• 4 months ago
Transcript
00:00If Civan is with us, then we can catch the big fish.
00:05President, please give me a little more time.
00:18Good, good.
00:22Is there anything I can do?
00:25Take care of your health, president.
00:27Guys, good luck.
00:29Thank you, president.
00:35President.
00:39Congratulations.
00:43Thank you.
00:44Good job.
00:54Guys.
00:57Thank you for your hard work.
00:58All the applause is for you.
01:03Now.
01:05We need to make Civan Koral as nervous as possible.
01:08Melek, wait for a team bus in front of the house.
01:10Melih.
01:11I need a spy software.
01:13I'm going to install it on Civan's phone.
01:14What are you going to do?
01:15Chief, software is easy.
01:16But how are we going to install it on the phone?
01:18I'll take care of that.
01:20Ece.
01:22Can you come to my room?
01:24Come on, everybody get to work.
01:39Onur, are you serious?
01:40You're not kidding, are you?
01:42I'll teach you how to be a sidekick.
01:44Yes.
01:49Onur, you can't be a sidekick.
01:53Look, Civan's phone is always in his pocket.
01:55I need to install software there so we can listen.
01:58I have no other choice.
01:59Okay, I'll go.
02:00Hilal put a detective on your tail, Ece.
02:02Do you think they want to see you?
02:04But sidekick is not something to learn in a few hours.
02:09So is being an agent.
02:11But I taught you, didn't I?
02:13And you passed the exam.
02:14But there's a big difference between an exam and a sidekick.
02:18I'll learn fast.
02:21You know.
02:23He didn't warn you, did he?
02:36Onur, we need to talk.
02:42Not like this.
02:43Mr. Civan knows me.
02:45You don't have to come to me.
02:46But not like this.
02:48Look, you see now.
02:49Mr. Civan.
02:51Musti.
02:52Okay, okay, I know.
02:55But you have to check what's going on.
02:58Couldn't you prevent this?
03:00Come on, wait there.
03:03Musti.
03:04What are you doing in my house right now?
03:06Well...
03:08Sir, you talked to me.
03:13I listened to him.
03:14I talked to Ece.
03:15I apologized.
03:17I deleted his phone and social media.
03:19I prevented him from everything.
03:20Did you come to tell me this?
03:22To my house?
03:23And what do you want from me?
03:25Well...
03:26I wanted to thank you, sir.
03:30I mean, it's good that you talked to me.
03:32I didn't want to do anything on the phone.
03:33I didn't want it to be a face-to-face thank you.
03:35After all, you are much more experienced than me.
03:38About relationships.
03:39Your speech opened my vision.
03:43It opens.
03:44It showed me the world through a different window.
03:47You must have seen it.
03:48How can I say it?
03:50Thank you.
03:52Thank you.
03:54What's going on?
03:55Such nonsense.
03:57I'm sorry.
03:58Whatever Ece found in you.
04:00Height.
04:01Well...
04:02Ece doesn't like tall men.
04:04Short is better.
04:11Show the gentleman the way out.
04:13I know.
04:14I came by myself.
04:15Thank you very much.
04:16Again.
04:19Thank you.
04:24Are you aware of the organization's attempt to topple Turkey?
04:29We have a good chance.
04:32Very good.
04:33We have two birds in our hands.
04:35We are waiting for another one to come from the trees.
04:37Is that so?
04:38Well, the guys are working very cleanly.
04:40You and I know that very well.
04:41Even the president knows.
04:43What will happen if we interrogate the guys?
04:45We won't get anything.
04:46Your job is to catch.
04:48It's a question, it's a judgment.
04:50Let everyone do their own job.
04:52You even put Firuz to sleep, but you can't fool me.
04:55Honor Karaso.
04:57You have a personal issue with Civan Koral.
05:01Are you going to tell me now?
05:09Yes, there is.
05:11Good.
05:12I'm waiting.
05:13What is it?
05:16I'm not sure if I should tell you what it is.
05:21Aunt, to you.
05:24Okay, I'm your family.
05:27That's why.
05:31I'm waiting.
05:32I'm waiting.
05:45Is there anything in this photo that catches your attention?
05:48Civan Koral.
05:50Anything else?
05:55Anything else?
05:57What?
06:00Time.
06:03Yes.
06:06Your watch.
06:08Is that you?
06:32Yes.
06:53My watch is the same.
07:02Don't ever take this watch off your wrist.
07:06We will wear the same watch with you.
07:09We will look at the same day, the same time, the same minute.
07:13We will.
07:32Dad, please don't leave me.
07:34Don't leave me alone, please.
07:43Omar?
08:14Your father's watch.
08:19Please.
08:21Your father's watch.
08:43I'm sorry.
08:58So my brother didn't die.
09:01He's alive.
09:05When did this happen?
09:07A year or two ago.
09:10Why didn't you tell me?
09:11Why didn't you tell me?
09:13Aunt, didn't you always say my brother was dead?
09:17Didn't you always say he wouldn't leave us, aunt?
09:20Let me tell you this.
09:22He wouldn't leave him.
09:24He would never leave you.
09:26Bayhan would never leave us.
09:27He did, aunt.
09:28He left me, he left you, he left the profession.
09:30We don't know what else he left.
09:35Aunt.
09:38Look, you are my precious.
09:39You are my only family.
09:42I'm really sorry I told you this, but it's the truth.
09:48Even if he's guilty, he's my dear.
09:51Even if he's guilty, he's my brother, Onur.
09:54I have to erase this.
10:00What's the connection with Civan Korhan?
10:03I don't know for sure.
10:05This photo was taken in Hungary.
10:09But if we look at Civan's eyes, they meet.
10:19First you found this photo.
10:23Then you followed Civan Korhan.
10:27So that's why you tried so hard to open this file, to open this unit, right?
10:33Why didn't you tell me?
10:35If I told you, you would never let me take this file, aunt.
10:38Am I wrong?
10:40Look, we don't know.
10:42Is there a connection with the organization?
10:44Is he the leader of the organization?
10:45Is he a member?
10:46Or is he just a passerby?
10:47I don't know.
10:49But I'll find out.
10:51I have a feeling, and I've never been wrong so far,
10:54that there is an important relationship between them.
10:57Okay?
10:58And I'll find out what it is.
11:00What if he's a member of the organization?
11:03What if he's one of the foreigners?
11:05So?
11:06So what?
11:07What if he's a member of the organization?
11:08What if he's one of the foreigners?
11:10Do you think we'll get in touch with him?
11:13What if you come face to face?
11:15Are you going to shoot each other?
11:18You're after your father.
11:20Do you realize what you're getting into, Onur?
11:22My father is dead, aunt.
11:24I accepted that.
11:27I think you should accept that, too.
11:30A father can only be the code in the operation, Mr. Karasu.
11:34That's it.
11:37That's it.
11:50I'll leave you alone.
12:07I'll leave you alone.
12:25They want us.
12:27What's that car over there?
12:29That's the reason, right?
12:30They want us.
12:31There was no trace.
12:32There was no trace, Kadir.
12:34No, Mr. Civan, no.
12:35It shouldn't be.
12:38I swear to you, if I didn't owe you a life, I wouldn't have brought you here.
12:45If they didn't have anything important in their hands,
12:49we wouldn't have brought the cars in front of the royal palace.
12:53Kadir.
12:54What's in their hands, Kadir?
12:57You just look at the barbecue.
13:02You know what Civan saw.
13:04Okay, let's follow him.
13:06Chief, Civan saw ours.
13:08Good.
13:09That's what we wanted anyway.
13:11Is the software ready?
13:12It's ready, chief.
13:14After Civan's phone is loaded,
13:16we'll be able to hear and see what he's talking about and what he's writing.
13:19But how are you going to get the phone without getting that guy caught, chief?
13:26That's my job.
13:33Hello, Hilal?
13:36I'm fine.
13:37The idea of making my collection out of coral jewelry excited me a lot.
13:43You... Yes.
13:45I'm in a bit of a noisy place right now.
13:48Yes, yes, I know.
13:50Okay, I'm saying I'll come in the evening.
13:52Let's talk about this in detail with your brother.
13:54What do you say?
13:57Okay.
13:59Okay, see you tonight.
14:02What's up with you?
14:04It was experimental work.
14:06Oh, is that so?
14:07Great. What did you get?
14:08When two papers collapse on top of each other, the text on top appears.
14:12Great.
14:13Chief.
14:17Yes, Melek?
14:19It was an unforgivable mistake I made in Bulgaria.
14:21I'm sorry. I disappointed you.
14:24Thank you, Melek.
14:27Look, you're showing courage right now and you're participating in the operations.
14:30This is very important to me.
14:32No problem.
14:33Really?
14:34Yes.
14:39Chief.
14:41If you're still interested, there's a lesson we need to work on.
14:45I'm interested. Are you ready?
14:48I'm ready.
15:01I'm ready.
15:22Welcome, Mefit.
15:26When I said I wouldn't open closed files 20 years ago,
15:29what do you say, Ayla?
15:31Isn't there any other place?
15:33Why did we meet here?
15:37There's no other place I want to be today, Mefit.
15:41There's no one else I want to spend this day with.
15:46You can go if you want.
16:00Was it that tree?
16:03You know, I climbed it.
16:07I thought you were going to melt.
16:11When Bayhan and I were trying to get you down, you fell head over heels.
16:16And you cried.
16:19He carried me in his arms all the way home, my brother.
16:22We used to meet here every day when we were kids.
16:27Ayla.
16:31I don't have the courage to ask you this,
16:34but have you heard from Bayhan?
16:38No.
16:41I missed him.
16:45Now that he's not here,
16:47I wanted him to have his closest friend by his side.
16:52No matter how much I lie, I can't get it out of my head.
16:57What kind of things did he get involved in?
17:00Where did he suddenly disappear to?
17:04It's been a long time.
17:08That's why I'm worried about Onur.
17:11I can't take my eyes off him.
17:13Thank you, Mifit.
17:15I'm aware of that.
17:19Thanks to Onur, you've become a very good shepherd.
17:23Don't get involved in dirty business.
17:27How can I, Ayla?
17:29Bayhan had a small shop in Marangoz.
17:32When did he get involved?
17:34I don't know.
17:36I don't know.
17:38I don't know.
17:40I don't know.
17:41He had a small shop.
17:43When did he suddenly disappear to?
17:47I can't get it out of my head.
17:49It's been a long time.
17:53Oh, Bayhan.
17:57Do you think he's dead?
17:59Don't talk like that.
18:01What did they say?
18:03He won't come out.
18:12He won't come out.
18:15He won't come out, Umut.
18:19I'm glad you came.
18:27Mifit, I'm going to ask you something.
18:32Did you tell my brother what happened between you two?
18:36You and I...
18:38Never.
18:39It's a long story.
18:43Your closest friend is in love with your brother.
18:46Why are you talking about this?
18:49I'm leaving.
18:51Okay, okay, okay.
18:53Let's have some tea.
18:59Now Kadir is distributing your statements.
19:02Read it well.
19:04When someone asks, you will say these.
19:07Who will ask?
19:09Can you explain this properly, please?
19:12Mom, my brother is likely to be accused of smuggling.
19:16Hilal.
19:18It's a lie, mom.
19:20Of course, my son is a smuggler.
19:22What else?
19:24Aren't we telling what happened?
19:26What's the point of distributing documents?
19:29Let me tell you this, brother.
19:31First of all, our statements need to be consistent.
19:33Isn't that right?
19:35We live in a huge house.
19:36So sometimes when we live in this house,
19:39we don't have much information about each other, right?
19:43For example, Wednesday hasn't been around for days.
19:46So he doesn't know about these latest developments.
19:49They call you a smuggler.
19:51And am I the problem because I don't leave my room?
19:54Now let's start over.
19:56We were all at home yesterday.
19:59But mostly I was at home.
20:01You run in the garden with me in the morning.
20:03Then let's have breakfast together.
20:04Very nice.
20:06Be in the pool with me in the afternoon.
20:09Be a mother, quality time.
20:11Mom, I don't go into the pool.
20:14If everything goes well, it will arouse suspicion.
20:17When Murat was sunbathing, the sun passed on his head.
20:19We took him to the hospital.
20:21For example, you took us to the hospital.
20:23It's good that something like this happened.
20:25Okay, great idea.
20:27When did you go to the hospital?
20:29If we die, your soul won't hear.
20:31My dear, are you okay?
20:33Okay, we took care of the work at the company from home.
20:36You already wrote what we talked about.
20:38Okay.
20:40Thank you very much.
20:42My dear family.
20:44My beautiful family.
20:46You are great.
20:48Come on, collect them all now.
20:50We will write these expressions again from the beginning according to all these developments.
20:54We'll be back soon.
20:56Come on, Kadir is still collecting expressions.
20:58We have work to do.
21:00Look at me.
21:02Don't think I'm not suspicious of this.
21:04Don't be ridiculous, Selvi.
21:06Look, he's hooked on you.
21:08Maybe he's really doing it.
21:10We don't know.
21:12You go to the head of the company, you go inside.
21:14Selvi, don't do it, okay?
21:17Maybe I won't.
21:19Good luck.
21:23Omur, please focus on what I'm saying.
21:26Look, don't think about the moral dimension of the matter.
21:27You can't do it because you think about it.
21:29Okay.
21:31Come on, this time I'll show it to you.
21:33I just felt it because your eyes were open.
21:35Come closer.
21:38What are you doing? How can I stand?
21:40Stand as you wish. Stand normally, but close your eyes.
21:58Did you feel it?
22:01I put the phone down.
22:05How?
22:07How?
22:11Hey, quick-witted.
22:13Okay, I'll take the phone now.
22:15You don't feel anything other than the movement of the clothes, the movement of the fabric.
22:19And you won't feel it.
22:21Okay, just a second.
22:23I'll put the phone down.
22:24You don't feel anything other than the movement of the clothes, the movement of the fabric.
22:26And you won't feel it.
22:28Okay, just a second.
22:30I'll put the phone down.
22:54Did you feel it?
22:56Did you feel it?
22:58Did you get it?
23:01I'm going crazy.
23:03How can this be possible?
23:05I feel something, but it's never...
23:07Onur, if I give you a gun right now,
23:09if you put the gun together, you'll get it in seconds, okay?
23:12It's different.
23:14It's not different.
23:16It's hand speed, hand speed.
23:18Look, if I don't make any noise,
23:20you won't feel it.
23:21If I don't make any noise,
23:24you won't hear them either.
23:27Now.
23:33I won't hear the creaking sound.
23:35Come on, try it.
23:37Did you steal my watch?
23:39Look, tell me the truth, tell me the truth this time, tell me the truth.
23:41What watch? Don't steal the watch.
23:43Look, you're going to start the watch now.
23:45Come on, let's get back to work.
23:47Focus.
23:49You need to create an idea.
23:51You get the idea on the phone.
23:53You're going to get the idea on the phone.
23:55Okay, put it on.
24:06I'm going to try it from behind.
24:08Because it's coming to my left hand.
24:10Okay.
24:11Okay.
24:20I'm trying again.
24:22Come on, focus, you can do it.
24:24I'm doing what I can, if you're aware.
24:26Okay.
24:34Yes, how was it? Did you like it?
24:36Yesterday, the activities we did together at home.
24:38Great, super.
24:39Everyone should work very well.
24:41Even if our special guest comes in the evening,
24:44we tell him exactly like this.
24:46If you're talking about Onur, he's not a guest.
24:49From the family.
24:51Not yet.
24:53Onur was going to come, right?
24:55So, who else is coming?
24:57Sibel was coming.
24:59Gülsün's daughter.
25:01We have increased security measures these days.
25:03If we know about your guests in advance.
25:05Yes, mother.
25:06Besides, we talked about coffee.
25:08So, where did the dinner come from?
25:10The conversation developed like that, son.
25:12Is there a problem?
25:14Then, can I have a few friends?
25:16Your friends will come another evening.
25:19Obey.
25:21Mother.
25:23If you memorized it well,
25:25I'll ask you all later.
25:27Separately, but without being with each other.
25:29Onur, the man is gone.
25:31He went home.
25:33I'm doing what I can, I'm doing what I can.
25:34Okay.
25:36This is not what you can do. Come in front of me.
25:38I'm showing you for the last time.
25:40Look, come in front of me.
25:42Look at me and focus.
25:58It's that simple.
26:00Come on.
26:02Don't.
26:04You have to try many times.
26:07Look, Onur, please.
26:09Forget the moral dimension of the job.
26:11You're a good agent.
26:13You're doing a good job.
26:15You have a quick hand.
26:17You can do it.
26:19Please just focus on this.
26:21I live my life for the opposite of this.
26:23Okay, but you're not a thief.
26:25You're going to take the phone from Civan's pocket.
26:27You're going to set up the program and put it back.
26:29Besides, you're working with a thief.
26:32I trust you.
26:34You can do it.
26:41Concentration.
26:47Don't forget about that team.
27:01Concentration.
27:27Did you hear the ringing sound?
27:31Yes.
27:38Thank you.
27:41Let things get a little faster.
27:43Let it get faster.
27:45Okay.
27:46Let's go.
28:00They haven't seen Mr. Onur all day.
28:02They went to this place, they came.
28:04They brought someone, they took him.
28:07I was right about him working behind my back.
28:10But from the wrong place.
28:12I don't understand.
28:13What do you mean?
28:15We were going to open a restaurant together.
28:17But look at this.
28:19Ms. Ece has already sold me out to the restaurant.
28:22The place has been looked at.
28:24It's been decorated.
28:26You're bothering me, huh?
28:28She definitely found herself a new partner.
28:30So what should I do?
28:32I mean, do you want me to keep following Ms. Ece?
28:34Of course I do. Why did I hire you?
28:36Is there any interest in Onur?
28:38Take a good look.
28:40They haven't had any contact since yesterday.
28:41Frankly, I don't think there's such a possibility.
28:44And now, just so you don't feel sorry for your money...
28:48I don't feel sorry for my money, Mr. Kerem.
28:51Don't worry.
28:53But if my friend is cheating on me, I feel sorry for him.
28:56Keep following her tomorrow and the next day.
28:58Okay. How would you like it?
29:00I want you to keep an eye on her for 24 hours.
29:03And give me a detailed report.
29:11My troubles surround me
29:14Like a black tulle
29:17Come and look at me
29:20Like a withered rose
29:23My troubles surround me
29:25Like a black tulle
29:28Oh, you're in a good mood.
29:30How can I not be? Hazar is in my pocket.
29:32And he has a list of songs in his pocket.
29:34He has a lot of songs.
29:36Especially this song.
29:38Which song is that?
29:41I don't know.
30:03You smell so good.
30:05Thank you.
30:07I mean, when I got closer to you,
30:10I could smell your nose.
30:12We're taking a breath while talking.
30:15It's a very good song.
30:17It's good, isn't it?
30:18It's very good.
30:19Shall I turn up the volume?
30:20Turn it up.
30:36Like a withered rose
30:39My troubles surround me
30:41Like a black tulle
30:44Come and look at me
30:47Like a withered rose
30:50Don't extinguish my memories like yesterday
30:54Like the ashes of this fire
30:57Don't extinguish my memories like yesterday
31:01Like the ashes of this fire
31:05Come and look at me
31:08Hug me and say you love me
31:10Come and look at me
31:13Hug me and say you love me
31:17What's going on?
31:18Nothing's going on.
31:19It's not going on, is it?
31:20It's not. What's going to happen?
31:22It's not.
31:23Nothing's going on.
31:28Åžefik?
31:31What's going on here?
31:32What's going on here?
31:33Nothing's going on.
31:34Nothing's going on.
31:35I was about to sign Hazar's transfer documents.
31:38Let me hang up. Where's the phone?
31:40Leave it to Melek.
31:42That's good.
31:47Come and look at me
31:49Hug me and say you love me
31:53Come and look at me
31:55Hug me and say you love me
32:02I love you, Melek.
32:21May I ask you something?
32:22Do you hide the silver fork knives in your wallet?
32:26Why do you look at me like that?
32:27Girls, go and bring them to the table.
32:29I'll be right back, auntie.
32:30I'll bring it.
32:30Okay.
32:31Mom, why do you need so much preparation?
32:34Son, I told you.
32:36Sibel is coming tonight.
32:41Oh, I met her at the door.
32:43One minute, one second.
32:44Who came? How are you so sure that Sibel came?
32:46Son, I said Sibel was coming. Who else could it be?
32:49What if it's the police, mom?
32:51If it's the police, we need to set a password.
32:54What password, Civan?
32:55Mom, will you listen to me?
32:56Now look, you go upstairs.
32:58Look, if it's the police at the door, you tell me that password.
33:01I'll go from here to the garden, from the garden to the forest,
33:02from the forest to the mountains, from there to the marina.
33:04I'm on my toes, okay?
33:05Oh, what a password, Civan.
33:07Who can mess with an honest person like you, son?
33:10But you're so paranoid.
33:13Look, don't do such things next to Sibel.
33:16Don't bother us, okay?
33:19So thank you very much, mom, for your support.
33:22Please, Civan.
33:23After that, why is Civan giving so much money to therapists?
33:26Civan.
33:28Civan.
33:39Good evening, Mrs. Andan.
33:40Oh, Onur, is that you?
33:43Or is there anyone else you're waiting for with such excitement?
33:46I'm not a very special guest.
33:48Here you go, dear.
33:49Good evening, Mr. Civan.
33:50Good evening. Welcome, Onur.
33:52Nice to meet you.
33:52Honestly, I'd rather see you than see the person we're waiting for.
33:56Come on.
33:58I'm so happy to hear this.
34:01My love, welcome, honey.
34:03Thank you.
34:04My love, welcome.
34:06Glasses.
34:07I wear them occasionally, you know.
34:09I work hard as a restorer.
34:11Yes, honey, you work so hard, so hard.
34:14Praise be to God, Hilal put a detective on my back.
34:17By the way, does everything ask so much and make you curious?
34:20So what's this?
34:21Well, this is the sketches of my goddess collection that we're going to see your brother.
34:26How did you find it?
34:27It looks beautiful. You're so good at it.
34:31My love.
34:33It's beautiful, Onur. Green suits you very well.
34:36Really?
34:38Come on, my love, let's go downstairs.
34:40Okay, let me wash my hands and come, okay?
34:42Okay.
34:45Do you know how to defend yourself?
34:47By the way, I'm going to say something.
34:48It looks like a pickle.
34:49But it's not a normal pickle.
34:50It looks like a quick pickle.
34:52Hilal is weak in that sense.
34:53Did you make it look like that?
34:55Put them side by side.
34:56You won't get it.
34:57Sit down, Hilal.
34:58Straight like this.
35:00You're aware that I can hear you, aren't you?
35:02Of course I'm aware.
35:03Because I'm pressing a button to talk to you and I'm talking to you.
35:08Also, do what I tell you to do.
35:13I'm not your employee, don't order me around.
35:15Don't forget what I said, okay?
35:17I'm not ordering you, I'm helping you.
35:19Don't look at me like an order, don't hang out with me, my boss.
35:24You're swearing at me right now.
35:26I can feel it.
35:28He wasn't swearing at you right now, but whatever.
35:31When I swear at you, I'll press the button and swear, don't worry.
35:34Let's put one of these over there, okay, girl?
35:38Mom, I got a point from this girl, let me tell you.
35:41We're waiting for so many people here.
35:43Especially for a pregnant candidate like me, these are very risky situations.
35:48Don't sit on the table ten minutes late.
35:50There's something called vinegar feeding, Murat.
35:52You don't know anything, but you're doing this for the girl.
35:55Istanbul traffic is foreign again, that's why he's late.
35:58He'll be here soon, I guess.
35:59We're sitting in Riva, what traffic?
36:02Selvi, what haven't you been able to give to a girl you don't know?
36:08Mom, start with this, if you want.
36:15Mr. Civan.
36:17Before we eat, let's take a look at my collection.
36:21What do you think? Because your ideas are really important to me.
36:24Wow, good move, it came out faster than I expected.
36:28Let's see, let's see, yes.
36:31There's a continuation of this over there.
36:36My favorite is the octagonal sections over there.
36:40It's beautiful, yes.
36:42That octagonal section, but of course...
36:47Who's here? Where's my phone?
36:54But Onur, I told you, that's not how it works.
36:57If you want to take the phone, you have to get in close contact.
37:00Otherwise, he'll notice, he'll follow the phone.
37:02If he left the phone, he'll want to take it from where he left it.
37:05Civan, calm down.
37:08Mom, mom.
37:10Son, okay.
37:11If someone doesn't want to come, don't worry, I'll call out, I'm sorry.
37:17What, are you going to shout, I'm sorry?
37:19What are you doing, what are you saying?
37:23Mr. Civan, what happened, is there a problem?
37:25No, nothing, everything is fine.
37:32Civan's head is completely stuck.
37:35I'm sorry, I'm so sorry.
37:38It's weird, I'm afraid.
37:40I'm sorry.
37:42I'm sorry.
37:45Who are you sorry for, love?
37:47Does this crescent jump every word?
37:50Were you such a friend?
37:52I didn't know you like that.
37:53I'm sorry, I'm sorry, come, let me show you.
37:55Look, come.
37:57Look, we have so much food, how many times are we going to eat all this?
38:01Waste.
38:03Honey, there's a bandage on the table, don't worry.
38:10You're a real change.
38:12Yes.
38:16Our guest of honor is here.
38:18Sibel.
38:20Good evening, everyone.
38:24Hello.
38:25Hello Sibel, welcome.
38:26Hello.
38:27Cengiz.
38:37What are you doing here?
38:39Cengiz.
38:40Cengiz.
38:41Cengiz?
38:57Well, this girl can't take her eyes off him.
39:01I hope you don't explode tonight.
39:08I still can't believe it.
39:10You're just like Cengiz.
39:13Couldn't you find another name?
39:15I've been through everything, you don't have Cengiz type.
39:18I mean, if you said Cengiz Han, for example,
39:20Cengiz would sometimes use Han when you wanted.
39:23People say it's a double-created, I guess that's the case.
39:27Your voice is the same.
39:31He had a mustache and I had one.
39:36Oh, brother Onur, are you a surah or something?
39:42My love, I guess you have a double somewhere we don't know.
39:47Oh, Hilal is hopeful.
39:49If you walk with him, he'll find your double.
39:51Because what matters to him is not your character, your type.
39:55That's what I started to think.
39:57Yeah, I guess so.
39:59So what was Mr. Cengiz doing?
40:02He was a doctor.
40:04Brain surgeon.
40:06What?
40:07I don't believe it.
40:08I guess you didn't go into surgery and kill someone, did you?
40:13Well, it's cooler than being a seamstress.
40:15We couldn't choose a cool enough family partner, Elif.
40:18Oh, I'm sorry, please.
40:20Oh, look at Elif, look at Elif.
40:22Oh, look at Elif, look at Elif.
40:24Look, look, what a sweet comment. I'm gonna bite you.
40:27What you're saying is not me at all.
40:29I mean, it keeps me alive.
40:31I'll faint. I'll faint.
40:33I can't. You upset the girl.
40:35Oh, was this man called Cengiz working at your hospital?
40:40Yes.
40:43Then he suddenly disappeared.
40:46He was a quiet, calm, shy man.
40:50He was a very good man.
40:52By the way, could you really play a slick type?
40:55Without giving such orders, without talking to each other.
40:58I was surprised.
41:01Oh, should I be jealous that he suddenly disappeared?
41:04Should I be jealous that his partner was arrested?
41:07I was surprised.
41:09Oh, this is your organ trading hospital.
41:13Ahem.
41:14Ahem.
41:18Bravo!
41:20Who was it, by the way?
41:22Huh? You're saying that Cengiz was kidnapped by an organ mafia, huh?
41:25Ahem, ahem, ahem, ahem, ahem.
41:27Oh, come on, mom.
41:28He already wrote all the news, newspapers, everywhere.
41:30He even came to the magazine house. Shouldn't I learn?
41:33Oh, whatever, honey, whatever.
41:35All of these are very old, aren't they, girl?
41:38Isn't it, Civan?
41:40Is there a siren coming from outside?
41:43Civan gets uncomfortable when he hears such a mafia, doesn't he, Civan?
41:52Let me report this, let's get rid of it.
41:55Don't scare me at night.
42:02Oh, I'm so angry, I'm so sorry.
42:07When you stand in front of me like this...
42:13I don't know, I don't know right now.
42:16I don't know either.
42:19I feel sorry for you.
42:21You fell in love with this girl, too. She fell in love with you, too.
42:25When you say this...
42:26Here? Here? What here?
42:28Let's not talk here, Mr. Civan.
42:30We were going to talk about my collection.
42:32If you want, I can bother you later.
42:34It's not the right time right now.
42:35No, no, let's talk upstairs, right now.
42:37Even now, come on.
42:38Okay.
42:39Oh, it's me again. I'm coming right away.
42:41Were you really that clingy?
42:46Civan, our guest.
42:49Sibel is not a stranger, mother.
42:50She's a surgeon.
42:51She can tell everything about Cengiz.
42:52She can get all the poison out of him.
42:55I'm sorry.
42:56Come on, come on.
42:57Civan?
42:58Bon appetit.
42:59Bon appetit.
43:00Good evening, Ms. Sibel.
43:03They're coming now.
43:04They have a meeting.
43:05It's a small thing.
43:07Why don't you eat, honey?
43:08Come on.
43:11Onur, Onur.
43:12I'm so bored here.
43:13You said you were waiting.
43:14Side cuts are made like this.
43:15I'm tired of waiting here.
43:16Come on.
43:17I'm sorry.
43:18I couldn't entertain you.
43:19By the way, don't look at Hirel.
43:20Can't you take your eyes off?
43:21What are you doing?
43:22I keep seeing Hirel.
43:23I'm sick of seeing Hirel.
43:24I'm nauseous.
43:25Turn your eyes somewhere else.
43:26Look, if I can't do it a little more, I'll come in.
43:27I'll take that phone.
43:28Don't say no.
43:29Look, don't come here.
43:30Don't.
43:31Onur, go inside.
43:32In a way, Civan's attention.
43:33Don't come in.
43:34Don't come in.
43:35Don't come in.
43:36Don't come in.
43:41I'm sorry.
43:42I'm not used to working in such a team.
43:43I was completely independent until you came.
43:44Do you understand?
43:45By the way, if it doesn't work for you, you can do it alone.
43:46I can close the shop and go.
43:47Huh?
43:48Shut up.
43:49Shut up.
43:50Is Hirsin closed right now?
43:51Onur, can you hear me?
43:52Onur, Onur.
43:53Hello, Musti.
43:54What did you do?
43:55I'm sorry.
43:56I'm sorry.
43:57I'm sorry.
43:58I'm sorry.
43:59I'm sorry.
44:00I'm sorry.
44:01I'm sorry.
44:02I'm sorry.
44:03I'm sorry.
44:04I'm sorry.
44:05I'm sorry.
44:06I'm sorry.
44:07I'm sorry.
44:08I'm sorry.
44:09I'm sorry.
44:10I'm sorry.
44:11I'm sorry.
44:12I'm sorry.
44:13I'm sorry.
44:14I'm sorry.
44:15I'm sorry on your behalf.
44:16I'm sorry.
44:17I'm sorry.
44:18I'm sorry.
44:19I'm sorry.
44:20You made a mess.
44:21You're a mess so you should apologize.
44:22What did you do?
44:23What can I do?
44:24I'm in a minibus right now.
44:25I'm helping Onur's operation.
44:26On the one hand, I watch Civan.
44:27I became such a volunteer.
44:28I'll tell you something.
44:29If we jump, we'll explode a lot, right?
44:30There's no a doubt about that.
44:31How do you talk so comfortably on the minibus?
44:32What if they listen, girl?
44:33Calm down, my friend.
44:34They don't listen.
44:35Oh, by the way, you...