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00:00Today, our generation is three people who are close to each other beyond generation and gender.
00:06Thank you so much. I didn't think these three people would get together.
00:11I'm so happy, too.
00:13I was really surprised.
00:15I've been working with Mone-chan all the time.
00:19I said, let's go eat.
00:21I was busy and it didn't come true.
00:24I was at the Earth Gorgeous Osaka Park.
00:29Mone-chan was in Osaka with Sen and Chihiro's Kamikakushi.
00:32I was able to eat in Osaka.
00:34When I was looking up Earth Gorgeous, I thought,
00:37Huh? Cosmo-san is in Osaka.
00:39In the Shinkansen on the way,
00:41How about treating me today?
00:43He said the same thing.
00:45When I was free, he said,
00:47I'm hungry.
00:49I'm already like this.
00:51It's already done.
00:53I was just about to treat you.
00:57After eating, I said,
00:59Kazama-san,
01:01Next time, in London,
01:03There's a guy named Yoshimata.
01:05I said,
01:07Yoshimata?
01:09There aren't that many.
01:11I'm the only one.
01:13I said,
01:15Is that Yoshimata?
01:17He's a little handsome.
01:19He's an old man.
01:21I said,
01:23Are you doing music?
01:25I called him.
01:27I laughed.
01:29I was surprised.
01:31I didn't think we were connected.
01:33I didn't think so.
01:35I said,
01:37You have a big face.
01:39I thought there were only a few people.
01:43How long have you been together?
01:45The first time I met him,
01:47I was introduced to him.
01:49My daughter is a fan of Kenjiro.
01:51The blonde teacher.
01:53I was doing music with Kenjiro.
01:55He said he'd come to the party.
01:57He said he'd come to the party.
01:59He was on the show.
02:01I asked Kenjiro,
02:03Can I take a picture of you?
02:05Can I take a picture of you?
02:07I said,
02:09My daughter is a big fan.
02:11I want to show off my dad.
02:13That's how we took the picture.
02:15That's where it started.
02:17It's very strange.
02:19It's the first time I've been in a series of dramas.
02:21It was a drama called Sleepy Forest.
02:23It's a drama called Sleepy Forest.
02:25Yoshimata is also in the music for Sleepy Forest.
02:27Yes, I am.
02:29The first drama I was in.
02:31Tiger Drama 5.
02:33I was there before 5.
02:35I think you met him when it was starting.
02:37I met him before I started working.
02:39I met him before I started working.
02:41Is that so?
02:43I haven't been working yet.
02:45When I was living in Kagoshima,
02:47Yoshimata was at the Atsuhime concert.
02:49I went to see the concert at a museum in 2009 or 2010 with my family.
02:59Oh, I see.
03:01After that, when we had time to talk,
03:06I went to see Yoshimoto-san with my family.
03:09At first, I told him that I saw Atsuhime in Mexico.
03:17At first, I met him as just a fan,
03:20but he was the music of my debut work.
03:23Oh, I see.
03:25Actress Shunsuke Kazama
03:30Currently, he plays a leading role in the play Monster.
03:34He plays a teacher who is struggling with his past and future
03:38because he has a conversation with a student who is treated as a problem in society.
03:47Actress Mone Kamishira
03:51She won a special award at the 2011 Toho Cinderella Audition in Kagoshima Prefecture.
04:00Since then, she has been active in dramas, movies, and on stage.
04:08In 2016, she made her debut as a singer.
04:11She is a multi-talented actress.
04:16Composer and arranger Ryo Yoshimata
04:20He is also from Kagoshima Prefecture.
04:23After graduating from university, he became a professional keyboard player.
04:31He has won numerous awards for his music,
04:35such as the Taiga Drama, Atsuhime, and Go.
04:41The two of them are...
04:45Mr. Yoshimata is a musician, and Ms. Mone is a musician.
04:49I'm a professional musician.
04:51No, no, no.
04:52I'm a professional musician.
04:53No, no, no.
04:55You do it sometimes.
04:57No, I don't.
04:58You do it?
04:59No, I don't.
05:00But I told Ms. Mone that
05:04I would pick up the songs she wanted me to sing when I went to karaoke.
05:10So I said,
05:11I would sing with Ms. Mone and Ms. Moka.
05:15I was thinking about what I should sing,
05:17and I started making a playlist.
05:19I was thinking about the title of the playlist,
05:23and I wrote,
05:24Kamishiraishi Shimai.
05:27I had forgotten it for two or three years.
05:30I told Ms. Mone a completely different story.
05:32I said,
05:34I opened my phone and looked at the playlist.
05:40Ms. Mone said,
05:41Wait a minute.
05:42What is Kamishiraishi Shimai?
05:45I had forgotten it, too.
05:47Ms. Mone said,
05:48Did you make a playlist?
05:50I was so embarrassed.
05:53She's a serious person.
05:55Mr. Yoshimata used to be in a rock band,
06:00and then he became a musician.
06:03What was he like?
06:05When I started producing,
06:07the rock band didn't sell well,
06:09so I gradually became an arranger and a producer.
06:13The director asked me,
06:15Is there anything you want to do?
06:17I said,
06:18Is there a soundtrack?
06:20He said,
06:21Yes, there is.
06:22That's how I started.
06:24Mr. Yoshimata's nickname is
06:26the piano.
06:28It's soft.
06:30It's classical.
06:32I wrote a piano song called Kiss in a drama.
06:35He was very interested in it.
06:38He said,
06:39I can write this song in any scene.
06:41He said,
06:42You have that kind of talent.
06:44That's how I got interested.
06:46He's honest.
06:48I'm not because I'm a rock band.
06:50I don't say I'm in a rock band.
06:53I want to be in a rock band for a long time.
06:56When did you start singing?
06:59Before I got interested.
07:01My mother is a music teacher.
07:04So when I was pregnant,
07:06I listened to my mother's piano songs.
07:10So I started singing at the same time as the words.
07:14My mother took me to the musical class.
07:18Did you start the musical class?
07:22Yes, I did.
07:24I learned how to play the piano from my mother.
07:27I couldn't move my fingers when the music was playing.
07:31I wanted to move my whole body when the music was playing.
07:35I thought it was a musical when I saw it.
07:38That's amazing.
07:40My mother also liked musicals.
07:42I see.
07:44When I listen to your songs in the bath when I'm really tired,
07:50I get a tingle.
07:53I'm glad to hear that.
07:55I listen to songs called Happy End, Spin, Nostalgic Future, and Nothing.
08:05You listen to a lot.
08:07I'm a hardcore fan.
08:10I'm a hardcore fan.
08:12I'm a hardcore fan.
08:43Mr. Yoshimatsu is a great composer.
08:47Mr. Yoshimatsu is a great composer.
08:50When Mr. Yoshimatsu had a concert before,
08:53there was an old man sitting next to him.
08:55I think he was brought by his wife.
08:58He said,
09:00I don't know.
09:02He said,
09:04He said,
09:06I know this song.
09:08He knows all the songs that play.
09:11I think so.
09:13How do you make the main theme of Taiga?
09:17Isn't it too big?
09:18I've never been bored with a song.
09:21I've never been bored with a song.
09:23I have to be specific.
09:26At the time of Atsuhime,
09:28I have to be specific.
09:30I have to be specific.
09:32I have to be specific.
09:34And it's 3 minutes.
09:362 minutes and 45 seconds.
09:38You make a story with that time.
09:41You make a story with that time.
09:44At the beginning, Atsuhime starts with a sound.
09:47It's the explosion of Sakurajima.
09:50It's the explosion of Sakurajima.
09:53Kagoshima's soul is in there.
09:56I'm always making alibis.
09:59I'm always making alibis.
10:02I'm always making alibis.
10:05I live in a suite room in Kagoshima for about a month and I live in a hotel in Sakurajima right in front of me.
10:10I watch Sakurajima every day and I don't write songs for a month.
10:14I'm not doing anything.
10:15I can definitely write a song when I get back to Tokyo.
10:17It's not a big deal, but after I get back to Tokyo, I can definitely write a song because I've done this much.
10:23If there's nothing, I'm anxious.
10:24I understand that very well.
10:26Do you understand?
10:26I also go to the grave of the actor I play.
10:30I'm definitely going somewhere looking for a place where that person can go.
10:35I made a fact that I went there, and when I was about to give up, I said,
10:39You went there, didn't you? It's okay.
10:41It's exactly the same feeling.
10:42It's the same.
10:43It's exactly the same feeling.
10:44When you're writing lyrics, is it a little different from when you're acting?
10:50For example, if you're an actor, you can transform into another character, right?
10:55Are you writing a poem in the form of a transformation, or are you writing it as a paper poem?
11:02I'm writing it as a paper poem.
11:04And I always get the song first.
11:08I listen to the song and think about the color of the song, whether it's morning or night.
11:15I make a scenery, and then I write it while thinking that I can't do it in a dark room.
11:24Mr. Yoshimasa, you have your own power, but it's like a flash or a gift.
11:32I feel like God is teaching me.
11:38So if you don't tell me, I'll be mean to you for a week, and you won't tell me.
11:44Isn't there a time when it flashes?
11:46No.
11:47Oh, there isn't.
11:48You're squeezing it out.
11:50I'll squeeze it all out.
11:52I'll squeeze it all out, and I'll be like, this is the last one.
11:58But maybe when I have to write a sentence, I'm really the same as Mone-chan.
12:08You squeeze it out.
12:09I squeeze it out.
12:10But what's strange is that when I first wrote it, there was a moment when my passion was fading as I fixed it.
12:21So I'm going around and fixing it, but I'm trying to get it back to where it was.
12:28In that sense, the first sea may be a spark.
12:31At first, yes.
12:32But that spark doesn't flow in at once like Mr. Yoshimasa.
12:37It just comes out.
12:39It's three letters at a time.
12:43I often lose track of the play.
12:45I contacted Mr. Kazama.
12:47He gave me a great response.
12:50It was a super long sentence.
12:55When Mone-chan entered the work, she said that she would start the work by choosing a pen or stationery that the character could use.
13:13It's a little different these days.
13:15I bought a 36-color colored pencil and marked it with a color that the character would like.
13:24I thought I'd buy a water bottle before cranking into the movie.
13:29I thought I'd buy a water bottle that this girl could use, so I bought it.
13:33When I got to the scene, I got the same water bottle as a small tool.
13:37It's amazing.
13:38The same manufacturer, the same color.
13:41I thought the interpretation was the same there.
13:45I thought it was right when it was exactly the same.
13:48When I think about the role, I'm basically alone at first.
13:55When I brought it to the scene, there was someone who interpreted it the same way.
13:59I'm glad.
14:00It's amazing.
14:01It's the same with costume matching.
14:02It's like, this is it, this is it, this is it.
14:05If there's a connection, you can feel at ease and hope at once.
14:09When I entered the set and entered the room of the character,
14:15the person who thought about this person's life was an artist like me.
14:21That's right.
14:22Is it this bed? Is it this cushion?
14:25My role is a person who sleeps on this bed.
14:28It's the same when I got the music.
14:30When I watched the broadcast and got the theme song,
14:34I was like, yes, yes, yes, yes.
14:37I'm so happy.
14:39That's true.
14:41What kind of preparation do you do before entering the work?
14:44At the same time as thinking about the land and the person,
14:50I tend to think about the staff and the co-star who are doing it together.
14:59I'm conscious of the fact that I'm going to make a work with these people.
15:06That's interesting.
15:08That's why he's a great balancer on the spot.
15:11There's a game where you put things on top of a toy and balance it, right?
15:17He's the kind of person who stands here and does it.
15:20I see.
15:22You've grown up.
15:25You've grown up.
15:26The work I've been doing with you is...
15:29There were various generations of regular cast members.
15:32There were many guests who came to the scene.
15:35No matter who comes, they can follow and spread the story.
15:40So everyone can feel comfortable on the spot.
15:43As a result, everyone can show their strength on the spot.
15:48I want to do a good play, of course.
15:50I want to do a play that everyone will like.
15:54When someone on the set says,
15:59I'm sorry, I helped you.
16:01I was the happiest when I was told that.
16:05I learned that from Mr. Kazama.
16:08The skill to go to the scene smoothly.
16:11It may not be good.
16:12For the actors and directors who are watching this,
16:17I think it's better to devote everything to doing a good play.
16:23That's right.
16:24I've noticed that.
16:26I've noticed that I'm happiest when I'm with people I work with.
16:33When someone says something that might make me angry later,
16:38I'm happiest when I can follow it.
16:43I'm happiest when that person is happy.
16:46I like myself the most when I do it.
16:52I like myself.
16:53You're a little flustered.
16:55I'm not flustered, but I'm flustered when I'm exposed.
16:59I don't mean to be flustered.
17:01For example, in a scene where you pass each other,
17:05there's a camera here.
17:08If you pass each other in the middle,
17:11you might get in each other's way.
17:13If you're going to show it at the moment of passing each other,
17:16it's better to shift it a little.
17:19If you adjust it a little,
17:22after the scene is over,
17:24you'll say,
17:25That's great.
17:26That's great.
17:27That's great.
17:32Once again, congratulations on graduating from university.
17:35Is that so?
17:36I went to university for 8 years.
17:38Really?
17:39I'm so busy, but I graduated.
17:41It's all thanks to Mr. Kazama.
17:44I went to university when I met Mr. Kazama.
17:47He kept telling me to do my best no matter what.
17:52But I couldn't do it.
17:54I see.
17:55He told me I should do my best.
17:57I started working as an entertainer when I was 14 years old.
18:01When I was in school,
18:03I always had the title of a student.
18:06When I was asked,
18:07What are you?
18:09I said, I'm an actor.
18:11I'm not working in the entertainment industry.
18:13I'm a student.
18:14It's the same.
18:16It's the same.
18:17I don't think I'm the best entertainer in the entertainment industry.
18:21That's why people often say,
18:24I'm an entertainer.
18:26Entertainers are the ones who make the most noise.
18:31When I was 20 years old,
18:33I had a lot of performances,
18:35but I couldn't take the exam,
18:36so I decided to quit university.
18:39When I thought my title of a student was stripped,
18:42I thought I had to work hard.
18:45Until this spring,
18:47when I went for a massage,
18:49I wrote that I was a student.
18:51But when I graduated in April,
18:54I realized I wasn't a student.
18:57That's why I made up my mind this year.
18:59Oh, you did?
19:01It's not a double-edged sword,
19:02but a single-edged sword.
19:04The place where I was led to
19:08and the place where I could go back to whenever I wanted
19:11disappeared.
19:13So I thought I had to work hard.
19:15That's interesting.
19:17Students are a kind of protection of the heart.
19:21I'm the kind of person who likes stability.
19:25I never dreamed I'd get a job like this.
19:31When did you realize this was going to be your job?
19:35I was 26.
19:37Because I wanted to be a public servant.
19:40When I was a college student,
19:41I went to an interview as a public servant.
19:43I was accepted until I was 26.
19:46I thought I could quit when I was 22.
19:53But I was accepted by Misora Hibari's band.
19:57So I did it for a year and a half.
19:59When it was over,
20:00I heard about the debut of a rock band.
20:02It was a rock band after KU.
20:04Yes.
20:06It was an extension of someone doing something at a certain timing.
20:13As I said earlier,
20:14when did you decide?
20:16I didn't think anyone could make a living with something like this.
20:20At that time, I was a music director for idols.
20:23I was a music director for tours.
20:26I was 26 when I thought I could go as far as I could.
20:30I couldn't take the public servant exam anymore.
20:33Until then, there was always a public servant behind me.
20:37I've talked to him before.
20:39Once,
20:40not just once,
20:42I couldn't understand the play.
20:45I hit the wall every day.
20:48I thought it was impossible.
20:52Then I contacted Mr. Kazama.
20:54I couldn't understand the play.
20:56Then he gave me a wonderful answer.
20:59He gave me a very long answer.
21:03I think there are several patterns.
21:05In this case, I'll do this.
21:07In this case, I'll do this.
21:09At the end,
21:10he said,
21:11if you feel suffocated in the play,
21:16you are a great actor.
21:19Isn't it amazing?
21:21It's good to be worried.
21:24At the end,
21:25I called him Kazama of the whole process.
21:27Basically, you want to have only candy.
21:31When I heard that,
21:33I decided to follow him for the rest of my life.
21:37So, I'm like this.
21:40But he's a very good person.
21:45You're praising each other.
21:47When I heard what you just said,
21:49I felt that you were good.
21:51I felt that you were good.
21:54It's hard to say because there's no relationship.
21:57I'm looking for the answer when I'm worried.
22:02I think the time I'm worried about is the answer.
22:07We often talk about stories.
22:10I think this is right.
22:13In the end, characters that don't verify
22:17are often depicted as characters who go the wrong way.
22:23I think that's psychology.
22:25I think it's great that actors and actresses
22:29don't go the wrong way.
22:31But I don't think I can live like that.
22:34I'm not allowed to go the wrong way.
22:37I'm not allowed to go the wrong way.
22:40I'm twisted.
22:42I'm twisted.
22:44I'm not straight.
22:46I'm twisted.
22:48That's what I think.
22:50I have a senior like this.
22:52I'm going to worry about it.
22:54If I get hit again, I'll get a treat.
22:58I want to ask you.
23:03You're listening to my story with Mone.
23:08As you get older,
23:11you get allergic reactions when you talk to younger people.
23:17You're often told that you're old.
23:19Mr. Yoshimatsu, why do you talk to people
23:23who are younger than you?
23:27Really?
23:28Yes.
23:29It's normal for me. It's fun.
23:32Mr. Yoshimatsu is a person who doesn't fit in.
23:35I'm this much older.
23:38It's not at all different.
23:40The best thing about being in this world
23:43is that I can see things from the same perspective
23:46and talk from the same perspective.
23:48I think I chose a very happy job.
23:51I'll call you when I'm hungry again.
23:54Call me.
23:56Call me anytime.
23:57Absolutely.
23:58Let's go.
23:59Thank you very much.
24:00Thank you very much.
24:01It was fun.
24:02Have a wonderful day today.
24:09That was cut off by strange news.
24:12That's right.
24:13Please marry someone.
24:15Please use this for your online news.