Al Fondo Hay Sitio Temporada 11 Capitulo 151 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 152 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 153 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 151 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 152 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 153 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 151 Completo HD
Category
🎥
Short filmTranscript
00:00I'm going back to...
00:00You're not going back because you have a story with Xavi.
00:03Don't be a fool!
00:04Oh!
00:04Then I'm going to tell the Sparri and Mr. Gilberto
00:06that you have been very good, very attentive students
00:09and I have a video to prove it.
00:10Oh, look!
00:11What?
00:12With a video, you're not going to go to the hospital?
00:13Look, look.
00:14Of course.
00:14Well...
00:15Could you do something with that?
00:17No, no, no, no, no, no, no, no.
00:19No!
00:19No!
00:20No!
00:20No!
00:21No!
00:21Get me down, Jimmy.
00:22Get me down!
00:23Ale, isn't that your ex?
00:24No, I have to go dance.
00:25You already got revenge yesterday.
00:26No.
00:26No, look what you did!
00:27No.
00:28No.
00:28No.
00:29No.
00:29No.
00:30No.
00:30No.
00:31No.
00:31No.
00:32No.
00:32No.
00:33No.
00:33No.
00:34No.
00:34No.
00:35No.
00:35No.
00:36No.
00:36No.
00:37No.
00:37No.
00:38No.
00:38No.
00:39No.
00:39No.
00:40No.
00:40No.
00:41No.
00:41No.
00:42No.
00:42No.
00:43No.
00:43No.
00:44No.
00:44No.
00:45We need a third opinion.
00:49We're going to have to go somewhere else to do it now.
00:52Let's go to your house.
00:53I have to admit that I was wrong.
00:55Yes, your teacher is not the Spanish speaker.
00:59How did you find out?
01:01On the internet.
01:03Surprise, surprise, Olindita.
01:09Get away from me!
01:13Rolito.
01:15Gilgirito.
01:16Gilgirito, sorry.
01:18Let's focus on our marriage, okay?
01:21Let's see.
01:22What are we going to do?
01:24This young man is still in your room.
01:27Papito, Gaspi is leaving.
01:30I hope you understand me.
01:32After the marriage, I'm not going to say anything.
01:35The first opportunity he had was with another.
01:38Chef, I wanted to pass the pepper.
01:40CristĂłbal told me that a client had suggested
01:42to add more pepper to the loin.
01:46So you want to change my recipe just because a client said so.
01:49That's it.
01:50The client is always right.
01:52No!
01:53No changes.
01:54Do you understand?
01:55Hi.
01:56But who is this pretty girl?
02:00Hi, I'm Lola.
02:01Nice to meet you.
02:02Lola.
02:03Yes.
02:04She is the daughter of my teacher Locatelli.
02:06But tell us how you met Jimmy.
02:10Well, he's my driver.
02:11No, I'm not your driver.
02:12No, no.
02:13I'm just doing his father a favor by taking him to his dance classes.
02:24Wow!
02:25The house looks smaller from the outside.
02:27Who lives with you?
02:29Ah!
02:30This is my grandfather's room.
02:31He sleeps with Olinda, who is the one you just met.
02:34Ah!
02:35Ah!
02:36They are husband and wife.
02:37Ah!
02:38Yes, they are a couple.
02:39Believe it or not, it's a beautiful love story.
02:41Well, tell me about it another day.
02:42And here?
02:44That's my mom's room.
02:46Now Juana sleeps there.
02:47She is Olinda's cousin and my uncle Pepe's girlfriend.
02:50Everything is a family, González.
02:52And over there?
02:53That's the bathroom, in case you want to use it.
02:56That's the room of...
02:57The most loving couple in this house.
02:59How are you?
03:00I'm Teresa Collazo Celada, godmother of love.
03:02Nice to meet you.
03:03And I'm Gaspar Goyoneche.
03:05Jimmy's future uncle because soon I will marry my Teresita.
03:08Wow! Congratulations.
03:10Lolo Locatelli.
03:11Locatelli as the teacher?
03:14Yes.
03:15Yes, his daughter.
03:16González, what is your room?
03:17González?
03:18Why do you call him González?
03:19Well, that's what my dad calls him and that's how I met him.
03:21Besides, he looks like González, right?
03:23Yes, he does look like González.
03:24Well, it was a pleasure.
03:25See you next time.
03:26Come on.
03:27But how electric this little girl is.
03:29I like it very much.
03:31What's the difference with Jimmy, who is half lentil?
03:33Half?
03:34Oh!
03:35Half lentil.
03:36Ah!
03:38Understand him.
03:39For that and his little baby.
03:41I'm leaving, uncle.
03:42Bye, my love.
03:45See you, uncle.
03:47After the wedding.
03:51But, dad.
03:54Don't get intransigent.
04:00Little sister.
04:01What?
04:03The table three's waiter says his back is unopened.
04:06Add a little pepper, please.
04:09Did you see that?
04:10I told you.
04:11More pepper.
04:13Well, it's not my fault that they don't know how to appreciate good gastronomy.
04:16But he's going to listen to me.
04:17He's going to see me.
04:18He's going to listen to me.
04:19Let me go.
04:20Right away we bring you the loin as he asked.
04:23See you later.
04:25Let me go.
04:26I'm telling you.
04:29Ale.
04:30Calm down, please.
04:32No!
04:33I'm tired of the out of place.
04:35If you let your personal life influence your work,
04:37you'd be behaving like them, right?
04:41Listen, I know you've had a hard day.
04:43Why don't you go home?
04:44Take a break.
04:45Relax a little.
04:47Are you saying I've had a hard day?
04:49Because I haven't had a hard day.
04:50I don't understand why you say I've had a hard day.
04:53I haven't had, I have, nor will I have a hard day.
04:55Besides, we're short of characters.
04:56We can take care of everything.
04:57Right, Velazquez?
04:58Of course, Chep.
04:59Don't worry.
05:00Here you're just going to stress more.
05:01And you know it.
05:02I mean, first you tell me I've had a hard day.
05:04And now you tell me I'm stressed.
05:06Oh, you're not.
05:07Of course I am!
05:19Velazquez, I'm sorry for yelling at you.
05:22Don't worry, Chep.
05:23Peace and love.
05:30Thank you for helping me avoid doing something crazy.
05:33Don't worry.
05:34I'm going to...
05:36To your house.
05:38Right, to my house.
05:39And...
05:41I'm sorry again for...
05:43Sorry.
05:44Don't worry.
05:46In front of your house?
05:53And why are there two beds?
05:55Because I sleep with my brother.
05:57Oh, I didn't know you had brothers.
05:59Yes.
06:00Older or younger?
06:01Older.
06:02And how many are there?
06:03There are three of us.
06:05My sister lives in Canada and I'm the youngest.
06:07Canada?
06:08Canada is beautiful.
06:10Oh, you know it?
06:11Yes, of course.
06:12From Tok Tok videos.
06:14Well, I don't travel a lot either, right?
06:17And what do you know?
06:18Well, about countries?
06:19I know Peru.
06:20It's just that...
06:21Dad's problems haven't left me so much.
06:24And my dad, who is intense with work.
06:26With his Sánchez, his RodrĂguez, his González.
06:29But one of these days...
06:30I'm going to grab my bags.
06:32I'm going to catch a plane.
06:33And I'm not going to return until I travel all over the world.
06:36I can go alone or...
06:38Accompanied.
06:42Well, keep showing me the rest of your house.
06:50Oh, oh, oh.
06:51Since GasparĂn asked me on my day off to organize his matriculation...
06:56It was my day off.
06:58A good day off.
06:59What a day off.
07:00Great day off.
07:01Well, this is the attic.
07:03Pepe and Tito sleep in this room.
07:06There's my brother, sunbathing.
07:09Manu.
07:10Hi, hi, hi.
07:11And Lola.
07:12Lola?
07:13Hi, Lola.
07:14The famous Lola.
07:15The daughter of Professor Locatelli.
07:17Yes, Manu.
07:18Famous?
07:19Yes, my little brother had already told me about you.
07:21A little bit.
07:23Well, this is my brother, Joel González, the legend.
07:26No, no, but you don't need to introduce us.
07:28I must have been recognized, right?
07:29Oh, well, yes.
07:30I have a doubt, I'm going to recognize you.
07:32You know how to lie, don't you?
07:35I'm Joel González, the legend.
07:36I'm a singer, an actor, a composer, a musician, a journalist.
07:40A musician in general.
07:41An artist in general.
07:42I'm a content creator.
07:43A mechanic too.
07:44You must know how I make my songs, don't you?
07:46It's funny, isn't it?
07:47Well, thanks to your whole family.
07:48Except you, González.
07:49It's good that I stayed with all the sympathy and charisma, man.
07:51Yes or no, skinny dog?
07:52Yes, Manu.
07:53Skinny dog.
07:55Hey, let me give you ...
07:56That's good, good.
07:57Well, Joel, it was a pleasure to meet you and to meet your beautiful house.
08:00I'm hungry.
08:01Let's go, González?
08:02To eat something?
08:03Yes?
08:04Okay.
08:05Hey, I'll wait for you, huh?
08:06Already.
08:07The plate is a little accelerated, isn't it?
08:08Accelerated, Manu.
08:09It's a bullet.
08:10What do you mean a bullet?
08:11It's a missile.
08:12But it's in cotton, huh?
08:13It must have saved his old woman.
08:15Apply, man.
08:16No, Manu.
08:17Pass.
08:18What happens?
08:19Yes, pass.
08:21González!
08:22Come on!
08:24I'm going, I'm going.
08:25I'm going!
08:32Lola, Lola.
08:34Coming walking was the best thing I could do.
08:36It relaxed me a lot.
08:40Let's go.
08:42I'm so hungry.
08:49But forever
08:53I'm going out.
08:54It was the best thing I could do.
08:58Because I
09:01I know the idiot did it on purpose.
09:06That it is never more likely in love
09:09That a always comes before a goodbye
09:13Forever
09:15It's just the illusion
09:25Tere.
09:27I know I'm not a saint of your devotion, much less.
09:29But there's something I need to talk about.
09:31Talk to your cousin.
09:33It's just that with Olinda I can't talk about certain topics.
09:36She's a little old-fashioned, cuckoo.
09:40Like Charo.
09:41Look, I didn't go, it was Tete.
09:43But it was good that it had been.
09:45Well, I'm not going to talk about her because she's my friend.
09:47Yes, she's not like you.
09:49What are you trying to say?
09:50That I'm a libertine?
09:52No.
09:53No, Tere.
09:54You are a woman of the world.
09:56With a broad mind, that's what I mean.
09:58It's true.
09:59I am a woman of the world.
10:00I am open-minded.
10:02I am an influencer, very well known on social networks.
10:04Well, what do you want from that sandwich?
10:06Have you been able to get rid of Xavi's mind?
10:10Naked?
10:14The truth is no, girl.
10:16I hate to say it, but no.
10:19Look, I love Pepito with devotion, okay?
10:22He is my king, he is my future, he is everything.
10:25But that...
10:27shameless.
10:29That other planet.
10:30The same thing happens to me, girl.
10:33I love my brunette.
10:34He is the love of my life.
10:35But look, a while ago I wanted to talk to him like a friend
10:38and I ended up talking to him like a Spaniard.
10:41And now what do we do?
10:42Well, we have to wait.
10:43The course is over soon.
10:44It's true, right?
10:45Yes.
10:47Let's see, please, Juana.
10:49Why are you asking me about cooking?
10:51If I don't know.
10:52Oh, come on, come on.
10:53Don't distract me, I'm very busy.
10:54Yes, yes, but don't bother.
10:55No, no, no.
10:56Don't consult, nothing.
10:57That's unfortunate.
10:58All right?
10:59Yes, my love, everything is fine.
11:00Yes?
11:01Yes, yes, yes.
11:02How are you?
11:03What's up?
11:04Do you need anything?
11:05No, it's just that when your dad reminded me that we are not married,
11:07I ran away, do you remember?
11:09I came to tell your father that although I am not married to you,
11:12my intentions are the best.
11:15Oh, my love.
11:16Yes.
11:17Do you know where it is?
11:18Yes, it's in the winery.
11:20In the winery.
11:21Uh-huh.
11:22I'm going, excuse me.
11:33It is evident that since you have been with Juana you consume less alcohol.
11:40It is an inevitable sacrifice if I want to raise the third floor.
11:45That's great that they meet.
11:46You could.
11:47That I had already been.
11:48I remind you that your hours in this house are conditioned to your relationship with Teresita.
11:56I'm sorry, Don Gil, but I'm worried.
11:58I just saw Teresa talking to Juana.
12:00Talking?
12:01No, no, no.
12:02Cuchichando.
12:02Como comadres.
12:03Es imposible.
12:05Se lo juro.
12:06Y Teresa al verme fingiĂł que estaba discutiendo con Juana.
12:09Y Juana le siguiĂł la corriente.
12:10No sé, pero noto muy rara Teresa hace rato.
12:13Bueno, Juana también anda medio extraña, ¿eh?
12:16Y yo, lindita, no sé qué es de atrás.
12:19Están asà de que fueron a la clase de dibujo.
12:24Creo que a veces las artes perturben la mente.
12:28Hay cada artista, loquito.
12:30Es verdad.
12:32Eso lo dijo un actor Gustavo Bueno.
12:34SĂ, hay que mantenerlas regiladas, Âżah?
12:37Bueno, lo que corresponde, Âżno?
12:38SĂ, sĂ, sĂ.
12:58Basta.
12:59Si me tomé la tarde libre, no fue para estar mortificada.
13:03Además, no sé por qué me sorprende.
13:05Debe haberlo visto venir.
13:07No es la primera vez que Jimmy se larga con otras ni bien terminamos.
13:10Lo mismo hizo con la enfermerita.
13:14Salvador tiene razĂłn.
13:15Una persona asĂ no merece mi sufrimiento.
13:23Espero que esto te haya abierto.
13:25Espero que esto te haya abierto los ojos de una vez por todas, Ale.
13:29Necesitas a alguien que te haga feliz
13:31y que te dé estabilidad al mismo tiempo.
13:34Que comparta tus gustos, tus emociones.
13:39Alguien mucho más maduro y centrado que el salvaje de Jimmy.
13:45TĂş necesitas a alguien como yo.
13:55Y que seas la dueña de mi corazón.
14:14Ay, qué tonto.
14:16Me olvidé la billetera.
14:25Este es el golmo.
14:29PerdĂłname.
14:30Me olvidé la billetera.
14:31Lo hace a propĂłsito.
14:32ÂżAh?
14:33Sabes muy bien que me molesta.
14:35Y no lo niegues porque no es la primera vez
14:37que dejas tu cosa plantada en la puerta de mi cochera.
14:39Alexia, no me demoré ni un minuto.
14:41Puede ser.
14:42No, no, no.
14:43No, no, no.
14:44No, no, no.
14:45No, no, no.
14:46No, no, no.
14:47No, no, no.
14:48No, no, no.
14:49No, no, no.
14:50No, no, no.
14:51No, no, no.
14:52No, no, no.
14:53No, no, no.
14:54No, no, no.
14:55Neva diésela para ni un minuto.
14:56Pudiste cuadrarlo dos metros más allá.
15:00PerdĂłn.
15:01Te prometo que no volverá a pasar.
15:03Como si tu promesa valiera de algo.
15:05Oye, oye, oye, oye, siguinededose tenemos un problema en tu casa
15:10oder in el restaurancito ese,
15:12sabes que no te le agarresconmigo, Âżya?
15:13Cálmate.
15:14Oye, oye, oye, oye, a mĂ no me pidas que me calme,
15:15ya que yo no soy una de esas amiguitastuyas
15:18que andan cargando por la calle.
15:20ÂżPerdĂłn?
15:21ÂżAmiguitas?
15:22I was on my way to work and I ran into two scoundrels.
15:25One of them was you and the other was horrible.
15:27And what do you care what I'm doing on the street?
15:30Please get on with your business, okay?
15:32I don't care what you do.
15:34I'm just telling you about the deplorable show I saw.
15:37Hey...
15:39I'm sure you had a fight with your cook, right?
15:42Something like that has happened and that's why you're in a bad mood.
15:44Stop talking nonsense and move your junk, okay?
15:46I'm leaving right now.
15:52Well, you'll have to wait. Why don't you turn it on?
15:54Well, hurry up. I'm going to be late.
15:56Okay.
16:18You're a jerk.
16:22No, I have to go.
16:34There are no walls in the mountains.
16:36In the coast, there are mountains.
16:37Well, I come from the mountains.
16:39Let's go. Hurry up.
16:47Hi! My King!
16:49We're just going to our painting class.
16:51I have a question. Why do you have to dress up if the teacher is not the silly stalker who cheats on his mother?
16:57It's just that we've been like this for the first time and we don't think it's appropriate for him to see us like us.
17:04Yes, those tits are very fixed, very straight.
17:07It's unbearable. If it weren't because those faces are profitable, we wouldn't go.
17:12Me neither.
17:13Well, we're leaving.
17:15Yes, of course.
17:16We don't want to be late.
17:17Yes, of course.
17:18Bye, Figuerito. Take care.
17:20Go ahead.
17:24There's a traffic jam here, Mr. Gil.
17:26That's right, Pepito. There's no time to lose.
17:29Let's call Gasparcito at the terminal.
17:31Let's go.
17:32[♪ Upbeat music playing ♪
17:47Hello, Manu. I already have the perfect gift for Mom.
17:50I managed to save up to go visit her.
17:52How so?
17:52With the virtual BCP reach, saved.
17:55I saved automatically with the save-back mode in all my computers.
18:00Do you want it too?
18:01I knew it.
18:02Open the BCP app.
18:04[♪ Upbeat music playing ♪
18:10Ale?
18:12Can I help you with something?
18:13Have you heard what Coelho says?
18:15That when you want something, the universe conspires in your favor?
18:19No.
18:20Well, the opposite happens to me.
18:22Because I don't want to know anything about my ex.
18:24I don't want to cross paths with my ex.
18:26I don't even want to see him.
18:27And the universe puts him in my path.
18:29Alicia.
18:30Alicia, it's inevitable that you cross paths with your ex
18:32because he lives in front of your house.
18:33No, no, no, no, no.
18:34It goes beyond that.
18:36I mean, he literally gets in my way.
18:38Today, I couldn't get the truck out
18:40because his motorcycle was badly parked in my car.
18:42Well, don't give him the pleasure.
18:43Maybe that's what he wants.
18:44Making your life impossible.
18:46Denying yourself.
18:48Or suffering for him.
18:49I'm not suffering for him.
18:51It just bothers me that he makes my day bad.
18:56I have an idea.
18:59No, no, no, no.
19:00I'm not going to drink for him.
19:01No, no, no, that's not it.
19:02This will help you get over it.
19:04And every time you deny yourself for him,
19:06you're going to put a coin in the glass.
19:08Well, that glass is going to be empty.
19:10See? To believe.
19:11You know what?
19:12Not to spend all day thinking about Jimmy's idiot.
19:15Or my scandalous family.
19:17Of course.
19:18Or the badly parked motorcycle.
19:29It hurts, doesn't it?
19:30It hurts, doesn't it?
19:36The first of many.
19:38I'm going to save a lot.
19:42Well, girls, welcome back to class.
19:44We're going to study anatomy today.
19:46Oh, Ernesto.
19:47Sorry.
19:48Yes, the traffic was terrible.
19:50But we're already here.
19:51Yes, I saw.
19:52Yeah, yeah, yeah, yeah.
19:54Go take a seat.
19:56Yes?
19:57Well, good.
19:58We're going to study anatomy today.
20:02Good.
20:03Why do I say this?
20:04Because I see that many of you have not understood
20:06very well this thing about proportions.
20:08And for that, we are going to delve into the world
20:11of the canon of the eight heads.
20:12What are the eight heads?
20:14Well, the eight heads come from the Renaissance.
20:16And what it means is that the body was divided
20:18into eight heads in height.
20:21Oh.
20:22But how big.
20:23Yes.
20:24That's right.
20:25And well, as we have been doing it,
20:27I'm going to be your model.
20:29So you must experiment with my proportions.
20:33Agree.
20:34Agree.
20:35I'm going to check, teacher,
20:36if the proportions are true.
20:38Let's see.
20:42Yes.
20:43Yes, Rachel.
20:44The proportions from your seat.
20:45Yes.
20:46Come on.
20:47It's okay.
20:48Come on.
20:49Come on, bro.
20:50Good.
20:51Well, girls.
20:53Now we are going to measure the proportions.
20:58Can you hurry up a little bit, Rachel, please?
21:00Because we're going to start.
21:01All right.
21:02That's it.
21:03Well, the proportions.
21:04Go measuring.
21:08We start.
21:09Oh.
21:10Yes.
21:11Now I see it clearly.
21:12It was eight heads, right, teacher?
21:14One, two.
21:15There are eight heads.
21:16We start.
21:17From there, analyze the proportions.
21:19One.
21:20One.
21:21One.
21:22Two.
21:23Three.
21:24Three.
21:25Four.
21:26Aim well.
21:27Five.
21:28I'm looking.
21:29I suddenly got hungry.
21:30Six.
21:31Hello, González.
21:32Hello, Lola.
21:33Don't worry.
21:34Today there will be no revenge.
21:35Okay.
21:36I don't understand you.
21:37When I tell you I'm going to take revenge, you get in a bad mood.
21:38And now that I tell you not to, too?
21:39No, I'm not upset.
21:40I had a discussion with my ex because I didn't like something he told me.
21:41What?
21:42Are you still seeing each other?
21:43No.
21:44No.
21:45No.
21:46No.
21:47No.
21:48No.
21:49No.
21:50No.
21:51No.
21:52No.
21:53No.
21:54No.
21:55No.
21:56No.
21:57No.
21:58No.
21:59No.
22:00No.
22:01No.
22:02No.
22:03No.
22:04No.
22:05No.
22:06What?
22:07Are they still seeing each other?
22:08We are neighbors.
22:09It is impossible not to see each other.
22:10Oh, what a piña!
22:11Look, in my experience, in the best cases, I recommend that you puncture the rim.
22:13I'm not going to puncture the rims of his car.
22:15Well, if you want, we can paint the facade.
22:16I still have paint.
22:18Neither do I.
22:19It's a joke, Sonso.
22:21Look, what I recommend is putting music.
22:25Put on some music, so that you can then smile and dance in the end,
22:33because life is too short to be crying for your ex.
22:55Put on some music, so that you can then smile and dance in the end,
23:00because life is too short to be crying for your ex.
23:25Put on some music, so that you can then smile and dance in the end,
23:30because life is too short to be crying for your ex.
23:35Put on some music, so that you can then smile and dance in the end,
23:40because life is too short to be crying for your ex.
23:45Put on some music, so that you can then smile and dance in the end,
23:50because life is too short to be crying for your ex.
23:55Put on some music, so that you can then smile and dance in the end,
24:00because life is too short to be crying for your ex.
24:05Put on some music, so that you can then smile and dance in the end,
24:10because life is too short to be crying for your ex.
24:15Wow, Peter Dimitri, what good anatomy.
24:18The gentleman has his favorite.
24:21It's the most beautiful model I've ever seen.
24:25And there are the three counterfeits.
24:28No wonder they were all surprised by your beautiful teacher.
24:31Don't be surprised. Don't be surprised.
24:34Well, gentlemen, I don't see anything really bad,
24:38except being victims of hateful comparisons.
24:41So it's better to turn around before they catch us.
24:48What are you doing here, Los González?
24:51Los González?
24:53I'll catch him!
24:59I don't know what you have against Professor Javier,
25:02but you can solve it by talking.
25:04It's not Javier, nor Professor.
25:09His name is Chevy Sanz, the Spaniard who humiliated Charo.
25:13He betrayed me and now he's swindling you, man.
25:16Apart from falling in love with our girlfriends.
25:18What girlfriend? What girlfriend?
25:23Wait a minute, man. Wait a minute.
25:26Wait a minute.
25:28Oh, my God.
25:30I didn't know that Juanita, Teresa and Olinda were Rachel, Tiffany and Michelle.
25:38Michelle?
25:39What's wrong with you?
25:40Why do you act like a Spaniard? What's wrong with you?
25:42Because that's how she was born.
25:43Wait a minute, guys. Wait a minute.
25:45They are her girlfriends who have deceived me.
25:47I was just trying to earn a living, honestly, working.
25:50I don't understand anything, honest.
25:51No, it's true, Pepito. He didn't know it was us.
25:55Yes, look, the truth is that everything was a mess.
25:58It's a misunderstanding.
25:59We just wanted to help.
26:01Help who?
26:02You, girl. Help you.
26:04Wait a minute.
26:05I've only reinvented myself to survive.
26:07Let's see, where's the sin?
26:09There.
26:11Everything is clear.
26:13Joel was right.
26:14Of course, Joel was right.
26:16You are the one who deceived your mother.
26:19Since he messed with my mother, right?
26:21We didn't expect this from you.
26:24We are very disappointed.
26:26Lie to us to come and appreciate the body of this candy?
26:31Well, guys.
26:33It seems that the lies of the Spaniard have stuck to our couples.
26:40And you, miserable, get ready because we are going to come back and we are going to take you to the wide.
26:44Recontra el ancho.
26:46Let's go.
26:48Wait a minute.
26:49Little man, wait for me.
26:51Chocolate candy.
26:52Pepito, I'm going to explain everything to you.
26:54It's not worth much, but if you know how to use your snout, who would think you're skinny?
26:59With tremendous snout.
27:02Dale.
27:03Snout, snout.
27:04You didn't hear it.
27:05You didn't hear it.
27:06Dale.
27:07Snout, snout.
27:08You didn't hear it.
27:09You didn't hear it.
27:10Dale.
27:11Snout, snout.
27:12You didn't hear it.
27:13You didn't hear it.
27:14Dale.
27:15What have you thought for Saturday?
27:16Why is there Saturday?
27:18Don't you remember any birthday?
27:21No.
27:22I mean, as long as it goes.
27:24But it's not my birthday.
27:26Oh, it's Alessia's birthday.
27:28How could I forget?
27:29Crisobal's too.
27:30Oh, yes, too.
27:31Have they told you anything?
27:32No, no, but I'm going to consult them.
27:34Yes, to book a nice place and have dinner the four of us.
27:37Okay, okay.
27:38I'll ask them.
27:41Are you texting them?
27:43No, I'm checking my networks.
27:45I'll text them later.
27:46Diego Montalva.
27:53How many reservations do we have today?
27:54We would have to consult it with Mrs. Lee.
27:56But I know Mr. Ricardo Gordillo called
27:59to manage a dinner with champagne and flowers.
28:02Don't tell me.
28:03I'm sure he's coming with a different date.
28:05I guess so.
28:06You know what?
28:07What a shame.
28:09Every week he comes with a different girl
28:11and always asks for the same thing.
28:12Aren't you ashamed?
28:13No, I don't think so.
28:15Still, what surprises me the most
28:17is his ability to change couples as if he were changing ties.
28:20Although I shouldn't be surprised
28:21because there are several who are the same,
28:23starting with Jimmy's idiot.
28:26Coin, please.
28:27But it was just a comment.
28:28Work.
28:34Hey.
28:35It's filling up.
28:37I'm going to wash my hands.
28:52Ready to experience something different?
28:54A high-level kitchen.
28:56Pancetta with native potatoes in the oven.
28:59More crispy and with less fat.
29:01Perfect cook.
29:02Accompanied by vegetables with a perfect cooking.
29:05How easy it is to make with Mame.
29:08Did you know that if you have Claro in your house
29:10and Claro on your cell phone, you are full Claro?
29:13Live full benefits without paying more and for life.
29:16Become full Claro by calling 0800 00200 or Claro.pe.
29:25Macarena.
29:28I apologize.
29:29You knew it was Antonia's daughter.
29:32The woman you wanted to take advantage of.
29:34But Claro, you didn't care.
29:36And yet you made me your next victim of fraud.
29:39No, no, no. How do you think?
29:40I have a lot of reasons to believe it.
29:42Listen to me, Macarena.
29:43When we went to have coffee,
29:45I realized who you were
29:47and everything was then pure coincidence.
29:51You are a miserable.
29:52Listen to me.
29:53You are a miserable. Please, don't talk to me.
29:56Please, listen to me.
30:00You're right. Yes, I'm a miserable.
30:02A swindler.
30:04A fraud.
30:05A swindler.
30:07I've always been, Macarena.
30:09I've always been.
30:12I remember perfectly that when I was younger
30:15I always loved the world of the dark.
30:18I always got my way.
30:20I loved to swindle.
30:22And you know what?
30:23I got everything I wanted.
30:25Everything.
30:27I did it out of necessity.
30:31Yes, I did it out of necessity.
30:33But I also did it because I liked it.
30:36Simply.
30:37Out of adrenaline.
30:39Because...
30:41Because I enjoyed analyzing and studying the victims.
30:44Preparing the scene like a great actor.
30:46You know?
30:49I escaped from Spain
30:51to get by with people I shouldn't have.
30:55And when I arrived in Peru
30:57my intention was to work honestly.
31:00I'm telling you the truth.
31:01To work honestly.
31:02Nobody knew me here.
31:03And that was the problem.
31:04Nobody knew me, Macarena.
31:05When I arrived, I felt that this was
31:08a perfect country full of opportunities
31:11to do what I wanted to do.
31:13You know?
31:15And there...
31:17That was precisely when the character was born.
31:21The great character of Professor Xavi.
31:25And there...
31:27I took advantage of my daughter.
31:29I took advantage of...
31:32The family that welcomed me.
31:36I took advantage of Charles.
31:39I took advantage of...
31:41I took advantage of Charles.
31:47And my...
31:50Egotistical idea
31:52of wanting
31:54to conquer that Peruvian beauty
31:57or as I called her
32:00the Inca princess
32:02didn't work out.
32:07And it didn't work out because I fell in love, Macarena.
32:11I really fell in love.
32:14And you know what?
32:16As it always happens in my life
32:19I ended up breaking her heart.
32:26And I loved her very much, Macarena.
32:29I swear on my life.
32:32I really loved her.
32:35But I feel that she wasn't in love with me.
32:38She wasn't in love with the real Xavi.
32:39She was in love with Professor Xavi.
32:41Like everyone else.
32:43Everyone falls in love with the characters I make up.
32:45They're great.
32:47But not with me.
32:50The real Xavi
32:53is a failure.
32:56What about my mom?
32:58Your mother?
33:00What did you do to her?
33:04Nobody knew that I didn't love her.
33:06Your mother didn't understand that.
33:07She didn't understand that.
33:09It was a mistake.
33:11That's why I stopped the wedding.
33:13I didn't want to make her suffer.
33:18But I swear
33:20I swear on my daughter
33:23that everything I'm telling you is true.
33:25Everything.
33:29And that's why
33:31Professor Javier Sanchez
33:33is another pantomime.
33:35It's another lie.
33:37I changed my name
33:39so that neither González nor your family
33:41find out about me.
33:46And now I imagine
33:48I'll have to change my name again.
33:50Maybe another character.
33:52A new one.
33:54Before González
33:56lynches me again.
34:01But you know what?
34:04I deserve it, Macarena.
34:07For being a coward.
34:09For being a coward all my life.
34:14A swindler.
34:38Chepito.
34:40Do you have a moment?
34:42I have nothing for you.
34:47I came to tell you that I'm leaving the house.
34:50That what I did to you has no forgiveness.
35:02I'm leaving.
35:04I'm leaving.
35:06Is that what you want?
35:08To leave?
35:10It's not what I want, but it's what I have to do.
35:13After lying to you.
35:15Well, then leave!
35:21I just want to make it clear that
35:23I attended that man's classes
35:25because I felt something strange
35:27in the version Linda gave.
35:29Something didn't fit.
35:31And when I found out
35:33that the art teacher was Xavi
35:35it was terrible.
35:37And I told her and Teresa
35:39to thank the family, but they didn't let me.
35:41They both refused.
35:45I don't believe you at all.
35:47I just want to save your skin.
35:53Look.
35:55What?
35:57I took a video.
35:58No.
36:03See?
36:05They were the happiest.
36:07And they threatened me.
36:09But especially Teresa.
36:11They told me that if I spoke
36:13they were going to make my life impossible at home.
36:15And they also forced me to go back to class
36:17so they wouldn't go down alone.
36:19Oh, pitrimitri.
36:22Pepito.
36:25I already learned my lesson.
36:29I would never fall again
36:31in Xavi's clutches.
36:33Never.
36:35But
36:37I understand that I made a mistake.
36:40And
36:42that I have never succumbed
36:44to his threats.
36:47But well.
36:49The fact of the matter is
36:54I hope that one day you forgive me.
36:58Bye.
37:02Bye, Pepito.
37:05Take care of yourself, my king.
37:12Hey.
37:20Juanita, wait!
37:22With this video you have proven your innocence.
37:26Really?
37:28Franco, Franco.
37:39My love.
37:41Thank you for being so understanding.
37:44Marito, forgive me.
37:47I should never have doubted you.
37:58If I like someone, I give them a bite and I don't stop.
38:01I have to dance all night long.
38:03Don't worry, this is my night.
38:07Dance all night long.
38:10Oh, I have to forget the dinner in Carapá.
38:12It makes my heart happy.
38:15Dance all night long.
38:17I have to forget the dinner in Carapá.
38:19It always works.
38:25I told you, didn't I? I told you.
38:26I told you and I wasn't wrong.
38:28In fact, I even apologized to you.
38:30But your teacher is that damn Xavi.
38:32I think it's horrible that you used Teresa, Olinda and Juana to spy on me.
38:35Horrible what you did.
38:37Let's see, let's see, what? I did it to protect you.
38:39I'm not your little sister to protect me.
38:41Don't worry, don't make a mistake.
38:43No, you don't understand, Macarena.
38:45You're like the little caperucita and I'm the house of the wolf.
38:47Don't you realize that's a bastard?
38:49You're exposing yourself, Macarena.
38:51That's a scam.
38:53We're going to report him right now.
38:55In fact, I don't understand.
38:57What?
38:59Yes, I don't understand.
39:01Because I've talked to him and I know what he has is a huge void.
39:04He wants to change, Joel.
39:06Macarena, what are you going to change on the other side of the puddle, Macarena?
39:09Nobody wants him here.
39:11There it is, there it is.
39:13That's the problem, that he needs affection.
39:15Well, Joel.
39:17You know what? I'm going to tell you with a little apple so you understand.
39:19Please, Macarena, stay away from that smoke.
39:21Do you understand me? Please, please.
39:22Do you know what I tell you, Joel?
39:24Do you know what it is? Do you know it or not?
39:26No.
39:28That we all deserve a second chance.
39:30We gave him a lot of opportunities and he has always failed us.
39:32Are you kidding me? Did I give you the opportunities?
39:34Look, fighting now.
39:36Hold on a minute, are you comparing me with that guy?
39:38Oh, please.
39:40No, no, no, Macarena, what's wrong with you?
39:42He wants to put you against my family.
39:44I'm not against anyone, Joel, don't overdo it.
39:46But what?
39:48No, Macarena, it's fine, it's fine, it's fine.
39:50I'm going to tell you one thing.
39:53Some days ago, Joel told me that his life was going to be one of chaos in a very long time.
39:59But he has given up such a long time ago and has discovered my pride in love.
40:04You don't have to worry about me, I know you can't take it anymore.
40:08And in addition, I'm into you.
40:10And in addition, I love you, Angel.
40:12I'm not trying to cheat on you, I know you won't be, I got it, you'll get over this.
40:17If you don't love me, you'll get over this, but you have to remember what I have to do,
40:19ÂżPor quĂ© habrĂa de estarlo?
40:21Por lo que pasĂł con el Chavi, pues.
40:24¿Que regreso el español?
40:30Ah, sĂ, pero está lejos, Gilgirito.
40:35Entonces, ÂżtĂş y yo no estamos molestos?
40:40ÂżNo habrĂa ninguna razĂłn para estarlo?
40:45SĂ, pues, no hay ninguna razĂłn para estarlo.
40:50Ay, tortolita.
40:54Estarás pensando que soy un viejo chocho,
40:57pero cĂłmo no voy a perdonarte, pues.
41:07A ver, siéntate.
41:10Ay, criatura, a ver.
41:14Gaspar y yo hemos tenido un desacuerdo.
41:18Una cosita de nada.
41:22Pero hemos decidido cancelar la boda.
41:25Ya no nos vamos a casar.
41:28No funciona, no.
41:32No funciona.
41:35No funcionĂł.
41:39¿Qué cosa?
41:41Mi oraciĂłn.
41:42En la capilla del colegio le pedĂ a Diosito
41:45que tĂş y Gaspar sean felices.
41:51Ay, mi amor.
41:55Ay, mi vida.
41:59Ay, mi corazĂłn.
42:06ÂżDĂłnde andabas?
42:10Le estaba haciendo mobiliar a la hija de mi profesor.
42:12Ay, esa chiquita es bien simpática, ¿no?
42:15Pero medio chanadita, Âża ver?
42:17SĂ, tiene los cables medio cruzados,
42:19pero es buena gente, Alesia.
42:21ÂżMe dijiste Alesia?
42:24Oh, no me di cuenta.
42:28Sigue estando en tu cabeza.
42:31Bueno, pero no es lo mismo de antes.
42:33En la mañana discutà con ella.
42:35SĂ, me hice un problemĂłn porque me vio con Lola.
42:38Y eso que fue muy lejos de acá.
42:40¿Te habrá estado siguiendo?
42:42Tal vez.
42:43¿Y ella no está saliendo con el cocinerito?
42:47Ni idea, pero tampoco lo voy a preguntar.
42:52Yo creo que ya es momento de pasar la página.
42:57Si Jimmy no es capaz de hablar con ella,
42:59pues alguien lo tiene que hacer.
43:02Ya está sufriendo mucho ya.
43:15Mira, si vienes a devolverme la niña, no quiero nada.
43:17Te lo puedes quedar.
43:20¿Por qué me mires as�
43:23¿Por qué me mires as�
43:26¡Di algo! ¿No vas a decir nada?
43:29Apar, ¿qué hacemos?
43:31Ya me cansé de ese jueguito.
43:33Estamos que nos casamos, que regresamos,
43:35terminamos, regresamos.
43:36¿Hasta cuándo?
43:37¿Hasta cuándo con esa cantaleta?
43:39Mira, ya hice todo el papeleo.
43:42Todos los trámites están hechos.
43:44Vamos a la municipalidad y nos casamos hoy.
43:46ÂżHoy?
43:47SĂ, hoy.
43:50¿Por qué hoy?
43:53Porque te amo, Gaspar.
43:55Porque tĂş eres el amor de mi vida.
43:57Y como dices,
43:59no podemos estar yendo y viniendo.
44:01Demosle cara a esto.
44:04¡Casémonos hoy!
44:06¿Estás segura?
44:08SĂ.
44:11Pero tu vestido todavĂa no está listo.
44:12Y mi terno amarillo tampoco.
44:13¿Qué importa?
44:14¿Qué importa el vestido?
44:15¿Qué importa el terno?
44:16¡Casémonos con la ropa que tenemos puesta!
44:24Tomarte de la mano y no dejarte ir.
44:29Eres la luz que ilumina mis dĂas.
44:33Y quiero que siempre seas mĂa.
44:44Tengo que hablar con Alesia.
44:46No está bien que estĂ© atormentando asĂ
44:48al pobre Jimicito.
44:52Porque tal vez no deberĂa meterme, Âżno?
44:58Pero ya estoy aquĂ.
45:00DeberĂa decirle algo,
45:01aunque sea algo chiquito.
45:09Pero yo no soy la mamá del Jimicito.
45:11No deberĂa meterme.
45:15Pero Charo no está aquĂ.
45:19Y Charo hablarĂa con Alesia.
45:22No voy a gritar.
45:24Solo le voy a hablar asĂ.
45:26Como amigas.
45:30Mira esto.
45:31A este paso se va a llenar antes de fin de mes.
45:34¿Tantas veces renegé hoy?
45:36Y eso que son solo las veces que has renegado por Jimmy.
45:39Si contamos las veces que has renegado en general,
45:42te quedas sin sueldo.
45:43Ay, Alesia la obra.
45:46Tus palabras.
45:47No las mĂas.
45:48Bueno, si yo soy renegona, entonces tĂş eres un...
45:51¿Qué soy yo?
45:55No sé.
45:57No me habĂa puesto a pensar,
45:59pero no tienes casi ningĂşn defecto.
46:03Yo tengo muchos.
46:06Pero conmigo siempre has sido sĂşper amable,
46:08de buena onda.
46:11No sé si mereces que te trate de nada.
46:18Gracias.
46:39Al fin, todo vuelve a su cauce.
46:43Que CristĂłbal haya terminado con la enfermerita revista esa
46:46y que Alesia esté a portas de ennoviarse con Salvador Ocampo
46:50más que Meyer me pone más que feliz.
46:57Ya está bien, ya está bien.
46:58Ya te la voy a hacer el reo.
46:59Una cosa nomás te digo.
47:01Esta vez si lo veo, lo voy a chascar.
47:02Y lo voy a chascar bien duro, nomás te digo.
47:04Bien duro.
47:06No es justo.
47:08No, no, no.
47:09Javi no les hizo nada.
47:10Solo quiere rehacer su vida.
47:13¿Y ahora qué hago con el beso que acabo de ver?
47:16ÂżSe lo cuento a Jimmycito?
47:18Ni muerta.
47:21Pero no voy a guardar este secreto.
47:24Se me va a escapar solito del cuerpo.
47:26¡Ay, Diosito!
47:28¿Qué hago?
47:29SubtĂtulos por la comunidad de Amara.org