Igra sudbine 1124 Epizoda - Igra sudbine 1124 Epizoda
Igra sudbine 1124 Epizoda - Igra sudbine 1124 Epizoda
Transcript
00:00The following is the story of a young woman who is in love with her husband.
00:06Move!
00:11Move!
00:14Tell me, what have you done?
00:16I can't tell you. I've made some moves and I'm waiting to see how things will develop.
00:22Do you think I'm going to sit on my back?
00:25That I'm going to sit like your guests, who you talk to all day long?
00:29What are you talking about? It's important that we have a plan.
00:32We have a plan, but I don't know anything concrete.
00:35I can't tell you anything concrete, so you wouldn't be in danger.
00:38If you come to me like this, if you don't succeed, I'm going to pull your hair out.
00:43Don't worry.
00:44I have to worry, and you should start worrying too, because you're going to suffer in return.
00:50Was that a threat?
00:51No, it was just a foreshadowing.
00:53If the plan doesn't work, I'm going to throw you out on the street.
00:57I hope you're aware of that from the start.
01:00Everything will be fine. Don't worry, everything will be fine.
01:03Get out.
01:05Get out.
01:22Yes?
01:25Bobo, hello.
01:26Hello.
01:29It's wonderful to see the director in his chair again.
01:33You should know that I like it.
01:35I need to take a break from my problems.
01:38You're a man who just solved the tone of papyrology.
01:41Come on, problems at work are zero compared to private problems.
01:47I agree.
01:48Listen, this is how you work. Ten hours, you concentrate.
01:51There's no time for depression, you know?
01:54Yes, yes.
01:55Private life is sometimes harder to control than business life.
02:00That's why I'm here, to be honest.
02:04Listen, I've been thinking.
02:07We should move Vanja to Senka's office.
02:12Oh, nice. Where's that coming from?
02:15Well, Senka controls her a bit, you know?
02:18Aha, so you've had a really good inspiration since this morning.
02:23It seems so.
02:25I'm begging you.
02:26Yes?
02:27Can you tell her that?
02:29Yes, of course.
03:02Do you see that our pianist Kinja has risen?
03:07Oh, Dobrica, what are you talking about?
03:09She's dead, you're a normal man.
03:11Have you ever heard of humor? Do you know what humor is?
03:13I know what humor is.
03:14Or do you laugh only when they put three beers in front of you and a kilo of roasted wings?
03:22That's what I think.
03:24Dobrica, I really love music.
03:26I'm sorry, but if you're going to mention the harmonica, the violin and the drums, I don't care.
03:31You know what? I've heard that she plays the harmonica better than the piano, just so you know.
03:38Oh, look at you. You don't understand anything.
03:41What don't I understand?
03:43Listen, listen.
03:45Do you hear this?
03:47What?
03:48Do you hear?
03:49Except for the fact that she plays so beautifully, breathed in, and she's twitching.
03:54She's just singing in her ears, like a butterfly.
03:58Like a wounded butterfly.
04:02Listen.
04:03We could make some chicken for the barbecue, you know?
04:09You see, even though she's separated from Trivanović, she's still in a good position.
04:16Listen.
04:17Do you hear the sound of that star?
04:21Hope?
04:22Do you hear? Because hope dies last.
04:24Do you understand that it's a romantic story, very beautiful?
04:28You don't understand anything.
04:30You know what? We can't figure out what the female brain thinks.
04:35You don't understand?
04:37What don't I understand?
04:38You don't understand anything. You don't know anything.
04:44What do you think, we should really make that chicken for the barbecue?
04:49What chicken?
04:50You suggested it a little while ago.
04:52Maybe you're really stupid.
04:55You can go.
05:13You're still here?
05:36What do you mean, I'm still here?
05:40Yes, you don't know.
05:42What's that?
05:45You got a move-in.
05:47Move-in?
05:48Yes.
05:49And where do they move me?
05:52At Cenka's.
05:54Why?
05:56I have no idea. I just heard that we don't sit together anymore.
06:01I see you're really excited about that.
06:04Me?
06:05I'm not at all.
06:07I'm just advising you to start packing right away.
06:12I think I didn't ask for your advice.
06:15Okay, you don't have to pack. I don't care.
06:20And tell me, whose decision is that?
06:24I think you should ask the director.
06:32Why do I have the impression that you were worried about that?
06:36Me?
06:37Yes.
06:39And I don't know where that impression came from.
06:55Bye.
06:57Bye.
06:59Freedom.
07:28Stop whistling like that.
07:31My brain is broken.
07:33Seljo, do you know that some people say that only bad people don't like music?
07:40That's music. It looks more like a door scratch than music.
07:44Oh God, what are you talking about?
07:46Who sings, doesn't mean evil.
07:50Don't you sing, buddy? You're whistling.
07:53No, that's not whistling, that's Slavoj Poj.
07:58Only if Slavoj is not dead.
08:01Come on, let Slavoj live.
08:03And eat that burek.
08:05And don't talk to the fat mouth of the peasant, fill your mouth.
08:08But how do I talk when I eat?
08:10Come on, don't tease me.
08:15What did you say that melody was called?
08:20Slavoj Poj.
08:22That's how Ljubinka and I met.
08:24That's the sign when she should come to see me in the mirror, and when I should come in.
08:30So you're talking, buddy.
08:32That's what I'm talking about. Those are the codes.
08:34You're here, and she's there in space.
08:37That means she hears you whistling.
08:42I don't really think she hears me now.
08:46I'm practicing not to be different from the real Slavoj.
08:50Why are you laughing?
08:52Wait a minute.
08:53Why are you laughing?
08:54That's the telephone sex.
08:58Telephone sex?
09:00Come on, don't talk to those full mouths.
09:03And wipe that greasy mouth.
09:04What telephone sex?
09:06We've refined ourselves.
09:07Telephone sex.
09:09Where's your phone here?
09:10What is it?
09:12I'm sorry to tell you where your phone is.
09:14Let me practice.
09:34Yes?
09:36Good evening.
09:40Good evening.
09:41Yes, exactly as agreed.
09:43In a second, exactly.
09:44What we agreed on, on a glass of wine.
09:47Yes, yes, yes.
09:50Here?
09:51Thank you.
09:52Here, take it.
09:53Thank you.
09:58I'd say, welcome, but your apartment, so...
10:02It's not mine, it's yours.
10:05See, when you're in the room, the room is yours.
10:09Really?
10:10In the name of the room.
10:11In the name of the room, cheers.
10:17Good.
10:18We'll have to lock the door.
10:20Why?
10:21Do you think we should lock it?
10:24I mean, I don't have to, but purely for your safety.
10:29I have to think of the world.
10:31My apartment will be safe for me.
10:36This wine is great.
10:38It's great.
10:39God, I can, I can choose anything.
10:43You can, God.
10:44I can.
10:45And you know what?
10:46I have to tell you.
10:47What?
10:48Men look like wine.
10:49Do they?
10:50The older you get, the better you get.
10:53Like a cat, huh?
10:55Here you go, cheers.
10:57That's what I'm telling you.
10:59Here you go, Mido Pianović.
11:00Mido, Mido.
11:01You know what?
11:02I notice that every morning when I wake up in front of the mirror.
11:05Is that so?
11:06Men look like wine.
11:07To hell with them!
11:09To hell with them.
11:23He did it on purpose.
11:25Of course!
11:26He transferred you to Senka so I wouldn't have to hear about you.
11:30What a horror!
11:32Yes.
11:33And you know what that means?
11:35That means that he started a counter-offensive.
11:40But let me tell you, I'll figure out how to get to him.
11:43He won't be able to do that.
11:45I don't doubt that.
11:47And I think he's starting to show his true colors.
11:49To whom? To you?
11:51Why should he show his true colors?
11:53But you took over the job while he was sitting at home
11:55worrying about his private life.
11:57That's right. You see how much the initiative in this company
12:01is worthless.
12:03I don't think so.
12:05No, no, no, he won't be able to do that.
12:07He won't be able to do that, Vanja.
12:11Do you think I have a fever?
12:13Well, you're a little hot.
12:15But that's because of stress.
12:17Stress? What else?
12:19I'm getting sick because of that man.
12:21Do you see that?
12:23Please tell me, what time is it?
12:25Too late.
12:27Too late? I'm working until late.
12:29I'm getting sick because of him and his games.
12:31But you didn't deserve it.
12:33I didn't deserve it, and you know what?
12:35I can't get sick now. I can't stay at home.
12:37I have to come here and work.
12:39Now is the key moment of the fight.
12:41I have to work.
12:43I really think it's smarter to go home and sleep.
12:45Yes.
12:47I need energy.
12:49Let's go.
12:51Wait, wait, wait.
12:53What's wrong with you, dear? I can walk.
12:55Wait.
13:01Wait.
13:11Are you crazy?
13:13I'm not crazy.
13:15I'm not crazy about you.
13:17Don't tell me that story.
13:19Don't tell me that story.
13:21I've seen you.
13:23Don't tell me that story.
13:25I've seen you.
13:27I'm not crazy.
13:29Don't tell me that story.
13:31She's a good woman.
13:33But she's not a woman.
13:35She's a man.
13:37A man-woman.
13:39She's not crazy about me.
13:41Why not?
13:43Don't tease me.
13:45That woman is a living fire.
13:47Maybe you don't understand it
13:49because you don't know her enough.
13:51But believe me, she's a living fire.
13:53I believe you.
13:55I'm jealous of her.
13:57She's acting like a man.
13:59She's not a woman.
14:01She's a lover.
14:03She's in love.
14:05I'm not jealous.
14:07I don't need her.
14:09What do you need?
14:11You're the woman
14:13who has everything I need.
14:15I'm the only man
14:17I have in my life.
14:19You want to play with me.
14:21You want to have fun.
14:23Why not?
14:25No, it's fun, it's fun, it's fun because it's fun for you, you know?
14:33Is that so?
14:34Well, if it's not fun, I wouldn't call it fun, you know?
14:37And when it's fun, we all have fun and we're all better.
14:41We don't care!
14:45Come on, come on, bite, bite, bite.
14:47But I enjoyed it.
14:49It was so good, you have no idea.
14:51Great, I'm telling you.
14:55Let's take a break.
14:57Yes, let's take a break.
15:03Well, Mido, let me tell you something.
15:05Please.
15:06You're dear to me, you know that, right?
15:08Really?
15:09But you, for a woman like me, you don't have any money.
15:14What are you talking about?
15:16There, I said it.
15:17I'm a woman who likes to enjoy life.
15:19I like to travel, I like to travel.
15:22I'm not saying that I'm putting together something,
15:24I'm not saying that I, as a woman, am thinking about expenses.
15:27I wouldn't think about it for a minute, you know, Mido.
15:30You think that Mido doesn't...
15:35Where are you going, Mido?
15:37Where am I going?
15:38I'm going to tickle you.
15:40Here, tickle me.
15:42Give me that scissor.
15:44Look how beautiful you are.
15:46Look how beautiful you are.
15:48I have so much money.
15:49Come on.
15:50I'd cover it all up.
15:52But it's all worth 500 euros.
15:54I like you.
15:55Like this.
15:56First like this.
15:57Then like this.
15:58And then like this.
15:59And then like this.
16:00And then like this.
16:01So you can walk for a million dollars.
16:05And then I'd lock you up in a bank.
16:07So I could keep you.
16:08And then 500.
16:21You know, I didn't even know it could be so nice to be in the mountains.
16:25It is.
16:27And in my village,
16:30there are parrots.
16:32And a cat in a cage.
16:34Mara.
16:36And Mlada.
16:37Where are you, kids?
16:38Where are you?
16:39Have you seen Mido?
16:40I need something.
16:41No.
16:42I don't know where that man is.
16:43No.
16:44I don't know.
16:45What can I do?
16:47Why are you nervous?
16:48Who, me?
16:49I'm always nervous.
16:50Of course I'm nervous.
16:52I can't sleep all day.
16:54Because I'm working, Milo.
16:56I'm thinking and thinking.
16:58Do you understand?
16:59Because I have you, Lezij Lebovic, in front of me,
17:01pulling on my neck.
17:03That's why I'm nervous.
17:04I'm nervous.
17:08And if you don't like it a little,
17:11Uncle Mido.
17:13Oh, yes.
17:16Milo.
17:17I know.
17:19You just said that.
17:20And never again.
17:22You won't make illusions on that account.
17:25Illusions?
17:26That's what I said.
17:27I'm ashamed of you.
17:28Do you even know what it looks like
17:30when I like someone?
17:33It's like you're walking in Golgotha.
17:35I know.
17:37I know, Pancic.
17:38I read you like a book.
17:39And you look at me.
17:40I know everything.
17:41I'm a man of blood and flesh, Pancic.
17:44If you talk to me a little,
17:46everything will be fine.
17:47Milo.
17:48Mind your own business.
17:50Don't think.
17:51You don't have the capacity.
17:53You have nothing to think about.
17:55Leave me alone.
17:56I was looking for Mido
17:57because we have an agreement
17:59for a combination that...
18:02What do I have to justify myself to you?
18:05Am I normal?
18:06Am I crazy about you?
18:07What's so funny?
18:08What is this, people?
18:10Oops, it's on fire.
18:12Where are you going?
18:13I'm not going anywhere.
18:14I'm going to change my clothes.
18:15Am I crazy?
18:16I'm crazier than you.
18:18There.
18:20God.
18:21What she said in the end
18:22was absolutely right.
18:24I love her a lot.
18:25She's so beautiful.
18:27And...
18:29While Mara's
18:31a cow,
18:32I'm a bee.
18:34Come on, Pancic.
18:35For real.
18:36And you and me,
18:37while Grandma's looking at us.
18:38That's not romantic.
18:44Oh, God.
18:45You're so broad.
18:46Next time you come,
18:48I'll hire a walker
18:49just for me.
18:51What did you say?
18:52What you heard.
18:53Get out of here.
18:54I can't spend the night without you.
18:56Listen.
18:57What?
18:58I'm elegantly filled.
19:00And you're overflowing
19:01with your own
19:02suburban superfluity.
19:04Without any consideration
19:05and movement.
19:06Oh, no.
19:07You know what you're saying?
19:08What?
19:09That you don't care
19:10about me at all.
19:11You know what you're saying?
19:12What?
19:13That I wouldn't
19:14throw you out of the house.
19:15Without a care.
19:16Do you hear me?
19:17Who are you talking to?
19:18You.
19:19You.
19:20You're talking to me?
19:21Shame on you.
19:22Shame on me.
19:23Shame on you.
19:24Come downstairs.
19:25Come on.
19:26What are you talking about?
19:27Come on.
19:28Come on, Pancic.
19:29Come on.
19:30Let's hear it.
19:35Middle class.
19:37Wait a minute.
19:38This is Gala's apartment.
19:41I know.
20:03I don't know anymore.
20:04I'm not...
20:05I'm not drunk.
20:06Here you go.
20:08Thank you, Mila.
20:09Thank you.
20:11Thank you for inviting me
20:12to the party.
20:13Thank you
20:14for the wonderful company.
20:16Your name.
20:24Here.
20:26I really liked the wine.
20:28Really?
20:29Yes.
20:30Is that because of work or...?
20:32Well, because of work,
20:33and because of...
20:34Because of work.
20:35And because of...
20:36I'm sorry.
20:37I have to hang up.
20:38I'm sorry.
20:39Bye.
20:41Tell me about the party.
20:44The studio is cancelled.
20:54Yes?
21:00Hi, Milena.
21:05Is everything okay?
21:10I think you need to know something.
21:13What?
21:17You need to watch out for the noise.
21:35What?
22:02What the hell is going on here?
22:05As far as I can see,
22:06it's some serious business.
22:07No, no, no, no.
22:08It's not that.
22:09You think I just checked
22:10the battery?
22:12Oh, yes, the battery.
22:13Two legs and two arms, huh?
22:15Did the battery give you
22:16too much wine?
22:17Women, leave me alone.
22:19I changed the battery this morning.
22:20Now they checked it
22:21and offered me a glass of wine.
22:23Let me pass.
22:24Get out of here.
22:25Shame on you, Milo.
22:26You're acting like some
22:27climacteric chick.
22:28You're chasing
22:29these young whores.
22:30What do you want?
22:31To break your belly?
22:32To make a coup here?
22:33Is that it?
22:34Do you want to be ashamed?
22:35I'm going to make a coup.
22:38Shame on you, Milo.
22:40I brought you here.
22:41What are you doing?
22:44Go do your own job.
22:45Live your life.
23:05What do you think about the refusal?
23:07The owner raised
23:08the purchase price
23:09by 30%.
23:11What are you talking about?
23:14I can't believe it.
23:17I'll call you later.
23:19Are you okay?
23:20No.
23:21What happened?
23:23The studio refused us.
23:25The studio refused us?
23:26Yes.
23:27How can the studio refuse us?
23:29The owner raised
23:30the price by 30%.
23:31He raises the price
23:32if we agree on one price.
23:33How does he raise the price?
23:34I don't know.
23:35Do I have to call Aleksija?
23:37Please call him right now.
23:39I can't believe it.
23:41It's impossible for someone
23:42to raise the price.
23:43If you agree on a price,
23:44you can't...
23:45I'm sorry.
23:46It's okay.
23:47It's not your fault.
23:48No, no.
23:49This is my mistake.
23:51Okay.
23:52We have to go.
23:54I'm going to pay.
23:55Tell Paolo
23:56to come to the studio.
23:57I'll call Aleksija.
23:58Okay.
24:00I can't believe it.
24:01I can't believe it.
24:03I can't believe it.
24:04I can't believe it.
24:12In what way do you think
24:13I should pay attention to Una?
24:17Una thinks that you and Andrea
24:19have some relationship,
24:22apart from a business relationship.
24:25We're lucky.
24:27At first I thought
24:28she was amorous,
24:29but then I realized
24:30that there's a bigger problem.
24:33Bigger than Ljubomor?
24:36Yes.
24:41She thinks you're manipulating Andrija.
24:44Oh my God, she's already taken the bait.
24:47Okay, I shouldn't have told you this.
24:50What's wrong with you?
24:52How much do we know each other?
24:53Of course you're going to tell me.
24:55No, no, no, this isn't right.
24:56I just violated the codex.
24:58Patients need to trust me
25:00if I think this makes sense.
25:02Milena, you're alive, you have a friend.
25:04Please calm down, it's me.
25:07Because you're my friend.
25:09Please, be careful with this information.
25:13Don't let it seem like I'm...
25:15Of course not.
25:19And thank you for worrying about me.
25:24Does Una often talk about me at the sessions?
25:36That's all I'm going to tell you.
25:39You've told me enough.
25:53I'm sorry.
26:01I barely made it.
26:05It's okay, everything's fine.
26:08What happened?
26:09Wait a minute.
26:10What is it?
26:11Wait.
26:15Now everything's fine.
26:24Ljeposava, what do you want from me, woman?
26:29Don't be crazy.
26:32You've been crazy your whole life.
26:34You're obsessed with work.
26:36You wanted to be successful.
26:39Who knows what you've been up to?
26:42Ljeposava, I'm just trying to be a good host.
26:47Do you understand?
26:48I'm really trying to change that battery.
26:51You're a good host.
26:53I didn't know.
26:54We've become a mess.
26:56Do you want to put your services at a price?
26:59Come on.
27:01Ljeposava, what are you talking about?
27:03This conversation doesn't make any sense.
27:06It does.
27:07Do you know why?
27:08Why?
27:09Because I'm going to drink your blood.
27:12Because you drank mine?
27:14Don't change the subject.
27:16Ljeposava, she's just a young, crazy woman.
27:20Calm down, please.
27:21I was crazy too.
27:24You seem to like it.
27:27Tell me, do you like her?
27:30Ljeposava,
27:33I'm telling you nicely,
27:35as a man to a man.
27:38Stop it!
27:40We're divorced anyway.
27:42This conversation doesn't make any sense.
27:44Ljeposava,
27:45I don't care who likes you.
27:47What do you care?
27:49Who likes me?
27:50Get out.
27:51What?
27:52Get out.
27:53I'm not going to see you.
27:54Get out.
27:55Run.
27:56You're crazy.
27:57Get out.
27:58Let me go.
28:10About our future together.
28:13About passion,
28:15about love,
28:17about traveling.
28:21Okay.
28:23Sweetheart, we need to
28:26be patient, you know?
28:29Because you see the situation.
28:31We need to put everything together
28:33and then we'll think about it.
28:36Those who don't have ambitions
28:37have thought about it patiently.
28:40Take me somewhere.
28:55The owner decided to raise the price of the apartment,
28:58because it's obvious that
29:00we don't have much time
29:01to find a new space,
29:03so the rent would only complicate things.
29:06That's the situation now.
29:10I'm very sorry
29:12for everything that happened.
29:14It's my fault.
29:16It happens.
29:18What can we do?
29:31Get out.
29:32Get out.
29:33Get out.
29:34I'll kill you.
29:35Get out.
29:36Wait.
29:37Calm down.
29:38Calm down?
29:39No one,
29:40no one is normal, man.
29:42Not you, Skosmaj,
29:43not these Belgians.
29:45You are always in my sight.
29:47Always.
29:48Focus on the important things,
29:50on the money I promised you,
29:51the money you want.
29:52Look what he's talking about.
30:09Eat.
30:27You're gonna cheat, Sam.
30:39We'll manage to not get in trouble, ok?
30:41Ok, guys, take it easy now, really.
30:43Don't let me distract you.
30:45Ok, ok, yes, yes, don't distract us,
30:47but you tell us what to do,
30:49because the two of us are under tension,
30:51so we can't do it.
30:53Take it easy, no one said anything.
30:55I just want to say that now
30:57we're talking about who's to blame,
30:59who's not to blame,
31:01in the end, it doesn't even matter.
31:03What we need to do now is to agree
31:05on what we're going to do at all.
31:07Are we going to accept Paolo's proposal
31:09or not, that's the question now.
31:23First, at a good time.
31:32Oh, good morning, Panchetta.
31:35Good morning, Mido.
31:37What is it?
31:52Migo, how's work?
31:54Let me tell you,
31:56boring.
31:58I don't feel like it, but I have to.
32:00What can I do?
32:02She didn't say it was boring.
32:04On the contrary,
32:06I would say it's very dynamic.
32:08Believe me, she's not right.
32:24No, man,
32:26if I heard something like that,
32:28I would immediately
32:30talk to you.
32:32You'd better do that,
32:34because if you knew,
32:36and you didn't say it,
32:38I'd pluck your eyebrows.
32:50Why, exactly?
32:52Tell me.
32:54Because I fell for it
32:56and because of the whole situation.
32:58Please,
33:00don't get carried away by these things,
33:02all right?