Al Fondo Hay Sitio Temporada 11 Capitulo 168 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 168 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 168 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 168 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 168 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 168 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 168 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 168 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 168 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 168 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 168 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 168 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 168 Completo HD
Category
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Short filmTranscript
00:00What if he wants me to give him a picture of me naked?
00:08For God's sake!
00:10This old man is more deaf than a stone.
00:15Holy Lord of Quinoa Park!
00:19Do you remember I told you that statistically one in every 10,000 people finds the true love of their life?
00:34Yes, I remember.
00:36I want to be that person.
00:44Do you diet?
00:46No.
00:47But full exercise?
00:48The usual.
00:49Oh, so you're a naturopath.
00:53My God, Cristobal. What have you done?
00:59What was that?
01:01That's my way of saying yes.
01:05That's it, GonzƔlez!
01:18And what did you tell me about Miss Macarena?
01:22After her marriage scandal?
01:24Good thing you keep an eye on Professor Xavi.
01:26I don't know if I can help it.
01:28What did you say?
01:29If it depends on me, Xavi Sanz won't be happy again.
01:33You are my sister.
01:35As a father and a mother.
01:37All that woman wanted was to take advantage of herself and get money from the old man.
01:43If you want, go visit her grave.
01:46Come on, pray for her.
01:49But the only good thing Laura Perez Chavez did...
01:53Nine, four.
01:55Twelve.
01:57Yes.
02:13Aha!
02:16What are you doing there?
02:18I brought clothes that I just ironed to keep in the closet.
02:23And why are you in the middle of the room?
02:26Because I got a message and I didn't know how to open it.
02:32At work hours, no messages are sent or received.
02:37Yes, Mr. Diego.
02:42Okay.
02:49Okay.
02:50Let's go.
03:10I have to put this on.
03:13Let's go.
03:14Yes!
03:16Hey, I get lost in this house.
03:18I think you should come.
03:19Yes.
03:20Great, fabulous, elegant, like a fairy tale.
03:25What are you doing?
03:26It's my business.
03:28I make pet clothes.
03:30Look.
03:31I can't believe it.
03:32How cute.
03:34Are you alone?
03:35With these little hands.
03:36Oh, I can't believe it.
03:38Hey, they're beautiful, they're cute.
03:41And how do they sell?
03:42Well, my clients are mostly wealthy people.
03:45But there are also people who gather their money
03:48to buy their clothes for their pets
03:50and have them fine and elegant with my designs.
03:52Yes.
03:53Your good taste is noticeable.
03:56See?
03:57Yes.
03:58You noticed.
03:59Of course.
04:00Look, my mom was a very fine and elegant woman.
04:02And well, I inherited her finesse and her elegance.
04:05If you had met her,
04:06I'm sure you would have become great friends.
04:08I'm sure I do.
04:11Hey, I'll leave you.
04:13I'll leave you with your wonderful creative entrepreneurship.
04:17It's important.
04:18Yes, that's right.
04:19I love it.
04:20It's in your house.
04:22Yes.
04:25It's true.
04:26I'm very fine.
04:30I'm very fine and elegant.
04:34How colorful.
04:36My God, I'm dizzy.
04:38I even wanted to have a headache.
04:41I'm very fine.
04:44Please.
04:47You're beautiful.
04:48What were you laughing at?
04:50Was I laughing?
04:51Yes.
04:52I don't know.
04:54It must be that I'm so happy to be in this house, dear,
04:58that I don't know.
04:59I laugh without realizing it.
05:01Oh, it's nice to hear that.
05:03Yes.
05:04We are a very welcoming family.
05:06And well, the facilities are very comfortable.
05:09It's difficult not to feel good here.
05:11Yes, very difficult.
05:14Oh, what are you going to prepare?
05:16I'm going to make a typical sweet from my land,
05:19a massamorra de manza.
05:21Always provocado, sweet, right?
05:23Yes.
05:24And doesn't Teresa help you?
05:26Yes, sometimes.
05:28But now I don't need her.
05:31It's just that I don't see her much in the kitchen, right?
05:35It's just that she doesn't like it very much.
05:39Although with Gaspar he learned to cook a rice with scrambled eggs.
05:47Excuse me, I have to get ready and wash everything.
05:50Excuse me.
05:56Rice with scrambled eggs.
05:58Oh, poor my prince of Guairona.
06:01No wonder he's so skinny and skinny.
06:06A photo of me with a can.
06:09A photo of me with a can.
06:11A photo of me with a can.
06:13No!
06:15What's wrong with Mr. Gil? Are you okay?
06:17No, nothing happens to me.
06:19But he has a terrible scream.
06:21Has he had a nightmare or something?
06:23I'm fine.
06:24But I find him nervous, agitated.
06:26Tell me, Mr. Gil.
06:27Suddenly I can help him.
06:30Look.
06:32I'm going to tell you something.
06:34But you have to swear to me that you are not going to tell anyone.
06:39I swear, Mr. Gil.
06:40By whom do you swear?
06:43I swear by my daughter Maripaz, whom I love with all my heart.
06:47You see?
06:48Well.
06:50I can't say it out loud.
06:54Come closer.
06:56Let's see.
06:57Gasparcito's mother
07:01has offered me a photograph of his face.
07:07It's not a joke.
07:09Sorry, sorry, sorry.
07:10Did he really say that?
07:13That's what I'm telling you.
07:17So Gaspar's mother is a slut?
07:20What low passions have I awakened in him?
07:26I love your hair.
07:27I was born blonde, blonde, super, super blonde.
07:29So much so that they almost give me the name Sol.
07:31But then, like that, when I was 15,
07:33I got to know it a little bit.
07:35And like I had it brown, clear, but very, very clear.
07:38But I don't know.
07:39Like I wasn't convinced.
07:40And I don't know.
07:41My friends recommended that I lighten it up a little more.
07:43And I did like Baby Lights.
07:44Vibes.
07:45I don't know.
07:46I don't know.
07:47I don't know.
07:48I don't know.
07:49I don't know.
07:50What do you think?
07:51Beautiful, beautiful, beautiful.
07:52Really?
07:53Oh, I see that you ate all the cookies I made for you.
07:54You loved them, right?
07:55I'll bring you more tomorrow.
07:56Was it you?
07:57What?
07:58No.
07:59No?
08:00You're a weirdo.
08:01No.
08:02Well, as I was saying,
08:03my boy loves these cookies that I make for him.
08:04The noise again.
08:05I have to go.
08:06Oh, you really told me you had money.
08:07Oh, well, I have to go.
08:08I have to go.
08:09Oh, well, I have to go.
08:10I have to go.
08:11Oh, well, I have to go.
08:12I have to go.
08:13I have to go.
08:14I have to go.
08:15I have to go.
08:16You told me you had a lot of personal things to do.
08:19Don't worry.
08:20Who like you stops so busy all the time?
08:22I, on the other hand, almost never have anything important to do.
08:25Sorry, sorry.
08:26Don't worry. Go.
08:27Bye.
08:29My sister-in-law is so nice.
08:31She has eaten all the cookies I made for her.
08:34Cristobal will be very happy when he finds out how nice we are to him.
08:39And are you sure you didn't give Sajiro?
08:42What is that?
08:43I mean, that he didn't give her wings, that he didn't flirt with her.
08:46How can you think that?
08:48I am a happily married man.
08:52And Gasparcito's mother is my concubine.
08:55How can you think that I'm going to flirt with her?
08:58Okay, okay.
08:59Don't get like that. I just want to rule out all the possibilities.
09:03Possibilities of what?
09:05You just say, you say.
09:08Maybe he saw the bump on his diaper and his aunt got excited.
09:13What are you saying, Cacaceno?
09:15I mean, many of the problems that occur between people are misunderstood.
09:20Maybe a little trash got into your eye and you started to wink at it
09:24and the lady thought it was for her.
09:26No trash got into my eye.
09:30Nor anywhere else.
09:32I don't know why I'm telling you these things.
09:35You just make me more nervous.
09:38Okay, okay. Don't worry, don't worry.
09:39Well, then...
09:41All that's left is to think that...
09:43that the lady was fulminated by her irresistible sex appeal, Mr. Gil.
09:49Are you making fun of me?
09:51No, not at all.
09:52But if you say that you didn't even wink at the lady
09:54and she didn't have any behavior that could confuse her,
09:57then everything is due to her attractive irresistible.
10:05And now what do I do?
10:09Oh my God.
10:14I'm so glad those cookies fell on me.
10:17Oh, my stomach.
10:22Oh, what a bunch of nonsense Anastasia talked about.
10:27I don't understand how Cristobal can be with her without getting bored.
10:32Come in.
10:35Excuse me, Alessia, you forgot your cell phone.
10:37Oh, Coqui, thank you, thank you.
10:40Do you feel bad?
10:41Yes, yes, she gave me a bunch of cookies.
10:44Although the truth is, I don't know if it was that
10:46or it was all the insufferable blabla of Anastasia.
10:50I don't understand how Cristobal can be with her.
10:53Tell her something, Coqui.
10:54And what am I going to tell her?
10:56That she's a frivola, that she's a plastic doll.
10:59It's not my place to meddle in Cristobal's life, Alessia.
11:02It's not my place to meddle in Cristobal's life, Alessia.
11:05But he's not going to listen to me,
11:06especially now that he's upset with me for being Yuli's friend.
11:10Can I give you my opinion?
11:12Yes, of course.
11:13I think Cristobal is going out with Anastasia while he forgets Yuli.
11:18He feels accompanied with her, he gets distracted,
11:22and he doesn't have to try hard to impress her.
11:24Well, I assure you that.
11:25But once he feels stronger,
11:27he will surely talk to her and end the relationship.
11:31But that's not fair.
11:33Life is not always fair.
11:36Excuse me.
11:41And what about you and Lola?
11:43What is it?
11:48Hey, hey, what happened? What happened? What happened?
11:50What happened here?
11:51Hey, how fast I see you!
11:53Oh, I don't know what movie this is.
11:55Go, go, it's about love.
11:57There it is.
11:59Titanius, Titanius, Titanius.
12:03Oh, I'm a shipwreck.
12:06Well, what happened is that I asked him to be there with me and he accepted.
12:09Oh, oh, oh, oh, did you fall for him?
12:12No, man, man, you don't say you fell for him anymore, but that's outdated.
12:14Declaring, neither?
12:16It will be to declare taxes.
12:18Don't talk about that because I get upset.
12:20The thing is that they are already there.
12:22Yes, we are already skinny.
12:23Oh, oh, oh.
12:25Oh, man, man, in this time they don't talk about bodies either.
12:28That's politically incorrect.
12:30These generations of today, what a lack.
12:32Hey, little brother, I was just checking with Lola and there is no page in the workshop, right?
12:36Ah?
12:37What is that?
12:38Who is in charge of marketing?
12:40Someone makes publications, promotions, who uploads the photos before and after the cars are ironed out in the workshop.
12:45What promotion, you say?
12:47No one announces, no.
12:48I have an idea.
12:49What do you think if we take pictures or make a video to promote your workshop?
12:53Ah, I see.
12:54Come on, but super energetic, okay?
12:56Let's see, let's see, let's see.
12:57We have to start with a scene.
12:59As a scene.
13:00You go down.
13:01You go down because it's like a scene.
13:03I'm driving, I'm driving.
13:04Let go, let go.
13:05Let go of the car.
13:06I'm going to the right.
13:08There is a lot of traffic.
13:10Be careful.
13:13Fuck, hit the car.
13:15Where do I take him?
13:16To the workshop.
13:19And for the bumper cars?
13:20To the workshop.
13:21To the workshop.
13:22To the workshop.
13:23To the workshop.
13:24To the workshop.
13:25To the workshop.
13:26To the workshop.
13:27To the workshop.
13:28To the workshop.
13:29To the workshop.
13:30To the workshop.
13:31To the workshop.
13:32To the workshop.
13:33To the workshop.
13:34To the workshop.
13:35To the workshop.
13:36To the workshop.
13:37To the workshop.
13:38To the workshop.
13:39To the workshop.
13:40To the workshop.
13:41To the workshop.
13:42To the workshop.
13:43To the workshop.
13:44To the workshop.
13:45To the workshop.
13:46To the workshop.
13:47To the workshop.
13:48To the workshop.
13:49To the workshop.
13:50To the workshop.
13:51To the workshop.
13:52To the workshop.
13:53To the workshop.
13:54To the workshop.
13:55To the workshop.
13:56To the workshop.
13:57Max Fonsheng.
13:58Max, Max.
13:59Let's go, Max.
14:06Help Macarena find out more about her biological mother
14:10will help me get good grades
14:16I'm going to get back out the big door.
14:20What?
14:20Nothing.
14:21Nothing.
14:24Hon, you have no idea how much fun I had with Alicia.
14:27Oh, yeah? That's good.
14:29Yeah, really. We talk a lot.
14:31And I found out that we have a lot in common.
14:33I don't believe you.
14:34I didn't believe it either, but...
14:36it was easier than I imagined.
14:38I'm so happy.
14:39She loved the oatmeal cookies I brought her.
14:41I made her some of those you love, and she ate them all.
14:45Wow.
14:46I'll give her the recipe.
14:47Thanks.
14:48Hmmm... thanks for what?
14:50Anastasia?
14:52No.
14:53Ani?
14:54No.
14:55Tasia?
14:56No.
14:57And what am I to you?
14:58My princess.
14:59Oh, yes.
15:00Oh, what are you doing here?
15:01With the soap.
15:02Pablo Lucio is like crazy inside.
15:03Anastasia is leaving.
15:04Yes, yes.
15:05Bye.
15:06Bye.
15:07Don't hit the lamp, okay?
15:08Bye.
15:09Oh, this is your girl, right?
15:10Oh, you go too far.
15:11But Mrs. Lili.
15:12Oh, pull her inside.
15:13I see her like a fool.
15:14Pull her, pull her.
15:15Oh, Cristobal, what's wrong with you?
15:16Enough, Mrs. Lili.
15:17And on top of that, you're going to get in trouble.
15:18You're going to get in trouble.
15:19You're going to get in trouble.
15:20You're going to get in trouble.
15:21And on top of that, Alicia has called saying that her stomach has loosened.
15:22Alicia?
15:23Yes.
15:24Did she lose her weight?
15:25Yes.
15:26Why?
15:27I don't know, ask her to talk to me.
15:28Oh, she ate some biscuits.
15:29Some biscuits?
15:30Yes.
15:31Hey, on top of that, you're going to get red.
15:32Enough, enough.
15:33Stop it.
15:34Stop it.
15:35Stop it.
15:36Stop it.
15:37Stop it.
15:38You're going to get sunburned, loose hair.
15:39Family.
15:40Family.
15:41Family.
15:42Family.
15:43So cute.
15:44Come.
15:45My divine beauty.
15:46My quantum beauty.
15:47She has something to tell you.
15:48What do you have to tell us, Juniorcito?
15:50Tomorrow is the 75-inch TV raffle!
15:53Yeah!
15:55I'm sure I'll win it!
15:56And why?
15:57Because my daughter brings me luck.
16:00To me, my turtle also brings me luck.
16:04Well, I think I should win it, my divine treasure.
16:07Why do you think that, Mrs. Alicia?
16:09Well, because they just got married.
16:11And it would be a nice gift for them to have that TV in their room, right?
16:16And what for?
16:17They want a tremendous TV, a brand new one.
16:24To play Roblox!
16:28Yes, to play Roblox.
16:43Alicia, are you feeling better?
16:44Yes, thank you, ma'am.
16:45Oh, that's great!
16:46Okay, so I'll be back in a minute.
16:48I'm going to make public relations.
16:50Okay.
16:53Honey!
17:00More orders?
17:01No, they're in the dessert.
17:08Ale, did Anastasia tell me you were talking?
17:13Talking, did she tell you that?
17:15Rather, it was a monologue of impressive frivolities.
17:19Frivolities?
17:20Yes.
17:21She told me they were having tea and eating cookies.
17:24I had to chew the cookies so as not to answer her.
17:28Really, Chris, what are you doing with that hole?
17:31I don't think it's a hole.
17:33And I think he's an excellent person.
17:34Look, yes, he may be a good agent, okay?
17:37But he's a despot.
17:38He's stupid, classist.
17:39Really, he swears to royalty.
17:41And you, all hypocritical, smiling at him while he didn't fall for you.
17:44He showed up in my room with a basket full of cookies.
17:47What did you want me to do?
17:48Besides, I did it for you.
17:49Oh, thank you very much, little sister.
17:51How nice.
17:54Besides, don't get mad.
17:55You knew I was going to pick you up.
17:57Forgive me for wanting my twin and my girlfriend to get along.
18:01For that, first we would have to get along.
18:05And I see that more and more difficult.
18:08Me too.
18:11Me too.
18:19And before I call my girlfriend stupid,
18:22I'll remind you that you were with Jimmy GonzƔlez's fool for almost two years.
18:28Excuse me.
18:33But what's wrong with you?
18:35Why do you keep fighting?
18:36We are unhappy, Mrs. Eli.
18:38That's what happens.
18:39Crazy.
18:41Crazy.
18:52I'm telling you that you lack maintenance.
18:54Yes, it's his turn, GasparĆn.
18:56Well, I'm going to see my wife.
18:59And your old lady.
19:00How cool, right?
19:01That the two women of your life get along so well.
19:03They are little things.
19:04They are little things.
19:05And your old lady has such a holy face, right?
19:07Yes or no?
19:08The devil.
19:09It must have been your old man.
19:10Don Leonidas Goyoneche.
19:12A man from another time.
19:14You would have gotten along well with him.
19:16What? Did he play the cajon well? Better than you?
19:18He was very angry.
19:19Or he put his tiki-tiki-tiki-tiki.
19:21And now he's learned.
19:23And your old lady, after staying alive,
19:26never wanted ...
19:28I don't know.
19:29No.
19:30To play the cajon.
19:31Never. Never.
19:32It's just that for my old lady,
19:34there is no other man like my father.
19:40He wants me to give him a photo of me naked.
19:43Naked.
19:44Naked.
20:06What am I doing thinking about this?
20:09What am I doing thinking about this?
20:12Everything we had on the floor
20:13could be with a couple of holes.
20:16And when he realized it, I think he got lost.
20:20Julie!
20:21How much do you do?
20:22Do you feel bad?
20:23Count with confidence.
20:25Oh, beautiful!
20:26No, everything is fine.
20:27I was just surprised
20:29how beautiful my hair is
20:30and how hydrated the tips are.
20:32You can't imagine how good my shampoo is.
20:34Oh, that's great!
20:36We sell it in the winery, right?
20:37Yes.
20:38Oh, and are you sure
20:40there is nothing else you want to tell me?
20:42Nothing else.
21:03Calm down.
21:05What happened?
21:06Everything is fine.
21:07Everything will be fine.
21:08He left me very small, you know?
21:10Mine too, you know?
21:11But it came back.
21:12I don't know.
21:13It's a strange thing.
21:14But there it is.
21:15I always...
21:16Brunia!
21:18Joel.
21:19How are you?
21:20How are you?
21:21Exhausted.
21:22Oh, look.
21:23I needed to think
21:24and I was very tired.
21:26Really?
21:27And why are you thinking so much?
21:28What happened?
21:30Joel, I went to the cemetery
21:33to see my biological mother's tombstone
21:35with Xavi.
21:38Oh, you still hang out with that jerk.
21:41Do you care what happens to me
21:43or who I hang out with?
21:44I'm telling you
21:45that I went to the cemetery
21:46to visit my mother's tombstone,
21:48my biological mother,
21:49and when I got there, she wasn't there, Joel.
21:51The tombstone?
21:52Yes.
21:53When I got there, she said
21:54that surely I am so distracted
21:55and so clueless,
21:56but when we came back, she was there.
21:58She was there,
21:59but badly written.
22:00Or in another name.
22:01Look.
22:02My mother's name is Laura PƩrez ChƔvez
22:04and on the tombstone it was written
22:06Laura ChƔvez PƩrez
22:07and they had changed her date of birth.
22:09Diego says it's a case of,
22:11how was it?
22:13Ambiguous homonymous.
22:15And what is that?
22:16Anything, Joel.
22:18Everything is very strange.
22:19Then Diego called
22:20the one who works in the cemetery
22:22and what he told him was
22:23that they had just made some arrangements
22:26and by chance they broke the tombstone.
22:28So when they changed it,
22:29well, they made the wrong name.
22:31And that.
22:32And everything was arranged?
22:33Yes, but everything is very strange, Joel.
22:35I don't know what to think.
22:36And because you don't think,
22:37you're going from top to bottom
22:39with that scoundrel?
22:42No, Joel.
22:43I don't want to fight.
22:46So what do you want to do?
22:50Don't you think
22:51you're making me very oval?
22:54No, what are you saying?
22:55But don't take too long,
22:56because my neck is hurting.
22:59But what neck, Joel?
23:00What did you say?
23:01No, it's a little while,
23:02a few more strokes.
23:03I have your image here,
23:04in my memory.
23:06Oh, so I'm in your memory.
23:08That means
23:10you make me pose to win you,
23:11don't you?
23:12Of course, you're a bandit.
23:13You think you're funny.
23:14Oh, Joel, you make me laugh.
23:16You don't know.
23:17No, no.
23:18What happened?
23:19How much do you think
23:20I'm going to sell this painting for?
23:21Five hundred dollars.
23:23Five hundred bucks?
23:24Wait a minute.
23:25Don't you think,
23:26don't you think a lot?
23:27Who understands you?
23:28You sold the first Joel
23:29for a hundred dollars
23:30and you were offended.
23:31And now you think
23:32five hundred is a lot?
23:33Yes.
23:34Don't you think
23:35it's a little abrupt?
23:36You can lose your client,
23:37I mean, no.
23:38But no.
23:39Yes.
23:40This collector,
23:41Matiz Leca,
23:42who loves Joel,
23:43I'm sure he's going to buy it.
23:45Yes.
23:47And if you do a sample
23:49of pure Joel,
23:51but for next year,
23:53Tobias.
23:54Huh?
23:56But Joel,
23:58what a good idea.
23:59Of course, of course.
24:00I finish painting,
24:01we sell it
24:02and we make thirty Joel
24:03for the next one.
24:04No, but ...
24:05Don't move.
24:07No, don't move.
24:09No, but ...
24:11How about?
24:12But let's collect money,
24:13collector, whatever.
24:15Tobias.
24:16Let's collect money.
24:25Quito.
24:26I have to talk to you.
24:28Joel.
24:29I also have to talk to you.
24:30Come on, come on.
24:31You first.
24:32No, no, no.
24:33You first.
24:34Already.
24:35You have to do it again,
24:36Lecaque.
24:37No, but I just did.
24:38No, I mean
24:39the painting buyer.
24:40Joel, what are you talking about?
24:41If you're already miserable.
24:42No, but ...
24:43One last time.
24:44You said that the last time.
24:45No, but this time it's different,
24:46because you're going to put a flower
24:47that Lecaque
24:48has to go to Paudis
24:49and that's it,
24:50it disappears,
24:51it's gone.
24:52Hey, Joel,
24:53and all for love to the maca, right?
24:54No, but it's my love.
24:55Oh, who do you want to cheat?
24:56Please get out of here.
24:57Yeah, yeah.
24:58What are you going to tell?
24:59Oh, yeah, but
25:00there are no moros on the coast, huh?
25:01Already.
25:02But swear to me
25:03that you are not going to tell anyone.
25:04I swear, dad.
25:05It's very important, huh?
25:06And I also swore
25:07for my daughter
25:08that I would not tell her,
25:09but if I hide it,
25:10it can be counterproductive
25:11for the interests of the family.
25:12Already.
25:13Here you go.
25:14Tell me.
25:15Already, already, wait.
25:16Already.
25:17It's very important, huh?
25:18Already, already, already.
25:19Calm down, calm down.
25:21Gaspar's mother.
25:23She wants to go with Don Gil.
25:25Speak well.
25:31Let's see, and what number is there?
25:32The six.
25:33Very good, my interesting creature.
25:35Thank you, mom.
25:36Gaspar went to the shower.
25:38Oh, yes, he likes to shower at night.
25:40But make yourself comfortable, mother-in-law,
25:42and my child finishes doing his homework and leaves.
25:44Hello, Gaspar's mother.
25:45You can lie down here if you want.
25:47Uh-huh.
25:49I'll finish right now.
25:50Later.
25:51Gaspar and I are going to go pray,
25:53and he's going to accompany me to the room
25:55that I'm going to share with my cousins.
25:57That's right, my lighthouse.
25:59And every night?
26:00All.
26:01Oh, I see.
26:08Oh, brother, what was it?
26:09Did you see a ghost or something?
26:10Worse than that.
26:11What happened?
26:13Swear you won't repeat what I'm going to say.
26:16I swear.
26:18Gaspar's mother
26:20wants to go with Grandpa.
26:22What?
26:49Check.
26:50Find this and more at Plaza Bea,
26:52and also at plazabea.com.p
27:20It's Mom!
27:21Hi, honey, how are you?
27:22Your family.
27:23The connection that matters most.
27:25Keep connecting with them this Christmas
27:27by switching to Internet Claro at home
27:29and Postpago Max on your cell phone for $109.95 a month.
27:34And if we transform into a gift
27:36all the love we feel,
27:38Natura Christmas.
28:03Hi.
28:34Hi, Mom.
28:35Did you get the videos I sent you?
28:37Yes, my love.
28:38On the dot.
28:39Claro's mobile network is very fast.
28:42Switch to the fastest mobile network in Peru
28:44at 0800 00200.
29:04I love this picture of Joel.
29:09He has a look ...
29:13interesting.
29:19Hi, Xavi.
29:20I'm finishing another Joel.
29:22Oh yeah?
29:23Oh, that's good.
29:24Yes.
29:25And what is it, a replica?
29:26No!
29:27I found it
29:28and asked him to pose for me.
29:31And pose, of course.
29:32What good people, right?
29:34Well, I had to steal him a little.
29:37I imagine, yes.
29:38Macarena, look, I was calling you honestly because ...
29:41I'm still worried about your mother's tomb
29:44and the changed tombstone.
29:46But I talked to Joel while posing
29:48and what Diego said is completely feasible.
29:51But ... I think ...
29:53But, well, Joel has a friend in the low funds
29:56and he's going to help me with the investigation.
29:58Don't worry, everything will be fine.
30:00Everything will be fine.
30:01I'm going to finish the picture.
30:02Thank you very much.
30:03Bye.
30:07Joel, Joel, Joel.
30:14Thank you for coming.
30:15Yes, because you swore to me that your brother was not here.
30:18Of course, now to get into the palace of his princess.
30:21I just wanted to talk to you about her.
30:23Oh no, it's enough to contain her in front of the house.
30:25No, it's that she appeared here, in my room.
30:27And that?
30:28No, it was horrible.
30:29Julie, apparently CristĆ³bal asked her to be my friend
30:32and the very obedient came with her basket full of cookies.
30:37What's wrong?
30:38No, nothing, it's that they were very rich.
30:41But I got so drunk that I ended up in the bathroom.
30:44I don't want to talk about her anymore.
30:45Can we change the subject?
30:46It's that Julie is a hollow.
30:47She's a fool.
30:48I don't understand how CristĆ³bal can be with her.
30:51Look, Ellie.
30:52Maybe you don't want to see it.
30:54But your brother likes hollows.
30:56You're talking about the wound, Julie.
30:57You know that CristĆ³bal is not like that.
30:59I really don't want to fight with you, okay?
31:02Let's not talk about this.
31:04Yes, you're right.
31:05Me neither.
31:06Sorry, I shouldn't have told you about this topic.
31:12Rather, talking about this topic ...
31:17Oh, friend, I'd rather you find out about me.
31:22Jimmy and Lola are in love.
31:28Sorry, sorry.
31:31No, no, no.
31:34Thank you for telling me, yes.
31:37I imagined it, but ...
31:40to hear it is ...
31:41It is.
31:55Are you going to tell me what's wrong with you?
32:00It's nothing, Fran.
32:07You're right.
32:09Everything loses importance next to our terrible secret.
32:27You made me worse.
32:30Forgive me.
32:39I love you.
32:53Oh no, the cuckoo, the cuckoo.
33:02No, no, the wave.
33:06Oh my God.
33:10Oh, my.
33:21Keep moving, but yes.
33:22Yes, of course.
33:23Hey, fish, hurry up your shit.
33:24What's going on, Tito?
33:25Don't press it, it spasms.
33:27How did you sleep, old lady?
33:28Very well, my cuckoo.
33:32Good morning, good morning.
33:34Hello.
33:36How's your job in the mansion?
33:38It's very easy. I'm doing it as a distraction.
33:41It must be a lot of fun cleaning such a big house.
33:44Aunt, aunt, aunt. Hurry up.
33:46I have to go to work.
33:48I have to keep moving forward or I won't make it.
33:49I have to go to the institute.
33:50Yes, I have to go to the clinic.
33:51I have to do the route and I have to do it alone
33:53because my partner is on a trip.
33:55Gilgirito, you're quiet.
33:58Do you think I have nothing to say?
34:02I don't know.
34:12This thing of having two jobs is not working out for me.
34:15Because I work twice as much and I earn the same.
34:17Isn't that right?
34:24Felix.
34:25Hey, Titus.
34:27I need to hire your services.
34:29Oh, Titus, but which of the two services?
34:31Because now I offer two.
34:33The legal ones.
34:34Don't say anything else.
34:36Wait a minute, Titus, okay?
34:38I won't take long, Titus.
34:40I'm almost done.
34:42Be patient.
34:47It's done.
34:48Dr. Panduro Panduro at your service.
34:53Felix, this is a case of harassment.
34:58And who is the harasser?
35:00He is harassed.
35:04It's about Mr. Gil.
35:08How do you harass him?
35:10Excuse me, who harasses him?
35:19San Juan Bendito.
35:30It's delicious, isn't it?
35:36Panteolita, that bread with torreja is great.
35:39You have to try it.
35:40I'm dying to try it.
35:41Here it comes.
35:43Cheers!
35:50Take your bread, or they'll eat it all.
35:52You better take your bread.
35:54I'm going to leave the oats and your bread with torreja to Felix.
35:57Don't worry.
35:59Pass me the butter.
36:01No, thanks.
36:08It's ready.
36:10It's ready.
36:20I brought you breakfast.
36:22Enjoy.
36:26It's delicious.
36:28You look like a lawyer.
36:31I'm working on a case.
36:36By the way, you could be a witness.
36:39I don't understand.
36:42The complaint comes first.
36:44Then comes the trial.
36:45And witnesses are going to be needed there.
36:48Complaint, trial, witnesses?
36:50What are you talking about?
36:51I'm talking about the harassment of Gasparza's mother, Mr. Gilberto.
36:56What?
36:58Didn't you know?
37:04Gilberto, this woman has offered you a photograph of her face.
37:08What's wrong with you? Are you crazy?
37:09Polinda, mom is a lady on all fours.
37:12For God's sake, respect my mother-in-law. She's a saint.
37:14Answer, Gilberto.
37:15Answer, Mr. Gil.
37:17Yes, grandfather.
37:18Say it now.
37:24It's true.
37:27Mrs. Alicia came into the winery.
37:32And offered me seductively.
37:35Wow.
37:36A photograph of her face.
37:42It can't be.
37:45Bread with butter.
37:47Bread with butter.
37:50It's too much.
37:55It has a lot of butter.
37:58What's wrong with you?
38:00What's wrong?
38:04I've never said anything like that!
38:08Calm down mom, this is just a concussion.
38:10Wait!
38:11All of a sudden it was a nightmare and you confused reality with fantasy!
38:16Tell me how it was, Gilguerito.
38:18What happened?
38:23Mrs. Alicia came into the winery and congratulated me for the amount of products there were.
38:35And then, at that moment, she offered to give me a photograph of her jackal!
38:42What's going on?
38:43Catch him!
38:44What's going on?
38:46That could be the cause of my death.
38:49Or if Mrs. Alicia doesn't want it, she could be accused of a guilty homicide with a private penalty of no less than three years.
38:58Article 111 of the Peruvian Civil Code.
39:02Gilguerito, could it have been a nightmare, as the TV says?
39:04Dad, you misheard!
39:10No, I'm sure of what I heard.
39:17No, no, no.
39:19She told me that she wanted to offer me a photograph of her jackal.
39:29What I said, sir, is that she had canned natties!
39:36Natties? Natties are a dessert from the North!
39:39Oh, my Acuricori, you know how much I like natties!
39:43What a shame!
39:45Natties are delicious!
39:47Natties are delicious!
39:49Natties are delicious!
39:53He's an old man!
39:55He's an old man!
39:57He always makes us go through hell!
40:00No, no, no.
40:02It's not necessary for us to carry a lot.
40:05He's a very old man.
40:07And we already know that these confusions happen.
40:10It's true!
40:12It's true, thank you!
40:14Can I offer you something else?
40:17The lady just wanted canned natties!
40:20The lady just wanted canned natties!
40:25So there are no more cases of harassment.
40:27I'm not going to have a lawyer anymore.
40:31Hey, it's true that canned natties are delicious.
40:33He's an old man.
40:35He's an old man.
40:37It's over.
40:40It's over.
40:42It's over.
40:44It's over.
40:46It's over.
40:48It's over.
40:50It's over.
40:52It's over.
40:54Your mother is...?
40:56Laura Perez Chavez.
40:58She was born in 1960.
41:00That's what the tombstone says.
41:02Yeah, but they already changed it.
41:04I don't know. It's all very strange, Rudy.
41:07Yes.
41:08I already told you.
41:09I know someone who could help us.
41:11Who?
41:12Coqui Reyes.
41:14Coqui?
41:16Yes, if he gets to Cochino, he'll find out.
41:19Yeah, but I'd have to tell him the whole story.
41:24I think I'd rather stay calm.
41:27Do what Diego said.
41:29As you wish.
41:30I mean, I do want to.
41:32I do want to.
41:34But...
41:36It hurts to remove the past.
41:39Okay, Rudy.
41:41Whatever you say.
41:44Come here.
42:07Ready to turn off our TV?
42:09Yes!
42:11Let's turn on the show!
42:13Come on, Grandpa.
42:14What show?
42:15We're going to open the raffle on the Junior High website.
42:18That's right!
42:20Let's turn on the show.
42:22We can't do that right now.
42:24We're going to watch it on the laptop.
42:26Okay, everyone pay attention to their numbers.
42:29We're going to open the raffle.
42:31Let's go.
42:33Okay, everyone pay attention to their numbers.
42:36We're going to open the raffle.
42:38I have a feeling that we're going to win the TV.
42:44Remember, it doesn't matter who won it.
42:47This TV is for the family.
42:49That's right!
42:50The TV is for the family.
42:53It's a great TV.
42:59Pay attention.
43:01It's charging.
43:03What's going on here?
43:05Take a seat.
43:06We're raffling off a 70-inch 4K TV.
43:10How do I take it to CaƱete?
43:12No, ma'am.
43:13The TV stays at home.
43:15Damn bastards.
43:17Who cares about their crappy TV?
43:20Don't worry, I'll buy you yours.
43:22Don't worry.
43:23I'm not interested in material goods.
43:26Let's go.
43:28Come on, let's go.
43:30No, no.
43:31I'm taking it to my mom.
43:33We're connected.
43:36Don't say that.
43:40I swear I tried to be his friend.
43:43I have nothing to talk about with your outfit.
43:46Don't call him that.
43:48Don't worry.
43:49I'm used to him laughing at me.
43:51I'm happy with Anastasia.
43:53I'm happy, but don't ask me to be his friend.
43:56You should take your brother as a role model
43:59with guys from your socio-cultural context.
44:02Well, Anastasia won't have a brother or a single relative.
44:08No way.
44:09Who knows?
44:10Maybe Anastasia has a hidden talent.
44:13Look at me.
44:14For a long time, I've been looking, looking,
44:16until I found my style,
44:17and look how well it fits my paintings.
44:19Congratulations, Maca.
44:20You're always making the table happy.
44:22And what happened to the guy who left me yesterday?
44:24He ran away on time.
44:27We're still friends.
44:28I'm sorry to disappoint you, but it's not for me.
44:31Take your time, take your time, dear.
44:34Better, so you don't bring me a GonzƔlez.
44:37I didn't think about it three times because he appears.
44:41Luckily, my children have already regained their sanity.
44:44I hope no one else makes such a mistake.
44:47Well, at least the GonzƔlez are not throwing stones during lunch.
44:52I understand you, Maca.
44:53The GonzƔlez may have many flaws, but they are solidarities.
44:56Yes, it's true, they are very united.
44:58Yes, that's how the poor move in a pack, dad.
45:01It must be recognized that it is a family
45:03that has known how to stay united in the face of adversity.
45:19I don't think they really know about Claudia Llanos' death.
45:22I don't think so, it's just the three of us who know.
45:25I don't know what he's talking about.
45:26That damn Taur.
45:30The TV! The TV! The TV!
45:32The TV! The TV!
45:35Family! We won the TV!
45:39We won the TV!
45:41We won the TV!
45:45My daddy is no longer listening well
45:47and I think he needs one of those devices.
45:49Oh, I understand.
45:51One of those Audif, one of those little devices.
45:53And surely they are very expensive.
45:54Yes, they are very expensive.
45:55And I don't know, maybe you have some alternative.
45:57I just met with Gaspar. I'm going to accompany him to the workshop.
46:00Oh, well, it doesn't matter.
46:01For the next one, it will be here in the car and in the cell.
46:04It's a good link. Mom has to go.
46:06Claudia!
46:07Come in, Claudia.
46:08Look, I'm going to introduce you.
46:09Adriana, Gaspar's mom.
46:11Hello, how are you?
46:12Hello, a friend.
46:24Hello.