バズマンTV 2024年11月22日 超話題作「平和の国の島崎へ」作者が嫉妬したマンガを激白！
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00I'm going to be able to do it.
00:02I'm going to be able to do it.
00:04Thank you Yasuko!
00:06You're relaxing.
00:08I'm sorry.
00:10I was at the very end of the opening.
00:12This time,
00:14Look!
00:16I'm at the Kofunasho!
00:18I'm at the Kofunasho!
00:20Thank you!
00:22The Kofunasho is so beautiful!
00:24It's like a palace!
00:26It's like a palace!
00:28I'd love to come to your store, and I'll film it until you come!
00:30I'd love to come to your store, and I'll film it until you come!
00:32I love that!
00:34She's going to the dojo.
00:36It's a hobby.
00:38Weekly SHM.
00:40Morning,
00:42Afternoon.
00:48How are you?
00:50How are you?
00:52How are you?
00:54How are you?
00:56He asks forbidden questions.
00:58It's very hard to hear, but can you tell us about a manga that you were jealous of?
01:03It's bold and cool.
01:07Wow!
01:08It's amazing!
01:09This is amazing!
01:11It's drawn in the form of a manga.
01:15I was very jealous.
01:16Wow!
01:20The editor-in-chief, Mimura, will share his knowledge and know-how about manga.
01:26He will create a big hit from the Buzzman Editing Department.
01:30Buzzman TV
01:32The editor-in-chief, Mimura, will create a big hit!
01:40Thank you!
01:41This is today's topic.
01:44If you interview a popular manga artist, you will find a hint to create a hit manga.
01:49Yes!
01:51This time, I interviewed two people who are fans of the popular manga,
01:55Heiwa no Kuni no Shimazaki, who are also businessmen.
02:03Heiwa no Kuni no Shimazaki, which is serialized in Morning in 2022.
02:10He is a manga master.
02:12He is a manga master who ranks in the number of shows like the upcoming manga master.
02:19He is also a fan of Kirin no Kawashima and Kendo Kobayashi.
02:25I used to shop at a bookstore.
02:29I bought a book I liked for 10,000 yen and gave it to everyone.
02:34Then I bought it.
02:36That was a hit.
02:38He's got a good sense.
02:40He's so young.
02:41I'm so happy that he chose a good manga.
02:43He's got a good sense.
02:47He's so popular that he's being praised by manga lovers.
02:53What kind of person is he?
02:56He's looking for a teacher.
02:58He's looking for a teacher.
03:00There's a rumor that he's small.
03:03He's looking for a teacher.
03:06Could it be...
03:07Good morning.
03:09Are you a teacher?
03:11Yes.
03:12Thank you for coming.
03:14I'm Oten Hamada.
03:16I'm Seshimoto Sakugano.
03:18Thank you for coming.
03:20I've read all of your manga.
03:22It was very interesting.
03:25My heart is fluttering.
03:29The protagonist is Shimazaki, who was abducted overseas and raised as a combat worker for 30 years.
03:38Shimazaki returns to Japan and tries to regain a peaceful life.
03:45However, he is involved in various troubles because of his strength.
03:49It's an action manga.
03:51He wants to be a member of a peaceful country.
03:56But it doesn't work out.
04:00It's frustrating in many ways.
04:03It's about human relations.
04:05It's about the feelings of the protagonist who wants peace.
04:09There's a mysterious countdown.
04:11Yes.
04:12It's like 300 days until his return.
04:15Shimazaki ran away from a certain unit.
04:19But for some reason, there's a countdown until his return.
04:23Oh, no.
04:24It's going to take about three hours to talk about this.
04:26You're divided into original work and manga.
04:29Yes.
04:30Is there more division in the manga industry?
04:33Yes, there is.
04:35There are many works that are divided into original work and manga.
04:42The quality that is required has increased.
04:46That's why it's easier to get a hit.
04:51I see.
04:52Is the name written here?
04:54Yes.
04:55I think about the story and draw a rough sketch of the manga.
05:04This is the original manga that Hamada-sensei drew.
05:09It's called Name.
05:11Hamada-sensei is careful about the size and arrangement.
05:15This is my work.
05:17The version that Sesshimo-san drew is a little different.
05:22Oh!
05:23I think the intention should be conveyed.
05:26Yes.
05:27Sesshimo-san's version is easier to draw.
05:30I think it's easier to convey.
05:34The teachers learn the tips to make a big hit.
05:40First of all, what is the manga that makes you jealous?
05:45It's very difficult to ask.
05:47Can you tell me the manga that makes you jealous?
05:52This is it.
05:53Akira Hiramoto's manga is called Me and the Devil's Blues.
05:57I'm jealous because he's my senior.
06:01It's just cool.
06:04A music suspense set in the world of jazz.
06:07Me and the Devil's Blues.
06:09It's like a painting.
06:10It's like a painting.
06:13The author, Akira Hiramoto,
06:15said that the representative work, Prison School, is an anime or live-action.
06:20It's a story about a man who admires a bluesman
06:24and sells his soul to the devil to get a genius blues ability.
06:32In the 1920s in the United States,
06:35he made a contract with the devil in exchange for everything in his life.
06:39He got a superhuman guitar skill.
06:42The protagonist, RJ.
06:45It's a work of Robert Johnson, a legendary blues singer with superb guitar technique.
06:53Mr. Seshimo was jealous of his overwhelming drawing ability.
06:57Especially, the way he drew the lines.
07:01When I draw a line, it's a pleasant moment.
07:05The black part?
07:07Yes.
07:08The way he draws the lines is bold and cool.
07:11It's great.
07:13It's great.
07:14This is great.
07:16It's great.
07:21It's very difficult to play music in a manga.
07:25You can't hear the music in a manga.
07:29So, it's very difficult to express it.
07:35This bluesman is in the zone.
07:37I've been playing this scene for a long time.
07:39What?
07:40It's amazing.
07:43The fear is approaching.
07:48Listen to my blues.
07:50It's a piece of art.
08:01The guitar playing is approaching the devil.
08:07And, finally...
08:12Wow.
08:13I'm getting goosebumps.
08:16It's amazing.
08:18I can draw a simple picture.
08:22The details are very beautiful.
08:24It's true.
08:25If you look closely, you can see the lines.
08:28The amount of drawing is amazing.
08:30The background, the shadow, and the lines in the eyes.
08:33It's more detailed than other manga.
08:37And, the gradation.
08:40Mr. Hiramoto's drawings are well-received by manga fans.
08:45Compared to his debut manga,
08:47Ago Nashi Gento Ore Monogatari,
08:50his drawings have evolved a lot.
08:53He even appeared in another manga.
08:55Why did I draw like that?
08:57It's totally different.
08:59And, after that...
09:01Could you draw a picture of Editor-in-Chief Mimura
09:04who is likely to appear in Heiwa no Kuni no Shimazaki?
09:08Yes, I'd love to.
09:10Really?
09:12Thank you very much.
09:13I was told to draw this much.
09:16I'm sorry for being so selfish.
09:18I'm sorry, Mimura.
09:20You're crazy, Yasuko.
09:21Thank you very much.
09:24Could you draw a picture of Mimura
09:26who is likely to appear in Heiwa no Kuni no Shimazaki?
09:29I haven't seen it yet.
09:31I'm looking forward to it.
09:36Wow!
09:38It's really good!
09:40This is me moving a lot.
09:44I'm good at joint techniques.
09:48I draw a picture of him every time,
09:51and I get excited every time.
09:57Mr. Shiono, do you ever get jealous?
09:59Jealous?
10:00Yes, I do.
10:01Really?
10:02I'm curious.
10:04When an actor of the same age joins the cast,
10:09I think,
10:10Oh, that's great.
10:12So I don't watch it.
10:15Do you have a lot of auditions?
10:19Auditions...
10:20Do you have a lot of competitions?
10:22I auditioned for NHK's drama,
10:25Taiga Drama.
10:27I auditioned for the role of Emperor Ishijo.
10:32It's a very good role to win an audition.
10:36Well, it happens once in a while.
10:40A forbidden question for a manga artist.
10:44Next,
10:45a manga that Mr. Hamada was jealous of.
10:50Akiko Okuda's Placebo Club.
10:53This is a new version.
10:57This is a new version.
11:00It is the origin of manga artist Akiko Okuda.
11:05Placebo Club.
11:09Ouch!
11:10Look ahead and run, boss!
11:13The main character is not conspicuous in the class.
11:16She is Oka-chan, a junior in junior high school.
11:20Her best friend, Tayama, is also inconspicuous.
11:24She relies on fortune-telling, but complains a lot.
11:29She is afraid of being out of friends.
11:31She is afraid of being out of friends.
11:36She wants to be ordinary, but a little special.
11:40She wants to be ordinary, but a little special.
11:45She is an average junior high school student,
11:48but she is special.
11:50She is special and unique.
11:53She has many different sides.
11:56She draws them beautifully in the form of manga.
12:02I was frustrated.
12:05I was frustrated.
12:08I was very jealous.
12:14Mr. Hamada's
12:15Mr. Hamada's
12:18amazing expression of the complex emotions of junior high school students.
12:20For example,
12:23Oka-chan's senior in the art club,
12:25Oka-chan's senior in the art club,
12:29but she never draws,
12:31but she never draws,
12:35and she is cool,
12:36and she is cool,
12:40and she is cool,
12:44and she is cool,
12:48and she is cool,
12:49and she is cool,
12:50and she is cool,
12:51and she is cool,
12:52and she is cool,
12:53and she is cool,
12:54and she is cool,
12:55and she is cool,
12:56and she is cool,
12:57and she is cool,
12:58and she is cool,
12:59and she is cool,
13:00and she is cool,
13:01and she is cool,
13:02and she is cool,
13:03and she is cool,
13:04and she is cool,
13:05and she is cool,
13:06and she is cool,
13:07and she is cool,
13:08and she is cool,
13:09and she is cool,
13:10and she is cool,
13:11and she is cool,
13:12and she is cool,
13:13and she is cool,
13:14and she is cool,
13:15and she is cool,
13:16and she is cool.
13:18In this piece,
13:19my focus is on drawing
13:21and sending message of seniors
13:24This is linked
13:25with
13:27an art work
13:28that send message of senior
13:30beat drop
13:32In the last page,
13:33as they met their teenager's idea
13:34of trying to answer
13:35their teenager's letter
13:36A senior lying in bed
13:37for the first time
13:38draw a picture
13:38This is the picture
13:40of a teenager
13:41That's it
13:43I forget
13:44I forgot something.
13:46What?
13:47Hmph!
13:50That's so lame!
13:53Oka-chan is drawing herself.
13:56And when she does this expression,
13:59she looks like she's in a state of despair,
14:02but she's actually very moved.
14:04The fact that there was someone who drew herself
14:07in such a close-up for the first time
14:11makes her very happy.
14:13It's called a lame picture.
14:15A lame picture is a picture
14:18where the font is slanted.
14:20Oh, that's true.
14:21This is the same.
14:22Oh!
14:24I see.
14:26You can see it with your eyes,
14:28but you can't express it with words,
14:31so it's frustrating.
14:32Wow, that's amazing!
14:35It's really good.
14:37It's good, isn't it?
14:39If you're a regular reader,
14:41you probably don't pay much attention to it.
14:44But when I saw the scenario,
14:46I thought,
14:47why is it slanted?
14:49That's when I realized
14:50that it was just my imagination.
14:52I wonder why everyone thinks that.
14:54Oh, that's true.
14:55Next, we'll ask Mr. Seshimo
14:58about the scene where the cartoonist draws herself.
15:03Is there a scene in the movie
15:05where the cartoonist draws herself
15:07like this?
15:08Yes, that's right.
15:09Well...
15:10Here.
15:11Here?
15:12Yes, here.
15:13It's like this.
15:15The scene where Ogata and Shimazaki
15:17clash with each other
15:19is the scene where the selected frame appears.
15:22The two meet at the yakuza's office
15:25and exchange glances.
15:29That's so cool!
15:32She uses her whole body to stop the movement.
15:35That's a bold look.
15:37When this came up,
15:39we were in shock.
15:41We thought,
15:42what's going on?
15:44In Jigajisan Point,
15:45the way the screen is used
15:47and the placement are decided.
15:51There's a part where you have to be careful
15:53when you open your eyes.
15:55This is a picture,
15:57but in the magazine,
15:58the center is cut off.
15:59It's this line.
16:00It's cut off.
16:01Yes, cut off.
16:02At first,
16:03I used this composition
16:04to designate the scene.
16:06I see.
16:07With this composition,
16:08the intention is conveyed.
16:10I did this to convey the intention.
16:12Then,
16:13Mr. Seshimo
16:14used this composition.
16:16The camera from above
16:18is very easy to explain the situation.
16:21You can take a wide shot.
16:23So,
16:24Mr. Seshimo
16:25came up with this composition.
16:27I wanted to show my face,
16:30so I drew the composition
16:32so that I could get closer to my face.
16:35I think I completed it.
16:38I completed all the parts
16:39that I had to be careful about.
16:41I don't usually draw the back of the shoes.
16:45It's like the back of Converse shoes.
16:48Also,
16:49this is a woman's form.
16:52I see.
16:53It's hidden.
16:55It's a bit like a butt.
16:57The posture, too.
16:58Well,
16:59it's wonderful.
17:00Wonderful.
17:01Mr. Seshimo,
17:02is your current work
17:03analog or digital?
17:05It's analog.
17:06I draw with a pen on paper.
17:09I used to draw my favorite works
17:11such as Bukaben and Slam Dunk
17:13by hand.
17:14So,
17:15I wanted to be a cartoonist.
17:18I wanted to use a G-pen.
17:20I wanted to be a cartoonist
17:23in the sense that I wanted to be a cartoonist.
17:25So,
17:26I admired it.
17:29It's good to use a G-pen.
17:31It's cool.
17:34Mr. Seshimo is particular about hand-drawn works.
17:37Yasuko learns how to draw action.
17:41For example,
17:42how do you draw a person running?
17:44Can you give me some advice?
17:46Advice?
17:47Well,
17:48I'm really bad at it,
17:50but can I draw a person running?
17:52Ready, go!
17:53Yasuko is good at drawing.
17:56She tries to draw a person running
17:58in front of the teachers.
18:00Good, good, good.
18:02I'm not good at it.
18:03The teachers are kind.
18:05Great.
18:06Good.
18:07A person running.
18:08Good.
18:09Great.
18:11Great.
18:12Mr. Seshimo,
18:13what do you think of it?
18:15I don't have anything to fix.
18:17If I were a teacher,
18:18I would draw a person running
18:19with my right hand.
18:20Really?
18:21If I were a teacher,
18:22I would draw a person running
18:23with my left hand.
18:24That's great.
18:25I feel so good.
18:26I feel so good.
18:27Thank you for complimenting me.
18:28Then,
18:29how does a professional manga artist
18:31who is good at action
18:33draw a person running?
18:36Well,
18:37let me see.
18:38Yes.
18:39Let me see.
18:41I can't see it.
18:43Yes.
18:44Yes.
18:46Oh, I see.
18:47Please take a rest.
18:49I'm a professional manga artist.
18:53Here is the picture he drew.
18:57Here it is.
18:58Wow.
19:00It looks so strong.
19:03It looks so strong.
19:04Wow.
19:05It's great.
19:06It's great.
19:07Wow.
19:08It's different from the angle
19:09where Yasuko was running.
19:11That's right.
19:13The angle is totally different.
19:15That's right.
19:16Great.
19:17I didn't run like that in the front view.
19:19Why did you change the angle to the front view?
19:22When I run from the side
19:24or from the front,
19:26it's difficult
19:28and it's hard to show the power.
19:31But if I change the angle,
19:34I can show the power.
19:37I'm careful about where I put my weight.
19:40When I run with a high center of gravity,
19:43I can't feel the weight.
19:46But when I run with a low center of gravity,
19:49I can feel the power.
19:51That's right.
19:52The front view is good.
19:54Yes.
19:55Can I have this torn later?
19:57I'm happy.
19:58I'll put it at home.
19:59By the way, Shiono-kun,
20:00can you draw a picture of Yasuko running?
20:04Can I draw it?
20:06You might be caught.
20:10It's fast.
20:11He already drew it.
20:12Quickly.
20:13Yes, please.
20:15It's like I added two more.
20:19You're good.
20:20It's fast.
20:21You're good.
20:22You're good.
20:24I drew the right hand and the right foot.
20:27I was pulled.
20:30Finally,
20:31I asked them how to make a hit manga.
20:36What is the secret to making a hit manga?
20:39It's easy to read.
20:42If you can't read it,
20:45or if you can't read it,
20:48it will be over.
20:50So it's not about whether it's interesting or not.
20:53It's about the ease of reading and the rhythm.
20:56First of all, it's about whether it's done properly.
20:59You can do it all in a hit manga.
21:03In my case,
21:04I want to draw what I think is the coolest.
21:08The actual words from the teacher who is making a hit manga
21:12have a lot of meaning.
21:15We received a message from Mimura-san.
21:20The latest episode of the original manga,
21:22A Year Later Wedding Dress, is on air.
21:26Don't miss the last episode of the original manga,
21:29Make Honey Trap.
21:31Make Honey Trap
21:33A Year Later Wedding Dress
21:35A Year Later Wedding Dress
21:38Well,
21:40I'm going to appear in Shimazaki.
21:44I'm looking forward to it.
21:51It's so good!
21:53First of all,
21:55it looks exactly the same.
21:57It looks exactly the same.
21:59It looks exactly the same.
22:00I don't know if my hair is short or long.
22:02I don't know if my hair is short or long.
22:05It's a manuscript of Morning.
22:07It's amazing.
22:09It's true.
22:11This is the master of various joint techniques.
22:16It's small, but it's a great joint technique.
22:19I want to be a quick guy.
22:23I'm glad about this.
22:27It's amazing.
22:28Mr. Hamada and Mr. Sejimo,
22:30thank you very much.
22:34Mr. Mimura,
22:35can I ask you to write a word
22:37as usual for this interview?
22:41He looks very serious.
22:43He glanced at the picture of Mr. Hamada.
22:45Why?
22:46He glanced at the picture of Mr. Hamada.
22:49Please flip the paper.
22:51He did it.
22:56He's good.
22:57He learned the composition.
22:59He learned the composition.
23:00He learned the composition.
23:01He learned the composition.
23:03Mr. Shiono,
23:04we have an announcement
23:06about the manga original drama.
23:08about the manga original drama.
23:09Friday Night Drama,
23:10Munao no Taka.
23:11Next week,
23:12it's the final episode.
23:14Mr. Nanao is good-looking,
23:16but he's not good at all.
23:18It's time to say good-bye
23:20to my weak colleague,
23:21Hiwada.
23:23The original work has come to an end.
23:25The original work has come to an end.
23:27Munao may save the world.
23:29Don't miss it.
23:31It's great that everyone is alive.
23:35Please subscribe to Buzzman TV.
23:37Please subscribe to Buzzman TV.
23:41Please subscribe to Buzzman TV.