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00:00So, I'm going to go to the factory.
00:19Yes, I was thinking of going to the store before going to the office.
00:22Well, then we'll talk.
00:25No, tell me.
00:26I have a couple of minutes.
00:29If you have a couple of minutes, that's enough.
00:32The truth is that I don't know.
00:33Well, try it.
00:35You have a minute and a half left.
00:38Before, I talked to my father and I found him a bit strange.
00:42If by strange you mean ashamed and guilty,
00:45I think it's fair for him to feel that way.
00:48Yes, and a bit melancholic.
00:50Melancholic.
00:53We were talking about when we were going on an excursion with our mother to the Monts de Toledo.
00:59I don't remember that anymore.
01:01Or maybe I'm trying to erase all the memories in which Father seemed like a normal father.
01:06Those were very happy times.
01:09It's called childhood, Andrés.
01:11Yes, I guess.
01:12Our family has never been so united since then.
01:14No, and Jesus and Father will take care of that.
01:17Totally.
01:19So?
01:22I am fully aware of what they have done.
01:25And I am the first to condemn it.
01:28But?
01:30Well, I can't help feeling pity for him.
01:34And I'm very angry because they don't deserve it.
01:38It's okay that you feel compassion for them.
01:41That's what sets us apart.
01:43But pity, pity, no, Andrés.
01:45Because they don't deserve it.
01:48It's the first time I've seen him aware of his mistakes.
01:51It's normal for him to realize.
01:53Because for a while now, everyone has come to light.
01:57Each one of them.
01:59Yeah.
02:01The point is that he mentions you as an example of having made a mistake.
02:06Me?
02:07Yes, and when he wanted to ask what he was referring to, he didn't want to give details.
02:12It's as if he didn't want to talk about it.
02:14Yeah.
02:15Well...
02:17And I see that you don't want to talk about it either.
02:23Well, Marta, I won't bother you anymore, it's been two minutes, don't worry.
02:28No, Andrés, wait.
02:30It's ridiculous that Jesus, who is the person who can hurt me the most in the world, knows about it and...
02:34and that you don't know about it.
02:38Marta, you're scaring me, aren't you?
02:41The truth is that if you don't want to tell me something, don't worry, okay?
02:46I'm going to tell you because I love you.
02:50And because with Jaime I learned that sharing confidences with someone you know who also loves you is good.
02:59I hope it's up to you.
03:03I don't even know how to start.
03:08You see, I'm not the person you think I am.
03:12What does that mean?
03:15I don't understand, Marta.
03:17That I've fallen in love with a woman.
03:20And she's in love with me.
03:31Gasparcito, can you get me a coffee?
03:42Is something wrong, Gaspar?
03:44I can tell you're a bit on edge.
03:47Well, more than on edge, I'm thinking about Dolores and I'm really sick of her.
03:53Oh, the newspaper ad?
03:56Relax, man. Do you know how many letters she's received? She'll need some time to read them all.
04:01No, no, but she's already answered me and everything.
04:03What do you mean she's answered you?
04:04Yes, come on.
04:06Like I have the letter here.
04:08But... and what does it say? Well, can I see it?
04:11Yes.
04:13I've read it so many times, I could even recite it to you from memory.
04:16Let's see.
04:23Gaspar, please, but she's telling you beautiful things.
04:26I especially like this part where she says,
04:29you've made me fly with my imagination to your corner.
04:32I see, I see.
04:35I've never made anyone fly, but not with my imagination,
04:40or without imagination, or anything like that.
04:43Congratulations, Gaspar.
04:46Boy, cheer up, she's answered you.
04:49Yes, that's the problem, Fina, that's the problem.
04:52After reading the letter, I think I've gone a bit too far,
04:56and I think I've messed up.
04:59Why? What have you done?
05:03Have you written to her again?
05:04I sent her another letter yesterday.
05:06Well, it's okay, what did you write?
05:09I... between the nerves and the excitement, well...
05:15I think I've gone too far.
05:18How far?
05:20A lot, Fina. A lot.
05:23I asked Tassio for advice and let's say he gave me wings.
05:28Come on, he insisted that I ask for his phone number,
05:32that he send me a recent photo of him, and all that stuff.
05:37I never imagined that you...
05:40Anyway, that...
05:42Well, it came up.
05:44I wasn't looking for it, I assure you.
05:48That's why I feel that it's...
05:50that it's a real love.
05:55For God's sake, tell me something, you're killing me with the silence.
05:59I admit that I have a lot of questions to ask you,
06:03but I'm going to sum it up in one.
06:08Are you happy with her?
06:10I've never been so happy in my life.
06:13Then there's nothing more to talk about.
06:16It's time for you to answer those questions I have.
06:23Thank you for trusting me.
06:26You have all my support.
06:30You know I'm a big fan of forbidden love.
06:33In fact...
06:34You're preaching with the example.
06:40Marta, there's something else.
06:42Maybe I'm being imprudent, but...
06:46I know her.
06:50Of course you know her.
06:55It's Serafina Valero.
06:59Our Fina.
07:01For God's sake.
07:04With how sensitive and observant you are, you hadn't noticed.
07:08I'm sorry, but your description exceeds my sensibility.
07:13Well, the forbidden is forbidden for a reason.
07:16We can't blow the four winds as we'd like.
07:21I see.
07:25Come here.
07:30What a big heart you have.
07:33What would I do in this family without you?
07:43A picture, Gaspar?
07:45What a bad taste.
07:47When would you ask Tassio's Gagnan for advice?
07:50Well, ex-Gagnan, who's now married and transformed.
07:53Yes, a Lord Timeless, I'm telling you.
07:56You can't deny that you at least know what's going on.
07:59He's had more girlfriends. What's on his mind?
08:02Maybe, but he hasn't met any of them by letter.
08:05Well, he wrote a very nice one to Carmen.
08:08And to me, with the letters to Sonsoles, it's good that he helped me too.
08:12A poet. All you have to do is look him in the face.
08:15He's a troublemaker, Gaspar.
08:17He's a Don Juan who works well at short distances.
08:22He works well at short distances.
08:25But a relationship by letter is very different.
08:28And what do you know about these things?
08:30What do you know?
08:33Well, I know more than you think, Gaspar.
08:37I'm sure this woman wanted a little more mystery,
08:42seduction, a little slow fire.
08:46Well, if it's still slow fire, I'm going to end up retired,
08:49more than just one, and with a lot of letters in the drawer.
08:52Gaspar, stop, please. Don't be so exaggerated.
08:54I don't want that, Fina.
08:56I want a love now, now. I can't wait another year.
08:59Yes, but you could have waited a couple of weeks.
09:02Do you know how many idiots have written him letters?
09:06And I'm sure your first letter was one of the few that had reached his soul.
09:11You think?
09:13Well, of course. And now with this second one...
09:16After reading it, I'm sure he's sent it straight to the blacklist.
09:21He's pissed off with all the letters.
09:24Never better said.
09:26I don't know.
09:28Should I put a candle on Santa Rita or...?
09:30No, no, no, no.
09:31You'd better put a cross on Tassio,
09:33because with sentimental issues, he's a zero on the left.
09:36Come on, what?
09:38Go to two, huh?
09:40It's just that when necessity squeezes, Fina...
09:44It squeezes.
09:47Of course.
09:51Don Pedro.
09:53Good afternoon, Lord of the Gods. Are you visiting the colony?
09:56Well, I came to see my son, but he's too busy to see me today, so I'm leaving.
09:59I have a car waiting for me at the door.
10:01Is it true that great news that you have been hired here again?
10:03Yes.
10:04As you should already know, the dispensation of your sanctity has arrived much earlier than expected.
10:08Yes, it seems so.
10:09I understand that for you, Mrs. Inés, the resignation of Mateo was not a pleasure.
10:13It wasn't for you either.
10:14But once you've made the decision, it's best to do it as soon as possible, don't you think?
10:17Well, yes.
10:18And it must be said that the Lord loses a model servant, but wins a marriage that is loved, despite everything.
10:22Despite everything.
10:23A very elegant way of referring to an illegitimate child.
10:26Claudia is a good girl, and very devoted, by the way.
10:28But unfortunately, she will have to carry the stigma of doubt all her life.
10:32Here, everyone will have to carry their own.
10:34Otherwise, they will ask my wife, who is still troubled by the matter.
10:37Where it seems that they have not had so many doubts has been in the Vatican.
10:40Don't you find it strange that they have been so diligent and fast?
10:43Strange? I don't know. You will know better than me.
10:45No, I confirm it.
10:46A papal dispensation is never resolved in a few weeks, as has been the case.
10:49Could it be that Mateo has a guardian angel who protects him?
10:52It could be.
10:53Or, in more prosaic terms, perhaps that guardian angel is from this world,
10:57and has interceded for him in the offices of the Archbishop?
11:00Are you referring to a kind of godfather?
11:02Exactly.
11:03You're not hiding something from me, are you?
11:06Why has your good name come to my ears in the diocese of Toledo?
11:10Well, you flatter me. My influence there is minimal.
11:13Well, especially with the primate cardinal,
11:15who is the one who could have accelerated the procedures in the last instance.
11:18I don't understand.
11:19However, I know, for Mateo,
11:22that you have had a certain relationship of friendship with the cardinal.
11:25Well, we have met once in some beneficial act,
11:27and we maintain a good relationship, but there is no friendship.
11:30Sometimes, cordial relationships are more fruitful than intense friendships.
11:35That's true.
11:36It is noticeable that you are a great connoisseur of the human soul.
11:39Yes, and I also know what a father is capable of to help his children.
11:42Let's see, let's not confuse things.
11:45One thing is to bring up a certain subject,
11:48in front of the appropriate instances,
11:50and another, very different,
11:52is to demand a certain treatment of favor.
11:54The latter would never be done by a gentleman of your class.
11:57I see that you have understood it perfectly.
12:00Let's leave it, then, that it has been the work of an unknown guardian angel.
12:04Or of providence, Father.
12:06Remember, the ways of the Lord are inexhaustible.
12:09Amen, son, amen.
12:10Amen.
12:20So, you assure me that during the time that Julia was there,
12:23she did not have nightmares or wet the bed?
12:27Yes, Sir Perpetua, I understand that the girl
12:29did not want to participate in all the activities
12:31and that she was not very talkative in China,
12:33but I think it's normal, given the circumstances, don't you think?
12:37Well, anyway, that's what I wanted to know.
12:40Thank you, thank you, goodbye.
12:44Ready to go to the cinema?
12:46Yes, yes, I guess so.
12:48Who were you talking to?
12:49With the director of the Burgos boarding school.
12:52It is that Luz recommended that I call both centers
12:54to ask if Julia had also had some episode of neurosis there.
12:57Neurosis?
12:58To pee in bed, sorry.
13:00And what did they tell you?
13:01That no, that she did not wet the bed not a single day.
13:04And Luz does not know why I'm going to pass that on to her?
13:07No, well, Luz believes that it is likely
13:10that all that coming and going has caused her a great emotional fracture
13:13and that peeing is only a symptom of her discomfort.
13:17But now they have told me in both centers that she did not have any episode.
13:21So, I don't understand it.
13:23I don't know why it happens to her just when she comes back.
13:25My lady, maybe her nerves are here again.
13:27Nothing else.
13:28I have the feeling that we have tried to protect the girl
13:31from everything that was happening in this house,
13:33but Julia is not stupid.
13:35She is very mobile for how little she is.
13:38I am very happy that she is at home,
13:41but I can't stop thinking that Jesus is also here.
13:45And that does not reassure me.
13:47I understand, but we are here with her.
13:51And we can protect her from him at all times.
13:54You know that Jesus is a manipulator.
13:56You know it.
13:58Let's do one thing.
14:00Let's give it time, all this, to see how it evolves.
14:03Maybe what happened this noon is a punctual episode
14:06and it won't happen again.
14:11In fact, the only certainty we have is that right now
14:14he is waiting for us in the garden, playing in the sea of happiness.
14:18Really?
14:19Yes, and wait for him to be among us with a giant cartridge of plugs.
14:23He will take everything to hell, you'll see.
14:27What is that about you going to the movies with the girl?
14:30I just found it in the garden.
14:32Don't you realize the scandal that is supposed to see you together?
14:44Hi, Claudia. Do you want me to ask you for an infusion?
14:47No, no, thanks, but I have to go back to the store.
14:50Well, sit down.
14:57Did something happen to me, doctor?
14:59No, nothing.
15:00I just remembered that I have a procedure to do later at the dispensary.
15:04But look, tell me.
15:06What did you have to tell me so urgently?
15:09Well, you know that the works of the Kunal house
15:11are right in front of the store.
15:13Yes, and they have already told me that you pass every two minutes.
15:16One day they will give you a hard time.
15:18The truth is that I can't help it.
15:20But what I came to tell you is that today,
15:22before going to work, I passed by there
15:24and Albañil told me that she has started to get up on her feet
15:27and is in a much worse state than I thought
15:29and that she is going to need help.
15:32Well, let's see how it works out.
15:33Because we don't have a penny more in the budget.
15:35Well, that's what I told her.
15:37But she told me that either we give her an assistant
15:39or that she leaves the work.
15:41It's not true.
15:42Well, yes, as I told you.
15:44She says she has a work in Junquillo or something like that
15:47and that she can't be with us on Monday.
15:50Oh, my God.
15:51This is a disaster.
15:52The project of the Cunast house is screwed.
15:54I told you.
15:56Well, I have to go back to the store,
15:58but I came to tell you that if you want,
16:00when I leave work, we can go there
16:02to try to convince him.
16:04Don't worry, we'll think of something.
16:06Well, I'm leaving
16:08and I'm also going to think if something happens to me.
16:11See you later, doctor.
16:12See you later.
16:14Hi, Alberto.
16:15Hello.
16:19Come on, Father.
16:21Pegoña is his mother and I am his uncle.
16:23What will people think?
16:25That the girl is going to the carabiner or something like that?
16:27Well, they can think that and much worse things.
16:29He's exaggerating.
16:30And you are playing with fire.
16:33But why? I don't understand.
16:35I'm sorry, but you know I'm not making anything up.
16:37And if they see you together with the girl,
16:39people will think badly and rightly.
16:41That's absurd.
16:42It's not a good idea, Andres.
16:44Period.
16:45Mr. Damián, I understand your concerns.
16:47I really understand them.
16:49Well, make my son's big head
16:51understand them too.
16:59I'm sick of him.
17:01Who does he think he is to go around
17:02giving moral lessons?
17:03Andres, deep down he's right.
17:06What do you mean he's right?
17:08It's not a good idea for them to see us at the cinema together.
17:11There are scrupulous people
17:12and I don't want to expose the girl to an uncomfortable situation.
17:15Begoña, I don't think it's that bad.
17:17Never underestimate people's malediction.
17:20Andres, it's better if you go alone.
17:22No, not even talking.
17:24If the three of us can't go, I'll sacrifice myself.
17:27No, but that's not fair. It was your plan.
17:29Besides, the girl is dying to be with you and you with her.
17:31Begoña, not more than you.
17:33Besides, Julia needs you now more than ever.
17:36I agree.
17:40I'll apologize to her and tonight I'll put her to bed
17:43and have her tell me about the movie.
17:54Good afternoon, Doctor.
17:56Good afternoon, Alberto.
17:57Move that shoulder.
17:58Ah, good, good. Thank you.
18:00Sorry, but I couldn't help but listen to the conversation you had and...
18:05Well, I'd like to lend you a hand.
18:07Well, if it's not indiscreet to ask you how,
18:10I don't know if you know what the project of the Cuna house is about.
18:13Yes, but I see the workers in the square and I hear what they say at the loading dock
18:18and also what you said and...
18:21Well, if they need an albanil.
18:23And what have you heard out there?
18:25What do the people of the Cuna house think?
18:27Well, there are opinions for everything.
18:29There are people who are very in favor and people who say that mothers should be with their children.
18:34And what do you think?
18:36I think the Cuna house is a very nice project
18:39because it will allow mothers to take care of their children.
18:43So, if they need an albanil...
18:46By chance, I don't know any of you.
18:49Good, fast and, above all, cheap.
18:51Well, it's not to boast, but you have it in front of you.
18:54You?
18:55Yes, I've been an albanil, I've been a carpenter, a welder, even a plumber.
19:00All human, huh?
19:02Well, yes, the truth is yes.
19:03So, if you think it's okay, after my shift at the loading dock,
19:06I'll be at your disposal for whatever you need.
19:09Are you sure?
19:10Look, you're going to have to work very hard for a few days for a miserable salary.
19:14Oh, no, well, if that's the case, then...
19:17No, there's no way, I'm sorry.
19:19I'm sorry, we don't have a budget for more.
19:22But thank you very much.
19:23Doctor, doctor.
19:24Let's see, what I wanted to say is that yes,
19:27either I do it for free or I don't.
19:30Yes, well, it will be my way of putting my grain of sand
19:34in that beautiful project of the Kunas house.
19:36Really?
19:37I don't know what to say.
19:42I'm very happy that there are still men as supportive as you.
19:47Well, nothing, when I finish my shift, I'll get organized with the other albanil.
19:52Thank you very much, really.
19:53You're welcome.
20:15Hello, daughter.
20:20You don't have to leave every time I enter a room where you are.
20:24That's not why they called me that notification.
20:26Wait.
20:28I'm in a hurry.
20:29They can wait, I have to show you something.
20:31I hope it's important and strictly related to the company.
20:34If not, I would prefer you to keep me out of it.
20:36Well, it's not strictly professional,
20:38but I think you deserve to make an exception.
20:41What is it about?
20:42What do you think?
20:48I haven't seen this photo in a thousand years.
20:50Where did you get it from?
20:52It was transcribed, I found it in a book.
20:56Do you remember where I gave it to you?
20:58In another life.
21:03Of course I remember.
21:04How can I not remember?
21:06In your favorite corner of the world, as you used to say.
21:10Andrés had already told me that you were nostalgic.
21:15It was strange, it was the Saturday that Mother did not take us for a walk in those mountains.
21:18You left in the morning and did not return until the sun set.
21:23I could not always go with you,
21:25but the times I accompanied you are kept in my memory as something ...
21:30I don't know, like a treasure.
21:32This day did accompany us.
21:35I remember it.
21:37A huge flash of light fell at first, but then ...
21:41Then a bright sun came out.
21:44That same sun could come out again for you.
21:48And in those same mountains.
21:50What is this about?
21:52Do you know Germán Hidalgo?
21:55The real estate agent.
21:58I asked him to take a look at me in that area
22:02and he found what he was looking for.
22:05And what were you looking for?
22:07A small house, not very big, with a garden, with views of the mountains,
22:11and that also has two very good things.
22:13Do you want to know what they are?
22:15The first, that despite being in the countryside, is very well communicated with Toledo.
22:21And the second?
22:23That it is far enough away so that no one bothers you.
22:27He wouldn't have bought that house.
22:29Not yet, because I'm waiting for your answer.
22:34My answer?
22:36If you want it, the house is yours.
22:40What is this about?
22:42What does he want?
22:43Does he want to buy me?
22:45Does he want to buy my love and forgive me?
22:46Based on a score?
22:48He just doesn't know how to do things any other way, father.
22:50I'm not going to force you to do anything.
22:52I'm just giving you the opportunity to have your own house in the countryside,
22:56away from the bustle of the factory,
22:58and for you to share it with ...
23:02with whoever you want.
23:05You know full well that the only person I would share that house with is Confina.
23:12He would still be willing to buy it from us.
23:14I reaffirm what I have told you.
23:16So that you can share it with whoever you want.
23:25He wants to keep me away.
23:26That's it, right?
23:27Keep me away from people's eyes and suspicions.
23:32You can keep thinking badly of me, whatever you want.
23:36Maybe I've earned it, but this gift is from the heart.
23:42Germán has told me that I have a couple of days to decide.
23:45To decide, in this case.
23:47So when you finish throwing all your anger at me,
23:49think of you, of you.
23:52And give me an answer.
24:16Good afternoon, Mrs. Marta.
24:18Fina.
24:20What's wrong? You're very serious.
24:22Well, more than serious, I think I'm confused, to call it that, in some way.
24:27Why? What happened?
24:29That I've been talking to my father.
24:31With your father? About what?
24:33Didn't you make it clear to him that you only wanted to deal with him about work matters?
24:37If you're going to talk to him about work,
24:39I'm going to talk to him about you.
24:41Didn't you make it clear to him that you only wanted to deal with him about work matters?
24:44Yes, well, he made me an offer that has nothing to do with work, really.
24:49An offer?
24:52Marta, I'm already shaking, just thinking about it.
24:57He wants to buy me a house in the mountains of Toledo.
25:01A house in the mountains?
25:02Yes, a little house with a garden.
25:04He says it's very close to here, but at the same time it's far away.
25:08Are you telling me that your father is trying to buy your affection and affection in such an obvious way?
25:13I think the offer goes much further.
25:16Because he has told me that the house is for me to live with whoever I want.
25:22Man, it would be necessary for him to check who you invite and who you don't.
25:26You don't understand him.
25:35You don't understand him.
25:38He already knows that I would only go there to live with you.
25:44Without conditions?
25:46Without conditions.
25:50Well, it's an advance, right?
25:53An advance is a Copernican twist.
25:57He offers us a house so that you and I are finally together.
26:01But then you have accepted.
26:04The truth is that I have run out of words, I don't know.
26:06Yes, it's normal, it's normal that you run out of words.
26:09Let's see, knowing your father, that house could be a poisoned gift.
26:13Yes, I know.
26:15But I have seen him so affected by our distance and so sad
26:19that deep down I want to think that it is not a Machiavellian plan.
26:28What are you thinking about?
26:30Oh, Martha, forgive me.
26:32I was dreaming awake. Can you imagine?
26:34The two of us living in a house in the mountains, far from everyone, from everything.
26:38You and I alone, can you imagine?
26:41Look, it's been so long since I had the idea that this was never going to happen,
26:44that right now, that it's within my reach, I'm scared to death.
26:49Yes, we are already two.
26:52So what do I do?
26:54Do I accept?
26:56I don't know. It's your father, Martha, it's your decision.
27:00Because if I'm wrong, in the end, it may be a bullshit of his.
27:06Yes, let's see, it could be.
27:09It's just that you know him better.
27:12I can only tell you,
27:14that you decide what you decide.
27:17I'll be here to support you.
27:22Let's see, look.
27:23From 22 to 29, you have to pack them for me for that bonus.
27:27And the rest...
27:29No, the rest go to the loading dock. So, move, Ignacio.
27:39But, well, Mr. Damián, what are you doing here?
27:41I was looking for you.
27:44The truth is that the conversation we had this morning has given me a lot of...
27:47Really, seriously, Mr. Damián.
27:49I don't have a single complaint about my job,
27:52with which I am very happy, so not a single complaint more, really.
27:56Well, in that case, I can go now.
28:00But, well, Mr. Damián, you just arrived. How are you going to go?
28:05Yes, because I don't think you're interested at all in the offer I was going to make you.
28:10Especially considering that you are so comfortable in the place where you are now.
28:15Well, but you're going to leave me disgusted.
28:18You see, the person chosen to be in charge of the factory
28:21has finally decided to accept a job offer that has been made in his hometown.
28:26Well, I didn't know.
28:28Anyway, Joaquín, well, Mr. Joaquín, sorry, you can be calm.
28:33I'll take care of the shifts and talk to the suppliers until I find someone else.
28:36Do I have to tell you everything?
28:38What?
28:41That we have already found that person and that I have her in front of me.
28:48Me, in charge?
28:50Well, if you're willing to do it, of course.
28:54What's funny is that I didn't know I was being hired for this position.
28:58The truth is that you weren't in any of those jobs.
29:03And Tassio?
29:05Tassio what?
29:07Tassio is doing a very good job as your assistant, isn't he?
29:11Yes, and we value him, but not...
29:13But what?
29:16Tassio grew up in this factory, as they say.
29:20No one is going to offer us more confidence than him.
29:23Tassio, leave him where he is, he's fine there.
29:27Well, I think it's a good solution.
29:29A solution of what? A patch?
29:31Father, that position is essential.
29:33We can't risk it just because we're in a hurry right now.
29:36Correct. I think it's worth waiting a bit until I find the right person.
29:41And if you want, in the meantime, I can take care of everything.
29:44And what has changed?
29:47Well, the impetus and the desire I've seen this morning in the canteen
29:51have convinced me that you're the right person for this position.
29:55Well, thank you, Don Damián.
29:57And I assure you that I'm going to work, and you'll see that I'm worth it.
30:01You have my word.
30:03I had a couple of ideas that I'd like to try.
30:05I'd like to change the shifts...
30:07Stop, stop. Don't get carried away.
30:09For now, what we want from you is that you do things as they've been done so far.
30:14Later on, we'll have time to talk about those innovative ideas.
30:18Is that clear?
30:19Perfectly. I'll come up with them.
30:21Exactly.
30:22For a while, Joaquín will show you what you have to do and how you have to do it.
30:27Perfect.
30:29Tassio, I've given you the push to get here.
30:34But from now on, you'll have to convince Joaquín and Marta that they were wrong about you.
30:41Don Damián, I'm not going to leave you in a bad place.
30:43And I assure you that I'm going to work to prove it.
30:47I hope so.
31:05That man was like a shower.
31:07He kept buttering the clock.
31:10Sure, why do you think he's called the crazy hat man?
31:14Julia!
31:16You look very excited.
31:17We went to the movies together to see Alice in Wonderland.
31:21I'm not going to ask you if you liked it because you can see it in your face.
31:24We loved it.
31:25Did you like it, Begoña?
31:26A lot.
31:27Have you seen it?
31:28No, not yet.
31:30Well, tell Uncle Andrés to take you to see it.
31:32He was going to come with us today, but he couldn't. He had to leave.
31:37Andrés was going to the movies?
31:39Yes.
31:40He didn't know anything.
31:41I asked him.
31:42But they called him from the factory and he had to run.
31:46Wow, what a fatality.
31:48With how well you three would have spent it.
31:50In such happy company.
31:53Julia, honey, why don't you go up and get changed?
31:56You have dinner with the Marinos tonight.
31:58Yes, Digna is going to come and pick me up.
32:00And he's going to make me croquettes.
32:02And you have to go up and comb your hair and wax.
32:04You have to present yourself there like a princess.
32:06But there's still a lot left for dinner.
32:08I can't rest for a while.
32:10Do you want us to look at the magazine together?
32:12You'll see how combed your hair is.
32:13Do you know who Gracia from Monaco is?
32:14A princess?
32:15Yes.
32:16Come on, I'll be just a little while.
32:18Then I'll go up to get changed.
32:19Please, Mommy.
32:20Okay.
32:21But I want you upstairs in 20 minutes.
32:23Okay?
32:24You don't want to make Digna wait, do you?
32:25No.
32:26Come on, come with me.
32:27Okay.
32:37Let's see.
32:43Good afternoon.
32:44Good afternoon.
32:45Do you know where Marta is?
32:46She's gone out.
32:48I've closed two meetings for her that I had free
32:50and I wanted to confirm them with you.
32:52Great.
32:53One is this afternoon at 7
32:55with the window supplier of Aranjuez
32:57and the other is tomorrow at 10
32:58with the owner of the Rocha warehouses in Cuenca.
33:01Very good, Miriam.
33:02Because I wanted to meet Mr. Rocha to introduce myself
33:04but you've already done it.
33:05Well, that's also part of my job.
33:08Not just to fix up my predecessor's mess.
33:10No, please.
33:12No more fires.
33:14We've had enough with the quarterly accounts.
33:16Good job, Miriam.
33:26And there's something else.
33:28Tell me.
33:30I have something for you.
33:32You'll see it's nothing original
33:34but after thinking about it a lot
33:36I think it'll be very useful in your day-to-day life.
33:40And this?
33:41Not now.
33:42I hope you like it.
33:48You're welcome.
33:49You're welcome.
34:00JM?
34:01Looking among the factory accounts
34:03I found Toledo's store where they make serigraphies.
34:06Of course.
34:08But after what happened the other day
34:10I don't know how to take it.
34:12Take it as an apology.
34:14And as a gesture of gratitude.
34:17Well, thank you very much.
34:19Besides, I know the gift isn't cheap.
34:21Don't worry about that.
34:22I appreciate it.
34:23I'm glad.
34:24And I'm glad you liked it.
34:27And above all, that things have cleared up between us.
34:31Well...
34:33There's still one thing to clear up.
34:36Tell me, Mr. Joaquín.
34:38Wait a moment.
34:52I can't accept your pen if you don't accept mine.
34:55You're right.
34:56It wouldn't be fair if I didn't accept it.
34:59Thank you very much, Mr. Joaquín.
35:01There's no need to thank me.
35:04I'm just asking you not to speak up for the company.
35:09I don't want the rest of the workers to come and complain about you.
35:14Don't worry.
35:15We'll be discreet.
35:17Don't worry.
35:18We'll be discreet.
35:28What do you think?
35:29I love the colour pearl.
35:31Yes, but it doesn't go well with that red hat, does it?
35:34No.
35:35I think it's a bold combination.
35:37I don't know.
35:38It looks like it was designed by Alicia's hatmaker.
35:44You know what I'd like?
35:47For us to do something together, you and me.
35:50I've missed you a lot lately.
35:52I've missed you a lot too, María.
35:54Come here.
35:58Can we watch the new TV show if you want?
36:01Yes.
36:02Or I can think of something else.
36:05I've heard that this weekend there's an exhibition of raptors in Toledo.
36:10Raptors?
36:11There'll be eagles, hawks and even an owl.
36:14I love owls.
36:16Do you know who also likes owls?
36:18Who?
36:19Your uncle Andrés.
36:21We can tell him to come.
36:22This time he won't be able to say no.
36:25I'm very sorry that he won't come with us.
36:28It's a very good idea.
36:30But your uncle has a lot of work lately.
36:33I'll convince him.
36:35After today, he won't be able to say no.
36:38I'm sure he's unable to say no to you.
36:47Come in, miss.
36:49You're at home.
36:53The last time I was here, there weren't so many photos.
36:57You're right.
36:59Many things have changed in this house since the last time you were here.
37:04My mother and you.
37:06And this one?
37:08It's Luis and Joaquín's father, right?
37:10Ah, Gervasi, my husband.
37:12He and your grandfather founded the factory.
37:15I know.
37:16Uncle Andrés told me.
37:22And these are Joaquín and Gemita.
37:24That's right.
37:27And this is your son who went to Brazil, right?
37:31Yes.
37:32My son, Valentín.
37:35He's so handsome.
37:37Handsome, nice, intelligent.
37:40Handsome, nice, intelligent.
37:43And as seductive as you are.
37:45One of those people who seduce just by walking in.
37:49I'd like to meet him one day.
37:52I'm afraid that won't be possible, my love.
37:56We found out that he died a few months ago in Brazil.
37:59He's worthy.
38:03I'm very sorry.
38:05It's okay, my love.
38:07Can I give you a hug?
38:08Of course.
38:11I'll tell you.
38:14Because of that idyll between Valentín and Clotilde,
38:20a girl was born.
38:26A girl?
38:29It can't be.
38:33Julia is not the daughter of Jesus, but of Valentín.
38:38She's your granddaughter.
38:43She's my granddaughter?
38:50Julia is an Amerindian.
38:56I'm sure he's very well accompanied in heaven.
38:59My mother is there to take care of him.
39:01Of course.
39:03And now come on, help me finish what's missing.
39:06Have you made croquettes?
39:08Croquettes?
39:10I forgot.
39:12I've only been able to make a little boiled cauliflower.
39:16Well, it doesn't matter.
39:18I also like cauliflower.
39:20Liar.
39:22It was a joke.
39:24I know if it doesn't smell like cauliflower.
39:27I've made a kilo of croquettes and empanadillas.
39:32I hope you have enough.
39:33I can, I'm hungry.
39:35And for dessert,
39:37the surprise.
39:39Croquettes!
39:41Thank you, Dina, I love you.
39:43I wanted to bring you the croquettes from Toledo,
39:46which you like so much.
39:48But when I came, they were gone.
39:50And then I couldn't go to see if they had rested.
39:52Don't worry, Dina.
39:54The croquettes also have a spectacular appearance.
39:56And they are very tasty.
39:58But tomorrow you have the croquettes here.
40:00I promise you.
40:01Hi.
40:03Hi, Luis.
40:05I didn't know we had help for dinner.
40:08How are you, girl?
40:11I've missed you so much.
40:14I can't wait to have dinner with you.
40:16I can't wait to see you either.
40:18Yes, yes.
40:20Come and see us and eat croquettes.
40:22Well, that too.
40:24You're a smart girl.
40:26I'm going to finish. Gema and Joaquín are about to arrive.
40:28Sit down, you have to tell me a lot of things.
40:30Hey, did you make a new perfume while I was away?
40:33Of course.
40:35And in fact, I brought a sample for you to smell.
40:38Let me see your wrist.
40:43Tell me what you think.
40:45I love it.
40:47It smells just like the roses in my garden.
40:50You guessed it at first.
40:52I'm thinking about something.
40:54What do you think if I make you a bottle?
40:56And you take it home later.
40:57Okay.
40:59Well, what about you? Tell me.
41:01How are you?
41:03Well.
41:05And how are your business with Pedro Carpena going?
41:07Well, Mr. Popa.
41:09It is noticeable that this man knows what he is doing.
41:11And me too, when I associate with him.
41:13And Pedro does not associate with anyone.
41:15I'm not just anyone.
41:17I'm his son.
41:19And that's how I got him.
41:21I just hope you don't let him down.
41:23And don't get involved in something big.
41:25Don't worry.
41:27And you?
41:31Forget it.
41:33This is not the company I was expecting when I asked you out for dinner.
41:36And who were you expecting?
41:38A vagabond serving you champagne?
41:40For God's sake, Santos.
41:42I won't be able to have my two children sitting at the same table as me, having dinner.
41:45Are you serious?
41:48And Andrés?
41:50Where is he?
41:52Andrés told me he couldn't come.
41:54He had a lot of work at the factory.
41:55By the way, I congratulate him.
41:57For his good eye.
41:59What do you mean?
42:01Tassio García.
42:03He hasn't been in charge for two hours and he has already told everyone about his promotion.
42:06It's normal.
42:08The boy is excited.
42:10Joaquín and I are too.
42:12He will learn fast.
42:14I assure you.
42:16Wait, wait.
42:18Tassio García is the new manager of the factory?
42:20I have made that decision.
42:22Unilateral.
42:23As usual.
42:25Is there a problem?
42:27Yes, many. And of many types.
42:29Starting with the fact that Tassio had only been an assistant for a month.
42:32So it's a matter of time before I fire her.
42:34Good thing I'm no longer in charge of the business, sister.
42:36Because with decisions like that, you go straight to ruin.
42:39We'll have to see about that.
42:41Begoña and Julia are going down for dinner.
42:43Otherwise, I'll be absent.
42:45Begoña is going down in a while.
42:47Julia is not, because she has gone to dinner at the Merino's house.
42:51What?
42:53I have chosen that woman to take my daughter whenever she wants.
42:56Whether you like it or not, she is also worthy of her family.
42:59She has the right to enjoy the girl.
43:01Don't you have a limit?
43:03You ask me that question? How dare you?
43:06Where are you going, Jesus?
43:08To get her out of there right now.
43:10The girl doesn't have to pay.
43:12The girl will have dinner here with me.
43:14Don't be ridiculous, Jesus.
43:16It's been a long time since she left.
43:18They will be finishing dinner.
43:20Do you want the girl to have dinner twice? Please.
43:21She will have dinner as many times as I say.
43:23Jesus!
43:25Leave me alone!
43:34When we used to race on the bike,
43:36when we were kids,
43:38he used to get about 100 meters ahead of us.
43:41What is he talking about?
43:43Do you know why? Because he used to deflate my bike wheels.
43:45Who? Me?
43:47Of course, and he used to put sticks on my radios,
43:49so that I would shut up.
43:51That was his bad habit.
43:53My bad habit? He only won with one leg.
43:55With one leg!
43:57Come on, please.
43:59Hey, I have a new bike.
44:01One day, the three of us can go for a ride.
44:03Of course, whenever you want.
44:05Yes, but be careful with this one.
44:07If you don't take care of it, it will deflate your wheels.
44:09Poor thing.
44:11Do you want more nuts, my love?
44:13I'm full.
44:15Hey, family, I have an idea.
44:17What do you think if we play a word game?
44:18Yes.
44:20Take it out while I get it, don't worry.
44:22But what is that?
44:24I don't know how to play.
44:26We'll teach you.
44:28It's a very fun game.
44:30Sara gave it to us.
44:32Do you remember Sara?
44:34Yes, of course.
44:36She used to cook very well,
44:38and she also became a good friend of Luis.
44:40Yes, a good friend.
44:42Look.
44:44You have to pick up the letters.
44:46Do you see these letters?
44:48Good night.
44:50What are you doing here?
44:52I came to pick up Julia.
44:54She has to go to bed soon.
44:56I stayed with Begoña, and I took her after dinner.
44:58Haven't you finished yet?
45:00Excuse me.
45:02You have to put...
45:04You're already at the table.
45:06Hi, Daddy.
45:08Hi, daughter.
45:10I hope you had a good time,
45:12but now we have to go home,
45:14because you have to get up early tomorrow.
45:16Yes, but we're going to start a game now.
45:18It's up to you.
45:20Why don't we ask Julia?
45:22Honey, your father can take you home now.
45:25Or do you prefer to stay a little longer with us?
45:28Yes, come on. Let's mix the chips.
45:30Julia, get up, please.
45:34Come on, Dad.
45:36Just one game and that's it.
45:38You can stay with us too,
45:40to play if you want.
45:42No, I can't stay.
45:44I have things to do.
45:46But I want you back home in half an hour.
45:48Thank you, Dad.
45:50Shall we start?
45:52I'll walk you to the door.
45:54I was going to tell you,
45:56you have to steal eight...
45:58One more thing before you go.
46:00I haven't told you in the last conversation.
46:03Julia is my granddaughter,
46:05so she and I will see each other whenever we want.
46:08Get used to it.
46:10It's a trap.
46:16I have to show you all the letters that will save you.
46:19Don't choose them.
46:21I'm not choosing them.
46:23What did you say?
46:25I'm going to crush them all.
46:27Mother,
46:29I know.
46:31There were seven, right?