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00:00:00 (crickets chirping)
00:00:03 (hooves clopping)
00:00:26 (hooves clopping)
00:00:29 (hooves clopping)
00:00:32 (hooves clopping)
00:01:01 (woman screams)
00:01:04 - All right, get him!
00:01:11 (guns firing)
00:01:14 (guns firing)
00:01:16 (guns firing)
00:01:23 (woman screams)
00:01:36 (dramatic music)
00:01:40 (woman screams)
00:01:42 (dramatic music)
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00:01:48 (woman screams)
00:01:50 (dramatic music)
00:01:55 (woman screams)
00:02:16 (dramatic music)
00:02:19 (woman singing in foreign language)
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00:02:37 (woman singing in foreign language)
00:02:42 (dramatic music)
00:02:45 (dramatic music)
00:02:47 (woman singing in foreign language)
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00:02:54 (woman singing in foreign language)
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00:03:02 (woman singing in foreign language)
00:03:07 (woman singing in foreign language)
00:03:11 (woman singing in foreign language)
00:03:17 (woman singing in foreign language)
00:03:21 (woman singing in foreign language)
00:03:25 (hooves clopping)
00:03:50 (hooves clopping)
00:03:53 (hooves clopping)
00:03:55 (hooves clopping)
00:03:58 (hooves clopping)
00:04:01 (hooves clopping)
00:04:04 (hooves clopping)
00:04:07 (hooves clopping)
00:04:10 (hooves clopping)
00:04:12 - Damned Indian.
00:04:39 He's still in our trail.
00:04:41 (gun fires)
00:04:47 Stupid, you're simply wasting your fire.
00:04:54 Go ahead, Jim.
00:04:57 You know what to do.
00:04:59 (hooves clopping)
00:05:03 (dramatic music)
00:05:06 (hooves clopping)
00:05:09 (dramatic music)
00:05:13 (hooves clopping)
00:05:22 (dramatic music)
00:05:29 (hooves clopping)
00:05:35 (dramatic music)
00:05:38 - Go over that way.
00:05:42 (dramatic music)
00:05:49 (hooves clopping)
00:05:52 (dramatic music)
00:05:55 (hooves clopping)
00:06:09 (gun cocks)
00:06:17 (dramatic music)
00:06:19 (hooves clopping)
00:06:22 (dramatic music)
00:06:47 (hooves clopping)
00:06:50 (dramatic music)
00:06:54 (hooves clopping)
00:06:59 (dramatic music)
00:07:03 (hooves clopping)
00:07:07 (dramatic music)
00:07:11 (hooves clopping)
00:07:16 (dramatic music)
00:07:19 (gun cocks)
00:07:41 (horse whinnies)
00:07:45 (gun fires)
00:07:47 (gun fires)
00:07:51 (horse whinnies)
00:07:56 (gun fires)
00:07:58 (gun fires)
00:08:01 - Why don't you let me handle it?
00:08:20 One shot and I'd have finished him off.
00:08:26 - By this time I'd already be bringing you back a scalp.
00:08:29 - Maybe he would have had yours, you're just too stupid.
00:08:32 - (laughs) You're a real smart brother, aren't you?
00:08:35 Just like a true half-breed.
00:08:37 (water splashes)
00:08:39 - Be careful, brother.
00:08:41 I won't ever let anyone call me a bastard.
00:08:43 - Hey, look over there!
00:08:45 (dramatic music)
00:08:52 (hooves clopping)
00:08:55 (horse whinnies)
00:09:06 (dramatic music)
00:09:20 (upbeat music)
00:09:23 (upbeat music)
00:09:25 (upbeat music)
00:09:28 (gun fires)
00:09:32 (upbeat music)
00:09:35 (upbeat music)
00:09:55 (hooves clopping)
00:09:58 - Look at that, Duncan.
00:10:08 They got a price on your head.
00:10:10 Your brother's too.
00:10:11 - Dirty cowards.
00:10:12 - We come to sell scalps and that's the welcome we get.
00:10:15 - Yeah, they're crazy.
00:10:16 - The sheriff must have made a mistake.
00:10:18 - Yeah, well then we'll just have to set 'em straight.
00:10:23 - 200, Jeffrey, that's more than you're worth.
00:10:27 - Hey, don't throw it away, Duncan.
00:10:31 We'll set fire to the whole town with that piece of paper.
00:10:34 (men laughing)
00:10:37 - We're gonna have a little fun.
00:10:45 They're really gonna pay for this.
00:10:48 (men laughing)
00:10:52 (upbeat music)
00:10:54 - Hey, one minute there.
00:10:55 No, no, you gotta check your guns first.
00:10:57 - You must be joking with all those tough characters in there.
00:11:00 - Hey, mister, don't get excited.
00:11:01 You can keep us as hostages.
00:11:03 - What good will that do?
00:11:04 - Plenty.
00:11:05 If you pull up a couple of chairs first,
00:11:07 then we can keep you company.
00:11:09 - You wouldn't want to keep us standing here, would you?
00:11:12 - All right, I'll get a few chairs.
00:11:15 - Thank you.
00:11:18 - Now after you.
00:11:20 - Oh.
00:11:21 (men grunting)
00:11:23 (upbeat music)
00:11:28 (men chattering)
00:11:31 (gunshot)
00:11:39 (woman screams)
00:11:40 - What's going on?
00:11:41 (gunshots)
00:11:43 - Well, come on, boys.
00:11:46 This friendly little visit isn't over yet.
00:11:48 I have an idea.
00:11:49 We'll have to give this town a reason
00:11:50 for collecting that reward.
00:11:52 (men laughing)
00:11:54 (women screaming)
00:11:57 (men laughing)
00:12:00 (gunshots)
00:12:02 (women screaming)
00:12:05 (gunshots)
00:12:07 - We didn't do it.
00:12:09 It was the sheriff's idea.
00:12:10 (gunshots)
00:12:12 - The sheriff, huh?
00:12:13 Where is he?
00:12:14 - I'd like to speak to him.
00:12:16 - Right over here, Duncan.
00:12:18 - What do you think you're doing?
00:12:20 Just why have you come here?
00:12:22 - You know damn well.
00:12:23 We've been bringing you Indian scalps for years.
00:12:25 You've paid us good then, Sheriff.
00:12:28 That ain't against the law.
00:12:30 What's happened?
00:12:31 - Those days are through.
00:12:32 The scalps you brought then were those of troublemakers.
00:12:36 Now you're attacking peaceful tribes,
00:12:38 killing even the women and the children.
00:12:41 This is murder, Duncan, and I must forbid it.
00:12:44 - All Indians are the same to me.
00:12:46 A bunch of red bastards.
00:12:49 Show them the scalps, monkey.
00:12:51 (upbeat music)
00:12:53 - Here.
00:12:54 And there's more where these came from.
00:12:58 (men laughing)
00:12:59 - Now listen to me, Duncan, I've warned you.
00:13:02 No sale.
00:13:03 Just come along with us.
00:13:04 Duncan, I'm arresting you for murder.
00:13:06 Get up.
00:13:07 (men laughing)
00:13:08 - Now open up the jail, Sheriff.
00:13:10 (men laughing)
00:13:12 (gunshots)
00:13:14 (men grunting)
00:13:17 - Nice shot.
00:13:19 Your boys are in top form, my friend.
00:13:23 - Well, well, look who's here.
00:13:28 You've changed since you were in that rotten prison.
00:13:32 - And you, you haven't changed at all, Duncan.
00:13:38 You're still selling out cheap.
00:13:40 Still satisfied with a dollar a scalp like before.
00:13:43 - Yep, yep.
00:13:45 It's a personal hobby.
00:13:48 And what about you?
00:13:50 You still make a living out of saving a helpless woman?
00:13:55 - No, I'm also a doctor, remember?
00:13:57 And now I've gotten started in banking.
00:14:01 - Banking?
00:14:03 (laughing)
00:14:04 - The name Blackwood mean anything to you?
00:14:06 - Sure.
00:14:08 They're rich, the ones that own the bank.
00:14:12 The ones that own the bank in town.
00:14:14 But I don't think they mean anything to you.
00:14:16 - They mean a great deal.
00:14:17 Blackwood's a banker and I've married his daughter.
00:14:20 - You don't say.
00:14:21 - I'm pretty influential now.
00:14:23 - How about putting me on the payroll, amigo?
00:14:25 - Well, I just might have an opening for a teller.
00:14:27 Look, I have a proposition that might interest you.
00:14:30 There's a train due to arrive in Esperanza
00:14:32 with half a million dollars on board.
00:14:35 - All you have to do is hold up the train.
00:14:37 - When the job is done, both of us will be rich.
00:14:39 - Or I'd be rich alone.
00:14:41 - No, don't count on it.
00:14:42 You can't do it without me, my friend.
00:14:44 That money's locked up in an armored safe.
00:14:47 If you're thinking of using dynamite chargers,
00:14:49 you'd blow up the safe all right,
00:14:51 and the money along with it.
00:14:53 But I know the combination on the lock,
00:14:55 so I could open it nice and easy.
00:14:58 Hold up that train and then meet me at Hot Springs.
00:15:01 I'll be there tomorrow.
00:15:03 You won't have to run around chasing
00:15:04 these stinking Indians anymore
00:15:06 just for a few lousy dollars.
00:15:08 And I'll be able to get the hell out of this miserable town
00:15:10 and head back to Europe.
00:15:13 - You must really be in love with your wife.
00:15:16 - Of course I am.
00:15:17 It's easy to love a woman who's such a solid investment.
00:15:21 But as far as the pleasures of matrimony are concerned,
00:15:24 that's another story.
00:15:26 - Come on!
00:15:34 Come on, girls, hurry up, get up there!
00:15:37 - Don't let those girls get away.
00:15:39 - Larry, stop them.
00:15:41 - Right, Duncan, make it fast.
00:15:43 - You boys, come with me.
00:15:46 - Yeah!
00:15:47 - Hey, boys, let's go.
00:15:50 Get on those horses, we gotta stop 'em.
00:15:52 Don't let those girls get away.
00:15:55 (dramatic music)
00:15:58 (singing in foreign language)
00:16:26 - Duncan, wait, that Indian, he got two more of our men.
00:16:29 Come on, we'll finish him off this time.
00:16:32 - Later, we've got something else to take care of now.
00:16:35 (singing in foreign language)
00:16:39 (dramatic music)
00:16:43 (dramatic music)
00:16:46 (singing in foreign language)
00:16:50 (dramatic music)
00:16:53 (singing in foreign language)
00:16:56 (dramatic music)
00:17:17 - Oh, Jody's been hit!
00:17:19 (dramatic music)
00:17:24 (screaming)
00:17:41 (guns firing)
00:17:44 (dramatic music)
00:17:47 - You saved our lives, mister.
00:17:59 We're very grateful.
00:18:00 Don't think that we'll forget what you've done for us.
00:18:03 - I didn't kill him for you.
00:18:06 - Listen, mister, in Paiute, we overheard Duncan
00:18:08 and a man from Esperanza gabbing about
00:18:10 some train robbery they're setting up.
00:18:12 Geraldine could recognize the other fella,
00:18:13 but they shot her.
00:18:15 It's the train that passes through Esperanza.
00:18:17 They have about half million dollars on board
00:18:19 in one of the cars.
00:18:20 The bandits have arranged to meet back in Hot Springs.
00:18:23 There's still time to stop that train.
00:18:26 Here, there's a chance you can help.
00:18:29 - I don't know, just why do I have to take that chance?
00:18:32 It's a long ways to ride.
00:18:36 Maybe I'll go back.
00:18:38 I'll get to Esperanza.
00:18:42 - Let's go.
00:18:43 (yells)
00:18:45 - We've got to get back to a doctor.
00:18:48 She's bleeding a lot.
00:18:50 (train rumbling)
00:18:53 (bells jingling)
00:19:09 (train whistling)
00:19:12 (coughing)
00:19:21 (train rumbling)
00:19:36 (crying)
00:19:38 - There, there, hush.
00:19:40 I know I'm going to love this country.
00:19:51 How beautiful the mountains are.
00:19:53 - You think he'll like it too?
00:19:55 I'll let the little fellow have a look.
00:19:57 - I'm sure he'll love it here.
00:20:00 (crying)
00:20:02 - I'm sure he'll love it here.
00:20:04 (train rumbling)
00:20:07 (whistle blowing)
00:20:22 (whistle blowing)
00:20:25 - King, Jack.
00:20:42 - Ah, I'm through.
00:20:45 (laughing)
00:20:46 - You've cleaned me out.
00:20:47 - Never mind that.
00:20:48 You can help yourself from that safe inside.
00:20:51 (laughing)
00:20:53 - It's your turn.
00:20:54 - That's yours, Bill.
00:20:56 (dramatic music)
00:21:07 (fire crackling)
00:21:10 (dramatic music)
00:21:26 (screaming)
00:21:28 (water splashing)
00:21:55 - Stop, stop the train.
00:21:56 - What's wrong?
00:21:57 - Cars, they're blocking the track.
00:21:59 Break them and break.
00:22:01 - Give me a hand.
00:22:07 - Hold on, I'm coming.
00:22:09 - Look at that.
00:22:19 That was a close one.
00:22:21 Hey, give me a hand here.
00:22:24 - What happened?
00:22:25 - Can't you see for yourself?
00:22:27 - Watch out.
00:22:28 - What did we stop for?
00:22:30 - There's some logs on the tracks.
00:22:31 We have to clear them off.
00:22:33 - Aw, it's all right.
00:22:35 (dogs barking)
00:22:40 (guns firing)
00:22:43 (men shouting)
00:22:46 (guns firing)
00:22:49 (men shouting)
00:22:52 (guns firing)
00:22:55 (men shouting)
00:22:58 (guns firing)
00:23:01 (men shouting)
00:23:04 (guns firing)
00:23:07 (men shouting)
00:23:10 (guns firing)
00:23:13 (men shouting)
00:23:16 (guns firing)
00:23:19 (men shouting)
00:23:22 (guns firing)
00:23:25 (men shouting)
00:23:28 (guns firing)
00:23:31 (men shouting)
00:23:34 (guns firing)
00:23:37 (men shouting)
00:23:40 (guns firing)
00:23:43 (men shouting)
00:23:46 (guns firing)
00:23:49 (men shouting)
00:23:52 (guns firing)
00:23:55 (men shouting)
00:23:58 (guns firing)
00:24:01 (men shouting)
00:24:04 (guns firing)
00:24:07 (men shouting)
00:24:10 (guns firing)
00:24:13 (men shouting)
00:24:16 (guns firing)
00:24:19 (men shouting)
00:24:22 - Robledo, halt!
00:24:24 (men shouting)
00:24:27 (men laughing)
00:24:30 - Well, looks as though the man wasn't lying.
00:24:36 - You can smell those dollars.
00:24:39 (laughing)
00:24:40 - Now all we gotta do is wait for our friend.
00:24:43 (laughing)
00:24:46 - Search all the carriages, make sure we got everybody.
00:24:49 - Cover the other side.
00:24:51 (crying)
00:24:53 - Don't cry, don't cry.
00:24:55 (guns firing)
00:24:59 - We said no witnesses, remember?
00:25:02 You boys better decide what to do with the kid.
00:25:06 (crying)
00:25:09 (dramatic music)
00:25:12 - Everything's quiet so far.
00:25:22 - Good, change of guard every two hours.
00:25:24 You understand?
00:25:25 - Right.
00:25:26 - I'm gonna go on the trunk for a month
00:25:29 with my cut of the money.
00:25:31 - I'm gonna buy me a ranch and breed me some horses.
00:25:34 - Well, there's no sense speculating now.
00:25:36 We can make our plans when our friend comes tomorrow.
00:25:39 - Just tell me one thing, why do we have to wait around?
00:25:41 Why couldn't he come on over in the safe tonight?
00:25:44 - It'd be too risky.
00:25:45 He's too well known around here.
00:25:47 He has to have an alibi.
00:25:48 - Just shut up and go to sleep.
00:25:51 (dramatic music)
00:25:54 (guns firing)
00:25:57 (dramatic music)
00:26:00 (guns firing)
00:26:03 (dramatic music)
00:26:07 (guns firing)
00:26:10 (dramatic music)
00:26:13 (guns firing)
00:26:16 (dramatic music)
00:26:19 (guns firing)
00:26:22 (dramatic music)
00:26:25 (guns firing)
00:26:28 (dramatic music)
00:26:31 (guns firing)
00:26:34 (dramatic music)
00:26:37 (guns firing)
00:26:40 (dramatic music)
00:26:43 (guns firing)
00:26:46 (dramatic music)
00:26:49 (guns firing)
00:26:52 (dramatic music)
00:26:55 (guns firing)
00:26:58 (dramatic music)
00:27:01 (groaning)
00:27:04 (dramatic music)
00:27:07 (guns firing)
00:27:10 (dramatic music)
00:27:13 (guns firing)
00:27:16 (dramatic music)
00:27:19 (guns firing)
00:27:22 (dramatic music)
00:27:25 (guns firing)
00:27:28 (dramatic music)
00:27:31 (guns firing)
00:27:34 (dramatic music)
00:27:37 (guns firing)
00:27:40 (dramatic music)
00:27:43 (guns firing)
00:27:46 (dramatic music)
00:27:49 (guns firing)
00:27:52 (dramatic music)
00:27:55 (guns firing)
00:27:58 (dramatic music)
00:28:01 (guns firing)
00:28:04 (dramatic music)
00:28:07 (groaning)
00:28:10 (dramatic music)
00:28:13 (guns firing)
00:28:16 (dramatic music)
00:28:19 (guns firing)
00:28:22 (dramatic music)
00:28:25 - Hey, you got a match?
00:28:27 (dramatic music)
00:28:30 Hey, what's the matter?
00:28:33 (groaning)
00:28:36 (dramatic music)
00:28:39 (guns firing)
00:28:42 (dramatic music)
00:28:45 (guns firing)
00:28:48 (dramatic music)
00:28:51 (guns firing)
00:28:54 (dramatic music)
00:28:57 (guns firing)
00:29:00 (dramatic music)
00:29:03 (guns firing)
00:29:06 (guns firing)
00:29:09 (dramatic music)
00:29:12 (guns firing)
00:29:15 (dramatic music)
00:29:18 (dramatic music)
00:29:21 (dramatic music)
00:29:24 (dramatic music)
00:29:27 (dramatic music)
00:29:30 (dramatic music)
00:29:33 (dramatic music)
00:29:36 (dramatic music)
00:29:39 - Hey there.
00:29:40 (dramatic music)
00:29:41 Hey, listen a minute.
00:29:43 Oh, could you please tell us where we can find a doctor?
00:29:47 - Dr. Lynn's at the station with the others.
00:29:49 - Ah, then please take us to the station.
00:29:51 - Citizens of Esperanza, we have assembled here
00:29:54 to welcome a very special train
00:29:56 that will be arriving with its precious load.
00:29:59 I hope you know how precious.
00:30:01 You're all quite aware what it means to us all
00:30:04 to receive this grant of $500,000 from our state.
00:30:08 This gift offers all of us definite advantages,
00:30:12 and all this will mean a great deal to our town.
00:30:17 And may we now acknowledge the efforts
00:30:19 of our distinguished mayor, Mr. Jefferson Clay,
00:30:22 to whom we sincerely offer our thanks,
00:30:24 and we are also very grateful to Sheriffs Regan
00:30:26 and Johnson for their aid.
00:30:28 Our appreciation also goes to the manager of our local bank,
00:30:32 Mr. Oliver Blackwood, and to his daughter Hannah,
00:30:35 beloved wife of our very competent
00:30:37 and highly esteemed Dr. Lynn.
00:30:41 (hooves clopping)
00:30:43 - Ooh, oh, there.
00:30:46 - Hurry, help me, Maria.
00:30:49 Gently.
00:30:51 - Easy now, be careful.
00:30:53 - Ah!
00:30:54 - And we are very proud of all you've done.
00:30:56 - I've been brought again.
00:30:57 - What's the matter, Estella?
00:30:58 - We need the doctor now.
00:30:59 A girl's been wounded.
00:31:01 - Let them through.
00:31:03 - Way in the way.
00:31:04 - What happened?
00:31:05 - She was just...
00:31:06 - Put her in that room.
00:31:09 - Hannah, get my bag quickly.
00:31:11 - You find it, Estella.
00:31:12 He put it in the carriage out front.
00:31:14 (bell tolling)
00:31:26 (indistinct chatter)
00:31:28 (bell tolling)
00:31:37 (indistinct chatter)
00:31:39 - I can hardly believe what I saw.
00:31:52 Those men are ruthless.
00:31:53 First they terrorized Peyote,
00:31:54 and then they tried to kill us?
00:31:56 - Now calm down.
00:31:57 You're in no danger here.
00:31:59 The train will get here in a little while
00:32:01 with an armed escort.
00:32:03 The soldiers will defend us.
00:32:05 - Don't worry about Geraldine.
00:32:07 There couldn't be a better man than Dr. Lynn.
00:32:10 - Let's pray there's still time to save the poor child.
00:32:13 - He must die.
00:32:27 - But who was this other man?
00:32:29 - I don't know.
00:32:30 From where I was hiding,
00:32:31 it was impossible to see his face.
00:32:32 Geraldine's the only one of us
00:32:33 that managed to get a good look at him.
00:32:35 She could recognize him.
00:32:36 - No, no, it's you.
00:32:38 The man who's on the saloon.
00:32:41 Oh, you.
00:32:43 No!
00:32:55 (grunting)
00:32:58 (scoffs)
00:33:00 - It's too late.
00:33:07 Let's go now.
00:33:26 (gasping)
00:33:28 - Geraldine.
00:33:33 (siren blaring)
00:33:54 (train whistling)
00:33:57 (train whistling)
00:34:00 (train whistling)
00:34:25 - Hey, there's nobody on the train.
00:34:28 (train whistling)
00:34:31 - Who's that?
00:34:37 (footsteps tapping)
00:34:40 (footsteps tapping)
00:34:43 - Who are you?
00:35:08 What are you doing here?
00:35:10 Answer me!
00:35:12 Who are you?
00:35:16 - I've brought you a train.
00:35:18 - Yes, yes, but why?
00:35:20 What happened?
00:35:21 - It's already cost many lives.
00:35:24 To try and save your lives,
00:35:26 I had to take the train.
00:35:28 Duncan's riding here,
00:35:30 with all of his men.
00:35:32 - Wait.
00:35:35 How did you get it?
00:35:37 - By stealing the train.
00:35:39 I told you.
00:35:40 - Where is the money?
00:35:42 - There, the train.
00:35:44 - Come on, we'll make sure.
00:35:47 - They say she'll be in here.
00:36:03 (gagging)
00:36:06 (footsteps tapping)
00:36:09 - I'll open it.
00:36:15 Looks all right so far.
00:36:22 It's all here.
00:36:28 - Then we should take it to the bank
00:36:29 as quickly as possible.
00:36:31 - Well, it looks so that man was telling the truth.
00:36:34 Duncan comes after that money,
00:36:36 we don't stand a chance.
00:36:38 - I don't think he'd dare come here.
00:36:40 And besides, there's a telegraph,
00:36:42 if we need assistance.
00:36:44 - Mr. Clay, Mr. Clay!
00:36:46 Somebody's cut the telegraph wires!
00:36:48 The line went dead just as I was receiving
00:36:50 a message from Wellington.
00:36:52 They reported that Duncan and his men
00:36:54 completely destroyed the town of Peyote.
00:36:56 - We gotta do something quickly,
00:36:58 or those bandits are gonna do the same to us.
00:37:00 - But what can we do?
00:37:01 You realize now,
00:37:02 it's impossible to call for any help.
00:37:04 - But we can't just wait around
00:37:05 till those bandits ride in and kill us.
00:37:07 You've got to organize some sort of defense.
00:37:10 - There doesn't seem to be much we can do, Mrs. Lynn.
00:37:13 - You know perfectly well
00:37:14 we're not equipped to stop Duncan and his gang.
00:37:16 - We here in Esperanza,
00:37:18 thank God, are a peaceful community.
00:37:20 There's not a gun in town.
00:37:22 - We're totally helpless.
00:37:25 - You shouldn't give up so easily.
00:37:30 - There's one way to get rid of your problem.
00:37:33 - What?
00:37:34 - Kill him.
00:37:36 - Sure, why didn't we think of that?
00:37:38 - This is no time to be making jokes.
00:37:40 Who do you suppose would be able to kill that renegade?
00:37:43 - Me.
00:37:46 - For a price?
00:37:48 - We don't make bargains with Indians.
00:37:50 - He's crazy.
00:37:51 - Come on, we're wasting time just listening to him.
00:37:53 - But we still haven't decided what to do.
00:37:56 - Enough of this ridiculous talk.
00:37:58 Let's get that money out of here and take it down to the bank.
00:38:00 - Just a minute.
00:38:01 This young man has just said that he is willing to help us out.
00:38:04 It hardly seems that we're in any position to refuse his proposal.
00:38:07 What are your terms?
00:38:09 - I want a dollar a head
00:38:16 from every man in this town
00:38:18 for every bandit I kill.
00:38:21 Plus the reward that's been offered for Duncan and his brother.
00:38:24 Who do you think you're fooling?
00:38:28 You're stupid to trust him.
00:38:30 Nobody here is impressed by all your boasting.
00:38:34 Get moving, Indian.
00:38:35 I said get moving.
00:38:37 - Why don't you try and move me?
00:38:40 (singing in foreign language)
00:38:43 - Someone in your town helped Duncan rob that train.
00:39:05 He's working with him.
00:39:08 He betrayed all of you once.
00:39:10 And he could do it again.
00:39:37 - You boys defend the train.
00:39:39 I'll go to Wellington to ask for help.
00:39:42 - We will need you to take care of the wounded.
00:39:45 Let the sheriff go.
00:39:46 For my sake.
00:39:48 - No, my dear, there's too much at stake
00:39:51 and I feel it is my duty to go to Wellington.
00:39:53 I'll start right away.
00:39:56 (dramatic music)
00:39:59 (singing in foreign language)
00:40:26 (dramatic music)
00:40:29 (singing in foreign language)
00:40:32 (dramatic music)
00:40:38 (speaking in foreign language)
00:40:59 (dramatic music)
00:41:02 - Amen.
00:41:05 - Chester, please be careful, darling.
00:41:09 - Don't worry.
00:41:12 I'll be back.
00:41:19 (dramatic music)
00:41:23 (tapping)
00:41:25 - I hope he makes it.
00:41:29 He's taking a big risk.
00:41:31 - If Dr. Lynn doesn't get here in time with those men,
00:41:35 it'll be a massacre.
00:41:37 - In the meanwhile, just what are we going to do?
00:41:42 - What are you complaining about?
00:41:44 You sent away the only man that could have been helpful.
00:41:47 - That Indian, he was just a liar.
00:41:49 - Oh, yeah.
00:41:51 Well, if you had seen him kill those three bandits
00:41:52 the way I did, you wouldn't speak that way.
00:41:54 - Maybe it was a big mistake to send that boy away.
00:41:58 Let's ask him to come back.
00:42:00 There's still time.
00:42:02 (dramatic music)
00:42:08 (tapping)
00:42:10 (dramatic music)
00:42:36 (siren blaring)
00:42:39 - What do you want?
00:43:05 I said, what do you want?
00:43:06 - My mistress sent me to see you.
00:43:10 - Who is your mistress?
00:43:30 - Dr. Lynn's wife.
00:43:32 Her father was a doctor.
00:43:34 Her father is the banker of Esperanza.
00:43:36 But she's the one who decides everything.
00:43:39 She thinks since you saved her father's money once,
00:43:42 perhaps you can do it again.
00:43:44 She'll do anything you want.
00:43:48 And he'll pay the price you ask.
00:43:51 - How'd you know I was here?
00:43:53 - I just thought you might be.
00:43:56 - Who's Indian, your father or your mother?
00:44:01 - My mother.
00:44:03 - My mother.
00:44:04 You're a Navajo, aren't you?
00:44:08 What's your name?
00:44:13 (guns firing)
00:44:16 - Joe.
00:44:18 - I've never known an Indian named Joe.
00:44:22 And I've never seen a Navajo so far south before.
00:44:27 - And me an Indian girl that asks so many questions.
00:44:31 (suspenseful music)
00:44:34 Go back and tell your mistress I'll save her money for her.
00:44:41 One more thing.
00:44:44 I'll need some dynamite.
00:44:47 (suspenseful music)
00:44:52 (suspenseful music)
00:44:55 (gun firing)
00:45:11 (horse neighing)
00:45:13 - Don't shoot, Duncan.
00:45:21 I want to talk to you.
00:45:22 Come here.
00:45:24 I think you owe me a few explanations.
00:45:26 - What's to explain?
00:45:29 - How that Indian scum filched the train
00:45:32 right from under you.
00:45:33 And now the 500,000 has been locked up in the bank vault.
00:45:38 - That damn dirty Indian.
00:45:39 - Calm down, Duncan.
00:45:41 You can still help.
00:45:44 They're running around like a pack of scared rabbits in town.
00:45:47 They think I've gone to Wellington for help.
00:45:50 - So what?
00:45:51 - So you capture me.
00:45:54 And you take me to Esperanza.
00:45:57 We go to the bank and you force me to open the safe.
00:46:00 The money's there in the bank.
00:46:02 I know how to open the door.
00:46:04 Then you can give me my share.
00:46:06 - Okay.
00:46:08 But be careful.
00:46:10 This is your last chance.
00:46:13 (suspenseful music)
00:46:19 (footsteps)
00:46:21 - You sure he'll come?
00:46:40 What did he tell you, Stella?
00:46:46 - What'll we do if he doesn't show up?
00:46:48 Things'll be just as bad as before.
00:46:50 - They'll be worse.
00:46:52 - Hm.
00:46:57 Damn Indian.
00:46:59 Do you think he'll come?
00:47:04 (glass shattering)
00:47:07 - That's enough!
00:47:09 We can fight 'em ourselves.
00:47:11 All right, get up.
00:47:13 We'll fight 'em ourselves.
00:47:15 All right, get up.
00:47:16 We'll show 'em.
00:47:17 - Go ahead.
00:47:18 - Besides, we don't know if that Indian's telling the truth.
00:47:21 It could be a trap.
00:47:23 - Wait a second.
00:47:24 Didn't he bring us the money?
00:47:25 - She's right.
00:47:27 - I'm sure that Chester will make it to Wellington.
00:47:30 And he'll come back here with the Rangers.
00:47:32 Meanwhile, trust the Indian.
00:47:34 He'll guard us.
00:47:35 - All by himself, an Indian?
00:47:37 Time was when we'd pay a dollar for his scalp.
00:47:39 No, we need the Rangers.
00:47:42 - Don't count on that.
00:47:45 They won't come.
00:47:46 Your man took the wrong way.
00:47:50 - What do you mean?
00:47:52 - You'll see.
00:47:54 I know that I'm the man you need.
00:47:59 (footsteps)
00:48:00 (door slams)
00:48:08 - And you're absolutely sure you can fight that gang alone?
00:48:14 We won't be able to help you at all.
00:48:16 - Don't forget.
00:48:18 (door slams)
00:48:24 - A man who knows what he wants.
00:48:25 - I'm not a man who doesn't know what he wants.
00:48:28 He's worth a lot.
00:48:29 - Well then, what do you want?
00:48:32 - I told you, a dollar a head.
00:48:36 - All right, you'll defend us.
00:48:38 - And one other thing.
00:48:41 You the sheriff?
00:48:47 - No, the deputy.
00:48:49 He's the sheriff.
00:48:51 - What do you want?
00:48:56 (door slams)
00:48:57 - That.
00:49:07 - What?
00:49:08 - You want us to appoint you a sheriff, is that it?
00:49:10 - That's right.
00:49:14 - But you can't.
00:49:16 An Indian sheriff?
00:49:18 The only ones elected in this country are Americans.
00:49:21 - My father was born here, in the mountains.
00:49:25 His father before him, and his father before him,
00:49:27 and his father before him.
00:49:28 Where was your father born?
00:49:30 - What has that to do with it?
00:49:32 - I said, where was he born?
00:49:35 - In Scotland.
00:49:37 - My father was born here, in America.
00:49:40 His father before him, and his father before him,
00:49:43 and his father before him.
00:49:44 Now, which of us is American?
00:49:46 And that's mine.
00:49:50 It belongs to me.
00:49:52 Thanks.
00:49:54 - Thanks.
00:49:55 All right?
00:49:57 - Good.
00:49:58 - Go home and stay there.
00:50:00 And keep out of my way.
00:50:02 Get me some dynamite.
00:50:09 Then I'll tell you what to do with the money.
00:50:12 (wind howling)
00:50:14 (wind howling)
00:50:16 (wind howling)
00:50:18 (wind howling)
00:50:20 (wind howling)
00:50:22 (wind howling)
00:50:24 (wind howling)
00:50:25 (wind howling)
00:50:32 (wind howling)
00:50:42 (wind howling)
00:50:49 (wind howling)
00:50:50 (horses galloping)
00:50:55 (horse neighs)
00:51:09 (horses galloping)
00:51:10 (wind howling)
00:51:20 (singing in foreign language)
00:51:25 (singing in foreign language)
00:51:37 (singing in foreign language)
00:51:38 (singing in foreign language)
00:51:42 (singing in foreign language)
00:51:47 (singing in foreign language)
00:51:51 (singing in foreign language)
00:51:55 - They're coming now.
00:52:05 The rotten filth.
00:52:06 Girls, don't move.
00:52:09 Duncan's in town.
00:52:11 If he sees us, we're as good as dead.
00:52:13 Good Lord.
00:52:23 Why, it was utter insanity to rely on that Indian.
00:52:26 I hope Chester gets to Wellington.
00:52:30 By now, it's our only chance.
00:52:34 - I don't know.
00:52:35 Let's pray.
00:52:37 (chanting in foreign language)
00:53:02 (horses galloping)
00:53:04 (horses galloping)
00:53:06 (horses galloping)
00:53:08 (horses galloping)
00:53:09 (horses galloping)
00:53:11 (horses galloping)
00:53:13 (horses galloping)
00:53:15 (horses galloping)
00:53:17 (horses galloping)
00:53:19 (horses galloping)
00:53:21 (horses galloping)
00:53:23 (horses galloping)
00:53:25 (horses galloping)
00:53:27 (horses galloping)
00:53:33 (horses galloping)
00:53:36 (horses galloping)
00:53:37 (horses galloping)
00:53:39 (horses galloping)
00:53:41 (horses galloping)
00:53:43 (horses galloping)
00:53:45 (horses galloping)
00:53:47 (horses galloping)
00:53:49 (horses galloping)
00:53:51 (horses galloping)
00:53:53 (horses galloping)
00:53:55 (horses galloping)
00:53:57 (horses galloping)
00:53:59 (horses galloping)
00:54:01 (horses galloping)
00:54:03 (horses galloping)
00:54:05 (horses galloping)
00:54:06 (horses galloping)
00:54:08 (horses galloping)
00:54:10 (horses galloping)
00:54:12 (horses galloping)
00:54:14 (horses galloping)
00:54:16 (horses galloping)
00:54:18 (door opening)
00:54:20 (door closing)
00:54:22 (door closing)
00:54:24 (door closing)
00:54:26 (door closing)
00:54:28 (door closing)
00:54:30 (door opening)
00:54:32 (horses galloping)
00:54:34 (horses galloping)
00:54:35 (door closing)
00:54:37 (horses galloping)
00:54:39 (horses galloping)
00:54:41 No tricks, Duncan.
00:54:43 (horses galloping)
00:54:45 Don't worry, you'll get your half.
00:54:48 (door opening)
00:54:50 (door opening)
00:54:52 (door closing)
00:54:54 (door opening)
00:55:00 (horses galloping)
00:55:03 (door opening)
00:55:04 (door closing)
00:55:06 (door opening)
00:55:08 (door closing)
00:55:10 (door opening)
00:55:12 (door closing)
00:55:14 (door opening)
00:55:16 (door closing)
00:55:18 (door opening)
00:55:20 (door closing)
00:55:22 (door opening)
00:55:24 (door opening)
00:55:26 (door closing)
00:55:28 (door opening)
00:55:30 (door opening)
00:55:33 (gunshot)
00:55:34 Chester, no!
00:55:36 Oh, Chester!
00:55:38 - You must stay inside. - No!
00:55:40 Chester!
00:55:42 (groaning)
00:55:44 Chester, no!
00:55:46 (gunshot)
00:55:48 (groaning)
00:55:50 (dramatic music)
00:55:52 (groaning)
00:55:54 (dramatic music)
00:55:56 (groaning)
00:55:58 (dramatic music)
00:56:01 Darling.
00:56:02 Chester, the Indian has it all.
00:56:05 He hid it.
00:56:07 It's my fault.
00:56:09 - I gave it to him. - Sir, all the money is with the Indian.
00:56:11 Forgive me, darling.
00:56:13 (dramatic music)
00:56:15 (gunshots)
00:56:17 (dramatic music)
00:56:19 (explosion)
00:56:21 (gunshots)
00:56:23 (gunshots)
00:56:25 (gunshots)
00:56:27 (gunshots)
00:56:30 (gunshots)
00:56:31 (gunshots)
00:56:33 (gunshots)
00:56:35 (gunshots)
00:56:37 (gunshots)
00:56:39 (gunshots)
00:56:41 (gunshots)
00:56:43 (gunshots)
00:56:45 (gunshots)
00:56:47 (gunshots)
00:56:49 (gunshots)
00:56:51 (gunshots)
00:56:53 (groaning)
00:56:55 (gunshots)
00:56:57 (gunshots)
00:56:59 (gunshots)
00:57:00 (gunshots)
00:57:02 (gunshots)
00:57:04 (gunshots)
00:57:06 - Come here! - No, let me go!
00:57:09 No, let me go!
00:57:12 Joe, please help me!
00:57:14 (groaning)
00:57:16 (groaning)
00:57:18 Hey, Indian, come on!
00:57:20 Come on out, do you hear me?
00:57:22 Throw your gun down or I'm gonna kill this woman!
00:57:24 Can you see it?
00:57:26 She's an Indian like you are.
00:57:28 Get down here fast, redskin,
00:57:29 if you don't want this whore to die!
00:57:32 (chanting)
00:57:33 (chanting)
00:57:36 (chanting)
00:57:38 (chanting)
00:57:40 (chanting)
00:57:42 (chanting)
00:57:44 (chanting)
00:57:46 (chanting)
00:57:48 (chanting)
00:57:50 (chanting)
00:57:52 (chanting)
00:57:54 (chanting)
00:57:56 (chanting)
00:57:58 (coughing)
00:58:01 (grunting)
00:58:02 (grunting)
00:58:04 (whistling)
00:58:06 (whistling)
00:58:08 (whistling)
00:58:10 (whistling)
00:58:12 (whistling)
00:58:14 (whistling)
00:58:16 (whistling)
00:58:18 (whistling)
00:58:20 (whistling)
00:58:22 (whistling)
00:58:24 (whistling)
00:58:26 (whistling)
00:58:29 (whistling)
00:58:30 (whistling)
00:58:32 (whistling)
00:58:34 (whistling)
00:58:36 (whistling)
00:58:38 What are you waiting for?
00:58:40 Slaughter him!
00:58:42 You hear me? Slaughter him.
00:58:44 He's got to talk!
00:58:46 (grunting)
00:58:48 (grunting)
00:58:54 (thudding)
00:58:55 (thudding)
00:59:00 (grunting)
00:59:08 You damned Indian.
00:59:10 Where did you put all that money?
00:59:12 Speak up!
00:59:15 You'll end up talking.
00:59:17 Sooner or later.
00:59:19 I know you'd rather get a slug,
00:59:23 but that's too simple.
00:59:24 First, you'll have to tell us
00:59:28 where you hid the money.
00:59:30 Now, will you talk?
00:59:33 Where's the money?
00:59:45 Talk!
00:59:48 (grunting)
00:59:49 That's enough, brother.
01:00:16 You'll never know where the money is.
01:00:18 Corpses can't talk,
01:00:20 leave them be for a while.
01:00:22 (grunting)
01:00:26 String him up by his feet.
01:00:31 (grunting)
01:00:42 (panting)
01:00:43 You can get yourself a little fresh air tonight.
01:00:52 Tomorrow, after you've had a good rest,
01:00:59 you and me will have our talk.
01:01:01 (dramatic music)
01:01:03 (dramatic music)
01:01:04 (dramatic music)
01:01:05 (dramatic music)
01:01:07 (dramatic music)
01:01:09 (somber music)
01:01:12 (somber music)
01:01:13 (somber music)
01:01:15 (somber music)
01:01:17 (somber music)
01:01:19 (somber music)
01:01:21 (somber music)
01:01:23 (somber music)
01:01:25 (somber music)
01:01:27 (somber music)
01:01:29 (somber music)
01:01:31 (somber music)
01:01:33 (somber music)
01:01:35 (somber music)
01:01:37 (somber music)
01:01:40 (somber music)
01:01:41 (somber music)
01:01:43 (somber music)
01:01:45 (somber music)
01:01:47 (somber music)
01:01:49 (somber music)
01:01:51 (somber music)
01:01:53 (somber music)
01:01:55 (somber music)
01:01:57 - You frightened me, girl.
01:01:59 Next time you come, let us know that it's you.
01:02:02 Or you might get an arrow through the stomach.
01:02:05 We have to be prepared
01:02:07 in case one of Duncan's men finds us here.
01:02:09 - Well, I've really had it.
01:02:11 Let's get out of this town.
01:02:13 What are we waiting for, Chuck?
01:02:14 - Me too.
01:02:15 Why, the people here are all cowards.
01:02:17 Didn't you see?
01:02:18 No one even tried to save that poor Indian.
01:02:20 - You didn't do anything either.
01:02:22 - Well, why have you come to us?
01:02:24 - Please, help me save him.
01:02:28 He gave himself up to save my life.
01:02:33 - He saved our lives too.
01:02:38 Remember, Chuck?
01:02:39 - Of course I do.
01:02:41 - Estella's right.
01:02:43 There must be something we can try.
01:02:45 - Ah, females.
01:02:48 Very well then, but I'll do it alone.
01:02:51 This is no job for women.
01:02:53 (somber music)
01:02:56 (somber music)
01:02:58 (somber music)
01:03:00 (somber music)
01:03:02 (somber music)
01:03:04 (somber music)
01:03:07 (somber music)
01:03:08 (somber music)
01:03:10 (somber music)
01:03:12 (somber music)
01:03:14 (somber music)
01:03:16 (somber music)
01:03:18 (somber music)
01:03:20 (somber music)
01:03:22 (somber music)
01:03:24 (somber music)
01:03:26 (somber music)
01:03:28 (somber music)
01:03:30 (somber music)
01:03:32 (somber music)
01:03:34 (somber music)
01:03:37 (somber music)
01:03:38 (somber music)
01:03:40 (somber music)
01:03:42 (somber music)
01:03:44 (somber music)
01:03:46 (somber music)
01:03:48 (groaning)
01:03:50 (somber music)
01:03:52 (somber music)
01:03:54 (somber music)
01:03:56 (somber music)
01:03:58 (somber music)
01:04:00 (somber music)
01:04:02 (snoring)
01:04:05 (snoring)
01:04:06 (snoring)
01:04:08 (snoring)
01:04:10 (snoring)
01:04:12 (snoring)
01:04:14 (snoring)
01:04:16 (snoring)
01:04:18 (snoring)
01:04:20 (snoring)
01:04:22 (snoring)
01:04:24 (snoring)
01:04:26 (snoring)
01:04:28 (horse whinnying)
01:04:30 (snoring)
01:04:32 (snoring)
01:04:34 (door slamming)
01:04:35 (somber music)
01:04:37 (birds chirping)
01:04:39 (somber music)
01:04:41 (leaves rustling)
01:04:43 (somber music)
01:04:45 (footsteps tapping)
01:04:47 (somber music)
01:04:49 (footsteps tapping)
01:04:51 (somber music)
01:04:53 (footsteps tapping)
01:04:55 (somber music)
01:04:57 (footsteps tapping)
01:04:59 (somber music)
01:05:01 (door creaking)
01:05:03 (somber music)
01:05:04 (footsteps tapping)
01:05:06 (somber music)
01:05:08 (footsteps tapping)
01:05:10 (somber music)
01:05:12 (footsteps tapping)
01:05:14 (somber music)
01:05:16 (footsteps tapping)
01:05:18 (somber music)
01:05:20 (horse whinnying)
01:05:22 - What are you doing here, huh?
01:05:24 - Me? - Answer me.
01:05:26 - I'm taking a little walk.
01:05:28 - Here? - Sure.
01:05:30 I'm just crazy about horses.
01:05:32 - Look.
01:05:33 You dirty little.
01:05:35 (thudding)
01:05:37 (groaning)
01:05:39 (somber music)
01:05:41 (groaning)
01:05:43 - Help.
01:05:45 (somber music)
01:05:47 (panting)
01:05:49 Help!
01:05:51 (groaning)
01:05:53 (somber music)
01:05:55 (footsteps tapping)
01:05:57 (somber music)
01:05:59 (panting)
01:06:01 (somber music)
01:06:02 (footsteps tapping)
01:06:04 - Thank you, friend.
01:06:06 (footsteps tapping)
01:06:08 - Thank you.
01:06:10 (gun firing)
01:06:12 - They've let the Indians get away!
01:06:14 (gun firing)
01:06:16 (footsteps tapping)
01:06:18 (somber music)
01:06:20 (footsteps tapping)
01:06:22 (somber music)
01:06:24 (water bubbling)
01:06:26 (somber music)
01:06:28 (footsteps tapping)
01:06:30 (somber music)
01:06:31 - They're all gonna pay for this.
01:06:33 (somber music)
01:06:35 (footsteps tapping)
01:06:37 (somber music)
01:06:39 - Listen to what I have to say.
01:06:41 If by noon the money hasn't turned up,
01:06:43 expect everyone to die.
01:06:45 - That's absurd.
01:06:47 They're all innocent.
01:06:49 Nobody knows where it's hidden.
01:06:51 - Well, somebody does.
01:06:53 I'll be waiting.
01:06:55 - For the love of God, Duncan!
01:06:57 - I've warned you!
01:06:59 (gun firing)
01:07:00 (water bubbling)
01:07:02 (water bubbling)
01:07:04 (water bubbling)
01:07:06 (water bubbling)
01:07:08 (water bubbling)
01:07:10 (water bubbling)
01:07:12 (water bubbling)
01:07:14 (water bubbling)
01:07:16 (water bubbling)
01:07:18 (water bubbling)
01:07:20 (water bubbling)
01:07:22 - I'll be leaving.
01:07:24 - What do you mean?
01:07:26 - I'll just be hiding.
01:07:28 I need someone to bring those men
01:07:29 that are guarding the corral to me.
01:07:31 - But not me, huh?
01:07:33 - Some jobs a man can't do.
01:07:35 But the big blonde can do it, maybe.
01:07:39 - Yes, that would be exciting.
01:07:41 But I don't murder men.
01:07:43 - Ah, but he said nothing of killing.
01:07:45 - All you have to do is get him to follow you.
01:07:47 I'll do the rest.
01:07:49 - Just leave it to us.
01:07:51 (gentle music)
01:07:54 (gentle music)
01:07:55 - But I want you to live.
01:08:08 Why don't you go before it's too late?
01:08:10 - I have to finish what I started.
01:08:13 - Why do you hate Duncan so much?
01:08:18 If it's not for the money that you kill those bandits,
01:08:20 then why?
01:08:23 - Someday when you grow up,
01:08:24 and don't ask so many questions,
01:08:26 maybe I'll tell you.
01:08:28 (gentle music)
01:08:30 (horse snorting)
01:08:51 (horse snorting)
01:08:52 (gentle music)
01:08:54 (horse snorting)
01:08:57 (gentle music)
01:08:59 - Well, hello.
01:09:01 - What are you hanging around the corral for?
01:09:03 You know it ain't allowed.
01:09:05 - Just as I passed here, this guard are unhooked.
01:09:07 I'd certainly appreciate a little friendly assistance.
01:09:10 Huh, hmm?
01:09:13 - With pleasure.
01:09:15 I know all about these things.
01:09:17 (laughing)
01:09:20 - Well, I'm glad you're here, girls.
01:09:21 - Thanks a lot.
01:09:23 You certainly are one big barrel of fun.
01:09:25 - Now let's have a little kiss from the hero, huh?
01:09:27 - No, no, not here.
01:09:29 Why don't you come to my cabin later?
01:09:31 Don't be late now.
01:09:33 And bring your body for my girlfriend.
01:09:35 - Wait, wait.
01:09:37 - Barbara, what happened?
01:09:39 - They're coming.
01:09:41 - Come on.
01:09:43 - Coming?
01:09:45 - I found two girls, come on.
01:09:47 - What about the horses?
01:09:49 - Here we are, beautiful.
01:09:50 (grunting)
01:10:19 - Come on, move, get!
01:10:20 - Barbara, they did it.
01:10:25 (grunting)
01:10:31 (dramatic music)
01:10:32 (gunshot)
01:10:54 (grunting)
01:10:56 - All right.
01:10:59 You wanna finish your days as sheriff?
01:11:00 Or you gonna tell me?
01:11:06 Where's the money?
01:11:08 - I don't know, I swear to you.
01:11:10 - But you let him get away.
01:11:12 - I don't know.
01:11:14 - Come on, you know where, start talking.
01:11:16 - I swear, I don't know, I swear, I swear to you.
01:11:18 All I know is that the telegraph gave the alarm
01:11:20 for the fire at Pioty.
01:11:22 You're all in danger, the soldiers will be here.
01:11:24 - Then get going, go on.
01:11:28 - You shoot, Jeff.
01:11:29 (laughing)
01:11:31 (gunshot)
01:11:33 - You all hear that outside?
01:11:53 Now it's time for three more of you.
01:11:57 And if you don't decide to talk, I'll kill you all.
01:11:58 One way or another, you hear me?
01:12:05 One way or another.
01:12:10 - Duncan, why are we wasting time?
01:12:12 Let's kill them all and get out of here.
01:12:14 Enough of this business.
01:12:17 - What else can we do?
01:12:19 We better go back before the army's all over us.
01:12:21 - We'll leave exactly when I say so, is that clear?
01:12:23 And I ain't leaving till I get my hands on the money.
01:12:26 - And I ain't leaving till I learn what they did with it.
01:12:27 The soldiers will find a town full of corpses.
01:12:29 - I'm a man of God and I wouldn't lie to save my own life.
01:12:32 We don't know anything about the Indian or the money.
01:12:35 - You've killed my daughter and nothing matters to me anymore
01:12:38 if I knew anything, I tell you.
01:12:40 (gunshot)
01:12:48 - What's happening?
01:12:50 - They've let the horses loose
01:12:52 and here's a message from the Indian.
01:12:55 - It was attached to an arrow.
01:12:56 We saw shadows and we attacked, but he got away.
01:12:58 But they left your horse behind.
01:13:00 - And where's the money?
01:13:02 It says in this note and he wants it read aloud.
01:13:04 It's addressed to your attention.
01:13:06 - Where is the money?
01:13:08 - On the locomotive.
01:13:10 If he hears another shot, he'll get on the train
01:13:12 and take it away with him.
01:13:14 Without horses, there's no way out.
01:13:16 - We'll see.
01:13:18 - Jeffrey, take my horse and ride fast to the station.
01:13:24 If you find the money, blow the train whistle three times
01:13:25 and take off along for Hot Springs.
01:13:27 We'll join you with the train.
01:13:29 - Right away.
01:13:31 - But why just him alone?
01:13:33 - Because I say so.
01:13:35 We'll wait right here.
01:13:37 And if it's a trap, none of this is true,
01:13:39 I'm gonna set the church on fire with all of you in it.
01:13:43 - But for what reason?
01:13:45 That message is proof we know nothing about it.
01:13:47 Speak to your heart.
01:13:49 I beg this of you.
01:13:51 - Nobody ever had mercy on me.
01:13:54 When I was a boy, they beat me.
01:13:55 Even called me bastard.
01:13:58 I didn't cry and I couldn't fight back.
01:14:00 So that began my revenge to get back at them.
01:14:03 Brought out my hatred for the Indians, like my mother.
01:14:07 And to kill white people like my father.
01:14:10 My father, a preacher like you, a minister.
01:14:13 Bred by mercy.
01:14:17 But I got a bad break when somebody killed my father.
01:14:21 But I got a bad break when somebody killed him
01:14:23 and beat me to the punch.
01:14:26 (dramatic music)
01:14:28 (footsteps)
01:14:29 (phone ringing)
01:14:52 - The signal, he found the boy.
01:14:56 The signal, he found the money.
01:14:57 Come on, let's get out of here.
01:14:59 - Let's go, you guys.
01:15:01 - Thank you, Duncan.
01:15:03 For mercy in sparing our lives.
01:15:05 (gunshot)
01:15:10 (footsteps)
01:15:12 (groaning)
01:15:24 (footsteps)
01:15:25 - Look at that, they're all going away.
01:15:40 - Come on, hurry.
01:15:44 (footsteps)
01:15:48 (footsteps)
01:15:49 (chattering)
01:15:54 - Make this whole crate move.
01:16:03 We have to reach Jeffrey fast.
01:16:05 - You heard him, boys.
01:16:07 (electricity buzzing)
01:16:09 (dramatic music)
01:16:12 (footsteps)
01:16:13 (dramatic music)
01:16:22 - Look, the Indian.
01:16:35 (dramatic music)
01:16:37 (gunshots)
01:16:40 - What is it?
01:16:41 Why are you shooting?
01:16:43 - Duncan, the Indian, he's in front of the train.
01:16:45 I recognize his horse.
01:16:47 - Come on, feed him some coal.
01:16:49 We're gonna catch that pig.
01:16:51 Come on, move.
01:16:53 (gunshots)
01:16:55 (gunshots)
01:16:59 (screaming)
01:17:09 (gunshots)
01:17:10 - He's yours, Duncan, get him now.
01:17:17 (gunshots)
01:17:19 (cheering)
01:17:37 (dramatic music)
01:17:38 (footsteps)
01:17:40 - Jeffrey.
01:17:42 - I got to the train,
01:17:46 found the cash, but the Indian came from behind.
01:17:49 (dramatic music)
01:17:54 (horses neighing)
01:17:56 (dramatic music)
01:18:05 (gunshots)
01:18:06 (dramatic music)
01:18:09 (gunshots)
01:18:11 (dramatic music)
01:18:14 (gunshots)
01:18:16 (dramatic music)
01:18:18 (gunshots)
01:18:20 (dramatic music)
01:18:22 (gunshots)
01:18:24 (dramatic music)
01:18:26 (gunshots)
01:18:28 (dramatic music)
01:18:30 (gunshots)
01:18:33 (dramatic music)
01:18:34 (gunshots)
01:18:36 (dramatic music)
01:18:38 (gunshots)
01:18:40 (dramatic music)
01:18:42 (gunshots)
01:18:44 (dramatic music)
01:18:46 (gunshots)
01:18:48 (dramatic music)
01:18:50 (gunshots)
01:18:52 (dramatic music)
01:18:54 (gunshots)
01:18:56 (dramatic music)
01:18:58 (gunshots)
01:19:00 (dramatic music)
01:19:03 (gunshots)
01:19:04 (dramatic music)
01:19:06 (gunshots)
01:19:08 (dramatic music)
01:19:10 (dramatic music)
01:19:12 (dramatic music)
01:19:14 (dramatic music)
01:19:16 (dramatic music)
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01:19:34 (dramatic music)
01:19:36 (dramatic music)
01:19:38 (dramatic music)
01:19:40 (dramatic music)
01:19:42 (gunshots)
01:19:44 (dramatic music)
01:19:46 (gunshots)
01:19:48 (dramatic music)
01:19:50 (gunshots)
01:19:52 (dramatic music)
01:19:54 (gunshots)
01:19:56 (dramatic music)
01:19:58 (gunshots)
01:20:01 (dramatic music)
01:20:02 (gunshots)
01:20:04 (dramatic music)
01:20:06 (gunshots)
01:20:08 (dramatic music)
01:20:10 (gunshots)
01:20:12 (dramatic music)
01:20:14 (gunshots)
01:20:16 (dramatic music)
01:20:18 (gunshots)
01:20:20 (dramatic music)
01:20:22 (gunshots)
01:20:24 (dramatic music)
01:20:26 (gunshots)
01:20:29 (dramatic music)
01:20:30 (gunshots)
01:20:32 (dramatic music)
01:20:34 (gunshots)
01:20:36 (dramatic music)
01:20:38 (gunshots)
01:20:40 (dramatic music)
01:20:42 (gunshots)
01:20:44 (dramatic music)
01:20:46 (gunshots)
01:20:48 (dramatic music)
01:20:50 (gunshots)
01:20:52 (dramatic music)
01:20:54 (gunshots)
01:20:56 (dramatic music)
01:20:58 (footsteps)
01:20:59 - It looks like a mine.
01:21:04 Go on.
01:21:06 - Both of us.
01:21:08 You dig in here, keep a lookout.
01:21:10 (footsteps)
01:21:13 (footsteps)
01:21:15 (footsteps)
01:21:16 (footsteps)
01:21:20 (footsteps)
01:21:23 (footsteps)
01:21:25 (footsteps)
01:21:28 (footsteps)
01:21:30 (footsteps)
01:21:32 (footsteps)
01:21:34 (footsteps)
01:21:36 (footsteps)
01:21:38 (footsteps)
01:21:40 (footsteps)
01:21:43 (footsteps)
01:21:44 (footsteps)
01:21:46 (footsteps)
01:21:48 - Nobody.
01:21:50 (gunshots)
01:21:52 (gunshots)
01:21:54 (gunshots)
01:21:56 (gunshots)
01:21:58 (footsteps)
01:22:00 (gunshot)
01:22:02 (footsteps)
01:22:04 (footsteps)
01:22:06 (footsteps)
01:22:08 (gunshots)
01:22:10 (footsteps)
01:22:12 (footsteps)
01:22:13 (footsteps)
01:22:15 (footsteps)
01:22:17 (footsteps)
01:22:19 (footsteps)
01:22:21 (footsteps)
01:22:23 (footsteps)
01:22:25 (gunshots)
01:22:27 (gunshots)
01:22:29 (gunshots)
01:22:31 (gunshots)
01:22:33 (footsteps)
01:22:35 (footsteps)
01:22:37 (footsteps)
01:22:39 (footsteps)
01:22:41 (footsteps)
01:22:42 (footsteps)
01:22:44 (footsteps)
01:22:46 (footsteps)
01:22:48 (footsteps)
01:22:50 (footsteps)
01:22:52 (footsteps)
01:22:54 (footsteps)
01:22:56 (footsteps)
01:22:58 (footsteps)
01:23:00 (footsteps)
01:23:02 (gunshots)
01:23:04 (gunshots)
01:23:06 (gunshots)
01:23:08 (gunshots)
01:23:10 (coughing)
01:23:11 (coughing)
01:23:13 (coughing)
01:23:15 (coughing)
01:23:17 (coughing)
01:23:19 (coughing)
01:23:21 (coughing)
01:23:23 (coughing)
01:23:25 (coughing)
01:23:27 (coughing)
01:23:29 (footsteps)
01:23:31 (footsteps)
01:23:33 (gunshots)
01:23:35 (gunshots)
01:23:37 (gunshots)
01:23:39 (gunshots)
01:23:40 (screaming)
01:23:42 (gunshots)
01:23:47 (screaming)
01:23:49 (gunshots)
01:23:51 (screaming)
01:23:53 (gunshots)
01:23:55 (gunshots)
01:23:57 (gunshots)
01:23:59 (gunshots)
01:24:01 (footsteps)
01:24:03 (footsteps)
01:24:05 (footsteps)
01:24:08 (footsteps)
01:24:10 (footsteps)
01:24:12 (footsteps)
01:24:15 (footsteps)
01:24:17 (footsteps)
01:24:19 (footsteps)
01:24:21 (footsteps)
01:24:24 (footsteps)
01:24:26 (breathing)
01:24:36 (breathing)
01:24:47 (breathing)
01:24:53 (footsteps)
01:24:55 (gunshots)
01:25:05 (gunshots)
01:25:13 (gunshots)
01:25:16 - You won't escape now, redskin!
01:25:27 (gunshots)
01:25:30 (gunshots)
01:25:32 - You're sweating?
01:25:48 You all ready to give up now?
01:25:49 Come on out, Indian!
01:25:51 Come on out, you're finished!
01:25:52 You're through!
01:25:53 (gunshots)
01:25:56 (gunshots)
01:25:59 I'm too smart to fall for that trick.
01:26:11 (gunshots)
01:26:13 Come on out, Indian!
01:26:19 It's all over!
01:26:26 I'll pin your scalp to my saddle,
01:26:28 and that's for you, filthy, stinking Indian!
01:26:31 (gunshots)
01:26:32 Come on, Indian, come on out!
01:26:34 Or would you rather not come out
01:26:35 and rot for killing Jeffrey?
01:26:37 Damn you, Indian!
01:26:38 (gunshots)
01:26:42 Pace it, Indian!
01:26:51 I outsmarted you!
01:26:53 (gunshot)
01:26:55 (gunshots)
01:26:57 - Throw down your belt.
01:27:10 - There you are.
01:27:19 You won.
01:27:20 You're real smart, Humphrey.
01:27:22 Why did you follow me?
01:27:24 Because you want to kill me?
01:27:26 I know you're a bounty killer.
01:27:29 You want to have my bounty.
01:27:32 But you can have the money if you want.
01:27:35 But let me live.
01:27:36 You killed my brother, broke up my gang.
01:27:39 Let me live.
01:27:40 (dramatic music)
01:28:09 This belonged to my woman.
01:28:10 Do you remember her?
01:28:14 You're gonna pay for her life.
01:28:25 (dramatic music)
01:28:33 (grunting)
01:28:37 (grunting)
01:28:39 (dramatic music)
01:28:43 (grunting)
01:28:45 (dramatic music)
01:28:48 (gunshots)
01:29:12 (screaming)
01:29:15 (grunting)
01:29:18 (dramatic music)
01:29:20 (gunshots)
01:29:23 (dramatic music)
01:29:25 (gunshots)
01:29:28 (dramatic music)
01:29:31 (gunshots)
01:29:33 (dramatic music)
01:29:36 (gunshots)
01:29:38 (dramatic music)
01:29:41 (gunshots)
01:29:43 (dramatic music)
01:29:46 (gunshots)
01:29:48 (dramatic music)
01:29:51 (dramatic music)
01:29:53 (gunshots)
01:29:56 (dramatic music)
01:30:00 (gunshots)
01:30:18 (dramatic music)
01:30:21 - It's our money.
01:30:47 - The Indian kept his promise.
01:30:48 - Where is he?
01:30:59 - Who cares?
01:31:01 The money is all that counts.
01:31:03 Take his horse to the corral.
01:31:05 - No.
01:31:06 Let him go.
01:31:09 He knows where to go.
01:31:15 (dramatic music)
01:31:18 - Go back to him.
01:31:22 Go.
01:31:23 Go.
01:31:26 (dramatic music)
01:31:31 (dramatic music)
01:31:34 (dramatic music)
01:31:36 (dramatic music)
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01:31:57 (dramatic music)
01:31:59 (dramatic music)
01:32:02 [Music]