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00:00No, I'm sure Juana has other things to do tomorrow.
00:03Oh, no, honey, it's just that the photographer I had hired
00:06canceled me at the last minute.
00:08And, of course, I called David to help me,
00:11and we both thought, come on, Juana.
00:13In fact, come, come, Juana.
00:15Come on, come with me.
00:17Come on.
00:18I mean, you already know the house,
00:20but I'm going to show you the places where I want you
00:22to take pictures of my guests and me
00:24and everyone who's going to be there.
00:26Oh, Juana, I know things were very tense between us
00:29and probably the least you want is to help me,
00:32but, look, first of all, I really want to apologize
00:36for going to your house,
00:38for saying so much nonsense.
00:40I mean, sorry, where are you going to put the guests?
00:44Just to get the idea.
00:46Oh, Juana, you're such a nice person
00:48without giving any importance to what I did to you.
00:52Look, blur and new story.
00:54Oh, I'm sorry, I really lost my mind because of jealousy.
00:58Gabriel, Gabriel is everything to me.
01:01As you probably noticed in the toast
01:04that was made yesterday at the brewery.
01:06And, you know, then I heard about your pregnancy
01:08and everything made sense to me.
01:10I already understood why Gabriel approached you.
01:12It's just that he probably wants to protect you,
01:14just as he probably would have wanted to protect me,
01:18but, well, sadly, that miracle didn't happen to us.
01:23In fact, you know that in the morning I saw him
01:25with a friend of his, Irma, she's a gynecologist.
01:27But, excuse me, Mrs. Paula, to interrupt you.
01:29I don't know what you think, for example,
01:31of starting with a group photo here where the sculpture,
01:33I think it could look nice, right?
01:35Yes, yes, yes, I think it's fine.
01:37We can do that.
01:38But I was telling you that I saw Gabriel with his friend, Irma,
01:41who is a gynecologist, and I said,
01:43of course, he probably called her to ask her to help you.
01:46Well, if he didn't do it today, I mean.
01:51Excuse me.
01:52I think, I really think I'm not the right person
01:54to take pictures of your event.
01:56Ah, Juana, but if it's not my event,
01:59it's the event in favor of the orphanage
02:01of the children of Father Jose, of your own neighborhood,
02:03if you know, right?
02:05Can you imagine how much money they could raise?
02:07And above all, how important that event is for them.
02:12But, well, you said, out there, to take the picture, right?
02:16More or less, as you say.
02:17It's just that, look, I want everything to look great.
02:19First, where...
02:20And you're going to tell me how you came up with
02:23that Juana was the photographer of Paula's event?
02:25Let's see, things were not like that.
02:26And how were they?
02:27Paula expressly asked me to be Juana, the photographer.
02:31Look, Gabriel.
02:33Honestly, I don't know what game you and your wife are playing.
02:38But you're getting people involved who have nothing to do with it.
02:41You're getting Juana involved.
02:42I just want to help her.
02:43You want to help her?
02:44Yes.
02:45How?
02:46Taking her from the brewery for the second time?
02:49Look.
02:52You see Juana as a friend.
02:54She's in love with you, and you know it.
02:58The next day, they return to the brewery as if nothing had happened.
03:01And to finish it off, in the toast, you kiss your wife in front of everyone.
03:08You do know who they were turning to see, right?
03:12Juana.
03:14Because for them, Juana is breaking your home.
03:18When I know perfectly well that things are not like that,
03:20it's you and Paula getting her involved in her stupidity.
03:28A marriage ends with the two people who make it up.
03:31And I always thought my dad had his reasons to break up.
03:35Break up?
03:37I can't believe you're saying that, Jenny.
03:42Really, girl.
03:43Shut up.
03:44You're making it worse.
03:45Why?
03:46Why?
03:47What do you mean, why?
03:49Why do you call breaking up a guy who left to buy cigarettes 25 years ago
03:54and left us and never came back?
03:56Exactly.
03:57That man left us, Jenny.
03:59I mean, he didn't get a divorce or break up.
04:01No one thought of this house.
04:03What do you know?
04:04What do you know?
04:05You don't know anything.
04:07And you know perfectly well that our mother is not as easy as we say.
04:11You probably made her life a living hell and that's why she left.
04:16You know what, Jenny?
04:19I'm tired of being the reason for all your misfortunes.
04:26And I should start doing the same, you know?
04:30Because you're the person who's made me suffer the most in my life.
04:33And you know why?
04:35Just because I'm your mother.
04:46I'm sorry.
05:16That's it, baby.
05:17Good.
05:18Good, Jenny.
05:19You can do it.
05:20One more.
05:21That's it, baby.
05:22You did a great job.
05:23That's it.
05:24That was good, Felipe.
05:26That's why both of you are going to get a prize pallet.
05:29The size and flavor you want.
05:31Come on, baby.
05:32Come on.
05:33Come on.
05:34That's it.
05:35Felipe, cover the pallet.
05:38Buddy, give the pallet to the kids.
05:41Whatever they want.
05:42I'll pay.
05:43Just that.
05:45And a word of this to your mom.
05:46If Josefina finds out that I'm buying this for you,
05:49she's going to be mad at me.
05:52Got it?
06:07Look, Juana.
06:08The important thing about the event is that the donors
06:10are very happy and they give generous contributions
06:13to Father Jose.
06:15So that he can continue to maintain the orphanage.
06:17And since people love to see each other in the magazines,
06:20on social media, you have to focus on them.
06:22But above all things, you have to take care of my image
06:26and Gabriel's.
06:27Because we are public figures, right?
06:29We have to project what we are.
06:31A united, happy couple.
06:34Of course.
06:35Mrs. Paula, I think I already have enough indications.
06:38And since I already covered an event here,
06:40I think I know quite well what you want.
06:42Juana, please don't sit with the commitment, right?
06:44That we can get another photographer?
06:46Yes, of course, no problem.
06:48No, it's fine.
06:49Thank you very much.
06:50But if it's for Father Jose and his children,
06:52who I also know very well, I'm happy to cover the event.
06:56Thank you.
06:57Excuse me.
06:58Thank you.
06:59See you later.
07:00Excuse me.
07:02No, no, stop talking.
07:04Stop making me feel guilty.
07:07I don't understand why you have to pay all your frustrations
07:09with the boss, really, Jenny.
07:11It's not fair.
07:12It's not fair.
07:13My dad called the house and I didn't know.
07:16I'm his daughter.
07:17And after so long without knowing about him?
07:19What do you know?
07:20If he was sick in jail or he was kidnapped.
07:23Please, Jenny, don't say that.
07:25I knew this was going to happen.
07:28Please, Jenny, don't say that.
07:30I've heard stories where people lose their memory
07:32and then recover it.
07:33Well, if you lose your memory suddenly,
07:35don't even show up here because you're going to lose it again.
07:37Well, this is my house.
07:39And if he shows up, I'm going to receive him.
07:41Hold on, Jenny, hold on.
07:44Don't buy this problem for free, okay?
07:46Because the family is going to get in trouble
07:48and it's going to get serious, okay?
07:50Whoever enters through that door
07:51is because all of us who live here agree, okay?
07:55Well, I'm going to go look for him and I'm going to find him.
07:58It's just that he's here.
07:59Leave him like that. How is he?
08:00It's just that I can't.
08:01Understand him.
08:03I can't.
08:05I need to know how he is.
08:07What happened to him?
08:09Let's see, brother, I respect your decision.
08:12But I understand.
08:14I want to see him.
08:20Hug me.
08:26Oh, my God.
08:36Boss.
08:37I'm glad you're here.
08:39Serve me something.
08:41Of course, boss.
08:43Diaz.
08:45I'm going to throw up. I'll be right back.
08:47Hey, hey, hey, hey, hey.
08:55Do you want me to go with you, Camacho?
08:58I can't.
09:01No, I don't need a chaperone.
09:03I know how to take care of myself, thank you.
09:15Good morning, Rege.
09:17I'm hungry.
09:19If you could see how well-treated I am in there.
09:22Oh, Camacho.
09:27Do you know, for a woman like Camila,
09:29if I'm willing to leave Amparo's bitterness
09:32and put up with Pancho making me my children?
09:39That's not true.
09:41Dad's not going with Camila.
09:43Oh, please.
09:44As if I didn't know your dad.
09:46That's why I'm worried about you.
09:48Me? Why?
09:50Your dad does what he wants with you.
09:52He does what he wants with you.
09:54It hurts.
09:55It hurts because I couldn't protect you.
09:57And you became another of his puppets.
09:59That's not true.
10:00Yes, it is.
10:01Your dad is a selfish man.
10:03He's a selfish man.
10:04He's not going to put your interests
10:05before his, Manuel.
10:07He's never going to.
10:08Never.
10:10I want you to find out everything you can
10:13about this detective
10:14who's been meddling too much in my affairs.
10:18Salvador Castillo.
10:20I have a connection at the DA's office.
10:22I'm on my way.
10:23No?
10:24Excuse me.
10:25Go ahead.
10:32What happened?
10:33I don't know.
10:34I don't know.
10:35I don't know.
10:36I don't know.
10:38What happened, Manuel?
10:40Dad, Mom is not well.
10:42You have to go home tonight.
10:44And tomorrow you have to go with her
10:45to Paula's house event.
10:50Why did you insist on David
10:51for Juana to be the photographer for the event?
10:54Juana is not a brewery employee.
10:56Really?
10:57This is something of yours.
10:58It's personal.
10:59No, but I wasn't even offending her,
11:01offering her a job.
11:03Besides, what I organized
11:04is for the kids in her neighborhood.
11:06And I don't think an extra job would hurt her.
11:09You see?
11:10You're humiliating her.
11:11Gabriel, you gave her the option not to come
11:14and she didn't take it.
11:15You know exactly what I'm talking about, Paula.
11:17No, I don't understand you very well.
11:20What I did realize
11:21is how in love David and Juana are.
11:23Didn't you realize?
11:24It's so obvious.
11:26Do you think he would be able
11:27to get the young woman pregnant?
11:29That would be great.
11:32Honey, I'm sorry.
11:33I have a lot to do.
11:36I'm sorry.
11:44Are you sure you're okay?
11:49Don't worry.
11:51But thank you for rescuing the blondes.
11:54I'm sorry, Juana.
11:56I should have told Paula
11:57that you weren't going to be the photographer.
12:00It's not your fault.
12:01Paula should have asked me directly.
12:04It hasn't been easy for you, has it?
12:07No.
12:08Look, I really don't understand
12:10what you're going through.
12:12You haven't fully opened up to me
12:14and it's okay.
12:15I'm not complaining.
12:17I just wanted to tell you
12:22that I'm your friend.
12:24I want to be your friend.
12:26Well, that's it.
12:29Thank you.
12:30I really appreciate it.
12:32Well, I have to go.
12:34Thank you for bringing me here.
12:37See you tomorrow, I think.
12:41Bye.
12:42Bye.
12:57Especially if Mr. Juan Mayor and his husband
13:00get along and have a close relationship.
13:02No, no, no, no.
13:03Rogelio and Francisco have never gotten along.
13:06I never understood why.
13:07Wait.
13:10Look,
13:12if Rogelio was the Mayor
13:14and Mrs. Camila has a crush on him
13:17or they're flirting,
13:18they're giving each other any kind of affection,
13:20we're going to have a probable cause
13:22and then, yes,
13:23we can treat it as passion crime.
13:26Passion crime?
13:27Totally.
13:29Salvador.
13:30Salvador.
13:31It's an emergency.
13:33Trucha, the river.
13:35What river? What Trucha?
13:36Did you see my fish face or what?
13:38Come on, multiply by zero, Pacheco.
13:39Let's go, let's go.
13:40Is he gone or what?
13:42I don't know.
13:44What? What?
13:45I need you to help me with something.
13:48I need to find my dad.
13:55Damn.
13:59I brought some pancakes
14:01so we can eat later.
14:06You've been out all day.
14:09I've been looking for you.
14:10At least you could talk to them.
14:12Did you see them? Did you go to their house?
14:14Yes, I did.
14:16I went and played for a while.
14:20But no one came out.
14:22Then,
14:24a neighbor passed by.
14:29A neighbor.
14:31And she told me
14:33that they left very early
14:36to go to work.
14:37Did you ask where they worked?
14:39No, but they worked all day long.
14:44We'll have to go to where they work, right?
14:47I mean, the little money we have left is for this.
14:49We can't be waiting for them.
14:53Honey, don't you care if I go to work or not?
14:57Honey, don't you mind if we talk about that later?
15:00I'd like to take a nap.
15:18But, above all things,
15:20you have to take care of my image in life.
15:22Because we are public figures
15:24and we have to project
15:26what we are.
15:27A very happy couple.
15:32What's up, bitch?
15:36You don't know what happened when you weren't here.
15:38What happened? Tell me.
15:41The night you weren't here.
15:43You were at the blonde hacienda.
15:44Uh-huh, yes.
15:46Well,
15:48someone was there,
15:49marking the house.
15:50Your grandmother answered and said he was wrong and hung up.
15:54No, but you had seen her face.
15:57She was very upset.
15:59Not even the sun warmed her up.
16:00So much so that she didn't care about the guests.
16:02She apologized and went into her room,
16:04because she felt bad.
16:05But how? Is Grandma sick?
16:06Sick of anger,
16:08of courage, bitch.
16:09Oh, uncle, tell me what's going on.
16:11I'm getting scared.
16:13But it turns out that it was your grandfather who spoke.
16:17Let's see, uncle.
16:18Wait, what was my grandfather like?
16:20What did he say? What does he want?
16:21What does he want, bitch?
16:23He kept screwing us.
16:24As if it hadn't been enough for everything he screwed us.
16:27But really, don't even look at me here,
16:29because I really don't answer.
16:30Let's see, uncle.
16:31I know your instinct is to protect us,
16:33but maybe he did call and...
16:34No, no, let's see, let's see, Chaparro.
16:35It's just that I don't hear, maybe.
16:37I mean, come on.
16:38That man abandoned us.
16:40I mean, you know what that means.
16:42He screwed your grandmother's life.
16:43I know, I know.
16:44And if it wasn't because the lady is an iron temple
16:46that took us all ahead,
16:47we would have stayed on the street like beggars.
16:50Yes, well, yes.
16:52And, let's see, does my mom know about this?
16:55Of course she knows.
16:56She's with Chavo investigating the number where he called.
16:59Well, uncle, obviously that's going to be his dad.
17:01I mean, do you think he doesn't want to know what happened to him?
17:03Let's see, Chaparro.
17:05You are an intelligent woman.
17:07Do you know that matters?
17:09Let's see, I didn't know my dad.
17:10You know that, right?
17:12If he called this house,
17:14I of course I wanted to meet him.
17:16No, no, no, you can't be telling me that, Chaparro.
17:18Please.
17:19Let's see, uncle, you know how much my mom loved her dad.
17:22You know that all the problems she has with men
17:25obviously come from her abandonment.
17:26Exactly.
17:27Exactly, you're giving me the right.
17:29No, because what I'm going for
17:30is that it's normal that my mom wants to see her dad.
17:32It's normal, it's healthy.
17:34And you know what?
17:35Well, I would also like to know.
17:38Uncle, it's the only way we're going to be able to heal our wounds.
17:46But you said you could locate the phone where they were calling.
17:49Yes, because I thought it was a stranger.
17:51What do you mean a stranger? Salvador is my dad.
17:54I need a complaint.
17:55Complaint, complaint of what?
17:57A complaint that he is being abused, harassed.
18:01No, no, no, wait, wait.
18:03My dad is not a harasser or abused anyone.
18:05I mean, what's wrong with you?
18:06Let's see, I think I'm not explaining myself.
18:08What I want to tell you is that in order to investigate a number,
18:12I need a probable cause that there is a crime being committed.
18:15No, no, no, but let's see.
18:16My dad didn't commit any crime, Salvador.
18:18You are a manipulator, a liar, a gossip.
18:21I don't know why I came to ask you for favors.
18:23Forget it.
18:24I didn't say that.
18:25Oh, I didn't say that.
18:26Why do you always get angry like a little kid?
18:28I get angry?
18:29At the first exchange.
18:30I'm giving you the opportunity to mess with me and you get away with this?
18:33I'm explaining to you what I need to be able to...
18:36No, you don't explain anything to me.
18:37I understood perfectly.
18:38You know what?
18:39I don't need anything from you.
18:40I'll solve it as always.
18:41As always.
18:42I solve everything.
18:43Thank you very much.
18:44Goodbye.
18:45See you later.
19:16Aren't you going to come back to your house at some point?
19:22This is my house.
19:24Yes.
19:25Well, I mean with your family.
19:27With your wife, your son Manuel.
19:30With them?
19:31Uh-huh.
19:32They bore me.
19:34I see.
19:35Let's see, Rogelio.
19:38This can't be a relationship that everyone knows about, you know?
19:42What's going to happen if Francisco shows up?
19:45How am I going to stay?
19:47Besides, well, let's be clear, right?
19:49You forced this relationship.
19:56I'm not going to accept that you talk to me like that.
20:01So lower your eyes.
20:04Okay?
20:05Okay.
20:35I love you.
20:36Me too.
21:05I love you.
21:35I love you.
21:36I love you.
21:37I love you.
21:38I love you.
21:39I love you.
21:40I love you.
21:41I love you.
21:42I love you.
21:43I love you.
21:44I love you.
21:45I love you.
21:46I love you.
21:47I love you.
21:48I love you.
21:49I love you.
21:50I love you.
21:51I love you.
21:52I love you.
21:53I love you.
21:54I love you.
21:55I love you.
21:56I love you.
21:57I love you.
21:58I love you.
21:59I love you.
22:00I love you.
22:01I love you.
22:02I love you.
22:03I love you.
22:04I love you.
22:05I love you.
22:06I love you.
22:07I love you.
22:08I love you.
22:09I love you.
22:10I love you.
22:11I love you.
22:12I love you.
22:13I love you.
22:14I love you.
22:15I love you.
22:16I love you.
22:17I love you.
22:18I love you.
22:19I love you.
22:20I love you.
22:21I love you.
22:22I love you.
22:23I love you.
22:24I love you.
22:25I love you.
22:26I love you.
22:27I love you.
22:28I love you.
22:29I love you.
22:30I love you.
22:31I love you.
22:32I love you.
22:33I love you.
22:34I love you.
22:35I love you.
22:36I love you.
22:37I love you.
22:38I love you.
22:39I love you.
22:40Horizonte Antonio Mancava, Colabrita.
22:41Street Light.
22:42Street Light.
22:43Joe Macktails.
22:44I Zooming.
22:45I Zooming.
22:46Please if you are doing that I will make sure to download the app and the Google App.
23:30My daughter, it's your turn.
23:39In all my life, I think this is the second time I see you in bed during the day.
23:47The first time I was very small, but you were burning with fever and I was so stubborn that I wanted to read you my stories. Do you remember?
23:55Yes.
23:57You know, Abu, I'm trying to imagine what you must be going through.
24:03To hear the voice of the man who abandoned you, who left you with two children you loved so much.
24:10It must have been very difficult.
24:13Surely you didn't let anyone see you cry and you kept going, like the warrior you are.
24:20And besides, I'm sure you had a lot of suitors, with how beautiful and young you were.
24:26You're a daughter, but I wasn't one to take risks. I had to get my children ahead and not miss the roof.
24:33That's you. You always put others above you, including me.
24:40That's why I know that the other day you went to the brewery to talk to Gabriel.
24:46I know you did it like the lioness you are to protect me from what I know you consider a danger.
24:55That man is a danger.
24:58Look, I know my relationship with Gabriel is not ideal and I don't even understand him.
25:03But Abu, you have to let him take the blows and learn to get up on his own.
25:10Because I want to be as strong as you, but if you don't let me fall...
25:15Daughter, there are blows that you can't get up from.
25:20But you taught me that's what we're here for.
25:23You taught me that if one of us falls, the rest will get him up.
25:29And I'm here for you, to get you up.
25:33Look, my love, I don't want to keep things inside. I'm going to tell you.
25:39That man Gabriel doesn't want anything good with you.
25:45He wants something, something from you.
25:49I don't know what it is, but he's not honest with you, daughter.
25:54I see that you are already making progress with the preparations for the party in the garden.
25:58What can I tell you? Paula is still crazy about wanting to do that party,
26:02even though I already told her that I want to divorce her.
26:05Don't you know who's going to be the photographer?
26:08I don't know.
26:10I don't know.
26:12I don't know.
26:14I don't know.
26:16I don't know.
26:18I don't know.
26:20I don't know.
26:21I don't know.
26:23Juana.
26:25As she knows the children from the orphanage, she didn't refuse.
26:29Please.
26:31Paula must think that apart from your decision to divorce you, it's Juana's fault.
26:36I don't even want to think what's going to happen when she finds out that she's going to give you a child.
26:43Send this to the lawyer.
26:45The divorce agreement you asked for.
26:51Did you want me to sue my dad for abusing and harassing?
26:54Of course I'm not going to do that to my dad.
26:56If Salvador is a cop and he's going to ask you to invest in a number, he has to have a reason.
27:01No, I'm not going to give my dad's name so that later he's like a criminal.
27:06I think a man who leaves his family to God's will and abandons his children when they are creatures,
27:12is a criminal, girl.
27:15Enough, Felipe.
27:17Stop it.
27:19Juana understands and wants to meet her grandfather.
27:22Girl, Juana understands because he wasn't there.
27:25He wasn't even born.
27:28But Juana doesn't know what it's like to have a father.
27:31To see him here every day.
27:33That one day he's gone, that he abandoned us.
27:39You don't know how he behaved with me.
27:41I miss him a lot and I loved him a lot.
27:44And my mom, you know it's difficult.
27:47She might have left because she couldn't take it anymore.
27:50What do you know?
27:53I see you're still with the same thing.
27:56I'm going to the kitchen for a glass of water and I'll be back in my room.
28:05Family, family, family.
28:07Mrs. Fina.
28:08I'm glad I see you because I have a surprise for you.
28:11Well, tell me, because you're going to drown me.
28:13Tomorrow is Nicolas' birthday.
28:15And he invited us all.
28:17You, because you're Juana's family.
28:19And me, because I'm his brother.
28:22What do you think if we all go together?
28:25Well, it's in the mansion, blondie.
28:27Well, I'm going to pretend I don't know how to read and I'm deaf.
28:30I'm not going. You guys go.
28:32But partner.
28:34And the sweets.
28:35Well, I'm very sorry, Pepito.
28:37But if I make sweets today, I'm going to be just as sad as yesterday.
28:40I'm going to my room, excuse me.
28:42Hold on, Fara, I'll go with you.
28:46Well, I'm going.
28:48Yes, that's the attitude, Jenny.
28:50But first you have to help me make my sweets.
28:52Oh, I don't know how to make sweets.
28:54I can't do it.
28:56Come on, Jenny.
28:58With what it cost me to get so many changaros to put the sweets on Mrs. Fina.
29:01If we don't put them on one more day,
29:02the competition is going to beat us.
29:04Well, I'll help you.
29:06It turns out that we are not going to be the same, but we try.
29:08We try.
29:10Come on, that's it.
29:12Let's see, and who are we going to give those to?
29:14Mom, I'm very happy that you have stopped and left your room,
29:16but I want to see you sad and worried.
29:19You are asking me too much, my son.
29:22I don't know if I will be able to bear
29:24to have your father in front of me again.
29:27I want to be able to, but ...
29:29No, but nothing, mom.
29:30Don't worry.
29:32But I promise you that that man who is not my father,
29:35he is not going to approach you.
29:38Thank you, son.
29:41I'm going to bed.
29:57Here is the number where you can call me.
29:58At the time you told me, from Puebla.
30:01I owe you some chelotas, but thank you very much.
30:03How did you get it?
30:05A cybernetic manager is a very trusted friend.
30:07She is a fan of food,
30:09and for my recipe of pork and beans,
30:11she would do anything.
30:13See you, dad.
30:15Thank you.
30:29Well, brother,
30:31why are you so stuck with what happened to Juana?
30:33If Gabriel wants to help her,
30:35or whatever he wants,
30:37it's his problem, right?
30:39No, what I don't want is for him to break his heart
30:41with the pretext that he wants to be a father,
30:43whatever, and Juana is pregnant.
30:45It's okay.
30:47Brother, Gabriel is married to Paula Fuenmayor.
30:50Exactly.
30:52Exactly.
30:54She is one of the most popular models in the world.
30:55If I were you,
30:57I wouldn't worry about my friend Juana at all.
30:59You don't understand anything, rather.
31:01No, no.
31:03You are the one who doesn't understand how things are.
31:05Most men,
31:07not you,
31:09the vast majority of men,
31:11we are practical, brother.
31:13Let's see, look,
31:15for example,
31:17it's a shame I can't introduce you to my new candy,
31:19right now, because it's Franco's,
31:21but you don't know what a kid, huh?
31:23Well, you know,
31:25she's a woman.
31:27Uh-huh.
31:29With character, personality,
31:31she's pretty,
31:33hard-working.
31:37Well, cheers.
31:39Cheers.
31:41Hey, girl,
31:43what do you mean Juana is going to be the photographer
31:45of the Nicolás party?
31:47I mean, is it serious that I'm going to the mansion of the blondes?
31:49Shut up, yes, I just found out too, barely.
31:51But if you want to talk to her,
31:53try to see if you're right, good luck.
31:55In the bathroom, revealing some photos.
31:58No, leave her like that.
32:00You already know her from such and such a ball,
32:02and the more you tell her,
32:04the more they get close, the more they get into each other.
32:06Come on, beat me the eggs.
32:08No, well, I know,
32:10but you know what?
32:12We're going to have to go to the whole family
32:14so they realize that Juana is not alone, right?
32:16I'm going to listen to this bastard.
32:18How are you?
32:20Look, if you came to apologize
32:22for treating my dad like a criminal,
32:24it's perfect.
32:26If not, look, go ahead.
32:28I'm also very happy to see you, my Janney.
32:32I got the number.
32:36I'm going to tell my dad.
32:38I'm going to tell my dad.
32:40I'm going to tell my dad.
32:42I'm going to tell my dad.
32:43I'm going to tell my dad.
32:47What did I tell you, boy?
32:49You are being fair and generous.
32:51Yes, quite generous.
32:53You have to leave her this mansion,
32:55five years of pension, very high,
32:58and also the house in Valle de Bravo,
33:00the condominium in Cancun,
33:02the chalet in Madrid.
33:04Look, she's interested in that.
33:06What matters to me are the actions of the brewery,
33:08and she doesn't pay much attention to that.
33:10I hope.
33:12I hope.
33:14Right?
33:16I hope.
33:18Because it's in a plan.
33:24Pacheco has his connections in the prosecution.
33:26Oh, thank you.
33:28The problem is that I called the number.
33:30It's from Puebla.
33:32Indeed, Mr. Ramón Bravo was there,
33:34but he left a few weeks ago
33:36and no one knows anything about him.
33:38Oh, I don't know.
33:39What?
33:41It's the best thing that could have happened, girl.
33:43Don't be cruel, bro.
33:45The day our father disappears,
33:47you'll always regret everything you're thinking
33:49and everything you're saying.
33:51We already lived that day.
33:53I know it's been very difficult all these years without him
33:55and it's not cool what he did.
33:57It's hurt me like you,
33:59but he's our dad.
34:01Well, go out and have a drink, my boy.
34:03Bye.
34:08Keep beating the eggs.
34:10Oh, really?
34:14This is from here, right?
34:20Good luck.
34:24Hi, Paula.
34:26And goodbye.
34:28Have a good night.
34:30Thank you.
34:31I'll wait for you tomorrow at my charity event.
34:34Yes, of course.
34:36Bye.
34:39Do you want me to ask you to make us dinner?
34:42No, thank you.
34:44This is for you.
34:47It's the...
34:49Yes, I know what it is.
34:51And I'm not going to receive it now.
34:53Put that dagger away for tomorrow after the party.
35:02Tania!
35:04Yes, ma'am. One second.
35:06Come here.
35:08I need the gifts.
35:10Please, we have to put them.
35:12And in this part, there's going to be DJ.
35:14We're going to put DJ.
35:16How are the seafood?
35:18They haven't arrived yet, but they're coming.
35:20Don't worry, Tania.
35:22We need you to hurry.
35:24Yes, because I don't want them to arrive without me.
35:26Here are the gifts.
35:28Don't worry.
35:29Okay, perfect.
35:31Please supervise the waiters.
35:33The bar will be here.
35:35We're going to have another bar there.
35:37Paola!
35:39Excuse me.
35:41Are you serious?
35:43For God's sake, this doesn't look like a party for kids.
35:45And what did you order? Seafood?
35:47Why didn't you order hamburgers, popcorn, crepes, those things?
35:49Thank you very much for your opinion.
35:52Hey, friend.
35:54Let's go back.
36:00Hello, hello.
36:02Not so good.
36:04What happened now?
36:06Let me try.
36:08How is it?
36:11It's sad.
36:13They don't know anything.
36:15Come on, Pepito.
36:17Are you serious?
36:19And now?
36:21This can't be possible.
36:23This is a tragedy.
36:25You cook sad things.
36:27Mrs. Fina too.
36:29I give up.
36:31I spent all night doing this.
36:33I can't do this anymore.
36:35And now?
36:37No way.
36:39I'm going to have to take them like this.
36:41No.
36:43Remember that I sell joy, not sadness.
36:45No.
36:47What are they going to say about me?
36:49What's going to happen to my savings?
36:51The family economy?
36:53This can't be possible.
36:57Uncle.
36:59I'm on my way.
37:01But first I wanted to know how it went with Paula
37:03and the divorce papers.
37:05Bad.
37:07In fact, she didn't want to accept them.
37:09I'm going to wait for this party to end
37:11and I'm going to try to talk to her.
37:13What's up, Mom? I'm leaving.
37:15How come you're leaving so early?
37:17Aren't you going to sweep?
37:19I know, but I have to get ready and all that.
37:21All for the orphans of Father Jose.
37:23All for the orphans of Father Jose.
37:25Your grandfather is leaving.
37:27He's getting ready.
37:29That's good.
37:31It gives me a lot of security that they're there.
37:33It's taking me a long time.
37:35So I don't feel so alone.
37:37Don't say that.
37:39You know perfectly well that we will always be together.
37:41The whole family apart.
37:43In good times and in bad times.
37:45That's it.
37:47Well, I'll see you now. I love you.
37:49I love you too.
37:51Be careful, my love.
37:53And nothing that later.
37:55We're going to go.
37:57And now I'm going to accompany you.
37:59They have to rest today.
38:01And because of how you are,
38:03I don't believe anything you said to them yesterday.
38:05That's why I'm going to accompany you.
38:07Now we're going to catch the bull by the horns, as you say.
38:09Let's go.
38:11Bull by the horns.
38:13Let's go.
38:15I just warn you that I can still brush my shoes alone.
38:17Well, go out.
38:19And don't forget the keys.
38:23Come on, Josefina.
38:25Look who's here.
38:27How pretty, boss.
38:29Well, with that smile, what a difference.
38:31Oh, son.
38:33What happens is that I think Juana is going to need us all.
38:35Well, yes.
38:37I'm ready.
38:39How are you?
38:41What a beautiful life.
38:43I don't bring my jacket in case it's cold.
38:45Come on.
38:47Your boyfriend is here.
38:49Your uncle is here.
38:51What?
38:53Are we leaving or what?
38:55I brought Nico a gift.
38:57Come in.
38:59Josefina, how elegant.
39:01You say elegant, Pepito.
39:03How beautiful you are, Josefina.
39:05Yes, Mr. Memo.
39:07Mr. Memo, I'm going to believe you.
39:09Oh, my class.
39:11Sweetheart, can I go to the picnic room?
39:13Quickly.
39:15No, no, my daughter, come on.
39:17Excuse me.
39:19Come on, take care of your ball.
39:21I think this party is going to be memorable.
39:23Oh, well, I hope there's good food.
39:25Because my gut is already itching.
39:27And at that party I'm going to get a cough.
39:29Well, Mr. Pau, let me open them.
39:31Just one.
39:33No, Nico, no.
39:35Why don't we wait for all your guests to arrive
39:37and you open them with them?
39:39Well, but when are they coming?
39:41I'm dying to see them.
39:43Well, I don't think they'll be long.
39:45They're probably about to arrive.
39:47I don't know what time we're going to invite your friends.
39:49Excuse me, ma'am.
39:51Miss Juana arrived.
39:53Hello, Juana.
39:55Juana, how nice, darling.
39:56Happy birthday.
39:58Hello, Juana.
40:00Hello.
40:02Chaparro.
40:04Well, why don't we take advantage that you're here, Juana,
40:06and you take a family picture of us?
40:08Come, my love.
40:10Come, please.
40:12Come, family hug.
40:14Smile.
40:19Very pretty.
40:21Nico, come, I have a surprise for you.
40:23Let's see.
40:24Just a moment, please.
40:30Guess what?
40:32I know you already told me that our marriage has no future,
40:35that there is no love, whatever you want,
40:37but I think we can help this charity together
40:40and also make this child happy.
40:42It's not that complicated, right?
40:44You can smile.
40:46Please.
40:49And how are you going to go to the party?
40:51What?
40:52I thought you were going with Nicolas.
40:54No, I'm not going with Nicolas,
40:56but Pepito helped me, right?
40:58He convinced him to invite me.
41:00Do you think I'm going to miss that party?
41:02But Pepito is nice.
41:04Nicolas told me
41:06that he had invited all the guys from the neighborhood,
41:08and Yadir is one of the guys.
41:10Sure, and future partner.
41:12Where is Mrs. Josefina?
41:14Mrs. Josefina!
41:16You have to do business, you have to serve.
41:18Mrs. Josefina!
41:20She's over there.
41:22Oh, well, I bring her a business.
41:24She brings me more sweets.
41:26She's going to put them in the beauty salon.
41:28But now do them when she's not happy.
41:30Look, Pepito, the sweets are sad.
41:33How?
41:35And Jenny too.
41:37Oh, Pepito.
41:39Business.
41:41Well, let's go.
41:43Oh, I'm going with Felipe.
41:45Come on.
41:47Come in.
41:49Mrs. Josefina, allow me,
41:50but your perfume smells like glory.
41:53Oh, well, thank you very much.
41:56I bought this catalog from Zoraida.
41:58But it smells nice, right?
42:00Yes, yes.
42:02Well, come on.
42:05Okay.
42:07Smile.
42:09Juana, take another picture of Nico.
42:12Sure.
42:14Leave it there.
42:16Let's see, smile.
42:20Smile.
42:26Hey, don't you think we're a wonderful family?
42:29Yes, we are a family.
42:31A very happy family.
42:36Smile, Ana.
42:38Smile.
42:45Let's see another one.
42:47Take another picture of us, Juana.
42:49Yes, Juana, come on.
42:51It feels so nice to have a family.
43:16I love you.
43:18Me too.