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00:00I'm sorry.
00:14Simona.
00:16Miss, happy to see you.
00:19I haven't seen you with that smile in a long time. What's happened?
00:22I'm getting married.
00:23But how come?
00:25Eli and I are getting married.
00:27But, tell me, what happened?
00:28Well, when Pelayo said she was pregnant, everything happened.
00:33Yeah, yeah, I know it happened.
00:35Because that man did it just to hurt you.
00:39No, not really.
00:41He said he'd take care of it and that the baby was his.
00:45Oh, what a joy, miss.
00:48And has the Marquis approved the wedding?
00:52He's been trying to change things.
00:55They want to avoid the scandal of a pregnant and unmarried daughter.
00:58As if he saw it coming.
01:00And after what happened to Manuel and Jana,
01:02he's fine with being able to solve my problem easily?
01:06Miss, your pregnancy is not a problem.
01:09A child who comes into the world is always a blessing.
01:12I know, I know.
01:14The positive thing about all this is that the wedding will be as soon as possible and discreet,
01:18just as I wanted.
01:20And just with whom you wanted.
01:22Of course, with whom else?
01:24No, no, you're right.
01:25You're right.
01:27I'm just saying it because of how bad it's been for you these last few weeks.
01:32Pela, I realized your mistake and I apologized.
01:37And you forgave him just like that?
01:40His regret is sincere and he was hurt.
01:43And he told me that he would take care of the child and that we would be a family.
01:47I don't know if so many comes and goes are good for a marriage.
01:52Simona, but you told me less than a week ago
01:55that Pelayo was in a crusade and that he seemed to love me.
01:58Yes, I know what I said.
02:00And I also know why I said it.
02:02Because at that moment you needed to hear that.
02:06Ah, you lied to me.
02:08No, no, no.
02:10At that time, Mr. Pelayo had not done the trick of telling everyone that you were pregnant.
02:16Everything is fine between Pelayo and me, Simona.
02:19Maybe better than ever.
02:21Really, miss?
02:23Yes, with my heart in my hand I tell you.
02:25We both have done bad things in the past, but ...
02:29those mistakes will make us be able to build the relationship in the future.
02:34Yes, it will be true.
02:36What they say, that what doesn't kill you makes you stronger.
02:40That's right. And I feel stronger than ever.
02:43Well, I'm very happy, miss.
02:46And I hope you can form that beautiful family because ...
02:49because you deserve it, miss.
02:52You and your child.
02:57And regarding the family, I want to ask you a favor.
03:00Of course.
03:09Good afternoon, father.
03:11Good afternoon.
03:13Have you seen father?
03:15Why are you looking for him?
03:16He knows perfectly well.
03:18I would like to finish talking about the proposal I made to you.
03:21That is not a proposal. It is an imposition.
03:28Mother ...
03:31I come in peace.
03:33And with the best of intentions, so please, I just want us to talk.
03:37Can't I have a little peace?
03:39We managed to resolve Catalina and the count's dispute and now you're back in charge.
03:43Did you think that by letting time pass, I was going to forget him?
03:46Unfortunately not.
03:48No. And I know he doesn't like it, but I have plenty of reasons to demand that Hanna has her own bed next to us.
03:54And postponing this conversation does not benefit anyone.
03:57If you say so.
03:59I say so. So please tell me, have you seen father?
04:03No. And you won't find him either.
04:06He has left for Puebla de Tera and will not return until tomorrow.
04:09So even if it doesn't benefit anyone, I think you'll have to wait.
04:13And why did he do that?
04:16Son, believe it or not, you are not the center of the universe.
04:21Can you answer my question, please?
04:25He has gone to interview a friend of his, a politician.
04:28He wants to use his influence to free Mr. Baeza.
04:33At least you could see beyond your own navel.
04:39Do you really think I don't care what happens to Mr. Rómulo?
04:42I only believe what I see with my own eyes.
04:45That my son behaves like a capricious child who gets angry if he doesn't do what he wants.
04:49That's not true.
04:51All I'm asking for is what is rightfully mine. Hanna is my fiancée.
04:54And if she were another woman, they wouldn't be putting so many obstacles.
04:57It's just a coincidence that she's not another woman. She's a maid.
05:00I don't care.
05:02What I feel for her will not change, no matter how much father acts like a coward.
05:07Don't you dare call your father a coward.
05:08Manuel, you're an ingrate.
05:10You owe him everything you have.
05:12I never asked him.
05:14See? You're talking like a spoiled brat again.
05:17It's very unfair that you ask your father for more understanding.
05:20Because precisely if we are in this situation, it is because he did not know how to stop your fantasies in time.
05:24Are you trying to make me believe that my father is the personified kindness?
05:27He has given you much more than what was due to you.
05:30Although you have not been able to appreciate it by going with that whore.
05:33Don't go against Hanna, mother.
05:35Don't go against Hanna, mother.
05:38This conversation is between you and me.
05:40Look, Manuel.
05:42Tomás had many flaws, but he understood this from the beginning.
05:45The Marquis is above us, son.
05:48He is above everything, and this is how we have educated you.
05:51And this is how my father sees it.
05:53The Marquis is above everything, even me.
05:57Look, mother.
05:59Education is important.
06:01But above it is freedom.
06:03And I plan to use it to be happy.
06:06Where are you going? I'm not finished.
06:17Mother.
06:20Oquesa.
06:22Good afternoon, Mercedes.
06:25That's not my name.
06:29We didn't expect your visit.
06:31I didn't announce it.
06:33I wasn't just referring to that.
06:39I didn't expect you to come back.
06:42And I suppose you would be very happy with that possibility.
06:46No.
06:47The truth is that I'm glad you're here.
06:49Better.
06:51Because this time I didn't come for any recipe, but ...
06:54to talk to you.
06:57I didn't like anything.
06:58The last conversation we had.
07:00López told me they argued.
07:02It will be better if we leave the cook alone.
07:06What did he come to, then?
07:08To apologize to you.
07:11With all this, I haven't exercised putting me in your shoes.
07:16Well, I haven't put myself in yours either.
07:20I was afraid you wouldn't want to forgive me, because ...
07:23after all, you have already decided that this is your home.
07:25Not for long.
07:28What do you mean?
07:30Well, I think it's clear.
07:32I'm leaving the promise.
07:34But forever?
07:36I have notified Mrs. Arcos of my resignation.
07:38As soon as they have a replacement, I'm leaving.
07:41Are you leaving with the cook?
07:43Sorry, sorry.
07:44No, I should have said that.
07:46It's just that for a moment I thought that maybe ...
07:48you would come back home with us.
07:51I'm sorry.
07:52I thought that maybe you would come back home with us.
07:55Mother knows that's impossible.
07:57I can't go home.
07:59I know.
08:08Well, then ...
08:10I'd better go.
08:11No.
08:12They've already seen her.
08:13So what?
08:15If she doesn't want people to ask questions,
08:17it's better if she visits the cooks.
08:18Who are you?
08:21Well, at least tell them it will be a short visit.
08:25I will.
08:37This is fine.
08:38I've had enough.
08:39No, you'll have enough when I say so.
08:48Hanna.
08:50I didn't know you were there.
08:53The discussion with your mother would have changed me.
08:57Don't give her more importance than she already has.
08:59Manuel does have her.
09:01I get goosebumps just thinking that you are arguing for me.
09:05She's my mother.
09:06She has plenty of reasons to argue with me.
09:08This is not just any reason, Manuel.
09:11Your mother will never accept what's ours.
09:12What's ours?
09:17Well, it's her problem.
09:19And I will repeat it as many times as she needs.
09:24My love, I love you.
09:27And there's nothing I can say to change that feeling.
09:32What did you tell her to get like this?
09:34Actually, nothing.
09:36Because what I wanted to tell her,
09:37I also needed my father to hear it,
09:39and it's not in the promise.
09:41And where did he go?
09:43To Puebla de Tera.
09:45He's going to try to talk to a friend of his, a politician.
09:49Let's see if he can get Rúmulo out of the cartel.
09:51Manuel, that's great.
09:53Yes.
09:54Cousin!
09:55You were here.
09:56My God, we've been looking for you all over the palace.
09:59It's not like you were hiding from me.
10:00Well, it didn't seem like it.
10:01We've been looking for you in your studio, in the hangar, in your bedroom.
10:06I'm here and what do you want?
10:07That you change your clothes
10:08and come with us to play badminton.
10:11Now?
10:12Yes, Martina thinks
10:14she can beat us up before dinner starts.
10:18Well, actually, that could be it,
10:20because I don't think I've ever taken a racket like this in my life.
10:22Well, better.
10:23Because that way I can be your teacher
10:24and you won't get your ass kicked.
10:28Well, I appreciate it.
10:30But it's going to have to be another time.
10:32And why is that?
10:34Because right now I'm very tired, Curro.
10:37But that's precisely why we've come to get you.
10:39Because badminton is like medicine.
10:41You have to imagine
10:42that the ball is all your problems
10:45and you hit it with a racket to get it as far away as you can.
10:49I hope that's not one of your lessons.
10:51Well, yes, it's going to work.
10:53You'll see that the three of us will have a good time.
10:58The three of us?
11:00Isn't badminton a sport for couples like tennis?
11:04Yes, the thing is that we asked Julia,
11:06but she couldn't agree.
11:09I wasn't thinking of Julia.
11:17Hanna, I'm sorry, it's just that...
11:19Well, since you can't play...
11:21Don't worry.
11:22Why can't she play? Is she a badminton player?
11:26No, but she's a lady.
11:28And my fiancée.
11:30Let's see, Manuel.
11:32Don't worry.
11:33I don't think anyone has tried to do anything bad to Hanna.
11:35Well, that's what you've achieved.
11:36Manuel, please.
11:37Hanna, don't even think about taking her side.
11:42Is it so hard for you to think about it?
11:45Hanna and I are getting married.
11:46We'll be husband and wife.
11:47Who cares?
11:48Let's see, neither Curro nor I have said otherwise.
11:50But you treat her as if she were a couple.
11:52No, it's just that...
11:53You know what?
11:54I don't care.
11:55I'm tired of arguing with everyone.
12:03Hanna, forgive me.
12:04Forgive me.
12:05My intention has never been to ignore you.
12:07Really.
12:08I know, miss.
12:09I think your cousin is just a little over the top.
12:16I've lost my desire to play.
12:19I'm sorry.
12:27I'm sorry, sister.
12:31Come.
12:34Come.
12:44I'm sorry.
12:45I couldn't find the notebook.
12:49Good.
12:50Well, we're all here.
12:53What recipe did you want to tell me?
12:59Almond sauce meatballs.
13:03It's a shame I don't have a little more time, Mrs. Amalia.
13:06Because we have some garnishes that go perfectly with this recipe.
13:10Some cooked vegetables.
13:12A sweet potato with onion and wine.
13:15No, no.
13:16Almond sauce meatballs, please.
13:18We'll leave the garnishes for another time.
13:22Go ahead, boy.
13:24Yes.
13:25Well, the first thing is to season the minced meat with salt and pepper.
13:29Although it also includes other spices.
13:31And herbs.
13:32Like the mejorana and parsley.
13:35And chopped garlic.
13:37Yes.
13:38And a well-chopped onion that gives it texture and flavor.
13:41And egg yolk.
13:43I get the idea.
13:45Please continue with the recipe.
13:48Well, that's it.
13:51Mix everything well.
13:54Give it shape and fry them.
13:58And it would be to prepare the sauce with the juice of the meat itself.
14:03Yes.
14:04And there, Mrs. Amalia, is where the meatball of this recipe is.
14:08Because that sauce is an invention of López.
14:13One of his secrets, one of the best kept.
14:17I see.
14:19If it's so secret, it's better to leave the recipe here.
14:22Yes.
14:24Well, you see, if we don't tell Mrs. Amalia about the sauce,
14:29we have a recipe for meatballs, Mondo and Lironda.
14:34Is that better than revealing one of the best-kept secrets?
14:38It's a way of speaking.
14:40Besides, we're with trustworthy people, aren't we?
14:46Yes, yes. Of course.
14:48So you don't mind if they reveal your kitchen secrets, Mrs. Simona?
14:52Well, it depends on what the secret is.
14:58Are there any secrets that are more valuable than others?
15:02Of course. Yes, yes, yes.
15:04And as López says, it also depends on who is told that secret.
15:10Come on, I say.
15:13Well, and in this case, I think it has become very clear
15:16that the secret can appear in my recipe, right?
15:19Yes, yes, of course, Mrs. Amalia.
15:22For my part, there is no problem.
15:28Where were we?
15:30Ah, yes. Well, then, for the sauce,
15:33we have to reserve the chopped onion,
15:36because this will give color and texture to the meatballs in almond sauce.
15:52Wow, I didn't expect that.
15:55Well, if you didn't like it, you'll have to give it back to me.
15:58No.
16:03What are you reading?
16:04Nothing, El Vespertino. But I've had enough.
16:07It's just about the war in Europe.
16:11So? What makes you so happy?
16:14Well, we're getting married.
16:17And the other reason?
16:19I came to talk to Simona.
16:22I understand.
16:24And what? Has she given her consent for our wedding?
16:27Don't make fun of me. You know I'm very fond of her.
16:30Then I'll ask you seriously.
16:32Has she given her consent?
16:34At first, it was difficult.
16:36But finally, she has wished us all the best for our future marriage.
16:41I'm calmer then.
16:44I came to ask you for something.
16:47I was already saying that so much affection had a price.
16:51And you know you don't need kisses to ask me for what you need.
16:54Whenever it's in my hand, take it.
16:56Are you saying that to get another kiss?
16:59Maybe.
17:01And how can I help you?
17:04I want you to come with me tomorrow to a toast.
17:07It will be done in our honor.
17:09That's great news.
17:11And who is our host?
17:13The Duchess of Cerezuelos?
17:16Cold, cold.
17:18I don't know.
17:20The Countess of Navalmoral. She was your friend, wasn't she?
17:22Cold, cold.
17:24I don't know.
17:25I don't know.
17:27The Countess of Navalmoral. She was your friend, wasn't she?
17:29Cold, cold.
17:31If you want me to visit all the noble houses in Andalusia one by one,
17:35we can do it this morning.
17:36And you would never get it right anyway.
17:38Why? It's not in Andalusia.
17:40It's not in a noble house.
17:42The toast is with the service.
17:44So we can tell them the news.
17:47But you haven't just talked to Simona.
17:49Yes, that's right, but we'll celebrate it with everyone else.
17:52And we can also tell them the reason for the wedding.
17:56But we don't have to give explanations, let alone the servants.
17:59Well, maybe I've expressed myself badly, but whether you like it or not,
18:02they have been a fundamental part of our relationship.
18:06I know it's not what you want the most, but it's important to me.
18:12Aya.
18:14If it's the fashion couple.
18:15With your brother and Cinderella's permission, of course.
18:18What do you want?
18:20What will it be?
18:21To congratulate you.
18:23For a double game.
18:25Thank you very much, Captain.
18:29What's going on?
18:31Aren't you in the mood for congratulations?
18:36Mr. Count.
18:37I know there have been differences between you and me in the past,
18:40but I want you to know that my wish is sincere.
18:42I hope you are as happy as you have been so far.
18:47I'd better leave it open.
18:50We don't want bad tongues to speculate about your private life, right?
18:56Leave it, Catalina.
18:58It doesn't deserve a pinch of attention.
19:03Okay.
19:16I love you.
19:34Mr. Baeza.
19:35What's up?
19:36Don Manuel.
19:37I was waiting for your visit.
19:40I would have welcomed you with open arms.
19:43I'm glad to see that you haven't lost your sense of humor.
19:53Something's going on.
19:57Romulo, I've come to see how you are.
20:00So my problems don't matter.
20:02Yes, they do matter.
20:03Besides, I'm telling you that there's nothing to tell here.
20:10That's about to change.
20:13But right now my father is in Puebla de Tera.
20:15He's talking to a friend of his, a politician,
20:18and he may be able to get him out of here.
20:20Don't give up hope in vain, sir.
20:23Remember that none of your father's contacts
20:26could do anything for you when he was in prison.
20:29Who would intercede for this old mayor?
20:31Whoever it takes.
20:33You are innocent and you are going to get out of this cell.
20:36Besides, that's not the only news I bring you.
20:39This afternoon I was in a meeting with Sergeant Burdina.
20:42And I told him not to get involved. It's dangerous.
20:45All I've done is give him the names of the three men
20:48with whom Gregorio fought.
20:50The day he didn't come to our first meeting.
20:52Now he'll just have to interrogate them.
20:54I thank you.
20:55Yes, I'm sure that among those men
20:57there may be someone who ended Gregorio's life.
21:01And now are you going to carry out your duties
21:03or do we still have time?
21:06An adventure that has to do with the clashes
21:09of Miss Expósito and the Marquises.
21:11Am I wrong?
21:14Not a pencil.
21:17My parents still don't give up.
21:21If you allow me the comparison.
21:24You already knew that it was a trench war.
21:28What you have to do is maintain your position
21:30and let the enemy wear out little by little.
21:33I need to move forward, Romulo.
21:35I can't be patient with Hanna.
21:37I love her too much to wait no more.
21:43That's why I asked my parents
21:46for Hanna to have her own dormitory in the noble area.
21:49Well, the request is not small.
21:53It's what they would do if Hanna were of noble birth.
21:55Yes, but it is not.
21:57And although I agree with you
21:59that things should be that way,
22:01but we both know
22:03that it can be a constant source of conflict.
22:07Well, get used to it.
22:09No, but I'm not talking about the Marquises.
22:12I'm talking about Miss Expósito.
22:15What does she think of this change?
22:20She doesn't know.
22:22But let's see, what are you waiting for to tell her?
22:24She is the main affected.
22:26I know.
22:27But I don't want to tell her anything
22:29until the problem is solved.
22:32The last thing I want is for this to end up harming her
22:35and for everything to go against her.
22:38Allow me some advice.
22:42You know how much I value you.
22:45Miss Expósito is not a fragile porcelain doll.
22:50She doesn't need protection.
22:53Miss Expósito is a stronger woman than you and me.
22:58Don't make the mistake of keeping her locked up
23:00in a glass case as if it were a trophy.
23:14Well, I have noticed her sadder.
23:16It's not for less, Teresa.
23:18Hanna was already excited about that snack.
23:20If the gentlemen are from Sarao,
23:22say yes and say also.
23:24I'm sure there are occasions for another banquet,
23:26dance or snack.
23:28Maybe.
23:29But none as good as this one.
23:31It was going to be petit-comédie.
23:33What does that mean?
23:34It's French.
23:35And it means little food.
23:37What a thing.
23:38Since you are going,
23:39at least you can put on your boots, right?
23:41Don't be stupid, son.
23:42No, it means when there are few people.
23:45When one thing is intimate.
23:47And it caught our attention that you cancel the snack
23:49from one day to the next.
23:50The guts are what you have, Teresa.
23:52Don't they warn you when you go down the stairs?
23:54Maybe, María.
23:56But I don't know.
23:57I think there is a cat locked up here.
23:59You know something else I don't know.
24:01And you are already starting with that mouth.
24:03Look, I've finished the back of the chair.
24:05What do you think?
24:06It's beautiful, isn't it?
24:08Yes.
24:10Start with the mouth.
24:11Come on, Teresa.
24:12You could also help me with the pieces.
24:14Easy, easy.
24:16I don't give for nothing.
24:18Start with the mouth.
24:20Okay.
24:21But this is not my thing.
24:23The fact is that the other day I heard that Adelfa
24:25was telling Mari Carmen ...
24:26No, she doesn't shut up even if she's swallowing.
24:29Oh.
24:30Well, the fact is that they were saying
24:31that who cancels a snack
24:32in the absence of a week
24:33just because of a bad gut.
24:35Maybe it was something more serious than a fart.
24:39Missing a week?
24:41Well, yes, it's not understood, really.
24:43And it was also an intimate snack.
24:45I don't know, I say that
24:47if the man had not found himself better,
24:49he could have canceled it in less time.
24:51That's true,
24:52but what does Mr. Manuel's friend gain
24:54by saying no to a snack that he himself organized?
24:57And this has just arrived.
24:58But behind these things
24:59there is always the same woman,
25:01the Marquise.
25:02And she doesn't even cut her hair
25:04if she has to hurt Hanna.
25:06But that doesn't make any sense.
25:08How has Mrs. Marquise managed
25:10to cause a bad gut to Mr. Manuel's friend?
25:12Oh, this one has fallen from a guindo.
25:14I'm lying, Marcelo.
25:15Have you seen that friend?
25:17No.
25:18Well, I'm telling you,
25:19she's healthier than you and me.
25:21And I think this is going to be the first of many.
25:23Because Mrs. Marquise
25:24is not going to sit idly by.
25:26Well, neither Hanna nor Manuel,
25:27who are more stubborn than the mule of Ambrosio.
25:31I have it.
25:33And if we organize a snack for Hanna
25:35to cheer her up?
25:36And what do we gain from that, Marcelo?
25:38Or are you going to invite
25:39Mr. Manuel's friends?
25:40No, we'll be alone,
25:41but that way the girl will be a little happy.
25:44I think it's a good idea.
25:46What about Mr. Romulo, Mrs. Pia and this?
25:48It's not going to be good.
25:49Change of airs.
25:51What do you say, Teresa?
25:54Let's do it.
25:59Look how beautiful it is.
26:17Well, first of all,
26:18I ask you to excuse my frankness.
26:21But I sincerely believe
26:22that Count de Ayala
26:23is not the most suitable person for you.
26:30Good morning, dear.
26:32Good morning.
26:35Have you been able to think
26:36about what I told you about my cousins from Pamplona?
26:39What was it about?
26:41If I should invite them to the wedding.
26:43It is true that I do not have much dealings with them,
26:45but I am sure
26:47they will appreciate the invitation
26:49and will be generous with the gift.
26:52If you think it is convenient.
26:54I would believe it if it were not because
26:57I know I will have to endure the torture
26:59of their presumptions
27:00and their insipid conversations.
27:03Well, don't invite them.
27:05I'm afraid I have no choice.
27:08Stay with Consuelo.
27:09I'll tell you what to do.
27:10I have no choice.
27:12Tell Consuelo
27:13that with her money
27:14we will buy a better wine for the invitation
27:16and that will help her swallow them.
27:21Do I have something on my mustache?
27:23No.
27:26What's wrong, Margarita?
27:28Nothing, I was just thinking about something else.
27:31Well, I would have appreciated
27:32a little more attention
27:33when I told you
27:34everything about my cousins from Navarra.
27:37Good morning.
27:38Good morning, daughter.
27:40Will you join us for breakfast?
27:42I was going to take advantage of the fresh air
27:44in the morning
27:45to take a walk in the gardens.
27:47Of course, come in peace.
27:52But can you come with me?
27:55Mother, I wanted to show you the roses.
27:58They have thrown some beautiful and enormous
28:00late flowers, as you like them.
28:02Well, let's go.
28:04Now?
28:05But you haven't tasted a bite.
28:07It's just that my stomach is closed.
28:09I suppose it will be the nerves of the wedding.
28:13Well, give me five minutes and I'll go with you.
28:18No, but what interest can you have in those roses?
28:21No, have a quiet breakfast.
28:23Besides, Cruz is having breakfast outside
28:25and Alonso has not yet returned from his management
28:26in Puebla de Itera.
28:28Shall we go, daughter?
28:38Let's go.
28:59Good morning, ma'am.
29:01What's up, Petra?
29:03Well, the cooks today by mistake
29:05have made an excessive order
29:06of aubergines and pumpkins.
29:08If it's something that has a difficult solution,
29:10well, it can't be returned.
29:13So I've been working with them
29:15on a proposal for a weekly menu.
29:18Isn't it you who should supervise all orders?
29:22That's right, ma'am.
29:24But I don't know how many aubergines
29:26are needed to cook them with wine
29:28and how many pumpkins to make creams.
29:30Very well.
29:32You can go.
29:41I find you somewhat upset, ma'am.
29:44Perhaps I have no reason to be.
29:47I understand that it has to be difficult
29:49to reconduct the situation of your stepdaughter.
29:51The situation?
29:53Catalina's freshness has so few meanings
29:56that she has not even avoided
29:58getting obsessed with the useless of the conderable.
30:02Thank goodness that, at least,
30:04is solved.
30:06Does that mean that there will be a wedding?
30:09The Marquis and I have not given them another option.
30:12I just hope that it is celebrated as soon as possible
30:14and that there is no time for the scandal to break out.
30:16Well, I will conveniently select the service, sir.
30:20I hope so.
30:22Well,
30:24it seems that in the end
30:26you have fulfilled your goal.
30:28Well,
30:30Catalina's stepdaughter will disappear from my life forever.
30:33Although Pelayo has shown
30:34to be the most useless ally
30:37I could have found.
30:39Well,
30:41it will soon cease to be a concern.
30:43She does,
30:45but there is still my son's illusion.
30:49I am convinced, ma'am,
30:51that you will manage to get him into trouble,
30:53as you have always done.
30:55It is that I no longer have the strength of before
30:57and my son does not stop trying to get us
30:59into that mess, even in the soup.
31:01I could ask him what he has done now.
31:04Can you believe that he intended
31:06that we give him an alcove in the noble plant?
31:10That is an insensitivity.
31:12Forgive him, his son of the nuns.
31:14Forgive none.
31:16He does it premeditatedly,
31:18all with the sole intention of torturing his mother.
31:20Really, let's see when this nightmare ends.
31:22It is true that this misfortune
31:24has crossed too many limits, ma'am.
31:26It is also causing damage in the service.
31:29I can imagine it
31:31giving off airs of greatness,
31:32all for being my son's beloved,
31:34as if he saw her.
31:36I don't even know what tasks to assign him.
31:39Put him to clean the paintings,
31:41but with his hands naked,
31:43so that the manure
31:45under the nails cannot be removed.
31:47Let's see if my son opens his eyes at once.
31:49If you order it, sir.
31:51Of course not.
31:53It would make him a martyr
31:55and legitimize his struggle against us.
31:58Exactly.
32:00To finish with Hannah Expósito,
32:02we need cleverness.
32:04And that fool
32:06has gone to give with the fur of his shoe.
32:18You can't be more handsome there,
32:21very holy.
32:23It's huge, Mrs. Pia.
32:25It has grown a lot since the last time I saw it.
32:27What an old man.
32:29You already have a bigger toy, don't you?
32:30I was going to ask you to come to La Promesa every day.
32:32And what problem would there be?
32:34Well, being both in Lujan, the truth.
32:36Do you know anything about your return to La Promesa?
32:39Mrs. Marqués already gave her last word.
32:41And Mr. Marqués?
32:43Because I imagine they had to talk
32:45when they started the whole plan
32:47to get rid of Gregorio.
32:49Mr. Marqués gave me money
32:51to complete the maintenance of Dieguito
32:53and also gave me time to look for a new job.
32:55I'm lucky to have the hospitality of Beni,
32:57who lets me stay at her house
32:58for as long as I need.
33:00That woman is better than the bacon broth.
33:03Well, yes.
33:05I try to help in the mill work,
33:07because I'm not hand in hand.
33:09You've never been hand in hand.
33:11But that job is not for someone like you, Mrs. Pia.
33:13This house has never seen a better and more capable
33:16keymaker in all the centuries it has.
33:18Candela, that's already in the past.
33:20No one will want to hire a keymaker
33:22with a son and no husband.
33:24So what are you going to do?
33:26For now, I'll stay in Lujan
33:28until Mr. Rómulo is released from the barracks, of course.
33:31Do you think he can make the Marqués family
33:33change their minds?
33:35I don't think so.
33:37I don't want to leave here and stay there.
33:39I'd rather be free.
33:41Mrs. García, Mrs. Marqués.
33:43Mr. Pellicer,
33:45I'm sorry I came without warning you.
33:47You don't have to apologize.
33:49Dieguito, do you know what a bicycle is?
33:51Come with me and I'll show you what a bicycle is.
33:53Come on!
33:55Wait, Mrs. Candela, we're coming with you.
33:56Look.
34:00Well, it seems Candela has forgotten
34:02that you wanted to tell her something.
34:04Yes, yes, it seems so.
34:06Mr. Pellicer, I came to the promenade
34:08because, well, I was hoping
34:10to meet you.
34:12Why?
34:14Because we have a pending conversation.
34:16I already told you at the time
34:18everything I had to tell you.
34:20Please, give me a chance to explain myself.
34:22Why?
34:24Facts speak for themselves.
34:26They decided to pretend to be dead,
34:28so now I'm not either.
34:31Mr. Pellicer, it was not premeditated.
34:33I don't need you to give me any explanation.
34:35I want to give it to you.
34:37I'm sorry, I can't see you now.
34:39I have to talk to Mrs. García.
34:57Catalina?
35:03Are you okay?
35:05Yes, yes.
35:07I was just resting for a while.
35:09Ah.
35:12You know,
35:14I think
35:16that in my life I have seen you
35:18lying down all day.
35:20Except that time
35:22when you had to stay
35:24because you got intoxicated
35:27I'm fine, really.
35:29It's just that a few days ago
35:31I had a terrible dream.
35:33Of course, because of the pregnancy.
35:35Yes, every day I notice changes.
35:37It's strange.
35:39Sometimes it's hunger, sometimes it's sleep.
35:41And nausea?
35:43No, fortunately not.
35:45Why were you looking for me?
35:47You see, I needed to have a quiet chat
35:49with the only sane person in this house.
35:52What did Cruz do this time?
35:54Ah.
35:56You know what? I'd rather not talk about her.
35:58Why don't you tell me how you are?
36:01I already told you, I'm tired.
36:03But I wasn't asking you about that.
36:06Well,
36:09I feel like
36:11a boat drifting.
36:13Sometimes on the crest of the wave
36:15hoping that everything will go well.
36:18But sometimes I feel
36:20so small
36:23at the mercy of the tide.
36:27You know, sister?
36:30I'd have my doubts about anyone else.
36:33But about you?
36:36I'm sure you'll stay afloat.
36:40I already told you no.
36:43I had my doubts
36:45when I knew what was waiting for me.
36:48The world fell on me.
36:50You were afraid that Pelayo would put you aside.
36:54And now,
36:56you've seen that it wasn't like that.
37:00No.
37:02We're going to get married.
37:05If it were up to my father,
37:07the wedding would be this week.
37:09And what do you think about the wedding?
37:11Do you agree with her?
37:14Well, I love Pelayo
37:16the way you love Hanna,
37:18so yes,
37:20deep down I can't be happier.
37:22Besides, it's the best thing for me and the baby.
37:27Can I?
37:30Yes, but it's too soon.
37:32You won't notice anything.
37:34Still.
37:41Hello, nephew.
37:43Or niece.
37:46You're right.
37:49Hello, niece.
37:57You know, it's a miracle
37:59you have a baby
38:01growing inside you.
38:04It's life, Manuel.
38:06Yes.
38:10I have to admit
38:12that when Pelayo told me
38:14you were pregnant,
38:16I...
38:18I was a bit worried.
38:20Why?
38:23I guess everything that happened to Ximena
38:24happened to me, too.
38:27I was so excited
38:29when she told me she was pregnant.
38:33And I suffered when everything went wrong.
38:36It was all a lie, Manuel.
38:38You don't have to torture yourself.
38:40I know.
38:43You and Hanna will have your children.
38:46And that will make you happier.
38:51Sister, I'm already very happy.
38:54The arrival of Lujan to the family
38:56is always a source of joy.
38:59And you'll be the best uncle in the world.
39:03That's easy. I'll be his only uncle.
39:05That's true.
39:18Martina.
39:20You're back already?
39:21Did you have a good time?
39:23That's right.
39:25And how was the walk?
39:27Nice.
39:29And before you ask,
39:31Rosales was fine, too.
39:33Wait.
39:35Where's your mother?
39:37I guess she's in her room
39:39because she came back before me.
39:41And why didn't I see her?
39:43She's been guarding her door.
39:45Answer my question.
39:47I did.
39:49She came back before me
39:51because she came back before me.
39:53You can't lie to me.
39:55What happens to your mother is not tiring.
39:57It's your fault.
40:00Let me go because I haven't done anything.
40:02You're getting in our way again
40:04to cancel our wedding.
40:06That's not true.
40:08No, no, I swear it's not true.
40:12Maybe what's happening
40:14is that she's realizing how you really are.
40:16Shut up, insolent!
40:18I was kind and tolerant with you
40:19but I can change my mind.
40:22Who would have believed you?
40:24Because you said in front of everyone
40:26that you might not have been poisoned.
40:28What are you going to do?
40:30Find a third doctor?
40:32Make him a diagnosis?
40:34I have many ways to get rid of you.
40:36I sent you to a asylum
40:38and locked you up in jail.
40:40Remember?
40:42I'm not scared of your games
40:44because I know what you're made of.
40:49If you knew, you wouldn't be so calm.
41:17Can I come in?
41:19What do you need?
41:21I'd like to talk to you.
41:23It's about the boxes.
41:26Well, you can't complain this time.
41:30I have to complain
41:32because I haven't been assigned any tasks.
41:35Now it turns out that the problem is not working.
41:39I thought that was your goal.
41:43I don't know what you mean.
41:50Whenever a young lady
41:52falls in love with a man,
41:54she ends up acquiring certain privileges.
41:57In fact, some have even managed
41:59to have their own little house
42:01away from the rest of the young ladies.
42:04Look, my relationship with Mr. Manuel
42:06and my job have nothing to do with it.
42:10But put yourself in my shoes, Hanna.
42:13How am I going to give orders
42:15to the woman who shares the bed
42:17with the next Marquis of Lujan?
42:19I am not the lover of any man,
42:21Mrs. Petra.
42:23And as a keymaker, I should know
42:25that I sleep in my room,
42:27the one I share with María Fernández,
42:29and in my bed.
42:31If you are not his beloved now,
42:33it is because Mrs. Jimena passed away
42:35and you no longer have anyone to cover up the scandal.
42:37What are you insinuating?
42:41That maybe now
42:43you won't sleep with Mr. Manuel.
42:45But you've done it before.
42:47Otherwise, you wouldn't have him
42:49in your life.
42:51Look, you have no right
42:53to meddle in my privacy.
42:55I haven't been the one
42:57who has blown you away, Hanna.
42:59But it's fine, you've come here for work.
43:01You will work and you will iron.
43:03Work that doesn't compromise
43:05the hands of a future Marquis.
43:07But if all I want is...
43:09What do you want?
43:11You have come here demanding
43:13the same treatment as the others
43:15and you come with requirements?
43:17No, Mrs. Petra.
43:19Well, you already have it.
43:40Martina!
43:46Martina!
43:47Martina!
43:49What's wrong?
43:53Martina, calm down.
44:00What happened?
44:04The idiot of Count Ayala.
44:06What did he do this time?
44:09Threaten me
44:11or send me to jail.
44:13But why does he come back with that again?
44:15It doesn't make sense.
44:17I don't know, I swear he's crazy.
44:19It's fine.
44:21I just don't understand why.
44:23Why a walk?
44:25A walk with whom?
44:27I don't want to talk about it.
44:29Really, I don't...
44:31Martina, it's not good that you keep it inside.
44:33If that man has threatened you,
44:35everyone has to know.
44:37And your mother first.
44:39I swear I don't want to talk about it.
44:41Martina,
44:43what's wrong with me?
44:45Lately you've been strange.
44:47And if there are more people, you know how to hide it.
44:49But alone?
44:51It's obvious you're upset about something.
44:53Of course I'm upset.
44:55How can you blame me for being strange to you
44:57when you're the first one to hide things from me?
45:00What are you saying?
45:04I can't.
45:06No, it's not about that, Martina.
45:08I told you there's nothing romantic between her and me.
45:10No, the shots don't go that way. Don't play dumb.
45:12Well, then? I don't understand anything.
45:14I think you're very upset.
45:15Why don't you tell me the truth?
45:17What truth?
45:20How could we have
45:22all the confidence in the world
45:26for this?
45:29For this what?
45:31Martina, don't be offended.
45:33But I think I can explain it much better.
45:36I think you have to explain this.
45:39Okay.
45:41I'll explain whatever you want.
45:42If you tell me,
45:44why the hell are you upset?
45:46What's that about Jan being your sister?
45:59Good morning, Father.
46:01How are you?
46:03Hello.
46:05Take them to my rooms.
46:07How was the trip?
46:09Longer and more tiring than I would have liked.
46:10There's a refrigerator in the living room.
46:12Well, I appreciate it because I haven't eaten anything
46:14since I left Puebla de Tera.
46:17Father, what did your friend the politician tell you?
46:20What can he tell me?
46:22He's going to try.
46:24But does he have any hope?
46:26That he can free Romulo from prison?
46:28Not directly.
46:30No one has that power except the judge
46:32or Alfonso XIII himself, if I may say so.
46:34And then?
46:36Because of his political career,
46:38he has certain tendencies about the governor.
46:40Maybe he wants Romulo to be appointed
46:42a favorable judge.
46:44Well, that's not a small thing.
46:46No, it's not if he gets it.
46:48But the truth is that I have my doubts.
46:50Well,
46:52how about around here?
46:54Any news?
46:56You better not ask.
46:58What happened?
47:00What happened, Father,
47:02is that my mother and I have argued again.
47:04It's not the time, Manuel.
47:06Don't you see that your father is tired of the trip?
47:08It's not the time for what?
47:10Ah,
47:12you're still insisting on that nonsense.
47:14I insist and I will insist, Father.
47:16Hanna is my fiancée and therefore
47:18deserves a dormitory on the noble floor.
47:20We'll see about that.
47:22You'll see, I assure you.
47:24No, Manuel, because this is my house.
47:26Well, that's enough, both of you.
47:28It seems to me that we should all
47:30give ourselves a little more time
47:32to meditate on this issue and to reflect.
47:34Haven't you had enough time to reflect?
47:36It's obvious I haven't.
47:38Actually, there's not much to think about.
47:41A young lady, no matter how much she loves a man,
47:43can't sleep on the noble floor.
47:45She wouldn't even know how to behave.
47:47She's not used to it.
47:49It's her last word.
47:51And the first one.
47:53Neither your mother nor I have ever given Pablo
47:55such nonsense.
47:58It's fine.
48:03It's fine.
48:06If Hanna's presence bothers you so much,
48:09I'll spare you the trouble of having to see her every day.
48:14What do you mean?
48:16Hanna is leaving this palace.
48:18Very well.
48:22But I'll go with her.
48:34Hanna and you, brothers,
48:35brothers,
48:37please.
48:39That's what I told you.
48:41Don't tell me you made it up.
48:43Where did you get that nonsense from?
48:45I don't know.
48:47Don't deny it.
48:49In the village, no one knew who he was.
48:51But I told you, be patient and cautious.
48:53But I couldn't go on like this, Mrs. Petra.
48:55What you can't do is take a false step.
48:57And you know it well, Santos.
48:59Your father won't tell you anything.
49:01We have to find a way to discover the truth
49:03without your father
49:05knowing your intentions.
49:07A few weeks ago, I would have told him
49:09that I loved him deeply, but
49:11right now, I don't know what to say.
49:14Are you still going to marry her?
49:16Yes, that's what I've decided.
49:18But I admit that I won't finish taking her pregnancy.
49:21I've already taken the first step to do it.
49:23A step that I don't know if it was a false step.
49:25Did he really threaten you?
49:27He reminded me of my stay in the asylum.
49:30He told me that
49:32if he was about to send me to jail
49:35I could do it in a second.
49:37I'm going to have to talk to him.
49:39I've learned to move forward on my own.
49:41And I don't need his help anymore.
49:43We all make mistakes.
49:46But let me fix them.
49:48I want to help you.
49:50Tell me what happened so you can leave this house like this.
49:53Manuel, the capricious nanny.
49:55Catalina, pregnant.
49:57The truth is that youth is in decline.
49:59I always say it.
50:01Enough.
50:03And don't think you are.
50:05My nephews have the most noble heart
50:07than any of us here.
50:09Dear...
50:11No, not dear or anything.
50:13I need you to tell me what's going on with your parents.
50:15I've already told you.
50:17They don't accept that I want to marry you.
50:19Manuel, I think there's something else you're not telling me
50:22because you don't want me to worry.
50:24It's time to put the cards on the table.
50:26Speak, Simona.
50:28We can stop this farce.
50:30We know that
50:32Vera is actually his daughter.
50:35I don't believe you.