• last year
Transcript
00:00Once upon a time, there were three little girls who went to the police academy, one
00:07in Los Angeles, one in San Francisco, the other in Boston.
00:16And they were each assigned very hazardous duties.
00:22But I took them away from all that, and now they work for me.
00:26My name is Charlie.
00:56My name is Charlie.
00:58My name is Charlie.
01:00My name is Charlie.
01:02My name is Charlie.
01:04My name is Charlie.
01:06My name is Charlie.
01:08My name is Charlie.
01:10My name is Charlie.
01:12My name is Charlie.
01:14My name is Charlie.
01:16My name is Charlie.
01:18My name is Charlie.
01:20My name is Charlie.
01:22My name is Charlie.
01:24My name is Charlie.
01:26My name is Charlie.
01:28My name is Charlie.
01:30My name is Charlie.
01:32My name is Charlie.
01:34My name is Charlie.
01:36My name is Charlie.
01:38My name is Charlie.
01:40My name is Charlie.
01:42My name is Charlie.
01:44My name is Charlie.
01:46My name is Charlie.
01:48My name is Charlie.
01:50My name is Charlie.
01:52Hey, mister, you better get out of here.
02:22Just what I need, Chester.
02:36We're ready.
02:48Well, I got to get back to work.
02:50Joe, I thought you'd stay for the scene.
02:52You still get uptight, don't you, baby?
02:54Not so much if you're there.
02:56Then it seems all right, you know?
02:58Please.
03:00Sure.
03:02If it makes you feel better for me to be here,
03:04well, I'll hang out.
03:06Ha, ha, ha.
03:18Well, what is it now?
03:20Seth?
03:22What?
03:24It's Seth.
03:26Oh, your hillbilly friend.
03:28Joe, he was my fiancé.
03:30Joe, I don't want to see him.
03:32Okay.
03:34Look, you just go ahead inside,
03:36and I'll take care of it, okay?
03:38Yeah.
03:40Okay.
03:54That's good.
04:02How you doing?
04:04Can I help you?
04:06I'm looking for Bess Hemsdale.
04:08I'll take you right to her.
04:12Come on.
04:38Why are we stopping here?
04:40Listen, pal, Bess asked me to give you a message.
04:42What do you mean?
04:44She doesn't want to see you.
04:46She wants you to go home.
04:48You're lying.
04:50Listen, you ought to understand something, hillbilly.
04:52People talk that way to me, they get hurt.
04:54Listen, mister,
04:56I'm going to see Bess.
04:58Then I'm going to take her back home with me,
05:00and you better not get in my way.
05:08Hmm.
05:10Hmm.
05:36Our client this time
05:38is an old friend of mine, angels.
05:40His name is Cal Jeffers.
05:42We were in the O.S.S. together.
05:44Now he's the sheriff in his home county
05:46in the Tennessee mountains.
05:48I thought all your friends were city bred, Charlie.
05:50That's not true.
05:52Big Cal and I were quite close.
05:54Big Cal? That does have a homie ring to it.
05:56What can we do for your friend?
05:58Well, Cal's son, Seth Jeffers,
06:00came out here looking for his fiancée,
06:02a girl named Bess Hemsdale,
06:04about a month ago.
06:06She seems to have disappeared.
06:08And you want us to find him?
06:10Yes.
06:12Also try to find the Hemsdale girl,
06:14see if she has any idea where he might be.
06:16Seth's father sent us a snapshot of the two of them.
06:18Hmm.
06:20Charlie, you have any ideas
06:22where we should start looking?
06:24I'm afraid we haven't got much.
06:26See, the local police
06:28checked out the motel
06:30where Seth was staying here in L.A.,
06:32and there was no sign of him there for a week.
06:34We found his clothes and his personal belongings,
06:36including these rubber bands,
06:38some loose change, pocket knife,
06:40and a theater ticket
06:42from a week ago.
06:46Starbride.
06:48Starbride.
06:50Isn't that one of those theaters that shows porno flicks?
06:52Right, it is.
06:54Seth's father also mailed us these cassettes.
06:56Apparently Bess Hemsdale
06:58had sent those to his son a little while ago
07:00after she'd moved here to L.A.
07:02What's on the cassettes?
07:04Well, they're sort of a letter.
07:06A letter?
07:08Bess Hemsdale can't read or write, angels.
07:10She came here with a guitar,
07:12some songs she's written, and...
07:14And expected to become an overnight singing star.
07:16Yeah, something like that.
07:18Her last known address
07:20was the Senator Motor Lodge in Inglewood.
07:22You might look into that.
07:24Why don't you cover that, Chris,
07:26and Tiff and Kelly, you can check out the Starbride Theater.
07:28Good idea.
07:30Check you later, Charlie.
07:34Sam,
07:36I've been in Los Angeles
07:38a month now.
07:40I'm not having much luck.
07:42I got real homesick last night,
07:44so I wrote this.
07:52Train crying
07:54in the mountain
07:56Wind
07:58blowing through the trees
08:02Stay with me
08:04for a little while
08:06I'm walking
08:08that lonesome mile
08:10She sounds
08:12like a frightened little girl.
08:14She sure does.
08:16Me with brothers
08:18Racing
08:20so wild
08:22and free
08:24Show me
08:26how to
08:28get away
08:30From leaving my
08:32yesterdays
08:34Going home
08:36Sweet
08:38mother, how
08:40she loved me
08:42When she held
08:44me on her knees
08:48Sweet child
08:50is what she called
08:52me
08:54Sweet child
08:56I'm gonna be
08:58again
09:00So wind, blow me
09:02a direction
09:04Train,
09:06you just hitch me
09:08a ride
09:10And say goodbye
09:12to your
09:14wandering friend
09:16She's leaving her
09:18wandering when
09:20she gets
09:22home
09:30It's open.
09:34Mr. Stiles? Yeah.
09:36I'm Tiffany Wells.
09:40What are you selling?
09:42I'm not selling anything. I'd like to ask you a few questions.
09:44Such as?
09:46I'm looking for a man named
09:48Seth Jeffers. He was a patron here a couple
09:50days ago. You a cop?
09:52Private detective, Townsend Agency.
09:54This is a picture of Jeffers.
09:56I'm also looking for the girl with him.
09:58Have you seen either one
10:00of them recently?
10:02I'm not in the business of looking
10:04for missing persons.
10:06Who said they were missing?
10:10Listen, I'm busy. So you haven't seen
10:12either one of them? I haven't seen
10:14them. Like I said, I'm busy.
10:16Nice talking to you.
10:20Bye.
10:36Thank you.
10:38Any luck? Not really.
10:40When I showed him this photograph,
10:42the manager nearly flew out of his skin.
10:44Well, this is probably why.
10:46It's the flyer for the picture that was playing here
10:48when Seth bought his ticket.
10:50Sally Storm in Love Fire.
10:52Sally Storm and
10:54Bess Hemsdale are the same person.
10:56So Seth came here and saw his girl on the screen.
10:58Yeah, it really must have upset him.
11:00The girl said he went crazy.
11:02He nearly tore the projection room apart
11:04and he put his fist through the glass over there.
11:10So the question is, where did he take
11:12that anger next, right?
11:14I don't know. Maybe this will give us some answers.
11:44Three,
11:46two,
11:48one.
11:54Hello? Willis, this is
11:56Stiles. What's up, Stiles?
11:58Two female private eyes were just here.
12:00They're looking for that crazy that tried to tear my
12:02theater apart last week.
12:04What did you tell them? I told them nothing.
12:06But they saw one of last week's
12:08flyers with your girlfriend's picture all over it.
12:10So they're likely connected too.
12:12Where is that hillbilly
12:14anyway? I told you, I took care of him.
12:16What does that mean,
12:18you took care of him?
12:20It means he's not going to jeopardize our investment.
12:22Listen, I help you finance
12:24and distribute pictures. I don't want any part of any
12:26rough stuff. I've got enough problems
12:28with the cops as it is. Don't sweat
12:30it, Stiles.
12:32Who were the PIs?
12:34They said they were from the Townsend
12:36Agency, blonde brunette,
12:38driving an orange compact.
12:40Okay, I'll check it out.
12:42You relax.
12:44Hey, we'll be finished with the new picture in another
12:46two or three days.
13:02Let's
13:04run
13:06to
13:08the store.
13:12How am I doing, Joe?
13:16You are doing real good,
13:18baby.
13:20Something's come up and I've got to go out for a while.
13:26Trask?
13:28Hacker.
13:38Okay.
13:54Two lady
13:56detectives were just asking Stiles about the hillbilly.
13:58I don't like the sound of that, Willis.
14:00One's a blonde, the other's a brunette, they're driving
14:02an orange compact and they're out of the Townsend Agency.
14:04You go check them out. I'll be at
14:06the office in case they show up there.
14:08Willis, I suppose they get too close.
14:10We'll hope for their sake they don't.
14:36Get the picture?
14:38Yeah. It's not a very pretty one.
14:40No. No.
14:42Well, the question is, do you think the fact
14:44that Seth saw his fiancée
14:46in a porno flick at the Starbrite
14:48is the reason he's missing?
14:50I'd say there's a connection.
14:52Yeah. Well, here's another
14:54one of those letters
14:56that Beth mailed Seth a couple of months
14:58after she was here in town.
15:00Dear Seth, I'd like to tell you
15:02things are going good for me,
15:04or not. Not yet, anyway.
15:06I did meet a fellow named Joe Willis.
15:08He makes movies.
15:10He offered me a part in one,
15:12but I'm not sure he's a nice man.
15:18Love Fire
15:20starring Sally Storm, etc., etc.
15:22J. Willis
15:24production.
15:26Well, she was right. Mr. Willis is not
15:28a nice man.
15:30Well, I think one of us should meet Mr. Willis.
15:32Well, that could be rough duty.
15:34I mean, if he turned Bess Hemsdale into Sally Storm,
15:36he must be one tough fellow.
15:38Yeah, I don't think I'll be telling him
15:40I'm a private investigator.
15:42No. Nope.
15:44Well, you make your move on Mr. Willis,
15:46and we'll make our move on Bess Hemsdale.
15:48Well, now, wait a minute. We don't even know where she is.
15:50Like Kelly just said,
15:52if he could turn a Bess Hemsdale
15:54into a Sally Storm,
15:56well, I would wager that their
15:58relationship has become quite intimate.
16:00I suggest you get the address
16:02where he lives.
16:04Well, I guess I'll slip into something a little more provocative
16:06to meet Mr. Willis.
16:08What are you going to say to him?
16:10Something he wants to hear.
16:30Hi.
16:32Hi.
16:34I'm here to see Mr. Willis.
16:36Do you have an appointment?
16:38Um, no.
16:40Actually, I'm in a hurry.
16:42Hey, wait a minute. Wait a minute!
16:44Mr. Willis? Joe Willis?
16:46Who is this?
16:48I told her she needed an appointment.
16:50I'm Chris.
16:52It's a pleasure meeting you.
16:54It is.
16:56I'm here to see Mr. Willis.
16:58It's a pleasure meeting you.
17:00It is.
17:02I'm sorry, Mr. Willis. She's just...
17:04It's okay. It's okay, Elaine.
17:06Uh,
17:08why don't you just go to lunch?
17:10Hmm?
17:12Hmm.
17:18Well, as long as you're in here,
17:20can I offer you a seat,
17:22Miss, uh...
17:24Miss what?
17:26Pardon?
17:28Well, I don't really like the name my daddy gave me.
17:30I was hoping you could think of a name that would be better.
17:32Sit down.
17:38Uh, how about if we start this thing all over again, okay?
17:40Okay.
17:42Who are you, and why did you push your way into my office?
17:44Well, who I am doesn't really matter,
17:46or where I come from.
17:48What really matters is what, uh,
17:50you and I can do for each other.
17:52Mm. And what would that be?
17:54You make films,
17:56and I'm an actress.
17:58And I also need to make some money
18:00real fast.
18:02You know, if you could just get over your shyness
18:04and learn not to be so vague,
18:06speak your mind, get to the point,
18:08you might get some place in this world.
18:10You think so? Maybe.
18:12Well, it's just that I've seen what you've done for other girls.
18:14I was hoping you could do the same for me.
18:16What makes you think
18:18you're a salable commodity?
18:20What makes you think I'm not?
18:22You know,
18:24I don't know what you look like on film,
18:26but I know you've got more than your share of nerve.
18:28And mouth.
18:30Does that mean you'll think about it?
18:32Actually, I've got a girl
18:34I'm doing real well with right now.
18:36Oh. Sally Storm.
18:38That's right.
18:40Well, look at it this way.
18:42With two girls, you can make twice as much.
18:44Tsk.
18:46PHONE RINGS
18:48Willis Productions.
18:50Willis Productions.
18:52Willis, this is Hacker.
18:54What's up?
18:56We staked out the Townsend agency.
18:58The blonde and brunette left. We followed them.
19:00To where?
19:02Your apartment. They just got here.
19:04Parking their car now.
19:06You sure it's the Townsend people?
19:08Uh, why don't you just hang out,
19:10and I'll be there in a couple of minutes, okay?
19:12Good.
19:14I don't want you to think that this hasn't been fun,
19:16but I really do have to go.
19:18No problem. Here's my number, just in case.
19:20Great.
19:22Oh, no.
19:24I just remembered I have to make an important phone call.
19:26It's local. Do you mind?
19:28Well, actually, I'm really in a hurry.
19:30I can see myself out.
19:32Huh.
19:34Okay.
19:42Maybe I'll call you.
19:44I'll make it worth your while.
19:48Okay.
20:10J. Willis and S. Storm.
20:126B.
20:14Closest pages in the book.
20:16It's like Bosley was right.
20:18Their relationship has become more intimate.
20:20This is one time
20:22I wish Bosley was wrong.
20:24Me, too.
20:26Let's go.
20:46Nobody home.
20:54Miss Hemsdale?
20:56Yes?
20:58Hi. I'm Kelly Garrett, and this is Tiffany Wells.
21:00Hello.
21:02Hi.
21:04We'd like to talk to you for a moment.
21:06About what?
21:08About a friend of yours from home,
21:10somebody named Seth James.
21:12Oh.
21:14A friend of yours from home,
21:16somebody named Seth Jeffers.
21:18Come on in.
21:20Thank you.
21:24Sit down.
21:26Can I get you all a drink or something?
21:28No, thank you.
21:30You people know Seth?
21:32No, we don't know Seth.
21:34His father has asked us to find him.
21:36Find him?
21:38Yes.
21:40Yes, he's missing.
21:42Really?
21:44I've seen a lot of things since I came to the city,
21:46but I never met a real detective.
21:50Have you seen Seth since you came to Los Angeles?
21:52No.
21:54Well, yes.
21:56I saw him, but we didn't talk.
21:58I don't understand.
22:00Well, I'm an actress,
22:02and he showed up on the set about a month ago.
22:04I didn't want to see him,
22:06so I asked Joe to handle it.
22:08Is this Joe Willis you're talking about?
22:10He's my producer and my fiancé.
22:14We heard that Seth was your fiancé.
22:16Well, he was,
22:18but I changed my mind,
22:20which is why I didn't want to see Seth.
22:28Yes.
22:30You said that Seth came to visit you on the set.
22:32Where was that?
22:34Well, I can't tell you that.
22:36Why not?
22:38He lives at that location.
22:40Not many people know about it,
22:42so Joe keeps it private.
22:44Yeah.
22:46You understand?
22:48Of course we understand,
22:50but do you understand that Seth's father
22:52is very worried about him, don't you?
22:54Well, he needn't be.
22:56I'm sure Seth just went off
22:58to worry it all out of his head.
23:00Then he'll go back home.
23:02I'm sorry it didn't work out.
23:04I really still love Seth in my own way.
23:06I guess that I've made a new life for myself.
23:08I'm an artist now.
23:10You understand.
23:12An artist?
23:14Yes. Joe and I make art pictures.
23:16Oh, I see.
23:18I'm going to leave you
23:20one of my cards,
23:22and if you think of anything that might help us...
23:24I'll be sure and call.
23:26Okay.
23:32It's a pretty good book.
23:34You're learning to read.
23:36I'm trying.
23:40Beth,
23:42I really hope we hear from you.
23:44Thanks.
23:46Bye now. Bye.
23:48Bye.
23:58Joe!
24:00You startled me!
24:02Why are you even standing there?
24:04Long enough to know that you talk too much.
24:06What do you mean?
24:08Why'd you let the cops in here?
24:10They're not cops, Joe. They're detectives.
24:12They're looking for Seth.
24:14Well, let them look someplace else.
24:16Why are you mad, Joe?
24:18There's nothing to worry about, is there?
24:20I told you a hundred times.
24:22In our business, we don't talk to strangers.
24:24It wasn't about business, Joe.
24:26It was about Seth, on account of he's missing.
24:28Now, why should that worry you?
24:32It doesn't.
24:34Joe,
24:36you didn't hurt Seth or anything that day, did you?
24:38I told him you didn't want to see him,
24:40and he left.
24:42I mean, if I thought you'd hurt him.
24:44I told you...
24:52I didn't hurt him.
24:54Look,
24:56why don't you go in there
24:58and get dressed,
25:00and I'll take you to dinner.
25:12Joe,
25:14you're not mad at me, are you?
25:18You'll know when I'm mad at you.
25:26Joe,
25:28you said
25:30those Townsend people get too close.
25:32I know what I said.
25:34Coming here,
25:36that's close enough, right?
25:42Make it look like an accident,
25:44and do it quickly.
25:58Okay.
26:28Okay.
26:46Dear Seth,
26:48I just did a partner movie
26:50for that fella I mentioned,
26:52Joe Willis.
26:54I guess he isn't so bad.
26:56He paid me well.
26:58I didn't like it at first,
27:00but he explained it was an art film,
27:02and I said I'd do it if he'd use my music
27:04in the background.
27:14Look out!
27:26Look out!
27:56Look out!
28:10If they ain't dead,
28:12they'll be out of action for a long time.
28:14Let's go.
28:16Let's go.
28:22I always wondered...
28:24What?
28:26Oh, I'd feel if I got
28:28that close to dying.
28:30What do you feel?
28:32Angry.
28:34Very, very angry.
28:38Yeah.
28:40We still got power on that thing?
28:42I don't believe it.
28:44Operator,
28:46you'll never believe
28:48where I'm calling from.
28:52Did any of you get a look at the car
28:54that pushed you over the edge?
28:56I think it was a black car, Charlie.
28:58I thought it was blue.
29:00Well, so much for the description.
29:02Those ought to help calm you down.
29:04I'm afraid the car's a bit of a mess, Charlie.
29:06Never mind that, as long as you two are all right.
29:08I'm going to have some friends of mine
29:10at the police lab check out the area
29:12for any paint scrapings or markings on the road,
29:14or maybe even a witness.
29:16I'll get back to you.
29:18Hey, by the way,
29:20what's this?
29:22This is a film projector.
29:24No, I know it's a film projector,
29:26but what is it set up for?
29:28When I was leaving Mr. Willis's office,
29:30I borrowed a print of Love Fire.
29:32Starring Sally Storm.
29:34You got it.
29:36Thought it might give us some help.
29:43♪
29:55Beth Hinsdale said that most of these pictures
29:57were shot at the same location.
29:59This looks like Franklin Meadows.
30:01Looks like it to me.
30:03So this must be where Seth confronted Willis.
30:06Yeah, the question is,
30:08just how rough did that confrontation get?
30:10Well, having met Mr. Willis,
30:12I suggest that we tell the police
30:14to start looking in the Franklin Meadows area for Seth.
30:16You think it's that bad?
30:18Well, Seth went to see Beth and disappeared.
30:20You two went to see her
30:22and ended up at the bottom of a canyon.
30:24How bad does it have to get
30:26before we believe that Willis and his friends
30:28are capable of murder?
30:30♪
30:41Seth?
30:43I've been in Los Angeles a month now.
30:45I'm not having much luck.
30:47I got real homesick last night,
30:50so I wrote this.
30:52♪
30:57♪ Train crying in the mountain
31:02♪ Wind whaling through the trees
31:09♪ Stay with me for a little while
31:14♪ I'm walking that lonesome mile
31:18God, how do people get so messed up?
31:21Always seems to come down the hardest on the lost ones.
31:25She's orphaned at 2,
31:27and she sings about her mother,
31:29who she never really knew.
31:31Yeah, she's made some really bad moves,
31:33but I think she's worth salvaging.
31:35Let's try, okay?
31:37Let's.
31:39All right.
31:41♪
31:43♪ Sweet mother, how I love you
31:48♪
31:50♪
31:52♪
31:54♪
31:56♪
31:58♪
32:00♪
32:03♪
32:05♪
32:07♪
32:09♪
32:11♪
32:13♪
32:15♪
32:17♪
32:19♪
32:21♪
32:23♪
32:25♪
32:27What are you guys looking so grim about?
32:30We got trouble.
32:31Such as?
32:32Such as, that guy we took care of.
32:34What about him?
32:35The cops over there are searching him.
32:36What?
32:37Are you sure?
32:39We were just there.
32:40Somebody.
32:45Well, okay, just be cool.
32:47Just because they're looking for the hillbilly
32:49doesn't mean they're gonna find him.
32:50Not right away, at least.
32:52Look, we're gonna be done with this picture today.
32:54After that, tomorrow,
32:55we'll start looking for a new location for the next one.
32:57You guys just hang around.
32:59Your apple pack will split.
33:10Hey.
33:11There you are.
33:15I thought you were on the set.
33:19I wish I was.
33:21Then I wouldn't have heard.
33:23Heard what?
33:24What are you talking about?
33:25I heard what you said, Joe.
33:29I heard what you said about Sam.
33:33I'm sorry, kid.
33:35I really am.
33:37We didn't want to hurt him,
33:38but he wouldn't have it any other way.
33:43You killed him, didn't you, Joe?
33:45I had no choice.
33:48Now you get yourself together,
33:50you go back there, you do your thing,
33:51you collect your money and forget about it.
33:55Oh, my God.
33:57You're a liar and a killer.
33:59You think I'm gonna go on with all this now?
34:02Yes, I think you're gonna do everything I tell you to do.
34:04You're gonna do it exactly how I tell you to do it,
34:06you're gonna do it when I tell you to do it.
34:08You're not gonna think about it
34:09and you're not gonna talk about it.
34:10You're just gonna do it.
34:11You're an ignorant little hillbilly
34:12and this is all out of your hands.
34:14Now go back to work.
34:27You crazy?
34:28You're just gonna let her just walk around?
34:31She's ready to freak, Joe.
34:33I gotta finish the picture.
34:34Well, she's gonna blow the whistle on us.
34:45Who's that?
34:51It just occurs to me that she may very well be our future.
34:58She is definitely our past.
35:03Relax.
35:05I got a way to finish her
35:07and the picture that's gonna blow your mind.
35:23You are a pushy broad.
35:26Well, you don't catch the brass ring unless you grab for it.
35:29How'd you find this place?
35:30What difference does it make?
35:32You didn't call me, so I had to find you.
35:34Listen, you see me when and if I want.
35:38Understand?
35:41Understand.
35:42Now, as a matter of fact, you lucked out.
35:45It may be that we'll do business real soon.
35:48Oh, yeah? Tell me more.
35:50When I'm ready.
35:52Now you disappear.
35:55Go.
36:12Okay, now.
36:14The last shot we need is also the last shot of the picture.
36:17You're running out of the brush.
36:19The guys have attacked you.
36:20Torn off half your clothes.
36:22When you reach the camera, we hear a shot.
36:25You do a little heavy acting.
36:27You fall down, you roll over on your back,
36:30then we fade out. Okay?
36:32Yeah.
36:33Okay?
36:34Yeah.
36:35Okay, all right. Let's shoot it.
36:45How'd you like to pick up an extra thousand bucks
36:47after we wrap the crew?
36:48What?
36:49Ten minutes' work.
36:50I'm listening.
36:51I want her to think that we need the last shot twice.
36:54You lost me.
36:56The second time, we're gonna use real bullets.
36:59Are you crazy?
37:01No.
37:02Why?
37:03What difference does it make?
37:04It's a thousand bucks. It's one setup.
37:06Nobody will know but you and me.
37:07You want it or not?
37:10I want it.
37:12Got a deal.
37:22Okay.
37:24Okay.
37:25Roll it.
37:27And action.
37:32Bang.
37:33Stumble, fall.
37:36Roll over.
37:38Good, good.
37:40Die.
37:41Perfect.
37:42Let's go home.
37:43That's a wrap.
37:51Don't go anyplace.
37:52We're gonna shoot some publicity stills.
38:03Kelly, where are you?
38:05We're with the police about two miles from you.
38:07They think there's a body at the bottom of the canyon.
38:09How are you doing?
38:10Well, I'm not sure.
38:12But I got a feeling something's going down here.
38:15My best looks terrible.
38:16She looks like she's about to fall apart.
38:18And Willis just told me that...
38:22Tells you what?
38:24Listen, that car that forced you off the road,
38:26you said it was blue or maybe black?
38:28What about it?
38:29Were there two guys in it?
38:30Well, it could have been. Why?
38:32Well, because there's two guys here in a blue sedan.
38:34It's got a broken headlight.
38:35Anyway, as I started to say, Mr. Willis told me
38:37that he and I might be doing business real soon.
38:39Chris, if you become his new leading lady,
38:41what happens to Sally Storm?
38:43Yeah, good question.
38:45I think we better get over there and help you out.
38:47Okay, okay, but lay back.
38:49If these two in the blue sedan spot you,
38:51everybody's gonna run for cover.
38:53Will do.
38:54Okay.
39:20Beth?
39:22Can we talk?
39:24Who are you?
39:28I'm a friend of Seth's.
39:31I want to be a friend of yours.
39:33Listen, I can't talk about Seth.
39:39And if you are a friend of mine,
39:41I want to be a friend of yours, too.
39:43I don't want to talk about Seth.
39:47And if you are a friend of his,
39:49you better just get out of here.
39:51Beth, I think I know what happened to Seth.
39:53To you.
39:55Please.
39:57I can't talk about it.
39:59Listen, if you're in trouble,
40:01if you want to get away from Willis...
40:03I can't.
40:05He's coming.
40:10Look, whoever you are,
40:12you better just get in your car and drive away.
40:14Then come with me.
40:16I can't.
40:18You can if you want to.
40:20Just say so. We'll leave here together.
40:22I told you to disappear.
40:27I was just leaving.
40:30Nice meeting you.
40:45What did she say?
40:47I don't remember.
40:49It wasn't important.
40:51We're going to do that last piece of action again.
40:53We're going to use it for publicity.
40:55Now go on.
40:58You guys wait there.
41:14I'll be right back.
41:45You okay?
41:47Okay.
41:49Okay, same piece of business.
41:51Why can't we just take a picture from the print?
41:54We want you alone.
41:56No bikers in the background.
42:15Chris is in her car.
42:18She's not answering the phone.
42:20I don't like that.
42:22Neither do I.
42:45Come on, we got to get out of here.
42:47Hey, look, we're doing a scene.
42:49No, I don't think so.
42:51Who the devil's that?
42:59She's going to kill me.
43:01We'll discuss it later.
43:03Come on.
43:09Come on.
43:11Come on.
43:14Come on.
43:17Get him and kill him!
43:19Go on!
43:29My car's this way.
43:32Run!
43:38Chris!
44:01Chris!
44:24Freeze!
44:26Don't do it!
44:29Drop him!
44:35All right, move!
44:39All right, house, get down on the ground.
44:41Come on.
44:56Beth.
44:58What's happening?
45:01God, what's happening to me?
45:04It's all over now.
45:06You're going to be all right.
45:09I don't think so.
45:14I don't think I'll ever be all right again.
45:20You will be.
45:22I promise.
45:24I promise.
45:55Come on.
46:05Well, it's a long way to Tennessee on a bus.
46:09You sure you don't want to fly?
46:12I need time to think.
46:14I came here on a bus,
46:16so maybe if I go home the same way,
46:19it'll turn back the clock,
46:21make things like they were.
46:23Maybe even better.
46:25How could that be?
46:27How could things ever be better?
46:29Because you've been hurt, but you've learned,
46:32and we're always better for that.
46:34I know it's hard to believe that right now,
46:37but it's true.
46:53I never thank you guys.
46:55Don't thank us.
46:57As a matter of fact, forget all about us,
47:00and Joe Willis and Sally Storm.
47:02See if you can't remember who Bess Hemsdale is.
47:06I'll try.
47:08Thanks.
47:10Bye, honey.
47:14Bye.
47:16You have a real safe trip now.
47:18Take care of yourself.
47:23Thank you.
47:54Then say goodbye
47:58To your wandering friend
48:01She's leaving her wandering when
48:05She gets home
48:23She's leaving her wandering when
48:28She gets home
48:33She's leaving her wandering when
48:38She gets home
48:43She's leaving her wandering when
48:48She gets home