• 6 months ago
Transcript
00:00Once upon a time, there were three little girls who went to the police academy.
00:16And they were each assigned very hazardous duties.
00:22But I took them away from all that, and now they work for me.
00:26My name is Charlie.
01:00And I'm Charlie.
01:21I'll take it, honey. Tell Pierre he can bring the car up now.
01:25Yes, ma'am.
01:27And let me look at you.
01:29Just a minute, please.
01:34Anything showing?
01:35More legs than is decent for a woman your age.
01:39What would Mr. Rodeheaver say?
01:45Yes? Who is it, please?
01:50Yes.
01:54No.
01:56Yes, I understand.
02:01Very well.
02:25Thank you.
02:55Thank you.
03:25Don't get up yet, unless I'm ready.
03:55Thank you.
04:25In the past three months, three burglaries, three heavily insured items gone without a trace.
04:54My company may have to consider a drastic increase in your premiums.
04:58My horoscope shows that three is my unlucky number.
05:02Now, you take four...
05:03Four, we would consider instant cancellation.
05:05You mustn't. Harlan would be furious.
05:10Harlan?
05:11My husband.
05:12Oh, I see.
05:13We'll hope he never hears about it.
05:15But he will.
05:16Madam Dorian says that when she gets through to...
05:19Excuse me, I'm sorry.
05:21Madam Dorian?
05:23Just an acquaintance.
05:25Oh.
05:26I don't see how you can expect any more.
05:28I've retained Mr. Townsend's cherubs.
05:31Cherubs?
05:32Angels.
05:33That's what Charlie calls them.
05:35Angels.
05:36Dynamite.
05:37That's Sabrina Duncan behind you.
05:39Oh, I'm sorry.
05:41Jill Monroe.
05:43And last but not least, Kelly Garrett.
05:46Hello.
05:48Female private detectives?
05:50Yes, I've hired them to discover who stole my jewelry.
05:54I would hope they might recover some of it.
05:58The police have already done that, you know.
06:00Yes, I do know.
06:02Well, safe hasn't been punched, peeled, drilled or blown.
06:05Oh.
06:07Really?
06:08That's right.
06:09And I gathered from the police report that there were no fingerprints.
06:12Sounds like an inside job.
06:14Inside?
06:15Do you mean one of my servants?
06:17We don't really suspect your husband, Mrs. Rodeheaver.
06:20That's comforting.
06:21A Mr. Rodeheaver passed over three years ago.
06:25Passed over?
06:27It's an expression of Madame Dorian's.
06:29Expired.
06:30Deceased.
06:31Oh.
06:33Oh, I'm sorry.
06:35This Madame Dorian is...
06:37Is my advisor.
06:38Oh.
06:39Who else is in the house?
06:40My housekeeper and the chauffeur.
06:42You check their references.
06:44Oh, yes, indeed.
06:45Twenty years ago.
06:46You might just as well suspect me as Putty or Pierre.
06:50Well.
06:52Looks like the work of a regular Jimmy Valentine.
06:55You see?
06:56They've got a suspect already.
06:58If I may ask, how do you girls intend to proceed?
07:02Well, I'm going to call Charlie now and make a preliminary report.
07:05You're welcome to listen in if you'd like to.
07:07Yes, Angel.
07:08How are things with Mrs. Rodeheaver?
07:10Fine, Charlie.
07:11Whoever robbed the safe evidently had the combination.
07:14Now, the client has ruled out the household staff.
07:17I think we should probably stick to friends, acquaintances, tradespeople.
07:22Probably one of us should stay in the house.
07:25Sounds like you're on the right track, Angel.
07:27Keep in touch.
07:28Will do.
07:31Charlie thinks it would be a good idea if I moved in for a few days.
07:34That is, if you didn't mind.
07:36Into my house?
07:37I would love to.
07:39Into my house?
07:40I would just sort of tag along and act kind of like a secretary.
07:45Whatever for?
07:46Oh, because someone in your circle has been stealing from you.
07:49You're going to spy on my friends?
07:51Mrs. Rodeheaver, believe me, one of your friends is not a friend.
07:56Mrs. Rodeheaver, this advisor you mentioned, Madam Dorian, who is she exactly?
08:03Well, if you must know, she's my spiritual advisor.
08:06How does she advise you?
08:08She doesn't really advise me.
08:11I speak to Harlan through her.
08:13Sabrina?
08:15Yes.
08:16You'll find it terribly dull traipsing around after an old lady, but if you must do it, let's get cracking.
08:33You want to talk about inside?
08:35I'll give you the inside.
08:37I'll give you the inside.
08:39Best chauffeur.
08:40Oh, really?
08:41Why?
08:42Because he's the closest thing we have to a butler, right, boss?
08:46Because he's too handsome and too French.
08:50Well, you got to admit, that uniform's kind of cute.
08:59What are you measuring me up for?
09:02I am not thrilled.
09:05Oh, it's you, Bosley.
09:07Definitely.
09:08You're fine, Bosley.
09:09I just hope I can pull off my end of it.
09:12Oh, come on.
09:13It'll be fun and games.
09:15You'll be an heiress whose daddy was the most wonderful man who ever lived.
09:19And let's put him in oil, Alaskan oil.
09:22Can you do an Alaskan accent?
09:24Do Alaskans have accents?
09:26Don't ask me.
09:27I am just the French chauffeur.
09:29You know, we have oil in Texas, too, Jill.
09:31Okay, whatever.
09:32Anyway, the old boy just kicked off last year, passed over,
09:36and left you barrels of it.
09:38Money, not oil.
09:39And that's the problem, you see.
09:41All these big financial decisions to make,
09:43and no wonderful daddy to guide you.
09:45When daddy's gone, Madam Dorian takes over.
09:48Hey, I wonder what Sabrina's been able to find out about the good madam.
09:52Pump, Sabrina, pump.
09:55Nothing like a good old-fashioned pump.
09:58Nothing like it for firming up the thighs.
10:03Mrs. Rodeheaver, we have to check out all your contacts.
10:08Now, I don't understand your reluctance to talk about Madam Dorian.
10:12I told you.
10:13She's a spiritualist and quite extraordinary.
10:16You mean you've gotten messages from your late husband through her?
10:20Harlan continues to advise me on business affairs, as he always did.
10:25Oh.
10:26Well, that must be a great comfort to you.
10:57Oh, we shouldn't be too long, Bosley.
11:00Do try to stay awake.
11:02Yes, ma'am.
11:27Oh.
11:46Yes, may I be of service?
11:48This is Miss Osling.
11:50Osling?
11:51The daughter of L. Burton Osling.
11:53Osling Oil.
11:55Mrs. Rodeheaver had called about a consultation with Madam Dorian.
11:59Ah, yes.
12:00Would you come this way?
12:10Many, many people seek out Madam Dorian for surcease from the trouble of this earthly existence
12:17in search of assurance that there is life beyond death.
12:21Absolutely.
12:23But not all who come here are sincere.
12:26Oh, yes.
12:27We get the scoffers, the mischief makers,
12:30who in their ignorance waste the time and precious strength of Madam.
12:35Oh, you don't have to sell me.
12:37Back in Detroit, I was so scrambled, even my psychiatrist gave up.
12:41But would you believe, in four sittings with the medium, I got it all together.
12:47Then it's your friend here who's troubled.
12:50Oh, yes.
12:51Her father died last year.
12:58Perhaps I should interview Miss Osling alone.
13:01Oh, great.
13:02I'll wait outside.
13:10Please relax, Miss Osling.
13:12Feel at peace with the universe.
13:16I am Terrence.
13:17You may call me that.
13:19Good night, Terrence.
13:26What is your first name, Miss Osling?
13:28Kelly.
13:29You seem tense, Kelly.
13:31I'm going to play some music to help you relax.
13:40I want you to concentrate on the music.
13:43Listen very carefully, so that you'll always recognize it.
13:49Concentrating?
13:51Yes.
13:53Listen to the sound of my voice and the music.
13:59Concentrate.
14:09Count back from 100.
14:13100.
14:1599.
14:1798.
14:2097.
14:22When you reach 90, you will sleep and hear only my voice and the music.
14:3193.
14:3392.
14:3591.
14:3890.
14:41Sleep.
14:45Can you hear me, Kelly?
14:47Yes.
14:49Good.
14:50From now on, each time you hear the music,
14:53you will answer questions about your loved ones
14:57and hear only my voice.
15:00Do you understand?
15:03I understand.
15:20Well, I can tell by looking at you, it was a good interview.
15:23Miss Osling has a desperate need to span the void
15:26and can be reunited, if only for a few moments, with her father.
15:29I feel certain Madame Dorian can help.
15:32Oh, that's great.
15:33The séance will sit at eight. You will be punctual.
15:36Without a doubt.
15:37Thank you.
15:40What do you wear to a séance?
15:42Oh, something simple, chic, and terribly expensive.
15:50Do you like this one?
15:52How much?
15:53Personally, no. I wouldn't wear that to a wake.
15:56Well, isn't that what a séance is?
15:58Well, sort of, I guess.
16:00I don't know. I've never been to one.
16:02What about Detroit?
16:03I've never been there either.
16:04How much was that?
16:06Bosley, we don't even like it.
16:10Jill, I have a funny feeling about this.
16:12Oh, come on. You checked out bunco artists before.
16:15If Dorian's just gonna do the old tambourine and trumpet routine,
16:18you'll be out of there in 20 minutes.
16:20If I have to come on about dear old dad,
16:22I'm gonna mess it up. I just know it.
16:24Most wonderful daddy any girl ever had.
16:28It's a tough role for an orphan girl.
16:30Wow, some orphan.
16:32Right on.
16:33How much?
16:36Right off.
16:37Oh, take it.
16:38Oh, boss.
16:39Certainly, you'll have my legs broken.
16:41Please.
16:42Well, maybe we could rent it just for the night.
16:45Bosley.
16:47Just a thought.
16:54I'll bid two spades.
16:58Pass.
17:03Four, no trump.
17:13Four, no trump.
17:15That's Blackwood, dear.
17:17Oh, yes, and then that means that I'm...
17:20That you bid your aces.
17:22I bid my aces.
17:30I'll bid two aces.
17:43Good evening, my dear friends.
17:45And for those of you who have joined us
17:47for the first time tonight,
17:49a very special greeting.
17:51I am Madame Dorian.
17:55I sense conditions are very favorable
17:58for making contact with the other side.
18:01How the spirits manifest themselves,
18:04I am unable to foresee.
18:06But don't be alarmed.
18:08No more than a few minutes
18:10But don't be alarmed.
18:11No matter what happens, remember,
18:14they are our own, dearly departed,
18:17reaching back across that awful void
18:20that separates their world from ours.
18:24And now, dear friends,
18:27let us complete the circle
18:29by joining hands.
18:34Will you ease up?
18:35You're breaking my fingers.
18:37Quiet, please.
18:40From this moment on,
18:42let us have absolute silence.
19:10Let's see if we can get your lips moving.
19:41Silence.
19:55Please.
20:00Please.
20:01Please.
20:06Don't...
20:08Don't make me go in the dark closet.
20:11Please.
20:13Please, Beamish.
20:14I'll be good.
20:15I promise.
20:16I promise.
20:17I'll be good.
20:19Let me have Lilybed.
20:22I get so scared in there alone.
20:25Oh, Beamish,
20:28please let me have Lilybed.
20:30Lilybed for company.
20:34Beamish.
20:36Beamish.
20:38Beamish.
20:46That was sensational.
20:59How'd it go?
21:00Oh, she was great.
21:01Kelly, you really were.
21:02What a great performance.
21:06Thank you.
21:15Kelly, do the bit again.
21:17What?
21:18The little girl voice.
21:20There wasn't any little girl.
21:21I tell you, it gave me goosebumps.
21:23Come on, do the little girl's voice.
21:25Hey.
21:26I don't know what you're talking about.
21:27Nothing happened at all.
21:28If you really must know,
21:30it was so dull,
21:31I think I went to sleep.
21:32Hey, Kelly, come on, calm down.
21:34We know you're tired.
21:35I'm tired, too.
21:41Boy, I'm telling you,
21:42that little old lady's about to
21:43drive me into the ground.
21:44Oh, you're kidding.
21:45Oh, she's either got some kind
21:46of a secret source of energy
21:48or a roaring metabolism.
21:50Hey, what about her friends?
21:51Any kinky types?
21:53Well, you know, I don't know.
21:55There's kinky and there's kinky.
21:58My money is still on that Frenchie chauffeur.
22:01Oh, come on, boss.
22:02He dyes his hair and he leers a little bit,
22:04but that's about all.
22:23I'll walk you to the door.
22:24No need to.
22:25I'm quite all right, thank you.
22:26I know you're all right, Kelly.
22:27I just...
22:28Hey, you'll feel better
22:29after a good night's sleep.
22:30Will you stop big sistering me?
22:32I'm fine.
22:33Good night.
22:34Good night.
22:40What happened back there anyway?
22:42I don't know.
22:43I mean, it started out
22:44like your simple basic seance.
22:46Yeah?
22:47And then Kelly went into her act.
22:48At least I thought it was an act.
22:49I mean, she was really terrific.
22:51Okay, go on.
22:53Well, she went into this little girl's voice.
22:56It was really spooky.
22:57What'd she say?
22:58Something about Beamish and Lilibeth
23:02and a dark closet.
23:04And she doesn't remember?
23:06No, that's what scares me.
23:07Well, maybe a couple of good nights sleep
23:10and she'll be fine.
23:11Thanks a lot, Dr. Bosley.
23:13You know, could be that Madam Lozanga
23:15really did get through to the spirits
23:17and then used Kelly's voice
23:19to communicate with us.
23:21Drive, Bosley.
23:23Just an idea.
23:32♪
24:02♪
24:33Another arrival on time.
24:36Okay, I'll see you in the morning.
24:38Right.
24:39You know, I really don't think
24:41we should have left Kelly alone.
24:43Yeah, I was thinking the same thing.
24:45You know, it'll probably wake her up,
24:47but I think I'll give her a call
24:48before I go to sleep.
24:49Okay, will you call me?
24:50Sure will.
24:51Night.
24:52♪
24:59No.
25:00No.
25:03No.
25:05No.
25:07Please don't, Beamish.
25:10Please.
25:12No.
25:13No.
25:18Don't make me go in the dark closet.
25:22No, Beamish.
25:24No.
25:25Please.
25:26Please.
25:27Please.
25:31Don't take away, Beamish.
25:33Please.
25:34Please, Beamish.
25:36Please.
25:37Let me have Lilypet.
25:40Let me have Lilypet.
25:41Lilypet.
25:43Lilypet.
25:44♪
25:57Hello?
26:01Kelly,
26:03Beamish wants you.
26:05You will come here at once.
26:07Do you understand?
26:28♪
26:34♪
26:40♪
26:46♪
26:52♪
26:58♪
27:04♪
27:10♪
27:16♪
27:33Jill, I think there's something wrong.
27:36I've been trying to call Kelly for the last ten minutes and I get a busy signal.
27:40No, no, no. I checked with the phone company. The phone's off the hook.
27:44Yeah, well, I think one of us ought to go over there.
27:48Okay. All right. Both of us then.
27:51Right. I'll meet you in a few minutes.
27:58Miss Osling?
28:00Miss Osling?
28:02My name is Kelly.
28:05Well, that's what I'll call you then.
28:07Because we're going to become very good friends.
28:09I could help you with your problems, Kelly.
28:11Advise you as your father would if he were here, hmm?
28:15Yes.
28:16Of course, I'll need to know all about your financial affairs.
28:21Who handles them?
28:23Bank?
28:24Corporation?
28:26Your lawyer?
28:28Uh, no.
28:29What do you have?
28:31A trust fund?
28:33Stocks and bonds?
28:34Jewelry?
28:36Just my savings.
28:37Your savings?
28:38All right.
28:41Let's just talk about your childhood for a while.
28:46No, I don't want to.
28:49Why not?
28:50Because of Beamish?
28:52Who was she?
28:53Your governess?
28:54No.
28:55A housekeeper?
28:57Your stepmother?
28:59Matron.
29:00Matron?
29:02Yes.
29:04And your father?
29:05Matron.
29:07Matron?
29:09In the orphanage.
29:11You were never...
29:15Your father died only last year, didn't he?
29:19Didn't he?
29:22Uh...
29:24I never knew my father.
29:26What do you mean you never knew him?
29:29I never knew him.
29:31Elberton Osling?
29:33Osling Oil?
29:35No.
29:37He wasn't your father?
29:41I made it up.
29:44Oh, my God, it's a setup.
29:46I've been set up.
29:48You're a plant.
29:53Oh, man.
29:55I thought I could spot one a mile away.
30:02I'll say this for you, honey.
30:03You got a class act there.
30:06Who are you anyway, a cop?
30:08No.
30:09No?
30:10Bunko Squad? You Bunko?
30:12No.
30:13Okay.
30:15You're not Bunko Squad, you're not a cop.
30:19Who do you work for?
30:21Charlestown's a detective agency.
30:24Private detectives.
30:27Your blonde friend, too?
30:28Jill Monroe.
30:36Listen to me.
30:38Do you want me to call Beamish in?
30:40No.
30:41No, please don't.
30:43Do you know who Beamish really is?
30:45Matron.
30:46Yes, but now she calls herself Jill Monroe.
30:49No!
30:50Yes, it's her cover name and she's disguised, too.
30:53If you look very carefully, you will see that she's really Beamish.
30:57Oh, my God.
30:59Oh, my God.
31:01Oh, my God.
31:03Oh, my God.
31:05No.
31:06No? There's no need to be frightened.
31:08I'm going to protect you. I can fix it so that Beamish will never bother you again.
31:11Would you like me to do that?
31:12Yes.
31:13All right, I will.
31:15I'm going to give you a phone number.
31:17The next time you see her, the moment you see her, you will call me.
31:22I will tell you exactly what to do.
31:25It's the only way that you'll ever be safe from Beamish.
31:30You will go home.
31:32You will remember nothing
31:33save what I have told you to do.
32:03Kelly?
32:08Kelly?
32:19Kelly?
32:34Phone's off the hook and she's gone.
32:36So is her car.
32:37Okay, all right.
32:38Where could she go at four o'clock in the morning?
32:41I don't know where.
32:43I don't know why.
32:44I mean, it must have all started at the seance.
32:46I figure that's where it's got to lead back to.
32:48Let's go.
32:55Terrence?
32:56What?
32:58Oh.
33:00Oh.
33:02Oh.
33:03I thought you'd gone to bed hours ago.
33:05I couldn't sleep
33:06because of very powerful vibrations.
33:09I didn't understand them, but I knew something was wrong.
33:13I listened to you and that girl.
33:14Oh?
33:16Well, it saved me having to explain it to you.
33:19Explain what, Terrence?
33:21Time to cut and run.
33:23But why?
33:24Why?
33:25Because that girl's a private detective.
33:27Because after her, the real cops come.
33:30Look, Doris, the game is over.
33:33What are you talking about?
33:35I haven't done anything against the law.
33:37I have nothing to fear from the police.
33:39Yeah, well, I've had a few things going on the side.
33:41What do you mean?
33:42What things?
33:43It doesn't matter.
33:44Listen.
33:45We had a good run.
33:46We both made a few bucks, right?
33:48Maybe we can open in a new location.
33:50But in this city, we've had it.
33:52So pack up before it's too late.
33:55But what about my people?
33:57I mean, they need me.
33:59How can they get through to their departed ones?
34:02My God, she's conned herself.
34:04Doris, come out of the fog.
34:06There are no spirits.
34:08Oh, what a dreadful thing to say.
34:12It was a fake.
34:13I did it.
34:14All of it.
34:15I was the bell ringer, the tambourine shaker,
34:16the voices in the trumpets.
34:18The whole works.
34:19That was me, remember?
34:20I'm not talking about those tricks.
34:21They're just atmosphere.
34:23But you couldn't make Miss Ostling revert to her childhood.
34:26Look, you dizzy old bag.
34:28I hypnotized her.
34:29Just like that Grace Rodehaver.
34:31I got her programmed to cover us while we get away.
34:33I don't know why you're doing these things, Terrence.
34:37But I've got no reason to run.
34:39Okay.
34:40Do what you want.
34:41I'm going home to pack.
34:43Operator, I want to call the police.
35:43Go ahead.
36:02Looks like he's gone.
36:03Here's Kelly's purse.
36:05You sure?
36:06Yeah, I'm positive.
36:08All right, we better search the whole house.
36:14Hey, I can't get the lights on out here.
36:19Wait just a second.
36:43Hey.
37:01She's dead.
37:04We've got to find Kelly.
37:07Let's go.
37:14Sabrina, if Kelly threw her car here,
37:17why would she leave without her purse in her car?
37:22Maybe she didn't have any choice.
37:24I'll follow you to Kelly's.
37:38Who is it?
37:39Kelly?
37:40Oh, Sabrina.
37:41Wait a second.
37:43Hey.
37:44You okay?
37:45Sure.
37:47Where have you been?
37:48Right here.
37:49I just got up.
37:50Why?
37:53Well, I...
37:55I just tried to call, that's all.
37:58About what?
38:00We've got a case to solve, you know.
38:04Could you make some coffee?
38:06Sure.
38:08Thanks.
38:09Um, that'll be Jill.
38:10I'll let her in.
38:11Okay.
38:16Come on, come here.
38:19She's here, but, um...
38:21But what?
38:23I don't know.
38:24She doesn't remember she was gone.
38:26Oh, come on.
38:27I'm not kidding.
38:28It's like she's been brainwashed or, um,
38:31I don't know, hypnotized or something.
38:33Oh, Bree, wait.
38:34You don't think she could be hypnotized?
38:36Oh, Bree, wait.
38:37You don't think she could be made to do anything bad, do you?
38:41No, no, no, no, no.
38:42Not as long as she understood that it was bad.
38:45Listen, I tell you what.
38:47Why don't you stay here with her?
38:49I'm gonna get back to Mrs. Rodeheaver's house.
38:52I got a feeling this whole thing's about to explode.
38:55Hey, wait.
38:56What?
38:57She doesn't even remember leaving this.
38:59Remember leaving it?
39:00She doesn't remember anything.
39:01Are you kidding?
39:02I'll see you later, okay?
39:04Okay.
39:07Kelly, I'm here.
39:11Hi.
39:12Hi.
39:25Watch the coffee.
39:26I'll be back in a minute.
39:28Sure.
39:37Okay.
40:01Hello?
40:04Oh, yes.
40:05Kelly.
40:09Yes, I knew you'd see through Beamish's disguise.
40:13Yes, I'll tell you what to do so that she'll never bother you again.
40:20Yes.
40:21Yes, I know where it is.
40:23Then don't wait.
40:24Do it right now.
40:25Do it quickly.
40:26Very quickly.
40:36Hey, what's for breakfast?
40:38I got a big hole in my stomach.
40:47There's no food.
40:48We'll have to go out.
40:51I know a place.
40:52Come on.
40:54What's the matter with you?
40:57I'm fine.
40:58Come on.
41:05Mrs. Rhoda Haver, something very strange just happened to Kelly and I...
41:17I'm downstairs now.
41:22Yes.
41:26I understand.
41:31Very well.
41:32If that's what I must do...
42:02Hey, Kel, I'm hungry, but not that hungry.
42:11Kelly!
42:33Kelly, please!
42:35Kelly!
42:40Are you afraid, Beamish?
42:42Beamish?
42:44Hey, listen, Kelly.
42:46Will you listen to me?
42:48Hey, look at me.
42:49No, don't look at me.
42:50Just keep your eyes on the road and slow down.
42:53Listen to what I'm going to say.
42:55I'm not Beamish.
42:59I'm Jill.
43:00Remember your best friend, Jill?
43:03Beamish.
43:16Kelly!
43:19Kelly, try to understand this.
43:22The bridge is out.
43:23We're going to crack up.
43:25You can't wipe out Beamish without destroying yourself.
43:30Kelly, you're going to kill us both.
43:32And that's what Beamish wants.
43:34He wants us both dead.
43:43Okay, however it is, I just want you to know I love you.
43:46And Sabrina loves you.
43:48And Lillibet loves you.
43:52Lillibet?
43:54Where is Lillibet?
43:55That's right, Lillibet.
43:57You forgot her.
43:58You left her at home.
43:59We have to go back and get her.
44:06That's right, slow down.
44:08A little more.
44:09Kelly, hit the brakes!
44:20Jill.
44:23Jill, I nearly killed you.
44:25Hey, us.
44:27Kelly, you were here too.
44:29It's okay.
44:31It's okay.
44:33I'm sorry.
44:37Help me breathe.
44:39Your timing is not too hot.
44:42Jill, listen, tell me all about it when you get here.
44:44Just get here fast.
44:4635. I'll never go faster than 35 as long as I live.
44:50Just hurry, okay?
44:51We'll hurry.
44:53Okay.
44:54Kelly, that's Sabrina.
44:55We've got to go.
44:56I'm going to drive.
44:57Okay.
44:59Okay.
45:25I'm really very tired, Sabrina.
45:27Why can't I go back to bed?
45:29Because I think you're going to have a visitor very soon.
45:31A visitor?
45:32I can't receive anyone like this.
45:34Oh, he won't mind.
45:36I will.
45:37He?
45:38Who?
45:39Your burglar.
45:41At least that's what he is technically.
45:43Even if he uses gullible ladies to do his work for him.
45:47Gullible?
45:48If you're referring to me, I resent that.
45:51You have no right to say such things.
45:53Now, Mrs...
45:55Listen.
46:08Could you come over here for a minute, please?
46:12What do you want?
46:16Do you recognize that man?
46:18Why, it's Terrence.
46:20Madame Dorian's assistant?
46:22Yes.
46:48Get out of my way. Back off.
46:49You've got no place to go.
46:50The cops are on their way.
47:03Leave her alone.
47:06Haven't you done enough harm, Beamish?
47:09What?
47:10You're evil, Beamish.
47:12Wait.
47:13Kelly, this isn't what I told you to do.
47:16I have to destroy you.
47:18That's the only way I'll ever be rid of you, Beamish.
47:21Wake up, Kelly.
47:22When I count to three, you will wake up.
47:24One.
47:25Two.
47:32You wait here.
47:34She's out of control.
47:36Do something. She'll kill me.
47:38Kelly, I have to destroy Beamish.
47:42I have to do it.
47:44Kelly.
47:45If he confesses to everything, will you put the gun down?
47:50I'll confess. What do you want me to say?
47:52Where's the jewelry you sold to Mrs. Rodeheaver?
47:54In my van.
47:57All right.
47:59How many other people did you rob with this hypnosis trick?
48:02Two. Just two. You want their names? I'll give you their names.
48:05Did you kill Madame Dorian?
48:07I didn't mean to. It was an accident.
48:09Look, will you take that gun away from her?
48:11Kelly.
48:12Kelly, will you give Jill the gun?
48:16Sure thing, kiddo.
48:19Now that was a performance.
48:21You get my vote.
48:22It's the best performance in a situation trance I've ever seen.
48:43How are you feeling, Kelly?
48:46Kelly?
48:48Oh.
48:49It's all a matter of information, Charlie.
48:52You figure out what's happening, it can't scare you.
48:55We've been doing some research on the intricacies of the human psyche.
49:00Fascinating place, the psyche.
49:02Okay to visit once in a while, but you wouldn't want to live there.
49:06Well put, Charlie.
49:07By the way, Charlie, the case against Beamish,
49:10the terrible, is proceeding nicely.
49:12Looks like there won't be any problem getting a conviction.
49:14Mrs. Rodeheaver called me. She was very pleased.
49:17Oh, by the way, Sabrina, she wants you to join her yoga class.
49:21Pass.
49:22I cannot keep up with her action. I'm not old enough.
49:26Pity.
49:27Personally, I like grown-up games.
49:29Bye, Angel.
49:40THE END
50:10© BF-WATCH TV 2021