Al Fondo Hay Sitio 11 Capitulo 62 Completo HD Online

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Al Fondo Hay Sitio 11 Capitulo 62 Completo HD Online
Al Fondo Hay Sitio 11 Capitulo 63 Completo HD Online
Al Fondo Hay Sitio 11 Capitulo 64 Completo HD Online
Al Fondo Hay Sitio 11 Capitulo 62 Completo HD Online
Transcript
00:00Chocas, we will touch the sky with our hands!
00:02Oh!
00:04Good afternoon! I am Chocamandros.
00:07How are you? How are you?
00:09Mr. Choca! It's a pleasure to have you back here.
00:12I can't anymore, Lenny, no.
00:14No, don't torment me, no.
00:16No, no.
00:18No, Lenny, no. No.
00:20Oh, little dove.
00:24Now you don't rest in peace because of me.
00:30With all the pain in my heart,
00:35I have to make a decision.
00:38That millionaire you are working for,
00:40is she really a millionaire, as you say?
00:42Oh, yes, yes, yes, yes.
00:44Yes, yes, yes, yes, yes, yes.
00:46It's easy to clean her nose with a hundred dollar bill.
00:48Really?
00:49Yes, really, really.
00:50And her house is so big.
00:52It's as easy as the Maldives.
00:54Today, on the show,
00:56on the table,
00:59she takes
01:03five chocas!
01:07He gave her five chocas?
01:11He's going to give me something.
01:13In another restaurant that could be yours.
01:15Let's go.
01:17A few hours later
01:27Boss, how are you?
01:29Hi, Jorge.
01:47A few hours later
02:01Hello?
02:02Choca, how are you?
02:04I'm Francesca Maldini.
02:06Who?
02:08The owner of the restaurant Francescas.
02:10How can I help you, Mrs. Maldini?
02:13I would like to invite you to my restaurant
02:16so you can try the most exquisite delicacies
02:18prepared by our Spanish chef,
02:20Laia Sanz.
02:22Thank you for the invitation,
02:24Mrs. Maldini,
02:26but I have a full schedule
02:28until November.
02:30Rather, I'm going to tell my producer
02:32to call you on those dates, okay?
02:34Thank you. Goodbye. Take care.
02:38Oh! The choca blew me away!
02:46A few hours later
02:53I'll just cross, I'm in time.
02:55Boss, but it's in red.
02:57Turn on the light, trust me.
02:59No, but...
03:01Turn on the light!
03:03Boss, there are cameras around here,
03:05they're going to fine you, I don't know.
03:07Joel, nothing's going to happen to me,
03:09I'm Mario Arimanrique.
03:11I told you that Joel's millionaire
03:13seemed familiar to me.
03:16Much better than that.
03:26Gilgarito.
03:28Tortolita.
03:30You haven't spoken to me
03:32since this morning.
03:34Are you okay?
03:36No.
03:40I'm not okay.
03:42The truth is
03:44I'm not okay.
03:46I haven't been able
03:48to close my eyes all night.
03:52And why haven't you been able to sleep?
03:54It's just that...
03:58I don't know how to tell you this.
04:03It's very difficult.
04:07Why is it so difficult?
04:10Uh...
04:13Olindita.
04:19We have to break up.
04:33You spoke very well in front of the cameras,
04:35very carefree.
04:37Oh, thank you, Bobby.
04:39Please, we're a team.
04:43Give me back my light bulb!
04:55What are you telling me, Gilgarito?
04:57That we have to break up?
04:59Yes.
05:03I didn't want to tell you that, but...
05:06But Nelicita
05:10will not rest in peace
05:12while our commitment continues.
05:14But...
05:16we can't pay much attention
05:18to a deceased either.
05:22I know her.
05:24She doesn't want me
05:26with another woman.
05:28You say another woman
05:30as if you were referring to anyone.
05:32It's me, Gilgarito.
05:35It's me, look at me.
05:37I know.
05:39And I'm really sorry.
05:42But Nelly will not rest in peace.
05:46You promised me.
05:49You promised me
05:51that we would take care of each other.
05:53That nothing or no one could separate us.
05:56And now you're telling me
05:58that a ghost decides for our fate?
06:02It's not that.
06:04It's not just any ghost.
06:08It's Nelicita.
06:13You know what I think?
06:15That you really don't love me.
06:18And that all this is an excuse
06:20not to keep your promise.
06:24Oh, my dear.
06:28I am an honorable man.
06:31Nelly.
06:34I would never do something like that to you.
06:36Well, you're doing it.
06:54Bombillo is mine.
06:57No, let him go.
06:59Never!
07:01Do you think he's going to want to come back
07:03after you kicked him out like a dog?
07:05He's mine, period.
07:07I said let him go.
07:09No, he's staying here.
07:11Let him go.
07:13Thank you.
07:15No one has ever fought for me.
07:17Look, I offer you triple what they pay you here.
07:19You're always playing dirty.
07:21And if you play so clean,
07:23what does Nelicita do?
07:25Look, Bombillo, you choose.
07:28And this time they're going to give me 10% of the services?
07:30Don't overdo it.
07:32You see?
07:34They'll never give you everything you want.
07:36Instead, here we value you for the artist you are.
07:38And that's why we respect you as such.
07:40Besides, the script
07:42has been messed up with five clashes.
07:44It's impossible because no one in Lima has five clashes.
07:46We do.
07:48You see? We're a team.
07:50Well, look, I'm about to leave and my offer comes with me.
07:52So, Bombillo, you decide.
07:54Hey, don't push him.
07:57You see? That's how you treat your assistants.
07:59Ordering them around,
08:01making them live under your shadow.
08:03Instead, I let them be.
08:05Look, Bessia, I take great care of my assistants
08:07because I'm an equanimous person.
08:09I'm not like you, an explosive, temperamental, impulsive girl.
08:21You stayed quiet.
08:23So, I'm working for a...
08:25Uh-huh.
08:27And does Dad pay for that?
08:29Dad, the government, pays.
08:31Oh, I see.
08:33And how did you get this job?
08:35I applied.
08:37Oh, I see.
08:39And that's it?
08:41Well, you have to be over 25
08:43and be born here.
08:45That's it?
08:47Well, they have to choose you.
08:49Oh, of course, of course.
08:52Do you need to have a degree or anything like that?
08:54No.
08:56Oh, that's why we're the way we are.
08:58What did you say?
09:00Oh, nothing, nothing, nothing.
09:02Just in case, I do have a master's degree
09:04in copy-paste at Oklahoma University.
09:06And my thesis advisor was Dr. Bambarengo.
09:08Oh, really?
09:10It sounds nice, it sounds interesting.
09:12A little carioca, right?
09:14Well, you know, Dad pays.
09:16Well, we're almost there.
09:18You leave me, you take the truck,
09:20and don't worry, Mom.
09:22Of course.
09:24Keep these papers for me.
09:26You want me to keep them?
09:28Yes. I just promoted you.
09:30From driver to assistant.
09:32Oh, damn!
09:34Of course.
09:36These are very confidential documents.
09:38Take care of them with your life.
09:40Don't worry, Mom.
09:42Come on, Bombillo, it's not that hard.
09:44It's very easy. It's much more convenient for you to be at Francesca's.
09:46Bombillo is happy here.
09:48And happiness is worth more than anything.
09:50But what ridiculousness are you talking about?
09:52Hey, don't call me ridiculous.
09:54Oh, well, don't behave like that.
09:56What's going on here?
09:58What is Laia doing with Deco and Michifa?
10:00Look, I won't let you...
10:02You won't let me what?
10:04They're fighting over me.
10:06Laia wanted to take Bombillo to Francesca's.
10:08Never!
10:10I made him a proposal and he has to decide.
10:12Proposal? I'm going to make you a proposal.
10:14If you don't come out,
10:16I'll throw myself on top of your Yolita.
10:18You don't have to come to me either.
10:26Hey, what's that?
10:30Coquisito?
10:32You're not going to believe me.
10:34I think whatever you say, I'm going to believe you.
10:36Marjorie?
10:38Well, that's why his face sounded to me.
10:40And I just got promoted from driver to advisor.
10:42Yes, yes, yes.
10:44Hey, hey, hey, get out, get out.
10:46What's going on?
10:48It's very interesting.
10:50Joel, don't overdo it.
10:56Yes, Joel is an advisor of a...
10:58Uh, and with that we're not going up.
11:04They're fighting over me.
11:08Ouch!
11:12I won again.
11:16Hey, haven't they taught you
11:18to ask for permission before entering?
11:20What can you expect from a mountainous
11:22and immodest gorge?
11:24There I leave you the investment proposal of the advisors
11:26for you to review it and pretend
11:28that you work. Just like the directors
11:30pretend that they listen to you.
11:32But nobody cares about your opinion.
11:34Hey, who do you think you are?
11:36Me? I'm Francesca Maldini's coach.
11:38And soon I'll take her last name.
11:40On the other hand, you are nobody.
11:42I'm going to show you who I am.
11:44Get out of here!
11:46Get out of here!
11:48Get out!
11:50Get out!
12:06Get out!
12:26Olinda?
12:28Joel.
12:30Are you crying?
12:32I'm sorry, but I want to be alone.
12:34Are you leaving?
12:38Your grandfather...
12:42Your grandfather terminated our engagement.
12:44What?
12:48No, Olinda.
12:50I don't believe it. Sometimes the grandfather
12:52talks in his sleep.
12:54He didn't tell me.
12:56He was looking me in the eyes.
12:58He wasn't asleep.
13:00Now he's starting to get it.
13:02He says it's because of your grandmother.
13:04The little girl.
13:06Did he look like a present crow?
13:08No.
13:10He says he's upset
13:12that we're together.
13:16Don't worry.
13:18I'm going to talk to him now.
13:32I'm going to talk to him now.
13:42Now where do I put this?
13:50Oh, I know.
13:52With my sock.
13:54I'm more safe
13:56than my socks.
13:58I'm in the middle of a secret mission.
14:00What mission?
14:02I can't tell you.
14:04You're not going to tell me? Your brother? Your blood?
14:06Tell me.
14:08Don't you have secrets with your people?
14:10With your serious drums?
14:12What serious drums?
14:14The Lesia, the Yulia, Cristobal.
14:16Cristobal is gone.
14:18He stopped with the upper and lower areas.
14:20Well, I'm going to tell you.
14:22But promise me you're not going to say anything.
14:24I'm not going to say anything.
14:26But promise me you're not going to say anything.
14:28I swear.
14:29Swear, skinny dog.
14:30Yes, I swear.
14:31Swear.
14:32Yes, I swear.
14:34Don't cry.
14:36Don't cry.
14:38No!
14:40I swear.
14:42Don't touch her.
14:44She's half dead.
14:46Don't touch her.
14:48Well, I'm going to fulfill another mission.
14:50What mission?
14:52I'm going to talk to Grandpa.
14:53But how are you going to end up with Linda?
14:56What?
14:57Tell me.
15:00What's going on?
15:05Grandpa.
15:06Why did you break up with Linda?
15:08I broke up with her?
15:10What do you mean I broke up with her?
15:12You broke up with her.
15:13You broke the commitment.
15:14I had to do it, Grandpa.
15:16If not, your grandmother would not rest in peace.
15:20No, Grandpa.
15:21It's serious.
15:22Don't pay too much attention to that.
15:24I'm very sad.
15:26I'm sure Nelly doesn't want to see me with another woman.
15:32No, Grandpa.
15:33That's what you're saying.
15:35I think the same.
15:38The fact that Nelly is uncomfortable.
15:42That she can't rest in peace.
15:44You invented it, Gilberto, to get rid of me.
15:47How can you think that?
15:49What do you want me to think?
15:50No, no, no.
15:51It's not like that either.
15:52Grandpa is not like that.
15:53He loves you.
15:54Why would he do something like that?
15:55Reason.
15:56Maybe he doesn't love me as much as he thought.
15:58So that the opinion of a fine lady weighs more.
16:02But don't worry.
16:03I better go to Chihuahua.
16:05I'll be back.
16:06And so.
16:07Final point.
16:09They fire me from the family.
16:11Polina, don't go.
16:12Grandpa, come on.
16:13Stop her.
16:14Stop her, Grandpa.
16:15You have to do something.
16:16Stop her.
16:17Let's go.
16:18Let's go.
16:19No, Grandpa, no.
16:20Even the worms escape, Grandpa.
16:22Polina, what are you looking at?
16:23Are you going on a trip?
16:24Catch her.
16:25Don't let her go.
16:26Why?
16:27What?
16:28Joel, why are you so heavy?
16:29No, no, no.
16:30Don't go.
16:31What's going on here?
16:32Don't tell me that Polina turned out to be as bad as Eva.
16:33What bad?
16:34Hey, what are you talking about, Sonso?
16:35She wants to leave the house.
16:36I don't want to leave the house.
16:38Your grandfather broke up with me.
16:39What?
16:40But what's going on?
16:42Come on.
16:47I don't want you to go either.
16:50But understand me, please.
16:53But, but, excuse me, excuse me.
16:56What are you doing with that suitcase?
16:57Cheer up.
16:58I'm going back to Chalhuanca.
16:59I'm not going to marry your daddy anymore.
17:01What?
17:03They are the designs of your mommy.
17:06Grandpa does it because he wants Grandma to rest in peace.
17:08Oh, well, if it's for my old lady.
17:11Well, I already know that Mr. Yandeli doesn't love the Olindas, right?
17:14Well, let's see.
17:15The Mookie, with the session he gave us,
17:17gave us a lot of things that we could interpret in different ways.
17:20For a moment I thought that maybe my mommy was upset because I was in that ...
17:24I don't want to talk about ghosts or souls in pain that govern the lives of the living.
17:29I better go.
17:30Olinda, please don't go.
17:32Who is going to cook for us?
17:34Do you only think about that?
17:36Yes.
17:38This is what I was expecting to happen and yet ...
17:41Why don't I feel happy?
17:48But what was that that happened to me?
17:51Oh.
17:52Suddenly, since I'm about to become a Maldini,
17:55I feel that nothing can disturb my soul.
17:58Oh.
17:59There is no space for hatred and resentment.
18:02Family.
18:04Let's talk like civilized people.
18:06Let's go to my house.
18:08We're done, baby.
18:09No, no, no.
18:10No, no, no.
18:11No, no, no.
18:12No, no, no.
18:13No, no, no.
18:14No, no, no.
18:15No, no, no.
18:16Let's go, let's go, let's go.
18:18Oh, no more with you.
18:19Huh?
18:20Only Olinda and my dad.
18:22Oh, no more.
18:23Damn.
18:24Oh.
18:25Let's go.
18:32Thank you, Pombio, for choosing us.
18:34You will not regret it.
18:36Yes.
18:37Your words about creative freedom moved me a lot, Chef Alessia.
18:41What freedom?
18:42And with your story I'm going to cook in a pot?
18:44Freedom!
18:45Freedom for the pot!
18:47Freedom for me!
18:53Now how am I going to explain to Francesca
18:54that the fool and Pombio don't want to come back?
19:03Confirmed what Joel is doing.
19:05He is working for a...
19:09Assistant of a...
19:12We doubled!
19:14Don't mess with anyone.
19:20Do you mean that we have lost one of our best kitchen assistants?
19:25I told him everything to convince him, but he didn't want to.
19:28I think he's had it much worse with the five fights.
19:30Don't tell me about the fights, that's going to give me something.
19:33And now what do we do?
19:34You fired him.
19:35You'll see how you do it so that his absence is not felt.
19:38Without hiring anyone else.
19:40Is that clear?
19:42Yes, Francesca.
19:45Without hiring anyone else means more work for me.
19:56Cousin.
19:57Leo.
19:58Aren't you going to the chip today?
19:59I have a night shift.
20:00Ah.
20:01Hey, Felix says that Olinda is going to leave.
20:04Ah, chimoso.
20:05Yes, yes.
20:07What do you mean chimoso?
20:08I already heard you.
20:09I'm not chimoso.
20:10You fooled me.
20:11Well, yes, it's true.
20:12Olinda wants to go to Chaguanga because her grandfather finished her.
20:15What?
20:16Don Gilberto finished her?
20:17And why?
20:19Because of the ghost of Doña Nelly.
20:22Cousin, let's talk upstairs.
20:23There's only toads here.
20:24Doña.
20:26But look how he keeps fooling me, did you say?
20:29That I am not chimoso.
20:30How many times do I have to repeat?
20:32I have to be attentive to everything that happens here in the neighborhood of the new Loma.
20:35Already back, already.
20:36But this Ovisio.
20:38No.
20:39You can't go.
20:40Not even de Havainas.
20:41The house would be a chaos.
20:42Yes.
20:43It is already quite unfortunate that La Charo has left.
20:44All because of that bastard.
20:46But he will return and we will find him.
20:48Damn Professor Chavi.
20:50Since La Charo left, my underpants have never been the same again.
20:53Oh no, that my old woman's soap.
20:55Well, guys.
20:56It's true.
20:57We have another problem.
20:58What?
20:59What?
21:00We have another problem.
21:01What?
21:02We have another problem.
21:03What?
21:04We have another problem.
21:05We have another problem.
21:06What?
21:07The violin.
21:08Ah.
21:09I can't believe Mr. Gilberto finished it.
21:11Are you sure he understood well?
21:13He says that the grandmother is jealous of the violin.
21:16But Mrs. Nelly died a long time ago.
21:18That old woman is able to keep screwing from the past.
21:21I should censor what you just said, compadre.
21:23But my old woman can expect anything.
21:26And are you sure you have the friendship?
21:29Well.
21:30We have to have faith.
21:32Yes.
21:33Exactly.
21:34Let's see.
21:35I'm leaving.
21:36I'm leaving.
21:37I'm going to continue with my very important work.
21:39There are some books.
21:40Wait, wait.
21:44What is he doing?
21:45What very important work are you talking about?
21:47Is he still the driver of that millionaire that his father pays him everything?
21:50Let's see, family, family.
21:51I'm going to tell you, but you have to swear to me that you are not going to tell anyone.
21:54We swear.
21:58No.
21:59No, really.
22:01Let's see.
22:02And what else?
22:03Your father was very clear.
22:05He does not want to mortify his wife, and that is why our commitment does not go.
22:10It's not that I don't want to bother her.
22:13What worries me and worries me is that because of me she can't rest in peace.
22:19Let's see.
22:21A series of strange things have happened that we cannot overlook.
22:26Nelly has always been possessive and jealous.
22:30But your wife is no longer in this world.
22:33I don't understand how she can continue to exercise power over your life.
22:37All I can think of is that you still love her, even more than me.
22:41And I can't compete with a spirit.
22:43Let's see. Stop.
22:46As Teresita, the godmother of love, I have to say something.
22:50I must confess that at first all these paranormal events,
22:54I thought they had to do with me, but I realize that not.
22:57My mommy, to be a woman who rests in peace, needs to know something.
23:03She was a little possessive woman.
23:06It's true, and also a little jealous.
23:08But above all, she loved with her heart, completely.
23:12And she, I'm sure that to rest, would like to know if you are happy, daddy.
23:21That was more beautiful.
23:24Then I ask you the million dollar question.
23:27Daddy.
23:29If your commitment to Olinda ends and she goes to Chalhuanca,
23:35would you be a happy man?
23:38I could never be happy for the rest of my life.
23:52Don't say anymore.
23:53I, Teresa Maldini, godmother of love,
23:58I give you my blessing.
24:02That means you're going to come back home, daughter.
24:08No, daddy. Hold your car, don't get excited.
24:11I wouldn't stand another heartbreak from my family.
24:15We miss you very much.
24:17We miss you very much.
24:22Look, there you have home heat.
24:27You're not going to compare that with the coldness of this house.
24:34My Richard Junior and I are very well here, daddy.
24:37And I have projects, I have plans with Francesca.
24:41So I don't want to disappoint her.
24:44If that's the case, daughter.
24:47Well, let's go, Olinda.
24:51Thank you for everything, Teresita.
25:14And...
25:18Hug me, Cueva.
25:21So many days without hugs.
25:24How nice that you two made friends.
25:26Yes, it's good that you didn't leave, Olinda.
25:28Because here Yuli doesn't know how to cook.
25:30I was going to cook anyway.
25:32That's what you think.
25:34Don't worry.
25:36Because the baby is not going to come back.
25:39Well, but if she interceded for Colina,
25:40she wouldn't leave because she already agrees
25:42with your sheep, right?
25:44Teresita is very complicated,
25:46but she loves her daddy and wants to see him happy.
25:49She's going to come back, grandma.
25:51You'll see.
25:53I wish, Jaimito.
25:55I wish.
26:10It's been a few weeks.
26:12It would be the evidence that...
26:15Hey, what was it?
26:17What happened to this radio?
26:19Yesterday I didn't turn it on.
26:21Where are those papers?
26:23Who benefits from their disappearance?
26:25Where are they?
26:28Again?
26:31Where are they?
26:35Where are they? They don't appear.
26:41And your boyfriend?
26:43I don't know.
26:45You haven't talked to him?
26:47We're not going to be like gum, girl.
26:49I mean, not like gum,
26:51but when you don't like someone,
26:53you want to spend as much time as possible with that person, right?
26:55You have a lot of cause knowledge.
26:57I think you're very similar to me.
26:59Why do you have those old-fashioned expressions?
27:01Valentina is an old soul,
27:03but with a noble heart.
27:05Oh, how silly.
27:07And you're not going to write to him?
27:08No, why? We're not doing well.
27:10You're not doing well?
27:12Yes.
27:13Why?
27:15Because he doesn't look like you at all.
27:26It's good that the storm has passed
27:28and your commitment to Olinda is still standing.
27:30Well, I'm glad for them,
27:33but deep down,
27:36I know that Olinda is still resentful of me.
27:40It's not for less, Gilberto.
27:42You asked her to come
27:44and you promised her marriage.
27:47And what did she find?
27:49First with Teresa's opposition,
27:53and then with Nelly's spirit.
27:58It hasn't been easy for my little turtle.
28:01Now you're going to have to make merits
28:02so that Olinda's resentment is taken away.
28:11Look, ma'am.
28:13I've always known that you occupy a special place
28:16in Gilberto's heart,
28:18but you are no longer in this world.
28:20And it is not fair
28:22that you do not want your widow to be happy.
28:24So I'm going to tell you something.
28:26Leave us alone!
28:32Leave us alone!
29:00I still think of my ex.
29:02He was as good as you.
29:04Really?
29:06Yes.
29:08But we haven't come to talk.
29:10So what have we come to?
29:12To burn in the fire of passion.
29:14Love me, dark knight.
29:16Yes.
29:18Love me like she does.
29:20Teresa!
29:22But how can it be that
29:24the godmother of love
29:26has her love life in chaos?
29:30I have to
29:32I have to do something.
29:36Excuse me, Teresa.
29:38I didn't know you were here.
29:40No, Francis, please. It's your room.
29:42It's also my house,
29:44but it seems that sometimes you forget.
29:46Claudio told me that your shaman was around here.
29:48Yes, look.
29:50I'm sorry I didn't tell you, Francis,
29:52but it all happened in an unexpected way.
29:54My relatives wanted to do a session in front,
29:57but the muki asked for an image of my much older mother,
30:00so we decided to do it here.
30:02I understand, but you should have consulted me.
30:05You are completely right.
30:07I apologize again and I am very ashamed of my attitude.
30:09Fine.
30:13Did the shaman say anything about Nelly?
30:16We think that in reality
30:18everything was because my mother did not agree
30:20that I live here in front,
30:22but I think it has to do with the commitment
30:24of my father and Olinda, right?
30:26That's why he broke up with her.
30:28Did your father break his commitment to Olinda?
30:30Yes, but they already befriended.
30:32I helped.
30:34Conclusion.
30:36And it's not that I believe in those things.
30:38But the shaman commented something.
30:41Did he say something so that Nelly does not continue to suffer?
30:45I mean, manifesting in some way?
30:48No.
30:50Oh, but we have to do something.
30:53I can't keep living like this.
30:55What you have to do, Francesca,
30:56is to take that strident cockatoo out of the house
30:59and throw her mother's painting.
31:01But there is little left for that conclusion to arrive.
31:05One more scare and ready.
31:14How good you came, father.
31:16Francesca, I immediately went to your call
31:19because I heard you very distressed.
31:21What is it about?
31:23About Nelly Camacho.
31:25What?
31:27I know it sounds crazy,
31:29but since Teresa brought her mother's painting to this house,
31:33very strange things have happened.
31:35Does it mean that Nelly Camacho has manifested?
31:40And in several ways, father.
31:42That's Maria Jose.
31:44No, no, no.
31:46We have to bless this house immediately.
31:48Please, let's start with the second house.
31:50Please, yes.
31:52Follow me.
31:54Let's go.
32:07Father Emanuel is blessing the house
32:10so that your mother stops suffering.
32:12Oh, Francis.
32:14But not that my mother was the devil.
32:16Oh, that picture seems terrifying to me.
32:19Be very careful.
32:21You're talking about my mommy.
32:23Oh, sorry.
32:25Silence, please.
32:27I have to concentrate.
32:37Sir, please bless this home.
32:40And all those who live here.
32:43Fill this house with your divine light
32:46and ward off all evil spirit
32:49or negative energy that may be lurking.
32:53Amen.
33:11No!
33:13No!
33:15Lord Jesus Christ, please,
33:17ward off this spirit from this house.
33:20Why am I afraid of him if he's my mommy?
33:23No!
33:29Ouch!
33:31What's wrong?
33:33Is there another evil spirit?
33:36The only evil spirit in this house
33:38is this two-legged rat.
33:41She made the picture turn.
33:44And I found,
33:46I found this wig
33:48and this dress of Mrs. Nelly
33:50in her bedroom.
34:38No!
34:46Show us!
34:48Show us how you did it
34:50and scare us again.
34:52Francesca, you're not going to believe this fossil.
34:55I believe it completely.
34:57From the first second I saw it, I knew you were behind this.
35:00See? And everyone thought my mom was a devil.
35:03Well...
35:05Father!
35:06And you made us pee in fear.
35:08You peed?
35:10My mouth is faster than my mind.
35:12I think Mr. Diego Montalban has an explanation for us.
35:15Speak, Diego.
35:17I only did it to get you out of the house.
35:19Because she's trying to break family harmony.
35:22Family harmony?
35:24I'm not going back to this house
35:26while Lula is around.
35:28Get out of my sight!
35:30Where am I going? This is my house.
35:32Get lost!
35:34Or do you want me to report you for psychological abuse?
35:36I've been begging for your forgiveness for a long time.
35:39Enduring your mistreatment, your garbage, your nonsense.
35:42I'll never forgive you.
35:44You represent the worst of human nature.
35:46The vile, the low, the ignominy.
35:48Damn it, now that I've met you.
35:50I hate you with all my soul.
35:53Why are you treating my Diego like that?
35:55I missed you.
35:57The chifera in love.
35:59Yes, I'm chifera and much older.
36:01And what are you? A pituca aunt who is very, very...
36:03Yes, calm down.
36:04Grandma, go see this aunt.
36:06As Teresa would say, speak with my hand.
36:08Hey, uncle, hey, come here.
36:10Hey, aunt, come here.
36:12Let me pull your hair.
36:14Hey, aunt, come here.
36:16I'm going to give you your fortune cookie.
36:18Hey, talk to me, aunt pituca.
36:20Quiet, quiet.
36:22We better go and have a soup to hold on to.
36:24Come on, let's go.
36:26Come on, come on.
36:28But...
36:30Your cognac, madam.
36:31I don't think a blessing has come to this house badly.
36:34I totally agree with you, father.
36:36How could I think that my mommy
36:38was not going to want me to stay in this house?
36:40If your biggest dream was always that
36:42we were a family.
36:44But how did Don Diego make the photo of Doña Nelly
36:46emit bright rays at night?
36:49That man is the king of the artimañas.
36:51Oh, yes.
37:01Let's see, let's see, let's see.
37:03Family,
37:05I have gathered because...
37:07Hey, grandpa, come here.
37:09Have you seen me?
37:11She is still a little resentful with me,
37:15but with perseverance
37:18I will be able to regain her trust.
37:21Why did you call us?
37:23Well, let's see.
37:25Family, I want to tell you that all this time
37:28that I thought I was working for a millionaire
37:31for money,
37:33I was actually working for a...
37:36Yes, we know.
37:38Please.
37:40Did you find out?
37:42It's been a while.
37:44I was the last one to find out, grandpa.
37:46Oh, I thought you were a snitch, a skinny dog.
37:48Oh, brother.
37:50Tremendous event.
37:52How was I not going to tell you?
37:54We already doubled, nephew.
37:56We can get them to expand the route of the Carmelo.
37:58That's right, and give us the license
37:59and the hotel with experience tourism included.
38:01That business is fine.
38:03But can Joel's boss do all that?
38:05She can do that and much more.
38:07And not Bachero!
38:09They are wrong, they are wrong.
38:11Marjorie is legal.
38:13And you're already giving her corn, nephew.
38:15No, no, no, nothing to do.
38:17I'm just her assistant, her trusted man.
38:19I can't be tempting her with my beauty, man.
38:21You do very well, Joelito.
38:23The work is respected.
38:25Well, now yes.
38:27Straight to the point, as the dermatologist said.
38:29He wants to meet the family.
38:31Yes!
38:33And what did you tell him?
38:35That he comes tomorrow.
38:37Tomorrow!
38:55Beautiful.
38:57There, mirror, mirror.
38:59A little thing.
39:04Throw it, throw it, throw it.
39:08On the nail.
39:11We are going to get beautiful.
39:13Beautiful.
39:17There, there, there.
39:19Now yes.
39:21We are already with his walk.
39:23Throw it.
39:24Honest, honest, honest.
39:26Where are you taking me?
39:28There, there, there.
39:30Oh, brother!
39:32How are you?
39:34Yes, yes, where are you going?
39:36Yes, brother, yes, yes.
39:38Where are you going?
39:40I'm going to a karaoke with my little boss.
39:42Ah, with your little boss.
39:44Ay, ay, ay.
39:46Isn't it that nothing happens, brother?
39:48No, no, nothing happens, nothing happens.
39:50We are going to a karaoke, nothing more.
39:52She likes to sing, me too.
39:54Let's go.
39:56I'm a little worried.
39:58I think it's a little suspicious
40:00that he's going to keep his things here.
40:02Why?
40:04I don't know, brother, it seems strange to me.
40:06Strange is your thing, I don't say anything.
40:08What's wrong, brother?
40:10I'm worried about you.
40:20Cheers.
40:22Cheers.
40:24Cheers.
40:28Hey, the firm
40:30has really closed all this karaoke just for us?
40:33Of course, I told you it was going to be like that.
40:35Ah, yes.
40:38Hey, uh ...
40:40Don't you think you're falling in love with me?
40:43I mean, I say it because of my beauty.
40:45Suddenly you kiss me like this, like an Arab.
40:47We're not going to get confused, right?
40:49Please, Joel, we've come to sing
40:51and that's what we're going to do.
40:52Let's go.
40:54I love this song.
41:22How does it go?
41:53In the stage,
41:55she is the only one,
41:57the spectacular,
41:59the very rich,
42:01ay, ay, ay,
42:03with you,
42:05my boss,
42:07Marjorie.
42:10Marjorie, Marjorie, Marjorie, Marjorie.
42:12Marjorie, Marjorie, Marjorie.
42:14Marjorie, Marjorie, Marjorie, Marjorie.
42:16Marjorie, Marjorie, Marjorie, Marjorie.
42:18Marjorie, Marjorie, Marjorie.
42:20Marjorie, Marjorie, Marjorie, Marjorie.
42:22Your vote!
42:24Only if,
42:26you can know how much I love you.
42:28And if I think,
42:30I want to be only yours,
42:32I will share
42:34my heart always with you.
42:36To recover
42:38all the lost time,
42:40ay, heart, heart.
42:42The truth is that I do not forget you,
42:44ay, heart, heart.
42:46Come back soon,
42:48I ask you, ay, heart.
42:50Heart,
42:52I just want to be with you,
42:54ay, heart, heart.
42:56Come back soon,
42:58I ask you, ay, heart.
43:17Your vote!
43:19Only if,
43:20you can know how much I love you.
43:40I want you to know my heart,
43:45I think love has finally come to me.
43:47Love has finally come to me.
43:52Life has changed me to know you,
43:58and today I no longer want to live without you.
44:01I want you to know my heart,
44:05I think love has finally come to me.
44:10Life has changed me to know you,
44:14and today I no longer want to live without you.
44:16Cuando estoy contigo, amor, todo es diferente, amor
44:20No quiero perderte, amor, siempre te amaré, amor
44:25Cuando estoy contigo, amor, todo es diferente, amor
44:29Yo no quiero perderte, amor, siempre te amaré
44:34No los escucho, no los escucho, dale
44:37Serrucho, serrucho, no los escucho, no los escucho, dale
44:41Oye, serrucho
44:45Puedo confundirme y perder la razón
44:48Soñar que estás aquí, pero cuando despierto
44:52Vuelvo a recordar
44:56Y no quiero sufrir más
45:00Siento que no es el momento
45:04Tampoco quiero disimular
45:07Tú eres diferente, te quiero como eres
45:11Pero sé que una vez más
45:14No es suficiente
45:19Hay que darle tiempo al tiempo
45:22No comprendes
45:26No quiero herir tus sentimientos
45:30No es suficiente
45:34Hay que darle tiempo al tiempo
45:38¿Pueden bajar un poquito el volumen?
45:42¿Qué pasó? ¿Todo bien?
45:44Todo bien, todo bien
45:46Nada, nada, nada
45:47Ya
45:48Eh, voy a pedirle al otro chofer que nos recoja
45:52Y ya nos vamos
45:54Sí, ya es tarde
45:55Eh, por famoso, ¿me traes la cuenta?
45:58Eh, y ya sabes, una factura con unos ceritos de más
46:03Puedo confundirme y perder la razón
46:07Soñar que estoy feliz, pero cuando despierto
46:10Vuelvo a recordar
46:14Y no quiero sufrir más
46:18Siento que no es el momento
46:21Tampoco quiero disimular
46:25Tú eres diferente
46:27El proverbio chino dice
46:28Donde hubo fuego, cenizas quedan
46:31Bueno, en mi caso esas cenizas ya están totalmente apagadas
46:34Jamás volverán a encenderse
46:36Ya, lo mejor es que te vayas a vivir conmigo
46:41¿El protector de mi padre no está?
46:43Si estuviera tu papá, igual lo harías
46:45¿Qué es de él, ah?
46:47No lo sé ni me importa
46:48La casa está mucho mejor sin él
46:51¿La hermana Flores?
46:52Hablámoslo
46:55Licenciada
46:56Hola
46:57¿Llegaron los resultados de la señora Bravo?
47:00Sí
47:02A pesar de su edad, se mantiene bastante bien
47:04Gracias
47:06Ahora dime, ¿qué está pasando entre el fisioterapeuta y tú?
47:12Quiero que te encargues del mantenimiento de los carros de mis colegas
47:15¿Alguien? ¿De sus amigos, los políticos políticos?
47:19Sí, pero sin hacer mucho espabiento
47:21En condiciones normales tendríamos que someterlo a una licitación
47:24Pero esta vez pienso saltarme un poco el proceso
47:28Porque tu taller es bueno y confiable