Igra sudbine 1146 Epizoda - Igra sudbine 1146 Epizoda
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00:00I'm here, Tihomir, I'm here. I'm not silent, I'm listening to what you're saying.
00:15I have no reason to go crazy. You know, I don't open just any knife.
00:21And I don't even know what that means to you. You're lucky, dear knife.
00:27Yes, yes. Well, you know what, my dear, I'm just trying, I'm giving everything I have
00:35for Moldova to be an attractive place. That's right, attractive.
00:41To work, to expand the business. Do you understand what I'm saying?
00:46Well, whatever, Tihomir, understood or not understood.
00:52But that's how I am, I have to earn every month to pay people a salary.
00:57Contribution. Do you understand? Or maybe you forgot that, tropical boy.
01:04Aha, that's right. Well, what do I have to ask you?
01:14Well, you're not here, Tihomir. You're not here, you're there. I don't know where you are.
01:23I understand. That's the only thing I understand, that you had to leave.
01:29Yes, I understand that.
01:36Tihomir, that Mido is a nice man, he's stable, he's a gentleman.
01:43He owns those apartments on Kosmaj and he owns that bakery.
01:51I don't know where the problem is. What do you have to judge him for?
01:56Don't you believe in my judgment? I gave my word.
02:00Well, yes, I'm a woman of my word. Did you forget that too?
02:05I made a deal with him, I started, and I'm going to finish it now.
02:10What's not clear?
02:14Well, who's pushing you into the corner? You pushed yourself.
02:20Well, all you had to do was push and let go of your ego.
02:25He's the one who's pushing you. Shame on you.
02:29Who's pushing you? Hello? Tico?
02:35Tihomir?
02:37Tico?
02:50What do you want?
02:51You're still asking?
02:52Why do you look like this?
02:53What does your behavior look like?
02:55What behavior? How do I behave?
02:56You behave like you're 14.
02:58But what? What did I do? What's the problem?
03:00The problem is that you go out with our business partners and drink until morning.
03:04That's the problem.
03:05Okay, we go out, we drink, I'm going to relax a little.
03:07What else would I recommend to you?
03:09We came to rest.
03:10We didn't come to rest, brother.
03:12So it's not all at work.
03:13I have to rest a little, I'm tired, I'm going to relax.
03:15That's why we came.
03:16You spent 3,000 euros, are you normal?
03:19I spent 3,000 euros.
03:20Okay, that's 3,000 of our euros.
03:22So what? I spent it, what do you want from me?
03:24Okay, look, business is business.
03:26You want to tell me that?
03:28Man, that woman is in charge of our money on the project.
03:31The woman who saved us from the abyss.
03:33Do you understand that?
03:34Yes, the one you brought us to.
03:36So get yourself together.
03:38Okay, here's what we'll do.
03:39I'll get myself together, and you relax.
03:41And believe me, everything will be okay.
03:43Believe me.
03:44Did you forget how important it is to us?
03:45No, I didn't forget anything, brother.
03:47I didn't forget anything.
03:48But I remembered those things.
03:49I remembered how it is when I feel good.
03:52I feel good after a long time.
03:54I'm begging you to stop.
03:56You're just happy because of the wrong things, but ...
03:58I know you're happy.
03:59Get yourself together, I'm begging you.
04:22Here I am!
04:29This is great, Miki.
04:31A real emotional horror.
04:34What's the story?
04:36The story is a bomb.
04:38It will cause horror and tongue-twisters.
04:42They love that.
04:44I know.
04:45Listen.
04:46Look, a naive Belgrade citizen,
04:49previously destroyed on the Belgrade bank,
04:52in a business scene,
04:54previously destroyed on the Belgrade bank,
04:57in a business scene,
04:59in a business scene,
05:00comes to Milan to try his luck.
05:02Well, even now.
05:04I'm listening carefully.
05:05Look.
05:06The center of world fashion is blinded by Milan's brilliance.
05:10In the face of fashion week,
05:12he is ready to invest the last euro in his project.
05:16Oh, it's not good.
05:19And it won't be good.
05:21Because he falls into the trap of an unscrupulous predator
05:24from Milan's fashion circles.
05:27This is the picture, right?
05:29It's good.
05:30Don't interrupt me.
05:32I have a lot of inspiration.
05:33Are you writing?
05:35I'm recording.
05:36That's right.
05:37Even better.
05:38Listen to me.
05:39In the continuation, we should add...
05:42Are you writing?
05:43...that Neza Sitalaura cast an eye,
05:46and she is ready to cast an eye on Andrija Bošnjak.
05:51That's from reliable sources.
05:54Miki.
05:55Miki.
05:56From the most reliable sources.
05:58Of course, I'm not anywhere.
06:00You don't sign me anywhere.
06:02I don't exist.
06:03Do you understand?
06:05I see.
06:06Listen.
06:07I'll call you when I'm a little bit more
06:09on these poor people.
06:11And call me with a tongue for a tooth.
06:13Do you understand?
06:14So you don't make a mistake.
06:16I hear you, Kozal Ivan.
06:17Bye.
06:20Andrija Bošnjak
06:24And?
06:25What do you say?
06:26Look.
06:30What do I say?
06:31What do I have to say?
06:35I don't like at all
06:37that Mido will come to Ljubljana.
06:39You know?
06:41It seems to me that he will change the energy of the place.
06:45That's all I think.
06:47What's bothering you?
06:48If I can only know.
06:49If you have diabetes,
06:51I can run for a long time,
06:52because it's not a problem at all.
06:54I'm not bothered by anything,
06:55but I remember
06:56how good coffee was drunk here once.
06:58You know?
06:59And good wine was drunk.
07:00So quality domestic brandy was always.
07:03Well, you're still going to drink it.
07:04I don't know what wouldn't be drunk.
07:07I don't know.
07:08I just think that Mido,
07:09when he brings his bottles
07:11and that,
07:12what's it called,
07:13that he realizes
07:14that everything will change.
07:16You know, Deljko,
07:17you're a total moron.
07:18No, I'm not.
07:19Yes.
07:20Because there are pig larders.
07:22The most beautiful thing that has ever happened in Maldives.
07:25Do you know why?
07:26Why?
07:27Because there is food.
07:28Do you know why that's good?
07:29Why is that?
07:30Because when there is food,
07:31then you drink more.
07:33And one plus one is two,
07:34bigger market,
07:35more money.
07:36You know what?
07:37Let me tell you something.
07:38It is well known that
07:39one Yoko Ono
07:40destroyed the Beatles.
07:42And who knows what Mido will do
07:44when he throws them all over Maldives.
07:46Mother of God,
07:47holy,
07:48all holy,
07:49what a connection
07:50Yoko Ono
07:51has with pig larders.
07:53May God kill you,
07:54not to kill you.
07:55Milo, everything
07:56in the universe,
07:57in nature,
07:58everything has a connection.
07:59Everything is connected.
08:00Deljko,
08:01can I ask you
08:02humanly
08:03to leave?
08:05Have a good day at home.
08:06Have a good day.
08:08Yoko Ono,
08:09and now this.
08:14THE END
08:24Hi.
08:25Hi.
08:27Am I bothering you?
08:29No.
08:30How can I help you?
08:34I would like to ask you
08:36a private question,
08:37if it's not a problem.
08:41Well, in this company
08:42everything has become
08:43a private matter,
08:44so,
08:45just go ahead.
08:48Why did Andrija
08:49join Laura's protection?
08:53Jovana Andrija
08:54doesn't know Laura.
08:56But she knows
08:57that many years ago
08:58she was at a job interview.
09:00Yes, but she doesn't remember.
09:01She couldn't even remember
09:02what her name was.
09:03Before that,
09:04why did she
09:05join her protection?
09:08See, Andrija
09:09didn't join anyone's protection.
09:10He just defended
09:11his personal integrity.
09:14Really?
09:15It didn't look like that to me.
09:16Unlike you,
09:17you know he keeps his word.
09:21That's just what you think.
09:23It's admirable
09:24how much you defend your husband.
09:25Except for the facts.
09:27Yes.
09:29But the truth
09:31is a little different.
09:33Right?
09:36What's the truth?
09:41What's the truth?
09:58And where did you get those boots?
10:00I was walking around the city
10:01and I thought I'd come back
10:02to see the locals.
10:04How are you?
10:06What's wrong with me?
10:08What's wrong?
10:09You look different
10:10here than there.
10:13What do you mean different?
10:15What do you mean?
10:16Don't get offended,
10:17but you look like a hipster.
10:20Mrvice Debeljko.
10:22Mrvice,
10:24Debeljko has today
10:25recovered from a brain injury.
10:28And that's that.
10:30It doesn't matter.
10:31It's not a compliment
10:32that you saw me at college.
10:34I looked like Einstein.
10:35Like Einstein?
10:37Albert.
10:40What's this?
10:42What's this?
10:43It smells like a hangover.
10:44A hangover, a hangover.
10:46This was sent by the host,
10:47Mido,
10:48so you don't forget it.
10:49A hangover,
10:50a little bit of pork,
10:51and a little bit of domestic brandy.
10:54Do we have forks and knives?
10:56No, we don't.
10:57What?
10:58No, we don't.
10:59Step back.
11:00Step back.
11:01Wait.
11:02We can find some.
11:03Let's do this.
11:04Bring this.
11:05Come on, come on.
11:06You're a hipster.
11:07Bring it.
11:08Let's go there.
11:09Forks and knives,
11:10so we can finish everything.
11:11Where are you going?
11:12Wait, wait.
11:35What's going on with Luka?
11:37I talked to him,
11:38so we'll see.
11:39Okay, you talked to him,
11:40but look at the time.
11:43So?
11:44He's still not here.
11:47I'm starting to lose my mind.
11:50Why?
11:51Because I talked to you
11:52about the problem between him and Laura,
11:54and now you're nervous about it.
11:57Okay, I noticed
11:58that something was going on.
11:59You're not to blame for that.
12:01You don't have to think about it,
12:02it's my problem.
12:04Okay, if it's your problem,
12:05then it's my problem.
12:07Look, Luka can solve
12:08his own little obsession.
12:11Okay.
12:13What are you going to do?
12:15Well, you see,
12:16I'm going to have fun
12:17with the woman
12:18who's carrying my baby,
12:20and I'm going to organize
12:21the party I promised her.
12:23Really?
12:24Yeah.
12:25Where are we going?
12:26We're not going anywhere.
12:27We're going to have a party here,
12:28when everyone leaves nicely.
12:32Okay?
12:33Okay.
12:38What are you doing?
12:41I'm writing.
12:42You see?
12:50Come on, come on,
12:51look, look how he's looking at you.
12:52Take this.
12:53Come on, don't be shy.
12:54He's looking at you,
12:55he says, take it.
12:56But I like this,
12:57like a bone, you know?
12:58Come on, come on.
12:59A little bit.
13:00Welcome.
13:01No.
13:02This is ours, come on.
13:03This is the party for Donček.
13:05Come on, come on.
13:06Like this.
13:11Now it's time to eat.
13:13Just like that.
13:14Oh, that's good!
13:15Oh, that's good.
13:16Come on, have some more.
13:17Come on.
13:18Help yourself, help yourself.
13:19Come on, let's eat.
13:22Oh, that's good.
13:26Great.
13:27And you have a real capacity.
13:28I know,
13:29I can carry this.
13:30Come on, eat.
13:31You can, you can.
13:32You can.
13:33Come on, one more.
13:34One more.
13:35This pork is so good, I could eat it with my bare teeth.
13:41Can you just shut up for once?
13:44Why?
13:45Because I'm a visual type and I can see it all.
13:49I didn't show you a picture of my bare teeth,
13:52but I said you could eat it with your bare teeth.
13:55But I can see it.
13:57What's nice about this place is that it has its own atmosphere.
14:01It's cozy.
14:03Cozy?
14:05What?
14:06It's cozy.
14:09Has Panchetta always been the owner here?
14:12The hostess of the owner?
14:14No.
14:15No, she's never even been the owner.
14:18Let me put it that way.
14:20The owners are Luka and Alex.
14:24But they're not here right now,
14:27so I have to ask everything.
14:29So, you're asking about Panchetta, but...
14:32Yes, Panchetta.
14:34I mean, if she's formally not the owner,
14:40how could she agree on a partnership with Midom and all that?
14:45Are you nuts?
14:47I'm asking you something.
14:49Did you come here for a coffee, rakija and bajadera or espionage?
14:54Look me in the eye.
14:56If you don't get it,
14:58you can ask me.
15:00Or call Panchetta.
15:02I'm just thinking.
15:04Good afternoon.
15:06Good afternoon.
15:08How are you, guys?
15:10Mrvica, how are you?
15:12You should have come to town.
15:14You and I had a deal, right?
15:16Oh God, what is this?
15:18The roasted pig has arrived.
15:20Let's take a break and welcome Kosmaj in Belgrade.
15:26Welcome, Kosmaj.
15:28Come on, Milo.
15:30Welcome, tourist.
15:32Come on, cheers.
15:34Welcome, women.
15:36Beer, wine.
15:38Welcome, Kosmaj.
15:40Women, pig.
15:51Good afternoon.
15:54Good afternoon.
15:59Today we can start by you telling me what you want to talk about.
16:05Well, today I don't want to talk about anything.
16:10We're not going to be quiet, are we?
16:12Oh, no. Believe me, we're not.
16:14Today I'm actually interested in...
16:17Why did you decide to do therapy with Andrej?
16:21Well, Andrej is my patient, like everyone else.
16:25And my job is to have patients, right?
16:28Okay, but you didn't even consult me about that.
16:32Well, to be honest, I thought you were talking about that.
16:35Well, imagine, we're not.
16:37Somehow you led us to perfection.
16:39Aha, well, I understand your concern.
16:42A little word of concern.
16:44I'm sorry.
16:49I'm sorry.
16:53I think you have every right to be confused.
16:56Here, if you want, I'll fire Andrej.
17:01I actually don't understand why you agreed to work with him.
17:07I made a mistake.
17:09I thought there was a chance it wouldn't be unpleasant, but if it is...
17:13Like I said, I'll fire Andrej.
17:17Okay, now there's no need for sudden moves.
17:21I mean, for now.
17:24Here, you think about it, and I'll do what you want.
17:32I don't understand why I have to work with you.
17:35Well, maybe because I'm one of the best in town.
17:39I don't know.
17:40Okay, but you could have sent him to someone else who was just as good as you.
17:46Yes, but Andrej insisted on me.
17:49But why?
18:01Why did we split up here?
18:03Come on, don't be crazy.
18:05I don't know what you're talking about.
18:07No, no, no. Okay, I can refresh your memory if you need it.
18:11We agreed that I know where Mido keeps the money,
18:14and that I'll get a percentage.
18:16Oh, that agreement.
18:18Yes, well, it existed, but since the information wasn't accurate,
18:22I don't know what he's talking about.
18:24The money isn't in the safe, you know.
18:26What are you talking about? I did my part of the job.
18:29I want a percentage.
18:30What percentage? There's no money.
18:32All the money is with Mido.
18:34Listen, you owe me at least a bonus.
18:37I didn't play the French woman for nothing, really.
18:41Look, I'll arrange everything with Alepo.
18:45I'll tell you what she says, and I'll transfer the money.
18:49I have to go, I'm sorry.
18:51I left...
18:56You're crazy.
19:04Well, he probably left because of you.
19:08But why me?
19:10Well, because you need to control things.
19:13Maybe you should talk about it during one of your sessions.
19:16What would he get out of it?
19:18I mean, all of this is, to say the least, strange.
19:22Maybe, but that's how he would see your sessions.
19:26I'm telling you, it's a matter of control.
19:30Okay, what do we do now?
19:32First of all, I suggest that you don't talk too much during the sessions.
19:36Let it flow like that, in a reasonable way.
19:39And that will solve the problem?
19:41Well, that's how you'll avoid psychological games.
19:47Okay, that's smart.
19:50But, tell me, what do you want to talk about today?
19:58About...
20:00Intimate relationships.
20:02That's sex for me.
20:04But this is the perfect opportunity to ask you why you're avoiding that word.
20:08I'm tired of hearing that word.
20:10I suppose nothing happened on that plan.
20:13How could something happen?
20:16I don't understand. Explain the obstacle to them.
20:19Well, of course, there's no intimacy between the two of us,
20:22because those... women are constantly around him.
20:29I don't get it.
20:38In this cosmology,
20:42everything is possible,
20:46everything is possible,
20:49and there are so many women,
20:52and there are so many men.
20:56Give me a little wine.
21:00A little wine.
21:09What's this?
21:10Nothing.
21:12Panči, it's so good that you came.
21:16Yes, you're in love, but you're an asshole.
21:19What are you...
21:20What are you doing?
21:21Don't push me.
21:22What are you doing?
21:23Why are you in the middle of work? Are you crazy?
21:25Are you crazy?
21:26Fatty! Fatty!
21:27Go away!
21:28Go away!
21:29Go away!
21:30Go away!
21:31Go away!
21:33What's this, honey?
21:35Panči, we slaughtered a pig.
21:41It was Mrvica.
21:42It was.
21:43It was Mrvica.
21:44It was.
21:45Because it's a man.
21:46And he brought the pig,
21:49he brought the brandy,
21:51and I took our wine,
21:53while he was spying on the place.
21:56Shut up!
21:57Go to the bar.
21:58Go to the bar, as you know and know how.
22:01Go, or I won't spy and you'll serve me as a guest.
22:03Go!
22:04In general, look.
22:05What?
22:06Nothing.
22:09Oh, my God.
22:12Nothing.
22:13Nothing at all.
22:19Pray for me.
22:21Oh, Pančeta, you old hag.
22:23What's new?
22:24What's new, huh?
22:26Here I am in the Maldives.
22:28Tell me,
22:30why did you send Mrvica to the Maldives?
22:33He drank your brandy with Fatty and Mileta.
22:37Pančeta?
22:38I didn't send anyone.
22:41As for Mrvica,
22:42I only know that I sent him to Kraljevo,
22:45to finish something there.
22:48Oh, Ljeposava.
22:50Oh, my God.
22:51You're in trouble.
22:53Ljeposava.
22:54I should have guessed.
22:56This is her butter.
22:58She, she.
22:59Don't doubt that.
23:01That's evil.
23:02You hear?
23:03But look.
23:04There's one good thing about that.
23:05The combination is starting to work for us.
23:08Great.
23:10What combination is working for us?
23:12Well, ours.
23:14Our combination of brandy and pork.
23:17You see?
23:18Listen to me.
23:19This was actually our first tasting.
23:22All right, all right.
23:23All right, Mido.
23:24It'll be all right.
23:25See?
23:26I'm coming soon with the first orders of pork.
23:29We're going to blow it up.
23:31We're going to make a miracle.
23:33Come on.
23:34Come on, come on.
23:35It'll be all right.
23:36Come on.
23:37Come on.
23:38All of this.
23:40I'm Konopanč.
23:42Nothing.
24:00Yes?
24:07Just be careful with the table, please.
24:10Who is this for?
24:13For you, Andrija.
24:14Who else would it be for?
24:16God, what a beautiful bouquet.
24:18Look at it.
24:20Beautiful.
24:21It's really beautiful.
24:23With taste.
24:27Who is it from?
24:28Could you please go to my office and wait for me there?
24:42Who is it from?
24:44It doesn't matter.
24:47All right, I've decided not to spread the word about the company.
24:50Now you can tell me.
24:53I can.
24:55But you won't.
24:58Somehow.
25:00Just tell me.
25:01I mean, if there's a secret, there will be a secret.
25:04A secret?
25:05In this company where so many women work?
25:08Come on, please.
25:10All right, why don't you tell me then?
25:13Because I'm sure you'll find out for yourself.
25:17Come in.
25:37Do you think other women are the cause of Andrija's lack of sex?
25:41I think he's just being careful.
25:43There.
25:44It's a good opportunity to calm him down.
25:46I'm trying.
25:47But I don't know where those women come from anymore.
25:50They're both at work and out of work.
25:52Should I remind you that you're his wife?
25:56Maybe you work together, but when you come home,
25:59you have to turn the new page.
26:01And so every day.
26:05Yes.
26:06Until he comes here.
26:09I'm not saying it's easy, but you still play two roles.
26:12His wife and his colleague.
26:16Are you aware of that?
26:18And him?
26:20Is he aware of that?
26:22I'm not saying.
26:23He should work on that, too.
26:27Well, I bet you're helping him.
26:30Well, I'm not talking his sessions to you,
26:33so I'm not even going to your sessions to him.
26:38Did I ask for that?
26:40No.
26:42I'm just saying that you should take up the territory
26:45when you're in the role of a woman.
26:48Milena, it's getting harder and harder.
26:52I think you'll feel better that way.
26:54You won't mess up the roles,
26:56and it'll be easier for you and Andrij.
27:03I want to ask you something.
27:07Would you like to have sex with Andrij?
27:12Why are you asking me that?
27:14Yes or no?
27:16I don't think it's appropriate for us to talk like this.
27:19Of course it's not appropriate, believe me.
27:22I think he'd like to have sex with you.
27:27And how did that happen?
27:30Well, at one point he thought we were talking about you,
27:35and not about me.
27:36And yes, I went over this with you,
27:38and I think it's very appropriate at this point.
27:41Let it be.
27:43And in what context did you think you were talking about me?
27:48In the context of...
27:51sex.
27:57Tell me, what are you going to drink?
27:59I'll have Pelinkovac.
28:00Pelinkovac, nice.
28:02And what's your name?
28:03Mima.
28:04Mima, nice, nice Mima.
28:06And tell me, Mima,
28:09what do you want from me?
28:10For you to promote me on your website.
28:13Don't worry about a thing.
28:15It's over for you.
28:16I'm worried.
28:18We won't do that on you.
28:20We'll do it on you.
28:21Right?
28:22Don't be so grumpy.
28:34Cheers.
28:45Thank you.
28:47Thank you.
28:51What were you thinking about?
28:53Red juice instead of wine.
28:56Well, I have to show my solidarity with you now,
28:58since you don't drink alcohol.
29:02Cheers.
29:04Cheers.
29:15What do you want from me?
29:17Most of the women who work with me,
29:18who surround me, I'm the boss.
29:20And you know that.
29:21Yes.
29:22As well as you know that they're in love with you.
29:24Well, maybe you should be proud
29:26of what your husband wants from you.
29:28It may look like that,
29:30but I have a problem with you for some reason.
29:33I'm constantly on the other side of the plan.
29:36I think you're overthinking it.
29:37Oh, okay.
29:38We'll talk about that later.
29:50I'm disappointed that I joined this business plan with Meade.
29:55I really can't, ma'am.
29:57You know what?
29:58I'm only interested in
29:59whether he thinks I'm going to be like this,
30:01or whether I'm going to drag him to the grave.
30:03I'm obviously going to be like this.
30:05I'm a Magarac who drags people.
30:07I'm going to fall apart in this house.
30:21Did you recover from the shock
30:23that auntie from Australia gave us?
30:25Yes.
30:27And I decided that I'm not going to
30:29ask you for anything.
30:32I just want you to marry me
30:34and divorce me when I get the money.
30:37You're kidding me.
30:39Really.
30:40I'm just kidding.
30:41Okay, but you know what?
30:43I still have to tell you something.
30:45What?
30:46Oh, Miki, bravissimo.
30:48Bravissimo, Miki.
30:50Great.
30:51Come on.
30:52Come on, give me some new information.
30:54Hello.
30:56Dolce vita.
30:57Dolce vita.
30:58How did you say it?
30:59Mima, right?
31:00Dolce vita.
31:01Do you know what dolce vita means in Italian?
31:05Dolce vita.
31:06Dolce vita.
31:07Dolce vita.
31:08Dolce vita.
31:09Dolce vita.
31:10Dolce vita.
31:11Dolce vita.
31:12Dolce vita.
31:13Dolce vita.
31:14Dolce vita.
31:15Hmm?
31:29And I still can't ask you
31:31how it is at the session with Andrija?
31:33You can't, but I'll tell you one thing.
31:36I think Andrija would like to have
31:38something much more than a session with me.
31:42What exactly do you mean?
31:45I don't know.
31:59Oh, how did you remember me?
32:01We haven't heard from each other for a long time.
32:03Yes, Teto, because I work a lot
32:07and I didn't have time to call you.
32:11If you work a lot, you earn a lot.
32:15Yes.
32:34Excuse me, guys.
32:36What?
32:37They arrested Luca and Laura.
32:45They arrested Luca and Laura.