Clasic Movie
Clasic Movie
  • 2 months ago
Transcript
00:00:30Oh, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:00:37I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:00:44I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:00:51I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:00:58I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:01:05I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:01:12I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:01:19I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:01:26I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:01:33I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:01:40I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:01:47I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:01:54I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:02:01I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:02:08I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I
00:02:39I'm gonna get up yet
00:02:46Get color I say
00:02:49Arriba to my italian Riva
00:02:55One momento
00:02:57Yeah, come on
00:03:06My lonely
00:03:08Especially star esperando leuraño se va con la primera pelandusca que llega
00:03:27Oh
00:03:42Yes, I don't know
00:03:46Me abuelo en cambio era de plantilla no necesito que me cuente la historia de su familia
00:03:57Oh
00:04:04Un muslo de fórmula uno
00:04:16Pero que demonios haces quieres matarme gordito no se enfaden
00:04:22Oh
00:04:25Ya comprendo
00:04:27Más que caliente de su ego
00:04:29Eres de las que le gusta hacerlo con los que salen de la cárcel
00:04:33estas viudas cachondas
00:04:35Te advierto que yo soy caro
00:04:37Anda ven que no te cobro nada
00:04:43Solo quería saber si todavía funciona como si funcionó a toda máquina me llaman el rey de la estocada y después de un año de cárcel
00:04:51Entonces está en su punto
00:04:57Si acuerda usted de inés va a doer conocida artísticamente por decirlo de alguna manera como inés puty
00:05:06Inés aquella putita que ha sido de ella se ha casado con mi hermano ostras
00:05:11Soy
00:05:20La condesa magda butchacaroni viuda de vici gato
00:05:25De espadetti butchacaroni exacto muy buenos
00:05:29mire lo que yo pretendo de ustedes que se acueste con
00:05:33Cosa no, so benissimo que le impasado estado la mante de inés
00:05:39que lo cerca
00:05:40Me admira la enorme cariño que siente usted por su hermano calle se eso no le importa
00:05:46usted vaya al grano sea inés
00:05:49sepa que hay
00:05:5210 millones para usted y me demuestra que se acuesta con ella
00:05:56No, no, no, no. No, yo quiero verlo. Claro
00:05:59Joder 10 millones por tirarme a la inés que hay detrás de esto ya le he dicho que no le importa
00:06:06presente se mañana en nuestra villa ya lo he preparado todo se presentará como chofer mayor doble está claro claro
00:06:14cómprese un uniforme de gente por favor
00:06:18a propósito un pequeño detalle
00:06:21será mejor que se finja un poco
00:06:24Afeminado también flojo de culo no será que su hermano quiere empujar me
00:06:29no se preocupe está paralítico pero siente
00:06:33muchos celos por inés y así si él no sospecha su tarea será más fácil
00:06:40comprendo
00:06:42Qué cosas obliga hacer el hambre la dirección
00:06:45Venga
00:06:49Y ahora bajes vamos fuera pero va a dejarme tirado aquí en plena carretera y no conviene que nos vean juntos
00:06:56Joderse con estos ricos mira que son
00:06:59Algún día se acabará ya no creo que se acabará
00:07:04En las próximas elecciones os esperamos
00:07:08Qué putada
00:07:15Mucho
00:07:25Y para los ricos a cantar no
00:07:32Espero que antes de que se haga de noche me lleve algún cabrito
00:07:35Y
00:07:43Gracias su hora de lo que le decía mi hermanita está preocupada no puede aguantar en casa siempre me espera en la calle
00:07:50Vaya con dios
00:07:53Llevo buscándote todo el barro
00:07:56Hola chichi
00:07:58desgracia
00:07:59Donde te has metido y quien era aquella zorra de negro no era nadie es un trabajo de espionaje a nivel interfamiliar
00:08:06Si entonces esta vez en vez de echarte un año de cárcel te echarán diez no empecemos a adivinar el futuro
00:08:12y así que te pasa porque has cambiado de zona estaba harta de ver siempre las mismas caras
00:08:17de aquí bajarito mañanero echamos un clave lido en la calle pero es que no puedes esperar un poco hace un año que espero
00:08:23tú mate y en la basura va a oler mal
00:08:26Si ha quemado porque lo que tengo es un lanzallamas
00:08:32Y no abajo las varagas a ver si todavía me acuerdo
00:08:37Estoy centrado quieta quieta
00:08:44Mira esos cuartos son peores que los vamos a ver si con agua se separa
00:08:49Valle Valle
00:08:53Que momento
00:09:19Uno dos y tres
00:09:21Adiós cielo
00:09:23Adiós maricón como te meto la mano por la boca y la otra por el culo te utiliza como manguito para el invierno adiós
00:09:29pichón
00:09:37Que le parece más marica y me desloco donde está mi habitación venga gracias que caballo
00:09:49Y
00:09:53Yo soy que este es ya como el nuevo mayordomo
00:10:00Señor condi señora condesa
00:10:06No te preocupes referencias óptimas que te parece inés
00:10:12Si es esto lo que quieres
00:10:14Señora es señora señorita por favor con bigote mire el bigote de un marica la más gusto porque pica
00:10:24Me has convencido
00:10:26Venga me enseñaré su habitación con permiso enhorabuena por la siguita bonito modelo
00:10:34Este no es que sea marica este este es una destrozada la gente que tengo que tener en casa por tu culpa por mi
00:10:40culpa es que ya no te acuerdas de tu pasado
00:10:45De modo que el monseñor que viene usted de francia un país excéntrico
00:10:54El libro los periódicos que las prostitutas están agitadas
00:10:59Que han ocupado las iglesias y que reclaman
00:11:02el reconocimiento oficial y la reivindicación de unos derechos profesionales
00:11:08Yo no he reencontrado y pisa no interesa pa' de tú
00:11:12voulez-vous dire a monsieur pourquoi je suis ici
00:11:15señor con de mon señor no comprende muy bien nuestro idioma quería saber algo de esa contrata de espagueti para los colegios
00:11:24Dile a mon señor que puede estar tranquilo porque la palabra del conde busca caroni
00:11:30Que el caritativo el estilo cuanta bondad verga tu corazón
00:11:36Yo no quiero extra parlamentarios en mi casa pero cariño me el pobre marcos
00:11:41Oh, yeah, that's good. I'm here. Yo sé perfectamente lo que digo
00:11:45es una artista un subversivo un
00:11:48Revolucionario un desgraciado que escupe en el plato donde come don liborio lecho el dulce que le gusta tanto que gracísima sorpresa
00:11:56No, es pecado de gula yo detesto ese dulce traeme mi fernet blanca como siempre gracias
00:12:05Por favor
00:12:09Este dulce es riquísimo
00:12:15Mi dulce
00:12:19Como que has perdido el equilibrio lo que pasa es que tú ya naciste desviado además a saber qué zapatos lleva
00:12:24Venga, enséñame los zapatos medio tacón negro de piel de cabrito
00:12:29lo sabía
00:12:32Bueno, en realidad la falda larga requiere el tacón alto don permiso
00:12:36No, sir, por fin. Ah, sir. No, I'm not here. I don't want to
00:12:41por favor
00:12:42bien, señor
00:12:43Come también tu cornudo difunto vivió siempre a costa mía porque ha de saber que si yo estoy aquí
00:12:50Atado aquí es por culpa del manazos de mi cuñado porque cuando el muy burro se selló en el coche
00:12:57Yo iba con él
00:12:59No tolero que hables así de mi padre. Tételo en la cabeza
00:13:01Marco
00:13:02Melena es asqueroso, si no dejas de molestarme te echaré de esta casa
00:13:06Marco, no le hagas caso, es por tu bien
00:13:09Estúpida, será posible que no te des cuenta. Tienes que hacer los dulces para el viejo, no para don Livorio. ¿Qué crees que vas a ganar? ¿Un pasaporte para el paraíso?
00:13:16Me los pide siempre y sé que le gustan mucho
00:13:18Del señor conde, es de quien debes ocuparte, darle la razón, cuidarle, hacerte indispensable
00:13:25Sabes perfectamente que si le doy un tanto así de confianza, él se la toma hasta aquí
00:13:29¡Ah, dásela, dásela!
00:13:31¡Ah, dásela, dásela!
00:13:33¡Ah, dásela, dásela!
00:13:35¡Ah, dásela, dásela!
00:13:37¡Ah, dásela, dásela!
00:13:39¡Ah, dásela, dásela!
00:13:41¡Ah, dásela, dásela!
00:13:43¡Ah, dásela, dásela!
00:13:45¡Ah, dásela, dásela!
00:13:47¡Ah, dásela, dásela!
00:13:49¡Ah, dásela, dásela!
00:13:51¡Ah, dásela, dásela!
00:13:53¡Ah, dásela, dásela!
00:13:55¡Ah, dásela, dásela!
00:13:57¡Ah, dásela, dásela!
00:13:59¡Ah, dásela, dásela!
00:14:01¡Felice, suelta algún taco de vez en cuando o te morirás tan puro que en vez de pararte en el paraíso entrarás en órbita!
00:14:07¡Chao, bonito!
00:14:14Señora Gondesa
00:14:15Quería hablar con usted
00:14:17Tengo la impresión de que se ha tomado demasiado en serio su papel de mayordom, ¿no?
00:14:22Intento hacerlo lo mejor que puedo
00:14:24Es un afeminado perfecto, pero le recuerdo que le contraté para un asunto muy concreto
00:14:30Al respecto de eso, yo también quería hablarle
00:14:32Creo que nuestro acuerdo necesita un pequeño retoque
00:14:35¿Retoque? ¿En qué sentido?
00:14:38En el de esos 10 millones que usted me ha prometido por copular con su cuñada
00:14:43Explíquese
00:14:45Según veo la situación, me parece que es muy poco
00:14:48¡Se ha vuelto loco! A mí me parece que está muy bien pagado
00:14:51¿Me ha tomado por una millonaria?
00:14:53Usted no, pero su hermano sí
00:14:57¿Y en qué cantidad cifraría ese retoque?
00:15:02En 30 millones, permítame señora Gondesa
00:15:05Un trabajo de primera
00:15:07¡Desgraciado! ¡Marrano! ¡Chantajista!
00:15:11Señora, ¿no me recogió a la puerta de un orfelinato?
00:15:15¡Soy capaz de matarle! ¡Le haré pedazos! ¡Haré que se lo coman mis perros!
00:15:21¡Le daré 15!
00:15:22¡30!
00:15:27¡Apíadese de mí!
00:15:29¡Soy una pobre viuda!
00:15:32¡Sola!
00:15:33¡Con un hijo al que mantener!
00:15:36¡Dese cuenta de que ese loco de mi hermano quiere dejarlo todo a su mujer!
00:15:40¡Gondesa Magda, no toque!
00:15:42¡Oye, oye, oye! ¡Gondesa Magda, la boca!
00:15:47¡O 30 millones o la cambio de parroquia!
00:15:50Está bien, le daré los 30 millones
00:15:52Pero espero que se quede impotente
00:15:55¡Anda que no me queda!
00:15:57¿Cuándo entrará en acción?
00:15:59Mañana, señora condesa
00:16:01¡Como un topo! ¡Como un topo!
00:16:06¡No cambie mai!
00:16:08¡Sgoldrina!
00:16:09¡Ci godi eh, cuando trato male que lo scarabaggio di mia sorella eh!
00:16:13¡Ve! Con lei hai fatto bene
00:16:15¿Ma che bisogno c'era di infierire con quella povera criatura di Marco?
00:16:18¡Quello mi antipatico perché è un segaiolo!
00:16:20¡Non hai visto che pallor e che occhiaia!
00:16:24Mas me chiavo di parlarglielo
00:16:26¡Desnudate! ¡Dejame verte desnuda!
00:16:28¡Como te pario tu madre!
00:16:30¡Desnudate, te lo ruego! ¡No volvamos a empezar!
00:16:33¿Sabes que te sienta mal?
00:16:35¡Ogni sforzo, ogni emozione!
00:16:37¡Puede ser pericoloso!
00:16:38¡Mamma che culo!
00:16:39¿No te ricordi cosa ha detto il dottore?
00:16:40Hai ragione
00:16:41¡Tiene razón! ¡Soy un desgraciado!
00:16:44¡Pero no soy incapaz de resistir
00:16:46a las tentaciones de tu carne, de tu belleza!
00:16:50¿Ma che dici?
00:16:51Yo ti voglio bene, e ti voglio vivo
00:16:53¡No! ¡No! ¡Voglio morire! ¡Voglio morire!
00:16:56¡La prima merito una punicion! ¡Una humillacione!
00:17:01Anda, ven aqui, ven aqui
00:17:04¡Alarga el piecito!
00:17:06Necesito besartelo, comertelo, mordertelo
00:17:11Ven
00:17:12Te he dicho mil veces que esas cosas antinaturales no me gustan
00:17:18Además tengo cosquillas, ya lo sabes
00:17:21¡Eres una maldita roñosa!
00:17:23¡Ven y hagas una mierda de piezacito!
00:17:25¡Y yo voy a dejarte a ti todo mi dinero!
00:17:29Y despues te da un infarto peor para ti
00:17:31Que buena eres cariño
00:17:33No te preocupes, ven aqui
00:17:35Mi dulce y santa esposa, ven aqui
00:17:40¿Ya estas satisfecho?
00:17:41Si
00:17:42¿Donde vas a encontrar una mujer como yo dispuesta a satisfacerme cualquier capricho?
00:17:46En cualquier burdel cariño
00:17:50¡Dios mio!
00:18:20¿Porque has tardado tanto?
00:18:43Tengo miedo de que nos vean
00:18:45Si se rompe la cuerda me mato
00:18:47¡Vaya botuda!
00:18:49Aqui esta tu tita que te quitará el miedo
00:18:52Anda, toca
00:18:54¿No quieres tocar a tu tita?
00:18:56¿Te gusta?
00:18:57¿Te gusta tu tita?
00:18:59¿Te gusta?
00:19:00Si, si, si
00:19:01Dime que me te gusta
00:19:03Si, si
00:19:14¿Donde vas?
00:19:17¿Donde vas?
00:19:25Anda, haz algo
00:19:27No dejes que siempre sea yo la que lo hace
00:19:29Si, voy a hacer algo interesante
00:19:31Beso
00:19:32Me toco
00:19:33Si, si, si
00:19:38Perdón
00:19:43¿Te gusta?
00:19:44Si, si, si
00:19:45¿Dónde estas?
00:19:47¿Dónde estas?
00:19:49¿Dónde estas?
00:19:51¿Dónde estas?
00:19:53¿Dónde estas?
00:19:55¿Quién te ha gritado?
00:19:57Soy yo, estoy en el balcón
00:20:01Anda, anda
00:20:03Viene dentro, lo sabes
00:20:05Que tengo miedo de estar sola
00:20:07Si, caro, lo veo
00:20:15Permiso, señora Contessa
00:20:19Señora Contessa
00:20:21Señora Contessa
00:20:31Oh, Inés
00:20:33Mi chichín
00:20:35Mi Inés
00:20:39Inés
00:20:41Qué rica
00:20:43Inés
00:20:45¿Pero qué haces?
00:20:47¿Qué confianza son estas? ¿Cómo se permite?
00:20:49Sí, ya sé que he engordado, que tengo bigote y el pelo un poco gris
00:20:51Pero no me digas que no me reconoces
00:20:53Haga el favor
00:20:55Estos hombros son de toma parimoja, que es caldo de liebre
00:20:57¿Pero qué haces?
00:20:59¿Te has vuelto loco?
00:21:01¿Qué hay aquí, Inés?
00:21:03Inés, qué maravillosos ojos tienes, qué ojos tan preciosos
00:21:05Sí, eso no lo soporto
00:21:07No hagas eso, no seas tonto
00:21:09Esta es mi querida Inés
00:21:11Pasan los años, pero la clase sigue siendo la misma
00:21:13No, no, te equivocas, todo ha cambiado
00:21:15Tú eres un criado y yo soy una condesa
00:21:17¿Cómo que condesa?
00:21:19Tú para mí seas siempre mi querida
00:21:21Dulce e inolvidable Inés
00:21:23Olvida el pasado
00:21:25Pero dime una cosa
00:21:27¿Cuánto tiempo hace que te has pasado a la acera de enfrente?
00:21:29Inocente
00:21:31Te lo has creído
00:21:33Te buscaba porque no he dejado de creerte
00:21:35¿Recuerdas lo bien que lo pasábamos juntos?
00:21:37Pero bostezábamos de hambre
00:21:39Pero en la cama no bostezabas
00:21:41¿Cómo puedes aguantar a ese viejo tú?
00:21:43Tan fogosa, siempre dispuesta
00:21:45Caliente, exigente
00:21:47¿Echamos un claverillo?
00:21:49No, he descubierto que el sexo no lo es todo
00:21:51Tú no lo creerás, pero amo a mi marido
00:21:53A veces es un poco brusco
00:21:55Pero tiene un corazón de oro
00:21:57Ah, el oro te ha gustado siempre
00:21:59A mí también me decías que lo tenía de oro
00:22:01Pero no el corazón
00:22:03Ah, cuánta razón tienes
00:22:05El sexo no lo es todo
00:22:07Vete
00:22:09¿Vete, por favor?
00:22:11Sí, contigo, ahora
00:22:13Ya podía ser tu mujercita quien empujara este armatoste
00:22:15Yo tengo un montón de cosas que hacer
00:22:17Siempre jorobando
00:22:19Esa estúpida salió al balcón esta noche
00:22:21Cogió frío y ahora le duele la tripa, claro
00:22:23¿Por qué no la calientas tú?
00:22:25Cuidado con lo que dices, te exijo mal respeto
00:22:27Para mí y para mi mujer
00:22:29Entonces el que debía empujarte es Giacomo
00:22:31Es un peligro que un marica te empuje por detrás
00:22:33Además, le he mandado que le lleve la comida
00:22:35Ahí ves
00:22:37¿A la cama?
00:22:39Ven aquí, el lobo pierde la piel, pero no el vicio
00:22:41Y tú no has perdido
00:22:43Ni lo uno ni lo otro
00:22:45Has visto que te he tratado de hacer mi sueño
00:22:47Pero no sé por qué quieres enterrarme en mi baño
00:22:49¿Dónde me meto? ¿Bajo la cama? ¿En el armario?
00:22:51Sí, en el baño
00:22:53Sí
00:22:55Hay una ventana
00:22:57Tápate, soy muy celoso
00:22:59Por favor
00:23:01¿Qué es, cariño mío?
00:23:03¿Todavía no se te ha pasado el dolor?
00:23:05Qué mal
00:23:07Qué mal me encuentro
00:23:09Qué mal
00:23:11Pobrecita mía
00:23:13Anoche debiste congelar demasiado frío
00:23:23Se ha escapado por la ventana
00:23:29Se ha escapado
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00:30:55Se ha escapado
00:30:57¿Qué te ocurre? ¿Te has emocionado?
00:30:59Yo, ¿qué dije, condesita?
00:31:03Solo pensaba
00:31:07Me decía que si yo tuviera un cuerpo como el suyo conquistaría el mundo
00:31:12El mundo
00:31:15Con permiso
00:31:27Presto
00:31:34Y ahora la gana
00:31:40De tenerme
00:31:44Te toma por la mano
00:31:50Por la mano
00:31:57Por la mano
00:32:00Por la mano
00:32:03Por la mano, por la mano
00:32:11Y ahora te voy
00:32:18Y ahora te voy
00:32:21Nada más que esto
00:32:27Que esto
00:32:31Vaya
00:32:34Ya no va
00:32:36Hasta presto
00:32:41Perdona, no quería despertarte, perdona Susy
00:32:45Qué bobo eres, ¿de verdad creías que estaba dormida?
00:32:47Sí
00:32:48Tonto, ven aquí, hazme una cosa
00:32:50No
00:32:51Ve a buscar la manguera del agua
00:32:53La manguera del agua
00:32:54Sí, anda a ver
00:32:56Anda, muévete
00:33:00¿Para regar el jardín?
00:33:01Sí, al jardín
00:33:07Régame, tengo calor
00:33:11Está helada, está helada
00:33:15Qué loco, maldito
00:33:17¿Te gusta la manguera?
00:33:19Está muy fría, ya basta
00:33:25Ya se me pasó el calor
00:33:48¿Qué estáis haciendo?
00:33:51Señorita, el hecho de que mi marido haya cometido la estupidez de reconocerla como hija
00:33:55No le autoriza a comportarse de manera indecente
00:33:59Dígase
00:34:00Sí, señora maestra
00:34:09Y no vuelva a regar a mi sobrino, no anda sobrado de fuerza
00:34:12Gracias
00:34:18Veo que hoy tienes ganas de jugar, nenita
00:34:21Guarda tus ardores para esta noche
00:34:38Estúpidas
00:34:43Marcos
00:34:56Marcos
00:34:57¿Estás loco?
00:34:58Sí, estoy loco
00:34:59Me he convertido en tarzán para llegar hasta Villain
00:35:02Te conviene volver a la selva
00:35:03Te lo ruego, aunque sea un trabajo de artesanía hecho a mano
00:35:09Yo no quería que me trabajase la cara
00:35:12Muy bien, ya comprendo
00:35:13Me amarillo solo, es mejor el amor propio que el vicio del opio
00:35:19¡Ostras!
00:35:20Mejor que me caigo de espaldas
00:35:24Chica-pum, chica-pum, chica-chica, chica-pum
00:35:30La bella brasileira sale muy tempranito moviendo su pulito
00:35:33Chica-pum, chica-pum, chica-chica, chica-pum
00:35:40El guapo brasileiro, al ver que se aproxima, afila su escopina
00:35:44Chica-pum, chica-pum, chica-chica, chica-pum
00:35:51Chica-pum, chica-pum, chica-chica, chica-pum
00:35:53Vaya tarzán limpiando su cabaña
00:35:57No me vengas jodiendo la marrana, que te traigo un pulverazo que te arregle
00:36:00Anoche casi me desgracio por tu culpa
00:36:02No te pases
00:36:04Yacomón, perdóname por lo de anoche, pero quería estar segura de tu amor
00:36:08Chichi
00:36:10Sí, cariño, aquí tienes a tu chichi, que te espera esta noche
00:36:14Volveremos a ser como antes
00:36:16Sí, esta noche, cariño, esta noche
00:36:18No, ya te he pillado, porra
00:36:20Inés, desgraciada, lo haces hasta con los maricas
00:36:23Estoy enseñándole a la señora un paso de baile brasileño, chica-pum
00:36:26Chica-pum, chica-pum
00:36:27Chica-pum, un carajo
00:36:29En esta casa no puede uno fiarse de nadie
00:36:31Una unuco, eso es lo que le falta, una unuco
00:36:34Sue, no seas ridículo
00:36:35Y tú no seas tan puta
00:36:37Trata inmediatamente una camarera
00:36:39A esa marica no quiero volver a verle nunca más en nuestro dormitorio
00:36:42Una camarera, con todo el servicio que tenemos y con lo que cuesta
00:36:45Todo el dinero es mío, solo el mío
00:36:47Y ya está, ya está
00:36:48Y ya está, ya está
00:36:49Y ya está, ya está
00:36:50Y ya está, ya está
00:36:51Y ya está, ya está
00:36:52Y ya está, ya está
00:36:53Y ya está, ya está
00:36:54Y ya está, ya está
00:36:55Y ya está, ya está
00:36:56Y ya está, ya está
00:36:57Y ya está, ya está
00:36:58Y ya está, ya está
00:36:59Y ya está, ya está
00:37:00Y ya está, ya está
00:37:01Y ya está, ya está
00:37:02Y ya está, ya está
00:37:03Y ya está, ya está
00:37:04Y ya está, ya está
00:37:05Y ya está, ya está
00:37:06Y ya está, ya está
00:37:07Y ya está, ya está
00:37:08Y ya está, ya está
00:37:09Y ya está, ya está
00:37:10Y ya está, ya está
00:37:11Y ya está, ya está
00:37:12Y ya está, ya está
00:37:13Y ya está, ya está
00:37:14Y ya está, ya está
00:37:15Y ya está, ya está
00:37:16Y ya está, ya está
00:37:17Y ya está, ya está
00:37:18Y ya está, ya está
00:37:19Y ya está, ya está
00:37:20Y ya está, ya está
00:37:21Y ya está, ya está
00:37:22Y ya está, ya está
00:37:23Y ya está, ya está
00:37:24Y ya está, ya está
00:37:25Y ya está, ya está
00:37:26Y ya está, ya está
00:37:27Y ya está, ya está
00:37:28Y ya está, ya está
00:37:29Y ya está, ya está
00:37:30Y ya está, ya está
00:37:31Y ya está, ya está
00:37:32Y ya está, ya está
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00:41:17I don't know what to do with myself.
00:41:23Sleep.
00:41:25Don't worry, I gave him a triple dose.
00:41:28He won't wake up until tomorrow.
00:41:30Wonderful.
00:41:31Come on, let's go to the bed.
00:41:33No, let's go to the terrace.
00:41:34Have you prepared something there?
00:41:35No.
00:41:36But we're going to be stiff on the terrace.
00:41:39Oh, you've made me wait for so long.
00:41:41Come, kiss me.
00:41:44Undress me.
00:41:45Yes, yes.
00:41:46Kill me.
00:41:47I'm going to kill you with the arse of Bastos.
00:41:49I'm going to break your sternum.
00:41:50I'm going to have to call the firemen.
00:41:54Do you feel me?
00:41:56Do you feel me?
00:41:58Tell me you feel me.
00:41:59How am I going to feel if you're killing me with the worm of the ear?
00:42:01At this rate you're going to feel even the count.
00:42:03The tourmalet, the galibier.
00:42:05I'm going to go around France.
00:42:07Shall we go inside?
00:42:08Yes, it's better because I caught a reuma in jail.
00:42:10It hurts me to see you.
00:42:12How stupid.
00:42:15You're wonderful.
00:42:18Yes, the first stage.
00:42:22You're in the middle of the faculty.
00:42:25Do you remember Madrid?
00:42:26Yes.
00:42:27When we were in the bathroom.
00:42:28Yes.
00:42:29You touched the crystals.
00:42:30Oh, yes.
00:42:31How wonderful.
00:42:32And you touched the balls with the crystals.
00:42:34Oh, yes.
00:42:35Oh, what a pain.
00:42:36How wonderful.
00:42:38Oh, what a moment.
00:42:39My love.
00:42:40My love.
00:42:41My love.
00:42:42What's this fuss about?
00:42:43We're going on a gondola.
00:42:45You're dreaming.
00:42:46Not so much.
00:42:48My love.
00:42:49Oh, caress me.
00:42:50Caress me all.
00:42:51Like this, like this.
00:42:52The head, everything.
00:42:53Caress me.
00:42:54How wonderful.
00:42:55Oh, how I like it.
00:42:58But you have three hands.
00:43:00It's touching my ass.
00:43:01It always does.
00:43:02It's a family vice.
00:43:03Well, I'd rather it touch yours.
00:43:04Come on.
00:43:11Oh, what a snore.
00:43:12It looks like we're going on a gondola.
00:43:14You're making me sick.
00:43:17You won't listen to him.
00:43:18Go on.
00:43:19Like this.
00:43:21Oh, how wonderful.
00:43:22Do you remember San Sebastián?
00:43:24When we used to ride on the beach?
00:43:26Yes.
00:43:27What a time.
00:43:28What a ride.
00:43:31Silence.
00:43:33I can't hear you.
00:43:35Keep going.
00:43:36He's riding well, isn't he?
00:43:38Yes.
00:43:39Yes.
00:43:44Brake.
00:43:45Brake, Inés.
00:43:46We're almost there.
00:43:48What a sprint.
00:43:49What a moment.
00:43:54I'm so happy, Chichi.
00:43:57I understand that you still love me.
00:44:00I'll be honest with you.
00:44:02It was Magda who made me come here.
00:44:05That bitch.
00:44:06Yes.
00:44:07She wanted to compromise you for the inheritance.
00:44:10No.
00:44:11What about you?
00:44:12No.
00:44:13Don't be scared, silly.
00:44:14You and I together will solve her plan.
00:44:16You need a man like me.
00:44:18One who protects you.
00:44:20Now go away.
00:44:21We'll talk tomorrow.
00:44:22The poor thing is so good.
00:44:24I never thought I had a lover.
00:44:26Do you want me to regret it?
00:44:28That I become Magda's accomplice again?
00:44:30You don't understand that I love you.
00:44:32I love you.
00:44:33We're together again, Inés.
00:44:35This is a scandal.
00:44:36What are you doing?
00:44:37Shut up.
00:44:47How can I know if you're telling the truth?
00:44:49It's the truth.
00:44:50You and I forever.
00:44:55Yes, darling.
00:44:56You and I together forever.
00:44:58For all the inheritance.
00:45:00It will be all eternity.
00:45:02Yes, silly.
00:45:04Oh, Chichi.
00:45:05We're going to be so rich.
00:45:07If he could at least snore, it would help us.
00:45:09But he's going against his will.
00:45:11Second stage.
00:45:22Countess Magda.
00:45:29Can I sit down, ma'am?
00:45:32Excuse me, Don Iborio.
00:45:33Can I ask you a question?
00:45:34Yes, dear.
00:45:35Tell me.
00:45:36When they die, where do they end up?
00:45:39Susy.
00:45:40What kind of question is that?
00:45:42Leave her, leave her, Countess.
00:45:44As long as she doesn't get offended.
00:45:46Absolutely.
00:45:49What do you mean, where do they end up?
00:45:51I mean, in paradise or hell?
00:45:54I think in hell.
00:45:56Of course.
00:45:58And those who fake it?
00:45:59Those who fake it?
00:46:01Yes, those who fake it.
00:46:03And who's the idiot who fakes being a fag?
00:46:05Oh, I'm sorry, Father.
00:46:06It doesn't matter, it doesn't matter.
00:46:08If he fakes it, he's an idiot, isn't he?
00:46:10Another one.
00:46:11I think that if you add the lie to an abnormal situation,
00:46:16the sentence can't be more serious than one.
00:46:18In hell?
00:46:19I'm sorry, Giacomo.
00:46:20Don't get offended.
00:46:21But, Father.
00:46:22Yes.
00:46:23Yes.
00:46:26It's obvious that faggots are better off in hell.
00:46:29They're all sent to hell.
00:46:54It's a shame that Giacomo is effeminate.
00:46:57Because, as a man, he's not bad at all.
00:47:02Man?
00:47:03You can see the feather from a mile away.
00:47:06Anyway, I should say goodbye to him,
00:47:08since the new maid is coming today.
00:47:13How's the water, Giacomo?
00:47:14Optimal and abundant, like the ranch.
00:47:18Will you take me for a walk in the boat?
00:47:20With pleasure.
00:47:21Don't let them eat without a thread.
00:47:40Hey, Giacomino, have you ever been with a woman?
00:47:43With a woman?
00:47:45Well, yes, once, but...
00:47:48And you don't like me?
00:47:50But, Countess, what's wrong with you?
00:47:52How can I not like you?
00:47:54I'm made like this.
00:47:56When I see a woman...
00:47:58Shit.
00:48:00Shit?
00:48:02Shit.
00:48:03Like something that falls.
00:48:05Instead, you...
00:48:06In short, you wouldn't even touch me with a finger.
00:48:09Well, with a finger...
00:48:11Maybe, maybe, yes.
00:48:13Yes.
00:48:14But only with the finger?
00:48:16That's it.
00:48:17Only with the little finger.
00:48:22It's so hot.
00:48:23I'm going to take a bath.
00:48:25It's better.
00:48:31Giacomo, please, put the trousers to dry.
00:48:34You've done well to take them off.
00:48:36This must warm them up a lot.
00:48:38Oh, my God.
00:48:44Holy Margarita Ligure.
00:48:46Wild aggressor.
00:48:48No serious wounds.
00:48:50I suppose a year and six months, nine months for each tits is worth it.
00:48:54I'm going to jump.
00:48:55I'm going to jump.
00:48:59Oh, my God.
00:49:02Oh, my God.
00:49:03Oh, I've broken my head.
00:49:05Oh, my God.
00:49:06Oh, my God.
00:49:07Oh, my God.
00:49:08Oh, my God.
00:49:09Oh, my God.
00:49:10Oh, my God.
00:49:11Oh, my God.
00:49:12Oh, my God.
00:49:13Oh, my God.
00:49:14Oh, my God.
00:49:15Oh, my God.
00:49:16Oh, my God.
00:49:17Oh, my God.
00:49:18Oh, my God.
00:49:19Oh, my God.
00:49:20Oh, my God.
00:49:21Oh, my God.
00:49:22Oh, my God.
00:49:23Oh, my God.
00:49:24Oh, my God.
00:49:25Oh, my God.
00:49:26Oh, my God.
00:49:27Oh, my God.
00:49:28Oh, my God.
00:49:29Oh, my God.
00:49:30Oh, my God.
00:49:31Oh, my God.
00:49:32Oh, my God.
00:49:33Oh, my God.
00:49:34Oh, my God.
00:49:35Oh, my God.
00:49:36Oh, my God.
00:49:37Oh, my God.
00:49:38Oh, my God.
00:49:39Oh, my God.
00:49:40Oh, my God.
00:49:41Oh, my God.
00:49:42Oh, my God.
00:49:43Oh, my God.
00:49:44Oh, my God.
00:49:45Oh, my God.
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00:49:50Oh, my God.
00:49:51Oh, my God.
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00:49:53Oh, my God.
00:49:54Oh, my God.
00:49:55Oh, my God.
00:49:56Oh, my God.
00:49:57Oh, my God.
00:49:58Oh, my God.
00:49:59Oh, my God.
00:50:00Oh, my God.
00:50:01Oh, my God.
00:50:02Oh, my God.
00:50:03Oh, my God.
00:50:04Oh, my God.
00:50:05Oh, my God.
00:50:06Oh, my God.
00:50:07Oh, my God.
00:50:08Oh, my God.
00:50:09Oh, my God.
00:50:10Oh, my God.
00:50:11Oh, my God.
00:50:12Oh, my God.
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00:50:14Oh, my God.
00:50:15Oh, my God.
00:50:16Oh, my God.
00:50:17Oh, my God.
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00:50:19Oh, my God.
00:50:20Oh, my God.
00:50:21Oh, my God.
00:50:22Oh, my God.
00:50:23Oh, my God.
00:50:24Oh, my God.
00:50:25Oh, my God.
00:50:26Oh, my God.
00:50:27Oh, my God.
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00:50:29Oh, my God.
00:50:30Oh, my God.
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00:50:34Oh, my God.
00:50:35Oh, my God.
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00:50:40Oh, my God.
00:50:41Oh, my God.
00:50:42Oh, my God.
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00:50:44Oh, my God.
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00:50:51Oh, my God.
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00:50:55Oh, my God.
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00:51:00Oh, my God.
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00:51:06Oh, my God.
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00:51:14Oh, my God.
00:51:15Oh, my God.
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00:51:17Oh, my God.
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00:51:19Oh, my God.
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00:51:25Oh, my God.
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00:51:27Oh, my God.
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00:51:29Oh, my God.
00:51:30Oh, my God.
00:51:31Oh, my God.
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00:51:34Oh, my God.
00:51:35Oh, my God.
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00:51:39Oh, my God.
00:51:40Oh, my God.
00:51:41Oh, my God.
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00:51:43Oh, my God.
00:51:44Oh, my God.
00:51:45Oh, my God.
00:51:46Oh, my God.
00:51:47Oh, my God.
00:51:48Oh, my God.
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00:51:50Oh, my God.
00:51:51Oh, my God.
00:51:52Oh, my God.
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00:51:55Oh, my God.
00:51:56Oh, my God.
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00:51:59Oh, my God.
00:52:00Oh, my God.
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00:52:10Oh, my God.
00:52:11Oh, my God.
00:52:12Oh, my God.
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00:52:14Oh, my God.
00:52:15Oh, my God.
00:52:16Oh, my God.
00:52:17Oh, my God.
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00:52:19Oh, my God.
00:52:20Oh, my God.
00:52:21Oh, my God.
00:52:22Oh, my God.
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00:52:25Oh, my God.
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00:52:27Oh, my God.
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00:52:33Oh, my God.
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00:52:35Oh, my God.
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00:52:39Oh, my God.
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00:53:19Oh, my God.
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00:55:19Oh, my God.
00:55:20Oh, my God.
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00:55:27Oh, my God.
00:55:28Oh, my God.
00:55:29Oh, my God.
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00:55:31Oh, my God.
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00:55:50Oh, my God.
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00:55:55Oh, my God.
00:55:56Oh, my God.
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00:56:19Oh, my God.
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00:56:24Oh, my God.
00:56:25Oh, my God.
00:56:26Oh, my God.
00:56:27Oh, my God.
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00:56:29Oh, my God.
00:56:30Oh, my God.
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00:56:34Oh, my God.
00:56:35Oh, my God.
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00:56:39Oh, my God.
00:56:40Oh, my God.
00:56:41Oh, my God.
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00:56:44Oh, my God.
00:56:45Oh, my God.
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00:56:47Oh, my God.
00:56:48Oh, my God.
00:56:49Oh, my God.
00:56:50Oh, my God.
00:56:51Oh, my God.
00:56:52Oh, my God.
00:56:53Oh, my God.
00:56:54Oh, my God.
00:56:55Oh, my God.
00:56:56Oh, my God.
00:56:57Oh, my God.
00:56:58Oh, my God.
00:56:59Oh, my God.
00:57:00Oh, my God.
00:57:01Oh, my God.
00:57:02Oh, my God.
00:57:03Oh, my God.
00:57:04Oh, my God.
00:57:05Oh, my God.
00:57:06Oh, my God.
00:57:07Oh, my God.
00:57:08Oh, my God.
00:57:09Oh, my God.
00:57:10Oh, my God.
00:57:11Oh, my God.
00:57:12Oh, my God.
00:57:13Oh, my God.
00:57:14Oh, my God.
00:57:15Oh, my God.
00:57:16Oh, my God.
00:57:17Oh, my God.
00:57:18Oh, my God.
00:57:19Oh, my God.
00:57:20Oh, my God.
00:57:21Oh, my God.
00:57:22Oh, my God.
00:57:23Oh, my God.
00:57:24Oh, my God.
00:57:25Oh, my God.
00:57:26Oh, my God.
00:57:27Oh, my God.
00:57:28Oh, my God.
00:57:29Oh, my God.
00:57:30Oh, my God.
00:57:31Oh, my God.
00:57:32Oh, my God.
00:57:33Oh, my God.
00:57:34Oh, my God.
00:57:35Oh, my God.
00:57:36Oh, my God.
00:57:37Oh, my God.
00:57:38Oh, my God.
00:57:39Oh, my God.
00:57:40Oh, my God.
00:57:41Oh, my God.
00:57:42Oh, my God.
00:57:43Oh, my God.
00:57:44Oh, my God.
00:57:45Oh, my God.
00:57:46Oh, my God.
00:57:47Ah!
00:58:17Oh
00:58:47What are you doing here?
00:58:50I'm looking for Marco. He's gone since this morning.
00:58:52What do you want me to care about him?
00:58:54He's studying the philosophy of Indian non-work.
00:58:58I thought you sent him to do a commission.
00:59:00Oh yes, there's a commission I'd like him to do.
00:59:03Go to India and die in a bed of nails.
00:59:06But he's your nephew.
00:59:07No, my dear, it's your distraction.
00:59:09And you enjoy it, you spoil it.
00:59:12Get out of here, get out of here.
00:59:14That woman has to work, go.
00:59:18Think, Marisa, that in this collection of birds
00:59:22there could be mine too.
00:59:24So much for what it serves.
00:59:26Spill it, dear, spill it.
00:59:28Spill it.
01:00:18Oh, oh, oh, oh.
01:00:22Oh, oh, oh, oh.
01:00:24Ah, ah.
01:00:26Ah, but it's possible.
01:00:28Whenever I look for a man, I find him half-naked.
01:00:31I just got out of the shower, Susie, Susana.
01:00:35Calm down, calm down, I'm not here to talk business.
01:00:38Have you forgotten Magda?
01:00:40No, no, a kiss.
01:00:41It's time to make a commitment.
01:00:43Yes, let's talk in bed.
01:00:45Don't touch me.
01:00:47No, no, I have to undress.
01:00:49No, first we have to talk business.
01:00:51So, what have you decided?
01:00:53What are you going to do?
01:00:54First, we have to leave her defenseless.
01:00:57A good dose of sleeping pills in the jug of water
01:00:59so that she stays asleep.
01:01:01And I'm going to take the pictures while she's asleep?
01:01:04Yes, why not?
01:01:06Once she's asleep, we undress her completely.
01:01:10We undress her completely, eh?
01:01:12And when she's completely undressed,
01:01:15we put her in the position she likes best.
01:01:18We can do whatever we want.
01:01:20What do you think of the idea?
01:01:22She'll sleep, but I'll be awake.
01:01:25I'll get on top of her
01:01:27so that no one will know if she's asleep or not.
01:01:30Not bad, but what about the sleeping pills?
01:01:32How are you going to put them in without her noticing?
01:01:34Don't worry about the powder.
01:01:37I have a lot of experience.
01:01:39But what are you doing?
01:01:41Putting one in.
01:01:43But it's possible that everyone wants to do the same thing to me.
01:01:46Don't surprise me.
01:01:48Of course it's possible.
01:01:51Yes, Iacomo.
01:01:53Yes, Iacomo.
01:01:55I'll follow you.
01:01:57I'm lost.
01:01:59Don't get lost now.
01:02:02How wonderful.
01:02:04What a moment.
01:02:07I'm so dizzy.
01:02:09I'll pass out.
01:02:11You'd better put yourself in a better mood
01:02:13or I'll puncture your wheels
01:02:15and leave it on the wheelbarrow.
01:02:18It's so delicious, so crunchy.
01:02:20Yes, it's delicious.
01:02:22I'm craving something sweet.
01:02:24What a delicious meal.
01:02:26It was a really fabulous birthday meal.
01:02:30Did you hear that?
01:02:32Mr. Livorio, you have a very good sense of humor.
01:02:34Mr. Livorio, you are so eloquent.
01:02:40Thank you, thank you all, thank you.
01:02:43Thank you all.
01:02:46Magda!
01:02:47You have already spoiled our meal.
01:02:49Do you want to spoil our digestion too?
01:02:51You seem more of a nuisance than ever,
01:02:53because of what your husband did to you.
01:02:56Don't make fun of me, Joshua.
01:02:57Forgive me.
01:02:58I'm worried about Marco.
01:03:00He has disappeared 24 hours ago.
01:03:02He never did anything like that.
01:03:04That's what you think.
01:03:06For my birthday,
01:03:08he wanted to give me the gift of disappearing.
01:03:16I have received from all of you
01:03:18very nice gifts.
01:03:20My aunt Susy sent me
01:03:22some wonderful flowers.
01:03:25I'll pick them in the garden,
01:03:26just for you, Dad.
01:03:28Thank you, Mr. Livorio,
01:03:30for your silver necklace.
01:03:32Thank you very much.
01:03:33Little ones, it's white gold.
01:03:35I thank my wife and my sister
01:03:38for their usual and practical gift
01:03:40of underpants and ties.
01:03:42And thank you, Giacomo,
01:03:44for your magnificent book
01:03:46on the origin of the Stretchies.
01:03:48The story of the Grecian Snakes.
01:03:50Forgive me.
01:03:52These fools are very clever.
01:03:54But the best gift, the most beautiful,
01:03:56has been given to me by Marisa.
01:03:59Marisa?
01:04:00Yes.
01:04:01She has given me
01:04:03this formidable portable fan.
01:04:06And for me, who sweats a lot,
01:04:08it will be the great relief of suffering.
01:04:10This life of mine, to consume here,
01:04:12thanks to that useless one who is in glory.
01:04:15Thank you, my love.
01:04:17You have had a great idea.
01:04:19Felice!
01:04:20Tell me, sir.
01:04:21Bring the champagne.
01:04:22Yes, sir.
01:04:23I want it to be a wonderful day,
01:04:25memorable for all.
01:04:29And don't worry, Marisita.
01:04:31I won't drink much.
01:04:35Here it is.
01:04:37Idiot!
01:04:38You're a fool!
01:04:39Everyone has given her a gift for her birthday,
01:04:41except us!
01:04:42Let him go, Esparragos.
01:04:44Besides, I don't know why you haven't remembered.
01:04:46Remember me?
01:04:47Remember me?
01:04:48In this house, I always have to remember everything.
01:04:51You never!
01:04:52Even Giacomo
01:04:53has remembered to make a gift.
01:04:55Ha!
01:04:56Everyone is cunning in this house.
01:04:57Everyone!
01:04:58Except us.
01:04:59Ha!
01:05:01I know Giacomo is very cunning.
01:05:05Are you going to cover it, sir?
01:05:07Cover it, cover it, and hurry up!
01:05:12Sir.
01:05:13What is it, Noemi?
01:05:14A boy just brought this letter from the archbishop.
01:05:16From the archbishop?
01:05:17Sir, if it is from the archbishop,
01:05:19it is undoubtedly the congratulation
01:05:21that his reverence to the archbishop
01:05:23for this joyous circumstance.
01:05:25The archbishop in person?
01:05:27In person.
01:05:29To me?
01:05:33Joshua, read it.
01:05:34No, no, no, Magda, you read it,
01:05:36because I don't have my glasses here.
01:05:38Here, please, read it.
01:05:46Your nephew Marco is in our hands.
01:05:49What?
01:05:50He doesn't have to worry for now,
01:05:52but if in three days...
01:05:56No, no!
01:05:58But, well, you can know what is written
01:06:00in that letter, yes or no?
01:06:02No, no!
01:06:06Jesus, Joseph and Mary, bless me, Lord.
01:06:09What a moment, what a pain!
01:06:11Will we be able to survive?
01:06:13Serve the champagne, sir.
01:06:15Serve, serve.
01:06:20It's not possible, it's not possible.
01:06:22This envelope is from the archbishop,
01:06:24it even has the seal.
01:06:26Someone has forged the seal
01:06:28of His Eminence.
01:06:29Five hundred million.
01:06:31Five hundred million for a rescue.
01:06:33We have all gone mad.
01:06:35I'm not going to let go of a single lira.
01:06:39Sir, he has read the letter.
01:06:43If he refuses to pay the ransom,
01:06:45and only to start,
01:06:46poor Marco will be cut off...
01:06:48They will cry, they will cry very well.
01:06:50This way they will get that scoundrel
01:06:52to stop making a mess.
01:06:54Joseph, it could be more delicate.
01:06:56To hell with this story!
01:06:58There is no one in the world
01:07:00who is worth five hundred million.
01:07:04Dad. Tell me, daughter.
01:07:05We have to think seriously about this matter.
01:07:07Yes.
01:07:08Should I call the police?
01:07:10Yes, my daughter, call the police,
01:07:12call the police, call them.
01:07:13No, please, they will kill him immediately.
01:07:15At this point they are taxable.
01:07:17Mr. Condé, I beg you to think...
01:07:19Don't waste your words, father.
01:07:21It is in pain where people are known.
01:07:26I don't know this man.
01:07:29He is no longer my brother.
01:07:34I only have one son left.
01:07:37Maybe I'll never see him again.
01:07:40I'm going to the church to pray
01:07:42for God to give me strength
01:07:44to overcome this tremendous trial.
01:07:48I understand.
01:07:50I'll go with you.
01:08:02What are you doing, Mr. Condé?
01:08:08No, no, no, Mr. Condé, no.
01:08:14I am very pleased with you.
01:08:16Thank you, Mr. Condé.
01:08:18Just today, on my birthday,
01:08:22I was supposed to get to this point,
01:08:25but I beg you to forgive me.
01:08:28What have I done to you?
01:08:30I don't feel a thing.
01:08:32I don't feel a thing.
01:08:34I don't feel a thing.
01:08:36I don't feel a thing.
01:08:38Mr. Condé, he's not feeling well.
01:08:40I have to go.
01:08:42To the doctor.
01:08:45What's wrong?
01:08:46What's wrong?
01:08:47How many drops?
01:08:49Eleven drops, eleven.
01:08:59Here.
01:09:00Drink it, you'll feel better.
01:09:09Do you feel better?
01:09:10Yes, yes, thank you, thank you.
01:09:12You...
01:09:14You're a good girl.
01:09:16You're affectionate.
01:09:18I can tell you love me.
01:09:20It's a shame...
01:09:22I was supposed to calm you down for the rest of your life.
01:09:25No, Mr. Condé, don't get like that.
01:09:28If he gets angry, I won't play with you again.
01:09:35I'm sure Magda is still trying to keep everything.
01:09:39I don't believe a word of that kidnapping story.
01:09:42Me neither.
01:09:47Well, what do we do now?
01:09:50Our plan to compromise her is no longer working.
01:09:54Besides, if the old man pays the ransom,
01:09:57goodbye, dreams of glory.
01:09:59We have to unmask her.
01:10:02Who knows where that idiot is?
01:10:05Idiot!
01:10:06There he is.
01:10:07That's the point.
01:10:09Unmask him.
01:10:11How?
01:10:12Countess?
01:10:13Get the car and come with me to the church.
01:10:20Right away, Countess.
01:11:05Let's go.
01:11:35It's been three days.
01:11:37You told me to be patient and not to worry.
01:11:40But I'm tired of being locked up in here.
01:11:43You'll see, I'll pay the ransom today.
01:11:46Why do we want that money?
01:11:49Maybe the old man is a little crazy, but we're fine there, right?
01:11:53Yes, but that money is ours, too.
01:11:56It's all mine.
01:11:58I don't want it.
01:12:00I don't want it.
01:12:03Yes, but that money is us too.
01:12:05It's yours and mine.
01:12:06I don't want that old man to leave it all up to those aristocrats.
01:12:09Stay calm.
01:12:11Yes, calm, let me think.
01:12:32Who is it?
01:12:33It's Susie.
01:12:34Hello, Susie.
01:12:35Come in.
01:12:36Hello.
01:12:38Hello.
01:12:39Hello.
01:12:41Who is it?
01:12:43It's Susie.
01:12:45Hello, Susie.
01:12:46Come in.
01:12:47Hello.
01:13:10It's Marco.
01:13:11Marco!
01:13:12Condecita Susie!
01:13:13Condecita!
01:13:14Yes?
01:13:15Forgive me, I am going to the village.
01:13:16Yes, why?
01:13:17Would you do me a favor?
01:13:18Yes, sure.
01:13:19I have to go.
01:13:20I am going to the village.
01:13:21What to do?
01:13:22I have to go.
01:13:23Yes.
01:13:24I have to go to the village.
01:13:25Yes, I...
01:13:26I am going to the village.
01:13:27Yes, I...
01:13:28I...
01:13:29I...
01:13:30I...
01:13:31I...
01:13:32I...
01:13:33I...
01:13:34I...
01:13:35I...
01:13:36I...
01:13:37I...
01:13:38I...
01:13:39Would you please take me?
01:13:41Yes, come on, get in.
01:13:42And hold on tight, don't fall.
01:13:44Already?
01:13:45Yes.
01:13:46Let's go.
01:13:53Do you know, Countess, that Giacomo is not a scoundrel?
01:13:56And how did you find out?
01:13:58Very easy, because the other day I saw him making love to you.
01:14:02Ah, so now you spy on people.
01:14:06It happens that if his father found out, I don't think he would be very happy.
01:14:12But you won't tell him, will you?
01:14:15It depends.
01:14:17We're done with the blackmail.
01:14:19What do you want?
01:14:27Noemi, you're a revelation.
01:14:30I didn't expect this.
01:14:33Did you know you scared me?
01:14:37If you only want this.
01:14:48Who is it?
01:14:49It's Noemi, Countess.
01:14:51Come in, come in.
01:14:55I've got it.
01:14:56She's waiting for me tonight.
01:14:58In her room.
01:15:00Good.
01:15:01Can I wash her back?
01:15:03As you wish.
01:15:16Her back?
01:15:22Father!
01:15:25What do you want, darling?
01:15:31Go away, please.
01:15:32I have to talk to my father.
01:15:37Tell me, daughter, tell me.
01:15:39Tell me.
01:15:40It's a very serious matter.
01:15:44A serious matter? What's going on? Tell me.
01:15:48I don't know if I should.
01:15:50After the work I wanted to do, Magda, and a few other things,
01:15:54you're going to tell me?
01:15:56After the work I wanted to do, Magda, and a few other things,
01:16:00you're going to tell me?
01:16:02Come on, tell me everything.
01:16:05I found some photographs.
01:16:07I hope they're beautiful.
01:16:13Mysterious.
01:16:15Mysterious.
01:16:21What the hell are these?
01:16:23That disgusting, disgusting, faggot!
01:16:27He's got me by the ass.
01:16:29Even me, I'm sitting on this damn chair 24 hours a day.
01:16:33Yes, father.
01:16:34And next to me, next to me, in my own bed,
01:16:38while I sleep.
01:16:41The guard, the mother of that vagabond clown.
01:16:44And what do you say about Inés?
01:16:46Poor woman.
01:16:49To a certain extent it's logical.
01:16:51She's so young, and with a man like me.
01:17:05Oh, what a bad face.
01:17:08Go, Marisa.
01:17:10I need to be alone.
01:17:13Yes, Mr. Conte.
01:17:21But, what are you doing here?
01:17:24Don't you know that the currents of air hurt you?
01:17:27This hurts me much more.
01:17:35Disgusting whore.
01:17:36I don't think that in the situation you're in,
01:17:39you can afford to be called a disgusting whore.
01:17:42Nothing less than my daughter.
01:17:44Oh, did she give you this?
01:17:46Get out.
01:17:47Get out.
01:17:48I've ordered that you be prepared in the guest room for a few days.
01:17:52Then you'll leave.
01:17:53And so your dear Susy triumphs.
01:17:55She's the only clean person in this house.
01:17:58Clean?
01:17:59If you only knew the kind of whore...
01:18:01I forbid you to continue.
01:18:03You can't forbid anything, you old imbecile.
01:18:06Go, go with your daughter.
01:18:08Go see that candid Lirio.
01:18:10Now, right now.
01:18:11Go see his cleanliness.
01:18:17Go.
01:18:47He's been locked up in there for 24 hours.
01:18:49Who knows when he'll decide to leave.
01:18:51You know him better than we do.
01:18:53That's why you're a whore.
01:18:56He's been locked up in there for 24 hours.
01:18:59Who knows when he'll decide to leave.
01:19:01You know him better than we do.
01:19:03That's why you're a whore.
01:19:16What are you doing?
01:19:18What are you doing?
01:19:25In your chair.
01:19:26I'll hit you without stopping to look around the room.
01:19:29I haven't had a bite since yesterday.
01:19:31Wouldn't it be better if some of us came in?
01:19:34Yes, so he can start screaming like a madman.
01:19:36Don't you understand that he doesn't want to see any of us?
01:19:38But he did receive the notary.
01:19:40He's been in there for four hours.
01:19:42Yes.
01:19:43Who knows the changes he'll make in the will.
01:19:45He certainly ruined me.
01:19:47Because of this wretch.
01:19:49It's your fault.
01:19:51Shut up, both of you.
01:19:53Or do you want to be heard?
01:19:55You're pirates.
01:19:57For once, I agree with Ines.
01:19:59You've tried to deceive us both.
01:20:01You haven't tried to deceive us, have you?
01:20:03Don't you remember?
01:20:05Shut up.
01:20:12What?
01:20:13You don't eat in this house?
01:20:15Yes, I do.
01:20:45Serve me more wine, please.
01:21:07But, Mr. Conde, so much wine.
01:21:09It's not good for you.
01:21:11It's not good for me.
01:21:13But, Mr. Conde, so much wine.
01:21:15It's not good for you.
01:21:17The wine is good.
01:21:19Don't be afraid.
01:21:21This wine is authentic and generous like me.
01:21:29The beautiful Italian families.
01:21:33Joy, joy, my dear.
01:21:35Come on, drink with me.
01:21:37Drink to my health.
01:21:39Come on, drink with me.
01:21:43Congratulations, Magda.
01:21:45I have no choice but to admit
01:21:47that the idea of the kidnapping
01:21:49was something great.
01:21:51You know you didn't get it
01:21:53for a hair.
01:21:55Come on, come on.
01:21:57Don't make that face.
01:21:59You got me to have fun
01:22:01like crazy with that story.
01:22:09One thing, Magda, tell me.
01:22:11Would you really have had the courage
01:22:13to send me a package
01:22:15with your privilege?
01:22:17Poor Marco.
01:22:19And you knew
01:22:21that while you were crushing it,
01:22:23someone was thinking
01:22:25of cutting it
01:22:27to send it to me
01:22:29as a postcard package.
01:22:33And you, Inés,
01:22:35you know you're
01:22:37the most wonderful whore
01:22:39I've ever seen in my life.
01:22:45No, no, my dear.
01:22:47For the love of God,
01:22:49don't be offended.
01:22:51It's a compliment.
01:22:53Really.
01:22:55I got married to you
01:22:57because of that.
01:22:59Of course you put a lover
01:23:01in my bed.
01:23:03While I was sleeping.
01:23:05It's something that will happen
01:23:07to all human beings.
01:23:09It's something extraordinary.
01:23:19And you, Jacobo,
01:23:21you know you play the role
01:23:23of a whore very well.
01:23:25You managed to introduce her
01:23:27to everyone.
01:23:29Almost everyone, Mr. Conde.
01:23:31Well, not to me,
01:23:33but it's because I'm always
01:23:35a whore.
01:24:05And you, Susy.
01:24:09My little and dear Susy.
01:24:19You have to swear, yes.
01:24:21With the number of times
01:24:23I've heard it,
01:24:25she has died of laughter.
01:24:35You have to swear, yes.
01:24:37With the number of times
01:24:39I've heard it,
01:24:41she has died of laughter.
01:24:53You have to swear, yes.
01:24:55With the number of times
01:24:57I've heard it,
01:24:59she has died of laughter.
01:25:05You have to swear, yes.
01:25:07With the number of times
01:25:09I've heard it,
01:25:11she has died of laughter.
01:25:35Translated and streamed.
01:25:37Jacobo, Jacobo,
01:25:39what's the matter with you?
01:25:41If you sleep with me,
01:25:43I'll tell you.
01:25:45It was enough with one of the four.
01:25:47You don't know what you're missing.
01:25:49I'm a miller.
01:25:51It's incredible.
01:25:53If someone had told me
01:25:55that one day I would have to leave
01:25:57the house where I was born,
01:25:59I would have locked him up in a asylum.
01:26:01Your brother is the one you should have
01:26:03locked up with.
01:26:05He loved you so much.
01:26:07You look good, but I give up.
01:26:09Swear the will.
01:26:11I'll tell you what you have to swear.
01:26:13Shut up.
01:26:15At least I'm normal.
01:26:17You're the worst of all.
01:26:19Go to hell, whore.
01:26:23What makes me so angry
01:26:25is that dead fly
01:26:27has managed to deceive us all.
01:26:29They're leaving.
01:26:31Go to hell.
01:26:33The Countess spoke.
01:26:35Where are the servants?
01:26:37Felice and Noemi, I've fired them.
01:26:39And Jacobo?
01:26:41Who, Cacarea?
01:26:45What are you wearing?
01:26:47Sportswear.
01:26:49You're not ready yet?
01:26:51Jacobo, stop being a whore.
01:26:53Pack your bags and come with us to the station.
01:26:55First of all,
01:26:57I can't do heavy work.
01:26:59And last but not least,
01:27:01you've just walked
01:27:03through my testicles.
01:27:07And I mean it.
01:27:09Have a nice trip.
01:27:11I don't understand.
01:27:13What do you want from my husband?
01:27:15Husband?
01:27:17Of course.
01:27:19We've been married for five years.
01:27:21So you've made up?
01:27:23Perfectly.
01:27:25We've made up.
01:27:27We agree on everything.
01:27:29We love each other.
01:27:39She's my favorite concubine.
01:27:57Maybe it's better
01:27:59if we get married for real.
01:28:01Let's not get carried away.
01:28:03Remember, my love,
01:28:05the Count left the money to me.
01:28:07I've already made the cards.
01:28:09When?
01:28:11Tomorrow.
01:28:13Bring me the money.
01:28:27THE END
01:28:29THE END
01:28:31THE END
01:28:33THE END
01:28:35THE END
01:28:37THE END
01:28:39THE END
01:28:41THE END
01:28:43THE END
01:28:45THE END
01:28:47THE END
01:28:49THE END
01:28:51THE END
01:28:53THE END
01:28:55THE END
01:28:57THE END
01:28:59THE END
01:29:01THE END
01:29:03THE END
01:29:05THE END
01:29:07THE END
01:29:09THE END
01:29:11THE END
01:29:13THE END
01:29:15THE END
01:29:17THE END
01:29:19THE END
01:29:21THE END