Igra sudbine 1145 Epizoda - Igra sudbine 1145 Epizoda
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00:00It's all going according to plan and as it should be.
00:11I'm glad it is. You know I didn't doubt you, Vojta.
00:15We can't wait to finish.
00:17We miss you, Aleks.
00:19We'll be back soon.
00:21I can hear in your voice that not everything is OK.
00:24Let's say there were some difficulties, but nothing we can't solve.
00:30I'm a bit tired.
00:32How's the collection going?
00:34It's going great.
00:36That's good to hear.
00:40I have some good news for you.
00:43Come on, tell me.
00:45Lenka is pregnant.
00:47Wait, how come all of a sudden?
00:49It's not all of a sudden.
00:51I'm asking you, Aleks.
00:53Since when do you know?
00:55Since a few days ago.
00:57Did you talk about the wedding?
00:59OK, I haven't thought about it yet.
01:01Let's talk about it later.
01:03You should solve that issue as soon as possible.
01:05OK, OK, I'll talk to Lenka.
01:08Tell me, how's Luka?
01:10He's working.
01:12He's doing well.
01:14Take care, Aleks.
01:16See you.
01:18Bye.
01:21Bye.
01:47Cheers.
01:49Cheers.
01:56This is what I'm talking about.
01:58Do you understand me?
02:00Civilization.
02:02Civilization.
02:06Fresh air.
02:08Do you understand me?
02:10I do.
02:12Why are you laughing?
02:14It's not funny.
02:16Do you want to say that I'm crazy?
02:18What?
02:20Why are you laughing?
02:22I wouldn't say that you're not crazy.
02:27Do you mean Ljubinka?
02:29Yes, I mean Ljubinka.
02:31She's really beautiful.
02:33She has some attributes.
02:35OK, I'll work on her a bit more.
02:37But this animal, cave man...
02:40Which one?
02:42This one.
02:44This forest man.
02:46Gorilla, yeti,
02:48connected to Frankenstein.
02:50What a madman.
02:52A madman with an axe.
02:54My friend.
02:56It's not up to him.
02:58It's up to you.
03:00Up to me?
03:02Why is he all that?
03:04When you mess with the peasants, that's how it is.
03:07Peasants?
03:09What?
03:11She's young.
03:13With blue eyes.
03:15She's not a peasant.
03:17She's a pianist.
03:19Don't get offended.
03:21We're not offended.
03:23I know what it's like to be from the mountains.
03:26I know what it's like to be a peasant's child.
03:29And believe me, Ljubinka,
03:31and that Mila Kupus,
03:33they're all peasant's children.
03:35Where did you get the cabbage from?
03:37You already mentioned it.
03:39I'm asking you, where did you get it from?
03:41Fool.
03:43Fool.
03:45He could get
03:47500,000 Australian dollars
03:49if he got married.
03:51And he didn't.
03:53Who?
03:55Mila Kupus.
03:57He's a man from the city.
03:59He'd never miss it.
04:01How do you know that?
04:03I know.
04:05I found it in the will.
04:07What?
04:11Imagine.
04:13500,000 kangaroos.
04:15What?
04:17Give me that money, man.
04:19I'll get married right away.
04:21With you.
04:23And...
04:25And a koala.
04:27And a kangaroo.
04:29Really?
04:31Go.
04:33Okay, okay.
04:37Do you know how happy I am?
04:39I can't stop smiling
04:41since Aleks told me
04:43Lenka is pregnant.
04:45Yes, Olga, yes.
04:47I believe you.
04:49I know.
04:51I know everything.
04:53Bravo, grandma.
04:55You're shining.
04:57You're shining.
04:59Do you see how strange it is?
05:01I'm happy,
05:03but at the same time
05:05I'm in disbelief.
05:07Okay, Olga.
05:09It just means that happiness is the greatest.
05:11That's how it is for you.
05:13I don't know how I have another child
05:15all of a sudden.
05:17I mean, I didn't expect it.
05:19I'm sorry.
05:21What do you have to expect or not?
05:23It's not hard for you.
05:25We'll have to explain it all to Lule.
05:27You know?
05:29I really don't want him to feel
05:31that he's being set up or to lose all his attention.
05:33Yes, of course.
05:35Just take it easy.
05:37Take it easy.
05:39Everything is in its time.
05:41Wait, what do you mean?
05:43Is something wrong?
05:45No, my dear.
05:47Everything is fine.
05:49There are no problems.
05:51I just want us to let
05:53time pass
05:55so that they both agree.
05:57You know?
05:59We'll tell Lule
06:01and Lule.
06:03Don't worry, don't worry.
06:05What's there to agree on?
06:07Look, Olga.
06:11This is just the beginning
06:13of the difficulty.
06:15Let things lie for a while.
06:17Let some time pass.
06:19You know, let it be a little jittery.
06:21They haven't been together for a hundred years.
06:23I'm not saying anything.
06:25I'm just saying.
06:27There's time. Take it easy.
06:29You're right, I understand.
06:31But it's definitely not easy
06:33after all.
06:35I mean, there are a lot of challenges
06:37ahead of them, from the collection and so on.
06:39There you go.
06:41You see how you know everything.
06:43Come on, Olga.
06:45Bye.
06:47See you.
06:51Come on.
06:59Don't look at me like that.
07:01Don't look at me like that.
07:03Why are you looking at me like that?
07:05Nothing. I'm thinking.
07:07I'm coming up with some ideas.
07:09Listen, please,
07:11don't ever come up with ideas.
07:13I will.
07:15Maybe it's not a bad idea
07:17for you to get married
07:19to that couple.
07:21Maybe you're right.
07:23What are you babbling about, boy?
07:25What are you babbling about?
07:27What are you babbling about, boy?
07:29What are you babbling about?
07:31You need to get married
07:33to Mileta Kupusa.
07:35Come on, boy. Are you crazy?
07:37I'm fed up with you.
07:39Why would I get married to her?
07:41Believe me.
07:43He needs to get
07:45500,000 Australian dollars
07:47if he gets married in the next six months.
07:49But it doesn't say
07:51who he's supposed to marry.
07:53And you know that 100%?
07:55I don't want to violate his will.
07:57Listen, boy.
07:59Let me tell you something.
08:01I'm violating your brain.
08:03And I can tell you right away
08:05that you're a pig.
08:07Why?
08:09You're a pig. You're not good.
08:11And here's some water
08:13so I can beat you up
08:15with those devilish ideas.
08:17Why?
08:19It's the same today.
08:21Did you say you're a man of civilization?
08:23I'm a man of civilization?
08:25You think I'm asking you
08:27if you're a man of civilization?
08:29Why?
08:31Because it's so good.
08:33Why don't you do it?
08:35Because someone needs to make a business plan.
08:37I made it.
08:39You?
08:41You get married to Mileta Kupusa.
08:43You split it in half.
08:45And I take 20% from each of you.
08:47What do you say?
08:49You know what I say?
08:51Or should I take out a gun
08:53and put it in your head
08:55so I can shoot you?
08:57Come on.
08:59Don't tell me that.
09:01We said he's a man of civilization.
09:03He'd never miss that.
09:05Think it over
09:07and I'll call you.
09:09It's a lot of money.
09:21How was the therapy?
09:23It was...
09:25ordinary.
09:27Ordinary?
09:29When you've been to therapy
09:31you know it's ordinary.
09:35This doesn't have to turn into a fight.
09:37It doesn't have to.
09:39And we don't have to talk about it
09:41if you don't want to.
09:43It's completely legitimate.
09:45I don't want to.
09:47I don't want to.
09:49If it's legitimate.
09:51On the contrary.
09:53If you're interested,
09:55I can tell you something.
09:57I'm listening.
09:59Tell me,
10:01do you mind
10:03that I'm
10:05a powerful man?
10:09Hm?
10:11Do you mind that I'm a powerful man?
10:13Why would I mind?
10:15I don't know.
10:17I'm just asking.
10:21I mind
10:23your dominant behavior.
10:25Not that you're powerful.
10:29Isn't that the same?
10:31Powerful, dominant?
10:33No.
10:35Dominant is the one who shows power
10:37but doesn't make it powerful.
10:39So I show power.
10:41You show power.
10:45You know how to behave.
10:51How do I show power to you?
10:53How does it manifest?
10:57By helping everyone
10:59and for everyone's sake.
11:05I don't understand.
11:07You didn't need help.
11:11Tell me.
11:13You had everything.
11:15You didn't need anything.
11:17You didn't need help.
11:19And I actually
11:21offered you
11:23my help.
11:25As far as I understand.
11:27Right?
11:41Hi.
11:47Jackie.
11:53Yes, yes.
11:57Hello, baby.
11:59Where are you, baby?
12:03Here I am,
12:05trying to figure out
12:07where to put this meat.
12:11What meat?
12:13This?
12:15This is...
12:17What?
12:19Pancetta didn't tell you?
12:23Pancetta is crazy.
12:25Listen,
12:27this is Pjanovic's apartment.
12:29He has his own bakery
12:31and he's opening
12:33his exposition here in Maldives.
12:41Okay, baby, don't be afraid.
12:43It's not that bad.
12:45It doesn't have to be bad.
12:47Because
12:49he will solve our problems.
12:51He will
12:53fix us up a bit.
12:55And we will
12:57sell him his
12:59meat in a deal
13:01with Pancetta.
13:05Well,
13:07I'll have to tell you
13:09Pancetta.
13:11Yes.
13:17I'll have to
13:19solve your problem.
13:21Section
13:23170.
13:39Yes, I needed help.
13:41But I still feel
13:43uncomfortable because of it.
13:45Then it's your fault.
13:47It's not just my fault.
13:49You helped me too much.
13:53Too much?
13:55Yes.
13:57How can someone be helped too much?
13:59It simply doesn't exist.
14:01Yes, it exists.
14:03Or at least it exists in this relationship.
14:05I feel that way all the time.
14:08Andrija,
14:10we should be equal,
14:12but we are not.
14:14You knew that.
14:16How can I pretend to be someone else
14:18overnight?
14:20I knew that, but I thought
14:22that this relationship
14:24would make it worse.
14:26Hey, Una.
14:28I've been
14:30a strong man
14:32for years.
14:34How can that make it worse?
14:36Tell me.
14:38It can. Easily.
14:40How?
14:44Just be a little soft towards me.
14:48Okay.
14:50How?
14:52Okay, if I have to draw you...
14:56Draw me.
14:58For example,
15:00when I have to say
15:02when you gave me a flower for the last time.
15:04I didn't give you everything in life.
15:06Andrija, that's not the point.
15:10What? Okay.
15:14Like this.
15:16You didn't want
15:18to have sex with me
15:20because I was
15:22still a strong man.
15:24And Milena didn't believe me
15:26when I told her that.
15:30Okay.
15:32So, you want to call Milena
15:34so you can talk to her?
15:36You know how much
15:38Milena and strong men bother me?
15:42Really?
15:44How do you know that?
15:46She told you during the session.
15:48I concluded it myself.
15:50Maybe she just didn't feel
15:52strong people on her skin.
15:54Unfortunately, you won't either.
15:56At least not for a while.
15:58What does that mean?
16:02Are you scared?
16:04Andrija, we can't...
16:06Andrija!
16:08Andrija!
16:38Nice to see you.
16:40What a night!
16:44This was unforgettable.
16:50Where have you been?
16:52That was good.
16:54I'm a talent for unforgettable nights.
16:56On the other hand,
16:58I'm a hunting talent.
17:00I'm a scout.
17:02As such,
17:04I will keep you
17:06for the next 16 years.
17:08That long?
17:10If you count the first 17 years.
17:12Okay, I won't be in a hurry.
17:14You won't be in a hurry.
17:16You won't be in a hurry.
17:18Look at this mess.
17:20I've never imagined
17:22that this would happen to me.
17:24What would happen to you?
17:26What would happen to me?
17:28That I would come to Italy,
17:30that I would make a project
17:32of my life here,
17:34all of that
17:36and
17:38everything else.
17:40What did you get? A drunkenness?
17:42Don't talk like that.
17:44A drunkenness,
17:46among other drunkenness,
17:48I got
17:50a woman like this.
17:52A woman of my life.
17:54I'm not used to
17:56talking nicely to you.
17:58I always talk like this.
18:00No one listens to me.
18:02I'm not drunk.
18:04You're drunk.
18:06I have to thank you.
18:08You saved
18:10our project.
18:14No problem.
18:16It's my job.
18:18You're doing a great job.
18:20You're doing a great job.
18:22You're a workaholic.
18:24Really?
18:26Yes, a workaholic.
18:28You opened the way
18:30to the stars.
18:32You opened the way to the stars.
18:34I'm here,
18:36and I have to look at the stars
18:38to see where we are.
18:40And that's because of you.
18:42You're infinitely precious.
18:44I don't know.
18:46You're infinitely sweet.
18:48You're infinitely naive.
18:50You're infinitely
18:52spiritual.
18:54I don't know if I can
18:56thank you enough.
18:58Let's go to the room over there.
19:00I think it's best this way.
19:02Yes, let's go.
19:04We're full of dynamite.
19:06We're full of dynamite.
19:08We're full of dynamite.
19:28What?
19:30You're upset?
19:32No.
19:34I'm not.
19:36Maybe a little.
19:38What if...
19:40What if?
19:42We've only got 20 days until the Fashion Week.
19:44Everything is almost ready.
19:46Yes, the collection is ready,
19:48but we have to organize the after-party.
19:50The invitations are not stamped,
19:52so you don't know how much it will cost.
19:54I know, Aleksandar.
19:56That's it, isn't it?
19:59Okay, let it go. Tell me,
20:03do you can't wait to show the world what Ada dreamed of?
20:08You can't imagine how many years.
20:11Yes, I really hope for a great success in the collection.
20:15Yes, but not only the collection, but also well-organized negotiations.
20:19Okay, slowly, slowly.
20:21Man, we've done most of the work.
20:23Give yourself a little space to enjoy it, to be satisfied.
20:27We'll sell the collection,
20:29but the main thing is to make good deals with those fashion houses.
20:33Okay, okay, and if we don't make it, what now?
20:36We have to make it, there's money.
20:38There's money.
20:39I know, okay.
20:40Everything will be okay.
20:42When I tell you, everything will be okay.
20:44I'm sorry.
20:46I'm sorry, we have some more important things to talk about.
20:50Yes, so I was a little busy.
20:54And I thought I'd organize a romantic dinner for us.
20:57Yeah?
20:58Yes.
20:59Okay.
21:00That's the woman.
21:15How much I envied you for being there in Kosmaj, in the fresh air.
21:19Well, you have nothing to envy us for.
21:21We weren't there for a day or two.
21:23Yes, there was a rush, there was always a rush.
21:26And I'm sitting here, in this gloomy Belgrade,
21:29and I'm thinking, they're sitting by the pool, enjoying themselves.
21:33Yes, there was enjoyment.
21:35There was, there wasn't, there was.
21:37And you didn't really turn black.
21:40No, I didn't.
21:42Well, I don't like, I don't like to get dirty.
21:44No.
21:45She didn't get the color, but she lost her head for a little bit.
21:51Seriously, in the end it was like in the Wild West, right?
21:54Yes, I know, I heard everything.
21:56But let me tell you, it was crowded here too,
21:58just that the weapons didn't move.
22:00Really?
22:01There was a rush here too?
22:02As much as you want.
22:03Really?
22:04Wait, and who did you hang out with?
22:06Well, that damn Paljba, everyone with everyone.
22:10Talk, Bobo, talk.
22:12You know what, the less you know, the better for you, trust me.
22:15Well, yes, I totally agree with that.
22:17I, I never like to get involved in other people's conflicts.
22:21Well, you don't like to get involved, but you're definitely going to get involved,
22:24so it's better for you to speak up right away,
22:26so that we are informed, so that we are informed.
22:28Oh, Dobrice, Dobrice, you've always been too kind.
22:30Yes, thank you.
22:31Vazda, Leonza, Bada, Nosu, every story, it's a miracle.
22:35Yes.
22:36It's not true.
22:37No.
22:38It's not true!
22:39Because I'm very discreet.
22:41Well, okay, then let it stay that way.
22:43Come on, now, get out, I have to work.
22:46Well, look, we have to, too.
22:47We have to, too.
22:48What is it?
22:49We have to, too.
22:50We definitely have work to do.
22:51Come on.
22:52What work?
22:53Work?
22:54Wait a minute, let's get some more rest,
22:55let's slowly go back,
22:56we don't have to stop abruptly, you know?
22:57Slowly, so we had a nice rest on that Cosmo,
22:59so now let's continue to rest a little more.
23:02You got a little drunk, if I may say so.
23:06I can't hear you,
23:07all that water from the pool is still in my ears,
23:10I can't hear you.
23:12You noticed it well,
23:13because there was no piglet more than once a day.
23:16Come on, okay, what now,
23:17a little diet, detox,
23:18and that will pay off.
23:19Okay, but first, work, come on,
23:21come on, let's go, get up.
23:22Oh, God, you're boring,
23:23I'm tired of work, work.
23:24Come on, why are you sticking to that chair?
23:25Who drives slaves,
23:26so what,
23:27that's what you got drunk for,
23:28you see what you got drunk for?
23:29Come on, I have to work,
23:30and remember,
23:31just look in your yard.
23:33Eh, tell this to this gentleman,
23:35you don't have to tell me.
23:36What do I have to do with it?
23:38Come on.
23:39He's playing music,
23:40and I have to go.
23:41Oh, come on,
23:42you have to work.
23:43I have to go, work, work.
23:44Bye.
23:55Come on, again.
23:59I like it a lot,
24:00it's really nice.
24:02Very nice,
24:03like, I don't know,
24:05from Spanish movies.
24:06Spanish movies.
24:08That's it.
24:10What don't you know?
24:11Who am I asking?
24:12What do you know about Spanish movies?
24:14Look at it.
24:16Beautiful, beautiful showcase.
24:17Well, it reminds me of someone
24:18who works here,
24:19who's an employee.
24:22I wonder if there will be
24:24live pig heads here,
24:27and heads.
24:28What?
24:29Live heads and heads of pigs,
24:31will they be there?
24:33Am I participating in some kind of stupidity?
24:37Am I here in some kind of stupidity quiz?
24:40What are you doing?
24:41What are you doing?
24:43It will be fine.
24:45Pig heads,
24:46ready to be served.
24:48Pig heads.
24:49Pig roast,
24:51in chocolate.
24:52What kind of chocolate?
24:54Look, get a grip, please.
24:56That's a pig,
24:57cleaned from the bone,
24:59pressed, baked.
25:00It's in chocolate.
25:01Don't be stupid, there's no chocolate.
25:03You're talking nonsense.
25:04Listen to me carefully.
25:06In the shape of a pig,
25:09cut into pig heads.
25:11Do you understand?
25:12Didn't that come to your mind?
25:14And ready to be served.
25:16It didn't come to my mind.
25:17It didn't come to your mind
25:18because there was nothing
25:19that would come to your mind.
25:21But if you pass me a monkey,
25:22it will come to your mind.
25:23You'll call her.
25:25She'll come.
25:27She's calling you.
25:29Why didn't he call me?
25:30He didn't call me.
25:32He's mad.
25:33He's mad.
25:35Because no one consulted him
25:38about the new concept in Maldives
25:40and he didn't inform anyone.
25:42Really?
25:43Yes.
25:44What are you saying?
25:46That's too sweet.
25:47How can I inform him?
25:49Tell me how to inform him.
25:50I can't even call him.
25:52I'm waiting for him to call me.
25:55Do you understand?
25:56How can I send him smoke signals?
25:58He'll receive them
25:59while he's squatting on the beach.
26:02But...
26:03He'll receive the signals.
26:05But...
26:06No buts.
26:08While I'm here,
26:10while I'm working,
26:12working hard,
26:13working on innovations.
26:16There's no one to ask,
26:17just me.
26:18Tell me Marica,
26:19what should I do now?
26:21What should I do
26:22about what you forgot?
26:24That's it.
26:25I'm going to do
26:26what I forgot
26:27and I'll be back.
26:30Okay.
26:44This is for the head.
26:55I'm coming.
27:03Wait.
27:04Let me go.
27:05Don't.
27:06You started first
27:07and now I'm here.
27:12Laura, I'm sorry.
27:13Luka, can you come here for a second?
27:16I'm coming.
27:23I'm coming.
27:26I'll be right back.
27:45Hello, Tico.
27:49What?
27:50Homer, no...
27:55What does that mean to you?
27:57What does that mean to you,
27:58Tico?
27:59What mess?
28:14Hello, Miki.
28:15Where are you?
28:17I didn't want to call you
28:18so I gathered the material.
28:19Okay,
28:20don't keep me in the dark anymore.
28:22I already sent you the photos.
28:23You didn't see them.
28:30I'm not quiet,
28:31I'm listening to you.
28:33I have no reason
28:34to go crazy.
28:36You know,
28:37I don't open
28:38any mess.
28:40And I don't know
28:41what that means to you.
28:42You're lucky,
28:43dear mess.
28:45Yes.
28:47Yes.
28:48You know what, my dear?
28:50I'm just trying.
28:51I'm giving everything I have
28:53for Moldova to be
28:55an attractive place.
28:57That's right.
28:58Attractive.
29:12Hello.
29:13Hello.
29:15Am I bothering you?
29:17No.
29:18How can I help you?
29:22I would like to ask you
29:24a private question
29:25if it's not a problem.
29:29Okay, in this company
29:30everything has become
29:31a private question,
29:32so
29:33just go ahead.
29:45Where are you from, Mravica?
29:47I'm finishing something
29:48in the city,
29:49so I thought
29:50I'd come back
29:51to see the place
29:52and see how you are.
29:54You know,
29:55what's wrong with you?
29:56What?
29:57What's wrong?
29:58You look different
29:59to me than in the salon.
30:02What do you mean different?
30:03Like what?
30:05Don't be offended,
30:06but you look like a hipster.
30:09Mravica Debeljko.
30:14MRAVICA DEBELJKO
30:24I talked to him,
30:25so we'll see.
30:26Okay, you talked to him,
30:27but look at the time.
30:30So?
30:31He's still not here.
30:34I'm starting to lose my mind.
30:37Why?
30:38Because I told you
30:39about the problem
30:40between him and Maura,
30:41and now you're getting
30:42on my nerves.
30:55Good afternoon.
30:58Good afternoon.
31:03Today we can start
31:04by having you tell me
31:07what you want us to talk about.
31:09Well, today I don't want
31:10to talk about anything.
31:14We're not going to keep quiet, are we?
31:16Oh, no.
31:17Believe me, we're not.
31:30Formally, legally,
31:31she's not the owner.
31:34How could she agree
31:35to a partnership
31:36and all that?
31:39Come on, Mravica.
31:41I'm asking you something.
31:43Did you come here
31:44to drink coffee
31:45with a drunkard
31:46or with a drunkard?
31:59For you, Andrija.
32:00Who would it be for?
32:02God, what a beautiful bouquet.
32:04Look at it.
32:06Beautiful.
32:07It's really beautiful.
32:09With taste.
32:13Who is it from?
32:15Could you please go
32:16to my office
32:17and wait for me there?
32:32I don't understand.
32:33Are you explaining to them
32:34the obstacle?
32:35Of course,
32:36there is no intimacy
32:37between him and me
32:38because around him
32:39there are constantly
32:40those women.
32:43Aha.
32:59Please.
33:01Oh, Pancetta,
33:02the house is old.
33:03What's new?
33:04What's new, huh?
33:06Here I am in Maldives.
33:08Is that your house?
33:10Why did you send me Mravica
33:11here in Maldives?
33:13He made me Debeljka and Mileta
33:14with your brandy.