Al Fondo Hay Sitio Temporada 11 Capitulo 155 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 156 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 157 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 155 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 155 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 156 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 157 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 155 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 155 Completo HD
Category
🎥
Short filmTranscript
00:00But guys, don't wait for me, we're not going.
00:04Gafal, Gafal, I'm going to tell you all about it.
00:07The Histopes, the Histopes.
00:08Don't even talk, my son-in-law will go to his honeymoon with his incoherent knowledge.
00:14There he is, the capitalist partner spoke, so see you later.
00:19Here comes the cake.
00:21What is this? We agreed that it would be from Harry Potter.
00:23Nobody agreed on anything, I like Pirates of the Caribbean more.
00:28Happy birthday little brother.
00:30Happy birthday little brother.
00:32What are you going to do now that Gafal left?
00:35I'm going to work, I'm going to take a little longer, but I'm going to work.
00:38Are you going to be able to do it alone?
00:39Of course.
00:40I'll help you.
00:41No, you're bad, you're a mechanic.
00:43No, I'll help you find someone who can work with you, just.
00:48I have a friend who works for me, I have a friend who works for me.
00:55I'll help you find someone who can work with you, just.
00:59I have a friend who doesn't have a job.
01:06The boy, I have to go.
01:08I have some irreplaceable meetings, but I'll be back in the afternoon to celebrate.
01:11Don't worry, Francesca, there won't be any celebration.
01:14How not? How not?
01:15We are not in love, dad.
01:16Yes, with this cake in the family is more than enough.
01:18Oh, it was delicious.
01:20No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
01:21We have to celebrate for everything.
01:24We will have a great party and we will appear in all social notes of Lima Pudiente.
01:29With the help of Claudio we are contacting all the friends of my children so that they come to celebrate.
01:33This is the young Chris to invite his friends.
01:36Very good Claudio, and you called me to ...
01:39I'm saying, to contact my children's friends.
01:42To invite Chibolos del Face.
01:44I'm leaving, I don't want to see this show.
01:46Where are you going Jimmy?
01:47Somewhere else.
01:49I want to clear my mind.
01:51Ok Jimmys, have a good day.
01:55Bye Jimmys.
01:56Bye Jimmys.
02:00The shovel is missing.
02:01Well, it's your lucky day.
02:03Oh, really?
02:04Congratulations.
02:05Because I have the perfect assistant for you.
02:07You can come in now.
02:09Surprise!
02:12Hi Juan.
02:14What is this guy doing here?
02:20Aha!
02:22Welcome, please come in.
02:23Come in, welcome.
02:25How are you? Good morning.
02:27Welcome, please come in.
02:29Please, come in.
02:31You are at home. Come in, come in.
02:36Very good, very good.
02:37The whole house is filling up with the cream and cream of Lima Pudiente.
02:41They are all here.
02:42Yes, almost all.
02:43All, except your children.
02:44Oh, they are going to get bored and they are going to go down when they see that all their friends are here.
02:48Yes, yes, I hope so.
02:50The two are very depressed because of their love disillusionment.
02:53Oh, Coqui, you have to understand that those loves are impossible.
02:57Both Julia and your protégé have been raised in a very different way from my children.
03:02Yes, yes, I totally agree.
03:04In my family there is always love.
03:06Oh, in my family there is always...
03:07Come on, look at the grill, do you want?
03:09Come on.
03:19No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
03:22No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
03:25You said you needed an assistant and this boy has no job.
03:27He lives on the street.
03:28Shut up, you don't say anything.
03:29Well, but there are points to emphasize.
03:31Maca, any less this, less this please.
03:34Less this, he has no job, I remember you, because of...
03:37Who?
03:38To whom?
03:39To your, no, your family.
03:40Of us, of us, so it's with that thing, yes it's with that.
03:48Don't be stupid.
03:49You need an assistant because you won't be able to do this alone.
03:52And don't be stubborn.
03:53And Xavi has no job, because he had a job, I remember you, and he lost it.
03:57Yes.
03:58A decent job, besides.
03:59Oh yes, like Calato, Calato.
04:00Stealing people, Calato.
04:01What line is that?
04:02Well, that's a point of view, the students liked it.
04:04They loved it.
04:05Yes.
04:06What can you fuck, don't be stubborn.
04:07I already told you that you are going to lose customers.
04:09And he is here to help you.
04:14Only until Gaspar returns.
04:16Perfect.
04:17I warn you.
04:18No, no, no, don't get confused, don't get confused.
04:20I'm not doing it for you, I'm doing it for Maca.
04:22And go wash this car, it's already there.
04:24Right now.
04:29You have to wash it.
04:30Oh, wash it?
04:31Do you have a drink?
04:32Go get it.
04:35Jimmy.
04:36Hello.
04:37What are you doing here?
04:38Did my dad call you?
04:40No.
04:41No, I was passing through your neighborhood and...
04:44You came to see my dad.
04:45My dad is not here.
04:46He went out with my mom to a funeral.
04:47He loves funerals because he starts telling jokes.
04:49You know.
04:50He thinks he's funny.
04:51No, I came for you.
04:53Ah?
04:54Seriously.
04:55I came for you.
04:58It's the first time you've come for me.
05:01Well.
05:02We are in love, right?
05:05Well, that doesn't bother you that much anymore, then.
05:07No, not so much.
05:09Let's go get an ice cream.
05:11Now?
05:12Yes, but each one pays for it.
05:13Well, but aren't we in love?
05:14Yes, but your lover gave me half of it.
05:17Well, that doesn't matter anymore.
05:18Let's go.
05:28Did you see what my dad is doing?
05:30I haven't seen him, but Claudio came with the gossip.
05:32He's filling the house with people he doesn't even know.
05:34He's crazy.
05:35Remember that my dad's purpose is to mess up the house.
05:38Typical of my dad.
05:39Using our birthday for his purposes.
05:41But you know what?
05:42I'm not going down.
05:43I'm going to my room.
05:44Are you going to stay in your room to teach him a lesson?
05:47Yes.
05:48Most likely, he won't even notice your tantrum.
05:50And downstairs are our guests.
05:52Friends from school and the neighborhood where we live.
05:54Claudio invited them.
05:56Really?
05:58How nice, Claudio.
05:59You look more like our mom than our mom.
06:01Come here.
06:04Are you going down?
06:05Yes.
06:06Ale, they're throwing us a party.
06:08I'm just as depressed as you.
06:11But I think it's a good opportunity to distract ourselves for a while
06:15and forget about our sex.
06:18Yes, that's true.
06:20Besides, I would like to see my friends from school.
06:24Let's go?
06:25I was waiting for Ana Lucia.
06:27But yes, I'm going down with you.
06:29No, Ana Lucia is not going to leave.
06:32Well, we'll join you and have a good time.
06:37How encouraging.
06:39Ale, I'm going to tell you something.
06:41After Julie, I will never fall in love again.
06:47I understand.
06:49Let's go?
06:50Yes, let's go.
06:51Are you going to go like this?
06:53I should change, right?
06:55Will you wait for me?
06:56Yes.
06:57But don't hit yourself.
06:59I'll be back.
07:06Okay, tell me.
07:10What?
07:11Why did you go to look for me?
07:14I already told you, I was around your house.
07:16Okay, I don't believe you.
07:18I know you're hiding from someone.
07:21No, no one.
07:23Nothing happens.
07:24Okay, who don't you want to see?
07:26Who don't you want to see?
07:27Tell me.
07:34Today is my ex-girlfriend's birthday.
07:36I knew it.
07:39Yes.
07:41I don't know, I didn't want to be there.
07:44I wanted to distract myself, not think about anything.
07:48Okay, fine.
07:50And I'm the best person not to think.
07:52Perfect.
07:54I didn't say that.
07:55You said it.
07:57But...
07:58It's fine.
07:59It's fine.
08:00I like to be useful.
08:01Especially if it's to help you not to think.
08:07Hey...
08:09Despite being a crazy girl,
08:11you're the funniest girl I know.
08:13Hey, you just called me crazy.
08:15No, I said funny, it's not the same.
08:17Well, but you were dangerously close.
08:19Well, I actually said funny.
08:22Hey...
08:24Wait.
08:25You have a spot.
08:27Where?
08:28Here.
08:29Here?
08:30Yes.
08:31Higher.
08:32Where?
08:35For calling me crazy.
08:38You're very funny.
08:39Yes, I am.
08:42Not in the eye.
08:43Not in the eye.
08:44Hey, stop it.
08:46My nose got in.
08:49Stop it.
08:50You're too much.
08:51But you're happy.
08:52Yes, a little bit.
09:12I told you.
09:13I told you that they were going to have a great time.
09:16Of course.
09:17They have met with their old friends.
09:19Correction.
09:20They have met again with their true social class.
09:23They have returned to the bosom of their privilege,
09:26which they should never have abandoned.
09:28I hope it's not a flower of a day.
09:30Because these powerful parties can't be done very often,
09:34given that we have López González on the front.
09:37It's true.
09:38The threat is crossing the street.
09:40Unless Alicia likes one of those handsome guys.
09:43Well, I have invited Madeleine's son,
09:46more than Meyer.
09:47Salvador?
09:48Yes.
09:49Alicia doesn't want to talk about him at all.
09:51But she's going to love him.
09:52She's going to love him.
09:54What's the name of the girl who likes Cristóbal?
09:56Ana Lucía.
09:57She should be around here.
09:59Well, I know you like him for your son,
10:01but to be honest,
10:02I don't see much difference between Yuli
10:04and this aspiring model.
10:05Yes, but at least she's not a González.
10:08How strange that she's not around here.
10:09I'm going to call her.
10:10Yes, give me a second.
10:14Hey, Rodolfo came.
10:15It's been a thousand years.
10:16Come on, little sister.
10:17Let's see if they take an old love.
10:18They were in love.
10:19Oh, please.
10:20On Tinder and for an invention of my mom.
10:22Why don't you try with Josefina de la Piedra?
10:24She would die for you.
10:25She's not afraid.
10:26Coward.
10:27I hope Ana Lucía arrives soon.
10:30You know what?
10:31Today I'm not going to think about Yumi.
10:33Meet someone new?
10:34I don't know.
10:35Who knows?
10:36I was popular in school.
10:37Remember.
10:38Popular?
10:39Yes.
10:40Oh, little sister.
10:41When they took you out of jail.
10:42Hey, hey, hey.
10:43Tremendous pay.
10:44Shh, shh, shh.
10:45Do you remember me?
10:46I won't know you.
10:47Wait for me.
10:49What happened?
10:50We are waiting for you.
10:51Excuse me, Mr. Diego.
10:52They called me urgently for some photos.
10:54Don't tell me you're not coming.
10:55It's Cristobal's birthday.
10:57No, I'm going to go.
10:58But they brought me very far.
11:00I'm like for Pachacamac.
11:02Pachacamac?
11:03What are you doing there so far?
11:04There are only ruins, cows, guano.
11:06Come, come immediately.
11:08I'll pay you the taxi.
11:09I'm done.
11:10But I can't leave until the mobility arrives.
11:12I have to distribute the models.
11:13Then come with all.
11:15With all the girls?
11:17But.
11:18Well, it's not a bad idea.
11:19But I don't know them much.
11:21Well, it doesn't matter.
11:22They are models.
11:23It's fine.
11:24Perfect.
11:25So faster.
11:26Hey, but wait, wait.
11:27It won't be an ethnic catalog with girls of all races, colors and flavors, right?
11:31Quite the opposite.
11:32It is an exclusive and exclusive catalog of a Finnish brand.
11:36They have chosen the whitest women in all of Lima.
11:39I am a tree.
11:43Perfect, perfect.
11:44Then come, come.
11:45I'll wait for you.
11:48You can no longer trust the models.
11:51Luckily, they were not progress photos.
11:55Hello, Azucena?
11:56It's Yuli.
11:57Right now you are in the clinic, right?
12:00And if I change your shift?
12:03No?
12:05Okay, fine.
12:10Hello, Gaby?
12:11Hi, yes.
12:12How are you?
12:13And in a little while it's your turn in a polyclinic, right?
12:17I'll change you then.
12:19You don't want to?
12:20But, look, I'll give you two shifts if you give me today's.
12:25Yes, yes, early, as you want.
12:28No, but, Gaby, please, look, I'll do what ...
12:33Hello?
12:34Gaby?
12:39What's wrong with Yulia?
12:40Why does she want to change shifts?
12:42She doesn't want to be here while Cristobal celebrates his birthday party.
12:46Oh, that's it.
12:47I thought she was on drugs.
12:49I bet.
12:50How is it going to be?
12:51But what does it have to do if the party is on the other side of the street?
12:54Besides, she's not even with the vampire.
12:56Oh, man.
12:59It's my day off today.
13:00I'd rather be working a thousand months, but no one wants to change shifts with me.
13:04And if you go to the polyclinic just?
13:07Yuli, let's be honest.
13:09What you want is to go to the front, right?
13:12Tito, don't be a beast.
13:14Yes, it's true, Tito.
13:16I want to see how Cristobal is.
13:18If he's having fun at his party and he already forgot me.
13:22Or if he's still suffering like me.
13:25I think you should just go.
13:26Come on, get in.
13:27You have your right and you're his ex, right?
13:29No, are you crazy?
13:30They wouldn't even let me pass through the gate.
13:32That, if they recognize you.
13:35What are you suggesting, Tito?
13:39I'm not fooling anyone, Tito.
13:41No, but Yuli.
13:42If you're going to talk like that, they're going to take you out.
13:44It's not going to work.
13:45Forget it.
13:46She's worked a long time in the front house.
13:48They're going to recognize her tongue.
13:53Oh, no.
13:54I'm not good at painting.
13:55Remember what happened to me in the painting class.
13:57Hey, cousin.
13:58What have you painted?
14:00We should go out one night to practice English and meet gringos.
14:04Hey, hey, hey.
14:05Brichera, aren't you with my compadre?
14:07Aren't you waiting for him to come back and get gold for you?
14:09Oh, yes.
14:10I didn't say anything.
14:11I didn't say anything.
14:12Well, I'm going to ring the bell to see if Christobal is nervous.
14:14No, no, no.
14:19Don't be crazy.
14:20They're not going to let you in, Julio.
14:23We have to send a spy.
14:28Hello, darling.
14:29Nice to meet you.
14:32There's no way.
14:33Even Gaspar is more gringo than you.
14:35Thank you very much for the intention, Tito.
14:37But none of us goes through as we could.
14:40No.
14:41Gonzales Blanco doesn't exist.
14:44Wait.
14:45Gonzales Blanco does exist.
14:55Total Hangover prevents problems before they appear,
14:58creating antibacterial protection for 24 hours.
15:01That's why I use it and recommend it.
15:10I want to wake up next to you.
15:11I want to wake up next to you.
15:13You'll be my sweet love for the rest of my life.
15:17You'll be my sweet love for the rest of my life.
15:21Open the bottles to drink for her.
15:25Long live love.
15:26There's nothing better.
15:28I sigh every night thinking of you.
15:31Only for you.
15:32I sigh every night thinking of you.
15:35Only for you.
15:38We're watching Al Fondo Hay Sitio.
15:40New season, 2024.
15:42Thanks to...
15:45New Ariel.
15:46Cleaning that is noticeable and felt.
15:50Switch to the fastest mobile network in Peru.
15:54Discover the new natural collection.
15:56The latest in fashion, only in Palavero.
16:00Marino!
16:01Happy day!
16:02Happy day to you too.
16:03I see you well.
16:04I thought you weren't coming down.
16:05Don't make fun of me.
16:07Thanks for encouraging me to come down.
16:09I'm meeting friends I haven't seen in a thousand years.
16:11Any prospects?
16:12A lot, but I can't tell you.
16:14Don't worry about me.
16:15I don't tell her your things.
16:18Have you seen Andalusia?
16:19No idea.
16:21Claudio!
16:23Yes?
16:24Do you know where Andalusia is?
16:26I don't know, but I saw a truck with models.
16:28It must be her.
16:29She told me she had a session.
16:31You're going to scare her with that face.
16:33I'm going to get something to drink.
16:34I'll leave you the bottle so you can get yourself a drink.
16:37I'm fine.
16:38I'll pour it for you.
16:40I'm going to throw up!
17:04Do you feel me?
17:08Do you feel me?
17:12Do you love me?
17:16Do you feel me?
17:20Do you feel me?
17:24Do you feel me?
17:28Do you feel me?
17:30Where have I seen that princess?
17:31Do you feel me?
17:36Do you feel me?
17:40Do you feel me?
17:44Do you feel me?
17:48Do you feel me?
17:52Do you feel me?
17:56Do you feel me?
17:58How nice!
17:59She died.
18:00She died being beautiful.
18:03Pretty girl!
18:04Look, the sun came out.
18:05Look, look.
18:08It's Tito.
18:09He says it's an emergency and that I'm the only Gonzalez who can solve it.
18:12How exciting!
18:13But you're not Gonzalez.
18:15Oh, well, Valentino, I'm a honorary Gonzalez.
18:17But I think it's nice that they already consider me.
18:19I'll see you later.
18:20No, no, no, no, wait, wait.
18:22I'm coming with you.
18:23It can be dangerous.
18:24You know that the Gonzalez are a bit scratched, you know?
18:26They are not crazy.
18:27Yes, but you know that Tito does not like you to accompany me.
18:29Hey, what do you have?
18:30I'm your boyfriend.
18:31Look, let's do something, okay?
18:32I'm going to go, but I'm going to stay close.
18:34But I'm not going to be close or far.
18:35But I'm going to be there, but I'm not going to be there.
18:36I'm going to be like this, present.
18:37But as who is in class, but does not pay attention.
18:39I'm going to be there, but I'm always going to be there.
18:41Attentive to the action.
18:42Enough!
18:43Valentino, we understand.
18:44Come on.
18:45Come on.
18:46Chato, I'm going to the slums now.
18:48Attentive, brother-in-law, fly.
18:50Maffi, go.
18:52Chris!
18:53Hello.
18:56Is everything okay?
18:57Yes, we had a little accident, but everything is fine.
19:00Sorry for taking so long, I had a session.
19:02She is Anastasia.
19:03I hope you do not mind that I invited her.
19:05No, no, do not worry.
19:06Hello Anastasia.
19:07Nice to meet you.
19:08Welcome.
19:10Analu, do not you want something to drink?
19:12Yes, how kind you are, Liz.
19:14Claudio.
19:15Tell me, young Chris.
19:16Can I serve you something to drink, Ana Lucia, please?
19:18Of course.
19:19At the bar in the room.
19:21The bar that has more little things and more fun.
19:23Of course, of course.
19:24But do not you mind if I leave you a little while?
19:26No, no.
19:27And accompany me, please.
19:28I accompany you.
19:29My friend ...
19:30I accompany you.
19:32Bye.
19:33See you there.
19:35Careful, careful, careful.
19:36This way, please.
19:40What is this place called?
19:42They brought me with the models and it seems familiar to me.
19:45It's called the new slums.
19:47It can not be.
19:48You're going to laugh.
19:49Some time ago I moved to the front.
19:51What?
19:52How so?
19:53Two strawberries, please.
19:55I was living there and well, then I was hospitalized.
19:58No.
19:59All right?
20:00Are you okay?
20:01Did you have an accident?
20:02No, not at all.
20:03I alone decided to intern to perform all psychological, psychiatric treatments,
20:06encephalogram, magnetic resonance, everything.
20:09Well, I'm glad you're okay.
20:10Yes.
20:11Perfectly.
20:12It was just a suspicion for something that ...
20:15I prefer not to remember.
20:18Well, I'm glad you're okay.
20:19Thank you for coming.
20:20Thank you for accompanying me.
20:22I feel a little out of place with this costume.
20:24Do not worry.
20:25You are beautiful.
20:28Cheers.
20:48Are you ready for the surprise?
20:49Already.
20:50Then close your eyes.
20:52Close your eyes too, Mr. Gaby.
20:55He's asleep.
20:56Oh, right, right, right.
20:57Well, eyes closed.
20:59Now, let's welcome Mary Peace Country.
21:05Wow!
21:07You look very old.
21:08You are beautiful.
21:09Super prudent.
21:10It's that my daughter is beautiful, beautiful, beautiful.
21:13Oh, Tito, you're throwing me.
21:14Oh, babero for dad.
21:16So are you going to be Julie's spy?
21:18Of course.
21:19She is the only one in our clan who happens to be prudent
21:21and can camouflage between the Maldini Montalban.
21:23But you too.
21:24Well arranged.
21:25Well, I am delighted with my rustic and peasant forms.
21:27In exchange, you have been educated like a princess.
21:29True.
21:30Tito is fine until he opens his mouth.
21:33What have I been missing?
21:35Who is this lady?
21:37Mr. Gilberto, it's me, Mary Peace.
21:39Oh, damn.
21:41How many years have I been asleep?
21:44We are going to send you as a spy to the party of the Maldini Montalban.
21:46Yes, thank you very much, Mapi.
21:48You really are the only one who can help me with this.
21:50Oh, it's nothing.
21:51I'm happy to go to a party like this and more dressed up as an adult.
21:54We are going to make it up very nice, so super intense.
21:59Better than make-up, Julie.
22:00What do you know about prudent makeup today in Salina?
22:04Let's see, excuse me.
22:06Leave me like twenty-five.
22:08Sorry?
22:09Oh, everything.
22:10No, no, no.
22:11What happens is that the old mouse is that age.
22:12So I have to be at the height, right?
22:13It seemed.
22:14Look, you're going to be a spy, but you're still a girl.
22:18Well said, beautiful.
22:19And be careful, little girl, with all those invited young students of the cream and cream,
22:24which are very old for you.
22:26Oh, I think I'm going to be in your place.
22:28No.
22:29Yes, Tito, do not worry, because there is no way that I look at any of those student boys.
22:34Leave me like twenty-five, at least.
22:36What? No? What?
22:37Little girl, I heard you.
22:45What happened? Did Ana Lucia arrive? If you want, I'll call her again.
22:47No, yes, she arrived. She's inside with Claudio.
22:49Dad, I introduce you to Anastasia.
22:50Anastasia Duperrion.
22:51Hello.
22:52Nice to meet you, Mr. Guantanamo.
22:53I know you.
22:55Now you say hello, right?
22:58I too will realize that I was not offended when you denied the greeting, Miss Duperrion.
23:05Sorry, I did not mean to offend you.
23:07Dad, do you know Francesca?
23:09Yes, the other day we greeted her and the greeting did not correspond to us.
23:12Oh, I'm sorry. I just had myopia surgery a month ago.
23:15I could not see anything on the other side of the street.
23:17Oh, I was already saying, such a distinguished girl could not be a bad girl.
23:21Did you hear, Dad? They operated her from sight.
23:23Yes, yes.
23:24Now I see perfect.
23:25And I see you perfect.
23:29And if they look so perfect, why are not they going to dance?
23:31I love it.
23:32Dad.
23:33What?
23:34Ana Lucia can come back at any time.
23:35I do not care. Come on, dance.
23:37Come on, dance.
23:43This girl is light years away from Julia and everyone else.
23:49It is the princess who will turn those stumbles of love.
24:05Hello, Valentino. What was it?
24:07I do not know, Carlos.
24:08Hello, Valentino. What was it?
24:09I do not know, Carlos.
24:10Tito has called Maripazpe for an emergency, but they still do not come out.
24:13I do not know anything.
24:14Oh yeah? That's ugly.
24:16Compadre.
24:17Could it be that he is dying and he wants to leave all the inheritance to him?
24:21Then it's healthy, right?
24:22Tito has no fear of dying.
24:24He has nothing.
24:25Then that's not it.
24:27I can not stand you.
24:28You know what?
24:29I'm going to get in.
24:30Give me my little leg to get through the bathroom window.
24:33Are you going to give up just like that?
24:35Yes, but what do you have?
24:36What's going to happen?
24:37That you can get a little with a choro and you can get the worst of it.
24:41Better I ring the bell, right?
24:43Or the door.
24:45The door, right?
24:46The door.
24:47No, no, no.
24:48The door.
24:49So if I'm going to win, huh?
24:50No, if you're going to win, it's going to be with you.
24:53Let's see.
24:54A little bit here.
24:57And ...
24:59Ready.
25:00Wow, Maripaz, you look very pretty.
25:03Now I'm very powerful.
25:05Like a lady.
25:06Don't let him see you in love, because if he doesn't, he'll lose his mind.
25:10Family!
25:12Wow, but how beautiful.
25:14Love!
25:15He's dead!
25:16What?
25:17Alive, alive, alive and running.
25:18What's wrong, Mr. Tito?
25:19Why did you do that?
25:20Let me dream, Pe.
25:21And what are you doing here?
25:22No, I brought her, Pe.
25:23I was waiting for her outside.
25:25My love, I wait for you, beautiful.
25:27Vale, I think you better go because I'm going to take a long time.
25:29They're going to send me to spy on the house of the beauties in Punta Cana.
25:32Let's go, Pe.
25:33Don't overdo it.
25:34And what are you going to happen as a pudiente?
25:35Mr. Tito, please.
25:36I am a pudiente.
25:37Haven't you seen my natural tan?
25:38Why is David's finger so racist, Tito?
25:40I am not racist.
25:41They are racist.
25:42Damn, please.
25:43Don't go.
25:44They're going to find out.
25:45Chivo deceives her well, but you betray her.
25:47Of course.
25:48My daughter ...
25:49My daughter is white like a snowflake in a glass of milk.
25:53Instead, you look more like my Nutria.
25:55Hey!
25:57Vale, I think so.
25:58Suddenly, if you go, they suspect and they can discover you.
26:01Unless it goes like you, driver.
26:03Ah!
26:04Of course, of course.
26:05What a good idea.
26:06Hey, did you do one?
26:07Of course.
26:08It's fine, it's fine.
26:09But please, Valentín, don't cool her down.
26:10Yuli, I never cool her down.
26:11What's wrong?
26:12Please.
26:13No, Yuli, don't worry.
26:14I'm going to make sure she doesn't do any stupidity.
26:15And I'm just going to let you know what Cris does.
26:18What's more, check this out.
26:21What?
26:22Yeah, pretty like that.
26:24What's up, Habibi?
26:25I'm your Arab driver, girl.
26:26Where do I take her?
26:27Allah!
26:28To the party!
26:29Of course, Habibi, Pe.
26:30Arab.
26:31To the party, cousin.
26:32Yes, yes.
26:33Wait, wait.
26:34To them.
26:35Tigres.
26:36Yes, it was like that.
26:37Really, it was like that.
26:44Hello, Manu.
26:45I already have the perfect gift for Mom.
26:47I managed to save up to go visit her.
26:49How?
26:50With the virtual reach of the BSP.
26:52Saved.
26:53I saved up automatically with the save mode in all my purchases.
26:57Do you want it too?
26:58I knew it.
26:59Open the BSP app.
27:01Yes.
27:04Look on the bright side.
27:05I've never had so many customers.
27:07Yes, but they don't come to fix their cars.
27:08They come to wash them.
27:09That doesn't matter.
27:10The important thing is that they come.
27:11Here is the sexy car wash.
27:13No, no, no, no, no.
27:14This is Jorge González's workshop.
27:16And who is that?
27:19If you want to wash your car, you can leave it.
27:20It's 25 soles in the washing machine.
27:21Oh, how cheap.
27:23And 50.
27:24Masecado.
27:25Perfect.
27:26Rather, if you want, you can also wait in your car.
27:28Because there is a little time.
27:29Next car.
27:30What?
27:31Oh my God.
27:32There are like 8 left.
27:33You can wait.
27:34Yes, yes, yes.
27:35There is no problem.
27:36Better.
27:37Silly.
27:38You pass.
27:39You pass.
27:40Yes, but ...
27:43You take it.
27:44Do you see what you do?
27:47Better.
27:48He washes the cars.
27:49You fix them and fuck your job.
27:50I already told you.
27:51Nobody comes to fix.
27:52They just come to wash their cars.
27:53Well, but they come.
27:54That doesn't matter.
27:55Don't help me, okay?
27:56Cool.
27:58Why don't you put a car wash on it?
27:59Don't help me.
28:03Well, I'm leaving.
28:04I'm going to change because I have my nephew's birthday.
28:06Excuse me.
28:30Oh, how cute.
28:32The vampire and the princess.
28:33Like the beautiful beast.
28:36Who is she?
28:37I've only met her.
28:38She is a model who came with Ana Lucía.
28:40Oh no.
28:41Then it seemed to me nothing more.
28:42And this is the one who until a while ago
28:44I didn't want to know anything about fashion.
28:45Yes, right?
28:46Although he looks more excited than with Ana Lucía.
28:48He hasn't left her since he arrived.
28:51Gris.
28:52Hold on, hold on, hold on.
28:55Gris.
28:57My friend.
28:58I haven't seen him in a while.
28:59I think he went upstairs.
29:00Through the garden.
29:01No, over there.
29:02No, over there.
29:03Yes.
29:04Over there.
29:05Okay.
29:06Over there.
29:07Yes, yes, yes.
29:08There.
29:09Yes, yes.
29:10Oh, they're ringing the bell.
29:11They're ringing the bell.
29:14What's wrong?
29:15Why are you looking at me like that?
29:17You also prefer that little princess, don't you, Gris?
29:26I don't know.
29:27I don't know.
29:56I don't know.
30:27Come in, miss.
30:28Come in.
30:30Merry Peace Country.
30:31Oh, what a nice name.
30:32What a distinction.
30:33Please.
30:34Come in.
30:37Just a moment.
30:38And who are you?
30:39Oh, Habibi.
30:40Lady's driver.
30:41Luxurious car driver.
30:43Yes, I doubt it.
30:44You don't look prudent.
30:45Get out of here, fraud.
30:47Black skin.
30:48Sun of Arabia.
30:49Burn.
30:50Heat.
30:51Black.
30:52Princess.
30:53Is there a problem?
30:54The Pabdul?
30:55Please let the lady's driver enter.
30:56She's rich.
30:57With silver.
30:58More gold.
30:59Silk.
31:00Money.
31:01That's fine.
31:02That's fine.
31:03The driver can wait here in the garden while you celebrate with your fellows.
31:08Approved the discrimination.
31:11To the discrimination test.
31:12Shakran Laka.
31:14Come in, Miss Merry Peace.
31:15Go with the innate crime of society to what you have the right to.
31:19A moment, a moment.
31:21Where's this bucket heading?
31:22No, I'm the other driver, but we left the car in the house over there and we had to come both.
31:27Yes, yes, yes, get out of here, you piece of shit, get out of here.
31:29Mozo, mozo, have thirst, dry throat like the desert of the A.
31:32Ah, mozo, ah, you are the mozo that we asked the agency.
31:35Of course, but I'm alive.
31:36Of course, with that logical size, you take small steps and you arrive late.
31:38Look, go to the kitchen, you change and I'll get the keys.
31:41Come on, cool.
31:42Quick, quick, quick.
31:46Chato, almost the cold.
31:47Don't worry, buddy, I'm going to get to the top, you'll see.
31:50Hey, have you seen that flag, buddy?
31:52It looks like Lima.
31:53Powerful Lima, right? It looks like another country.
31:56But look, I'm here calm because my Merry Peace Country is here.
31:59You don't even get up, I cause, because no one is going to give you a ride here.
32:02You say, I put something for the occasion.
32:05You'll see.
32:08Oh, there, oh, there.
32:11Chato pulling the Malacre, Chato for the ...
32:17Woo!
32:24Hi, you are?
32:26Hi, I'm Merry Peace Country.
32:29Oh, how are you?
32:31Are you from school because you didn't recognize yourself?
32:33Obviously, I'm from school.
32:35What happens is that you don't remember, because I was younger, but I remember you super well.
32:40Really?
32:41You had some kind of weird locks, right?
32:44Nobody remembers that.
32:45Have you come alone?
32:47Yes, alone, alone.
32:48Come, I introduce you to the guys.
32:49Already.
32:50Hi guys.
32:51Hi.
32:53Oh, I love this song, I have to dance.
33:01No, I have to save my little flags.
33:03Javiri.
33:05Cris, I finally found you.
33:08Are we going to dance?
33:09Oh, thanks.
33:10I'm a little tired, Ana.
33:12So, let's go upstairs?
33:16I'm back.
33:17Shall we dance?
33:20Wait.
33:23Wait.
33:25What's going on here?
33:27Sorry, if there is something between you, I withdraw.
33:29No, no, no, there is nothing between us.
33:31I'm going to talk to my friend for a while and then you.
33:33Okay.
33:37Cris, I can't believe it.
33:39I turn around and you change me for a little bell and you call me friend.
33:44We are friends, right?
33:45Friends don't kiss in the mouth.
33:48Cristóbal Montalban, if this is all you think of us, I'm leaving and you lose me right now forever.
33:59Cris, I warn you, with this attitude you are only making me angrier.
34:04I'm going to give you one last chance, but only if you open that door before I count to three.
34:09One.
34:11Two.
34:14Two and a half.
34:15Okay, you can also open the window.
34:28This is blue.
34:30This looks good on me.
34:31Of course, with the glasses.
34:33When the party is over, I'll give it back to you.
34:36But I have to find something that goes well with the neck.
34:38Of course, with the jacket, with the glasses.
34:41Let's see this.
34:42Oh, no, no, no, no.
34:43Or this is going to die of heat.
34:44It will be to drown me down there.
34:48Let's see.
34:49What is this here?
34:51What does it say, what does it say?
34:54Pashmina?
34:56Pashmina?
34:57What is Pashmina?
34:58Ah, well, it doesn't matter.
34:59I just put it on.
35:00Let's see.
35:01Blue.
35:02Now I'm very confident.
35:05I just need a drink in my hand.
35:07And I stay.
35:11Oh, come on.
35:12Why do you take me out like that?
35:13What's wrong?
35:14All those paparazzis want you.
35:15Oh, what a liar.
35:16What happens is that he thinks I'm older.
35:17Well, that's why.
35:18You don't have to be jealous.
35:19No, I'm not jealous.
35:21Come on, a little bit.
35:22I dare you to kiss me if it happens.
35:23Oh, no.
35:24Crazy, I'm going to kiss the chauffeur.
35:27Are you drunk?
35:28Oh, a little bit.
35:30Just a little bit of what the old rat gave me.
35:32It was delicious.
35:33Come on, come on.
35:34But I'm not going to kiss the chauffeur.
35:36It was delicious.
35:37Come on, but don't drink anymore.
35:38Have you seen Cristobal?
35:39Oh, yes.
35:40I'm going to text him.
35:41Come on, come on.
35:42But look, we're leaving now.
35:43Oh, how boring.
35:44I think the chauffeur wants to stay.
35:45The chauffeur.
35:47Paula Colorado.
35:48I'm going to dance.
35:49No, no, no.
35:50Please don't do anything to me.
35:56Hey.
35:57Hey.
35:58There.
36:07There.
36:12I can't move my legs.
36:13It's just starting.
36:14You like a courageous boyfriend.
36:16No.
36:17No, no, no, the novelist Cristobal Montalban has just cheated on his girlfriend.
36:20What?
36:21The model you are close to?
36:22Yes, it was.
36:23Well done for supporting Iulia.
36:24Do you want me to tell her?
36:25Come on, tell her.
36:26I can't.
36:30You are an idiot, Cristobal Montalban.
36:33Cheema, Cheema.
36:34What happened?
36:36Silence, silence.
36:38In silence, you can better observe nature.
36:40That's a Lucia.
36:42It looks like they made her look really ugly.
36:44I hate you, I hate you.
36:48Never again will you be my servant.
36:50Never again.
36:52I don't want to see you ever again.
36:54Forget about me forever.
36:56Oh, it's very annoying.
36:58It looks like the Tuche.
37:00Be very happy with the great love of your life.
37:02I hate you.
37:20What a drama in the novel.
37:24It looks like the Vampirin became his again.
37:28I love you, Lucia.
37:32I love you.
37:34I love you.
37:36I love you.
37:38I love you.
37:40I love you.
37:42I love you.
37:44I love you.
37:46I love you.
37:48I love you.
37:50I love you.
37:52I love you.
37:54I love you.
37:56I love you.
37:58I love you.
38:00I love you.
38:02I love you.
38:04I love you.
38:06I love you.
38:08I love you.
38:10I love you.
38:12I love you.
38:14I love you.
38:16I love you.
38:18I love you.
38:20I love you.
38:22I love you.
38:24I love you.
38:26I love you.
38:28I love you.
38:30I love you.
38:32I love you.
38:34I love you.
38:36I love you.
38:38I love you.
38:40I love you.
38:42I love you.
38:44I love you.
38:46I love you.
38:48I love you.
38:50I love you.
38:52I love you.
38:54I love you.
38:56I love you.
38:58I love you.
39:00I love you.
39:02I love you.
39:04I love you.
39:06I love you.
39:08I love you.
39:10I love you.
39:12I love you.
39:14I love you.
39:16I love you.
39:18I love you.
39:20I love you.
39:22I love you.
39:24I love you.
39:26I love you.
39:28I love you.
39:30I love you.
39:32I love you.
39:34I love you.
39:36I love you.
39:38I love you.
39:40I love you.
39:42I love you.
39:44I love you.
39:46I love you.
39:48I love you.
39:50I love you.
39:52I love you.
39:54I love you.
39:56I love you.
39:58I love you.
40:00I love you.
40:02I love you.
40:04I love you.
40:06I love you.
40:08I love you.
40:10I love you.
40:12I love you.
40:14I love you.
40:16I love you.
40:18I love you.
40:20I love you.
40:22I love you.
40:50Happy. Happy.
41:02It was a lot of fun.
41:04I had a lot of fun Lora.
41:06See what told you.
41:08You with your long face all bored.
41:10Sorry.
41:12You're saying something I think.
41:14You think!
41:16Now what do we do?
41:18I thought I'd take you to your house.
41:20Gonzalez, don't be so boring. What do you think?
41:23Let's go to your house. I don't want to go to mine.
41:25My house?
41:26Yes. No, no, no.
41:27Why?
41:28We'll see what we do there.
41:29Besides, I don't want to see my dad's face yet.
41:31That's understandable.
41:32Yes, but first, what do you think if we go to the last game?
41:36Maripaz, we saw Sergio's followers crying.
41:39Yes, yes, yes. Cristobal kicked her horribly.
41:42So it's true?
41:44Tell me the truth. Do you know if they finished?
41:47It is possible that after this they will become friends again.
41:49There is no way.
41:51Thank you. I'll call you later.
41:54I told you, I told you. That wasn't going to last that long.
41:58Oh, Polina, do you think Cristobal kicked her for me?
42:01Well, it must be. If not, for whom?
42:03Oh, I don't know what to do.
42:05Well, I think it's always a good time to take the initiative.
42:10Do you think he should take the first step?
42:13I think he already took the first step.
42:16It's your turn now.
42:19Yes, you're right. He already kicked her.
42:22Poor thing, you must have felt terrible.
42:24I have to go.
42:25Yes.
42:26Wait, are you going to go like this?
42:27No, you have to get a little better.
42:29Yes, yes, you're right.
42:30Oh, thank you, Polina.
42:31Oh, we're finally going to kiss.
42:33Oh, I love love stories.
42:35Oh, I have to put it on.
42:37No, this can't be, it has to be more arranged.
42:39Let's see.
42:45Did you tell Julie everything?
42:47No, I just told her that you kicked Lucia.
42:49Oh, well, now she's going to hallucinate.
42:51Oh, what did you want me to do? I'm going to ask her.
42:53Don't worry, you already told her that this Sonsonazo has a new boyfriend.
42:56No, not yet.
42:57Come to take the picture so you can send it to her quickly, come.
43:01Wait for me.
43:05Come on, let's take the picture.
43:08One, two.
43:11He moved.
43:12Let's go.
43:15You know what, Valentino?
43:16I'm very sorry for Julie.
43:18Why is he messing with this stupid vampire face?
43:21Oh, don't say that, Churro.
43:22Churro?
43:23Why would he be Churro if he lacks color?
43:25Oh, well, I have an idea.
43:27What if I tell Tito to better prepare her
43:29and then I just tell him about the new love of Cristobal?
43:31Of course, my love, as your father will be the king of subtlety.
43:34Oh, yes.
43:35Aulinda, Aulinda.
43:36Yes, Churro.
43:37You know what, we have to take the picture once before this Galancito Montes leaves.
43:40Look.
43:41Just like this.
43:42You understand me.
43:43You know how it is.
44:06Salvador, you came.
44:08I wouldn't miss your birthday for anything in the world.
44:11No, no, no.
44:12It's not necessary, really.
44:14For me, yes.
44:15Let's go.
44:16Well, thank you.
44:19Oh, oh, wow.
44:21Oh, Salvador, this is beautiful.
44:23Let's stay to see the stars, as you told me.
44:26No, that's not necessary.
44:27You're crazy.
44:28Let's go.
44:29Let's go.
44:30Let's go.
44:31Let's go.
44:32Let's go.
44:33No, that's not necessary.
44:34You're crazy.
44:35Well, yes, I'm crazy.
44:37A little.
44:38You're not.
44:42I like being with you, González.
44:47I have to find Cristóbal before they see me and fire me.
44:52He must be sad out there.
44:54I'm not going to tell him anything.
44:56Oh, that girl.
44:57I think I know her.
44:58Me too.
45:00I had never seen her in my life.
45:02She's the one who's cheating on Cristóbal.
45:03She's the reason Lucía was hit.
45:05What are you telling me?
45:07It wasn't because of Julie?
45:10No, of course not.
45:11Cristóbal is new to me and you're adorable.
45:14Oh, no.
45:19He's very stubborn.
45:21A little.