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00:00Today's Gatchirimonday is...
00:04Entering a shrine and doing business!
00:09If you enter a place where a lot of people gather, you should be able to make a lot of money.
00:17So far, we have looked for companies that are well-established in hotels,
00:23and companies that are well-established in schools.
00:29And the places to look at this time are...
00:34Temples and shrines!
00:37The number of temples is more than 70,000.
00:40The number of shrines is more than 80,000.
00:43Moreover, if you become a priest, you will be the first one.
00:47In addition, there is a place where people will definitely gather for a visit to the grave.
00:55In other words, if there is a company that is well-established in shrines and temples,
01:01you should be able to make a lot of money.
01:04When we looked into it, there was one!
01:08There was one!
01:10There is a company that is well-established in shrines and temples.
01:16Why are they making more and more shrine symbols?
01:20Is it a bridge company?
01:22We are working on Akashi Kaikyo Bridge and Bey Bridge.
01:26I see.
01:27A mysterious QR code is being added to temples all over Japan.
01:33What will the 36-year-old president do?
01:36The tower is painted in a vivid color, but this color is...
01:43It supports shrines and temples firmly.
01:48It's 30 minutes to find out the secrets of a company you don't know.
01:53Good morning.
01:54Today, I'm going to go into shrines and temples firmly.
01:57Is it okay to say that?
01:59There are many places where you are having a hard time.
02:02For example, the problem of the successor.
02:03There are places where you are making money while doing good things.
02:06Is it okay to say that shrines and temples are making money?
02:10No, it's okay!
02:13It's a forbidden project.
02:16Good morning.
02:20Nice to meet you.
02:34I'm looking forward to it.
02:36I'm looking forward to it.
02:42I see.
02:46Firmly.
02:50Let me introduce today's guests.
02:53Mr. Tatsuya Goto, a former Japanese economic journalist and economic journalist.
02:57And Mr. Yuu Sawabe from Haraichi.
02:59Nice to meet you.
03:02Mr. Yuu Sawabe, you look like Mr. Yuu Sawabe.
03:04What is your hobby?
03:05Collecting employees.
03:06I'm collecting employees.
03:07Really?
03:08I'm collecting employees because of the program.
03:11I've been shooting all over Japan.
03:14Really?
03:15There is a famous hotel company in Chikubo.
03:20I'm collaborating with them.
03:23Because of COVID-19, there are many shrines and temples that have lost their income.
03:28I think it's a good thing to have a professional eye there.
03:32If you make money from that company, you can make money from shrines and temples.
03:36The number of shrines and temples is about 70,000 to 80,000.
03:40The number of convenience stores is about 50,000 to 60,000.
03:43It's more than convenience stores.
03:45It's more than convenience stores.
03:46If you look at it from the company's point of view, there may be a chance to make money.
03:50It's a forbidden project to go into shrines and temples.
03:52Let's take a look.
03:54First of all, it's a company that makes the biggest thing in Japan.
04:00First, let's meet with the company that goes into shrines and temples.
04:05This is the Washinomiya Shrine in Saitama Prefecture.
04:09Good morning.
04:11I'm Owak from JFE Engineering.
04:16Excuse me, Mr. Owak.
04:19What kind of company is JFE Engineering?
04:23It's a bridge company.
04:25It's a bridge company.
04:27It's a bridge company.
04:30It's a bridge company.
04:35This company makes a lot of big constructions, such as bridges and plants.
04:43But where does such a company go into shrines and temples?
04:48It's here.
04:50It's a torii.
04:52The bridge company is a torii?
04:56It's a torii made of steel.
05:04JFE Engineering is working on this metal torii.
05:10It seems that it has already been used in many places.
05:14I'm working on Kumano Hongu Taisha, Yasukuni Shrine, and Kakoni Shrine.
05:22Thanks to that, the share of the torii is about 60% to 70%.
05:28Speaking of torii, the image is strong that the material is wood or stone.
05:33However, it is dangerous for the city to collapse due to aggravation and disasters.
05:38But what about a metal torii?
05:42We estimate that it will last about 200 years if it is painted well.
05:49Really?
05:51In addition, there is another problem when it becomes a famous shrine in Japan.
05:55When it comes to wood or stone, it is difficult to supply the material.
06:05When it comes to steel, we can make it as big as we want.
06:09By the way, how big is it?
06:12Kumano Hongu Taisha's torii is 34 meters.
06:17It is the largest in Japan.
06:20What is the most important thing for a shrine to make such a torii?
06:27Let's ask the people of Washinomiya Shrine.
06:31We made it in a way that reproduces the previous torii.
06:37We are very grateful as a shrine.
06:40It is important to be the same shape as the previous one.
06:46Each part of the torii has a name and meaning, so it must be reproduced properly.
06:53This is another problem.
06:57Let's see how difficult it is at the factory.
07:04Here it is.
07:06Oh, it's big.
07:08Do you make a torii here?
07:10Oh, it's a big factory that can make any big torii.
07:16This long rectangular metal plate is the part of the torii.
07:23There is also a feature in the shape of this board.
07:27The size of the bottom and top of the pillar is different.
07:32This board is also cut diagonally.
07:36It becomes a fan shape.
07:40Can you see it?
07:42This board is also a fan shape.
07:45This side is 15 cm wide.
07:48It is a delicate fan shape.
07:52The thinner the torii pillar goes up,
07:57it is reproduced by the shape of this delicate metal plate.
08:03From now on, it is difficult to make a torii round.
08:09The width of the torii is about 50 mm.
08:14The width of the torii is about 50 mm.
08:18The width of the torii is about 50 mm.
08:25First of all, it is difficult to make a beautiful torii.
08:29On top of that, it is even more difficult to make it a little narrower.
08:35In fact, the width of the torii is also different on this side and the other side.
08:40The width of the torii?
08:42The width of the torii is determined by calculation.
08:45The width of the torii is determined by calculation.
08:48It's very difficult.
08:50The final fine-tuning depends on the eyes and arms of the craftsman.
08:59After welding these two together, the pillar is finally completed.
09:05It's so hard just to make a pillar.
09:09In addition, how do you make the horizontal bar under the torii straight?
09:15How do you make the top horizontal bar, the shimagi, slightly off the top?
09:22In addition, there is such a place.
09:25This was originally made of wood, so I nailed it to both sides of the pillar.
09:31It is made of iron, so it is not necessary.
09:35However, it was requested by the shrine to reproduce the state of the wood at that time.
09:41After such processing, it is even more difficult.
09:44This is a painting factory.
09:49The torii is painted four times at the factory.
09:53The torii is painted once with a brush.
09:56Finally, the torii is painted five times.
10:02First, the paint is applied twice to increase the resistance.
10:07On top of that, the paint is applied twice to make the color beautiful.
10:12Finally, the torii is painted with a brush at the site.
10:18As a symbol of the new shrine, I hope that the bond between the shrine and the town will be stronger.
10:31The bond between the shrine and the town will be stronger with the KOSEI TORII!
10:37The torii is made of wood and stone.
10:41Did you know that it is made of iron?
10:44I didn't know that.
10:46The torii is not easy to make.
10:48The torii is made of wood and stone.
10:50The torii is made of wood and stone.
10:52The torii is made of wood and stone.
10:54Can I ask you a question?
10:56Can I ask you a question?
10:58I'm curious.
11:00The pillar is 4 meters long and 6 meters high.
11:05It is a little smaller than the current Ashinomiya shrine.
11:08It costs about 20 million yen excluding the basic construction.
11:12It's a perfect order-made.
11:14Are they different?
11:16Yes, they're different.
11:17The color of the painting is also red.
11:20There are many kinds of colors.
11:22I want you to choose the color that the shrine is convinced of.
11:26Which one do you choose for the house?
11:36Next, let's see the famous shrines and temples.
11:41The next company to enter the shrine is this shrine in Kamogawa, Kyoto, the city of shrines and temples.
11:50My name is Naruse, and I am the CEO of On The Trip.
11:53The CEO of On The Trip?
11:55This is Naruse, and he is 36 years old.
11:57He is quite young, but where does he enter the shrine?
12:01This is where we enter the shrine.
12:05This is Kifune Shrine.
12:07Kifune Shrine?
12:08Yes.
12:09It's famous, isn't it?
12:10Yes, it is.
12:12This Kifune Shrine is a very famous shrine with a history of more than 1,300 years.
12:20How does Naruse enter the shrine?
12:28This is where we enter the shrine.
12:31Here?
12:32Yes.
12:33Could you please read this QR code?
12:36Oh, he reads the QR code on his smartphone and enters the app.
12:43The shrine has been renovated 36 times.
12:49What is this?
12:51This is a voice guide.
12:53I see.
12:54It's not me anymore.
12:56That's right.
12:57Is that it?
12:58Yes.
12:59Naruse's On The Trip started with a voice guide service for temples and shrines that can be done by smartphone.
13:08He often uses the earphone guide at the museum or museum to enter temples and shrines.
13:14I see.
13:15Moreover, he has already entered quite a number of temples.
13:19I'm with Mr. Hodo Byodoin and Mr. Isejingu.
13:22Oh, you're with Mr. Isejingu.
13:25I'm with Mr. Hodo Byodoin and Mr. Isejingu.
13:30Wow!
13:31They are all famous temples.
13:34I'm curious.
13:36Have you ever been to the shrine?
13:39I haven't. I'm sorry.
13:42But it's pretty good.
13:46Apparently, it's profitable.
13:49The staff asked him how he can enjoy the shrine.
13:54Let's look back after praying.
13:57Look back?
13:58Yes.
13:59According to this?
14:00Yes.
14:01Let's look back after praying.
14:04You can see the Goshinsui there.
14:09The lantern is painted in a vivid color, but this color seems to have a meaning of deception.
14:16You can see the Goshinboku of Kifune Shrine on the left hand after climbing the stairs.
14:22The Goshinboku is said to be a tree with a number of branches growing from the root and coming out of this tree.
14:31That's true.
14:33It's good that he can teach us what we don't notice just by praying.
14:40We value the most that you listen to the guide with a story.
14:45He often says that if you listen to the guide, you can see the scenery in front of you in a completely different way.
14:53In addition, there is not only Japanese in this Kifune Shrine, but also English and Chinese.
15:00If you ask the person who came to worship,
15:03I don't read the sign every day, so it would be great if I could walk while listening.
15:11That's nice.
15:12Yeah.
15:13Interesting.
15:14And it has some cute facts.
15:16We like it very much.
15:18And we'll start using it now for places.
15:21Everyone is interested.
15:25Well, this voice guide seems to have always wanted it for the shrine where people worship.
15:32I want to respond to people one by one.
15:36There are a lot of things I want to explain.
15:38That's right.
15:40If you try to put it on a stand, it will be a huge signboard.
15:46That's not a good sign.
15:49A lot of people know about the shrine.
15:53And it doesn't get in the way.
15:55That's right.
15:57Now, how does President Naruse make money?
16:02He decides the price of the voice guide for each shrine and temple.
16:06If you use it, you can get a discount from Naruse.
16:11The guide itself is free.
16:13You can get a part of the price of the voice guide.
16:16I see.
16:19By putting in a voice guide, you can get a discount on the price of the voice guide.
16:26I see.
16:28Still, how did President Naruse come up with this business?
16:34When you go to Europe, you can hear the voice guide for churches and Sagrada Familia for free.
16:44Instead of that, you can get a discount on the price of the voice guide.
16:50He tries to convey the charm of the facility more clearly.
16:56Naruse's idea is that you can make more money by getting the voice guide as a business.
17:04It looks like it's going to grow.
17:07The voice guide is perfect for the audio guide for temples and shrines.
17:12I think it's a good idea.
17:15I think it's good for children, too.
17:17I think it's better to divide it into three patterns for elementary school students.
17:22What do you think?
17:23I'm making a guide for that.
17:26I see.
17:27I'm making a guide for children.
17:29I'm making a guide for foreigners, too.
17:33I'm making a guide for foreigners, too.
17:36For example, if you use the QR code at the entrance, you can go to the place where you are walking.
17:43For example, if you go to an art museum, you can't talk because the QR code is flowing all the time.
17:48Do you think about that?
17:50I'm actually working with the location information.
17:52If you get close to the location, you'll get an automatic voice guide.
17:57That's amazing.
18:00You're doing everything I can think of.
18:03You're almost on the trip.
18:06You're almost on the trip.
18:10Next, we visited Tokyo Yanaka.
18:13We also met with the people of the company who are entering the shrine.
18:18Good morning.
18:19My name is Kokubo, and I'm the president of Elternal, a company.
18:24That's a good name.
18:25Kannonji Temple, which has a history of 400 years, is where President Kokubo's company is entering.
18:32President, where are you entering?
18:37I help with almost everything.
18:40What do you mean?
18:41Everything?
18:42Do you help with everything?
18:43Yes.
18:44Appearance, food, and the person who is good at it.
18:49I'm also a consultant for the temple and the shrine.
18:55You're a consultant.
18:58Is that so?
19:00That's right.
19:01What President Kokubo is doing is consulting the temple.
19:05In fact, the number of temples that are suffering economically is increasing throughout Japan.
19:10It is said that there is a possibility that 30% of the temples in Japan will be gone in 20 years.
19:16In fact, the vice-president of Elternal was worried about the future of the temple and asked for help.
19:22The number of people who can enter the temple is increasing year by year.
19:29In many cases, I felt a little dissatisfaction with about 10 temples a year.
19:35What does President Kokubo do for such a temple?
19:41For example, you can see a five-leaf clover here.
19:46This is called a five-leaf clover.
19:48I put a clover in a place like this to heal the spirits of the worshipers.
19:54That's right. First of all, it is a basic thing to clean the temple.
19:59However, beauty is also important for the worshipers.
20:04So, for example, there are many things that can be improved in terms of visuals, such as proposing a flower-shaped picture that shows the results in the place where the picture is drawn.
20:15In addition, there is such a thing.
20:18I can't think of it.
20:22What is the next move of President Kokubo, who is in charge of consulting the temple?
20:27What is this?
20:29This is a five-leaf clover.
20:32Is this a five-leaf clover?
20:34No, this is the Kirie five-leaf clover that I made.
20:40When it comes to five-leaf clover, it is normal to have a five-leaf clover drawn on each temple or shrine.
20:47However, this Kirie has the name and seal of the temple.
20:53In addition, it is a completely new style in which you can decorate the temple like this, take pictures that are familiar to the scenery outside, and receive the five-leaf clover even if you don't have the five-leaf clover.
21:07As a result, the number of times you ask for the five-leaf clover is increasing.
21:12I consult with him about the design of the five-leaf clover.
21:16We change the design every season.
21:19In addition, he has his own consulting about the five-leaf clover, which is essential for the temple.
21:25This is a grave.
21:28This is the five-leaf clover that we produce.
21:35Five-leaf clover.
21:38In the grave, there is a style of five-leaf clover that the family and descendants take care of for generations.
21:45Basically, there is a five-leaf clover that the temple takes care of.
21:51If you take this grave as a whole, each section of the mansion-type house is a grave.
22:02The president of the Ministry of National Development has proposed to increase the shape of the five-leaf clover, which is especially in demand in the urban area.
22:10In Kannonji, he made this five-leaf clover in a space that had not been used at all until now.
22:19The president of the Ministry of National Development, who supports the management of the temple in various ways from the master to the grave, has already expanded business all over the country.
22:30We produce about 30 temples in Kyoto, such as the Ninnaji Temple in the World Heritage Site, and Daishoin Temple in Miyajima, Hiroshima.
22:47The burning is also a great deal.
22:50No, no, no, no, no, no, no, no, no, no.
22:54Please leave it to your imagination.
22:58Why did the president of the Ministry of National Development come up with this idea?
23:03There's a reason for that.
23:07My family has a temple.
23:12It's a temple called Ryusenji in Saitama.
23:17In fact, when the president of the Ministry of National Development was in his 20s, his family's temple was in a great pinch.
23:24I want to do something about this.
23:28Master Kirie was also born at that time, and this is a big hit.
23:33Originally, there were about 20 to 30 per month, but now there are about 10,000 per month.
23:41That's where I got the chance to get a lot of attention from many people.
23:48In addition, the grave in my family's temple.
23:52In the past 20 years, only about 20 of them have been sold.
23:59In the past 20 years, it has increased to about 4,000.
24:05The president of the Ministry of National Development has successfully rebuilt his family's temple.
24:10I think this will help other temples and shrines.
24:15He launched his current company.
24:19He wants to work with temples and shrines to make it more exciting.
24:24It's time for consuls to enter shrines and temples.
24:29I don't think so.
24:32There's a shortage of people in shrines and there's no trace of them.
24:37It's getting harder to continue.
24:40That's because of tradition and customs.
24:43I think it's hard to make a lot of money.
24:47If it's a consul, you can see various patterns.
24:50I think it's meaningful.
24:53If it changes too much, I don't like it.
24:56It's like a light bulb.
24:59It's like a mirror ball.
25:01There were a lot of things that surprised me.
25:04We've seen a lot.
25:06Finally, I'd like to ask Mr. Goto.
25:08Please tell us about a company that you would recommend to enter the shrine.
25:12That's after the commercial.
25:15It's too early.
25:19Please tell us about a company that you would recommend to enter the shrine.
25:23It's a company called Kaname in Tochigi Prefecture.
25:26It's a company that used to make metal roofs.
25:29We make tiles with titanium.
25:32For example, we also put in Asakusa's Sensoji.
25:35The tiles are light.
25:37It's about one-tenth the weight of a house.
25:40It's safe when there's an earthquake.
25:42It seems that the company has made a lot of efforts to prevent damage.
25:47It's a titanium tile.
25:49It's a technology.
25:51It's changing. It's evolving.
25:53I've seen a lot of things.
25:55I've seen a lot of things.
25:57I'd like to enter the shrine.
26:01Local ship business.
26:03The first time on TV, the giant shipyard.
26:06Everything is big.
26:08A ship with 7,000 cars.
26:10100 meters high.
26:11A giant crane.
26:12Two people with 1,000 tons of parts.
26:27If you want to watch this program again,
26:29You can watch it on TVer or U-NEXT.