Igra sudbine 1148 Epizoda - Igra sudbine 1148 Epizoda
Igra sudbine 1148 Epizoda - Igra sudbine 1148 Epizoda
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đź“ş
TVTranscript
00:00...
00:07...
00:13She's not answering…
00:16We're screwing the phone for nothing.
00:18She hung up and she isn't answering, that's all.
00:20But she's so crooked…
00:23more crooked than I could've ever thought, I have no faith in this.
00:27So, we have to find another solution to convince her somehow.
00:32You think we're cheating?
00:35That's what you're saying.
00:37No, no, no, wait, wait. You know what I was thinking?
00:40I was thinking that maybe it's a better solution
00:44if we overcome our fear and really get married.
00:48I am for that.
00:50Really?
00:51Yes.
00:52But I think that's the hardest option
00:56because we need to think of a better solution.
00:59Yes, yes, you're right.
01:01We need to think of a better solution.
01:03Where are you?
01:05I'm here.
01:06My dear, where are you?
01:09Hey, man, I think you've got a visitor.
01:12Let's go.
01:14What's up?
01:15Listen, I heard about my aunt from Australia.
01:20She's rich and has a lot of money.
01:22I need to inherit a lot of money from her.
01:25But she's looking for some additional information
01:29and she's a bit of a snitch.
01:32Really?
01:33And you know what?
01:34I suggest you call her and tell her
01:37that you're a friend of Mileta Kupus.
01:40Don't call her Kupus, she doesn't know who Kupus is.
01:43And tell her that you're a friend and that we're getting married.
01:49You're a snitch.
01:51A Montenegrin snitch, you know?
01:54I mean, she can, but she's 10% of mine.
02:013%, that's a lot.
02:0315%.
02:045%.
02:0710%.
02:08Okay.
02:14Come on, let's go.
02:15Sorry, auntie, we're wasting time.
02:24Hello, Senka.
02:25Hello.
02:27Are you working?
02:29As always.
02:30I won't keep you long, I just need one piece of information.
02:34Go ahead.
02:36Is it true that you checked the Belgrade Apartments company?
02:41Yes.
02:42Why are you interested in that?
02:43I'm interested in whether that information is true.
02:46It is.
02:47Did you do it under Andrija's order?
02:49Yes.
02:50Is it true?
02:51It is.
02:52Did you do it under Andrija's order?
02:55Of course, I always do it under his order.
02:58That's fine.
03:01You came to tell me that it's fine that I do it under my boss's order, right?
03:06It's good for you.
03:08I hope so.
03:10But in the next period, he'll need your full assistance and your blind loyalty.
03:16What do you want to tell me?
03:18What do you want to tell me?
03:20I want to tell you that arrogance is the beginning of the end of all great people, Senka.
03:25What exactly is the connection between your great wisdom and this story?
03:29Oh, there is.
03:30There is.
03:31Andrija has always been arrogant.
03:33Especially lately.
03:36There.
03:37That's it, Senka.
03:39Thank you.
03:40You're welcome.
03:48Hello?
03:53Hello?
03:55Andrija, she was at the office just now.
03:57What did she want?
03:59She was acting strangely. I think she tried to threaten me.
04:01Do you have any idea what's going on?
04:03Senka, how many times have I told you not to pay attention to small provocations?
04:08It didn't look that way to me.
04:10She always looks that way.
04:12Sorry, I have to go. I'm leaving the office.
04:15All right.
04:18Hello?
04:29Hello?
04:30Hello?
04:31Hello, auntie.
04:35Melania. Good afternoon, auntie Melania.
04:38This is Nenad Seljanovic.
04:41Mileta's friend.
04:43Waiting for you.
04:45What are you waiting for, friend?
04:47We're waiting...
04:48We're waiting for the wedding.
04:50We're waiting for the wedding, auntie.
04:52But before we get him married,
04:56Mileta has to pay me back the debt.
05:01We've heard that it's going to be that money from the inheritance,
05:05so if we can finish it somehow,
05:07so he can pay me back that money.
05:10Then wait another six months.
05:13I would wait, auntie, I would wait.
05:16Who would I wait for, if not my ex-husband?
05:19Well, ex-husband is not a debt.
05:21But, auntie...
05:25I owe money, auntie, to these greengrocers.
05:31To the greengrocers, auntie.
05:33They are dangerous guys.
05:35They are my friends.
05:37They sent me to jail. Believe me, auntie.
05:40They want to cut off my fingers.
05:43I feel sorry for my fingers,
05:45because I'm a pianist, auntie.
05:49You're taking my money.
05:54Money, auntie, we thought...
05:57Who wouldn't, if not auntie?
06:00Right?
06:01Aunties are kind.
06:03Aunties are gold.
06:04Aunties are angels.
06:06My auntie.
06:08Let me tell you.
06:10My auntie raised me.
06:12She raised me from a kilo of meat.
06:15When I was little, she gave me everything.
06:18She gave me money,
06:20even when I didn't have any.
06:22She bought me...
06:23First, she bought me food.
06:25She bought me a car.
06:28She gave me everything, auntie.
06:31And she took me everywhere.
06:34She took me to weddings.
06:37She took me to funerals.
06:39She took me to baptisms.
06:41She took me to all kinds of funerals.
06:44Thanks to my auntie.
06:47I'm so glad for your auntie and you.
06:50When she's so good,
06:52let her give you back your debt,
06:54until Milena gets married.
06:56Hello?
06:57Hello?
06:58No.
06:59Auntie?
07:00I'm awake.
07:02What's this, auntie?
07:04She's mad.
07:05You can't talk to her like this.
07:08What happened?
07:09You're not a normal person.
07:11She took my money.
07:13You're exaggerating.
07:15Let her go.
07:16And now?
07:17Let her go.
07:18You're driving me crazy.
07:20Why am I driving you crazy?
07:22Calm down.
07:23Take me to her.
07:24Give me a Montenegrin beer
07:26so I can calm down.
07:28Your nonsense.
07:30You can't get along.
07:32Give me a whiskey.
07:34Easy, easy.
07:35What are we going to do?
07:36Easy, we'll fix everything.
07:38I think I...
07:40You're crazy.
07:42You're crazy.
07:53What do you want to talk about today?
07:56Women's ungratefulness.
07:58What about ungratefulness?
08:00Okay, okay, I mean...
08:02It's not all black and white.
08:06But this is what's pressing me.
08:09I'm mostly surrounded by women
08:11who show ungratefulness.
08:15Maybe we should approach this topic
08:17in a different way, or change it.
08:20Okay, I'm sorry if I said something wrong.
08:23That's a negative connotation.
08:27I didn't want to be rude.
08:29It's just...
08:31That's how I feel.
08:34Maybe that's how you feel,
08:36but you could threaten someone else.
08:40What can I say?
08:42I mean...
08:44I'm not going to be unprofessional in any way.
08:48I understand.
08:49But I notice that you're generally
08:51more impatient towards women.
08:53And that could be reflected in UNO.
08:57But I helped UNO a lot.
09:00And what did I get in return?
09:03Ignorance.
09:04Abandonment.
09:06That's not true.
09:07UNO values everything you've done for it.
09:11Then why don't they show it?
09:14Do you know how much I helped all the women?
09:17When they asked me for it,
09:19and when they didn't ask me for it?
09:22I'm sorry.
09:26I'm sorry.
09:37I just want to say that...
09:41Maybe you like to play the role of a savior.
09:45I mean, all men like to do that.
09:49So, in the end,
09:51we'll be accused of all that.
09:54No, I just wanted to say...
09:57I'm sorry.
09:59Are you okay?
10:01I'm not okay.
10:04Hey, hey, hey.
10:22Luna.
10:34Are you okay?
10:52You wanted to see me?
10:57I'm begging you.
11:00Buy me a bottle of the most expensive champagne.
11:03Here.
11:04And order me scampi from that Italian restaurant.
11:07Oh, we're in a good mood today.
11:11I feel like I'm launching a Tesla rocket.
11:16What are we celebrating?
11:18Female power.
11:20That's nice, but is female power possible in this male world?
11:24Absolutely.
11:25You know why?
11:26Because it's completely different from men.
11:29And then it surprises the opponent.
11:33As proof, I'm launching a rocket on the moon.
11:37I'm not sure I understand you, but it sounds nice.
11:40Go buy champagne.
11:42Here.
11:57Thank you.
11:59Now you've saved me, too.
12:01From whom?
12:03From myself.
12:05I got scared.
12:07From yourself?
12:09And from you.
12:15And from me?
12:18Yes.
12:21Aha.
12:23Well, I got scared of you, too.
12:26Why?
12:28Well, you know.
12:30Is it better now that we're both scared?
12:34No.
12:36It would be easier if I knew the reason.
12:40The reason is...
12:42that I could fall in love with you.
12:46And that's not an authentic emotion.
12:50Aha, so what is it?
12:53Well, that often happens during the sessions,
12:56as part of an emotional transfer.
13:00Yes, I know, I know.
13:02But do I like it?
13:16Hey.
13:17Ciao, Carlo.
13:19What is it?
13:20Nothing, nothing.
13:24What?
13:27I don't know.
13:29I don't know.
13:47Where are you, you bastard?
13:49Come on, man, what's the matter?
14:00Uff.
14:01It's still spinning in my head.
14:04It's best if you go back to your room.
14:07Take a seat.
14:09Come on.
14:11I just don't know why.
14:13Is it because of...
14:15because of you?
14:17Because of the conversation?
14:19Or because of the low pressure?
14:22I would like this to be the first.
14:29Let's go.
14:44How did this happen?
14:46I don't know, but we have to find out as soon as possible.
14:49Someone followed them and photographed them.
14:51Why do you think so?
14:52Look how much material there is.
14:54Do you think someone did it on purpose?
14:57We can't know for sure now.
15:00We have to keep an eye on them.
15:03Do you know where they are?
15:05We'll see now.
15:16I didn't call him.
15:18Neither did Laura.
15:20What are we going to do now?
15:22I don't know, Alex.
15:23We can't do anything right now.
15:26Should we send a demon to the media?
15:29No, no, no.
15:30That would be counterproductive.
15:33The media has already planned the affair.
15:36We can't do anything right now.
15:38We have to sit down and keep quiet.
15:43That's right.
15:47We'll wait for everything to calm down,
15:50and then it will pass.
15:56A few hours later.
16:06I'm so glad to see you.
16:08I'm glad to see you too.
16:10I'm talking to you.
16:12I almost pushed him up.
16:15These serious people don't let anyone in.
16:18X-rays, radars, scanners, alcohol tests...
16:23Everything was under control.
16:25They thought there was a bomb inside,
16:27and they shook me up.
16:29One of your guys tried to stab him in the ear.
16:32The other one was scared.
16:34I told him where I was going.
16:36They just raised their hands.
16:38You won't believe how beautiful this is.
16:40It's like you're not going anywhere with this pig.
16:42The pig is your guide, right?
16:44Yes, it's my dog.
16:46You know what?
16:48I'd take him for a walk sometimes.
16:51You know what I think?
16:54The path to the human heart
16:57is the best pig.
17:01Let him see it.
17:03I came to talk to you.
17:06We'll talk it over.
17:08Please, don't be late.
17:10No problem.
17:12But we won't sit here.
17:14I'm taking you to Fejm for lunch.
17:16Where?
17:17Fejm.
17:18For lunch.
17:19I'm taking you.
17:20No, no.
17:21I'm taking you.
17:22No, no, no.
17:23It doesn't matter.
17:24You're dead to me, you hear?
17:26You don't want me to put a leash on you?
17:28Then I won't.
17:29Come on.
17:30Let it be as you say.
17:31I'm paying for lunch.
17:32Come on.
17:33No, no, no, no.
17:48This is against all rules.
17:59Okay, I suppose.
18:02I suppose it is, but...
18:05What are we going to do now?
18:09I'm sorry, but I can't.
18:14Okay, but...
18:16It happened, right?
18:20I knew your arrival was a bad idea.
18:23I just didn't know why.
18:27I couldn't even imagine it could be like this.
18:32I don't know.
18:36Okay.
18:38It's not good to blame each other.
18:45I agree.
18:46There's no point.
18:48Yes.
18:49It happened and...
18:51That's it.
18:56This is so...
18:58It's not fair to Una.
19:01Yes.
19:03I agree.
19:05But please, don't get upset about it.
19:08She'll stay on this.
19:11Of course.
19:12She has to stay on this.
19:15Okay, calm down.
19:16I am calm.
19:19Okay.
19:23Let's continue the session.
19:26I don't think it's possible.
19:28It would be best if you left.
19:31We're done for today.
19:33I'll call you when I decide what we're going to do next.
19:37Aha.
19:39Okay.
19:41If that's the case, then there's no point in me coming, right?
19:47That's what I think.
19:49So, it would be best if I sent you another therapist.
19:54Please do.
19:56We've talked about this a hundred times.
19:59Don't get upset.
20:19I'll call you when I decide what we're going to do next.
20:40Where have you been?
20:41Why didn't you call?
20:42Take it easy.
20:43We didn't come for an examination.
20:44Did you see the news?
20:45We saw the news.
20:47This is a set-up.
20:49Well, you thought that something like this could happen.
20:52Sorry, how did I know this was going to happen?
20:55I always think positively.
20:57Maybe you think a little too positively,
20:59considering that you're messing with our collection.
21:01It's not just about that.
21:02We're in this together.
21:03This is about you.
21:04I'll talk to you later.
21:05Now we have to find out who's behind all this.
21:07I'll ask.
21:08Okay.
21:09I've already asked.
21:10And?
21:11A certain journalist, Miki, has set up an affair
21:14with two other Milanese paparazzi.
21:17Okay, who is he? What do you know about him?
21:19I don't know anything yet, but I'll find out.
21:21Hey, guys, what's going on?
21:24Nothing, Paula.
21:25We'll explain it to you at the cafe.
21:27Come on.
21:28See you.
21:29Come on.
21:42Oh, yeah.
21:54Come on, my good Nebojsa.
21:56Hello.
21:57Welcome.
21:58It's good to see you.
22:00Look, Nebojsa,
22:02I've been thinking.
22:05Every change in the business environment
22:07brings new challenges, doesn't it?
22:11I think you'll agree with me.
22:13Look, I'm a serious man.
22:15And I know there will be a lot of business problems.
22:20So, in that sense, I need your support.
22:24Okay.
22:25I'm listening.
22:27Look, here's the thing.
22:29If it's heard, and when it's heard, of course,
22:32that I have good products,
22:34I'm 100% sure a crazy drug addict will come
22:37and shoot me, you know?
22:40So, in that sense, I need...
22:48What?
22:49You don't understand?
22:51No.
22:54I need...
22:57a raincoat.
23:00You know, I need protection, you need to help me.
23:03And look, I'll pay for it all.
23:06Please, don't tell anyone.
23:08What do you think?
23:09Look, Ido.
23:10Tell me.
23:11I don't deal with such things.
23:13Nebojsa.
23:15Take it easy.
23:17I'll help you.
23:19Because you're my friend.
23:21And no one will judge you here.
23:23That's it.
23:24And you won't pay for it.
23:26Look.
23:27Because I'm a policeman who does his job honestly.
23:30My job is to arrest bad guys and protect good people.
23:35That's right.
23:36That's right, my good Nebojsa.
23:38Look, thank you.
23:40Thank you, I know you're a good man, look.
23:42But you have to let me at least pay for lunch.
23:46That doesn't matter.
23:48I beg you.
23:49No, no.
23:50Look, you can just walk over me.
23:51I beg you.
23:52We won't.
23:53Ido.
23:54You're my guest.
23:55And you've treated me enough at Kosmaj.
23:57It's okay for me to stay.
23:59After all, this is my father's restaurant.
24:01Really?
24:02That's right, I have to pay for lunch.
24:04I didn't know they were your guests.
24:06Good day.
24:07Good day, good day.
24:09Mio, Vuko.
24:11And that's...
24:13How are you, Nebojsa?
24:15Well, good.
24:16Thanks for asking.
24:18This is my good friend, Mido.
24:21Miki Tambura.
24:23Greetings.
24:24Mido.
24:25Dragovje.
24:31Could we have a drink?
24:33Well, we could.
24:34Boy!
24:38Excuse me.
24:50All our portals have already sent the news.
24:53I saw it.
24:54Please, read me one more so I can enjoy it.
24:56Watch out.
24:57Miracle in Milan.
24:58Serbian scandal shook the fashion week.
25:01A naive Belgrade citizen fell into the clutches of the fashion mafia,
25:06whose representative is his co-founder, Laura Djordjevic,
25:10a well-known fraudster and predator of the fashion scene.
25:14It seems that only Luka KanaÄŤki is not familiar with these facts.
25:18Pictures of a scandalous show, a demolished luxury restaurant,
25:23the damage is inestimable.
25:26With this scandal, there is a well-known Belgrade businessman,
25:30Andrija Bošnjak.
25:32Music to my ears.
25:34No, no.
25:35And the photos?
25:36I massacred them there.
25:38I wouldn't be in their shoes.
25:40And listen to this.
25:41At least in an alcoholic state, he was brought to the nearest police station.
25:46An anonymous Belgrade citizen and a fashion icon on a pillar of shame.
25:51What will Andrija Bošnjak say, with whom Laura is in a close business relationship?
25:57Or maybe not just in a business relationship.
26:00Brilliant.
26:02And what is the name of that famous Italian tabloid that started it all?
26:06Correira della Negro.
26:08That's the most famous, the most popular of their portals.
26:12Specialized in fashion week.
26:14Full of hits.
26:15Please, read me the comments, please.
26:17Wait, there are over a hundred of them.
26:19Read me the most popular ones.
26:21Wait, wait.
26:23And the rich are crying.
26:25The truth will reach all those thieves and perverts.
26:28Drunk fool.
26:30He came to conquer the world of fashion,
26:32and he conquered the headlines of the tabloid.
26:35Please, run and buy me a printed version, so I can have it.
26:39I want to, but you know what I'm interested in?
26:41I'm interested in what Andrija will say when he reads all this.
26:44He will be delighted. He loves publicity.
26:47No, I mean, I'm just worried if he will read it.
26:50He doesn't open tabloids.
26:52Don't worry.
26:54We will give him one of his robins.
26:58What are you saying?
27:18Hey, did you find out something?
27:21I'm trying to figure out why this happened.
27:24Well...
27:26We'll find out, I guess.
27:28We'll figure it out.
27:30Yes, I already have some information.
27:33What information?
27:35I called the editor-in-chief of Dela Negra.
27:37And what did Dela Negra say?
27:39He said that Miki is a Belgrade citizen.
27:41Of course he's a Belgrade citizen.
27:43I told you, there has to be someone from Andrija.
27:45Do you have any proof?
27:47I don't have any proof, but this is definitely not a coincidence.
27:55Cheers!
27:57Cheers!
27:59Cheers!
28:01When my son Nebojsa brings his friend here, it's very important to me.
28:06Sure, I can imagine.
28:08Mido is a real friend and a good man.
28:11Yes, I am.
28:13I think I've seen you around here before.
28:15Well, you couldn't, because he's just arrived.
28:18He's trying to start a business here in Belgrade.
28:20That's right.
28:21Really?
28:22Yes.
28:23What kind of business?
28:35Hello.
28:40Andrija?
28:41Yes?
28:42Have you seen this?
28:43What?
28:45This?
28:46It's not good for you?
28:48No, I have to sit.
28:49Sit, sit.
28:52What was it?
28:53It looks like Luka and Laura have demolished a cafe in Milan.
28:59Okay.
29:00You know that Luka has a short temper.
29:13It's nice.
29:14Don't throw it away.
29:15I agree.
29:16It's nice, don't throw it away.
29:18Ta-da!
29:20Wow, how I see it!
29:24What a surprise!
29:26Where are you?
29:28I just wanted to.
29:30Here you go.
29:32If you want to drink coffee, be healthy.
29:43I think he's here.
29:45Yeah, he's here.
29:47That five-year-old doesn't follow the world.
29:52She's not Chelsea Clinton.
29:54She's a genius.
29:58She's a friend.
29:59You won't get away with this.
30:13What do you do for a living?
30:17I used to work in the police for the state security.
30:22Lately, I've been taking care of my son.
30:26That's right.
30:28Tell me, how much of that square do you need?
30:34I don't know.
30:36Tell me, how much of that square do you need?
30:42What would you like to have?
30:59Have you seen the website?
31:01What's wrong with you today?
31:03With all those websites.
31:06Of course, you don't care about that.
31:09The fact that Luka broke that cafe.
31:12I won't give you a dime for that.
31:14Andrija, that's not the point.
31:18Hey, honey, how are you?
31:21Hello?
31:23I'm here.
31:25I'm not well.
31:27Talk to me, don't worry about me.
31:29I feel pretty weird.
31:32I was unconscious today.
31:34Really?
31:47Who's calling you?
31:49Who's calling me?
31:51Who's calling me?
31:53Who's calling me?
31:55Who's calling me?
31:57Who's calling me?
31:59Who's calling me?
32:01What do you think?
32:03Ljubinka?
32:04What?
32:06Tell me, Ljubinka.
32:09It's not Ljubinka, Zeta.
32:11It's Ido.
32:17Hi.
32:26I won't call you.
32:29I just forgot to ask you something.
32:33Say it.
32:37Why did you come back so early?
32:40Is everything all right?
32:47You