Al Fondo Hay Sitio Temporada 11 Capitulo 165 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 165 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 165 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 165 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 165 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 165 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 165 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 165 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 165 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 165 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 165 Completo HD
Category
🎥
Short filmTranscript
00:00What's going on?
00:04What do you mean, what's going on?
00:06I won't let you treat my husband like your subordinate.
00:09Honey, calm down.
00:10No!
00:11What happened?
00:12Things are as they are.
00:13Pan-pan and wine-wine.
00:14Wait a minute.
00:15And how do you want me to treat him?
00:16He's my subordinate.
00:17So what?
00:18I'm a reader.
00:19So what?
00:20He's not your subordinate.
00:21He is the husband of the daughter of the majority partner of this establishment.
00:25The husband of the daughter of the majority partner.
00:27Why don't you say that he's the son-in-law of the grandfather?
00:29Think about it.
00:30Well, you understand me.
00:31Don't get me involved, Joel.
00:32Love, love, love.
00:33Joel and I have a good work dynamic.
00:35So I don't need to change it.
00:36Well, you don't need to change it, but I do need to change it.
00:39Oh yeah?
00:40And why?
00:41Because I want to and period.
00:52And those suitcases?
00:53They belong to your mother.
00:54My Queenie.
00:55Yes, your Queenie has just arrived and plans to stay for a few days.
00:59So it will be better if you go down before your Frank jumps on them.
01:03The carton, baby.
01:05I'm dying.
01:08Juana.
01:12Enough, enough.
01:13I was cleaning the guest bathroom.
01:16I need you to tell Miss Alicia that Miss Macarena is going to share the room with her for a few days.
01:22And that?
01:23I thought the assignment did not occur in the classes.
01:26Please do what I ask of you.
01:27It's urgent.
01:28Oh, everything is urgent in this house, right?
01:30And those suitcases?
01:32They belong to Mr. Montalva's mother.
01:34Are you going to stay and live here?
01:36In case I pay to have four people, not more.
01:40Oh, my dear son.
01:42Oh, my Queenie.
01:44I love you.
01:46Oh, tell me what a scary pose they gave you to get you back with the Cougar.
01:52I heard you.
01:54I know.
01:55Mom.
01:56Oh, son.
01:57I see you very old.
01:59Without life.
02:01As if they had sucked your blood.
02:03Aú.
02:05Oh, my love.
02:07Go away.
02:08Oh, how cute.
02:11Oh, you're always so pale.
02:16You are so naturally unpleasant.
02:19The pan tells the pot.
02:22And why do you have stained clothes?
02:27I had an accident.
02:28I returned the painting.
02:30For what?
02:31Believe it or not, I'm selling paintings.
02:35Oh, well, you're right.
02:37I don't believe you.
02:44Well, why are you looking at me like that?
02:47I am absolutely surprised by what you just told me.
02:52And how is that?
02:54That you sell your art?
02:57I change and we continue talking.
03:02Oh, you've been a whore since you were a girl.
03:05You didn't leave a puppet with a head.
03:08Let's see, explain to me.
03:09What is Macarena doing in this house?
03:11And her husband?
03:12Well, my queen is at home.
03:14So why don't we cut a bottle of French champagne?
03:19Claudio.
03:20Do we have?
03:22Well, if you don't have it, you can go buy it at the bottle shop in front.
03:29In the meantime, I'm going to change.
03:32Excuse me.
03:38We have, we have.
03:47Miss, can you hurry up and decide?
03:49Who?
03:50I have to take your clothes to the dressing room in front.
03:52Wait, I don't know if this is ...
03:54You know what? I change one day, Alicia.
04:01Oh.
04:03What beautiful clothes you have, another skinny.
04:16What's going to happen when my mom finds out that I divorced Mike?
04:20I don't know.
04:27Oh, yeah.
04:28That's how we are.
04:30Things are going to be like this, huh?
04:32That's how things are going to be, right?
04:33So I take a step aside, Pe.
04:35Calm down.
04:36Love, love, love.
04:37What's going on?
04:38You're making trouble for nonsense.
04:39No, it's not a problem for nonsense.
04:41What do you mean by taking a step aside?
04:43I'm leaving!
04:44I leave you with your workshop.
04:46Okay?
04:47I'm going to continue with my musical dream.
04:49I'm not abandoned.
04:50You see? Look at my servant.
04:51But it's annoying, love.
04:52We are working normally.
04:53You come and you stop us.
04:55I heard how he was treating you in intimacy
04:57and it doesn't seem fair to me, so I decided to intervene.
04:59Love, this is how you treat someone at work.
05:02No, no, no.
05:03You can't take it lightly.
05:05That's not normal.
05:07As the old man said, I'm leaving.
05:09There are the keys.
05:13I'm going to continue with my origins.
05:14The dream that I should never leave.
05:16Joel.
05:17Joel!
05:18Joel!
05:20Do you see what you did?
05:25What are you doing with your crappy workshop?
05:28I don't want to see it anymore.
05:29When people start asking about the legend.
05:32I'm the only one.
05:33Incomparable.
05:35Besides, I have my own house.
05:37I have my experience.
05:38This is my business.
05:40And I have my charisma.
05:42I'm beautiful.
05:44This is my presentation card.
05:45I don't want to see it anymore.
05:46Besides,
05:48it's time for my dream to come true.
05:50I have to dedicate myself to my music.
05:54What's more,
05:56a melody is coming to my head.
05:59My friend Gaspar,
06:01I'm going to cry for you.
06:03I'm going to leave you the workshop.
06:05My black manjar.
06:07I want to drive
06:09until I fall into the sea.
06:11And I'm going to drown
06:13because I don't know how to swim.
06:14I'm going to stop.
06:17The aunt is going to pay me.
06:22It is indeed noticeable that it is not French.
06:25Sorry.
06:27It's a very good Spanish cava.
06:29Well, but I just got to Paris
06:31and I still have its flavors present.
06:34And how long are you going to stay?
06:36I don't know.
06:38Maybe I'm encouraged to stay at our parties.
06:40With my family.
06:42Yes.
06:43We haven't seen each other for so long
06:45and we have to get up to date, right?
06:49I just feel that Peter is no longer.
06:53Although to tell the truth,
06:56they have chosen a good replacement.
07:00Thank you, ma'am.
07:02Excuse me, Antonia.
07:03I'm going to my office.
07:04Will you accompany me, Diego?
07:05Me?
07:06Yes, you.
07:07Yes, yes.
07:13Serve me more.
07:14Yes.
07:15Allow me.
07:19Ma'am, respect me.
07:24Well.
07:30So far you haven't told me what you're doing here
07:32and where your husband is.
07:35Ah.
07:36Well.
07:38Frank, how am I going to get my mom out of the house?
07:40Well, don't ask me that.
07:41He comes to bother.
07:43He has all the millions
07:45to stay in the best hotel in Lima
07:47and he settles here in my house.
07:49I hate to have to remind you,
07:51but half of this house is also hers.
07:54Damn the time I had to sell my shares to him.
07:57And you, you had to do with that scam.
08:00What scam?
08:01The shares were put up for sale and my mom bought them.
08:03My mom, my mom, my mom.
08:05Don't talk like that.
08:06And how do I tell her if it's my mom?
08:07How do I tell her?
08:08I don't want her to be here.
08:10I don't know what you're going to do,
08:11but get her out of this house.
08:27But man.
08:28No, no.
08:29You ask me how I am?
08:30Yes, how are you?
08:31Why are you here?
08:32Bad.
08:33I'm very bad.
08:35And I'm not going to allow that.
08:37Impulse of owner?
08:38Yes, now that her husband is here
08:40and I don't know what so much stuff,
08:41that around here, that over there,
08:42that I don't have a subordinate.
08:43Ah, your mother, poor thing,
08:44will you want her to bring it to the ground?
08:46I don't know if it's a long bag,
08:47I don't know, but tie her crazy.
08:50Man, I also signed on Saturday.
08:52Why, what happened?
08:54I found Julie and Alesia drinking juice
08:56and like little friends.
08:57Speak well.
08:58Speak well, brother.
08:59What a mess, man.
09:00But, but, didn't they hate each other?
09:02No, it was pure flower, brother.
09:03They were pretending.
09:04They took the face of fools from all of us.
09:06Especially me.
09:07Surely Cristobal too.
09:08How horrible.
09:09No, no.
09:10Wait, wait, wait.
09:11Julie did that to you?
09:14Yes, brother.
09:15No, it hurt very ugly in the mouth.
09:17And how is it not going to hurt you,
09:18if they are cousins?
09:19They are together.
09:20They are like mud and mud.
09:22You are the mud, logically.
09:24Yes, yes, brother.
09:25What an ugly thing.
09:26I don't know, brother.
09:28I think that for Julie
09:30the most important thing is her friendship with Alesia.
09:32Above all.
09:33Speak well.
09:34How ugly.
09:36Hey, what?
09:37Are you really going to the workshop?
09:38Of course, brother.
09:39It's worth it.
09:40What thing?
09:41I...
09:42What are you going to do about me, brother?
09:43I'm just there for you.
09:44I don't know.
09:45I don't know.
09:46I don't know what you're going to do,
09:47but be careful,
09:48because at any moment,
09:49while the aunt appears
09:50as a cousin or a relative of the father
09:51and puts him in your place,
09:52I'm just telling you.
09:53Speak well.
09:54Pay attention to that.
09:56But what's going on?
09:58Oh no, don't tell me.
10:00Tim died?
10:03No.
10:04No, it's not Tim.
10:05It's Mike.
10:06And no, he didn't die.
10:08Oh, well.
10:09So, is he working?
10:14Oh, little mouse, my love.
10:17I'm back.
10:18Oh, but where are you coming from?
10:20What are these faces?
10:23Oh no, don't tell me you joined the march.
10:28No, no, the truth is that...
10:32Yes.
10:33Yes, I was in the march.
10:35Oh, no.
10:36It's probably those ideas
10:38that the pedophiles in the front
10:40have put in their heads.
10:43Well,
10:44back to Mike, right?
10:48Where is he?
10:49Is he working?
10:52He's probably working.
10:55Probably?
10:57Well, I don't understand you.
10:59He hasn't been married for a year
11:01and he doesn't know where your husband is.
11:03I got divorced.
11:05You got divorced?
11:07Oh, Macarena, Macarena,
11:09but it's possible that you can't do anything right.
11:12Grandma, I'm sorry, but that comment...
11:15No, I'm not sorry.
11:18Mothers are the only ones
11:20who can tell and speak the truth
11:23to our children.
11:24And that's why they condemn us
11:26and judge us.
11:28Yes.
11:29Yes.
11:30But I'm already used to it.
11:32I'd like us to be able to talk to him in private.
11:35We're bothering the boys.
11:37Oh, but they're not kids anymore,
11:39they're adults.
11:40And they also make their own mistakes, yes.
11:43Like getting involved with...
11:47with the pedophiles in the front.
11:52Grandma?
11:55Julie and I are done.
11:57And Jimmy and I too.
12:00Hallelujah.
12:04Oh, come here, my...
12:07Oh, my beautiful grandchildren.
12:10Why didn't you start there?
12:12Oh, I love you, I love you, I love you, I love you.
12:16Now you can ask me for anything you want.
12:18Everything I want is yours.
12:20Everything mine is yours.
12:22Mine.
12:25Mine.
12:37I can't believe what you're saying, Joelito.
12:40You must have misunderstood.
12:42Of course I understood, Grandpa.
12:43Aunt Teresa showed up at the workshop to disauthorize me
12:46and tell me how I should treat the subordinates.
12:48Yes or no?
12:49Grandpa, with all due respect,
12:50if my brother leaves, so will I.
12:52Because I'm not going to stay in a workshop
12:53where my brother has no subordinates.
12:55What are you telling me, Jimmy?
12:57Without you, the workshop will go bankrupt.
13:00There has to be an explanation, Teresa.
13:02There is an explanation.
13:04The explanation is that now Gaspar is Aunt Teresa's husband.
13:07And what does that have to do with it?
13:09He is no longer just any mechanic, Grandpa.
13:11He has risen in rank.
13:12Now the mechanic is Teresa's husband.
13:14The one who is believed to be.
13:15Could it be that since Gasparcito is now part of the family,
13:18it means that Gaspar has more rights?
13:20Gaspar has always been treated with all that of the law.
13:22He even has insurance.
13:24I can't say anything until he talks to the baby.
13:32Miss Ocarina.
13:34And the little lady must be your mommy.
13:36That's Antonio, my mom.
13:39Good morning, little lady.
13:40Your room is ready.
13:42And who is this girl
13:44who speaks with such an inadequate lexicon?
13:47Don't you understand her?
13:50Little ladies, there is only in the neighborhood where you live.
13:54I live in this neighborhood.
13:57Excuse me?
13:58Juana is helping in the house while Claudio recovers.
14:01But she lives in the front.
14:03Oh, right.
14:08What a face.
14:10Why don't you hold your hair a little
14:13so that it looks a little more tidy?
14:16And that smile.
14:18Keep it for the days of departure.
14:20Yes.
14:31Oh, but what an antipathetic old woman.
14:37This room always seemed very ugly to me.
14:40What a bad taste Francesca has.
14:43I like it.
14:45No, no, no.
14:51Mom.
14:54The last time we talked
14:56I remember that
14:58we agreed to have a better relationship
15:01and get along.
15:03But since you arrived, you have not stopped attacking me.
15:08Do you know what your problem is, daughter?
15:11That you take as aggressions
15:14things that for me are
15:16advice, suggestions,
15:18life lessons.
15:20Yes, but you criticize everything I do or say.
15:23No.
15:24I highlight your mistakes
15:27so that you can analyze them
15:29and amend them.
15:31But of course,
15:33if you stay in the offended victim plan
15:36you will continue to do everything wrong.
15:38But I haven't done everything wrong.
15:41A marriage is two.
15:43Things go wrong and both are responsible.
15:45It's not my fault.
15:46But you chose that crybaby.
15:51I always knew it wasn't for you.
15:54No, you need a strong man by your side.
15:57With character.
15:59Someone who doesn't let himself be trampled on.
16:02Someone like your father.
16:05Yes.
16:06Who handles his cravings as he did with you.
16:10I'm sorry.
16:12I'm sorry, I didn't mean to say that.
16:15It's okay, I know.
16:17I told you myself.
16:19Yes, well, he always manipulated me.
16:22And he did what he wanted with my life.
16:25I'm sorry, I'm sorry.
16:27Yes, he even forced me to receive you.
16:30But he can be more cruel, right?
16:33It's just that he not only deceived me,
16:36but he also brought his lover's daughter to the house
16:40so that I could raise her.
16:42A monster.
16:46He has caused me a coffee and something sweet.
16:49Do you want something?
16:52No, right?
17:06No.
17:28Cristobal!
17:29What's up?
17:30Jimmy is going to pick up a fight with Cristobal.
17:33I imagine you agree that the best thing for our families
17:35is that they are far from each other.
17:37Totally agree.
17:38Then please ask your sister to stay away from Yuli.
17:40My sister? But they do hate each other.
17:42Ah!
17:43They are also lying to you.
17:44They are looking at you like a fool.
17:46At the inauguration of Macarena, they almost grab each other.
17:48No, I was pretending.
17:50I don't think my sister is lying to me.
17:51I just saw them.
17:53They were drinking juice and talking like little friends.
17:55Yes.
17:57I faced them and they confessed it to me.
17:59They are fake.
18:01Yes, some liars who are making fun of each other.
18:04I'm going to talk to Alicia.
18:06You have to agree with me.
18:08This friendship is the worst thing that can happen to you.
18:10I already told you that I'm going to talk to Alicia, Jimmy.
18:11Excuse me.
18:12Excuse me.
18:14Jimmy.
18:16Cristobal.
18:20Why?
18:21And why do they grab her with me?
18:23What do I have to do?
18:25What a game.
18:26What a game.
18:31What a game.
18:39Oh!
18:40It was time.
18:41Did you just finish cleaning the rooms?
18:44They are disorganized.
18:46They leave everything thrown away.
18:47Especially Cristobal.
18:48Don't you dare to insult the bosses.
18:50Now help me.
18:51I'm preparing Chirimoya's babaroa for Mrs. Antonia.
18:54Baba what?
18:55Oh, Claudio.
18:56You take care of it.
18:57That lady is an antipathic.
18:59That lady is the mother of your boss.
19:01And you better have her very happy.
19:04And how long is she going to stay?
19:06I don't know.
19:07She can stay a day, a week or a month.
19:10Like the last time she stayed that time when she was going to marry Professor Xavi.
19:15Xavi?
19:16Of course.
19:17Professor Xavi.
19:18The cheater.
19:22Mrs. Antonia.
19:23That lady was going to marry Xavi?
19:26But he is dating Mrs. Magdalena.
19:28But they are just friends.
19:30And you better shut up.
19:31Mrs. Antonia doesn't know anything.
19:39And what's wrong with you?
19:40Why are you laughing like crazy?
19:52It's so funny.
19:53Nothing.
19:54I was just telling her a joke.
19:56Besides being cute, I'm also funny.
20:00You're not.
20:02I want a coffee with a dessert.
20:04I'm just preparing your chirimoya babaroa.
20:07I'll take it right away.
20:08Well, you can put it in my room.
20:10Oh, yes.
20:12Isn't there a bell, a bell, something to call the servitude?
20:17We are always at your disposal.
20:19You can send us a message to Koki or me and we will serve you.
20:23But who is Koki?
20:24Koki, the new driver.
20:26Peter's replacement.
20:28Oh, right.
20:30OK.
20:31Excuse me.
20:34You owe me one.
20:35I saved your ass.
20:36Yes.
20:37Now you pay.
20:42But fast, little girl.
20:44You need to add vanilla.
20:53Yes.
20:58What's wrong?
21:00Why do you sneeze?
21:01No, it's just that I suffer from cramps.
21:05Serve me a red vermouth.
21:07Yes, yes, ma'am.
21:11Write down my phone number.
21:15Your phone number?
21:16Yes.
21:18So you can call me if I have your number.
21:21So I'm not looking for the service all over the house.
21:25I understand.
21:27Let's see.
21:29Plus three, four.
21:32Six, one.
21:33Seven, seven.
21:34Seven, seven.
21:36Seven.
21:38I'm waiting for your call, Koki.
21:41Yes.
21:43Four.
21:44I'm waiting for your call, Koki.
21:45Five.
21:50What a nice surprise I've been picking up with Valentino at school.
21:53I was also surprised when the mic passed through my hat.
21:56Yes, yes.
21:57After the competition program.
21:58Cool, huh?
21:59Cool, huh?
22:00Yes, yes.
22:01It was cool.
22:02Oh, yes.
22:03Super cute and romantic.
22:05Hey.
22:08That's exactly what I wanted to talk to you about.
22:11What happened on TV
22:12You qualify as public consent.
22:15Huh? What's that?
22:17Please explain, I'm getting nervous.
22:20I mean, now, in front of Peru, you are an official couple.
22:28How nice!
22:30It's not nice at all.
22:32Being an official couple implies duties and obligations that must be fulfilled.
22:36Don't tell me you're going to give me another list of rules.
22:38Those five rules I gave you were for when you were an aspiring applicant.
22:44Now I've raised the category a little bit.
22:46And wouldn't you tell me that the rules are going to go up too?
22:49To start, you're going to write a thousand times,
22:51I love, care and respect Maripaz.
22:53A thousand times?
22:54A thousand times?
22:55It's very little, I don't know, two thousand.
22:56Yes, Mr. Tito, where do I write?
22:58Maripaz will lend you a notebook.
23:01Go ahead.
23:03Thank you, my love, how nice!
23:07Mr. Tito.
23:08What?
23:09Don't you have some bread or something for lunch?
23:11I'm hungry.
23:12Then hurry up and write already.
23:14Tito!
23:15Let's go downstairs, daughter.
23:17But I can't go with you?
23:18No, no, daughter, no.
23:20Bye.
23:21Bye, bye, bye.
23:22With good handwriting.
23:23Yes, yes, yes.
23:36I'm going to be late for the restaurant.
23:46Maca.
23:49Are you okay?
23:53My mother and her poisonous darts.
24:00My grandmother is not going to change.
24:03That's why you have to do it, Maca.
24:06You could seek help, go to therapy, I don't know,
24:11whatever helps you ignore your comments.
24:16What I need is to know who I am.
24:20I can't keep living without knowing who I am.
24:29I would like to stay with you.
24:34Don't worry.
24:36I know what you have to do.
24:38I'm running.
24:40Make yourself comfortable, okay?
24:43Change the things in the place, whatever.
24:45The important thing is that you are comfortable.
24:47You are perfect.
24:51I love you.
24:52I love you.
24:56Are you going to leave now?
24:59Yes, that was not what happened.
25:21Only Maca understands the things I do.
25:35I hope you keep your promise to stay this Christmas.
25:39Although it is most likely that Francesca and my grandfather
25:42don't come alive that good night.
26:10I love you.
26:11I love you.
26:12I love you.
26:13I love you.
26:14I love you.
26:15I love you.
26:16I love you.
26:17I love you.
26:18I love you.
26:19I love you.
26:20I love you.
26:21I love you.
26:22I love you.
26:23I love you.
26:24I love you.
26:25I love you.
26:26I love you.
26:27I love you.
26:28I love you.
26:29I love you.
26:30I love you.
26:31I love you.
26:32I love you.
26:33I love you.
26:34I love you.
26:35I love you.
26:36I love you.
26:37I love you.
26:38I love you.
26:39I love you.
26:40I love you.
26:41I love you.
26:42I love you.
26:43I love you.
26:44I love you.
26:45I love you.
26:46I love you.
26:47I love you.
26:48I love you.
26:49I love you.
26:50I love you.
26:51I love you.
26:52I love you.
26:53I love you.
26:54I love you.
26:55I love you.
26:56I love you.
26:57I love you.
26:58I love you.
26:59I love you.
27:00I love you.
27:01I love you.
27:02I love you.
27:03I love you.
27:04I love you.
27:05I love you.
27:06I love you.
27:07I love you.
27:08I love you.
27:09I love you.
27:10I love you.
27:11I love you.
27:12I love you.
27:13I love you.
27:14I love you.
27:15I love you.
27:16I love you.
27:17I love you.
27:18I love you.
27:19I love you.
27:20I love you.
27:21I love you.
27:22I love you.
27:23I love you.
27:24I love you.
27:25I love you.
27:26I love you.
27:27I love you.
27:28I love you.
27:29I love you.
27:30I love you.
27:31I love you.
27:32I love you.
27:33I love you.
27:34I love you.
27:35I love you.
27:36I love you.
27:37I love you.
27:38I love you.
27:39I love you.
27:40I love you.
27:41I love you.
27:42I love you.
27:43I love you.
27:44I love you.
27:45I love you.
27:46I love you.
27:47I love you.
27:48I love you.
27:49I love you.
27:50I love you.
27:51I love you.
27:52I love you.
27:53I love you.
27:54I love you.
27:55I love you.
27:56I love you.
27:57I love you.
27:58I love you.
27:59I love you.
28:00I love you.
28:01I love you.
28:02I love you.
28:03I love you.
28:04I love you.
28:05I love you.
28:06I love you.
28:07I love you.
28:08I love you.
28:09I love you.
28:10I love you.
28:11I love you.
28:12I love you.
28:13I love you.
28:14I love you.
28:15I love you.
28:16I love you.
28:17I love you.
28:18I love you.
28:19I love you.
28:20I love you.
28:21I love you.
28:22I love you.
28:23I love you.
28:24I love you.
28:25I love you.
28:26I love you.
28:27I love you.
28:28I love you.
28:29I love you.
28:30I love you.
28:31I love you.
28:32I love you.
28:33I love you.
28:34I love you.
28:35I love you.
28:36I love you.
28:37I love you.
28:38I love you.
28:39I love you.
28:40I love you.
28:41I love you.
28:42I love you.
28:43I love you.
28:44I love you.
28:45I love you.
28:46I love you.
28:47I love you.
28:48I love you.
28:49I love you.
28:50I love you.
28:51I love you.
28:52I love you.
28:53I love you.
28:54I love you.
28:55I love you.
28:56I love you.
28:57I love you.
28:58I love you.
28:59I love you.
29:00I love you.
29:01I love you.
29:02I love you.
29:03I love you.
29:04I love you.
29:05I love you.
29:06I love you.
29:07I love you.
29:08I love you.
29:09I love you.
29:10I love you.
29:11I love you.
29:12I love you.
29:13I love you.
29:14I love you.
29:15I love you.
29:16I love you.
29:17I love you.
29:18I love you.
29:19I love you.
29:20I love you.
29:21I love you.
29:22I love you.
29:23I love you.
29:24I love you.
29:25I love you.
29:26I love you.
29:27I love you.
29:28I love you.
29:29I love you.
29:30I love you.
29:31I love you.
29:32But I love you more
29:33one for me, I love you.
29:34I also considered you,
29:35I never thought I was going to hear.
29:36But it was not me,
29:37it was Teresa who did all this,
29:38I'm going to talk to her, Joel.
29:39I do not care,
29:40you give your life what you want,
29:41do with with your life
29:42whatever you want.
29:43Wait, wait, wait.
29:44Come on, go
29:45and be happy with her.
29:46Hey vicinity
29:47good door
29:48wait
29:48wait
29:49Wait
29:50에
29:51OF
29:52WAITE
29:53suggest
29:54무서워
29:55Eh
29:56sorry
29:57sir elie had a family matter
29:59Listen, Alesia, family problems out of the question.
30:03Hurry up, hurry up, the table is getting cold.
30:05Hurry up!
30:06Were you lying to me all this time?
30:08Chris, we'll talk later.
30:09Answer me!
30:10Hey, don't you understand?
30:11Family problems out of the question.
30:14Alesia, my sister,
30:16my sweetheart,
30:17made me believe that all this time she was on my side,
30:19but today I found out that she made fun of me
30:21and is still the best friend of my ex.
30:24Oh, crazy.
30:25FAMILY PROBLEMS OUT OF THE QUESTION
30:40Cousin...
30:48Cousin, I swear I was going to tell you,
30:50but you just started talking nonsense about Fernando.
30:53Oh, and you preferred to see Toto's face
30:55and follow the trend.
30:56How could he have made fun of me, you and Alesia?
30:58No, Alesia also wanted to tell you that...
31:00Oh, I don't care about anything that has to do with Alesia.
31:03I'm talking about you and me.
31:04Us.
31:05We were together.
31:07We were accomplices.
31:09We were brothers.
31:10How would you feel
31:11if I came with Cristobal to cheat on you?
31:13No, but it wasn't even a plan.
31:14Give me the phone.
31:15Oh, no, enough explanations.
31:16I'm just talking to you.
31:18I don't want to know anything.
31:19I don't want to know anything, please.
31:21What's going on here?
31:24Don't tell me anything.
31:25I don't think I don't respect you.
31:27Look, if you don't value yourself, you do.
31:28Why do you say I don't value myself?
31:29Joel and I are friends and we treat each other like that.
31:31I've known Joel since the day he was born.
31:33He thinks he's a believer.
31:34He's in a pedestal that doesn't belong to him.
31:36Alesia, I also know him and it doesn't affect me.
31:37It doesn't bother me.
31:38Well, it does to me.
31:39Because I'm your wife.
31:40And Joel has to learn to respect you.
31:43You're making a storm in a glass of water.
31:46No.
31:47No.
31:48No.
31:49It's not like that.
31:50No.
31:51It's not like that.
31:53We weren't fighting, man.
31:56So what did I hear?
31:59It was a misunderstanding.
32:00Yes, it was a misunderstanding.
32:02But we cleared it up.
32:03We haven't cleared anything up because you keep thinking something that isn't.
32:06Did you lie or not?
32:07Yes, but...
32:08There it is.
32:09Stop it.
32:11Nobody is going to respect you in this house.
32:14What's going on?
32:15Who are you arguing with?
32:16With me, Mr. Gil.
32:17With me.
32:18No, calm down.
32:19Marital fights that happen after honeymoon.
32:21Aunt Terri wants Gaspar to be the boss in the workshop.
32:25What?
32:26Really, Terri?
32:27That's right, Julisita.
32:28Teresita entered the winery to express her feelings.
32:31Well, it's the truth of the milonga.
32:33Come here, love.
32:34My dad is the majority shareholder.
32:36And I, as your only daughter, claim that position.
32:39That position for my husband.
32:49Oh!
32:51That vermouth gave me a dream.
32:57And that drawing?
33:00That body, I know it.
33:05It's Xavi!
33:08Don't you know how to play?
33:10Oh, sorry, Senito.
33:11I was bringing you your coffee.
33:13Get out!
33:14And I'm not your Senito.
33:16And I'm not your Senito.
33:21Get out!
33:22Sorry, sorry.
33:30It seems that the return of Titanic has just discovered
33:32that his daughter is with his ex.
33:36You already lost.
33:47Did you leave Mike Miller Villavicencio for this man?
33:51What?
33:52No.
33:53No, no.
33:54He was my painting teacher.
33:55Nothing more.
33:56Oh, painting teacher.
33:58This man is a swindler.
34:01An alimony that envelops you, seduces you and then bites you.
34:05We're just friends.
34:06Nothing more.
34:07Friends.
34:08Nothing more.
34:09Of course.
34:10Look, I understand that you want to compete with your mother.
34:13All daughters compete with their mothers.
34:15No, I don't.
34:17Look, you have to leave this group and get away from them at once.
34:21Don't you realize that I am an adult woman?
34:23That you can't tell me who to hang out with and who not?
34:25Oh, adult.
34:27Don't tell me.
34:28So you work, you rent an apartment, you take care of yourself,
34:34you buy a car, all that?
34:39Get constructive friendships.
34:41Constructive.
34:42Not parasites.
34:59I don't want to hug you.
35:00And you decided to do it to me.
35:01You forced me to lie to you.
35:02You betrayed me.
35:03You preferred your friendship with Alessia to being loyal to the family.
35:05What?
35:06Stop!
35:07Stop!
35:08What's going on here?
35:09Nothing, grandpa.
35:10What?
35:11Alessia and Yuli pretended to be in a fight, but in reality they were secretly friends.
35:12Yes.
35:13Yes.
35:14My friendship with Alessia goes beyond family hatred.
35:15But what?
35:16That girl has hurt Jimmy a lot.
35:17It's true, Yuli.
35:18That girl behaved very badly.
35:19Oh, what did she do?
35:20What did she do?
35:21She got upset because Jimmy took a video of her.
35:22What?
35:23What did she do?
35:24What did she do?
35:25What did she do?
35:26What did she do?
35:27What did she do?
35:28What did she do?
35:29What did she do?
35:30What did she do?
35:31What did she do?
35:32What did she do?
35:33What did she do?
35:34What did she do?
35:35What did she do?
35:36She hit Jimmy with a pillow.
35:37When Jimmy hit a pillow?
35:38She hurt him a lot.
35:39And now Jimmy took a plane to punch a restaurant's new chef.
35:40Okay.
35:41But the apostle wanted to date her.
35:42He hung out with him at the Halloween party.
35:43No, no.
35:44But I didn't want to date him.
35:45She brought him along.
35:47No!
35:48Hey, you saw the video of them dancing, Yuli, now you're gone madman.
35:54I'm not going crazy, cousin, but you don't understand.
36:04Why don't you get together already?
36:14Pato, bring me some chestnut sauce for table three.
36:16Just a moment!
36:18Are you going to continue like this?
36:19Didn't I tell you to get together?
36:20You're still fighting?
36:21And on top of that, you're brothers and cousins.
36:23Get together already!
36:25Come on!
36:26But how did you let your sister get involved with that mequetrefe?
36:38She didn't get involved, Mom.
36:40She's just embarrassed.
36:42Worse!
36:44You know very well that your sister loves to pick up stray dogs.
36:50Yes, Macarena is naive, but that doesn't hurt anyone.
36:54Ever since she was a child, she loved to play with the servants' children.
37:00And her friends at school were the sinners.
37:04Yes, and on top of that, you told me that that man has told her all his sad life.
37:10Oh, what a better hook, for God's sake.
37:13But he doesn't care.
37:15If he gave up on you, that you were the fat fish,
37:17why would he care about Macarena, for God's sake?
37:20Son, you're so naive sometimes, really.
37:24But well, I'm going to fix this once more.
37:30And what else have you come to fix, dear Mom?
37:35You know too much.
37:38You woke up the monster.
37:41And I'm going to make him fall asleep for a while longer.
37:53I'm sorry, but your betrayal has hurt me too much.
37:56And I can't pretend like nothing happened here.
37:59Chris, I shouldn't have lied to you like that.
38:01But I already apologized.
38:02Besides, I'm sorry, but I can't form hate groups with you.
38:06I can't fight with whoever you fight with.
38:07Stop talking to the one you don't talk to.
38:09That's childish.
38:10You didn't tell me, Alessia.
38:11And besides, Jimmy thinks exactly the same as me.
38:13Well, I'm not surprised.
38:15I mean, you're the very mature ones and we're the childish ones, right?
38:17You said it.
38:18You know what? Make the order now.
38:20But Alessia, weren't you supposed to be friends?
38:23You're making it worse.
38:25You don't know how to be friends with your brother.
38:27I can't do anything.
38:29Oh, cook, hurry up.
38:34I can't, Grandpa.
38:35What Yuli did hurt me too much.
38:37Suddenly, that never happens to me.
38:38I already said what I had to say.
38:40Yes, Yuli with her popular, I already said.
38:43Gilgirito, and the issue of Joelito and Gasparcito, how is it going to be solved?
38:48I was going to give up my part in the workshop as a wedding gift to Gasparcito.
38:56But if that's a problem...
38:58No, no, Grandpa, no, don't worry.
38:59It's not a problem.
39:00It's not a problem.
39:01No, no, it's not a problem.
39:02As Aunt Tere says, you are not the majority partner.
39:04So if you want to give your part, give your part to the man that I...
39:07I'll give it to Gustavo.
39:08Joel, Joel, Joel, sorry.
39:09No, don't tell me anything, don't tell me anything.
39:10No, no, no, you know what?
39:11And put your part, if it's your part, put it where you don't want to be alone.
39:14Oh my God, but what...
39:15But...
39:16What do I say?
39:26Joel.
39:27Rubia.
39:28Hello.
39:29How are you?
39:30A few days ago I wanted to look for you to tell you that I sold another painting.
39:35What painting?
39:37The portrait I made for you.
39:39Ah, it was sold?
39:40Yes, and more expensive than the previous one.
39:43Ah, that's good.
39:46Aren't you happy?
39:48Yes, yes, yes, yes, I'm happy.
39:49It's just that I had an argument with my family and I have my head elsewhere.
39:53What happened?
39:54I prefer to tell you later, I don't want to talk about that.
39:58Well, I understand you.
40:00My mom was surprised.
40:03She found out that I divorced Mike.
40:05What does my friend Xavi tell me?
40:07You can imagine.
40:09I wanted to paint you again, but...
40:12I'm not in the mood.
40:13Give it to me?
40:14For what?
40:16No, for what, Joel?
40:17To sell it.
40:19Another one?
40:20Yes, Joel, it's a success.
40:22I can't take advantage of this streak.
40:24Ah, yes, yes, yes, yes, of course.
40:26We'll talk later, right?
40:28Yes.
40:29I'll leave you.
40:30Bye.
40:35Bye.
40:50I want to entrust you with taking care of my daughter.
40:54And can I know why you entrust me with that?
40:57Diego told me that, in addition to being an adult,
41:02you have other skills that could be useful to me.
41:09You have to give Alicia where it hurts the most.
41:12And right now, you have the weapons to do it.
41:26I have very good memories of your kindness and chivalry.
41:32Men like you are no longer found.
41:44I have something to tell you.