冨永愛の伝統to未来～ニッポンの伝統文化を未来へ紡ぐ～ 2025年3月12日 いざなぎ流舞神楽・後編
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TVTranscript
00:00Can you teach me how to make Gohei?
00:03Sure.
00:05I'll teach you the basics of Gohei.
00:08Even if you pray, you'll find Gohei.
00:13I'll show you how to make Gohei.
00:20Izanagi-ryu is a mysterious folk religion
00:23passed down from the Monobe-cho in Kochi prefecture.
00:27The Gohei is a symbol of God and the Holy Spirit.
00:32That's why it's called Gohei.
00:42I'll cut four pieces.
00:45Izanagi-ryu
00:55Let's try it.
00:58I'm sure you can tell what I'm doing.
01:04One more time.
01:06Izanagi-ryu
01:11Try to do it at your own pace.
01:19Now, I'll show you the basics of Gohei.
01:22I'll cut the Tenjin-no-haraibe.
01:27He's cutting the Tenjin-no-haraibe.
01:30I won't draw any lines.
01:33I'll show you how to cut it.
01:36I'll change the angle.
01:39Cut about a third of the way.
01:44Now, cut straight down.
01:49Cut straight down.
01:53Be careful.
01:58Now, I'll attach the head of Gohei.
02:04The angle should be like this.
02:08I'll show you.
02:11Try to cut it.
02:22Cut it off.
02:24Next, I'll do the same thing.
02:27This is called a Tachi-ita.
02:30It's not a cutting board.
02:33It's called a Tachi-ita.
02:36It's vertical.
02:41It's so straight.
02:48This is so difficult.
02:51It's so thin.
02:54Let's just try it.
02:57I'll do the same thing.
03:00I'll cut about the same width.
03:03I'll attach and cut.
03:11Like this.
03:14Now, I'll cut about the middle.
03:17It's a little diagonal.
03:21Like this.
03:24The middle and the front?
03:27Yes, the middle.
03:30In Gohei, there is a saying,
03:33生きている兵は生きている。
03:36生きている兵は生きている。
03:39But if you cut it, and the teacher says no,
03:42you can say, 死にべー。
03:45That's how strict Gohei is.
03:49I'll do the same thing.
03:52Will he become a living soldier or a dead soldier?
03:55We'll find out later.
03:58The paper is slipping.
04:01This time, I visited
04:04Monobe-cho, Kami-shi, Kochi Prefecture.
04:09The mysterious folk religion of Izanagi-ryu
04:12has been passed down in this area.
04:16I experienced the Izanagi-ryu Maikagura.
04:21And I'll show you the last performance,
04:24the Izanagi-ryu Gokitou.
04:46Izanagi-ryu was passed down from master to disciple
04:49only through Kuden.
04:52The Taiyu perform the Gokitou.
04:55There are only a few Taiyus this time.
04:58Mr. Ii Yukio,
05:01Mr. Handa Toshiharu,
05:04Mr. Handa Kotomi,
05:07and Mr. Satake Miho.
05:10I had a chance to listen to their stories.
05:13Among them,
05:16Mr. Ii Yukio was a Taiyu family member
05:19for generations.
05:22Did you think you would become a Taiyu?
05:25No, not at all.
05:28I hated it.
05:31I hated it so much.
05:34Is that so?
05:37Was there a reason?
05:40Accidents and injuries...
05:43I've died 5 times.
05:46I almost died.
05:49I was struck by lightning.
05:52I was struck by lightning.
05:55I don't know if I'll die for the 6th time.
05:58I don't know if I'll die for the 6th time.
06:01But I wanted to live.
06:04I wanted to live.
06:07I don't think I felt that way.
06:10As the Taiyu became more and more common,
06:13only a few Taiyus remained.
06:16A precious record of the Izanagi-ryu Gokitō
06:19was left behind.
06:22Among them,
06:25there is a video of the Gohei-giri,
06:28which is used in the Gokitō.
06:38The scraps are carefully collected
06:41so that they will never be left behind.
06:44If scraps are left behind,
06:47demons will live in them.
06:50Gohei is like a heart or a statue.
06:53It's not just a decoration.
06:56It's treated as a god.
06:59There are more than 200 types of Gohei.
07:03You can learn all of them
07:06by watching the master cut them.
07:09I'm going to make a crease.
07:12The crease is the most important part.
07:15Please fold it.
07:18Just a little bit.
07:21Then, at the end,
07:24I'm going to make a crease.
07:27Please watch.
07:30I'm going to fold it 5 times.
07:38Then, I'm going to press it.
07:41This is the crease I made 5 times.
07:44God lives in this crease.
07:47In there?
07:49Yes.
07:51God lives in this crease.
07:54I'm going to fold it 5 times.
08:01You can make a mistake.
08:12After 5 times, please press it.
08:15With your thumb and index finger.
08:18Then, you can make a crease like this.
08:21I see.
08:23Next, I'm going to fold it again.
08:26Like I did before.
08:29This is the second crease.
08:32I'm going to make 7 creases.
08:357 creases?
08:37Yes, 7 creases.
08:51Then, please spread it.
08:54I'm going to spread it.
08:59I'm going to spread it.
09:02The other side.
09:05Like this.
09:08You can make a crease like this.
09:11I did it.
09:13It's cool.
09:15Please try it.
09:17Please don't put your hands together.
09:20Please put your arms together.
09:23Is my crease a living crease or a dead crease?
09:28Did you make it?
09:30Yes, I did.
09:32It's perfect.
09:34It's the first time, so it's great.
09:36I'm so happy.
09:38Basically, no matter how big or small the festival is,
09:43I make a crease.
09:46Of course, I make a crease for a feast.
09:49I welcome the gods who come to the next festival.
09:55I make a crease in this house from now on.
09:59In the case of a festival with a cagula,
10:02I make a crease for 2 nights, 3 nights, 1 week, and 10 days.
10:06I used to make a crease for 10 days.
10:09It's a world where I make a crease.
10:14The more gods there are in the house, the longer it takes.
10:19In this way, this crease is needed from beginning to end.
10:25The amount of snow, the amount of material, the invisible, and those who get in the way.
10:29Of course, if you go to the holy land of the mountains, the holy land of the rivers,
10:32there are many things.
10:35Even if I come back and get back in shape,
10:38I open the door a little and go into the house.
10:43This is the Tenjin-no-Harai-bei I cut.
10:47Actually, I asked if it was Iki-bei or Shini-bei after this,
10:52but he didn't tell me.
10:54But I still cherish it in my house.
10:59I think it was a pretty good work.
11:05If you pay a little and pay from the back, it will come out.
11:10That's how powerful it is.
11:13It looks simple, but it's called Gohei-no-Tenjin-no-Harai-bei.
11:18Did you understand a little?
11:20Yes, I understood a little.
11:22But this is where I did it.
11:24No, it's the same.
11:26Even if you weren't a carpenter,
11:28I think you cut it with all your heart.
11:31I think it's the first time.
11:33I don't cut it roughly.
11:35I see.
11:38Let's take a look at a new future
11:42for the craftsmen who are trying to weave traditional culture into the future.
11:47Mirai Action
11:54Izanagi-ryu has become more difficult to carry out
11:57due to the number of Taiyus.
12:00In order to convey the spirit of Izanagi-ryu,
12:04the last Kagura performance was held on January 3rd.
12:17For this day,
12:18Izanagi-ryu Kagura Morobe,
12:20who showed us the Mai Kagura,
12:23and Satake Miho, a Taiyu,
12:25who is the president of the preservation association,
12:28went to Handa Toshiharu,
12:30who was in charge of Taiku,
12:33to learn Gohei-giri.
12:37Go straight.
12:43About in the middle.
12:45Can I go straight?
12:47Yes, go straight.
12:57A little lower.
13:00I'm going to tighten it.
13:03I thought I was doing the same thing.
13:10The width is the same.
13:13This is the one cut by Mr. Ai.
13:15Really?
13:16It's the same Haraibei.
13:18It's Haraibei,
13:20but he cut it.
13:23I don't think I cut it like this.
13:26If you don't cut it in the middle,
13:30it will look like this.
13:32If you cut it like this,
13:34it will look like this.
13:36Haraibei is said to be equal
13:39to becoming a living soldier.
13:44This is close to success.
13:49In addition,
13:50Maikagura teaches every week to local children.
14:01It's hard at that time.
14:03It's better to wait once and do it.
14:06It may be better to stand up,
14:08but it's really hard.
14:12This day,
14:13there was also enthusiasm for practice for the performance.
14:21And finally, the day of the performance.
14:27The real Izanagi-ryu
14:29is said to be performed for about a week
14:32with the other party's stay,
14:35but this day will be shown in one day.
14:42First, Shimizu-ryu.
14:45Shimizu-ryu is a traditional Japanese dance
14:49First, a barrier is made at the Shimenawa
14:52and a Gohei is decorated.
14:58And Mr. E and Mr. Handa become the center,
15:02and Ryakushiki-goki and Kagura are performed.
15:12In addition, including local children,
15:19many Maikagura are performed.
15:42This big Gohei-goki is the last.
15:45So, I asked Mr. Satake about it.
15:53I haven't seen the real Ono-tsuri,
15:56so if I don't feel the Ono-tsuri,
15:59I'm going to make a mistake.
16:02I don't understand,
16:04but I only know the parts of the Gohei-goki
16:07and Maidake-goki.
16:09So, I want you to feel the Ono-tsuri
16:12and what you need to connect them.
16:15We also have a lot to learn,
16:18and Mr. E can do it now.
16:21It is very important to learn from Mr. E.
16:24So, I want you to feel the Ono-tsuri
16:27and what you need to connect them.
16:30I want you to feel the Ono-tsuri
16:33and what you need to connect them.
16:36The Ono-tsuri is very precious,
16:39and it's rare to have a festival like this.
16:42The real festival was held about 7 or 10 years ago,
16:45and this is the last one.
16:48Since then,
16:51it has become a wonderful stage.
16:54It's a very precious experience,
16:57and so is everyone.
17:02In the end,
17:04Kagura is performed without drums.
17:08Izanagi-ryu, a folk religion
17:11that can be said to be the original scenery of Japan.
17:14I also felt that by experiencing it,
17:17it is an important treasure of the region
17:20that should be connected to the future.
17:30How do you feel when you dance?
17:33It's completely different
17:36when I dance in a place like this
17:39and when I dance in front of God.
17:42I feel like I'm being sucked in.
17:45In the Noto Peninsula itself,
17:48many traditional crafts were also damaged.
17:51In January 2025,
17:54a year has passed since the Noto Peninsula earthquake.
17:57The 30th anniversary special exhibition
18:00was held in Takashimaya, Nihonbashi.
18:06The next challenge is to revive the life of Ishikawa craftsmanship.
18:12This time,
18:15in addition to the exhibition of traditional craftsmanship
18:18in the three prefectures of the prefecture,
18:21a table coordination exhibition was held
18:24to support the revival of Ishikawa craftsmanship.
18:27As a plan to support the revival of Ishikawa craftsmanship,
18:30we exhibited the efforts of the three prefectures that were damaged.
18:34This time,
18:37the Noto Peninsula earthquake in January last year
18:40and the tsunami in September
18:43have been overlapped.
18:46Now, we are trying to revive Ishikawa craftsmanship.
18:49In addition to the state-specified items,
18:53the selected items from the 30 prefectures
18:56have come here today.
18:59I think that the original works are gradually coming out.
19:05In addition, in February,
19:08Ishikawa Traditional Crafts Fair 2025
19:11was held at the Tokyo International Forum.
19:17It is a venue where many traditional crafts
19:20are displayed,
19:24including casual crafts for young people.
19:30At the exhibition booth of Kaganui,
19:33which is said to have started in the Muromachi period,
19:36Kaganui jewelry was exhibited
19:39using the glossiness of silk thread
19:42and its delicate embroidery technology.
19:46Kaganui is a state-specified traditional craft
19:49that uses silk thread and silk cloth
19:52to make each stitch delicately.
19:55The workshop itself can dye about 4,000 colors
19:58of silk thread,
20:01and the color is decided on 365 days,
20:04so you can dye your own birthday color
20:07with silk thread
20:10and make your own Kaganui jewelry.
20:14In the program,
20:17we will continue to introduce the current state
20:20of traditional crafts in Japan
20:23and the movement towards reconstruction.
20:26Tominaga Ai's tradition and future
20:29is being broadcast on TVer and Hulu.
20:32Please register as a favorite.
20:35Next time, we will look at Kagamizuhiki in Ishikawa Prefecture.
20:38A workshop that creates three-dimensional watercolor
20:41with a technique that has evolved to the present day.
20:44We will try to make Mizuhiki.