Pedro el Escamoso 2 - Capitulo 16
Category
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Short filmTranscript
00:00THE LORD OF THE SKIES
00:04You're so stupid, Javi.
00:06She's a friend of Fernanda's.
00:08What did you expect me to do?
00:09Everyone knows you were the one who set up the show.
00:12How could you think Paula Davila wouldn't know anything?
00:15Paula doesn't work for that company anymore.
00:17She's being replaced by an ambitious guy.
00:19I don't give a shit.
00:20Relax, he's a trustworthy guy.
00:22When did I ever think of doing business with you?
00:25Everything is under control.
00:28The person who replaced me told me this confidentially,
00:32but I haven't seen anything.
00:35I don't have any conclusive evidence.
00:37Is there a way to get a copy?
00:40I already quit.
00:43But the guy I recommended is very grateful, so...
00:49Yes.
00:50Can you do it?
00:52Let me see what I can do.
00:55Let me see what I can do.
00:57Paula, I'd be so grateful.
01:08Yes.
01:11Yes.
01:12No.
01:14Yes.
01:20What are you doing?
01:22A test.
01:26Do you want to be an ophthalmologist now?
01:29No, look.
01:33The pupil gets bigger or smaller
01:35depending on the intensity of the light.
01:37That means...
01:38Whose eye is that?
01:41Mine.
01:44I didn't realize you had such pretty eyes.
01:48Yes, almost no one notices.
01:52Coffee?
01:53Yes, thank you.
01:55The important thing here is that this happens
01:59when a person likes another person.
02:02Wow, fascinating.
02:05Or when they lie.
02:07Lucia, I'm not paying you to do physiology experiments
02:11or to become an ophthalmologist or anything like that.
02:13Please.
02:14You're right. I'm sorry.
02:17But you know what?
02:19This is a very important test.
02:22You know what?
02:24You can use this to create a filter
02:26for the app your dad wants to design.
02:29My dad or you?
02:33Think about the possibilities.
02:35If we can design an algorithm
02:37that triggers an alarm every time someone lies,
02:41it would be much easier to discern
02:43or analyze the information they give us.
02:45Stop being silly.
02:47Maybe my dad will forget about it too.
02:49I told you to stop thinking about your impossible projects.
02:52Focus on what's really important.
02:56Get to work.
03:07I'm sorry to interrupt your work at the Beauty Hair,
03:10but I need you to hand me this form.
03:14Here you go, Mr. Fernando.
03:16This form, in a clear way, for my meeting box.
03:19I need you to answer me honestly and sincerely.
03:24Pedrito, I'm busy right now.
03:27What's this for?
03:28It's a test.
03:30But it's a lot of questions, isn't it?
03:32Yes, but the idea is to get to know you
03:35so you can find a partner.
03:37Oh, sir, I want one.
03:38Really? Of course.
03:40I want one too.
03:41But Maxima, did you see how successful this was?
03:43Yes, congratulations, but we're busy working.
03:46Yes, I know.
03:47I need you to answer me.
03:49The truth.
03:50Nothing but the truth and only the truth.
03:54So that this works.
03:55Excuse me.
03:57When will this kid land?
04:00What kid? Pedro is a kid.
04:02A kid, but he's 46, honey.
04:06Elvira, you're an old lady and you haven't learned.
04:08I do learn, but I forget.
04:11Here are the tickets.
04:12I already sent them to your email.
04:14I think it's great that you didn't ask me to come.
04:17I don't have the budget for anyone else,
04:18but if you want to go so badly,
04:20pay for your hotel and your tickets.
04:23With the department's purchase, I owe a lot of money.
04:26I can't afford that luxury.
04:28Then don't complain, honey.
04:30Have fun.
04:31Hey, I need a favor from you.
04:35What is it?
04:36I need you to help me find a partner for Elvira.
04:39I need a favor from you.
04:41For that, yes.
04:44Find out if Pedro is going to that congress.
04:48What for?
04:49Why do you think?
04:50I thought that was final.
04:53I really need it.
04:54Poor thing.
04:56I'm serious.
04:57I know, but do you want me to be honest?
04:59Did you lose that money?
05:01No, I don't think so.
05:04Are you going to find out or not?
05:07Yes.
05:08I think there's a better way to find out.
05:11Do you know the organizers of the congress?
05:14I don't know.
05:15Wait, I'll find out.
05:16We do a lot of intelligence work.
05:20Who cares if it's the congressmen
05:21who invite you to a talk or a work table?
05:25If you do that, I'll take you on the next trip.
05:27And I'll get a raise. Thanks.
05:29Keep dreaming, honey.
05:32I wanted to ask you if any of your speakers
05:35have failed you.
05:36I just got a call from my counselor
05:38about a guy who came from India because he got sick.
05:42I have the perfect candidate to replace him.
05:45As long as it's your boss, I'd be delighted.
05:49No, she can't go.
05:51But do you remember Pedro Coral?
05:53Of course I do.
05:54Call him.
05:55I'm sure he'd love to attend.
05:57I'll call him right now.
05:58I send you a hug.
05:59Please say hi to your parents.
06:01Perfect, Ramiro. Thank you.
06:07I didn't know you had such pretty eyes.
06:11Are you jealous or are you just thinking?
06:13No, I'm not jealous.
06:15I'm just wondering if you're falling for the girl.
06:19No, I'm not falling for anyone.
06:22No?
06:22No.
06:24Well, be careful.
06:27Careful with what?
06:28I like her, but I think it's easy to get in her state.
06:34Maybe she's thinking something else.
06:36Right now, I'm not interested in going out with any woman.
06:41Especially not with Lucia.
06:42Why not?
06:44Because I just got out of a complicated relationship.
06:46Are you sure you already got out of it?
06:51Ready.
06:52That fast?
06:53You have to make my dad's influences work.
06:56Is he going? I don't know.
06:58They're going to invite him, but I don't know if he'll accept.
07:03This weekend?
07:04That's right, my dear friend.
07:06And I'm not going to accept a no answer.
07:09No, but he's too excited to prepare a speech.
07:13It's a conversation about the dangers and advantages
07:16of artificial intelligence.
07:18Well, I don't know.
07:19I don't know.
07:24No, thank you very much, Ramiro.
07:27Of course. See you later.
07:30Bye.
07:33So?
07:35Confirmed?
07:36Really? Are you sure?
07:37Yes, I'm very sure.
07:38I'm so excited.
07:39I'm going to call the hairdresser to set up a date
07:42to look beautiful.
07:44No big deal, right?
07:49I have to travel tomorrow.
07:52Why?
07:53I was invited to the Technology and Systems Congress
07:55in Miami.
07:56That's great.
07:57Do you want to go?
07:59No.
08:01No.
08:02I have something to do, so I won't be able to make it.
08:07Okay.
08:09Okay.
08:10So, can I leave you to work on what we're doing, please?
08:15And not on those eye physiology experiments
08:18or whatever they're called.
08:19Yes.
08:20Yes, I only do that in my free time.
08:23I hope so.
08:24Uh-huh.
08:30Mariana, what do you need now?
08:33We're leaving.
08:33Where to?
08:34To look beautiful.
08:36I have a lot of work.
08:37No, I'm the one who's inviting you.
08:39If that's the case...
08:44Well, it's time to read the results of the surveys.
08:50No, no, no.
08:52That's private, Pedro.
08:53What's the problem?
08:55We're all going to be partners in this.
08:57I don't know, I don't know, I don't know.
08:59Mr. Pastor Fernando, we're family here.
09:02There are no secrets here.
09:03No, no, no.
09:04I don't agree with you venting your private life like that.
09:08Stop talking nonsense.
09:09Start with mine.
09:10That's the attitude.
09:11Very good, very good.
09:12I repeat, we're going to be partners.
09:14If this works, we're going to make a lot of money.
09:16Peter, I didn't fill out any forms.
09:18Me neither.
09:19It doesn't matter. This is just a test.
09:22Do it, do it.
09:23Very good.
09:24Let's go with Nidia Guillermina.
09:26Age, 19 years old.
09:28Sex, once in a while.
09:35But this is serious, for God's sake.
09:38I don't understand.
09:40He's taking the piss.
09:41The other one is serious.
09:43Let's see, hobbies, music, dance,
09:46she likes the movies, TV shows, sex.
09:50Ma'am, you didn't have to say that.
09:53But it's true.
09:54You told me to tell the truth.
09:56Peter, I think this is going to be a problem.
09:59Oh, no, you're all so moody now.
10:01Look who's talking.
10:03I'll read this in private and then we'll talk.
10:05You know what?
10:06Think about it. Read mine.
10:07I'm an open book. I don't have anything to hide.
10:10Look, go.
10:12Elvira Pacheco.
10:14Age, 30 years old.
10:20What's so funny?
10:21What's so funny?
10:23No, no, but this is serious.
10:24Don't you understand that this is serious?
10:26It's serious.
10:27Should I bring you the cedula?
10:28No, no, no, there's no need.
10:30We made this up so people wouldn't lie, for God's sake.
10:36We didn't make this up, but of course, I came up with the idea.
10:39Pedro, please, it's best if you read that in private.
10:42And if you need to corroborate information,
10:44ask each of us separately.
10:46Yes, that's best.
10:47Go and dig up the cedula.
10:53Hello, Fernanda.
10:54Hello, Pipe, have a seat.
10:56Did you send for me?
10:57Yes, yes.
10:59Well, I sent for you because we already know
11:04who closed the show.
11:07No.
11:08Yes.
11:11Well...
11:11Who was it?
11:12No, but wait a second.
11:13Before formally accusing someone,
11:16I need you to tell me if it's the same show
11:21as the company.
11:23Yes, of course, of course.
11:25With pleasure.
11:26Thank you, Pipe.
11:27Just imagine, a friend of mine is going to give me the information
11:30and I need you to check in detail
11:34if it's the same show.
11:36Fernanda, I don't think that will be necessary.
11:41Just imagine that...
11:44I already know who closed the show.
11:46Really? Who?
11:51Pedro.
11:56Come in.
11:58Pedrito, are you busy?
12:00No, sir, I'm just covering my ears.
12:03You're so stupid.
12:04We do that in the living room and we do it perfectly well.
12:08And reading lies?
12:10They're not mine.
12:11They're not mine because I only wrote the truth
12:14and nothing else.
12:15Well, Mr. Pastor, I haven't gotten to your file yet.
12:19Look, I'm asking you to handle my information
12:23in an absolutely confidential way.
12:26But if Sumercia has nothing to hide,
12:29there are things that belong to my closest friend.
12:33Don't worry.
12:34As soon as he's done, I'll burn all the files.
12:37Oh, wonderful. That's the best part.
12:40Now Sumercia understands why it's important
12:42to develop this show?
12:44I understand it perfectly well.
12:46I've been through a lot in my life.
12:51Many times, people have come to me
12:55to try to mistreat me or abuse me.
12:59And Sumercia hasn't tried the other way.
13:02Which way?
13:04I mean, Sumercia hasn't tried to get to know people
13:09personally.
13:11Oh, yes, that's true.
13:14This fine print that nature gave me...
13:19there aren't that many people who are close to me.
13:24That's why not only I, but so many people
13:26have decided, when we relate to others,
13:29to relate to each other as we are,
13:31being what we are, and without hiding anything.
13:35That's how you really talk, Mr. Pastor.
13:37That's why I need what's written here to be true.
13:40And how are you going to do that, Pedro?
13:43I'm surprised you doubt it, Mr. Pastor Fernando.
13:46When Pedrito Corral says he's going to achieve something,
13:49he does it.
13:52When I found out about the Pedro-Pedro relationship,
13:54I was thinking about several coincidences
13:56that happened on the day of the robbery.
13:59Oh, it's hard for me to think it's Pedro.
14:02Fernanda, do you know anything about Pedro's father's past?
14:07Do you know him?
14:10Don't you find it strange that he appeared
14:12from one moment to the next, hiding his true identity?
14:15I hadn't thought about it.
14:17It's very strange.
14:19Think about it.
14:21How do you think a guy like Pedro,
14:24such a successful, powerful man,
14:28would allow his father to work as a messenger?
14:32Yes, how strange, right?
14:35Pedro was the person in charge of the program.
14:38He was the one who had the most knowledge
14:40about all the accesses.
14:42And the other guy kept an eye on everything we did.
14:46Everything.
14:47And according to your security, he was one of the last people
14:50who left this office on the day of the robbery.
14:54But...
14:57Let's not get ahead of ourselves.
14:59I think we should first verify if it's the same program
15:01and then draw conclusions.
15:04Yes, of course. As you wish.
15:10Cata, what do you think of this sexy set?
15:14Which one?
15:15What are you doing?
15:16I'm going on a trip tomorrow.
15:18And that?
15:20Damn.
15:21What?
15:22You didn't realize.
15:23I'm going with Mariana to the Mayan Congress tomorrow.
15:26What?
15:28Sorry, it was the last minute.
15:29Fernanda sent us both.
15:31Why didn't you tell me?
15:32Because everything happened so fast
15:33and I didn't realize you were going.
15:35And now what am I going to do?
15:37Cancel the trip.
15:38No way.
15:39I already have tickets, I'm going to a hotel, everything.
15:41I'm more than here.
15:42No wedding, right? No shame?
15:44Why don't you help me think of what to do?
15:48Tell Mariana the truth.
15:51Are you crazy?
15:53You're crazy, Loli.
15:55You're the one who's messing with that guy.
15:58Psst, psst.
16:05Ready?
16:07More than ready.
16:09Anything else, miss?
16:11No, Ramon, that would be all.
16:13Ramon, first to the airport and then to the office.
16:16Yes, ma'am.
16:18I'm going to miss you.
16:20Me too, but I'm only leaving for three days, Mom.
16:23A lot of trial.
16:25No, I'm going to behave badly.
16:28Right, Ramon?
16:29If you want to have a good time, you have to behave badly.
16:33You know, Ramon.
16:35Thank goodness my flight is in the afternoon.
16:38Have you thought about how to explain this to Mariana?
16:40It's going to be inevitable that we find her.
16:46I'll be locked up for three days in the hotel room and that's it.
16:51You know exactly what you're going to do.
16:55I'll come up with something.
16:57She's going to get into trouble.
16:59Yes, yes.
17:03Cata, your taxi is here.
17:05Thank you, Matilde. I made you some coffee.
17:08Okay.
17:10Be careful with my room, okay?
17:12No.
17:13Bye.
17:15I'm going to bring the guy over.
17:16A nice bag from Miami.
17:18Oh, yes.
17:22What a video.
17:24Not so much.
17:25What are we doing this weekend?
17:28I'm going to my dad's ranch.
17:31Really?
17:33He's going to invite me, Loli.
17:35No.
17:36No, no, no.
17:38He's going to get bored.
17:39He's like a bunch of grandpas.
17:41Domino's, Parque's.
17:42I'm going because I have to.
17:44I'm really good at Parque's, but I'm a newbie.
17:46Margie, no.
17:48Don't get tired. Not this time.
17:51I didn't want this either.
17:55Well, ma'am, you're going to Parque's, right?
17:59To do a few things, but...
18:01Ma'am.
18:03But for now, I need you to take this to Fernanda.
18:07Please, it's really important.
18:09I'm going to put my best man in it.
18:12Don't worry.
18:13No, no, no.
18:15You have to take it and give it to her personally.
18:20To her and only to her.
18:22It's a very sensitive material.
18:27Oh, ma'am, what if I put it upside down?
18:30Why? Do I get you in trouble?
18:33Of course not.
18:34Okay, so please let me know as soon as I give it to her.
18:37Of course, ma'am. Count on it.
18:42What do I owe you?
18:43Nothing.
18:44The first service to all customers is free.
18:47It's the company's policy to gain more customers.
18:51I thought I'd give you a good tip.
18:53I wouldn't mind.
18:56How are you, ma'am?
18:57Me?
18:59Better than ever.
19:01Where does this Dr. Paula get so much strength to bear this?
19:07Could you give me a hug?
19:08Of course.
19:09Yes, please.
19:11Such a brave woman.
19:17I feel better. Thank you.
19:39I packed everything for you.
19:41Don't forget to stop by that duty free
19:43where they tell me perfumes are cheaper.
19:46You'll find it on the right.
19:47A trial, right?
19:48As usual.
19:49I'll be there.
19:51Hey!
19:54What's up?
19:55Good morning.
19:56Come in.
19:57Good morning.
19:58I'm glad you're here. I'm on my way out.
20:00I left you a list of tasks
20:02so we can move forward with what we have pending.
20:04Okay, thanks.
20:05If you need anything,
20:06Lucero will take care of it like a queen.
20:09Of course.
20:10We're going to put on a show, aren't we?
20:12It's just the beginning.
20:13I know it's the weekend,
20:14but if you want to come work or Lucero will take care of it,
20:18come right away.
20:19You know I don't have weekends, right?
20:21I know.
20:22The taxi's here.
20:23If you need anything, let me know.
20:25It's at your house. Don't worry.
20:29She's pretty, isn't she?
20:31I don't know.
20:32She doesn't know.
20:33Of course she does.
20:35Don't play dumb.
20:37The boss is a diva.
20:39I'm going to work.
20:43I'm going to work.
21:07Miss Caro, how are you?
21:09Mr. Pedro, it's a pleasure to see you.
21:11How have you been?
21:12It's a little sad, yes, Viris.
21:16I won't deny it, but I'm on my way.
21:19I have to give this envelope to Dr. Fernanda.
21:22Of course, I'll give it to her.
21:24We do have some problems there
21:27because I was asked to personally give it to her.
21:32I think she's busy, but wait, I'll call her.
21:34Ma'am.
21:38Well, Piti, that's between us.
21:39No, of course not. Go with me.
21:41Hello?
21:43Carol, tell him to leave it at the reception.
21:47Okay, tell him to keep going.
21:49We'll keep talking.
21:51I think the package I've been waiting for has arrived.
21:52Okay, I'll keep an eye on it.
22:00Check what I sent you.
22:02I need that for tonight.
22:04Hey, what's that guy doing here?
22:08No idea.
22:09He better not cause any trouble.
22:13Jaime, thank you very much.
22:15See you later.
22:17Mr. Piti, how are you, young man?
22:20How are you? I'm fine, and you?
22:22Good, good.
22:23I'm here to give this to Dr. Fernanda.
22:27When I give it to her, let's go get some coffee.
22:29Okay.
22:31Come in.
22:35Come in.
22:37And there she was, sitting, working, busy,
22:44with that beautiful face she's always had.
22:48And she's gone.
22:49I don't know what to do with myself.
22:51I don't know what to do.
22:53I don't know what to do.
22:55I don't know what to do.
22:57That beautiful face she's always had.
23:01Blessed Virgin.
23:03Seeing this woman again almost breaks my heart.
23:06Good morning, ma'am.
23:07Good morning, Pedro.
23:11I brought you this document that Dr. Paula sent you.
23:15She asked me to give it to you personally.
23:18That's why I'm here.
23:19Thank you very much.
23:21Pedro, don't lose your temper.
23:24What else is there?
23:27Nothing.
23:29Do I have to sign anywhere?
23:31No, ma'am.
23:32Just call Dr. Paula and tell her I gave you the envelope.
23:36That's more than enough.
23:38Okay, perfect. I'll call her.
23:40What's there to see?
23:41Say something smart.
23:42Don't just stay quiet.
23:44Here's the card from the courier company
23:48that we opened in Monpirillo.
23:50If you need anything, just call us.
23:53We'll be at your service, okay?
23:56Okay. Thank you.
23:59I'm glad to see you, ma'am.
24:01Have a nice day, Pedro.
24:03Punish me with the whip of indifference.
24:06I deserve it.
24:09But look at how beautiful you are, Blessed Virgin.
24:15Anything else?
24:16Ma'am, I need to speak to you in private.
24:20Pedro, I don't...
24:22It's only five minutes.
24:25Pedro, it's not necessary.
24:26Yes, it is. I'm dying of sadness.
24:30Pedro, I'm very busy today.
24:32I understand that, but it's only five minutes.
24:37I'm dying of sadness.
24:39I'm on my knees right now.
24:41Please, listen to me.
24:45Pedro, in life, all that's left is dignity.
24:50You didn't ruin it with lost causes, Pedro.
24:53It's not worth it.
24:54Look, my answer will always be the same.
24:59If you'll excuse me, Doctor.
25:02Go ahead.
25:20Hey, what are you doing here?
25:22What do you care?
25:23Don't talk to me like that. What's wrong with you?
25:25I have a short fuse, I didn't take out the stone.
25:29I'm going to blow your brains out.
25:30Do you think I'm afraid of you?
25:32Salo, call the security.
25:33You can't do it alone, Salo.
25:35Do it.
25:37Who called you, Florespondio?
25:39Who called me?
25:40You're a young doctor, don't get involved.
25:42Who is this place? I came for a coffee.
25:44A coffee? What are you going to drink?
25:46I'll tell you right now.
25:48We're here where Dr. Fernanda, in this company,
25:50which I respect, if you don't hear me, I'll get up.
25:53But we're on the plane and I'll help you with a hand.
25:56Do it now.
25:58Do it now.
25:59Do it, you pig.
26:01Do it, Dad.
26:03Thank you, pig.
26:04Pig, that's what you are.
26:07What's wrong with him?
26:08Can't you see he can't do anything wrong?
26:10Nothing wrong?
26:12You scared me, didn't you?
26:16You scared me, didn't you?
26:24I'm so tired.
26:25That trip was...
26:26Yeah, it was tough.
26:27You're welcome. How are you?
26:28Fine, thanks. I have a reservation.
26:30And your name?
26:31First name, Pedro. Last name, Coral.
26:34Hi.
26:35Hi, ladies. How are you?
26:37Pedro, what are you doing here?
26:39What are you doing here?
26:41We came to the congress. What else?
26:43Me too.
26:45What a coincidence.
26:46It's so strange we didn't see you on the plane.
26:49Yeah, I don't know.
26:50I'm sure I came on another flight.
26:51But what a coincidence.
26:54You know what?
26:56We have to celebrate this.
26:57Let's do something.
26:59No, no, no.
27:00Get me out of that plan. I'm so tired.
27:03Yeah, me too.
27:04I'll register and we'll stop now.
27:07No, we're first.
27:09Ladies first.
27:10May I have your first name, my love?
27:12Yes, of course.
27:42Why haven't you come back home?
27:43I've been very busy lately, but I want to come back.
27:47Very good.
27:48I'm going to tell you something, but it's between you and me.
27:52Of course.
27:54I'm working on something new.
27:56And when I say new, it's very new.
27:58And it's top-notch.
27:59But top-notch is next level.
28:01And I know that you can help me with that.
28:09Well, shall we have a drink?
28:11Right now?
28:13Yes.
28:14It's very early, isn't it?
28:17Excuse me, sir.
28:18Can you take our luggage to the rooms, please?
28:21Of course, seƱorita.
28:22Room keys, please.
28:23What room do you have?
28:24Room 817. You?
28:27We're going to be neighbors.
28:31You're welcome.
28:31That's great news, right?
28:32No, I'm excited.
28:34Oh, no, Pedro.
28:36What's with that antipathy of yours?
28:38A lot of coincidences, don't you think?
28:42Why are you treating me like a stranger?
28:45I'm just tired.
28:47The flight was heavy.
28:49Then invite me to dinner.
28:51Okay, yes.
28:52At 8.
28:53But here, in this restaurant.
28:55At 8?
28:57Pedro, stop treating me like I'm your enemy.
29:01It's me.
29:04Godfather, what you want to do is almost impossible.
29:07Almost.
29:08Who are you working with?
29:09With Pedrichi and my assistant teacher, Ms. Lucy.
29:14Lucy is a genius.
29:15Of course, she's great and also a very good person.
29:18And how are the classes going?
29:19Bad.
29:20Do you want me to help you?
29:22No, I've already given up. I don't understand any of that.
29:25So you want to develop an application
29:27that will be able to help you with your studies?
29:30So you want to develop an application
29:33as complex as the one you're imagining?
29:36No, the idea is that you develop it,
29:38because you're the ones who know.
29:40Let me talk to Pedro, Godfather.
29:42But don't you want to delude him
29:43with something that I already know is almost impossible?
29:46Almost.
29:47The idea is that your Mercedes meets with Ms. Lucy,
29:49with Pedrichi, and the three of you
29:52come up with a formula for what is supposedly impossible.
30:00Please!
30:01If we had already agreed on something,
30:03everything would have been very clear.
30:04No, and no.
30:05That apartment and the house in Portugal are mine.
30:08That's what I've worked all my life for.
30:10And if I have to spend the last penny as a lawyer,
30:12I will, but you're not getting away with it!
30:17What happened?
30:18Oh, my God.
30:19My ex-husband's idiot wants more money
30:22than we agreed on in the divorce.
30:24Oh, what a heartbreak.
30:25Yes, but he's not getting away with it.
30:28Paula, I think I'll have to go back to Spain.
30:32Where is he married? In Portugal?
30:34Yes, in Algarve, by the sea.
30:37My house is nicer.
30:40I bought it when I was in love with that idiot.
30:43I don't know him around there.
30:46Come with me.
30:50I don't think I can, Maggie.
30:52But why?
30:54Because I have a lot of things to take care of
30:58before I... leave.
31:02Let's do this.
31:03I'll go to Spain, I'll take that guy out of your sight,
31:07and in the meantime, you do what you have to do.
31:09We'll meet in Portugal and we'll be happy.
31:14I'd love that.
31:15Yes, we deserve that time.
31:18Time for sisters.
31:19We'll spend it together.
31:21Thanks.
31:35Hi.
31:41Late, as always, right?
31:43I'm late.
31:44I'm late.
31:45I'm late.
31:46I'm late.
31:47I'm late.
31:48I'm late.
31:49I'm late.
31:50I was getting ready for you.
31:52What are you complaining about?
31:53Oh, yeah?
31:54Well, in that case, it was worth it.
32:00Go on.
32:05You're a gentleman.
32:07Please.
32:10So does that mean you still like me or what?
32:15That means you look beautiful, as always.
32:20Would you like a drink?
32:22I'd love a drink.
32:23Yes, it's a good occasion to celebrate.
32:25I'm happy to be here with you.
32:27That's great.
32:30I can't believe it.
32:32What a surprise, guys.
32:35I'm so happy to see you here.
32:38Julio, what's up?
32:39Great.
32:42Did you come to the congress?
32:44Yes.
32:45That's great.
32:47Do you want to come with us?
32:49What? No.
32:50No, I just got here.
32:52I was looking at the hotel's facilities.
32:54But tomorrow, if you don't mind, we can meet for dinner.
32:56Yes, that's a good idea.
32:58Yes, yes. Right away.
33:00Perfect.
33:01Well, I'll leave you to it.
33:04I have a business meeting.
33:09You look beautiful tomorrow.
33:14See you.
33:19See you.
33:22See? You look beautiful, Mariana.
33:26I know.
33:46Hi, sexy.
33:49Why didn't you tell me Mariana was coming here?
33:53Because... I didn't know.
33:57Is Fernanda here?
33:59No, and that's why only Mariana came.
34:01What the hell are we going to do now?
34:04You don't know anything anymore.
34:06I don't want to spend the weekend hiding.
34:09Why do we have to hide?
34:11Isn't this supposed to happen between adults?
34:13Loli, Mariana is my daughter.
34:16So?
34:17If Fernanda finds out what's going on,
34:18I don't want to imagine the scandal she'll create.
34:21And why?
34:22Do you still have some kind of engagement with her?
34:25It's not about that.
34:26Then what is it about?
34:28Mariana is at the restaurant with Irma.
34:30Why don't you go down and tell her everything?
34:32You know what? Great idea.
34:34Don't be absurd.
34:35Don't talk to me like that.
34:36I'm sorry.
34:38I'm sorry.
34:42This is very uncomfortable.
34:45I knew this was going to happen.
34:47What did you say?
34:48A company call? Where are the wives?
34:50Calm down. Let's calm down.
34:52Let's calm down.
34:53We're going to find a solution, another hotel, whatever.
34:57If we have to tell the truth, we'll tell it, period.
35:04For the mistakes of the past.
35:08Because they don't happen again.
35:11Do you think I was a mistake in your life?
35:13Honestly?
35:14Honestly?
35:16Zero.
35:17Despite what you think of me, I never had a hidden agenda.
35:23I never cared who you were.
35:26Or what our relationship could mean to me.
35:30Never.
35:32I fell in love with you. You know that, don't you?
35:35Me too.
35:37I think the mistake was that you had confused my feelings
35:44with your need to explain what they meant
35:48in your very strange way of seeing reality.
35:53No, I don't understand.
35:56But yes, I did fall in love with you.
35:58I did.
35:59I did.
36:00Reality?
36:01No, I don't understand.
36:04But yes, you're probably right.
36:06Well, it's all been said.
36:10No, it's not all been said, but I...
36:14I have to admit that I made mistakes.
36:17Many of them were unfair, that I was a bad person,
36:20that I was capricious, and...
36:23Yes, I messed up with everyone and also with you.
36:26And I apologize for that.
36:27Well, admitting your mistakes is a good start.
36:30I think it's great.
36:31I don't want to lose you.
36:34Mariana, love and patience have a limit.
36:40After that comes resentment, anger, and contempt.
36:47I don't think you feel that for me.
36:49No, of course not.
36:51But we were very close to that.
36:54Not just me. You too.
36:56You just said it. We were very close, but not yet.
37:00That's why I think we deserve another chance.
37:04But what I feel for you is real and honest.
37:08I love you with all my heart.
37:11I'm not going to give up so easily.
37:14I want to fight for that relationship
37:16and I want to fight for you.
37:18I love you like I've never loved anyone in my life.
37:22Never.
37:26No.
37:28Why?
37:30I don't know.
37:32I think I'm a little afraid of men.
37:35Maybe that's it.
37:37Well, you're very good at it.
37:42You're welcome.
37:44What about you?
37:46Me?
37:47Well, the truth is that the one I like is you.
37:52Me?
37:54Well, the truth is that the one I like is not available.
37:58I see.
37:59Pedro, right?
38:02No one will ever know.
38:04So that's him.
38:06He's the most incredible man I've ever met,
38:09but since he's not available, he is.
38:12What do you mean I don't understand you?
38:15Tell me what you think of him.
38:18Well, I don't know him very well, so I don't know.
38:24Uh-huh.
38:25Well, I've known him for a long time.
38:30Do you want me to tell you something?
38:32What?
38:33You like him.
38:35How could I say that?
38:37I know him because I've known him for a long time.
38:42I know you don't like anyone, so please don't say that.
38:47How dare you say that?
38:50Have you seen yourself in a mirror?
38:53Your eyes are so beautiful.
38:55They've also told me he's very smart.
38:58Who told you that?
39:01Who do you think?
39:04Look, men don't like smart women.
39:09Uh-uh.
39:11I don't agree.
39:13On the contrary, I think men are afraid of smart women.
39:18Well, if that's what you say,
39:20then they must be very, very afraid of me.
39:27Aren't you going to stay and live here?
39:29That was the idea,
39:31but don't you see that snitch wants to take everything from me?
39:34What do you mean?
39:35I thought you had already solved all that.
39:38Of course, aunt, but now he wants to steal from me.
39:40Look, Chapichurri, men are in deep trouble.
39:44Not even the Europeans will be saved.
39:46I don't know why when you fall in love,
39:48you're not able to see the other person.
39:50That's why we have to develop the dating app.
39:54If that's the solution, we're done, Pedrito.
39:57Let's analyze the situation.
39:58What Mayerly says is completely true.
40:02In a sad journey through the dark labyrinths of love,
40:06I've never met anyone
40:08who's capable of revealing their true intentions
40:14when it comes to seduction.
40:15Well, but once you've taken your eyes off it,
40:18there's no point in Santa Lucia.
40:19You have to fight for your rights.
40:21Don't give up.
40:23No, aunt, with nails and teeth.
40:24He's going to meet a drunk Apache.
40:26That's the way to talk.
40:27When is he leaving?
40:28Next week, and he's taking me to Paula.
40:30Why?
40:32Because she wants to and I don't think she has much time left.
40:39This is the same show.
40:41Really?
40:42Yes.
40:43Are you sure?
40:47Thank you, Petey.
40:49Who gave it to you?
40:50A friend.
40:52And now?
40:54Petey, do you think Pedro would've been able to do this?
40:58No.
41:00Poder would've been able to, but he'd never do something like this.
41:04Then who?
41:06Well, because of problems I've had with this person
41:09who's probably going to be the main suspect,
41:13I can't say anything.
41:16Felipe?
41:20You know I have a house in Portugal.
41:22I'm thinking of spending the last few days with my sister there.
41:26I've never called you sister.
41:28It's never too late.
41:31I've never called you sister.
41:33It's never too late.
41:36Oh, how sad.
41:38But she's taking it in a good mood.
41:40No, but if someone takes it in a good mood,
41:43it's terrible, Mayeli.
41:46I'm so sorry.
41:47I've always been so bad to her.
41:49You, Mom?
41:51What could we do to say goodbye to her?
41:55Nothing.
41:56Accompany her until she leaves.
41:58At that moment, I understood how short life is.
42:03And I'm still thinking of a future that doesn't exist.
42:07How many days do they have left?
42:09How many days do I have left?
42:11How many days do the people I love have left?
42:22I have...
42:28I have...
42:35Well...
42:37I...
42:38It's okay.
42:44Well...
42:47We've made it this far.
42:49As if we were complete strangers.
42:52Yes, yes.
42:55See you tomorrow.
42:58See you tomorrow.
43:01Would you do something for me?
43:05Yes, yes, yes.
43:07Of course.
43:09Sleep with me.
43:12I just want you to hug me.
43:14And I want you to take care of me and not leave me alone.