.
43:45That's it, right?
43:52Son, what's wrong?
43:54What have you found out?
44:04She won't believe it, Mr. Arcos.
44:07I'm sorry.
44:21Why didn't you come to dinner with us?
44:23We don't waste time with frivolities, do we?
44:25And on top of that, you're insolent.
44:26I don't allow you to talk to me like that.
44:28She deserves something better.
44:29Don't treat your mother like that.
44:30Can I know what you have against me?
44:36If we get to the point,
44:38this afternoon I found out that my friend Jacobo has canceled his snack.
44:43Why?
44:44His father suddenly has indigestion.
44:48Wow. I'm so sorry.
44:50I hope he recovers soon.
44:52I doubt it.
44:54Because the snack will be in a week.
44:56So if they've canceled it now,
44:58it's because they expect a long convalescence.
45:02So it seems.
45:04Don't play dumb, Mother.
45:06And don't take me for a fool.
45:07We both know that indigestion is a lie.
45:10I don't understand anything. What are you talking about?
45:13What I'm talking about, Father, is that this supposed illness doesn't exist.
45:16What nonsense is that?
45:17It's not nonsense.
45:18It's clear.
45:20That convalescence is nothing more than an excuse to cancel the invitation.
45:23And it's also clear that it was my mother who called the Marquis
45:26to expressly ask me to cancel that invitation
45:29and thus avoid introducing Hannah to society.
45:31That's a lie.
45:33What first actress has lost her mind?
45:37Alonso, you're not going to believe what he's saying, are you?
45:39The truth is that I don't care.
45:41I am delighted that the presentation will not take place in Hannah's society.
45:44Because that would be the ultimate nonsense.
45:46We agree on that.
45:48Manuel, when are you going to understand that if you insist on being with that young woman,
45:52you will always have your mother and me in front of you?
45:54That's not going to change.
45:55So don't insist.
45:56I insist and I will insist, Father.
45:59And don't be afraid of bad news.
46:01I'm not with that young woman.
46:02Hannah is my fiancée.
46:03And I'm going to marry her, no matter who I have to choose.
46:06No matter who I have to choose.
46:10And so that you can see that my determination is firm,
46:12I'm going to inform you of the decision I've made.
46:14I'm afraid.
46:15I'm not afraid anymore.
46:18I want Hannah to abandon her duties as a maid
46:21and move in with us to the noble house.
46:33Your father has deceived you.
46:35In a deliberate way.
46:37And you're right, Santos.
46:39If you go face to face with him, he will try to deceive you again.
46:42So what you have to think about very well is the next step.
46:45Right now we have to be very smart.
46:48If we don't want to risk losing our son forever.
46:50Get it in your head.
46:52Whoever sows winds, picks up storms.
46:54And now it's time to bite your fists and hold on.
46:56I would like to tell him I quit.
46:59Are you saying goodbye?
47:01Yes, I'd rather see it that way.
47:03Yes.
47:04Until recently I didn't know you and now we're getting married.
47:09That's how love works.
47:11Yes, it has strongly impacted me.
47:14But even so, there are many things about you that I don't know, Ignacio.
47:18López, after everything you've done to me, you can't ask me to trust you.
47:22So what's going to happen to us?
47:25Does it mean the end of our relationship?
47:27The fact that my secret can come to light changes everything.
47:30Are you going to throw everything we have on the side?
47:32For a mistake?
47:33Marcelo, what was so serious that it happened?
47:35Why did you have to take refuge here in La Promesa and pretend to be married?
47:39Don't even try it, MarÃa.
47:42Something very big has to be done to keep that silence.
47:45What can I tell you?
47:47I'm not a criminal.
47:49And I've never hurt anyone on purpose.
47:51It's not that I have special affection for Mrs. Margarita, but ...
47:56That woman must know things she doesn't know.
47:59This wedding is not good for anyone.
48:02Especially for her.
48:04Really? Is it that bad?
48:07I know too well the details, believe me.
48:10You will find it very funny to have lied to me about all this about Hanna.
48:13But it's not funny at all.
48:15Look, Julia ...
48:16I don't look at anything, I work.
48:17You will find it very funny to laugh at me like that.
48:19But I find it a terrible pleasure.
48:20How are you so sure that I'm cheating on you?
48:22You were able to fulfill the order that Mr. Badeza gave you.
48:24That's it.
48:25I'm going to get closer to the block to put it in order.
48:28Okay.
48:29It's true that I have a lot of work to do.
48:31I don't know if I'll find the space to do it today.
48:33Stop lying.