Al Fondo Hay Sitio Temporada 11 Capitulo 146 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 147 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 148 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 146 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 147 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 148 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 146 Completo HD
Category
🎥
Short filmTranscript
00:00A-ha!
00:30Why are you looking at us like that?
00:37That's exactly what I wanted to talk to you about, Fran.
00:39The Gonzales know something.
00:41Something?
00:42Yes, something.
00:43Something about what?
00:44I don't know, but it could be anything.
00:47Oh my God, what are you telling me?
00:49Yes, they know something.
00:52Are you going to give me something?
00:54No, no, no, don't give up. We can't give them that pleasure.
00:57Why did you think of getting rid of those people?
01:00Don't you know how bad and vengeful they can be?
01:02Well, because they deserved it.
01:04But now, what they know could explode us in the face.
01:09Useless.
01:10Mrs. Francesca, do you have a minute?
01:13Tell me, Teresa.
01:15Mrs. Francesca, I wanted to tell you that my husband and I are getting married.
01:29Oh, I congratulate you.
01:31May you be very happy.
01:32Thank you very much, Mrs. Francesca.
01:34And you know that a marriage requires a spacious, bright place to hold the ceremony.
01:40So we thought it could be at your house, the big event.
01:44Yes.
01:45What do you think? And of course, Diego would prepare the buffet.
01:47You went crazy, Teresa.
01:49There is no way that I will lend you my house to celebrate your marriage.
01:56Are you sure, Mrs. Francesca?
02:06We better go, Franca.
02:11Honey, I think we ran out of location.
02:15Oh, honey.
02:17You calm down.
02:19You'll see.
02:25Who does that little woman think she is?
02:27That my house is a rental house?
02:30Fran, they have us in their power.
02:32Not dead.
02:34I know what I'm telling you.
02:35Accept, Fran.
02:36I know what I'm telling you.
02:37Accept, Fran.
02:38Otherwise, they can speak what they know.
02:41But what can they know?
02:43Please.
02:45Those malicious looks can only be a bluff.
02:48Haven't you thought about it?
02:50And if it isn't?
02:55Listen.
02:57We can't let ourselves be intimidated by certain malicious looks.
03:03What are we going to do with our lives like this?
03:07I wish we were innocent.
03:10And we were free of guilt.
03:15You shouldn't have told me that.
03:18You know it's true.
03:20Maybe they know something.
03:22But they will never know the something about the rental house.
03:27So?
03:29We risk it and we don't give them what they ask for.
03:32You yourself have told me that they are ruinous and vengeful.
03:37I'm going to talk to my influences right now
03:40and ask them to return their operating license
03:42so they can operate normally.
03:53Salva?
03:54Hi Ale, how are you?
03:56Am I interrupting you?
03:57No, not at all.
03:59Tell me, what's new?
04:01Very well, I just got out of Francesca's.
04:04Or well, from Flanchesca's.
04:07Flanchesca's?
04:09Like Flan and then Chesca's? Flan with L?
04:13What are you talking about?
04:15What? You didn't know?
04:17No, I don't know anything. What happened?
04:19Well, your dad and Mrs. Francesca have turned the restaurant upside down
04:23and now it's called Flanchesca's.
04:26It's a gourmet chef.
04:28And Mrs. L is the main chef.
04:31Well, I deserve it, right? I missed my chance.
04:35Hey Ale, how sorry I am.
04:38No, it was my fault.
04:41It was that idiot's fault.
04:43Please, let's not talk about that.
04:46Well, I called you because I need some advice.
04:52I don't know if I should stay at work.
04:55Why not? Do you have another offer?
04:57No, no, but I don't know if it's the best for me.
05:01I agreed to work at Francesca's because I was going to work with you,
05:05the winner of a Chivilin award, and with your dad.
05:09Of course, Mrs. L has five chokas.
05:13Five chokas that I got when I worked at her chifa.
05:17Look, if you want some advice, accept the job.
05:21Help Mrs. L.
05:23Besides, work, work.
05:25Well, thank you.
05:27Thank you, Ale, for your recommendation.
05:29And well, I hope you also dare to come back.
05:32No, for now, what I need is to stay away from the kitchen.
05:37I understand, but don't be too hard on yourself.
05:40If you don't give up your passion.
05:43We'll talk later, okay? Take care. A kiss.
05:46Another one for you.
05:48See you soon.
05:55Flanchescas.
06:25I'm sorry, but I just asked them to look at you as if you knew something.
06:56Mr. Collazos, here is the definitive license of operation of your winery.
07:01You can offer the products you want.
07:04Sorry for the inconvenience. Excuse me.
07:12You did it, Tortolita.
07:16I, well, I didn't do anything.
07:20And then, how is it possible that they give me the license of operation?
07:27Miracle.
07:34Mr. Gonzalez, Mr. Lada.
07:36Yes.
07:37Here are your documents.
07:38There are the circulation permits, technical review and SOA.
07:44They are renewed.
07:46And I apologize for the inconvenience, but you can now work on the route.
07:50Normal.
07:51Thank you very much.
07:53See you soon, sir.
07:54See you soon.
07:55Very kind.
07:57What was that, buddy?
08:00It seems that Cookie's plan has worked.
08:04And we have to celebrate this, buddy.
08:06A beer!
08:07And not Bacher!
08:10Gentlemen, here I leave you the safety and environmental protection.
08:14I have reviewed the extinguishers and they are in perfect condition.
08:18You have a model workshop.
08:21Congratulations.
08:31Inga!
08:32Let the inspector dance!
08:34Let the inspector dance!
08:36Let the inspector dance!
08:38Inspect! Inspect! Inspect!
08:40Inspect! Install!
08:44No!
08:53Let the inspector dance!
09:00Loose your hair!
09:03Loose your hair!
09:05Loose your hair!
09:10What?
09:15Mrs.Franceca, what a surprise! Come in.
09:17There's no need Teresa. I'm celebrating.
09:19Well, tell me.
09:21I give you permission to use my house and celebrate your marriage.
09:36Hello Julie.
09:40What are you doing here?
09:42I came to talk to you. Do you have a minute?
09:54Oh, Mrs. Francesca, what a thrill!
09:56I knew that behind that cold heart there was a kind and generous heart.
10:01Oh, congratulations, Mrs. Francesca!
10:03Don't panic, please.
10:05It's just that I want to scream it in the four winds.
10:08I'm so happy, Mrs. Francesca!
10:10No, please, no.
10:12Rather, I ask you to make this a petit comité.
10:17Petit comité?
10:19But what is that?
10:21A small meeting of a few guests.
10:24Something intimate.
10:25Oh, well, Mrs. Francesca, I'm not very much of a petit comité, right?
10:29I want to invite my friends.
10:30I mean, not all my friends, but well,
10:32among the relatives of Gaspi, my relatives,
10:34we will be, well, let's see, twenty, one, two hundred and fifty people.
10:38Oh?
10:39And that, that the relatives of Gaspi are missing, of Chincha, of Carmen,
10:43mine from Chalhuanca.
10:46Chalhuanca, Chincha, Carmen.
10:48Yes.
10:50Wait! Don't go!
10:52I'm going to call my Chocotextralarch to tell him about the news. Stay!
10:58Hello, my wild banana.
11:00You're going to fall for what I tell you.
11:02Mrs. Francesca is going to lend us her mansion for our love party.
11:07Thank her.
11:09Thank you, ma'am.
11:10We will not forget this gesture.
11:12We owe it to you.
11:13Ask us whatever you want.
11:15With your silence, I have enough.
11:22And why do you want silence?
11:24I don't know.
11:25Well, maybe because of Petit Comité, I don't know.
11:27Oh well, it doesn't matter.
11:29We have a mansion for our love party.
11:34No, no, no.
11:36I refuse to continue being blackmailed.
11:42Oh my God, those little girls are throwing me into their power.
11:49Coqui gave us a gift with the tip of the look.
11:56Welcome to Francesca's, the best restaurant in Peru.
12:01Come in, please. Come on in.
12:25Good morning, distinguished lady.
12:27Good morning.
12:28Tell me, do you have a reservation?
12:30Oh, how sweet.
12:33Let's see, little question.
12:35Look at me.
12:37Do you have a reservation?
12:39No.
12:40No?
12:41No?
12:42No?
12:43No?
12:44No?
12:45No?
12:46No?
12:47No?
12:48No?
12:49No?
12:50No?
12:51No?
12:52No?
12:53No?
12:54Look at me.
12:56Do you think I need a reservation?
12:58No, you tell me.
13:00No.
13:01Well, let's see.
13:02No, no, really no.
13:04Well, it's obvious that you're asking me that question.
13:07You don't know who I am.
13:09And well, guys, we come from different worlds.
13:12I'm so sorry.
13:14I'm going to introduce myself.
13:16My name is Madeleine Maskemeyer.
13:20Maskemeyer.
13:21I mean, it's not mayor.
13:23It's Maskemeyer.
13:25Maskemeyer.
13:26Maskemeyer.
13:27You can say it if you want.
13:28Yes, Maskemeyer.
13:29Faster?
13:30Maskemeyer.
13:31Exactly.
13:32Oh, I love that table.
13:33It's perfect for me.
13:34Perfect.
13:35Of course.
13:36Bonjour.
13:37Bonjour, bonjour.
13:39Please, make yourself comfortable.
13:42Now I'm going to bring you the menu.
13:45Oh, you know I was away for a long time
13:48in the civilized part of this world.
13:52I had to come to this infamous jungle
13:55for personal reasons.
13:57Oh, and tell me, what encouraged you to visit us?
14:00Oh, the prestige of the chef, Diego Montalban, of course.
14:04And the Chivillin Award that the restaurant won
14:07thanks to the daughter.
14:09Now, I'll tell you one thing.
14:10This thing about the Oriental Fusion
14:13intrigues me a lot.
14:14And when I'm intrigued, I can't, I have to, please.
14:17Well, then it will be a pleasure to attend to you
14:19and guide you if you allow it.
14:21Please, go ahead.
14:22Well, I can recommend, for example,
14:25a salmon toast, stuffed with pickled melon
14:29and a basil leaf.
14:30Delicious.
14:31Or it could also be some mini caucitas,
14:33gratin, stuffed with prawns,
14:36and on top, mango jam.
14:39As you can see, our appetizers
14:42have this sweet and sour mixture.
14:44Yes, yes, yes.
14:45And the background dishes?
14:46Are there background dishes?
14:48Background dishes.
14:49Background dishes.
14:50Well, it's still very early
14:51and the chef hasn't given us the recommendation yet.
14:54But I can ask him right now.
14:55Bring me the toasts.
14:56Bring me the salmon toasts.
14:59And the caucitas.
15:01Bring me everything.
15:02What do you think?
15:03Do you have everything here?
15:04And I'm tasting, I'm tasting.
15:07Of course, right away.
15:08Do you want something to drink?
15:10A dry martini.
15:12A dry martini.
15:14At your service.
15:37What are you doing here?
15:39Julie, I'm not here to fight.
15:40I just want to talk.
15:41And I don't care what you want.
15:42Get out!
15:43Julie, you know I'm not a bad person.
15:45No.
15:46Of course not.
15:48You're the best and most loyal friend in the world.
15:50When the kiss thing happened, you weren't there anymore.
15:52Listen to that nonsense one more time and I won't answer.
15:55Okay, okay.
15:56But at least you have to admit
15:57that your relationship wasn't going through the best moment.
16:00Of course.
16:01And you were so worried
16:03that you decided to help us
16:04so that everything ends up going to hell.
16:06I talked to Chris and I told him to understand you,
16:09not to criticize you.
16:10You took him away from me.
16:12You were going through a very special moment, Julie.
16:15You put nonsense in my head.
16:17You needed to experience what it was like to be a model.
16:20Your vocation, your future, was at stake.
16:23So everything you did was for my sake?
16:25Of course.
16:26You're a liar.
16:28A fake.
16:29An unfaithful one.
16:30A hypocrite!
16:31You manipulated me so that I would go astray
16:33and create the whole story.
16:35Julie, I know this world.
16:36I was just guiding you.
16:38And while you were guiding me
16:39in the wonderful world of modeling,
16:41you were seducing the idiot Christobal
16:43who got involved in your lies.
16:47But you know what?
16:49It won't last long.
16:51Because sooner or later,
16:53Christobal will realize
16:54what kind of person you really are.
16:56And he'll leave you because you're worthless.
16:59Now leave before I call security.
17:01The truth is that I have a problem.
17:03I can't stand people thinking badly of me.
17:06And I don't give a shit!
17:07I don't care about your problems!
17:09It's just that it's slipping between my friends
17:11and my contacts that I had a problem
17:12with a photographer's girlfriend.
17:14And that's creating a conflicting reputation
17:16that I don't have.
17:18So if you don't mind,
17:20I wanted to be a live-in
17:21to show that everything is fine between us.
17:26A live-in?
17:31Chef!
17:33Chef, did you hear the order?
17:34Yes, yes, yes.
17:36I'll prepare it now.
17:38Hey, you're pale.
17:40Are you okay?
17:41Yes, yes.
17:42I'm perfect, Lucio.
17:43Thank you, Lucio.
17:44Don't worry.
17:45And isn't Mrs. Lee coming?
17:47She had to go to the bank,
17:49but she'll be back.
17:50Don't worry.
17:51Rather, prepare the dry martini
17:52for the lady I just ordered.
17:54And how do you know she ordered dry martini?
17:57Because you told me.
17:59Yes, of course.
18:00No, I didn't tell you anything.
18:01Yes, of course you did.
18:02You told me, yes.
18:05And what are you going to prepare as a background dish?
18:08The thing is that the lady
18:10shows that she's very hungry
18:11and that she has a lot of world.
18:12So she won't be surprised by anything.
18:14No doubt.
18:16It could be a Peking duck in almond sauce
18:18accompanied with a garlic puree.
18:31Hello, boys, girls, boys.
18:35While we wait for you to connect,
18:38I'm going to put you in context.
18:40A few days ago,
18:42a super ugly rumor is circulating,
18:45which has a lot of fantasy and bad vibes,
18:48about a fight I had with an almost colleague
18:52that shone a little in the modeling world.
18:55But today I want to clarify things
18:58and say that everything that was said is totally...
19:05It's totally...
19:11It's true!
19:12This wretch made me believe the belief
19:14and I lost the love of my life because of her!
19:16And now she wants me to come out in her video
19:18all happy and smiling
19:19saying that nothing happened!
19:20But...
19:21Julia, at least let me put on my QR.
19:23Oh, are you kidding me?
19:24Julia, that's not...
19:25Please, Julia, no!
19:27No, wait!
19:28What is this video?
19:29What is this?
19:30How do I show that this is happening to me?
19:31Please, call my mom!
19:34No!
19:36Julia, stop it!
19:38Let me go!
19:42Let me go!
19:43Please, let me go!
19:45Let me go!
19:47Let me go!
19:48No, please!
19:49No, let me go!
19:58Let me go!
19:59Let me go!
20:00My cell phone!
20:02My cell phone!
20:05Honey,
20:06how did it go with the multicolored cockatoo?
20:08Fortunately, you listened to me and you didn't accompany me.
20:11You would have fainted in her face.
20:13They kill each other! They kill each other!
20:15Son, is something wrong?
20:16It's all my fault!
20:17What?
20:18Anyway,
20:19I don't think their problems compare to ours.
20:22I offered her the house and she was happy.
20:25Then it happened to me with her boyfriend, the mechanic.
20:27I made him promise her silence in return.
20:31And did they promise you sincerely?
20:33Very subtly.
20:35Then we can count on them not to say anything they know.
20:39As for Teresa and her boyfriend, yes.
20:41I don't know about the rest.
20:43They are a tribe.
20:44You benefit one and you benefit everyone.
20:46That's how they handle it.
20:47I hope it's as you say.
20:49But I warn you that the price is high.
20:52Why do you say that?
20:54I asked him to make a petit comité.
20:57But he thought it over and told me that his guests could be up to 200.
21:02Oh, I'm dying.
21:03Not to mention the relatives of Chalhuanca, Chincha and Carmen.
21:07I'm dying twice.
21:09The earth calls me.
21:10I told you.
21:12Claudio says he'll serve lunch in half an hour.
21:15Did something bad happen?
21:17Fran offered the multicolored cockatoo to celebrate their marriage here with the mechanic in our mansion.
21:24Well, that's fine.
21:25But are you sure that Teresa and Gaspar are going to get married?
21:30As far as I know, poor Gaspar has asked her hand a thousand times and she has always ended up returning the ring.
21:36God bless you.
21:37Amen.
21:44Oh, I'm so happy, I'm so happy.
21:47How nice people, Mrs. Francesca.
21:49I was about to tell her that Aurora is Aurora.
21:51Send me your house, prepare the wedding.
21:53But it won't be necessary because we have a cat.
21:57The house of the curses will be ours.
22:00Listen to me, my love.
22:01I'm going to tell you a little something because you also throw me away.
22:03We don't have much budget and less if we want to get married next week.
22:07No, don't worry.
22:08Teri has thought of everything, honey.
22:10Look, I'm going to tell Rosita and Justo to bring a chivito.
22:13Correct.
22:14And now, well, let Juana put it in the oven.
22:15But Juana only softens the cubes, honey.
22:17Oh, love, but it will be the same dressing.
22:19Sir, listen.
22:22And why has the lady changed her mind?
22:24Oh, I don't know.
22:26I don't know what bug bit her.
22:27Could it be that it has to do with what Coqui told us to look at the serious?
22:30It could be.
22:31And they just returned Mr. Gil's license.
22:33The micro was fixed and they gave me the workshop license, love.
22:37Well, Coqui and his things.
22:38Here the important thing is that we have a cat for the party.
22:41Look, I have to make a list of all the things you have to do.
22:45Whatever you say, love.
22:46And I also have to make another list with the guests at the wedding.
22:49Oh, I have to meet your mother.
22:53Yes, but she has to come from Chincha.
22:55Yes, but there is no problem with that.
22:57Do you think she doesn't love me?
22:59Oh, love.
23:00How is she not going to love you like her daughter-in-law?
23:02Look, you and she are going to get along very well, love.
23:04What do you mean like her daughter-in-law, my love?
23:05You don't say daughter-in-law.
23:06What do you say?
23:07How do you say?
23:08Oh, the daughter-in-law, right?
23:09The daughter-in-law.
23:10But do you think she's really going to love me?
23:11She's going to love you, love.
23:12You two are going to get along well.
23:13Oh, how exciting.
23:14Well, listen to me.
23:15I'm not staying here anymore because I have to go to Gamarra.
23:18Because I don't want it to be late for me to buy the fabrics,
23:21choose them and be able to make my wedding dress.
23:24Do you go alone?
23:25Yes, I go alone because I like to do that alone,
23:27take my time and no one is stressing me out.
23:29Look, my love, you are going to be the most beautiful bride in the universe.
23:33This is the truth, right?
23:35Of course, my honey from Chancaca.
23:37This is the truth and there is no doubt.
23:42Bye, love.
23:51Oh, it's the best meal.
23:52I've eaten it a long time.
23:53A wonderful experience.
23:54Wow, but how exquisite English.
23:55From London.
23:56England, yes.
23:57I travel so much that sometimes I don't even know where I am.
23:58That's it.
23:59I would love to meet someone.
24:00Who?
24:01Who?
24:02Who?
24:03Who?
24:04Who?
24:05Who?
24:06Who?
24:07Who?
24:08Who?
24:09Who?
24:10Who?
24:11Who?
24:12Who?
24:13Who?
24:14Who?
24:15Who?
24:16Who?
24:17Who?
24:18Who?
24:19Who?
24:20Who?
24:21Who?
24:22Who?
24:23Who?
24:24Who?
24:25Who?
24:26Who?
24:27Who?
24:28Who?
24:29Who?
24:30Whoevelever genius has created these dishes.
24:31I need to meet the chef.
24:32Now I'll give you, so you can get close.
24:35You love me.
24:36You love me more than I do.
24:42Music
24:43Music
24:44Music
24:45Music
24:46What happened, Pe? You look like you saw a ghost.
24:49What's wrong?
24:50Mrs. Ali, I'm glad you're here.
24:52There's a client who wants to congratulate the chef.
24:55Go ahead, Salvador.
24:56No, you go, please, Mrs. Ali.
24:58No, but I haven't prepared anything.
25:00But you're the main chef.
25:02But you're the in-charge chef, aren't you?
25:06Mrs. Ali, what do you think?
25:09Enough.
25:10Go, Salvador.
25:11No, no, no, no.
25:13What do you think?
25:15Enough.
25:16Go, Salvador.
25:24Julie.
25:25What are you doing here?
25:26I came for...
25:27That idiot is perfect for you.
25:29I'm not with her.
25:31Then what are you waiting for?
25:33Go.
25:34Find her.
25:35She shouldn't be far away.
25:37Julie.
25:38Are you also here to do a live show?
25:39No.
25:40Then get out.
25:41The teacher already told me my life because of your friend.
25:44And I don't want you to yell at me again if I find you here.
25:46Okay.
26:09They told me you wanted to meet me.
26:13Who are you?
26:16The image of the restaurant.
26:20No, no.
26:21You're wrong.
26:22What I need is to meet the chef.
26:24Congratulate the chef.
26:25The creator of these delicacies of gods.
26:28Him.
26:29The chef is busy, but I can congratulate him.
26:34Yes, yes.
26:35That's good.
26:36I'm very happy, but...
26:37Excuse me.
26:39Let's not agree, Mrs. Asian.
26:42It's not the same.
26:44I want to meet the author of these delicacies that I just consumed.
26:50This...
26:51This glory.
26:52This manna from heaven.
26:54It's not the same.
26:55For you to know, my restaurant had five chokas.
26:59I care about five tamarinds.
27:02The chokas.
27:03The chef is going to bring me.
27:05Or else I don't pay a cent of what I consumed.
27:09The chef.
27:11The chef.
27:12I also know Mandarin Chinese, rude.
27:18And?
27:19The chef wants you to go.
27:21He says he's only going to pay you.
27:23What?
27:24You have to go.
27:25It's a big bill.
27:26Already.
27:27So do it yourself.
27:28Ready.
27:29Already.
27:30Go for it.
27:31Pass him the credit card.
27:32Already.
27:33I'm super.
27:34I'm super.
27:35I'm super.
27:36Already.
27:37Already.
27:38Already.
27:39Already.
27:40What are you doing there, wasting time?
27:42Calamba, your lips.
27:55What are you doing here?
27:56I got scared.
27:57I got scared.
27:58I was shocked.
27:59Oh, no.
28:00Nothing.
28:01Nothing.
28:02How wonderful.
28:03And to think that your father and I thought you were going to fall
28:07in this culinary adventure.
28:08And look.
28:09How did you find me?
28:10I have my contacts.
28:12This is yours.
28:13This is yours, my son.
28:15At least you recognize him.
28:17Pupé?
28:19No, no, no, no.
28:20No, no.
28:21No grudges.
28:22I'm your mother.
28:23And your mother will always want the best for you, Pupé.
28:25Please.
28:26If you really want the best for me.
28:27Yes.
28:28Go before they know you're my mother.
28:30Well, well, well.
28:31When are you going to visit me?
28:32I don't know.
28:33I'll call you.
28:34You call me?
28:35Prometido.
28:36Prometido?
28:37Pupé?
28:38Prometido?
28:41Oh, I love it.
28:42Why?
28:44There it is.
28:46What is this?
28:47I'm paying.
28:48And the card?
28:49Card?
28:50I don't use plastic.
28:51I take care of the planet.
28:54Mom.
28:56Tell me the truth.
28:57The only truth is that I am completely proud of you.
29:02Realmente nos dábamos un centavo partiendo por la mitad por tu futuro.
29:08Realmente eres una sorpresa.
29:11Pensábamos que ibas a ser un don nadie.
29:14Chao.
29:32Mom?
29:33Oh, my.
29:34No.
29:35What?
29:36A hug of reconciliation with Mom.
29:40A hug of reconciliation with Mom.
29:45What is this?
29:47My beautiful boy.
29:49My Pupé.
29:50My Pupé.
29:51Oh, what a beautiful thing.
29:54Listen to me.
29:55Listen carefully to what I'm going to tell you.
30:00Listen to what I'm going to tell you.
30:01Your brothers, who went to the races,
30:04who go up to people on foot, right?
30:06You know what happened?
30:07What happened?
30:10They forgot about me.
30:13But you don't, you don't, you don't!
30:15You're a good person.
30:17You're my Pupé, my Conchito, my Pollito.
30:19Mom, you've left too much money.
30:21It's a prestigious restaurant.
30:24Yes, but we're on sale, not so much anymore.
30:26How sweet you are.
30:27You're very sweet.
30:30Now, you know what?
30:31Stay with Grandpa.
30:32No.
30:32Stay with Grandpa.
30:33No, I can't.
30:34You have to stay.
30:35Here, you have your money.
30:36No, no, no!
30:37It's not negotiable.
30:39Look.
30:39No, no.
30:40Look, I know that you...
30:42Shh!
30:43Shut up!
30:45We don't talk about those things.
30:46Not here on the street.
30:48Listen to me.
30:51I am Madeline,
30:54more than Maya.
30:55Yes.
30:56Okay?
30:57Don't ever forget that.
30:59Socialité,
31:01frivolité.
31:02Una especie,
31:04lamentablemente en extinción.
31:05Lamentablemente.
31:06That's right.
31:07So, nothing.
31:08Stay with the money.
31:09No.
31:10Now.
31:10You have to take it.
31:12Listen to me.
31:13Now.
31:14Whatever.
31:15Take it.
31:16Take it, my dear.
31:18My Pupé.
31:19Pupécito lindo.
31:20Kiss Mom.
31:22Mom, well...
31:23Yes, yes.
31:25Kiss Mom.
31:27Kiss Mom.
31:29Pupécito hermoso.
31:31Do you remember when you said Pío Pío when you were little?
31:33I don't remember.
31:34Say it again.
31:35Say it again.
31:36Pío Pío.
31:38Pío Pío.
31:41Bye.
31:41Bye.
31:42Bye.
31:45I think it's incredible that Mrs. Francesca
31:47has lent the house for the marriage of Teresa and Gaspar.
31:50Can you imagine what that's going to be like?
31:51If the González family are crazy,
31:53their friends, their guests.
31:55Oh, I don't even want to think about how the mansion is going to look.
31:57No, don't worry.
31:58Not even if they were savages.
32:00Mrs. Francesca knows them well.
32:01She knows how to handle them.
32:02I don't think there will be any damage.
32:04Oh, God hear you.
32:07Ma'am.
32:08Macarena and Cristóbal are going to come to lunch.
32:11Don't worry, I'll take care of them.
32:12Did Alessia come down?
32:14No, ma'am.
32:14She's still in her room.
32:16Is she sick?
32:17Not exactly.
32:22Poor Miss Alessia.
32:23It seems that she is still in love with your cousin.
32:26And hers.
32:27Oh, Corojo Coqui.
32:28Why will love be so complicated?
32:37Come in.
32:42Hello.
32:48You haven't had breakfast, you didn't go down to lunch.
32:51Do you feel bad?
32:53I'm just going to get up.
32:54Don't worry about me.
32:56I just wanted to talk to you before going to the corporation.
33:00Yes, of course. Tell me.
33:02Can I?
33:03Yes, yes, yes.
33:07I wanted to apologize to you.
33:09Apologies?
33:10No, why?
33:11If I was the one who failed you.
33:12Oh, don't be so hard on yourself.
33:14Who is wrong?
33:16I come to admit that I did nothing to resume our relationship.
33:19No.
33:20Let me continue.
33:22I know that things happened that separated us.
33:25But I came back with your father.
33:28And I also know that it was my responsibility to initiate a conversation between us and I didn't do it.
33:33And you're doing it now.
33:35I could see how worried you were when I had the paraplegia.
33:40We weren't going to worry.
33:42I never thanked you properly.
33:44That doesn't matter.
33:46It does matter.
33:47Of course it does.
33:48I know that you're not having a good time.
33:51I know that you broke up with Jimmy.
33:54That you were forced to close Francesca's.
33:57And that you probably feel like you're drifting away.
34:01But I'm here for you.
34:03Thank you, Fran.
34:06I think you have to overcome all this.
34:10Get strength from anywhere to move forward.
34:13Think that you can trust your family.
34:15Think that you can trust your family.
34:18You have your mother.
34:20As if I didn't have her.
34:21But Silvana exists.
34:24I just want to tell you that I want you to consider me part of your family.
34:29And that you always count on me.
34:33Good.
34:35And if we go on a trip, we had a good time the last time.
34:39Do you remember?
34:40Yes.
34:41I code with royalty.
34:42How am I going to forget?
34:43Of course.
34:58Where did you go?
34:59The lady forgot her bag, her wallet.
35:02And I went to give it back to her.
35:04And did she pay the bill?
35:05Yes, yes.
35:06And she left a good tip.
35:07How much did she leave?
35:08She left a thousand soles.
35:10This is broken.
35:12This is broken.
35:14Lady, lady.
35:22Family.
35:24Family.
35:26Family.
35:30Family.
35:31What happened?
35:34Come all please, fast.
35:36Come.
35:39Family.
35:41I have to give you the most important news of my life.
35:44Well, actually the most important news
35:46was when I found out that I was pregnant with my Richard Junior.
35:49But it is the second most important.
35:51Redouble the drums.
35:53Teresa has already talked about once that they had to cut a churro in half.
35:56Oh my God, what a cough.
35:57Baby, don't listen to him.
35:58You already know how he is.
36:00Yes, please tell us now that I'm dying of curiosity.
36:03Yes, yes.
36:04Family.
36:06Gaspar and I got married the other week.
36:13What's wrong?
36:14But why aren't you happy?
36:16Of course we are happy, daughter.
36:19But since yesterday we have made the decision
36:22to deal with that issue with tweezers.
36:24The truth, Teresa, is that we don't believe you.
36:26But how come you don't believe me?
36:28It's a repeated story, aunt Peco.
36:30Yes, it's the truth, little sister.
36:32Don't be offended.
36:33Yes, aunt.
36:34Gaspar has asked you for your hand like 20 times.
36:36Why would it be destined this time?
36:37Because I tell him.
36:39Teresa, I'm sorry to interrupt.
36:41I know no one has asked me for my opinion,
36:42but I still want to think that what you have said
36:45seems like a joke of the day of the innocent.
36:47Let's see, Felix.
36:48Go look for your friends, okay?
36:50Look, I went to Gamarra to buy the fabric for my wedding dress.
36:54And not only that.
36:55We are going to get married no matter what.
36:57And the party will be at the Maldini house.
37:04What's going on?
37:07Why are you laughing?
37:08I don't understand.
37:11I'm sorry, aunt Tere.
37:12But if the marriage is already hard to believe,
37:14what are the parties going to be at the house of the straight people?
37:17They are impossible.
37:18It's not impossible.
37:19And I'm going to prove it to you.
37:20No, Teresita.
37:21You don't have to prove anything to us.
37:22If you are going to marry Gaspar next week,
37:24then at a good time.
37:26You are completely right, Linda.
37:27I don't have to prove anything to anyone.
37:29It's true.
37:30I'm going to get married no matter what.
37:31You'll see.
37:34What?
37:36Another dog with that bone.
37:41I don't understand.
37:42Why are they laughing?
37:43I don't want them to doubt me.
37:44I don't like it.
37:45They are bothering me.
37:46Oh, Tere.
37:47I don't know how many times you will have broken your commitment to Gaspar,
37:50but for the reaction of your family, it seems that quite a few.
37:53Look.
37:54No one has asked you for your opinion, intruder.
37:57Hey, sister.
37:58Please don't talk to my lady girlfriend like that.
38:00Well, girlfriend?
38:02You haven't asked me yet.
38:04I believe in you, baby.
38:07And if you are going to get married next week,
38:10I'll go with you.
38:12Oh, cutie.
38:14And you are going to accompany her very handsome and proud to the altar.
38:18I hope you don't notice the diaper.
38:20Shut up, scoundrel.
38:22Oh, it's my sense of humor.
38:23You already know me.
38:24That doesn't make any sense.
38:26Let him, daddy.
38:27Let him laugh.
38:28Then he's crying in every corner because of Lorena who left him.
38:32Brother, brother.
38:33You can't be bad.
38:34Well, respect keeps respect.
38:38Well, I'm going to heat up Julissa's food.
38:40Oh, no, don't worry, cutie.
38:41I'll do it.
38:42No, don't worry.
38:43Go wash your hands.
38:44Well, I'm heating up the microwave.
38:46Bye, cutie.
38:47Bye.
38:48Let's go, bro.
38:49Well, I'm going to do my wake-up call.
38:51No, no.
38:52But, man, let's go there.
38:55What's missing?
38:56A lot of defense.
38:57Don't believe me.
38:58But I'm going to get married.
38:59Like the princess I am.
39:00And then, they're going to eat their words.
39:02Teresita.
39:03Now that Ernesto is my lover,
39:05it's not that we don't believe you're going to get married.
39:08What's hard to believe is that you're going to get married next week.
39:13Don't believe me.
39:15You'll see.
39:16You'll see.
39:30Oh.
39:32Delicious.
39:33How delicious.
39:34Masamorra and rice with milk.
39:35I haven't eaten in a long time.
39:37It's so good that you found silver before Christmas.
39:40It's delicious.
39:42And how are your classes going?
39:44Good.
39:45I already enrolled.
39:46I start tomorrow.
39:47Artie says the teacher who's going to give you the workshop
39:49is a great teacher.
39:50Artie?
39:51My Artie, your Artie, our Artie.
39:52Artie!
39:54Well, I hope the teacher
39:56is an old man, but no.
39:58Why?
40:01Because they are more experienced.
40:03Yes, right?
40:06Okay.
40:07Hey.
40:08Francesca told me
40:09that Tere had asked her for her house
40:11to do the matrimony party.
40:13Yes, but nobody believes she's going to get married.
40:15That's bad, Joel.
40:16Why?
40:17It all started the day of your marriage.
40:21Sorry, Rubia.
40:22No, no.
40:23Nothing happened.
40:24Are you sure?
40:25Yes.
40:26Tell me.
40:28Let's see.
40:29On the day of your matrimony,
40:30in the middle of the party,
40:32Gaspar asked my aunt Tere for her hand.
40:34And she agreed.
40:36But since there were a lot of unpleasant events,
40:38you know,
40:40the stabbing that they put in Lecia,
40:42and I left Pati implanted.
40:45You know how my aunt is.
40:46She didn't want to remember that day
40:48with so many unpleasant things.
40:50She's a bit crazy.
40:51It's a bad omen, you know?
40:52Well, you're right, Joel.
40:54No, but that's not all.
40:56Then there were more requests,
40:58and more beatings.
40:59I've already lost count.
41:04That's why you think she's not getting married?
41:09I think she is getting married.
41:12Shall we go to bed?
41:13You're going to lose...
41:14A lunch.
41:15Okay.
41:22It's nice to know that there are still people
41:23who do believe in marriage.
41:29Yuli, Olinda, Juana, Papito, Pepito,
41:34María Paz, Lorena, Japi,
41:37well, Félix,
41:39what's he doing there?
41:41Rosa, Justo, La Charo.
41:43La Charo has to come from Canada,
41:45but I have to let her know as soon as possible
41:46because it's the other week.
41:47Grace, Nicolás, Lucho, Reina...
41:50Reina...
41:52I should send a specific part
41:54so that Reina doesn't come.
41:56Chirle, Johnny, Richard...
42:00Should I tell Richard?
42:01Oh no, better not,
42:02because he's going to be sad.
42:04Oh my God, the dress.
42:06Let's see, I want to see here.
42:08The dress has to have a long, long tail,
42:11that doubles the apple.
42:14Oh, I have to decorate the house,
42:16and the time is running out.
42:18Don't worry, don't worry,
42:20we're going to do everything
42:21and we're going to do it very well.
42:26Oh my God!
42:33Oh my God, excuse me.
42:35Let's see.
42:36Let's see, no, no, no, definitely
42:38this house lacks color,
42:41it lacks life.
42:42Life? Color?
42:43Yes, Claudia Cooper herself,
42:45the chicest decorator in Lima,
42:46the one in charge of the salon.
42:47I don't know,
42:48I think one of the fabrics
42:49of my dogs' clothes
42:50could go in those cushions.
42:52But let's take the measurements here.
42:54We have to...
42:55Mr. Salvador, how are you?
42:56How are you?
42:57Please, come in.
42:58Ms. Alessia is coming right away,
43:00and you are here.
43:01Come in, please.
43:03I'm sorry about that.
43:04Why?
43:05Hello, how are you?
43:06Hello, how are you?
43:07You are the cook
43:08for whom Alessia left my nephew.
43:09Excuse me?
43:10No, no, no, I don't forgive you.
43:13The atmosphere got heavy,
43:15so I'm leaving.
43:17No, no.
43:19Excuse me.
43:20Okay.
43:21I'm going to pass,
43:22I'm going out.
43:24That's weird.
43:29Oh!
43:30Did she leave?
43:31Sorry, did the lady who was here leave?
43:33Yes, yes, Claudio, she left.
43:34Oh, thank goodness.
43:36Ms. Alessia is coming.
43:38Yes, I see.
43:39Hello.
43:40Hello, how are you?
43:41Claudio, please,
43:42can you prepare us something to drink?
43:43Of course.
43:44What kind of class is it?
43:45Guitar? Bachata?
43:46Why?
43:47Are you going to record it again?
43:48Oh, what an ugly blow.
43:49Not even gossipy.
43:50For pleasure,
43:51they accuse one.
43:52Oh, no.
43:54Well,
43:55you have to come back, Ale.
43:58You know what?
43:59I've been thinking about it.
44:00Really?
44:01Yes, I had a very nice conversation with Fran,
44:03and I think she's right.
44:04I have to go back to my life,
44:05to move forward.
44:06That's good,
44:07because you don't know the lack
44:08you make in Flanchescas.
44:09And I miss my kitchen.
44:10Yes,
44:11I still find it hard to say Flanchescas.
44:12It's weird.
44:13But well, yes,
44:14you have to come back.
44:15We need you.
44:23Give me your list.
44:24My uncles.
44:25Already?
44:26Write it down.
44:27Adelina,
44:28Aurora,
44:29Consuelo,
44:30Malena,
44:31Norman,
44:32Gonzaela,
44:33Esperanza,
44:34Amador,
44:35Gonzalo,
44:36Lucho,
44:37Mauro,
44:38Alejandro,
44:39Jaime,
44:40Manuel,
44:41Silvia.
44:42Yes, love.
44:43In a little while,
44:44because I'm already getting dizzy
44:45with so many people.
44:46But you think
44:47they're all going to come today?
44:48What?
44:49This happened today,
44:51and it's Alessia Montalban.
44:54Regia Chica.
44:56The Montalban Mansion.
44:58Wonderful place.
44:59The hills, another color.
45:01What is this?
45:03A guard.
45:06Oh no, it's a huaca.
45:08How wonderful that the INC
45:09still preserves these sites.
45:11What a strange message
45:12from Mr. Bollón.
45:14What time is it in Beijing?
45:15Well, it's been like 13 hours.
45:17It must be 10 at night there.
45:19Are you sure he asked you
45:20for us to connect?
45:21Read it yourself.
45:26He's coming.
45:28What?