• 3 hours ago
記憶のロケ地を巡る旅 2025年3月10日 #16 竹中直人・西村まさ彦・藤田朋子編
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TV
Transcript
00:00In Japan, there are a lot of popular movies and TV dramas.
00:08The heroes of the story travel to the location of their memories.
00:14The unforgettable memories of that famous scene are vividly revived.
00:18A journey around the location of memories
00:30I'm Naoto Takenaka.
00:33Today, I'm at the Shochiku Film Studio in Uzumasa, Kyoto.
00:39Wow, it's been a while since I've been here.
00:43It's a film studio that I often go to.
00:47Let's go inside.
01:00Shochiku Film Studio
01:06Wow, it's a set for a period drama.
01:09I love open sets.
01:13I often walked on this street.
01:15Shochiku Film Studio
01:26It's great to come to a set like this.
01:30I feel like I'm in a film studio.
01:33My heart is dancing.
01:36Wow, it's beautiful.
01:39I took a picture of Mr. Gosha's 226 here.
01:46There used to be a staff room for Mr. Gosha's team.
01:51I don't think it's here anymore, but I can feel it.
01:55It's gone.
01:58Mr. Gosha's team
02:02When I look at it like this, I feel like Mr. Gosha is riding a bicycle.
02:06I feel like I'm riding a bicycle.
02:09Shochiku Film Studio
02:15I met Mr. Tetsuo Tanba for the first time in a film called 226.
02:19He doesn't come on time.
02:22All the staff members know him because they've known each other for a long time.
02:26Mr. Tanba won't come.
02:28He said he wouldn't be here for about two hours.
02:31Everyone knows, so they're just waiting.
02:33The staff in Kyoto said,
02:36Mr. Tanba, if you're here, you'll be fine as long as Mr. Tanba comes.
02:41When Mr. Tanba appears,
02:44Mr. Tanba laughs and says,
02:47You'll be fine as long as Mr. Tanba comes.
02:50You're imitating me a lot.
02:53I'm watching you closely.
02:57I remember a lot of things.
03:00I remember. I was young.
03:03I didn't think I'd be able to meet someone I've admired since I was a kid.
03:09I couldn't believe I'd be acting with him.
03:13Mr. Kenichi Hagiwara was in front of me for 226.
03:18This is the oldest stage.
03:23I think I filmed 226 here.
03:27Director Hideo Gosha, Mr. Kenichi Hagiwara, Tomokazu Miura, Masahiro Motoki, and other members appeared.
03:38It's a set for a period drama now.
03:43The smell of this set is good.
03:46It's calming.
03:48In the movie I directed, 119,
03:51a set was made at the shooting site of Shochiku.
03:56It's hard to make a set in my movie.
04:00It was like a dream.
04:03I feel like I'm going back to the old days.
04:11I met Mr. Gosha for the first time when I was 28.
04:16It was in the movie Shochiku.
04:19It was a film called Busugeisho.
04:22I thought he was a very scary director.
04:27I was so nervous.
04:30During the test, everyone said,
04:33I'm doing a test.
04:36But in the real thing,
04:39I said,
04:40Ready, action!
04:43But all the lines flew away.
04:46That's how it was.
04:49But Mr. Gosha said,
04:52You're welcome.
04:55I wasn't a very clever person.
04:59I wasn't the kind of person who could get into his pocket.
05:04But Mr. Gosha was very kind to me.
05:11Mr. Ken Ogata, who I met for the first time,
05:15was very nice to me.
05:18He called me Naoto.
05:21I thought it was because my son was Naoto.
05:25But he sounded like my father.
05:28Naoto! Naoto!
05:31Then Mr. Naoto Ogata came out.
05:34I thought, Oh, that's why.
05:37Mr. Ogata was very kind.
05:40He was wearing a light make-up.
05:43He said, Naoto, I'm going to hit you.
05:46I thought he was going to hit me for real.
05:49But he hit me for real during the test.
05:52I remember a lot of things.
05:55It hurts.
05:58Mr. Ogata's ears are very tall.
06:01His hands are big, too.
06:04When he hit me, they flew away.
06:07But I felt like it was Mr. Ogata.
06:10I grew up with Hideyoshi.
06:13He was Mr. Ogata's rival.
06:16Mr. Ogata was very cool.
06:24I was 28 years old when I was in the movie.
06:27It was a movie that blinded me.
06:35I'm Tamoko Fushita.
06:38I'm in Aki City, Kochi Prefecture.
06:40This is Aki Station on Tosa Kuroshio Railway.
06:43It's a very nice building.
06:46It's beautiful.
06:52Aki City, Kochi Prefecture is a very memorable place for me.
06:55I starred in a TV novel,
06:58Non-chan no Yume.
07:01It was shot when I was 22 years old
07:04in 1988.
07:07I'm Non-chan.
07:10I'm going to walk around
07:13the Aki City landmark, Noradokei,
07:16while remembering Non-chan no Yume.
07:32There's Noradokei over there.
07:35I think this is where I shot the movie.
07:37There's a well.
07:46I remember this area.
07:49Isn't this my house?
07:52Isn't this my house?
08:01When I was shooting Non-chan no Yume,
08:03this was the setting
08:06of my country house.
08:09This is where I lived.
08:12I think I shot a scene
08:15where I came back home
08:18by bicycle.
08:34This place has changed a lot.
08:37It wasn't like this before.
08:40What?
08:43Of course.
08:46It's been over 30 years,
08:49so it has changed.
08:52There's Noradokei.
08:55That's it.
09:03I don't remember
09:06shooting this scene
09:09as a main shot
09:12when I was shooting
09:15Asadora.
09:18I took pictures
09:21and showed them on TV.
09:24But after Asadora,
09:27I wanted to make it
09:30a tourist attraction.
09:33That's what I felt.
09:45I wonder if this area
09:48has been rebuilt.
09:51Is this a tea shop?
09:54Actually,
09:57there was a person
09:59who worked here.
10:02Let's go to the park.
10:07Hello.
10:10Welcome.
10:13Is this a tea shop?
10:16When did you start?
10:19I haven't been here since last year.
10:22Wait a minute.
10:25When did you start?
10:29I haven't been here since last year.
10:44Hello.
10:47It's been a while.
10:50I didn't know
10:53you had a cafe here.
10:56It's been 35 years.
10:59I didn't know
11:02there was such a big road here.
11:05I didn't know
11:08where Noradokei was.
11:11But now I know.
11:14I feel like
11:17I was riding a bicycle
11:20in the field.
11:24This is it.
11:26There used to be a house
11:29in this area.
11:32It was in the way.
11:35When I was shooting,
11:38it was hard to hide
11:41the modernity.
11:44A postman came
11:47and said my house was gone.
11:50There was a scene
11:53where I was riding a bicycle.
11:56You were young.
11:59I was young.
12:02It was my first time.
12:05Were you good at riding a bicycle?
12:08It was normal.
12:11I was never asked
12:14if I could ride a bicycle.
12:17I wasn't able to ride it,
12:20but it wasn't my own bicycle.
12:23I couldn't ride it.
12:26I didn't know what to do.
12:29Thank you very much.
12:37I'm Masahiko Nishimura.
12:40I'm in Sensoji.
12:43This is Hozomon in Sensoji.
12:56I'm going to walk around Sensoji
12:59and go to a place
13:02with a memory of a Baltic woman.
13:05Let's go.
13:18This is a big rock.
13:26When you come to Sensoji,
13:29it's important
13:32to wash your body
13:35with smoke.
13:48Smoke!
13:51Smoke!
13:54Smoke!
14:07I'm in Asakusa Bridge.
14:10I'm going to a place
14:13with a memory of a Baltic woman.
14:15This is it.
14:23This is it.
14:29This is it.
14:32This is where the main character,
14:35Biwako, was eating.
14:38The story of the Baltic woman
14:41is about an actress
14:43who protects Biwako.
14:46Her name is Tachibana.
14:49This is the place
14:52where Biwako's birthday party
14:55was held.
14:58I'm going to park the car
15:01in front of the store.
15:04Let's go inside.
15:10Welcome.
15:13Hello.
15:16I'm Motohisa Tsukada.
15:19I'm Masahiko Nishimura.
15:22Nice to meet you.
15:25I wasn't in this store
15:28in the movie.
15:31I was outside.
15:34At that time,
15:37we shot outside.
15:40I was a middle school student.
15:43I was 14 years old.
15:46I'm proud of you.
15:49Is that so?
15:52At that time,
15:55Nishimura was there.
15:58After school,
16:01I wandered around
16:04the set.
16:06I watched the movie.
16:09Nishimura got in the car
16:12and went out of the car.
16:15He went into the store.
16:18I still remember that.
16:21Were you okay?
16:24After that,
16:27we took a picture together.
16:30The picture is torn.
16:33It's in the data.
16:36I'm sorry.
16:41Do you know him?
16:44He's sitting there.
16:47He's a yakuza.
16:50He's Mr. Murata.
16:53He was a detective.
16:56I was in the movie.
16:59You're tall.
17:02My height hasn't changed.
17:04My father is here.
17:07My staff is here.
17:14At that time,
17:17director Itami came to see me in private.
17:20He liked the atmosphere.
17:23He wanted to shoot a movie here.
17:26That's why we decided to shoot here.
17:29Mr. Nishimura came here.
17:31After the shooting,
17:34I went to see him.
17:37I was surprised.
17:40I asked him what it was.
17:43He said it was this.
17:46Oh, that's what it was.
17:49It's still here.
17:52It's still here.
17:55It's still here.
17:58It's still here.
18:01It's still here.
18:04It was at the entrance.
18:07It's still here.
18:10You must be regretting it.
18:13The autograph has changed.
18:16It's a different autograph.
18:19It was taken on April 29, 1997.
18:22The movie is on DVD.
18:25Please watch it.
18:27And please come to this store.
18:30It's delicious.
18:57Why don't you take a trip around the world?

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