Mafin - Marta y Fina - Parte 4

  • 2 months ago
Historia completa de Marta y Fina - Mafin
Transcript
00:00I'm sorry.
00:12Are you okay?
00:20You've been crying.
00:24I don't know what to think.
00:27My father says he's better than the doctors say, but...
00:31I know he's lying.
00:33And I don't know if I should let him lie or...
00:36I'm very confused.
00:38I wish I could help you and...
00:43I'm sorry.
00:45Why are you doing this to me?
00:49I'm sorry, I don't see you well and...
00:51It's not that you tell me these things and make me believe that we have a relationship of trust, of intimacy.
00:57But then you go and you run away.
01:00You confuse me, Marta.
01:02Last night, I...
01:03I know you're a married woman.
01:05I know.
01:07And I know this is very difficult for you, but I...
01:11I don't want to suffer anymore.
01:13I don't want you to suffer.
01:16I've never felt anything so special for someone.
01:19But what I feel for you...
01:22It's not what you'd like.
01:25But things have happened between us, right?
01:28There have been glances, there have been smiles.
01:31Of course you've known.
01:32And all this has happened, right?
01:33Yes.
01:34I haven't made it up.
01:35No.
01:36So what?
01:37I think they've been the result of an intense affection caused by...
01:40by the closeness, by the time we spent in the store.
01:43The loneliness, by the absence of my husband.
01:45Yes, I understand you, I really do.
01:48But there are certain things that...
01:50that are very difficult to assimilate.
01:52Especially in this country.
01:54That we'd have to live hidden.
01:57I'm not like you, Fina.
02:00Like me?
02:01I'm not judging you, okay?
02:02And I'll never judge you like I didn't when Petra told me.
02:08And I'm very sorry I made you think that...
02:12that this was something more than a friendship.
02:15More than a friendship.
02:17Which is what it is.
02:19Well...
02:21If that's the case, I think it's best that we distance ourselves.
02:26If that's what you need.
02:29Marta, I feel quite ridiculous after everything we've talked about, so...
02:34If you don't mind...
02:36Fina.
02:39If you need a transfer, just ask me.
02:43If my father wasn't sick, I'd be happy to go.
02:47Of course.
02:50So, as you said, it's best that...
02:54that we distance ourselves and limit ourselves to...
02:58the store's matters.
03:01Very well.
03:12Thank you.
03:20Operator.
03:21Yes, with the photo studio of Marcos Carvajal, please.
03:26Thank you.
03:30Hello.
03:31See you later, Fina.
03:32I'll see you later.
03:35Have a good day, Mr. Andrés.
03:37Likewise.
03:43You're early.
03:46You too.
03:48Claudia and Carmen are where Luis...
03:50had to put some shelves back.
03:52I'll go with them.
03:53No.
03:56I don't want to be alone.
03:59Me neither.
04:02My father spent the night at the dispensary.
04:05Yesterday he had a really bad night, but...
04:08everything was a shock.
04:09It was you.
04:12I'm sorry.
04:14If there's anything I can do, please, ask me.
04:18Don't look at me like that, Marta. Don't do this to me.
04:22Yesterday you told me we could only be boss and employee.
04:25And I asked you to distance yourself.
04:27Well, that I can't offer you what you want doesn't mean that...
04:31that we're not friends.
04:32No, Marta, I don't want to be your consolation or pity,
04:34only when you're interested.
04:39I'm sorry.
04:41It's okay.
04:42I just...
04:43I just wanted to help.
04:44I'm sorry to be so blunt, Marta. Really.
04:48I know you don't do it on purpose.
04:51But you confuse me.
04:54And you hurt me.
05:10Hi.
05:12You're late.
05:14I thought Claudia would cover for me until she got here.
05:16She left earlier, on my request.
05:20Is something wrong?
05:22How's the break? Any news?
05:24No.
05:26But if you tell me why you're so serious, we'll finish earlier.
05:29You're asking me for honesty.
05:31You're the worst.
05:32Look, Marta, I don't know what's wrong with you today.
05:39I found out you're dating Gaspar.
05:42Who told you?
05:43Claudia.
05:44She's so happy that good man is going to make you happy,
05:46that she couldn't stand the secret.
05:49Let me explain.
05:51Explain what?
05:52That you're going to use that poor man to keep your secret safe?
05:54No, no, no.
05:55It's not that.
05:56Then what is it? That you like men now?
05:58Marta, don't be sarcastic.
05:59You know I don't.
06:00No, I don't know anything anymore.
06:02Why do you tell me one day that I don't have the courage to be with you,
06:04and the next day you dump your boyfriend?
06:06Hey, Marta, you're married.
06:08It's not the same, don't be hypocritical.
06:09Why? Why is it not the same?
06:10Because your last name is De la Reina.
06:12Ah, so now you're going to show off your class complex.
06:14Are you really going to attack me here?
06:16No, you've taken the whole issue out.
06:17Look, enough.
06:18You have your private life and I have mine, that's clear.
06:20Like water.
06:21Then why are you so interested in knowing who I go out with or stop going out with?
06:34Answer this to your question.
06:37Yes.
06:47What are you doing to me?
06:58Come in.
07:05Come in and close the door.
07:07No.
07:18You'd better sit down.
07:19Yes.
07:20We'd better keep our distance.
07:27I wanted to tell you about Gaspar.
07:28I have no right to meddle in your life.
07:30I love it when you kiss me.
07:32And I want you to know that I have nothing to do with him.
07:35I don't feel anything for him.
07:38So you're with him just to keep appearances.
07:41No.
07:42No, I would never do that to him.
07:45But my father will leave this world much calmer
07:47if he thinks that he leaves me alone.
07:49And accompanied by a good man.
07:52I'm doing it for him.
07:53For my father.
07:55And all this you're telling me about,
07:56is it true?
07:57Yes.
07:58For my father.
08:00And all this you're telling me about,
08:02is it true, Gaspar?
08:03Yes, yes, yes, of course.
08:05I asked him to follow the farce,
08:06without giving him explanations about...
08:10about everything else.
08:11Wow.
08:14But it seems that every day he's taking me more at face value and...
08:17I can't believe it.
08:19Poor thing.
08:20He doesn't deserve it.
08:21He's better.
08:22And your father doesn't deserve it either.
08:24And you're cheating on him too.
08:26And...
08:28And how did you do it with your husband when you got married?
08:31I got married in love.
08:33Or believing that I was in love.
08:37I couldn't think that...
08:39that I could feel something like that.
08:42And much less for a woman.
08:44I don't believe that.
08:46I couldn't understand,
08:47not even imagine that it wasn't my nature.
08:51I guess everyone discovers it when...
08:53I've always been clear about it.
08:55Yes.
08:56Yes.
08:57I knew it since I was a child.
08:59I've known you since then and I never would have said that...
09:03Well, they don't teach us that there are other options either.
09:08What do we do now, Fina?
09:11Let's go far away from here.
09:14Far away from everyone.
09:17I'm going to Madrid tomorrow.
09:19Yes, I'll stop you.
09:20We're leaving right now.
09:23But...
09:24we have to watch out that they don't discover us because...
09:26We'll watch out.
09:27Don't worry.
09:29I hope you can take care of Gaspar as soon as possible.
09:32And I hope your husband doesn't show up at your brother's wedding,
09:35which is in two days.
09:37Don't worry.
09:39I haven't even written him to tell him I'm going home.
09:43What a disaster!
09:47Do you still have doubts?
09:52No.
09:56I'll help you.
10:27I love you.
10:40Good afternoon, Fina.
10:42Good afternoon, ma'am.
10:56Good afternoon.
11:01Look, if I have to make you rice with milk every day to make you, I'll do it.
11:06Oh my God, Gaspar, what am I going to do with you?
11:09Well, if I told you.
11:10Come on!
11:24Thank you so much.
11:26You're welcome.
11:34That basket is too small.
11:36It's going to be full. You need something bigger.
11:39And won't it be a little poor?
11:43No.
11:44If you put paper in it.
11:45Why do you put paper in it?
11:56To support the products?
11:59It looks better that way.
12:01You have a very good taste.
12:05Anyway, if you resist any composition,
12:08ask Carmen for it.
12:10She has golden hands with these things.
12:12I'll call you so you can go to the rescue again.
12:16I won't be able to rescue you this afternoon.
12:18I just came to tell you.
12:21I'm going to Madrid to supervise the change of sandpaper.
12:24To Madrid?
12:25I'm going with Carmen.
12:27So I'll be alone.
12:29Don't worry, we'll handle it well.
12:32Okay.
12:36Marta.
12:39Is something wrong with me?
12:42No, why?
12:44Because you already told me about Madrid and I thought that maybe ...
12:49Last night I saw you with Gaspar and ...
12:51and I thought it would be better to put a little distance.
12:54No, no.
12:55I was just going to tell him not to keep seeing us.
12:57But my father arrived and he didn't come for the three of us to have dinner.
13:00I saw him so excited ...
13:01What's up? Don't believe me.
13:03No, no, you'll know.
13:04But ...
13:05But it is that for certain things you never find the moment.
13:08Marta, I just wanted to save Gaspar a disgust.
13:10But especially my father and things as they are.
13:13You won't be able to save the disgust from either of them.
13:17I know.
13:18But there are steps that are difficult to take.
13:21Even if you are convinced that it is what you have to do.
13:24And you think about the consequences.
13:25And what they will say.
13:27And then you go on and on.
13:29And you think that one day you will have the courage to do it.
13:33That day never comes, Fina.
13:36And you go on and on.
13:37And then you think, well, now what for?
13:39And you go on and on until one day ...
13:43One day all you can do is stay in the cage.
13:47That's how you feel.
13:50Like in a cage.
13:52Don't delay it any longer.
13:55Don't get to a point where there is no going back.
13:58Listen to me.
14:08I love you.
14:18Hi.
14:21I wanted to invite you to a coffee.
14:22If I have a bad body after the conversation before.
14:25Of course.
14:27A coffee, Gaspar.
14:28Of course, Mrs. Marta.
14:30I'll take the table.
14:32You have to repeat the dinner with your father, huh?
14:36But next time at my house.
14:38At your house?
14:39You're going to love my mother.
14:41You have a lot in common.
14:51Just in time, Mrs. Marta.
14:52Here's your coffee.
14:54Thank you, Gaspar.
14:56You're welcome.
14:57Just in time, Mrs. Marta.
14:58Here's your coffee.
15:00Thank you, Gaspar.
15:01No, tomorrow is Mr. Andrés' wedding.
15:04Are you going with your husband?
15:06No, he's on a cruise.
15:08Oh, my God.
15:09I'm so sorry.
15:10No, because at these events,
15:12it seems that one likes to go accompanied, right?
15:15I've gotten used to it.
15:17It's the life I've had to live.
15:19And I live it.
15:21Take the coffees.
15:22Thank you very much.
15:24Thank you, Mrs. Marta.
15:25I'll be right there.
15:28You have to see how sad this woman always seems to me.
15:32It's true that she doesn't miss me.
15:34She must lead a very unfortunate life,
15:36always alone, the poor woman.
15:37Gaspar, I'm not going to your house.
15:40Oh, well.
15:41Well, it's okay, later.
15:43No, neither.
15:44I just don't feel good about what's going on.
15:47Well, in the end, we've talked, right?
15:48We put up with it and...
15:49Gaspar, this game is not doing us any good,
15:51neither of us.
15:53Well, it does your father.
15:55Well, okay, okay, okay.
15:56I'm not getting your father involved in this conversation.
15:58No, because we're not going to be like this forever
16:00just to please my father.
16:02And besides, it's not fair for him.
16:06I just don't want to stop, Fini.
16:09No, Gaspar, don't do this to me, please.
16:10Don't do this to me.
16:11There are things that you can't avoid even if you want to.
16:14And you are such a wonderful woman.
16:17Listen to me.
16:19Maybe you don't feel the same now,
16:21but over time...
16:22No, no, Gaspar.
16:23We can't live in a lie.
16:24We can't.
16:25This is not good for us.
16:27And not for my father either.
16:29A life full of expectations that are not fulfilled is not life.
16:33It's a cage.
16:36Maybe I can help you with that.
16:39Yes.
16:55It's done.
16:58What's done?
17:00I've already told my father that my relationship with Gaspar was a lie.
17:04Wow.
17:05And how did he take it?
17:07Well, at first, it was terrible.
17:09In fact, he was short of breath and everything.
17:11But when things started to get ugly, Gaspar came.
17:14And?
17:15And he started throwing flowers at me
17:16and in a moment he deactivated my father.
17:18It was incredible.
17:20Let's see if in the end he's still alive.
17:22No, Marta, no.
17:24I know perfectly well what I feel.
17:29Are you okay?
17:32You've been very brave.
17:35And it's a shame that we're not free to scream the truth to the four winds.
17:40With how well one stays when the storm comes.
17:44But, of course,
17:46there are steps that are difficult to take.
17:48I'm really glad you were able to clear things up with your father.
17:51I'm glad too.
17:54And now, Marta, I want to clear things up with you.
17:59Marta, listen to me.
18:02So, who changed the tape box?
18:05I don't know, Carmen, but it's not my fault.
18:07I haven't used it in a long time.
18:09Look at them.
18:10What a mess.
18:12I don't know what to do.
18:14I don't know what to do.
18:16Look at them.
18:18What a job to find them.
18:20I'm sorry, Mrs. Marta, but I have to wrap a lot of soap
18:22and I'm seeing that in the end I'm late today.
18:25Then it will be better if you accompany me, Fina.
18:28Accompany you where?
18:30To Madrid.
18:31I've been called from the sand shop.
18:32They want me to talk to the new shoemaker, so...
18:35Yes, yes, better.
18:36Let's do it like this and you'll have time to finish what you're doing.
18:39Do you mind?
18:40No, of course not.
18:42Good.
18:44I'll confirm the time later.
18:54What's wrong with her?
18:56Well, I don't know, Carmen.
18:57But I'm sorry, because I know you're the one who usually accompanies her to these things.
19:01No, don't worry about me.
19:02The truth is that today I felt very bad.
19:04But really, because if I don't talk to her and tell her that I'll come another day...
19:07No, no, calm down.
19:08Calm down?
19:09Yes.
19:10Come on, I already have my plans made and everything for tonight.
19:14But don't go to Madrid without bringing me some Violeta candies.
19:17No, I'll try.
19:35Hello.
19:36Hello.
19:38We could have stayed in Madrid, but...
19:41But tomorrow morning we wouldn't have made it on time to the store.
19:47What?
19:49Do you like the hotel?
19:51What hotel?
19:52Yes, I'm in a cloud right now.
20:03Thank you.
20:04Thank you.
20:08I'm out of breath.
20:10I know.
20:12It's normal, it's all very new.
20:14I can tell.
20:16You haven't stopped shaking since we entered the room.
20:19And that's because of the air conditioning.
20:21I'm sorry.
20:23Don't worry.
20:25Marta, what if nothing happens tonight?
20:28We can blame Carmen again for having to go to Madrid
20:31and then come back to this beautiful hotel in Illescas.
20:35We can wait for whatever it takes.
20:38I'm where I want to be and with whom I want to be.
20:45It's just that...
20:48this is...
20:50very new to me.
20:52I know.
20:55Come on, let's make it easy.
20:59Come on.
21:02You're right, I think...
21:05I need some space.
21:07Of course.
21:08Whatever you need.
21:12I don't think I'm very good at these things.
21:15With Jaime, relationships aren't...
21:19too fluid, let's say.
21:22And I'm not just saying this because of the few nights we spent together.
21:24Marta, don't get overwhelmed.
21:26Of course I am.
21:28I completely let him down.
21:32I don't want that to happen to you.
21:34That's enough.
21:36No husbands tonight.
21:38And no lying boyfriends.
21:41Because you know what?
21:44Fear is fought with a lot of love.
21:49And a lot of kisses.
21:59I'm giving you the night.
22:00Calm down, really.
22:02Just looking into your eyes is enough for me.
22:06I finally have Mrs. Marta in my arms.
22:08Don't you dare call me that again.
22:11Whatever you say, Marta.
22:15And when did you look at me for the first time?
22:20Guess.
22:22No, seriously.
22:23Tell me.
22:25Since forever.
22:27I've admired you since I was a child.
22:31Always so independent, so...
22:34So sophisticated, so elegant.
22:38So distant.
22:39Distant?
22:40Yes, yes.
22:41Remember, at first you scared me.
22:43I'm not a shadow either.
22:45No, but when you're angry...
22:47When you're angry, it's better to stay away.
22:51Not like now, I hope.
22:54No, not like now.
22:59Well, what about you?
23:00What do you like about me?
23:04That you're very cheerful.
23:07Your mouth.
23:08The contagious smile when you laugh at Carmen's nonsense.
23:12You see? You part your hair like that, over your shoulders.
23:17When you try to control that fighty character you have.
23:20Stop, stop, stop.
23:21No, I'm not going to stop.
23:23I'm never going to stop.
23:26I want to know everything about you.
23:29Every detail.
23:31Every corner.
23:42Is it really okay if we just hug?
23:45No rush.
23:47We have all the life in the world.
23:53I love you.
24:18We left the hotel too soon.
24:21Next time don't think about getting up so early.
24:25Next time?
24:28As you wish.
24:38It's been the best night of my life.
24:46Mrs. Marta, what are you doing working on your brother's wedding day?
24:49Come on, we'll take care of it.
24:51Well, it'll only be a moment.
24:53I left a few things to go through before going to Madrid.
24:56How did it go for the beauty of Cortes?
24:58How beautiful the city is on this date.
25:00We could hardly enjoy it because, pff, so much work.
25:03And the escapees of Arenal are doing an incredible job.
25:06A lot of talent.
25:07Yes?
25:08Yes.
25:09Wow.
25:10In this trip you've seen something more than work.
25:13It's not out of disrespect, but it's because you're so bad at pretending.
25:16Carmen, I don't know what you mean.
25:18What am I going to mean?
25:20That you left because of wine?
25:22Come on, don't worry, I'm not going to say anything
25:24because I would have been the first one to leave.
25:26What are you laughing at?
25:28Come on, in a million years I wouldn't even think about drinking at work.
25:32Sorry, Mrs. Marta, if you don't mind.
25:35Can you watch that tongue?
25:39I'll go get the office before the ceremony.
25:41Very well. Have a good time.
25:43Mrs. Marta.
25:48Are you going to tell me the truth?
25:50That you left because of wine?
25:52Yes, Carmen, we drank a little.
25:54But I'm not going to tell you in front of her.
25:56I know it's a stretch.
25:58It's hard for me to imagine Piripi.
26:00The only thing is that she's never left because of wine.
26:03But the truth is that she's lucky.
26:05She can travel to Madrid, spend the afternoon, spend the night.
26:09And why do you have to work now?
26:11But she's getting married.
26:13It's good that some live.
26:15You know what, Carmen?
26:16You and I don't have to go anywhere to have a good time.
26:20In fact, we have the herbs and wine that Mr. Damián gave us.
26:23Did you go get him?
26:25No.
26:26No, and Tassio didn't go either.
26:28Because something important happened to him.
26:30What important thing?
26:32Well, and that's not the worst thing, Fina.
26:35Oh, Carmen.
26:36What did that bastard do now?
26:39I'm taking him to the Civil Guard.
26:42What?
26:44Hi, Rosa.
26:46I wanted to talk to Mrs. Marta.
26:48Fina, come in.
26:54Rosa, there won't be much work with the ceremony.
26:56Take the afternoon off.
27:05I was waiting for you.
27:07How did you know I was coming?
27:09I didn't know.
27:12But I was looking forward to it.
27:24You're not dressed yet.
27:26You have to comb your hair.
27:28Leave that for the old ladies.
27:31Are you nervous about the wedding?
27:33It's an important day for Andrés and I want everything to go well.
27:37But I know it won't be perfect.
27:40Why?
27:41Because for it to be perfect, you'd have to come.
27:45We'd have to be able to go together.
27:48That's a lot of paperwork. Can you imagine?
27:51I've been imagining it for a while now.
27:53And with different endings.
27:55And the most funnest always wins.
28:02Who are we going to fool?
28:05We'll never be able to have a relationship like the others.
28:10As long as we're together, what does it matter?
28:12Of course it matters, Marta.
28:15We'll never be able to walk hand in hand or kiss in public.
28:19Not even have dinner with our families at Christmas.
28:21Don't talk about that now.
28:24The only thing I want to think about is our next escape.
28:29I know.
28:31I'm dying to.
28:33As much as you are.
28:35But I know what it's like to hide.
28:38And, Marta, I want you to be aware that it's going to be very hard.
28:45You think I don't know?
28:47I'm a married woman.
28:49We're two women and all of this is crazy.
28:54I don't want to stop feeling happy.
28:57Not today, Fina.
29:00I think we have to focus on that.
29:03On the now.
29:05I've never felt so alive or so strong in my life.
29:09I think I've never been in love before.
29:13It was something else, yes.
29:15But nothing like this.
29:18And I don't want to give it up.
29:21Do you think I'm crazy?
29:23Totally crazy.
29:25As much as I am.
29:29This is going to test us both, Marta.
29:33We have to be prepared.
29:36I'm willing to face it.
29:39You?

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