Al Fondo Hay Sitio Temporada 11 Capitulo 141 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 142 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 143 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 141 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 142 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 143 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 141 Completo HD
Category
🎥
Short filmTranscript
00:00We are fed up. This is not a whim, just in case.
00:04It's a protest. We are people and we want what is fair.
00:09We want rich food, full, abundant.
00:13And I'm not going to let anyone go if they don't comply with what we ask of them.
00:17Ah, I know.
00:19We have a chef who has won the Chivulín award on our side.
00:22Chivulín?
00:23Ah, yes, that, that.
00:24Well, we can offer them to cook for a while.
00:27What a good idea.
00:28I have the phone number of the general.
00:29If Alessia agrees, I'll start coordinating right now.
00:32I can produce it, right?
00:34I don't know.
00:35With your people, with your guerrillas, we can do a play.
00:37It could be a musical. No, no, no.
00:39With the high standards.
00:40Oh, what are you talking about, clown?
00:42You can act, right? You can act.
00:44And it could be a cool theater.
00:46A nice one, like the Grand National Theater.
00:48It could be, too.
00:49Musical stones.
00:53It's not a bad idea.
00:55The commander needs to hide this microphone.
00:58But it has to be in a very safe place.
01:01This espionage device is very modern and latest generation.
01:06I mean, very expensive.
01:07And where are you going to put it?
01:08I know.
01:09We're going to make a special empanada.
01:12There are my nephews.
01:13They came for us.
01:15No, no, no.
01:16Now what do we do?
01:18Yes.
01:19Hey, calm down.
01:20Leave it to me.
01:25Amigos Pleasos, your claim has been heard.
01:31There are like 20 of them.
01:35They're armed with sticks and knives.
01:41It looks like they're coming.
01:43Let's go.
01:53Just a fork. I have a knife.
01:55Yes.
01:59What's that?
02:00It sounds like a bubble.
02:03It sounds like a dog barking.
02:05Yes, yes.
02:06It sounds like a sound produced by a wild animal.
02:10The empanada was good.
02:12But there was something hard.
02:14I think they didn't remove the skin for the olives.
02:17What's wrong?
02:18Don't you see that Julio is coming?
02:20No, on the contrary.
02:22He's going to be late.
02:24You don't know.
02:26The prisoners have just kidnapped him.
02:28What?
02:36Where's the empanada?
02:37Where's the empanada?
02:38Where's the empanada?
02:39Where's the empanada?
02:40Where's the empanada?
02:41Did you prepare the empanada?
02:42It was terrible.
02:43No.
02:44No? I thought you had prepared it.
02:46But it has your seasoning.
02:47No, but you ruined it all.
02:49What do you mean?
02:50Okay, guys.
02:51It's time to start.
03:03What is this?
03:04This doesn't sound like a carnival.
03:06Are they taking our hair?
03:08So much stuff to give a little of this?
03:10No, no, but it's delicious.
03:12Try it.
03:13What was it?
03:14Are you fooling us?
03:15No, no, no.
03:16Those are the dishes on that menu.
03:17What menu?
03:18Nothing.
03:19Blanquito.
03:20Taita, Taita.
03:21This is your fault.
03:22You should have asked for helicopters.
03:23Yes.
03:24To be able to escape.
03:25And not that you didn't read the menu.
03:37Let's go.
03:43General, it's been a long time since I heard from them.
03:45And that Ruffer.
03:46Don't get distracted.
03:47I think they're gone.
03:48No.
03:50I should have gone with them.
03:53I think it's better to order the tactical team to come in.
04:00What happened to you?
04:01What happened to you?
04:02Get in.
04:03Get in.
04:04Get in.
04:06Divine, you will win.
04:07Calm down, calm down, calm down, calm down.
04:10Mr. Taita, will you allow them to talk to you like that?
04:11Mr. Taita, if he leaves once, they will always do it.
04:14I listen to him and I hit him.
04:16Totally.
04:19No, if you're going to let him, hit him.
04:23Hey, hey, hey, hey.
04:24Your grandmother had said so.
04:26Let's go.
04:29Keep going, keep going.
04:31Let's go.
04:33Let's go.
04:34Where do you think you're going?
04:37Go, go, go.
04:39Why don't you help us?
04:40I liked the idea of the musical.
04:41Can I use it for a little while?
04:42Yes, yes, yes.
04:43I'm going to intern her.
04:44Yes, because I'm going to be tired.
04:45I hope you like it.
04:46I'm going to call you.
04:47Go, go.
04:55Let's go.
04:56You're going to lose.
04:57We're going to lose.
05:05The prisoners are coming out!
05:06Everyone is fine!
05:08We're going to lose.
05:10We're going to lose.
05:11We're going to lose.
05:12We're going to lose.
05:13Yes, yes.
05:14You look at it with the face.
05:15What face?
05:16Then you don't learn.
05:17We're going to lose.
05:18We're going to lose.
05:19Hey, stop it.
05:22All right, enough.
05:23No, I'm not going to do anything.
05:25Don't worry.
05:26I'm not going to do anything.
05:37What if we sleep together tonight?
05:40Here?
05:41Don't overdo it, Pepito.
05:44What's wrong with that?
05:46No, no.
05:47The thing is that you can hear everything, my love.
05:49The rooms are close together.
05:52Why don't you use all that energy you have left to work a little more?
05:57We'd make more money.
05:59At night?
06:00Yes, I heard it's the best time to taxi.
06:04Oh, I don't know.
06:06I need to be fresh in the morning for work, right?
06:09Oh, but I'll take care of it.
06:12A strong coffee, a breakfast of champions, and a relaxing massage.
06:18I don't know.
06:20Think about it.
06:21If you go out every other night, how much more money would you make?
06:25Maybe we could start building in the summer.
06:50¿Dónde está el amor?
06:54¿A dónde va cuando muere?
06:58Y duele mucho pensar
07:02Que nunca va a regresar
07:06Pasaron noches vacías
07:10Con nostalgia y dolor
07:14Los amores se enfrían
07:18Falta de corazón
07:23Y cuando llegue ese día verás
07:27Solo mis besos tú recordarás
07:31En los labios del que esté contigo
07:39Y cuando llegue ese día verás
07:43Que sin pensarlo me extrañarás
07:48Entre tus dedos el amor ya no es amor
07:55¿Dónde estarás?
07:59¿Dónde estarás?
08:03¿Me extrañarás?
08:06A pesar de todo, ha sido bien divertido.
08:11Mondonguito, el payasito del que le gusta de cabocabos, puede regresar en cualquier momento.
08:17Con la maca, de verdad que es fácil pasarla bien.
08:22Homano, ¿y no tuviste miedo?
08:25¿Miedo yo? ¿No me ofenden las piquetines?
08:28No, no, no.
08:31Homano, ¿y no tuviste miedo?
08:34¿Miedo yo? ¿No me ofenden las piquetines?
08:36Por favor, boludo.
08:38Macarena, si estaba un poquito asustada, un poquito preocupada, no?
08:41Estaba nerviosa, pero ahí estaba yo, para darle la calma que necesitaba.
08:46Bueno, en la firme, tú eres mi ídolo, eres mi faro.
08:50Lo sé, mi perro flaco, lo sé, lo sé.
08:52Sí, mi perrito.
08:54Sobrino, tengo un negocio para ti.
08:57Ah, la bien, ¿por qué sí o no?
08:59Voy a necesitar que me alquiles tu caña por las noches.
09:02¿En un gourmet? ¿Para qué?
09:04Voy a empezar a taxear.
09:11Y al parecer, el botín se produjo por el show de un par de payasos malos
09:15y las ridículas porciones de comida gourmet del restaurante Francesca's,
09:19que como sabemos, no pasa por su mejor momento
09:22desde que hace unos días se convirtió en un improvisado ring de box.
09:30Ay, Dios mío, estamos arruinados.
09:51¿Vas a taxear a esta hora?
09:53Es que tengo que ponerme las pilas y quiero alcanzar mis objetivos.
09:56Con la Juana estamos pensando en construir un tercer piso.
10:01Ya decía yo.
10:03Con la Juanita lo hace para que yo pueda ser un mejor hombre, ¿no?
10:07Además, total, ahora soy su rey.
10:11Me gusta tu iniciativa, tío,
10:13pero piénsalo bien, a chambear de noche es bien bravo.
10:17Tranquilo, sobrino, conozco Lima como la palma de mi mano.
10:20Lo digo por tu salud y también por la del resto.
10:23¿No crees que te puede vencer el sueño cuando estás manejando?
10:26No, no, no, eso no va a pasar. Soy un transportista veterano.
10:29Bueno, tío, hasta el mejor cazador se le va la paloma.
10:32No, no, no. A ver, mal agüero, por favor.
10:34Además, Juanito me está preparando un café bien cargado para aguantar.
10:37A ver, sobrino, ¿me alquilas el bolocho sí o no?
10:40Mirá que estás ganando un billetito extra con esta vaina.
10:42Está bien, tío, te lo confío en ti.
10:44Tú eres un hombre adulto y responsable.
10:46Eso, muy bien, sobrino.
10:48¿Y el billete cómo es, ah?
10:50Perfecto.
10:59Tu rey te va a construir tu tercer piso.
11:05Oye, Manu, me preocupa.
11:09A mí me preocupan dos cosas.
11:12La primera, ¿cómo vas a construir tercer piso si no hay segundo?
11:15Y verdura.
11:17Y encima el cuartucho.
11:19Y lo otro, que lo veo arrastrado.
11:22Estás arrastrado por la Juan, ¿no?
11:24Bueno, pero él es feliz así.
11:26No, no, no. Eso lo dices tú porque tú eres igual de arrastrado, perro flanco.
11:30Escúchame bien.
11:32Un hombre pisado no es feliz.
11:35Solo se miente a sí mismo para aguantar su miserable existencia.
11:38¿Ya?
11:40Tatúatelo.
11:43Bueno, Manu, pero...
11:46Pero si yo digo que me preocupa esto es porque el tío ya no es un chivolo.
11:49Sí, pero andá a díselo tú, Pedro, andá a díselo.
11:52No sé si va a aguantar con el trajín nocturno.
11:54Pero bueno, ese no es mi problema, Manu. Ya me voy a jatear.
11:56Mañana quiero llamar temprano a la Universidad Autonómica de Guanajuato
11:59para ver si puedo retomar mis clases.
12:01Aunque sean virtuales.
12:02Sí, sí, yo creo que sí, sí.
12:04Sí lo haces, ¿eh?
12:06Es que me preocupa, Manu, porque me fui sin avisar.
12:09Pero no creo que se hayan dado cuenta de tu ausencia, perro flaco.
12:12A diferencia mía, tú pasas desapercibido siempre, perro.
12:20Con este café y estos riquísimos panes con mantequilla que me has preparado,
12:24estoy listo para arrancar.
12:26Ay, me olvidé ponerles la mantequilla.
12:28Disculpame.
12:30¿Pan con soledad?
12:32Bueno, soledad es una palabra que debes de borrar de tu vocabulario.
12:35Ah, sí, tienes razón.
12:37Pepito, quería decirte algo muy importante.
12:40Si en algún momento te sientes agotado y quieres regresar...
12:43Pues regreso a la casa inmediatamente para descansar y no causar un accidente.
12:46Ah, no, no, no, no.
12:47Te tomas un café y sigues adelante como el toro que eres.
12:50Y si eso no es suficiente, bueno,
12:52puedes recordar y pensar en nuestro futuro unidito de amor.
12:58De solo pensarlo, mis ganas de chambear se han multiplicado por mil.
13:04Ay, mi Pepito.
13:06Tan lindo.
13:08Quiero que regreses.
13:10Uy, si quieres arranco después, ah, por mí ningún problema.
13:13Ay, qué ocurrente que eres.
13:15El chiste es lo tuyo, ah.
13:17¿Ah?
13:18Sí, sí, sí, más bien, ¿ya sabes qué?
13:19Anda de una vez, que se hace tarde.
13:21Anda con todo, mi rey, vamos.
13:22Sí, ¿no?
13:23Sí, sí, sí, sí, sí.
13:24Anda, anda.
13:25Chau, chau, chau.
13:26Chau.
13:39Mi Juana tiene razón.
13:41Soledad es una palabra que no volveré a usar.
13:57Por nuestros sueños.
14:00Por nuestro unidito de amor.
14:03Allá va tu rey.
14:06En busca de un futuro mejor.
14:16Uy, con lo que saque Pepito hoy y con lo que me traiga mañana del micro,
14:22no va a alcanzar para comprarme esa cartelita fina que tanto he visto en el mercado y que me encantó.
14:27Compadre.
14:29Pepe, ¿estás ahí?
14:32¿Pepe?
14:33Ay, no, Pepito se ha ido a trabajar.
14:37¿A trabajar?
14:39¿Cómo que trabajar?
14:40Sí.
14:41Lo que pasa es que conversamos y surgió la idea que se ponga a taxear en las noches para que aproveche mejor su día.
14:47Oye, tú estás loca, ¿no?
14:48El compadre no puede trabajar de noche, él se estresa.
14:51Cómo se nota que no lo conoces.
14:53Ay, no, al contrario, se va a relajar, vas a ver.
14:56El compadre tiene que cuidar su salud.
14:58Él sufre de la columna y no puede hacer grandes esfuerzos.
15:01Ay, todos ustedes tratan a mi rey como si fuera un hombre débil.
15:05En cambio yo, yo lo veo como un caballero vigoroso, lleno de energía.
15:10Claro, porque te conviene que se rompe el lomo por ti, ¿no?
15:14Ay, Tito, qué feo hablas.
15:16No, ¿sabes qué? Yo no quiero discutir.
15:18Ya es tarde, ya.
15:19Claro, es tarde, ¿no?
15:21Pero no es tarde para que mi compadre salga a chambear, ¿no?
15:24Mira, yo me dedico todo el día a la casa y a atenderlo.
15:27¿A atenderlo?
15:28Oye, ¿y en qué realidad paralela sucede esto?
15:30Porque en esta realidad yo no he visto nada de eso, ¿ah?
15:32Mira, Tito, yo estoy ayudándolo en su progreso, ¿ya?
15:36En cambio tú, en vez de ayudarlo y portarte como un buen amigo,
15:40solamente lo limitas.
15:42¿Limitarlo has dicho?
15:43Oye, escúchame una cosa, Juana.
15:46Desde que tú has llegado a la vida de mi compadre,
15:48solo le has causado sinsabores.
15:50Y yo quiero creer que tú has cambiado, pero la verdad...
15:52Ah, no, no, no, no, no, no, no, no, no, no.
15:54Te estás pasando, de verdad.
15:55¿Qué?
15:56Bueno, ¿sabes qué? Mejor retírate, ¿ya?
15:58Porque a diferencia de tú y yo,
15:59mañana tengo que hacer un montón de cosas, ¿sí?
16:00Chao, chao, chao, chao, chao.
16:01No, no, no, pero...
16:02Chao, chao, Tito, descansa.
16:03Chao, chao.
16:04Chao.
16:14Me parece que ahí está mi primer pasajero.
16:26No, no, no, no, no, no, no.
16:56No, no, no, no, no, no, no.
17:27Universidad Norbert Wiener.
17:28Potenciada por Arizona State University.
17:32Plaza Dea.
17:33Precios bajos todos los días.
17:35Nuevo Shampoo Amaraz.
17:37Raíces y puntas felices.
17:40Pruébalo.
17:42Medio millón de soles en premios,
17:43solo con leche Gloria.
17:46Toallino Mende Siempre.
17:47También en vaso.
17:51Descarga Progresor Plus
17:53y haz crecer tu ferretería.
17:56Más información www.alimmenta.com
18:26Solo Gloria te trae un total de medio millón de soles en premios.
18:29Volvió una prova gloriosa para los más lecheros.
18:32¿Los que tienen la suerte?
18:33No, los que toman más leche Gloria.
18:36Junta muchas etiquetas y escríbenos al WhatsApp.
18:38Apunta los códigos y mándanos una foto como esta.
18:41Son más de mil ganadores.
18:43La suerte no te hace ganar.
18:44La leche Gloria, sí, Gloria.
18:47Uy, pollito frito.
18:48Espera, ¿otra vez lo mismo?
18:50No, no es lo mismo.
18:52Con mayonesa a la cena,
18:53cada pollito frito será una experiencia única.
18:56El sabor inigualable de la cena con el toquecito justo de limón
18:59es el complemento perfecto de tus platos.
19:01Hazlos aún más ricos con Alacena.
19:04Ahora a tres soles cincuenta.
19:06Encontrar todo para tus vacaciones en latam.com
19:09acumula Millas Latam Paz para unas nuevas vacaciones.
19:16Canjea tus Millas Latam Paz y disfruta un nuevo viaje.
19:21Recuerda casera.
19:22Para lavar de maravilla, pide Lavax Lavavajilla.
19:26Que quita la grasa.
19:27Que bien lavar.
19:28Que cuida tus manos.
19:29Que bien lavar.
19:30Que huele bien rico.
19:31Que bien lavar.
19:32Y para lavar todo de un tirón, pide el nuevo Lavax Limón.
19:43Duele en la cancha.
19:45Duele en la vida real.
19:48Para esos dolores, Dolo Cortralán.
19:50Acción analgésica y antiinflamatoria.
19:53El dolor es inevitable.
19:54El sufrimiento opcional.
19:56El avión del hincha de Te Apuesto lleva a diez versus el diez.
20:00Súbete y gana uno de los diez viajes todo pagado Argentina.
20:03Y miles de premios más.
20:05Participa con tus jugadas desde diez soles.
20:07Cada sol que juegues es una oportunidad más para ganar.
20:10¡Te Apuesto!
20:12Mañana comienza el cierre a puertas.
20:14Cincuenta por ciento de descuento en miles de productos de vestuario,
20:17calzado y accesorios con todo medio de pago.
20:20Desde hoy en Ripley.com y la Ripley app.
20:23El nuevo color Fix Tattoo Shine de Essica te da brillo perfecto y color por 24 horas.
20:29Para que después de un largo día, siga brillando por más tiempo del necesario.
20:35Nuevo color Fix Tattoo Shine de Essica.
20:38Ah, su reporte mensual y todo para hoy.
20:42Tranqui.
20:44¿Sopita?
20:48Sopita.
21:13¿Qué te parece si incluimos música en vivo en el restaurante?
21:16No me refiero a mi banda de rock, sino a un grupo de jazz, bossa nova o algo para el estilo.
21:20Sí, me gusta. Así podemos limpiar la imagen del restaurante vilicoso.
21:25Exacto.
21:26El único problema que veo es que no tenemos mucho espacio.
21:29Tampoco necesitamos. Conozco un dúo, un tecladista y una saxofonista que son unos cracks.
21:35Si movemos las mesas entran sobrado.
21:37Sí, perfecto. Hagámoslo.
21:39¿Quieres que los llame de una vez o prefieres escucharlos antes?
21:42No, no es necesario. Confío en tus gustos musicales.
21:45Gracias.
21:46Genial, entonces contáctalos mientras yo voy haciendo el anuncio para compartirlo en redes.
21:52This is...
21:54Go ahead. Go ahead.
21:56You can sit over there.
21:58Wait, wait.
22:00You have to go backwards.
22:02Backwards.
22:03Total? Total?
22:05Don't worry, don't worry. I know my house. I know my house.
22:08No, it's not that.
22:10It's that you have to go backwards.
22:12Ah, I see.
22:14You have to go backwards.
22:16No, I don't know.
22:18Don't worry, don't worry. I know my house. I know my house.
22:21No, it's not that.
22:22Ah, you call this?
22:24Hey, I thought you liked well-dressed women.
22:28Look, look.
22:29Why do you say that? Why do you say that?
22:30Ah, because of the tremendous playfulness that this woman has.
22:34Hey, more respect with my girlfriend.
22:36She's in love. It shows that she has the face of a tremendous playfulness.
22:39Hey, if you don't stop making that kind of comment, I'll get out of the vehicle.
22:42Don't worry, don't worry.
22:44Excuse me, excuse me for the interruption.
22:46It seems to me that I'm a little clumsy, nothing more.
22:49Yes.
22:50Okay, so that you can see that I'm a correct person, I'm kind.
22:53I invite you to a beer.
22:54Yes.
22:55In that way, I substantiate my daring, my error.
22:57No, no, no. Thank you, thank you, thank you.
22:59For another moment.
23:00I have to complete with the job.
23:01Yes, I promised my Juanita.
23:03That's what the lady in the photo is called.
23:05Juanita, Juanita.
23:06Nervous, nervous woman.
23:07Yes.
23:08It is that we are preparing to build our third floor.
23:10Ah, how nice.
23:11Yes.
23:13Yes.
23:14Yes.
23:15Yes.
23:16Yes.
23:17Yes.
23:18Yes.
23:19Yes.
23:20Yes.
23:21Yes.
23:22Yes.
23:23Yes.
23:24Yes.
23:25Yes.
23:26Yes.
23:27Yes.
23:28Yes.
23:29Yes.
23:30Yes.
23:31Yes.
23:32Yes.
23:33Yes.
23:34Yes.
23:35Yes.
23:36Yes.
23:37Yes.
23:38Yes.
23:39Yes.
23:40Yes.
23:42I would take you to the moon if you asked me.
23:45I would give you everything, everything you want.
23:48One night on a deserted beach.
23:50You and I alone with the stars.
23:53Oh, oh, oh, oh.
23:55Tonight we fall asleep and lose control.
23:58Oh, oh, oh, oh.
24:00We forget everything and love flows.
24:06What did those looks mean?
24:08Were they just that?
24:10Stares?
24:13Or was there something else?
24:17Come on, man, please.
24:19Stop making up ideas of things that don't exist.
24:23Better go to sleep, man.
24:26Better go to sleep, man.
24:42Everything can happen when I'm with you.
24:45And I forget it so that you are my woman.
24:48You know that you make me happy.
24:51That just seeing you makes me die for having you.
24:54We are one for the other.
24:57I know we are crazy, but we still give everything.
25:08What are those looks?
25:14Oh, no, Karina, no.
25:16Don't think they are stars.
25:19It's just your foot.
25:22I don't want to know the truth again.
25:24I lost.
25:25I didn't realize that ours was a game.
25:29We must be honest.
25:31I'm better without you.
25:39I'm better without you.
25:45Are you sure you don't want to go back?
25:47It's more comfortable.
25:48Oh, no.
25:49I'm perfect here.
25:51Oh, well, we're about to arrive.
25:54Oh, if you want to delay, I have no problem.
25:57My husband is traveling, so no one will wait for me at home.
26:01Oh, but it's late.
26:03She must be tired.
26:04Oh, no, on the contrary.
26:06The night is young, just like us.
26:13Oh, Mitri, Mitri.
26:15What do you say?
26:16Will you accompany me to my rooms?
26:19I appreciate it, but no.
26:21I'm a happily married man.
26:24Look, she's my partner.
26:30I know that woman.
26:32Huh?
26:33You also come from Chahualca?
26:35How small is the world.
26:37It's Chana.
26:38That woman swindled me.
26:41Impossible.
26:42It's wrong.
26:43As I say, she's my partner, my love.
26:45Her name is Juana and not Chana.
26:48I would never forget that shameless face.
26:52As I repeat, you are wrong, surely.
26:55She is a bread of God.
26:57I put my hands on fire for her.
27:15Maca.
27:17Maca.
27:18Maca, wake up.
27:19I couldn't sleep.
27:22I want you to listen to a song.
27:24Joel, it's super late, Joel.
27:26Just listen to it.
27:29I composed this song for you.
27:32Come on.
27:35Today I want you to know my heart.
27:41I think love has finally come to me.
27:47My life changed when I met you.
27:53And I don't want to live without you anymore.
27:56Love, when I'm with you.
27:59Love, everything is different.
28:02Love, I don't want to lose you.
28:05Love, I always love you.
28:08Hold on.
28:12Something is wrong.
28:14This song was from ...
28:20Hold on.
28:22Why was I singing that song in my dreams?
28:24And this song is from Fer ...
28:27And not from Maca.
28:30My God, what's happening to me?
28:33It's as if my dreams no longer existed.
28:35And everything was just for Maca.
28:43Oh brother, what a joy to find you.
28:45That's right, that's right.
28:46What a coincidence, right?
28:47Right, right.
28:48The first day of the taxi driver's job at the firm.
28:49Yes.
28:50Well brother, how much do you charge us to the disco?
28:52Ah, well, it will be ...
28:54Fifteen bucks, right?
28:55Cheap.
28:56Yes.
28:57What? Fifteen soles?
28:58Hey, you went too far, didn't you?
28:59Honey, but the other taxi wanted to charge us twenty-five.
29:01No, no, no.
29:02Ten bucks, for you and for me.
29:04Brother, I ...
29:05I would take you for free, but I need the money.
29:07With Juanita we have planned to build our third floor.
29:10Ay, ay, ay, ay.
29:11Congratulations, my Pepe.
29:12But don't worry, Papi, I'll give you twenty soles.
29:14Ay, that's good.
29:15Let's see, well.
29:16Surely it was the idea of Juanita that you are working at night, right?
29:19Ah?
29:20No, no, no.
29:21It was her idea.
29:22Not at all, not at all.
29:23Oh, don't fool me.
29:24I know, it was her idea.
29:25Because you work extra hours and at night, please, Pepe.
29:28Well, that's it, that's it.
29:29It was my idea, yes.
29:31But ...
29:32But I accepted it willingly.
29:34Because he does it to make him a better man, right?
29:36No, no, no.
29:37Don't you realize that she is using you?
29:38Don't you realize that she ...
29:39No, no, no.
29:40Don't say that, don't say that.
29:41It's a fact.
29:42Of course it is.
29:43Pepe, Pepe, Pepe.
29:44You know, you know, you know.
29:45When I go with your sister to the dance floor,
29:46people take pictures of us, they record us.
29:47We are the sensation.
29:48Oh, that's true.
29:49The focus is on us.
29:50We shine with our own light.
29:51Ay, ay, ay.
29:52Yes, yes.
29:53Yes, yes.
29:54Yes, yes.
29:55Yes, yes.
29:56Yes, yes.
29:57Yes, yes.
29:58Yes, yes.
29:59Yes, yes.
30:01It's more or less.
30:02It's more or less.
30:03Tell us the truth, please.
30:13Pepe.
30:14Pepe, get up.
30:16Ah, ah, yes, yes.
30:17I'm coming, it's just that I need a cigarette.
30:20No, because if I go you're going to stay in bed again.
30:22No, no, no.
30:23I'm not going to sleep.
30:24Hey, is that why you work at night?
30:26So that you can't even find your weapon the next day?
30:28The next day?
30:30Yes, yes.
30:32Buddy, you know what?
30:34We're thinking of building our third floor.
30:36The two of us.
30:38What do you mean, the two of us?
30:40Huh?
30:42Don't worry, buddy.
30:44You'll stay with the attic, right?
30:46Your attic apartment.
30:48But I like to sleep with you.
30:50What?
30:52Buddy, don't worry.
30:54Listen to me. We knew this moment would come sooner or later.
30:56Don't make it more difficult, okay?
30:58Besides, look, you'll be able to set up
31:00your room for my niece
31:02and your wedding suite
31:04for when you find the right person.
31:06Well, the wedding is difficult,
31:08but
31:10I do recognize that I would like
31:12my daughter to have her own room.
31:14Ah, there it is. You see?
31:16Thank Juana, buddy. That was the idea, right?
31:18Yes, yes. I'm going to thank her right now.
31:20Pepe.
31:22Why don't you take a cold shower?
31:24That's good.
31:26Cold water will wake you up.
31:28Okay, okay.
31:30Break it, break it.
31:32Yes, I'll pass it to you, I'll pass it to you.
31:34There it is.
31:36Are you sure you don't want me to make you
31:38some delicious pancakes with maja blanco?
31:40I don't, Claudio. Thank you very much.
31:42And you guys?
31:44Claudio, why don't you admit once that you're the one who wants the pancakes?
31:46Oh, what things you say, young Chris.
31:48Claudio.
31:50Oh, yes, you found me.
31:52Just thinking of the hot maja blanco
31:54makes my mouth water.
31:56The donut.
31:58Oh, yes, you know me so well.
32:00Well, I'll go clean the rooms
32:02to calm my food anxiety.
32:04Excuse me.
32:06Chris, did you see that the ad
32:08had a good reception on social media?
32:10Yes, it was great, wasn't it?
32:12What ad?
32:14We're going to have a musical show at the restaurant.
32:22Nephew.
32:24Uncle, how are you?
32:26Here, here you have for yesterday's rent.
32:28And I left the car with gasoline.
32:30Oh, wait, how did it go?
32:32To make the first night,
32:34I didn't complain, I didn't complain.
32:36So you're going to continue?
32:38Obvious, nephew, obvious.
32:40I don't stop until I build the third floor.
32:42Do you know who went up yesterday?
32:44Tere and Gaspar.
32:46Gaspar?
32:48How strange, he didn't tell me he was going to go out.
32:50What kind of responsible is this?
32:52He shouldn't be going out on working days.
32:54Then he doesn't give up the job.
32:56He's all tired there.
32:58Just as I understand.
33:00And I'm fresh as a lettuce.
33:02Yes.
33:04How did you get here? I didn't feel you.
33:06Oh, uncle.
33:08Oh, like the skinny dog says.
33:10My uncle is no longer for those trots.
33:12For these transgyms.
33:14Uncle.
33:16It's just that I got stuck thinking of something.
33:18Let's talk, let's talk.
33:20Let's talk, let's talk.
33:24I think I'm going to put insurance against accidents in my car.
33:30The Autonomous University of Guanajuato
33:32welcomes you.
33:34The director will answer your call shortly.
33:38Come on.
33:40Mr. Director, good morning.
33:42My name is Jaime González Flores.
33:44I am a student of your prestigious university
33:46thanks to a scholarship I obtained in Peru.
33:50First of all, I wanted to apologize for my absence
33:52and see if I could rejoin...
34:02I'm not going back to college.
34:06Good, Jaime.
34:08You were left without your scholarship
34:12and without the love of your life at the same time.
34:16Good.
34:40Brother, what about our materials?
34:42Behind you.
34:44With the app, Progresol Plus.
34:46Here I can schedule the deliveries.
34:48And I have a variety of quality products.
34:50And you, brother trucker, if you want your truck to be on TV with Pepe and Jito,
34:54download and buy at Progresol Plus.
34:56More purchases, more options to win.
35:00In Plaza Bea, it's our anniversary, and we want to celebrate with low prices every day.
35:05That's why...
35:06Hey, Arnold J. Perry!
35:07Raise your hand, those who save in everything!
35:13Walter and Javier, we save too!
35:15Come to celebrate our anniversary by checking your savings on your ticket.
35:20Plaza Bea, low prices every day!
35:23Son, your breakfast.
35:27The secret for you to like it is the flavor.
35:30Bon Lay, rich for your children, good for your pocket.
35:35Are you sure you're going to ask for a street taxi?
35:37At Yango, we check the identity of our drivers.
35:41And before you ask, we also check the conditions of the cars.
35:44Much better.
35:45The security of Yango is good news. Download it.
35:54Activate the Betano mode with our welcome bonus of up to 500 soles.
35:58Betano.
36:03They say that the Christmas factory is in the North Pole.
36:07But the real ones are in Peru.
36:10And one of its owners is Mrs. González.
36:15Jaime also has one.
36:16And despite not having sledges, he always manages to get his sleighs in time.
36:22The real Christmas factories are all over the country.
36:26And where there is one, there is also an analyst of Cajarequipa,
36:29accompanying each micro-entrepreneur in their progress.
36:33In Falabella, the shipments are so fast that you can't wait to order everything.
36:37Electro-shoes, toys, fashion and perfumes.
36:40We pack, we dispatch, we start.
36:42We take it to your house and we deliver it in your hands.
36:44In Libeca and Llao, you receive it the next day.
36:46And in the province in two days.
36:48What a fantasy.
36:49Falabella. Always faster.
37:08Try them. From 19 soles 90.
37:15Since I joined the group of united moms,
37:17I discovered a great piece of information.
37:19That Ninette diapers are bigger and with an anatomical design.
37:22And perfect to protect my baby's skin from flakes and keep them dry.
37:28Change to Ninette, because the advantage is great.
37:31Find them at Mifarma in Cafarma.
37:33In the world of benefits of Club El Comercio, you can repeat.
37:36You will have discounts everywhere.
37:38The tap, the cinema and supermarkets.
37:40It will be the best thing that has happened to you.
37:42Club El Comercio, you realize.
37:46Ceviches, pasta or a chicken.
37:48If you pay less, it's always richer.
37:50The discounts are infinite.
37:52Club El Comercio, you realize.
37:56With Club El Comercio, the benefits are unlimited.
38:00With Club El Comercio, the benefits are unlimited.
38:04To wash my hair.
38:08No one gets me out of here. I'm a very resistant fat.
38:12Fat. Zapolio and his new formula.
38:14Eliminates fat to the touch.
38:16Now only 6 lucas.
38:23These are last night's earnings.
38:29Only 53 soles, Pepito?
38:32It's what I have left after paying for the car and gasoline.
38:36Oh no, Pepito.
38:38How will we be on the third floor in 10 years?
38:41Tonight you need to get at least 100 soles.
38:43100 soles?
38:45But that's working twice as long.
38:47Yesterday I went to bed at 3 in the morning.
38:49Oh well.
38:50If you are very tired, then I will have to go out to taxi.
38:53You? No, no, no, no, no, no.
38:55No way. No.
38:56Oh, but what's the problem?
38:57The street is dangerous, Juanita.
38:59Something can happen to you.
39:00You are good, noble, right?
39:02Oh, but we need the money, my king.
39:05And we can't start making excuses.
39:07Otherwise we will never get there.
39:09Yeah, but you're not going out.
39:11I'm going to keep taxiing.
39:12No, Pepito, you're tired.
39:13Leave it to me.
39:14No, no way, no way.
39:17Well, if you insist.
39:27No way.
39:39I have bad news.
39:41The duo is not coming.
39:43Oh no, no, no, no, no, no.
39:44What? Why?
39:45They found out about Francesca's bad reputation.
39:47And well, they don't want her to be funneled.
39:48What is funneling?
39:49They don't want to cancel them.
39:51Calacas, what are we going to do now?
39:53I talked to other groups, but no one can.
39:55They can't or don't want to?
39:56Cobaldes.
39:57I have one more option.
39:59Your brother's idiot.
40:00Hey, what's up?
40:01No, I don't have a friend who has a band called
40:03Your brother's idiot.
40:04I'm just waiting for them to answer me.
40:06Yes, yes, because we can't cancel the lunch with
40:08Live Show.
40:09I already made the advertising on social media.
40:10Don't worry, little sister.
40:11No one has arrived yet.
40:12We have time to cancel.
40:13Tell them another day.
40:14Yes, that's true.
40:15Hello.
40:16Hello.
40:17This is the prestigious restaurant.
40:18Have you come less than your desperation is offering
40:20an incomparable live show?
40:23Yes.
40:24This is it.
40:25Welcome.
40:26Welcome.
40:27Why don't you take a seat here?
40:29Please.
40:30No, you're welcome.
40:31Make yourself comfortable.
40:32The live show will start in a few minutes.
40:33Thank you very much.
40:34Yes.
40:36Make yourself comfortable.
40:41Cheers.
40:42Cheers.
40:43Cheers.
40:44Cheers.
40:45Cheers.
40:46Cheers.
40:47Cheers.
40:48Peace.
40:49Peace.
40:50Peace.
40:51Peace.
40:52Peace.
40:53Where have you been sighing for so long, fragile?
40:55I knew this was going to happen!
40:57Look, look, a child is going to buy a refrigerator
40:59from the ambulance in the corner.
41:00What refrigerator Nico's from eight rooms?
41:01I'm going to drive and you're going to charge, ok?
41:02I don't want to collide!
41:03Either way, good.
41:05Hey, what are they doing?
41:06Hey, what.
41:08Calm down,술
41:15It's only a little air and it's ready.
41:16This can't continue like this, Pepe,
41:17you have to take care of your health!
41:18There's nothing your father.
41:19Nothing happens, nothing happens.
41:23No llamas, mango margarita.
41:25Llamas, llamas fuertes, te cupares.
41:27Fuerte camote, piñata.
41:29No, jamones.
41:30No, jamones.
41:31Camote, jamones.
41:32Jamones.
41:33Fuerte sonquita, sanda.
41:35Ya voy a pagar, ah?
41:37Ay, listo.
41:40Ha quedado perfecto.
41:42Parece de verdad.
41:45Hola, Juana.
41:46Me das una cajita de mondadientes, por favor?
41:48Claro que sí.
41:49Voy a revisar el cuadernito de don Gilberto.
41:53Uh...
41:55Five pesos.
41:57Five? But it cost two.
41:59But you know how the country is. Everything is expensive.
42:01It doesn't matter. Just give me a box.
42:03Otherwise, you'll start biting me all over.
42:08Here you go.
42:13Ah, there it is. Another thing.
42:15Yes, there is a flap.
42:23Let's see. Here you go.
42:25Your turn.
42:29Don't you want to support the most in need?
42:31And... that's it.
42:33Let's see.
42:35Oh, that's not more.
42:37It's for the kids.
42:41Oh, that's it.
42:43Thank you very much.
42:49I am the most in need.
42:59Now yes. Here is my commission.
43:07The idiot of your brother says he can't come.
43:09Oh, no.
43:11It's a desperate measure, Pelo.
43:13And if we call Juan González,
43:15he is a well-known artist, right?
43:17No. The González got us into this
43:19and I don't want them to put a foot in Francesca's.
43:21A couple has arrived.
43:23I'm going to take care of them while they think of something.
43:27I don't know what to do.
43:29I don't know. Salvador.
43:31What?
43:33Say your name and talk to us about this, please.
43:35Do you want me to play?
43:37Yes, you play well.
43:39And you also look like an adultist.
43:41I could play for a while, but I play rock.
43:43I know very few songs that could go with the style of the restaurant.
43:45Yeah, but you can save time until I find another person
43:47to follow your presentation.
43:49I have a special hidden talent.
43:51Mrs. Lid.
43:53Excuse me, but catching people is not a talent.
43:55No!
43:57You'll see. Trust me.
44:01The 34th is screwing us.
44:03We have to get up early, man.
44:05Call Pepe. Call Tonque. Call.
44:07Buddy?
44:09Buddy?
44:13This is the last straw.
44:19Rest, buddy.
44:21There's not much left to finish.
44:23Hurry up!
44:29I don't care! Hurry up!
44:35Everything okay with the wine?
44:37Yes.
44:39Perfect. I'll bring you the card right away.
44:49How's everything going?
44:51Bad.
44:53Your brother's idiot canceled us.
44:55He's your dad. Don't call him an idiot.
44:57Give me your phone.
44:59No, Maca. Your brother's idiot is called the band that canceled us.
45:01Ah!
45:03Yes, we're improvising, so we need your applause
45:05to raise the bar.
45:07Count on it.
45:19Come back to Francesca's, please.
45:21Bravo!
45:23Very good!
45:25One more!
45:27One more!
45:29One more!
45:31Well,
45:33for our next number,
45:35we have a special guest
45:37from China.
45:39From China?
45:41Yes, ma'am.
45:43And with you,
45:45we have
45:47Zhong Li!
46:15Wow!
46:17It's amazing what you've done!
46:19It's a production!
46:21With smoke, lights...
46:23It's fantastic!
46:25It's not that much.
46:45Mamma mia!
46:47Mamma mia!
46:49Mamma mia!
46:51Mamma mia!
46:53Mamma mia!
46:55Mamma mia!
46:57Mamma mia!
46:59Mamma mia!
47:01Wow!
47:03That's amazing!
47:05You're doing really well!
47:07Well, we're lucky.
47:15Bsh.
47:15Bwer.
47:17Weeeeeee.
47:26Brrr.
47:26плохо.
47:26Uh.
47:26With.
47:28Uh.
47:29With.
47:29****
47:35Cool!
47:45Thanks.
47:46Go home, go home.
47:47Thanks, buddy, thanks.
47:49My bill buy?
47:50How'd it go?
47:51Excuse what?
47:52He fell asleep driving and then he fell asleep charging.
47:56Yes, I'm sorry, Juanita, but the dream won.
47:58So, you didn't get much?
48:00No, no, look, here it is.
48:02This is what we got on the route.
48:04Here, wait, wait, here I have...
48:06Let's see.
48:07One more chip, yes.
48:08Yes, yes, yes.
48:09Yes, this...
48:10Wait, wait, wait.
48:11But I'll keep this bill for...
48:13A beer with my buddy, right?
48:15No, no, no, no, no, no.
48:16No way.
48:17Everything goes to the third floor.
48:18Remember.
48:19Hey, Juana, what's wrong with you?
48:21It's his money.
48:22He's earned it by working.
48:23What's wrong with him drinking a beer with his soul brother?
48:27Well, you and I have already talked and we have agreed on something.
48:33But if you decide to spend your savings on a beer, you are free.
48:41It's your decision.
48:43It's your life.
48:45But that life is not our life.
48:49You decide.
48:52Hey, buddy.
48:53Listen to me.
48:54You have to face him.
48:55You can't be so mean.
48:56Or too stubborn.
48:57You know what?
48:58I'm going for the beer.
48:59No, no, no.
49:00One touch, buddy.
49:01One touch.
49:02What?
49:03I think we'll leave the beer for another day.
49:05What?
49:06Yes, Juanita is right.
49:07It's to save.
49:08No, no.
49:09What?
49:10Juanita.
49:11Pepe, no.
49:12Pepe.
49:13One touch.
49:14Look, give me the money.
49:15Juanita.
49:16Pepe.
49:22Huh?
49:24Michael.
49:27No.
49:29Are you okay?
49:31Sorry, sorry.
49:32He escaped me.
49:33But I am perfect.
49:34Can't you see how I am?
49:35Everything is fine.
49:36Follow me, there is no ice here.
49:37Follow me, that people are seeing.
49:40No, we don't have more show.
49:42I do not know.
49:43That distract them, entertain them, please.
49:44Entertain them.
49:45I prefer not to sing or dance.
49:46Okay.
49:49Well, we had a small inconvenience,
49:51things that happen in live shows,
49:53but now we come with a number of...
49:57A number of...
49:59Of stand-up comedy!
50:01With the great Cristóbal Batalbá!
50:03Bravo!
50:04Bravo, Cristóbal!
50:06Well, you know that I really started
50:11being the chef of this restaurant.
50:13What?
50:14What do you mean, chef?
50:16Well, I was my dad's spoiled son
50:18and he wanted me to be a chef,
50:21but I wanted to be a footballer.
50:23Ha ha ha!
50:27What do you mean, footballer?
50:29Footballer, footballer!
50:30Ha ha!
50:31Bravo!
50:33Ha ha!
50:38I didn't want to kiss Ana Lucia.
50:40I would never be unfaithful to Yuli.
50:41Besides, we had broken up because
50:43I wasn't unfaithful, I wasn't unfaithful,
50:45I wasn't unfaithful, I wasn't unfaithful.
50:47I wasn't unfaithful, I wasn't unfaithful, I wasn't unfaithful.
50:48I wasn't unfaithful, I wasn't unfaithful, I wasn't unfaithful.
50:50What are you doing?
50:51You're making everyone happy.
50:52The table is gone.
50:53What?
50:54You almost had your baby.
50:55Music!
50:56What music?
50:57Ha ha ha!
50:58I've told you about my relationship with the Spaniard
51:00so that you don't find out.
51:02That's fun.
51:03Time for the dance!
51:04Hey!
51:05Hey!
51:06Hey!
51:07Aha!
51:08Hey!
51:09To the center!
51:10Hey!
51:11To dance!
51:12Hey!
51:13Nobody comes that I arrive.
51:14Hey!
51:15That's it!
51:16Hey!
51:17Now!
51:18The neighborhood is asking for a rumba, tune the rumba,
51:23put a candle in it, the beautiful good grass,
51:27the cymbals sound, I want to dance,
51:31and if I move it, you're going to get up,
51:35the cymbals sound, I want to dance.
51:38What time are you coming back?
51:39I don't know, late.
51:40But it's late at one, it's late at two,
51:42it's late at three in the morning,
51:43late, late, late at dawn.
51:44I already told you that I don't know,
51:45don't wait for me, I'll wake up.
51:46And why the perfume?
51:47So that the passengers smell good.
51:48You never put perfume on the bus, do you?
51:49Buddy, don't start, please, don't make me scenes.
51:50Take care of yourself, please, Pepe, take care.
51:51Next door!
51:52Buddy, it wasn't like that.
51:53I'm getting lost.
51:54Oh!
51:55How beautiful you are.
51:56Oh!
51:57Oh!
51:58Oh!
51:59Oh!
52:00Oh!
52:01Oh!
52:02Oh!
52:03Oh!
52:04Oh!
52:05Oh!
52:06Oh!
52:07Oh!
52:08Oh!
52:09Oh!
52:10Oh!
52:12How beautiful is this dress.
52:15Oh!
52:16I have to buy it.
52:17Juanita!
52:18I'm going to taxi.
52:19Oh, I was waiting for you!
52:20Not to say goodbye.
52:21Oh, always so considerate.
52:22I am very fortunate.
52:23Yes!
52:24Don't forget that today you have to get at least 100 soles
52:25from earnings,
52:26so I will take you all the night.
52:27Oh yes, of course,
52:28with the well-oiled coffee you have prepared for me,
52:29in fact, I will hold it, right?
52:30What coffee?
52:31Well, since you gave me a good time yesterday,
52:33I thought I would offer you something good
52:33to celebrate your birthday.
52:34Oh, thank you.
52:35I'll be right there.
52:36Oh!
52:37Oh!
52:38Oh!
52:39Oh!
52:40I thought you'd run away, too.
52:42With everything I have to do, I can't.
52:45But...
52:48Here are two lemon candies for the road.
52:52And a kiss.
52:54Really?
52:58Don't get distracted, please.
53:01There will be time for us.
53:03But when? We haven't...
53:06The good thing is to wait.
53:08I'm going to work.
53:10I'm going to work.
53:12Goodbye.
53:13Goodbye.
53:18Coffee?
53:20I'm not even an employee.
53:27We're a disaster.
53:29It couldn't have been worse.
53:31Don't say that, guys.
53:32Be positive.
53:35I'm sorry.
53:36I don't know what happened to me.
53:37I used to talk to the Chinese dishes when I was a kid.
53:40It was my fault for giving the idea, guys.
53:42No, let's not look for culprits anymore.
53:45They're already destroying us on social media.
53:47Apparently some beggars uploaded parts of our show.
53:51It wasn't bad.
53:52The guitar was super good.
53:54The dishes show?
53:55A super good start.
53:57Alessandra.
53:58Well, like the ones now.
53:59They don't make me laugh at all, but they make you reflect.
54:01And your show?
54:02Desperately improvised.
54:03It was very fun.
54:05Thank you, Maca, for the support.
54:06But I think it's obvious that Francescas is in his worst moment.
54:10Hey, can I bring some friends and artists for tomorrow?
54:13No.
54:14Tomorrow we're going to take the day off.
54:16We have to think with a cold head.
54:18Any decision we make can be fatal for Francescas.
54:31I'm going to the 40th block, please.
54:33Pepe?
54:34Pepe?
54:35Come on, I'll take you.
54:36No, don't worry, Pepe.
54:37No, no, I'll take you, man.
54:38I'll take you.
54:40Hey, why are you so dressed up at this hour?
54:44In my dreams, he asked me to give you this.
54:5070 pesos only?
54:52But we agreed I couldn't bring less than 100.
54:55And what else do you want?
54:56My friend looks like a homeless.
54:57Do you want me to work more?
54:58Now it's my fault.
54:59Yes?
55:00Why?
55:01I have another joke.
55:02Who was flirting with Salvador?
55:03Who was flirting with Salvador?
55:04Well, when I saw them dancing.
55:06Well, then it's your fault.
55:07Because if I hadn't uploaded that damn video,
55:09Jimmy would have finished his course
55:10and would never have come to make a scandal about Francescas.
55:12What happened to Francescas?
55:14They were doing their show there
55:15and apparently things went wrong.
55:18They're desperate, Pepe.
55:19Why?
55:20Oh, you didn't know?
55:21No.
55:22Francescas?
55:24He's up to his legs.
55:27Things have been like you.
55:29The very ugly one.
55:30Oh, man.
55:32Oh, man.
55:33Oh, man.
55:34Oh, man.