Kartunis perlu berevolusi seiring peredaran zaman, kata Sireh
Kartunis perlu berevolusi seiring dengan peredaran waktu untuk menyesuaikan kreativiti karyanya dengan teknologi supaya akan menjadi ingatan sepanjang zaman, kata Sireh.
Laporan Lanjut: https://www.freemalaysiatoday.com/category/bahasa/tempatan/2024/02/18/contohi-lat-karya-malar-segar-walau-diancam-teknologi-kata-kartunis/
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Laporan Lanjut: https://www.freemalaysiatoday.com/category/bahasa/tempatan/2024/02/18/contohi-lat-karya-malar-segar-walau-diancam-teknologi-kata-kartunis/
Free Malaysia Today is an independent, bi-lingual news portal with a focus on Malaysian current affairs.
Subscribe to our channel - http://bit.ly/2Qo08ry
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Transcript
00:00 The hypothesis is that when the old readers have entered the field of work, they have no time to buy and read.
00:11 We have lost, but new readers do not add.
00:15 Cartoonists need to evolve over time to adjust their creativity with technology
00:22 so that it will be remembered for a long time, said former comic book artist, Siri.
00:28 Siri or actually Anwar Hasan said the thing is important because the comic industry will never die.
00:35 Instead, it experiences changes in terms of media exploitation.
00:38 Okay, the cartoon and comic industry as an idea is not going to die.
00:46 What changes is only the medium.
00:49 However, if the drawing of a cartoonist is highly valued and popular, it remains an option for exploitation.
00:57 He said by making cartoonist Latt as an example.
01:01 Dato Latt is a person whose technology is indeed a bit old school.
01:09 But because of his work is so valuable, very close to the reader, so people keep on looking.
01:21 Story about his life history around the 90s, Siri said, "Ujang and Apo are among the comics that have become a phenomenon of popular madness."
01:31 However, over time, these magazines have shrunk with the increasingly daily sales.
01:38 Initially, we sold 90,000, then 85,000, then 80,000, then 75,000, then 70,000.
01:48 We saw the pattern. The 6-month pattern is maintained.
01:52 When the comic industry began to decline, he was asked to work for the magazine to survive.
02:03 But he chose to stop.
02:06 Until 2003, I was one of the directors and I was asked to split the team from 30 to 7 people.
02:18 I decided to select the 7 people with the best potential.
02:25 The others, including me, I put my own number to stop.
02:35 He said that even though he no longer wrote comics for the Apo magazine,
02:39 he was still given a special space to deliver the works he produced.
02:45 However, the situation became more and more tense in 2015 when the cost of printing, circulation and the fall of RM1
02:54 made the Apo magazine, the publication's most important, at a loss,
02:58 so that it was unable to increase revenue, forced to end its publication.
03:03 Suddenly, in 2015, the cost of printing doubled and the RM1 fell.
03:11 Then the distributor asked the publisher, no, the distributor to increase their percentage again.
03:20 So, the only choice we had was to increase the price.
03:26 If we increase the price, the circulation will fall.
03:30 Although not a full-time cartoonist,
03:33 now, Sirih is one of the speakers at the Multimedia Creative Faculty at Multimedia University in Cyberjaya
03:40 for the subject of animation and visual storytelling.
03:43 Actually, if the market is still beautiful, I want to stay in the field of comics.
03:51 [Music]