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00:00:00Bad Skarida.
00:00:02What do you mean, bad Skarida? I'm very fresh.
00:00:04Bad Skarida. The client is back.
00:00:06He's back because of your disgusting sweet and sour sauce.
00:00:08Bad Skarida. I'm filing a complaint against you.
00:00:11Stupid Chinese. How dare they.
00:00:13Antonio.
00:00:14I'm filing a complaint against you. You keep your whole family in one place.
00:00:17You live in fake bags.
00:00:18I'm not buying from you anymore. I'm buying from Persebes.
00:00:21Not from Persebes. No.
00:00:23Yowlin, I'm giving you 10 percent. No, no, no. 20 percent. Yowlin.
00:00:28It's not hard to be a bad Chinese.
00:00:30The country is sinking.
00:00:31How can you expel your best client in this crisis?
00:00:34It's Parales' fault.
00:00:36Parales, what kind of bad Chinese are you?
00:00:38Whatever you said, you smell the worst.
00:00:40And this month you were paid.
00:00:41That's what I wanted to talk about.
00:00:42Because you're punishing me all for nothing, I looked for another job.
00:00:45What? Are you leaving me?
00:00:47Parales, we fulfilled the Spanish dream.
00:00:50No, only after lunch.
00:00:51I'll unload the suitcases at the airport.
00:00:53You don't sell drugs like your mother.
00:00:55Are these the Latino bosses?
00:00:57No, we need money.
00:00:59My wife is pregnant.
00:01:01You leave me and destroy my race.
00:01:03You are ungrateful, Parales.
00:01:09And who will sell in the store after lunch?
00:01:11How can I know? My empire is falling apart.
00:01:14Not even today? Like the last time.
00:01:16Is it the year?
00:01:17She's always busy. She'll scare the customers.
00:01:19Even now I can't pay anyone.
00:01:21Then sell.
00:01:23I'm a merchant. I don't clean fish.
00:01:25You've done it many times.
00:01:27Bertha, you're blocking my enthusiasm.
00:01:29Good day, Mr. Rencio.
00:01:31Your hat immediately started provoking me.
00:01:33Antonio, just say hello.
00:01:34Yes, protect him. You were shaking.
00:01:36Parales, we can't afford it.
00:01:38Expel a Chinese client.
00:01:40Don't do business, immigrants. We have to attack them.
00:01:43We can't attack China. There's a big wall there.
00:01:46You'll see how I'll clear the country when I become president.
00:01:49You take care of the store, he falls, and you do nothing.
00:01:52What can I do? I have fewer and fewer customers.
00:01:54It's normal. No one recognizes you.
00:01:56Make an ad for the TV. The whole of Spain will see it.
00:01:59Right. Advertising.
00:02:01I'll play the main role.
00:02:02What are you talking about?
00:02:03Bertha, the most expensive thing I sold you when I hit Zapatero's bag.
00:02:06People have already forgotten about it.
00:02:08I'll hit Irohoy. He deserves it.
00:02:10You'd better choose someone famous like Isabel Preissler.
00:02:14She's very elegant.
00:02:15No, no, no. I'll hire more immigrants.
00:02:17All right, then someone younger. I know... Javier Bardem.
00:02:21There's no red. Never.
00:02:22It's over, Lasko.
00:02:23She's old. She's letting herself go.
00:02:25I don't know.
00:02:26I'll think of someone. It has to be a real hit.
00:02:29Antonio! We don't have the money to hire a celebrity.
00:02:32Bertha, in times of crisis, we have to rediscover ourselves.
00:02:35It's best to find a man for the fish store.
00:02:38Oh, you're boring.
00:02:43Honey, can't we just make love instead of...
00:02:47Done, done.
00:02:49Putting a thermometer in my ass isn't very romantic.
00:02:53Your temperature has risen by 0.3 degrees. You're in ovulation.
00:02:57Let's do it.
00:02:58Oh, no. Wait.
00:03:05My son, Mom and I are ready to give birth to you.
00:03:09And I want to document this historic moment.
00:03:12Right now, you're just one of 300 million spermatozoids,
00:03:15but soon you'll enter Mom's egg cell.
00:03:18Are you going to tell him the whole process?
00:03:20In short, welcome to life.
00:03:23Until nine months later.
00:03:25Do you want to tell him something?
00:03:27Me?
00:03:29No.
00:03:30This is a memory for life.
00:03:32I'll put some Evangelist music on it.
00:03:34I'll be upstairs. You'll finish faster.
00:03:36No, no. The missionary one is more suitable for a start.
00:03:38Come on. As you wish.
00:03:42The phone.
00:03:43Go on. Don't worry.
00:03:44People, if we don't get together...
00:03:46It's my boss.
00:03:48Hello, Ignacio.
00:03:52No, no. I don't mind. Where will it be?
00:03:56Okay.
00:03:57I'll be right there.
00:03:59Kisses.
00:04:01What do you mean, kisses? He's your boss.
00:04:03I want to invite him to a conference for leadership.
00:04:05Ah, and it's more important to invite this scoundrel
00:04:08instead of starting your firstborn son.
00:04:11There's time for everything. Don't get upset.
00:04:13Be careful with the boss. He's noticed you.
00:04:15But you really are...
00:04:21Doro, open it.
00:04:22I don't want to.
00:04:23From the bank!
00:04:24I said no.
00:04:25I'll open it. I have iron nerves.
00:04:27Give it to me.
00:04:35What does it say?
00:04:36I'm sorry for the delay.
00:04:37We looked into the case and you'll pay when you can.
00:04:40Did you forgive him?
00:04:41The beer is here. Beer for everyone.
00:04:43He'll pay for it.
00:04:44No, the market will be open in 10 days.
00:04:46What?
00:04:47He's an idiot.
00:04:48Now I'll beat you up. You'll sit on the phone.
00:04:51Hey, hey, hey, hey.
00:04:52When did the bank forgive someone for a delay?
00:04:54You know what kind of people they are.
00:04:56Why do they remind him every week?
00:04:58That's already evil.
00:04:59You don't want it.
00:05:00It's the opposite.
00:05:01But if you pay a delay, plus the cash,
00:05:03the market will close.
00:05:04How can I pay when I don't have a job?
00:05:06I'm looking all day.
00:05:07Didn't you kill yourself looking?
00:05:08Don't you have anything valuable to sell?
00:05:10I'm begging you, but the mercy doesn't give.
00:05:12If you wait for your job to be offered, you're lost.
00:05:14The only thing you want is to become a businessman.
00:05:16That's right. A businessman, boss.
00:05:18Yeah, but he can't do anything.
00:05:19And now every business falls.
00:05:21Look at this one.
00:05:22Not everyone.
00:05:23In times of crisis, in which areas are incomes rising?
00:05:26Funeral services.
00:05:27Psychotherapy.
00:05:28Politics.
00:05:29Detective services.
00:05:30During a crisis, scams are frequent.
00:05:32Robberies.
00:05:33Adoption.
00:05:34Frauds.
00:05:35Why the frauds?
00:05:36Because they're free.
00:05:37A detective will be a miracle.
00:05:39Detective Hluv.
00:05:40You need a diploma.
00:05:41Don't think that Jessica Fletcher had a diploma.
00:05:43What kind of antitrust agent would want to smash a kettlebell in her head?
00:05:47And I'm going to hit a lot.
00:05:48The detectives catch terrible masks.
00:05:50Look at Mayhammer.
00:05:51And Dick Tracy.
00:05:52Bruce Willis in a prison cell.
00:05:54Columbo didn't catch a mask.
00:05:55Because he was a bad looker.
00:05:56Inspector Gadget.
00:05:57Don't put Gadget in any series.
00:05:59He was gay.
00:06:00He was a pedophile.
00:06:01No.
00:06:02He had a daughter.
00:06:03Rusa Sopashki.
00:06:04This was his niece.
00:06:05She invented the iPad.
00:06:06I don't understand.
00:06:07Why didn't you find Gadget?
00:06:08He had all the gadgets.
00:06:10Pick up the Gadget, O'Sullivan.
00:06:12We're going to open a detective agency.
00:06:14We're going to need a camera.
00:06:17Walkie-talkies.
00:06:19Binoculars.
00:06:21And cheap baseball bats.
00:06:23And a convertible, like James Bond.
00:06:25That's all we need.
00:06:26One more torrent.
00:06:29Brothers, in these difficult times,
00:06:31mark square seven for the church in your declaration.
00:06:36Christ needs you more than ever.
00:06:39Agnetso Bozzi, who are you bribing?
00:06:41The sinners of the world are against us.
00:06:43Bertha, come here for a moment.
00:06:45No, I don't want to play the cop.
00:06:47No, no, look who's here.
00:06:50Hello, Bertha.
00:06:51Violetta.
00:06:53I signed up to get rid of the psychiatrist.
00:06:55She's the new saleswoman.
00:06:56My first job.
00:06:57I'm normal now.
00:06:59Antonio, did you come to the kitchen?
00:07:01Are you going to talk to him about me?
00:07:02No, no, I want to try the soup.
00:07:04Just make the soup.
00:07:05You're very lazy.
00:07:09How are you going to sell your sister in the store?
00:07:11She has to be under medical supervision.
00:07:13No, she's very good.
00:07:15But they give her more and more pills.
00:07:17And where is she going to sit?
00:07:18In the child's room.
00:07:19Isn't that why?
00:07:20No, no, no, no.
00:07:21I'm sorry, but I refuse to live under the same roof as your sister.
00:07:25You hate her because she's better than you.
00:07:27Antonio, she's crazy.
00:07:28No, worse.
00:07:30She's possessed by the devil.
00:07:32How much do you like to put the devil everywhere?
00:07:34And she's not prettier than me.
00:07:36We have different styles.
00:07:37And where should I put her?
00:07:38Did you tell me?
00:07:39At the reception.
00:07:40They won't want you to be stupid.
00:07:41They've been here for five years.
00:07:42We can kick them out when we decide.
00:07:44And why kick them out?
00:07:45So we can sell the apartment.
00:07:47We don't need it anymore.
00:07:48That's one eye, Bertha.
00:07:49You've become unbearable.
00:07:51Violetta stays here because she's very good.
00:07:54I found an epilator.
00:07:55Violetta, leave that, it's not an epilator.
00:07:57No!
00:07:59Wow!
00:08:00It's so cool!
00:08:01It's better than the reception.
00:08:05This is the bathroom.
00:08:08Antonio, wake up!
00:08:10You were going to take care of the damage once a week.
00:08:12No, no, I'm just showing Violetta the new house.
00:08:15And how many creams?
00:08:17Don't be silly.
00:08:18This is Raquel, your secretary.
00:08:20What?
00:08:21No, Antonio, your sister can't stay here.
00:08:23We have a contract.
00:08:24Yes, which has been in force for five years.
00:08:26I can kick you out when I decide.
00:08:28Not when you decide, but a month before the announcement.
00:08:30I'm enchanted by you.
00:08:32But you're a little against my wife.
00:08:34Look, real devices.
00:08:37If you take her for a while, I'll renew the contract automatically.
00:08:41And Bertha, be patient.
00:08:42I'm in charge here.
00:08:43But how am I going to live with Violetta?
00:08:45She's a little...
00:08:46Unbalanced.
00:08:47She's completely crazy.
00:08:49Look, there are a lot of...
00:08:50Unfaithful rumors around my sister.
00:08:52She's a normal person.
00:08:53With her features, like everyone else.
00:08:55If you give her the medicine on time, there's no problem.
00:08:58She doesn't like to drink them straight.
00:08:59You should put them in a cup.
00:09:01Wait, we'd love to take Violetta, but there's no room here.
00:09:04She'll have to sleep...
00:09:06Like a guest on the couch.
00:09:07No, she'll sleep on the couch.
00:09:09She doesn't pay.
00:09:10Excuse me, what are you saying?
00:09:11Violetta needs your room.
00:09:12I haven't seen her yet.
00:09:14Watch out!
00:09:15The child is sleeping there.
00:09:17Look, a baby.
00:09:19I don't see that in my life.
00:09:21Me neither.
00:09:22Then go to the street.
00:09:24I don't see him if he stays for long.
00:09:26Bratovchetke!
00:09:27We don't have a place.
00:09:28It'll only be a few days,
00:09:29until I convince Bertha to take her with us.
00:09:31Look, you have to secure the windows,
00:09:33no sharp objects,
00:09:35hide the baby.
00:09:37Follow the instructions for use, right?
00:09:39Do you think that if she drinks the medicine, she'll be fine?
00:09:42Yes, yes.
00:09:44I really like my room.
00:09:46I'll be the only...
00:09:47Blue.
00:09:48No, pink.
00:09:49No, green.
00:09:50No, no, red.
00:09:51What color am I supposed to be?
00:09:59Beige.
00:10:01Yes, I'll be the only beige.
00:10:04It's really good.
00:10:06It's time for Lithuania.
00:10:07I'm going to buy the tickets.
00:10:09I'm Shashink.
00:10:21Who are you?
00:10:22Oh, it's you.
00:10:23Javier Maroto.
00:10:24Champion in taekwondo.
00:10:25And this is Jimi Hendrix.
00:10:27She's great.
00:10:28Is my wife here?
00:10:29Go away.
00:10:30I don't want to see him.
00:10:31Bitch, you're so ugly.
00:10:33Jumping over the balcony.
00:10:34You won't beat anyone like that.
00:10:36Who's this devil?
00:10:37Mario Vagiriso.
00:10:38My new representative.
00:10:40Don't make me blush,
00:10:41so I don't mess up the pose.
00:10:42What?
00:10:43Are you going to film your voice for the record?
00:10:45No, no, no.
00:10:46I'm not going to mess up the pose.
00:10:48I'm not going to mess up the pose.
00:10:49Are you going to film your voice for the record?
00:10:51Boy, this body needs to be shown.
00:10:53It's even too weak.
00:10:55Javi, if you have to tell me something stupid,
00:10:57you should turn to him.
00:10:59Yeah, write it down.
00:11:00609.
00:11:01I don't have a chemical.
00:11:02Remember,
00:11:03that wasn't a computer specialist.
00:11:05What did you tell him about me?
00:11:06Everything.
00:11:07That you're an asshole,
00:11:08a liar,
00:11:09a manipulator,
00:11:10and you didn't cut your head.
00:11:11Blondes are very bad.
00:11:13I didn't do anything.
00:11:14Lola.
00:11:15Leave me alone.
00:11:16Don't make her cry, man.
00:11:18I'm going to put on my make-up
00:11:19and you're going to tell me the timing.
00:11:20Lola, I love you so much.
00:11:22Kiss.
00:11:24Come on, you look like you're going to push me.
00:11:25Tell me everything, little one.
00:11:27I'm not going to tell you anything.
00:11:28Come on, I have a consulting office.
00:11:30I help people.
00:11:31Very good.
00:11:32Courage, my friend.
00:11:33Everything will pass.
00:11:34What a bore.
00:11:38Now everything is over.
00:11:40I saw it with my own eyes.
00:11:41There was no love anymore.
00:11:42When you pretend to die,
00:11:43who are you going to kiss?
00:11:44This one.
00:11:45The number with the terminal disease is not going to pass,
00:11:47but we're not going to give up.
00:11:49Forget about Lola and the devils.
00:11:51People separate and continue to live
00:11:53without hurting anyone.
00:11:55I want to forget about her,
00:11:56but how can I do it?
00:11:57How long will I feel like this?
00:11:59A lot of psychologists say
00:12:00that it takes one year
00:12:01for every three years of a relationship.
00:12:03What a horror.
00:12:04I insist that you can still go back.
00:12:06Lola has to see...
00:12:07Lola won't see anything.
00:12:09She already saw me.
00:12:10I finish things in any way.
00:12:12So don't give me any advice.
00:12:14Cool your mind
00:12:15because you're going to kick my ass.
00:12:17Wait.
00:12:18Pour me another one.
00:12:19You're not talking right now.
00:12:21What about your pain?
00:12:22You've got a lot of anger.
00:12:24A lot.
00:12:25If you want to relax,
00:12:26I know the perfect place.
00:12:27Club Skorveta.
00:12:28Good idea.
00:12:29No, no, no.
00:12:30It's a new place.
00:12:31Now it's fashionable among celebrities.
00:12:32When they're stressed,
00:12:33they go,
00:12:34pay 50 euros
00:12:35and in 5 minutes
00:12:36they break.
00:12:37You have all kinds of things.
00:12:38Bowls, cups, vases, lamps.
00:12:42And how can you not hate them?
00:12:43In any case,
00:12:44relax.
00:12:45I'll write you the address.
00:12:46What kind of business is that?
00:12:48They're probably stealing money.
00:12:49No, no, no.
00:12:50Why shouldn't I try?
00:12:51In 5 minutes,
00:12:52I'll break their entire inventory.
00:12:53Come on.
00:12:54You'll tell me later.
00:12:57What are you wearing a mask for?
00:12:59For Detective Love.
00:13:00What's going on here?
00:13:01What's going on there?
00:13:02What's going on here?
00:13:03What's going on there?
00:13:04I don't care about anything.
00:13:05I'm learning.
00:13:06Look,
00:13:07I bought myself a badge
00:13:08in Bon Bon and Paco.
00:13:09Amador,
00:13:10rule number one
00:13:11of the private detective
00:13:12to be
00:13:13unnoticeable.
00:13:15Yeah, yeah.
00:13:16I thought of everything.
00:13:17Look,
00:13:18first I sit down on the couch
00:13:19and do this.
00:13:20Oops.
00:13:22But who would want to take this one?
00:13:25Good day.
00:13:27How's business?
00:13:28Wonderful, sir.
00:13:29This month,
00:13:30we can almost cover our expenses.
00:13:31At most, there's nothing here.
00:13:32We have a lot of fun payments.
00:13:34It's a crisis.
00:13:35As long as everyone doesn't give up,
00:13:36there's no beer to be served.
00:13:38Then one whiskey here.
00:13:40No whiskey,
00:13:41no gin,
00:13:42no rum,
00:13:43nothing.
00:13:44I hate everyone
00:13:45messing with me.
00:13:46What's the matter with you?
00:13:47Sir,
00:13:48you see,
00:13:49I'm getting drunk.
00:13:50I need a tonic.
00:13:51Eric,
00:13:52you're not well.
00:13:53Write it on your forehead.
00:13:54What's wrong with you,
00:13:55my friend?
00:13:56I think Judith
00:13:57is making fun of my boss.
00:13:58What do you mean?
00:13:59Let's listen to him.
00:14:00We've been married
00:14:01for almost six months
00:14:02and I already suspect
00:14:03she's got me.
00:14:04I want to die.
00:14:05No,
00:14:06I want to get drunk.
00:14:07Pour me something stronger.
00:14:08Maybe it's not
00:14:09the only thing I do.
00:14:10I work for kids.
00:14:11Maybe your genius
00:14:12doesn't suit her.
00:14:13There's no proof
00:14:14of adultery.
00:14:15Judith is not
00:14:16a dog like Milo.
00:14:17If it's not Milo,
00:14:18it's Aqua.
00:14:19A strong,
00:14:20naughty type.
00:14:21What?
00:14:22Watch out for dogs
00:14:23that don't bark
00:14:24and quiet water.
00:14:25What,
00:14:26boss?
00:14:27Have you ever seen him?
00:14:28Typical.
00:14:29He got into a fight
00:14:30and thinks he's a big,
00:14:31handsome guy.
00:14:32Borderline like me.
00:14:33Judith is in the color
00:14:34of her beauty.
00:14:35And since she's married
00:14:36to a 50-year-old dancer,
00:14:37it's normal
00:14:38for a 50-year-old dancer
00:14:39not to let a kid
00:14:40play with her.
00:14:41I'll leave her
00:14:42the suitcases
00:14:43in front of the door.
00:14:44You live
00:14:45in her house,
00:14:46don't you?
00:14:47Uh-uh.
00:14:48I'll take the suitcases
00:14:49and go to her house.
00:14:50There's your ex.
00:14:51But...
00:14:53What do I do?
00:14:54I have to do something.
00:14:55All right,
00:14:56smartass.
00:14:57Before you give up
00:14:58on a candy like that
00:14:59at first glance
00:15:00that amazes you,
00:15:02you need the services
00:15:03of a professional detective.
00:15:04A highly qualified one.
00:15:09Hm?
00:15:11Ah, ah, ah, ah, ah, ah, ah.
00:15:16Even a high-ranking detective
00:15:18catches a detective,
00:15:20knows who's right,
00:15:21who's wrong.
00:15:22Exactly.
00:15:23Besides,
00:15:24he's not alone.
00:15:25He has our logistical support.
00:15:27Come on,
00:15:28special price for you.
00:15:29300 euros plus expenses.
00:15:30Mother of God.
00:15:31Enrique,
00:15:32how much is the truth?
00:15:33I'll feel terrible
00:15:34if I send a detective
00:15:35after Judith.
00:15:36I'll go out
00:15:37and tell her
00:15:38you really suspect her.
00:15:39We'll find evidence for you,
00:15:40comrade.
00:15:42You can't live
00:15:43with this anxiety in your heart.
00:15:44Are you going to catch cancer?
00:15:46All right.
00:15:47Here's the advance.
00:15:48But for God's sake,
00:15:49just don't catch it.
00:15:50I'm betting my marriage on the card.
00:15:52Calm down, man.
00:15:53I'm a ghost.
00:15:54That's exactly what worries me.
00:15:58I have a script
00:15:59for the commercial.
00:16:00Listen,
00:16:01a famous man
00:16:02is in the hall
00:16:03of his estate
00:16:04in a suit.
00:16:05In a suit?
00:16:06I'm not stupid.
00:16:07How did he buy the estate?
00:16:08What?
00:16:09You know,
00:16:10the famous man says,
00:16:11oh,
00:16:12tonight
00:16:13I'm going to have
00:16:14an elegant party,
00:16:15but I don't know
00:16:16what to cook.
00:16:17Is the famous man cooking?
00:16:18Of course.
00:16:19He's a genius.
00:16:20But he's a cook.
00:16:21How is he not going to cook?
00:16:22Are you going to leave him?
00:16:23The famous man
00:16:24grabs a golden lamp,
00:16:25hears an explosion,
00:16:26picks up a gun
00:16:27and...
00:16:28I'm here.
00:16:29The genius of the skyscrapers.
00:16:30Why is the famous man
00:16:31grabbing the lamp?
00:16:32Why?
00:16:33It's clean.
00:16:34Because he lives in the estate
00:16:35and he doesn't have a maid.
00:16:36He doesn't have a maid.
00:16:37He has a lot of thieves.
00:16:38I think the scenario
00:16:39needs to change.
00:16:40It's best
00:16:41to leave this nonsense
00:16:42and apologize to Yao Lin.
00:16:43Antonio Resio
00:16:44is not going to humiliate himself
00:16:45in front of a Chinese man.
00:16:46Let's leave the famous man out.
00:16:49Which famous person
00:16:50is worthy of the sea gift,
00:16:51Resio?
00:16:52It's very difficult.
00:16:53George Clooney.
00:16:54He advertises
00:16:55rentals,
00:16:56watches,
00:16:57cafes...
00:16:58A movie star?
00:16:59Good idea.
00:17:00He's not a pedophile, is he?
00:17:01No, no, no.
00:17:02He always wears
00:17:03scary masks.
00:17:04What do you mean,
00:17:05he's not George Clooney?
00:17:06He's going to ask for a lot of money.
00:17:07No way.
00:17:08Everyone is fooled
00:17:09in this crisis.
00:17:10Where are you going
00:17:11to get his phone number?
00:17:12I'm going to get it by mail.
00:17:13They know everything there.
00:17:14You have to get it
00:17:15by American mail.
00:17:16Shut up!
00:17:17I want the mail number
00:17:18in the United States.
00:17:19What?
00:17:20Put me on the line.
00:17:21No.
00:17:22It's very expensive.
00:17:23Information?
00:17:24The number of George Clooney,
00:17:25please.
00:17:26Yes, yes, yes.
00:17:27The actor of
00:17:28The Coffee Machine.
00:17:29Yes.
00:17:30I'm Spanish.
00:17:31Bravo.
00:17:32Another immigrant.
00:17:33I don't care if
00:17:34the Americans attack you.
00:17:35How can George Clooney
00:17:36not be in the statement?
00:17:37Contact an American.
00:17:38You don't understand anything.
00:17:39Hello?
00:17:40Let's play music.
00:17:41Shut up.
00:17:42This is going to
00:17:43cost a fortune.
00:17:44Is it so hard
00:17:45to contact
00:17:46a celebrity?
00:17:48Wait.
00:17:49Isn't this Mario
00:17:50Vaccheriso?
00:17:51Who?
00:17:52The guy from Alaska.
00:17:53Eskimo?
00:17:54No, no, no.
00:17:55The singer
00:17:56from The Crystal Ball.
00:17:57Jeremy Swister.
00:17:58Antonio.
00:17:59They show him on TV.
00:18:00I've seen him.
00:18:01What are you looking at?
00:18:02He's not a movie star.
00:18:03He's a fan of Satan.
00:18:04The guy from
00:18:05The Last of Us.
00:18:06George Clooney
00:18:07is going to be expensive.
00:18:08Okay, okay.
00:18:09The important thing
00:18:10is to sell me the tickets.
00:18:11Hey!
00:18:12You!
00:18:13With the moustache!
00:18:14Vaccheriso.
00:18:15Look at you,
00:18:16admirers.
00:18:17How did you recognize me
00:18:18when I'm incognito?
00:18:22Come on, dear.
00:18:23Take the picture
00:18:24so I'm in time.
00:18:25What picture?
00:18:26The one on Emanthe
00:18:27for the commercial
00:18:28for Sea Gifts Eresio.
00:18:29What commercial?
00:18:30For Sea Gifts Eresio.
00:18:31But it's the best price.
00:18:32I was arguing
00:18:33between George Clooney
00:18:34and you,
00:18:35but George
00:18:36got the hiccups
00:18:37and didn't eat snacks.
00:18:38If I were to be in the commercial,
00:18:39I'd want to be
00:18:40in a shampoo commercial
00:18:41because I deserve it.
00:18:43I don't like this guy.
00:18:44Come on, Antonio.
00:18:45He was an interviewee
00:18:46on the radio.
00:18:47What?
00:18:48Yes, dear.
00:18:49For 10,000 euros
00:18:50I'll make you the commercial.
00:18:5110,000?
00:18:52Holy Mother of God.
00:18:53What do you think you're doing?
00:18:54What if I don't?
00:18:56Why are you laughing?
00:18:57He's making me very nervous.
00:18:59Come on, I know
00:19:00we're in a crisis, dear.
00:19:01I'll lower the price.
00:19:02What budget are we talking about?
00:19:03500 euros.
00:19:05500 euros?
00:19:06You're an idiot.
00:19:07I'm out of here.
00:19:08I don't want to see you.
00:19:10Wait a minute.
00:19:11We're negotiating.
00:19:12Look,
00:19:13we'll do it this way.
00:19:14I'll leave you my business card.
00:19:15Think about it,
00:19:16make the commercial
00:19:17and then
00:19:18we'll talk.
00:19:19Deal?
00:19:20How do I make it?
00:19:21I can't sell
00:19:22a single snack.
00:19:23That's why you need
00:19:24butter, dear.
00:19:25Ciao.
00:19:26Let's call him butter, dear.
00:19:27I don't like this celebrity.
00:19:28There are rumors
00:19:29that she's pregnant.
00:19:30Do you think so?
00:19:31I don't know.
00:19:32I'll ask her
00:19:33and then she'll tell you.
00:19:34Anna Ross wants
00:19:35a live broadcast.
00:19:36I love Anna Ross
00:19:37but I really don't have time.
00:19:38Please, Mario,
00:19:39one question.
00:19:40Thank you for following me.
00:19:41Thank you very much.
00:19:42Really.
00:19:43Mario?
00:19:46This bitch was very interesting.
00:19:48The paparazzi are following him everywhere.
00:19:50Antonio,
00:19:51we can't afford
00:19:52to hire this guy.
00:19:53We don't need to hire him.
00:19:54He'll make me a commercial
00:19:55for free.
00:19:56What are you going to do?
00:19:57I have a brilliant plan.
00:19:58What?
00:20:17Object located.
00:20:18Moving on foot.
00:20:19I'm listening, team 2.
00:20:20Over.
00:20:24Team 2 here.
00:20:25Over.
00:20:26Let's go.
00:20:27Damn,
00:20:28it's so funny.
00:20:30Where did you get this camera?
00:20:31It's very old.
00:20:32What are you saying?
00:20:33It shoots great.
00:20:34Buy it in Andorra.
00:20:35Give me the walkie-talkie.
00:20:36No, I'll carry it.
00:20:37But I...
00:20:38I want to carry something.
00:20:39Nothing.
00:20:40Come on, you'll drop it.
00:20:41Fuck, be discreet.
00:20:42The soul is very fast.
00:20:43Let's go.
00:20:56How fast are these balls moving?
00:20:58Yes, boss,
00:20:59wait.
00:21:00Did you get in touch
00:21:01with the girl you mentioned?
00:21:02Who?
00:21:03Your boss,
00:21:04his mother.
00:21:05Oh, no,
00:21:06not yet.
00:21:07But, bro,
00:21:08she wants salami for sure.
00:21:14Look,
00:21:15she's going to the hotel.
00:21:16The case is clear.
00:21:17Is the case clear?
00:21:18You're a big detective.
00:21:22Team 1,
00:21:23the object is entering the hotel.
00:21:24The fight is inevitable.
00:21:25Over.
00:21:26Follow her,
00:21:27don't let her out.
00:21:28She's entering the room of Cervantes.
00:21:29It will turn out
00:21:30that she's going to the conference.
00:21:31This is Paravan,
00:21:32stupid,
00:21:33we'll miss her.
00:21:34No,
00:21:35she doesn't want to see you.
00:21:36Wait for her outside.
00:21:37The last thing to do
00:21:38is to follow her.
00:21:39She's going to the conference.
00:21:40She's going to the conference.
00:21:41She's going to the conference.
00:21:42The last thing to do
00:21:43is to follow her
00:21:44or wait for her.
00:21:45You have to wait
00:21:46for her to leave the conference.
00:21:49Horrible.
00:21:50It says here
00:21:51that she's going to be here for 3 hours.
00:21:52Come on,
00:21:53you're a professional.
00:21:54What did you think,
00:21:55you're going to get the money
00:21:56for 3 pictures?
00:21:57Oh, yes.
00:21:58Mother.
00:22:02What a sun.
00:22:03Let's go to the sun.
00:22:07Yes, yes.
00:22:08150.
00:22:10Everything is at 50%.
00:22:15Good day,
00:22:16can I help you with something?
00:22:17No, thank you,
00:22:18I already know what to do.
00:22:39Oh, my God.
00:22:40No.
00:23:08Leo,
00:23:09the address is very soft.
00:23:10Javi,
00:23:11I mixed up the address.
00:23:12It's not number 33,
00:23:13it's 23.
00:23:14What?
00:23:15Yes, I gave you the wrong address.
00:23:16Where are you?
00:23:19I'll call you later.
00:23:28What?
00:23:31Now you're going to laugh.
00:23:32Now you're going to laugh.
00:23:38Come on,
00:23:39you already ate one.
00:23:40I'm bigger,
00:23:41I need more food.
00:23:43When are you going to start
00:23:44bringing money home?
00:23:45Ready.
00:23:46Ready.
00:23:47Kids,
00:23:48is this how you treat your guest?
00:23:50No one has ever treated him like that.
00:23:51Come on,
00:23:52play the...
00:23:53what's it called?
00:23:55You want to be alone with him,
00:23:56you want to be alone with him.
00:23:58I'll tell dad.
00:24:00These kids,
00:24:01they're wonderful,
00:24:02they're very sweet.
00:24:04Here,
00:24:05I made you a sandwich.
00:24:07And this green one?
00:24:09I'll cut it.
00:24:10Don't worry,
00:24:11the cream is coming.
00:24:13But if you don't like it,
00:24:15there are other dishes on the menu.
00:24:17Sergio,
00:24:18we can't pretend
00:24:19that nothing's going on.
00:24:20Obviously,
00:24:21something's going on.
00:24:22You wish,
00:24:23a lot.
00:24:24And I'm your mother,
00:24:25but now's not the time.
00:24:26Why not?
00:24:27Under these circumstances,
00:24:28I feel uncomfortable.
00:24:29The kids are here,
00:24:30and so are you.
00:24:32I know there are a lot of obstacles,
00:24:34but we can't get tired,
00:24:35Sergio.
00:24:36We deserve to be
00:24:37happy.
00:24:38Yes, yes,
00:24:39we will be,
00:24:40but there has to be a suitable occasion.
00:24:41When?
00:24:42When will our moment come?
00:24:43No, no,
00:24:44we're not going to fool around,
00:24:45we're going to lose the magic.
00:24:46Let fate
00:24:47choose.
00:24:48Yes,
00:24:49you're right.
00:24:51Yes,
00:24:52in love,
00:24:53you can't rush.
00:24:54Yes,
00:24:55where are you going?
00:24:56To meet a producer,
00:24:57to see what else happens
00:24:58with a secret project
00:24:59about...
00:25:00I mean,
00:25:01I can't talk.
00:25:02But,
00:25:03are you coming for dinner?
00:25:04I don't know,
00:25:05I'll call you.
00:25:06Or I'll call you.
00:25:07Okay,
00:25:08I'll call you.
00:25:09No,
00:25:10because if we call each other
00:25:11at the same time,
00:25:12we'll get in trouble.
00:25:13Let fate
00:25:14choose.
00:25:15Okay,
00:25:16see you.
00:25:18Mom,
00:25:19I feel sorry for you.
00:25:20You mind your own business.
00:25:21I think he doesn't like you.
00:25:22Carlota,
00:25:23how much more
00:25:24do you have to learn
00:25:25about men?
00:25:26And you?
00:25:28Violeta!
00:25:30Violeta,
00:25:31you have to come out!
00:25:32I'm exfoliating!
00:25:33Stop,
00:25:34stop, stop, stop!
00:25:35No,
00:25:36I still have dead cells.
00:25:37Okay,
00:25:38okay.
00:25:39You're very annoying.
00:25:40It's typical for lovers.
00:25:42Hello.
00:25:43You're very handsome.
00:25:45Thank you, too.
00:25:46I'm sexy,
00:25:47aren't I?
00:25:48My dear,
00:25:49listen,
00:25:50get dressed,
00:25:51you have to cook me something.
00:25:52I'm Violeta!
00:25:53Goodbye, Violeta.
00:25:54It was nice meeting you.
00:25:57What are you doing here?
00:25:58I heard you broke the candle,
00:25:59so I thought
00:26:00I'd go upstairs.
00:26:01Did you hear my bells?
00:26:02Okay,
00:26:03I'm off,
00:26:04I have a date.
00:26:05Okay, dear.
00:26:06What are you doing?
00:26:07A kiss,
00:26:08right?
00:26:09To your boyfriend.
00:26:10Wait,
00:26:11you're mistaken.
00:26:12I don't have a boyfriend.
00:26:13Actually,
00:26:14I have a date tonight.
00:26:15What date?
00:26:16No, no, no, no.
00:26:17What do you mean, no?
00:26:18Raquel,
00:26:19we can't pretend
00:26:20nothing happened.
00:26:21Nothing happened,
00:26:22really.
00:26:23I see you're not sure
00:26:24about your relationship.
00:26:25It's not a relationship.
00:26:26Okay,
00:26:27you're not my boyfriend,
00:26:28you're not anyone,
00:26:29you're...
00:26:30you're just a friend.
00:26:31How awful.
00:26:32I'm going out.
00:26:33Who are you meeting?
00:26:34Why do you care?
00:26:35We care,
00:26:36because we're in a relationship.
00:26:37Come on.
00:26:38It's called
00:26:39a 1.90m,
00:26:4035-year-old
00:26:41super beat.
00:26:42Why don't you shut up?
00:26:43And it's serious.
00:26:44This weekend,
00:26:45I'll take her to a house,
00:26:46I don't know where it is.
00:26:47I'm sick.
00:26:48Bad luck.
00:26:50Raquel,
00:26:51if you go out in a dress,
00:26:52I'll...
00:26:53Don't let her finish
00:26:54the sentence.
00:26:55Can I have
00:26:56half a kilo of merluza?
00:26:57Yes, ma'am.
00:26:58Now,
00:26:59I'll put it here
00:27:00so I can measure it.
00:27:01It's fresh, right?
00:27:02Yes, ma'am,
00:27:03very fresh.
00:27:04Very good, Violeta.
00:27:06It's not my first day,
00:27:07I'm already normal.
00:27:08Come on,
00:27:09I have a mission for you.
00:27:10Are you going to
00:27:11leave your sister
00:27:12to sell herself?
00:27:13It's so fashionable,
00:27:14get used to it.
00:27:15Come on,
00:27:16put on Skarida's costume.
00:27:17I'm getting very hot.
00:27:18What do I care?
00:27:19Here's your
00:27:20half a kilo of fresh merluza.
00:27:21Are you going to cut it for me?
00:27:22Yes, ma'am.
00:27:24One!
00:27:27One!
00:27:29One!
00:27:31One!
00:27:33No, no,
00:27:34on the last one, please.
00:27:35No, like this,
00:27:36like this,
00:27:37like this,
00:27:38like this,
00:27:39like this,
00:27:40like this,
00:27:41like this,
00:27:42like this,
00:27:43like this,
00:27:44like this.
00:27:45Hey,
00:27:46you have to pay.
00:27:53Hello, Milo. How are you, my treasure?
00:28:00Let me ask you something. Did you pay the bills for the water and the phone?
00:28:04Great. We are chasing a guy dressed as a scarid.
00:28:09How do I know he can collect unpaid debts with scarids?
00:28:13Hey, what are you doing?
00:28:15Sea gifts are flying in the sea at the best price.
00:28:17If you want a gala party, buy from Lefer.
00:28:20If you want to be envied, buy from Scarid.
00:28:23Don't follow me, you bum.
00:28:25I'm sorry, sir, but I have to go to work.
00:28:28What a paranoia. What kind of thought is that?
00:28:30Really, taxi!
00:28:35This is more boring than a whole day without football.
00:28:37Give me some onion.
00:28:38Leo, give me some ketchup.
00:28:40The bitter Enriquen, right? His first wife stabs him and he gets a beating.
00:28:43His second wife leaves with her boss, and we give him the money.
00:28:46He's a big, fat consultant.
00:28:48What about you?
00:28:49What?
00:28:50Milo is cheating on you with your neighbor.
00:28:51Yes.
00:28:52He's cheating on you.
00:28:53He's cheating on your child.
00:28:54And now he's picking up a lover for a cap in your house,
00:28:56and you're just waiting for it to fly away.
00:28:58Right?
00:28:59Right.
00:29:00Now you're going to pay the bills.
00:29:01Watch out, this is a pizzeria.
00:29:03Shut up, his mother.
00:29:05Get out, let's be professionals.
00:29:07Quick, the lens.
00:29:08The camera, the camera.
00:29:09Get out, you devils.
00:29:10Your mother.
00:29:11At the same time.
00:29:12Take it off.
00:29:13I can't see, there's not enough light.
00:29:15Remove the cap.
00:29:17Now, now.
00:29:18Let's see if they're going to kiss or something.
00:29:21Come on, Svalaccio, put it on his lips.
00:29:23Nothing, there's nothing on his lips.
00:29:26He's coming.
00:29:27He's coming.
00:29:28Maxi, I'll give it back to you.
00:29:36They leave separately so they don't see them together.
00:29:38They're very cunning.
00:29:40They must have something else to do.
00:29:41The bosses always have lovers.
00:29:43They read the company's name and don't care about the money.
00:29:46Team 2, follow Yudit.
00:29:47We'll follow the boss.
00:29:49Why are we all walking?
00:29:51Because the car is mine, got it?
00:29:57I want a black Minivan.
00:29:58With rims like a team.
00:30:00Concentrate, think about the mission.
00:30:12Look, Kung Fu Panda 20 for the kids.
00:30:15Are you going to stop bargaining now?
00:30:17Wait, move.
00:30:20Amador Rivers, go fight the pirates.
00:30:22We're confiscating everything.
00:30:31Don't show the badge anymore.
00:30:32Team 2, how's it going?
00:30:34Bad.
00:30:35Amador, chase a black guy and tell Yudit to see us.
00:30:38Over.
00:30:39Amador, don't go after business.
00:30:41You have to keep your distance.
00:30:45What are you doing?
00:30:46This car is stopping badly.
00:30:48You have to press the brake.
00:30:50You have insurance, right?
00:30:52How do I know?
00:30:53Gregoria was dealing with these things.
00:30:55Didn't you see me?
00:30:56Yes, I saw you for a moment, sir.
00:30:59I can't find anything here.
00:31:00Then let's go.
00:31:02Hey, hey, hey, hey, hey.
00:31:04Stop.
00:31:06Where did you go?
00:31:10Do we have to get together in the shack?
00:31:13Our client's anonymity is our priority.
00:31:16What? Do you have anything?
00:31:18Your wife was at the conference with her memory up to 15.00.
00:31:23Then they split up to hide,
00:31:25and we followed her with a taxi to the luxury apartment in the center,
00:31:28where she stayed until 5.30.00.
00:31:31No, if it's up to 5.30, it's not 0.00 anymore.
00:31:330.00 seconds.
00:31:34The seconds don't count.
00:31:35I'll say what I want.
00:31:36Wait.
00:31:37What apartment in the center?
00:31:39Honey, what's interesting is that your boss didn't show up there.
00:31:43Yes, because I sent him away with the car.
00:31:45What?
00:31:46Did you attack Ignacio?
00:31:47Calm down, we got into a fight.
00:31:49The strange thing is that your wife drove the apartment for an hour and a half.
00:31:53And what did she do there?
00:31:55What? She waited for Leonzi to give her a salami.
00:31:57Driven like a dog.
00:31:58No.
00:31:59That doesn't happen.
00:32:00On the contrary, it happens.
00:32:01Be tactful with the client.
00:32:02You shut up.
00:32:03The incident with the car avoided many,
00:32:05but it all shows that we only made fun of the inevitable.
00:32:09I need proof right now.
00:32:10Do you have a picture?
00:32:12We had a little technical problem.
00:32:14I didn't put the film in the camera.
00:32:15Do you use a camera with a film?
00:32:17I'm a traditionalist.
00:32:18Calm down, sir.
00:32:19Now they'll get even more.
00:32:21I'm sure they'll see each other again tomorrow.
00:32:23And we'll be there to immortalize them.
00:32:26What are you doing?
00:32:27We're checking the degree of compatibility of the neighbors to recycling.
00:32:33Do you recycle?
00:32:34Don't touch me.
00:32:35It's very bad. The polar hats are melting because of you.
00:32:37Hats?
00:32:38Go to hell.
00:32:40Maybe we should meet somewhere else.
00:32:42Maybe.
00:32:43Maybe.
00:32:56Edith!
00:32:57I have a problem.
00:32:58What's wrong?
00:33:05I don't see pink on me either.
00:33:07More like purple.
00:33:09Excuse me, this is more pink than Barbie's convertible.
00:33:12This is temporary, but very temporary.
00:33:14God, that's all I needed.
00:33:15They're going to kick me out of the show.
00:33:18Why?
00:33:19Vampire's temporary as hell?
00:33:24I'm sorry.
00:33:25Okay, wait.
00:33:27Maybe the test is false positive.
00:33:29Yes, if she ate meat with hormones.
00:33:31Have you slept with anyone since you broke up with Javi?
00:33:34Yes.
00:33:35With whom?
00:33:36With Javi.
00:33:38I'm going to die.
00:33:40But only once. I felt very lonely.
00:33:42But why didn't you tell us?
00:33:44You were going to yell at me.
00:33:46Why don't you clean your mother?
00:33:48Sleeping with the ex is the biggest possible stupidity.
00:33:51Besides, he lives downstairs and he'll bore you.
00:33:53What did you do with the rubber band?
00:33:55You're getting divorced again, aren't you?
00:33:57And it's hard to find a husband without children.
00:33:59I'm very stupid.
00:34:00That's enough.
00:34:05Okay, you're stupid, but we support you.
00:34:09What are you going to do?
00:34:11Are you going to give birth?
00:34:13How do I know?
00:34:14That's the first thing you need to know.
00:34:16If I become a mother, my life will be ruined.
00:34:18Or three, if twins.
00:34:20I was an unwanted child.
00:34:21I don't want my son to experience my suffering.
00:34:24Besides, I'm very scared.
00:34:26I don't know if I can take care of him.
00:34:28We're all ready to be mothers.
00:34:30We have an instinct.
00:34:31You can do it when you need to.
00:34:33You're going to do it soon.
00:34:34Not like you're with the spiral and the dreamer.
00:34:37Wait, twins is a separate world.
00:34:39But if Javi supports you, you'll take care of him.
00:34:42Wait, wait.
00:34:43You have to think this through.
00:34:45Are you going to tell him?
00:34:47How do I know?
00:34:48You don't know anything.
00:34:50You don't have to tell him.
00:34:51You can be a single mother.
00:34:53Raquel, Javi has the right to know.
00:34:55He's the father.
00:34:56But being a single mother is the worst thing.
00:34:59Right?
00:35:00And to watch the baby alone.
00:35:01You're not alone.
00:35:02We'll help you.
00:35:03We'll watch him together.
00:35:04Yes, like the monkeys, Tarzan.
00:35:06Speak for yourself.
00:35:07I don't watch the monkeys.
00:35:08I already have four.
00:35:09Now tell me about Javi and the two spiders.
00:35:12What should I do?
00:35:13Should I give birth or not?
00:35:14Should I tell Javi or not?
00:35:15You don't have to decide right away.
00:35:17Don't tell him and you'll think about it.
00:35:19I insist that Javi is mature, intelligent and mentally stable
00:35:22and is fully ready to be a father.
00:35:24Believe me.
00:35:26Yes?
00:35:27Yes, yes, it's me.
00:35:29What?
00:35:31Oh my God, why?
00:35:34Yes, yes, I'm going there.
00:35:35What's going on?
00:35:36The police detained Javi.
00:35:38He broke a furniture store and is now in custody.
00:35:44Yes.
00:35:45Apparently the boy is very mentally stable.
00:35:47Listen, you're not worth it as a therapist.
00:35:57Yes?
00:35:58Raquel?
00:35:59Yes, Nacho, I'm coming down now.
00:36:06What are you doing here?
00:36:07Nothing, nothing.
00:36:09I'm contemplating the eternity of heaven.
00:36:12Give me a star.
00:36:14This one?
00:36:17Come on, go have dinner.
00:36:19Sergio, this will be our night.
00:36:21I can feel it.
00:36:22Yes, yes, yes, run, run, run.
00:36:25Raquel, stop.
00:36:26Oh my God.
00:36:27Come on.
00:36:28If you go out with this guy, he'll tell his mom that we broke up.
00:36:32Are you kidding me?
00:36:33Of course.
00:36:34If you tell your mom, she'll kick you out of the house.
00:36:37Okay, the blackmail is not very experienced,
00:36:39but these attempts to make me jealous are pathetic.
00:36:42Besides, the guy looks gay.
00:36:45I don't know.
00:36:46I'll tell you tomorrow.
00:36:48Oh, okay.
00:36:49Let's see who's going to break more gadgets.
00:36:51No, let's see who's going to break more gadgets.
00:36:53You can't compete with me.
00:36:55I came up with this game.
00:36:56You're going to suffer, girl.
00:36:58Oh my God.
00:37:00Shall we go?
00:37:01Yes.
00:37:13Hello, hello, Violeta.
00:37:14Hello.
00:37:15I'm going to throw the bottle.
00:37:16Yellow container, green container.
00:37:18Very good, very good.
00:37:19What are you going to do this evening?
00:37:20Nothing.
00:37:21Do you want to have a drink?
00:37:22Well...
00:37:23Okay.
00:37:24I'll wait for you at home.
00:37:25Great.
00:37:26Yes, great.
00:37:27Recycle, recycle.
00:37:29Okay.
00:37:30You're going to make me jealous.
00:37:33No, honey.
00:37:34I'm not going to work with Almodovar.
00:37:35At least not because he didn't look for me.
00:37:36Anyway, Pedro, wake up.
00:37:38You know I'm suitable for your movies.
00:37:41There are rumors that Alaska is temporary.
00:37:43Come on, girl.
00:37:44Don't you want to call the priest?
00:37:45No one calls me.
00:37:46Neither the priest, nor Almodovar.
00:37:48Where are you, you fool?
00:37:49I can't see you.
00:37:50Stop in front of me.
00:37:51I couldn't.
00:37:52They attacked me and cut my arm off.
00:37:53Of course.
00:37:55The next guy is dressed like a skirt.
00:37:57Do you owe money to anyone?
00:37:58No, I don't know who this guy is.
00:38:00He's been chasing me all day.
00:38:01He's crazy.
00:38:02Very bad money.
00:38:03Again, you won't get paid.
00:38:04Antonio, it's hard to get lost among the journalists.
00:38:07It is said that there is a crisis in your marriage.
00:38:09It's not true.
00:38:10We get along wonderfully with my wife.
00:38:11We are like-minded and I love her more and more.
00:38:14I love you a lot.
00:38:16Come on, please.
00:38:17Leave me alone.
00:38:19When are you getting a divorce?
00:38:20Vacarisso?
00:38:22Antonio Resio is getting a divorce.
00:38:24This one with the ad.
00:38:25Look, okay.
00:38:26I'll give you 10,000 euros.
00:38:27What?
00:38:28Tomorrow at 9 o'clock.
00:38:29I'll be waiting for you at home to shoot.
00:38:31It's not a script.
00:38:32You'll get it here.
00:38:33Yes.
00:38:34I'm also waiting.
00:38:35Come on.
00:38:36See you tomorrow.
00:38:37He's asking for money.
00:38:38Are you crazy?
00:38:39How are you going to pay him 10,000 euros?
00:38:40Easy.
00:38:41I won't give him a single euro.
00:38:42I have a brilliant plan.
00:38:43What?
00:38:44Morski Daro Resio will be on the cover of all world records.
00:38:47Where are you going?
00:38:48I made meatballs for the second.
00:38:50I'll call the media.
00:38:52What a hard man I fell.
00:38:54But I want meatballs.
00:38:56What a cook.
00:38:58Did you see how delicious dinner your father bought you?
00:39:00It's better not to ask where you got the money from.
00:39:02Milov, I became a private detective.
00:39:04I was involved in a very serious case.
00:39:05What are you talking about?
00:39:06And you left me a steak anyway.
00:39:08I thought you didn't want it because you don't eat.
00:39:10Well, yes, because I'm saving.
00:39:11Take the biggest one.
00:39:12I'll give you half.
00:39:13No, I want the whole thing.
00:39:14Amador.
00:39:15Milo, I understand that he's drunk and he left us a gift.
00:39:17I understand that he brought it to my house and you still want to steal it.
00:39:20Me?
00:39:21What are you talking about?
00:39:22But I don't want him to eat my steaks.
00:39:25And my potatoes too.
00:39:26Cook, cook.
00:39:29If I'm going to create problems, I'll take my suitcase and go to some hostel.
00:39:32Come on, do it.
00:39:33No, you're not going anywhere, Amador.
00:39:35Whether you like it or not, he's from our family.
00:39:37And he's in a difficult moment.
00:39:38And we shouldn't?
00:39:39And Amador is younger and needs him.
00:39:41He doesn't care about anything.
00:39:42Look at him.
00:39:43I don't care what you think.
00:39:44This house is mine.
00:39:45As long as they don't take it.
00:39:46When I tell Sergio to stay, he stays.
00:39:48To bring some euros instead of being lazy all day.
00:39:51He was on a meeting on an important project, right?
00:39:55Yes, talk slowly, but...
00:39:56To work on something else before I can do something or not.
00:39:59What are you talking about? You're a failure.
00:40:00You're a bitch.
00:40:01Grubian.
00:40:02Bitch.
00:40:03Prostak.
00:40:04Come on, what's for dessert?
00:40:05Prostak.
00:40:06Grubian.
00:40:07Grubian.
00:40:08Bitch.
00:40:09Cook.
00:40:10I'm exhausted.
00:40:11What?
00:40:12Did they push you a lot in the office?
00:40:14No, it's normal.
00:40:15But how, Mina?
00:40:16What are you doing?
00:40:17I'm working.
00:40:18What can I do?
00:40:19Be more specific, woman.
00:40:20Talk to your husband and share your experience.
00:40:22I'm exhausted.
00:40:23Okay.
00:40:24Where were you this afternoon?
00:40:25At the conference, right?
00:40:26I told you.
00:40:27And how, Mina?
00:40:28Full of boredom.
00:40:29But Ignacio wanted to go.
00:40:30Yes, yes, of course.
00:40:31The boss can't refuse.
00:40:32He's a good man.
00:40:33He's a good man.
00:40:34He's a good man.
00:40:35He's a good man.
00:40:36He's a good man.
00:40:37He's a good man.
00:40:38He's a good man.
00:40:39He's a good man.
00:40:40He's a good man.
00:40:41He's a good man.
00:40:42He's a good man.
00:40:43He's a good man.
00:40:44He's a good man.
00:40:45He's a good man.
00:40:46He's a good man.
00:40:47He's a good man.
00:40:48He's a good man.
00:40:49He's a good man.
00:40:50He's a good man.
00:40:51He's a good man.
00:40:52He's a good man.
00:40:53He's a good man.
00:40:54He's a good man.
00:40:55He's a good man.
00:40:56He's a good man.
00:40:57He's a good man.
00:40:58He's a good man.
00:40:59He's a good man.
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00:41:01He's a good man.
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00:42:19He's a good man.
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00:42:22He's a good man.
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00:42:24He's a good man.
00:42:25He's a good man.
00:42:26He's a good man.
00:42:27He's a good man.
00:42:28He's a good man.
00:42:29He's a good man.
00:42:30He's a good man.
00:42:31He's a good man.
00:42:32He's a good man.
00:42:33He's a good man.
00:42:34He's a good man.
00:42:35He's a good man.
00:42:36He's a good man.
00:42:37He's a good man.
00:42:38He's a good man.
00:42:39He's a good man.
00:42:40He's a good man.
00:42:41He's a good man.
00:42:42He's a good man.
00:42:43He's a good man.
00:42:44He's a good man.
00:42:45He's a good man.
00:42:46He's a good man.
00:42:47He's a good man.
00:42:48He's a good man.
00:42:49He's a good man.
00:42:50He's a good man.
00:42:51He's a good man.
00:42:52He's a good man.
00:42:53He's a good man.
00:42:55He's a good man.
00:43:00He's a good man.
00:43:03He's a good man.
00:43:11I am going to bed.
00:43:13I'm going to bed too.
00:43:15Good night.
00:43:19What are you doing?
00:43:20Sleep in your couch.
00:43:21We'll sleep there till morning.
00:43:23No, no, no, no don't bring me the dinner tonight.
00:43:27Ah, I could make you a lie.
00:43:28No, no, no.
00:43:29Now?
00:43:30No, I'm going to pass out.
00:43:31Come on, good night.
00:43:32Good night.
00:43:35Good night.
00:43:53We're in a meeting.
00:44:00We're in a meeting.
00:44:07Erika?
00:44:08Weren't you in a meeting?
00:44:14I was.
00:44:18Erika?
00:44:19Weren't you in a meeting?
00:44:21I was.
00:44:22It's not what it looks like.
00:44:39Good morning.
00:44:41Brother, the next time you're going to the bathroom, tell me to sleep on your bed.
00:44:46My neck is like a pigsty.
00:44:48Nina, these things just happen.
00:44:51How's Violeta?
00:44:52Very good.
00:44:53Great.
00:44:54Don't waste your time, even grab your gadget.
00:44:56What are you saying?
00:44:57Okay, bitch.
00:44:58Over my head, over my head.
00:44:59You're gonna die of laughter.
00:45:04One-on-one.
00:45:05What did you do?
00:45:07I offered you an exclusive deal, but ...
00:45:08You idiot! This is Kiselyaka's sister!
00:45:10Let's go.
00:45:15Oh, my God.
00:45:20You know where to put your dick.
00:45:22What? Kiselyaka's sister? What is she doing here?
00:45:24She quit psychiatry to sell in a fish store.
00:45:27Oh, I'm leaving.
00:45:29Hello, dear.
00:45:30Hello, Violeta. How are you?
00:45:32How are you?
00:45:33Look, Raquel, meet my gadget. Nice to meet you.
00:45:36Wait, gadget.
00:45:38Violeta, introduce him to your brother. You know how he'll be happy.
00:45:41Yes, that's right. Come on. He's a fish store salesman.
00:45:44But don't you clean up?
00:45:45No, no, no, I can't right now.
00:45:46I have a meeting with a producer for a project.
00:45:49I went out with a secret agent. He lives on the ground floor.
00:45:52I'll leave you. I'll be late.
00:45:54How can you leave me like this?
00:45:55I mean, I'm going out.
00:45:56Oh, I got scared. Will we see each other later?
00:45:58Violeta, in love, you shouldn't rush.
00:46:00If you rush, it's bad. Goodbye.
00:46:02Nico, you understand?
00:46:05That I love you very much.
00:46:07Isn't she sweet?
00:46:09Yes.
00:46:10I'm so happy that I'm going to fix my bed.
00:46:13Who is it?
00:46:14Who is it?
00:46:15It's me. Open the door.
00:46:17Order. Thank you. Bye.
00:46:19Why are you controlling her?
00:46:21You're controlling her.
00:46:25Ah, the suffering one.
00:46:26Raquel, are you here?
00:46:27Yes, Cinco, yes.
00:46:28But why are all men so boring?
00:46:31Look, the terminal on the wave. You're still alive.
00:46:34Raquel, I need your help.
00:46:35Again? This is already abuse.
00:46:40Lola is with someone, right?
00:46:42I knew it. There's another man.
00:46:44No.
00:46:45Another woman?
00:46:46It's too early to say.
00:46:48What?
00:46:49No.
00:46:50Look, there's no one you can't imagine.
00:46:52And if you want to know something about Lola, ask her.
00:46:55That's it.
00:46:56She doesn't tell me anything so she doesn't hurt me.
00:46:58But she hurts me more than she tells me.
00:47:00I look changed and I'm going crazy.
00:47:02I recognize and I know that something is happening.
00:47:04That's how she looked at me when she pulled my car out of the garage.
00:47:07What are you doing?
00:47:08She didn't bring me the snack.
00:47:10Is this a test for temperature?
00:47:12No, no, no. This is a digital thermometer.
00:47:14I'm not stupid. This is a test for temperature.
00:47:17And it's positive.
00:47:19Which one is temperature?
00:47:20This one.
00:47:21Well, yes. After so much bumping left and right, that's what happens.
00:47:26No, I don't want to talk about it. I'm really stressed. Really.
00:47:30And who is it from?
00:47:31What do you care? Come on, get out of here.
00:47:33It can be anyone.
00:47:34Very bad, isn't it? Or very good.
00:47:36The kids are very happy.
00:47:37I've always wanted to be a father.
00:47:39But because Lola didn't want to...
00:47:40Don't tell me about your life.
00:47:42Are you going to tell me about the father?
00:47:43If you know who he is?
00:47:44Do you call me a whore?
00:47:46No, not a whore.
00:47:49Unorientated.
00:47:51Why are you thinking?
00:47:52You're to blame for not cleaning.
00:47:54You're going to put that thing in your mouth.
00:47:56And what about the snack?
00:47:58But you're one too.
00:48:01Laker, laker, laker, laker, laker, laker, laker, laker, laker, laker, laker, laker.
00:48:08Come on, don't be like that.
00:48:09Let me get my sandwich.
00:48:10My car can't be eaten, man.
00:48:18Mother, please.
00:48:19Why don't you pay me in cash?
00:48:20We're going to have a nice dinner with sea grapes.
00:48:23Act. Get out.
00:48:24The apparatus, the apparatus.
00:48:25There he is.
00:48:28You're a tough man. You've rubbed your ass against it.
00:48:30I'm sorry, but I can't do it, Lenit.
00:48:32He's got himself tied up so we can get the insurance money.
00:48:34It's done. Catch them. The case is solved.
00:48:36But they're not doing anything. They're just standing on the street and talking.
00:48:38Team 2, go after the boss. We'll follow the smiley face. The end.
00:48:43No, I can't do it anymore. I'm switching to Team 1.
00:48:45But we'll be late.
00:48:46This camera is heavy.
00:48:47Give it to me.
00:48:48No, I want it in the car.
00:48:49Leo, you follow the boss. Be so good.
00:48:52But I don't want to be alone. It's boring.
00:48:54Go, bus driver. Come on.
00:49:00No, this man is not going to dress up. Don't you have something bigger?
00:49:11Bigger?
00:49:12Bigger.
00:49:13I'll pay you 10,000 euros.
00:49:14It doesn't matter. He's not going to dress up like Skarida.
00:49:16He's the king of Skarida.
00:49:17It doesn't matter if he's Skarida, Strida or Mida. I have dignity.
00:49:2120,000.
00:49:22Where do I change?
00:49:23Here, here, here. I've prepared your make-up like a star.
00:49:27Wow, it's so nice. Super vintage.
00:49:31If you take my caravan, I have a tour all over Spain.
00:49:34I'll be very happy.
00:49:36Yes, yes, of course. We'll see.
00:49:37I'm fascinated by your world, Antonio.
00:49:40I'm your chess. Here, take it. Study the scenario.
00:49:43All this?
00:49:44My memory doesn't collect so much. I'm a little borderline.
00:49:48But it's going to be great.
00:49:50Of course.
00:49:52How strange. He doesn't say anything. I don't understand him.
00:49:56They're already inside.
00:50:09What's going on, dear?
00:50:10Who are you?
00:50:11The one who's going to kiss you. Come on, lie down.
00:50:14Get out of here, devil. I'm a woman. You're disgusting.
00:50:17Get out!
00:50:19Mario, what's your girlfriend's name?
00:50:21I don't know who she is.
00:50:22Mario, how many spoons of garbage did they eat?
00:50:24What are you talking about?
00:50:25Get out, get out!
00:50:26Mario, will you still divorce your wife?
00:50:28What's the name of the new transvestite?
00:50:31Leave me alone.
00:50:32Mario?
00:50:33Mario?
00:50:34Leave me alone!
00:50:36Go after the girl! After her!
00:50:38Oh, my God, what's wrong with him?
00:50:41The campaign has already been launched.
00:50:43It's my fault, it's my fault, it's my fault.
00:50:45It's all my fault.
00:50:46That's why I'm praying to the Holy Mother of God, the Eternal Virgin.
00:50:49Turn off Channel 5.
00:50:50Antonio, I'm watching the meat.
00:50:52Why? It's the same thing over and over again.
00:50:54We just got these exclusive shots of Mario and Kirisou
00:50:58with an unknown woman having sex in a caravan like a campsite.
00:51:03I just don't understand. Why didn't I book a hotel?
00:51:05It's clear that the connection with Alaska is falling apart.
00:51:08For your confirmation, look at what kind of specimen he's mixed up with.
00:51:12But this is the hostess.
00:51:16Antonio?
00:51:17Don't cover yourself, stupid girl, or you'll be seen by the tennis court.
00:51:20I prefer to keep anonymity, okay?
00:51:23Can I ask you a question?
00:51:24Look, it's not a meter, it's more. Do you hear me?
00:51:26It's not a meter, it's more.
00:51:27But why don't you stop?
00:51:28Talk to them, pretend you're Omar.
00:51:30Antonio, what kind of circus did you organize?
00:51:32Well, I have some servants.
00:51:34God.
00:51:40Good evening.
00:51:41Good evening.
00:51:43I did a good job, didn't I, Mina?
00:51:46How can they respect your personal life?
00:51:48You should have said,
00:51:49the Marine Corps is sponsoring these horns.
00:51:51Yeah, to look like a kid.
00:51:52But it's better to speculate.
00:51:53I'll win more money.
00:51:55What money?
00:51:56You should have advertised my cards.
00:51:58No, I gave them the gold bar and I'll take whatever I can get.
00:52:01Antonio, don't complicate things.
00:52:02Apologize to Yao Lin.
00:52:04Enough with this Chinese.
00:52:05Yes, tell me.
00:52:08Protect yourself from the saved.
00:52:10Yes, yes, I'm Mario's lover.
00:52:12Tell me.
00:52:14It depends on how much you pay.
00:52:17Yes, yes, yes.
00:52:18I'm coming, of course.
00:52:19Yes.
00:52:24Did you see that, dear?
00:52:26How can I disappoint you with such a disgusting woman?
00:52:28Please.
00:52:29There are more paparazzi than there are workers against the royal set.
00:52:33It's my fault, dear.
00:52:34I'm so good that I'm becoming stupid.
00:52:36I saw this man and I feel sorry for him.
00:52:38He was wearing a vest, like he was coming out of a fairy tale.
00:52:41Let him come out, long-haired, his gadget is here.
00:52:44Do you know what kind of a mess he's in, you bastard?
00:52:46What are you, the press?
00:52:48Mario, dear, they got mad at the saved.
00:52:50We need to clarify the scenario.
00:52:51We met at the Civil Panair,
00:52:53and since we were gadgets as kids,
00:52:55we discovered each other,
00:52:56we drank together, and we got drunk.
00:52:58That's it.
00:52:59Why are you so upset?
00:53:01The periphery, Mario, is very expensive.
00:53:04Come on, get out and say that you're very in love.
00:53:06Put these sneakers on, sea gift, heresy.
00:53:08Shut up.
00:53:09Come on, I'll take you out through the garage,
00:53:11I'll hide you in the trunk.
00:53:12I can't take off these tight pants.
00:53:14Paparazzi!
00:53:16I'll go out through the garage.
00:53:18Shut up, asshole.
00:53:19Shut up, shut up.
00:53:20Sea gift, heresy, sponsor these horns.
00:53:23Antonio, if you mess up in someone's house,
00:53:25you'll sue us.
00:53:26He's scaring me a lot.
00:53:27He doesn't need us anymore.
00:53:28We have our own reputation.
00:53:29Nines is the new Belen Esteban.
00:53:32That's right, that's right.
00:53:33I'm sorry, but I want to release my own decolon
00:53:35or a set of gypsies.
00:53:37I nominate you for sea gift, heresy,
00:53:38in the name of the father and the son.
00:53:40Wait, wait.
00:53:41First we have to talk about the horns.
00:53:42Depends on the rating.
00:53:43Berta, take out the sewing machine,
00:53:44you'll go with Pasime, dressed like Mida.
00:53:47Please.
00:53:48If I'm going to be on TV, I want to be pretty.
00:53:50You'll be pretty, because you're ugly.
00:53:51And you're stupid, you'll lose your reputation.
00:53:53Hey, come here.
00:53:54You're a sea gift, heresy, you owe me a favor.
00:53:56Gypsies.
00:53:57I give him a bet.
00:53:58Amida, how dare you trust that whore?
00:54:01Now, what am I going to do?
00:54:02Forget about the damn commercial.
00:54:04It's best to...
00:54:05If you mention the Chinese again,
00:54:06I'm going to look for a divorce.
00:54:07Okay, I'm begging you.
00:54:09But in the end, you're going to be worse than Persebes.
00:54:12Nothing happens as it should.
00:54:18Okay, what's going on here?
00:54:19What's going on here?
00:54:20What's going on here?
00:54:21What's going on here?
00:54:22Amador Rivaslov, detective, you're under arrest.
00:54:23I'm going to take a picture of you, register you.
00:54:33It's delicious.
00:54:35Amador, I saw you.
00:54:36What did you see?
00:54:37I didn't do anything.
00:54:38Comrade.
00:54:39How is it?
00:54:40Any news?
00:54:41No.
00:54:42Your wife is still in the nest.
00:54:43She's been with the boss for two hours.
00:54:44She's been hanging around everywhere.
00:54:46What are you talking about, Amador?
00:54:47Nothing, we're just waiting.
00:54:49Team One, Team Two, over.
00:54:52Leo, where are you?
00:54:53Me?
00:54:54With the boss.
00:54:55What do you mean, with the boss?
00:54:56The boss is the judge.
00:54:57He's healthy.
00:54:58No, he's not.
00:55:00He's not.
00:55:01He's in physiotherapy.
00:55:02Can I go now?
00:55:05What the hell?
00:55:06He's connected to the Jews' iniquity again.
00:55:08Or is that it?
00:55:09Or is she with someone else?
00:55:10How cunning.
00:55:11He's using the boss to confuse us.
00:55:13Maxi, what's going on?
00:55:14Maxi?
00:55:15Comrade, we think there may be another man.
00:55:17Except for the one mentioned above.
00:55:19With two of them?
00:55:20No.
00:55:21I want to say that the boss is innocent.
00:55:23But then who is he with?
00:55:24Get out, get out.
00:55:25The camera, the camera.
00:55:26Where's my camera?
00:55:27It's at the door.
00:55:28It's at the door.
00:55:34I've got you now.
00:55:35I've got you now, fox.
00:55:36Maxi, answer me.
00:55:37Do you see them?
00:55:38Yes, yes.
00:55:39We have visual contact.
00:55:40I'm sorry, comrade.
00:55:41The suspicion is confirmed.
00:55:43But who is the man?
00:55:45It's better to see the pictures.
00:55:46The image is more valuable than thousands of words.
00:55:50Done.
00:55:54Violeta, I want to go alone.
00:55:56I think about my work.
00:55:58Don't you want to be my friend?
00:56:00Yes, I do.
00:56:02Once I had a friend, but he killed himself.
00:56:05He was crazy.
00:56:06We're all a little crazy.
00:56:08Yes.
00:56:09Come on, you're late.
00:56:13Mother, what a family.
00:56:15Kids, can we talk?
00:56:17I'm very angry.
00:56:18Have I told you my life?
00:56:19Sergio made me the Cobra's number.
00:56:21I tried to kiss him a few times, but he avoided me.
00:56:24I think he doesn't like me.
00:56:26You'll tell me another time.
00:56:28You tried to kiss my gadget.
00:56:30What?
00:56:31No, that's another Sergio.
00:56:32Oh, no, it's the same one.
00:56:33What kind of nonsense is this?
00:56:35We had a fight.
00:56:36Violeta!
00:56:37Did you see what happened?
00:56:38Violeta, stop!
00:56:39Did you give her the cookie?
00:56:41He wants to take my gadget.
00:56:43What gadget?
00:56:44It's called Sergio.
00:56:45We had a fight last night.
00:56:46Oh my God.
00:56:47Who is Sergio?
00:56:48Dr. Ventura?
00:56:49Why are you protecting her?
00:56:50Not the nurse herself.
00:56:51The traditional nurse.
00:56:52Antonio has to tie her hands.
00:56:54The cookie.
00:56:55Your nurse.
00:56:57I'm going to report this bastard.
00:56:58You take her to the pharmacy to give her a pill for the after-effects.
00:57:01I don't want any more pills.
00:57:03Violeta, behave yourself.
00:57:04I'll get you an epilator.
00:57:06No, no, no, don't get me an epilator.
00:57:10Mother, mother, listen to me.
00:57:12I swear I didn't sleep with Violeta.
00:57:14She said you slept with her last night.
00:57:16Wasn't that bad?
00:57:17Think about it.
00:57:18She's crazy.
00:57:19How can she sleep with the nurse?
00:57:21Please.
00:57:22Sergio, if you don't like her, tell me.
00:57:24But don't play with me.
00:57:25Because you take the suitcase and you go upstairs.
00:57:34Are things clearer now?
00:57:35A little clearer, yes.
00:57:40Mom.
00:57:41Stay where you are.
00:57:43Sorry about the door.
00:57:45I'll open it, I'll open it.
00:57:49What?
00:57:50Do I like him or not?
00:57:51The mustard girl thinks you're slowing him down.
00:57:53Get in.
00:57:55Sergio Arias, you broke up with my sister.
00:57:58What humiliation.
00:57:59I repeat, I'm Naresio Matamoros.
00:58:02Antonio, I'm sorry.
00:58:03It was a mistake.
00:58:04It's definitely a mistake, yes.
00:58:05You raped an innocent woman.
00:58:07Despite that, the mustard girl didn't know what penis was.
00:58:10She was doing very well.
00:58:11I'm going to the police.
00:58:12You'll regret it.
00:58:13No, no, Antonio, wait.
00:58:14I don't want a scandal.
00:58:15Come on, let's talk.
00:58:16Okay, let's talk.
00:58:17Because you're going to be a candy in prison.
00:58:19Look, I only have two ways to sort this out.
00:58:21The first is to marry my sister.
00:58:24Let's hear the second one.
00:58:25To participate in the advertisement for Morski Daro Eresio.
00:58:28Well, I'm the main character.
00:58:29And you're going to be the celebrity who's going to seduce the housewives.
00:58:33No, I'm sorry.
00:58:34I play in TV shows.
00:58:35I don't participate in commercials.
00:58:36What?
00:58:37You advertised sour milk for Akane?
00:58:38Come on, it wasn't for nothing.
00:58:39And to make my career a little better.
00:58:41Coronado won the Goya Award.
00:58:43I don't agree.
00:58:44The title of the commercial is prostitution.
00:58:46Okay, okay.
00:58:47What are you doing?
00:58:48Is it the police?
00:58:49A neighbor raped my sister.
00:58:51Okay, okay, okay.
00:58:52I'll make the commercial for you.
00:58:53Shut up, please.
00:58:54We're shooting today after lunch, so learn the song.
00:58:57What song?
00:59:03I'm going to rework the script.
00:59:05Antonio!
00:59:06How much are you going to pay me?
00:59:07Me?
00:59:08Nothing.
00:59:09You're going to shoot for free.
00:59:10I can't afford to ruin your career.
00:59:11These actors...
00:59:14I don't know.
00:59:23Moots, he kissed me!
00:59:24Who?
00:59:25Sergio, I'm fainting!
00:59:27Me, too!
00:59:28But he just kissed you.
00:59:29He was calling the Cobra.
00:59:31And the Cobra, too.
00:59:32It let a tongue of its own.
00:59:35I told him, I'd throw him out
00:59:37and he couldn't keep his feelings to me.
00:59:40Know it, Moots!
00:59:41Know it!
00:59:42You know, he saved Violetta last night.
00:59:44It's wonderful, the love of 40!
00:59:46To find your number on the last day of the sale!
00:59:50I wouldn't make an illusion.
00:59:52Sergio is a man from when no healthy woman would expect anything serious.
00:59:56Why not?
00:59:58Not a blessing, no.
01:00:00And as it goes after you, it can go after another.
01:00:03Yes, but go, I have no faith, I have to be careful.
01:00:06Eh, you can go, or anything else.
01:00:09You're such a good friend, how do you want to protect me?
01:00:12Yes, yes, yes, I'll do what I can.
01:00:14Well, and after the good news, I'm arranging my life.
01:00:17To get me an apartment, to get me everything.
01:00:20I'm not stupid, I'm in love!
01:00:23Look, this guy is a complete idiot!
01:00:34But this man is old.
01:00:36He has a borderline gerontophilia.
01:00:38And he's getting older.
01:00:40He was watching me at the meeting!
01:00:42The girl obviously has trauma from her childhood.
01:00:44She's looking for a father.
01:00:46And now she found one, old man.
01:00:48Comrade, do you want something hard?
01:00:50The establishment is suffering.
01:00:51No, no, I'm good.
01:00:53I'm good!
01:00:54Pay, my friend, pay!
01:00:56So, two days for 300 euros, plus expenses, 740 euros in black.
01:01:01If you want the invoice, I'll give you 90, 21 percent.
01:01:05But wait, the client is suffering.
01:01:07We made a step back.
01:01:08In a nutshell, it was good while it lasted.
01:01:11My magical fairy tale fell apart.
01:01:13How? Are you giving up?
01:01:15Maxi, she's different.
01:01:16The end.
01:01:17I fell in love again.
01:01:19What are you, a thief or a scoundrel?
01:01:21Go beat the old man, he doesn't need much.
01:01:23Don't let him go, man.
01:01:24He's old enough to fight for masks.
01:01:26Hey!
01:01:27You're supposed to watch TV at home, like me, in peace.
01:01:31Yes.
01:01:32Maybe I should give up the absurd fight with time.
01:01:35How are you going to fight for this girl?
01:01:37Of course you're going to be surprised with your brother, Pete.
01:01:39She's going to hit you with some old man.
01:01:41Well, yeah.
01:01:42Give her a straw.
01:01:43You can't give up on such a woman.
01:01:45You'll regret it for the rest of your life, Eric.
01:01:47Maxi, I'm not going to give her back to you like this.
01:01:50I could, because I'm in great shape, but...
01:01:53Calm down.
01:01:54We'll scare him.
01:01:55How are you going to scare him?
01:01:56We're going to crush him.
01:01:57We have a few rates.
01:01:59A standard slavish scare.
01:02:01A scare with a splash on the door.
01:02:03200 euros, plus 20 for the splash.
01:02:04For another 50, I'll write it down for you in 3D.
01:02:06I'm counting on you.
01:02:07Nice job.
01:02:08Did you become a fighter now?
01:02:09Yeah, we do whatever we have to.
01:02:10I'm a boxing champion.
01:02:11No, no, no.
01:02:12I'm not like that.
01:02:13Like Martin Luther King said,
01:02:15it's better to lose honor than to lose your conscience.
01:02:19I'm going to...
01:02:21I don't know.
01:02:25But he's not paying me.
01:02:26Leave him.
01:02:27He needs to learn his lesson.
01:02:29He'll come back.
01:02:30North.
01:02:32This is the ship of the sea gifts, Ressio.
01:02:34Catch the fresh squirrels.
01:02:36Squirrel, squirrel, left on board.
01:02:38Yes, Captain Ressio.
01:02:39Left, fool.
01:02:41I have to run.
01:02:42My life is in danger.
01:02:43Stop.
01:02:46What are you doing with your hands?
01:02:48Are you a squirrel or something else?
01:02:50I don't know how the squirrels swim.
01:02:52What a shame.
01:02:53You didn't prepare your role.
01:02:54They swim with their heads, right?
01:02:55Come on, let's do it again.
01:02:56Double 17, camera.
01:02:58Boys, camera, I said.
01:03:00Yes, sir.
01:03:01This is the end of my career.
01:03:03Antonio, the squirrels hurt me.
01:03:05Turn off all the music.
01:03:06Three, camera.
01:03:08Something's wrong with me right now.
01:03:10How are we going to put such a big squirrel in the ship?
01:03:13Koke, look ahead.
01:03:15Don't you dare go to the northern edge of the coast.
01:03:17Antonio, I'm getting sick of the squirrel
01:03:19and I'm losing my desire to eat it.
01:03:21What are you doing now?
01:03:22The squirrels are running to save their lives.
01:03:24People will hate you.
01:03:26But Captain Peskanova, everyone loved her.
01:03:29The squirrel was already a piece of meat.
01:03:31They didn't feed her.
01:03:32Let's change the scenario.
01:03:33You see a cow on the sea and you jump in.
01:03:37You're very happy.
01:03:38How can I be happy that they're grabbing me?
01:03:40You'll see the world like the little mermaid.
01:03:42But then I'll die.
01:03:43And Rodolfo Langostino also said,
01:03:44take me and the candy Kongitos.
01:03:46They were good.
01:03:47Dressed in chocolate.
01:03:49Kongitos.
01:03:50They accepted to die of terrible nausea and exhaustion.
01:03:53I can't do it.
01:03:54I can't be seen in the role.
01:03:55Mother.
01:03:56What's my motivation?
01:03:57What does the squirrel want?
01:03:58The squirrel doesn't want anything.
01:03:59She's hand-shaped brainless.
01:04:00Say it after the stupid sentence.
01:04:02You're not going to change the scenario?
01:04:04No, I'm not going to change anything.
01:04:06Who doesn't like to change the channel?
01:04:08Three, camera.
01:04:09One moment, Vanessa called me.
01:04:11Sergio, can we talk for a moment?
01:04:13Yes, yes, I want to talk too.
01:04:15What do you think the squirrel wants from life?
01:04:17Please.
01:04:18I'm not focused on this role.
01:04:19You're not focused on anything.
01:04:22Why did you kiss your mother?
01:04:23She was going to throw me out of the house.
01:04:25You're jealous.
01:04:27No, no, I'm not jealous.
01:04:28You're complicating things.
01:04:30It will be even more complicated if you don't want to be with me.
01:04:32What?
01:04:33Yes, yes, yes, the mother will suffer for nothing.
01:04:35But if we say we're together, she'll come to live with you and ...
01:04:37I don't want to be with you.
01:04:38How do I tell him to get into your head?
01:04:41Take off the egg.
01:04:42What?
01:04:43The squirrel behaves like all animals.
01:04:46You're very bad with your head.
01:04:48Are we shooting or what?
01:04:49Yes, yes, yes, I've already found the character.
01:04:51Thank you, dear.
01:04:53Let's change the script.
01:04:54The squirrel wants to take off the egg.
01:04:56Come on.
01:04:57Do we need a squirrel?
01:04:58I'm exhausted.
01:04:59How did they shoot Titanic?
01:05:11We're in the morning at the wedding.
01:05:13Just a second, I'm sitting.
01:05:15Patient.
01:05:16Oh, I'll finish now.
01:05:18Prepare the dinner.
01:05:21Look, she's running like a dog.
01:05:23And even older than you.
01:05:25I burned the sausage.
01:05:26Calm down, Enrique.
01:05:27You'll die alone.
01:05:28Your next failure, and there will be more.
01:05:31No, I love her.
01:05:33We're lovers.
01:05:35Look at him with flowers.
01:05:51Tell me, comrade.
01:05:53Just scare him a little, but without violence.
01:05:56Okay, standard Slavic threat.
01:05:58Do you want to see him on the spot?
01:06:00No, no.
01:06:01You'll tell me later.
01:06:02Do you assume the right move to save your marriage?
01:06:05I don't know, Max.
01:06:06I don't know.
01:06:07For the next corners, we'll make you 20% off.
01:06:10Thank you very much.
01:06:11I appreciate the gesture.
01:06:13Did I wake you up, dear?
01:06:16My darling.
01:06:20Terrible.
01:06:21We're in Telecinco.
01:06:23What's this notebook for?
01:06:24For the autographs.
01:06:25Maybe we'll see someone.
01:06:26How high are you?
01:06:27We're the clients here.
01:06:28We owe you a favor.
01:06:29Oh, dear.
01:06:30This one looks like a dog.
01:06:32Good afternoon.
01:06:33I'm Antonio Rezio.
01:06:34How can I help you?
01:06:35I'm here to see a doctor.
01:06:36I'm here to see a doctor.
01:06:37I'm here to see a doctor.
01:06:38I'm here to see a doctor.
01:06:39I'm here to see a doctor.
01:06:40I'm here to see a doctor.
01:06:41I'm here to see a doctor.
01:06:42I'm Antonio Rezio.
01:06:43I'm a fish merchant.
01:06:44I offer you exclusive rights to the new
01:06:46Maritime Gift Rezio campaign.
01:06:48The moment will ring in the trading department.
01:06:50See how they're smearing me?
01:06:52Can I join the Survivor?
01:06:54What?
01:06:55The trip is free.
01:06:56How will you survive in the jungle without marijuana?
01:06:58It's full of flies.
01:06:59Someone can still smoke.
01:07:01How will you light a match?
01:07:02I'll stick a match in the plane.
01:07:04Can you thunder from the camp like the Anna Obregon girls?
01:07:06No, and I'll throw it in the jungle.
01:07:08What a swindler.
01:07:09In that case, I'm out.
01:07:11Damn, what are you doing here?
01:07:13I was sitting with the Survivor interlocutors,
01:07:15but Alaska got mad and said I said everything.
01:07:18They kicked me out.
01:07:19They don't have any business.
01:07:20You're out because you're a traitor.
01:07:22You lost your chance to become the new Princess of the People.
01:07:25Not yet.
01:07:26I'm going to Antenna 3 to see if she'll pass.
01:07:29She's very pretty.
01:07:30Remind me of Sara Carbonero.
01:07:33On Tuesday, they'll give me another tooth implant.
01:07:37Go ahead.
01:07:39Nice to meet you, I'm Mario Jimenez, Marketing Director.
01:07:41Antonio Resio, Merchant of unclean fish.
01:07:43And this is...
01:07:44This is Koki, my personal assistant.
01:07:48Clemente.
01:07:49No, no, Koki.
01:07:52Would you like something to drink?
01:07:53A coffee with a biscuit.
01:07:56The same for me.
01:07:57And one orange juice.
01:07:59Two, with sugar.
01:08:00And some nuts.
01:08:03So, tell me, what are your ideas for your campaign?
01:08:06Promoting by all rules.
01:08:09My commercial features an international star.
01:08:11Sergio Arias.
01:08:13Who?
01:08:14Sergio Arias, Dr. Ventura.
01:08:16Ah, yes, yes, yes, yes.
01:08:19Uh, yes.
01:08:20George Clooney was going to participate, but we couldn't find his phone number.
01:08:23Shut up, man!
01:08:24In what category do you want to be featured?
01:08:26In all of them.
01:08:27I want to be featured in all of Anna Ross' shows, Big Brother...
01:08:31Say the word.
01:08:32Women and men, and vice versa.
01:08:34How long do you want me to be featured?
01:08:36All the time?
01:08:37One week.
01:08:38No, no, no.
01:08:39One month.
01:08:40I want people to be fed up with the ads on the streets.
01:08:42The Viennese carousel.
01:08:44Then it will be a standard spot in every hour range for four weeks.
01:08:49The engine...
01:08:50Will you shut up?
01:08:51Come on, Koki.
01:08:52How much will it cost?
01:08:53I won't wait all day.
01:08:542,133,000.
01:08:55Not 50,000.
01:08:56Tell me in euros.
01:08:57I'm telling you in euros.
01:09:01Don't be so stingy.
01:09:032,000,000 euros?
01:09:05This is a 60-second ad.
01:09:0860?
01:09:09No, this is a 20-second ad.
01:09:11You're talking about an ad for a TV show.
01:09:142,000,000 euros.
01:09:15Not everyone in the world can afford it.
01:09:17Cheaters!
01:09:18Excuse me, these are standard rates.
01:09:20Koki, let's go.
01:09:21Now?
01:09:22Now.
01:09:23I'm going to be featured on Spanish TV.
01:09:25They don't broadcast ads anymore.
01:09:26My father will.
01:09:27He'll call the king.
01:09:28He's my best client.
01:09:29And he'll get things moving.
01:09:30And you met a VIP client.
01:09:32Very important fish seller.
01:09:412,000,000 euros a month for an ad.
01:09:44What if it's a crisis?
01:09:45It's tough.
01:09:46Belen and Stepan are expensive.
01:09:48But they'll broadcast the ad for free.
01:09:50Free?
01:09:51I have a brilliant plan.
01:09:52We'll hack Telesinco's signal.
01:09:54And how will we do it?
01:09:55With an antenna.
01:09:56We'll set up a transmitter with national coverage.
01:09:59No, no.
01:10:00It's too complicated.
01:10:01The aliens and the boys made it with radio and chadar.
01:10:03The signal would reach other planets.
01:10:05The aliens were smart.
01:10:07Are you saying a terrible Martian is smarter than me?
01:10:10Look, isn't it easier to get caught in the news?
01:10:13They're alive.
01:10:14Shut up!
01:10:15We'll take over the news.
01:10:18No, no.
01:10:19I don't want to get mixed up.
01:10:20I'm cleaning up.
01:10:21I'm not clean.
01:10:22All right, all right.
01:10:23I don't need you.
01:10:28In the end, I'll leave without an autograph from anyone.
01:10:31Excuse me.
01:10:32Maria Teresa Campus.
01:10:33In how many hours will you...
01:10:39I see, I see.
01:10:40Are we going to the shipyard?
01:10:42Let's play something boring.
01:10:44He's too busy.
01:10:45Isn't there a deal where he plays dominoes or five?
01:10:48I'll cut him one so he doesn't waste our time.
01:10:50Doro, let's be professional.
01:10:51Your client wants a standard Slavic dress.
01:10:53Can't I wash it on the door with the company's label?
01:10:55Be careful with the dirt.
01:10:56They have a lot of free time.
01:10:57They can know who's who.
01:10:58There he is, there he is, there he is.
01:11:00Let's go.
01:11:01I'm so nervous.
01:11:02I'm getting adrenaline rushes.
01:11:03I'm sick of this.
01:11:04Your head is big.
01:11:10Easy.
01:11:11Be careful.
01:11:12I can't see anything with this.
01:11:13We'll take him out.
01:11:18The old man is running so fast.
01:11:20Why is he so obsessed with sports?
01:11:22Come on, get out of here.
01:11:26We lost one lion.
01:11:28The mission is in first place.
01:11:35Hello, Mr. Delphine.
01:11:36Hello, Cokie.
01:11:37You have shadows under your eyes.
01:11:39I had a very bad night's sleep.
01:11:40I see, you've been swimming all night.
01:11:42Your soul has cooled off.
01:11:44Isn't that right?
01:11:45No, no.
01:11:46Everything says it's cooling off.
01:11:48What?
01:11:49Cokie.
01:11:50My wife surprises me.
01:11:52That's obvious, isn't it, Elispeak?
01:11:54No, Araceli.
01:11:55Judith.
01:11:56She's an Elispeak, too.
01:11:57We're bad luck.
01:11:58I'm surprised by another man.
01:12:00You have to talk to her.
01:12:02She thinks she's Pechele Abasa.
01:12:03We've been married for only six months.
01:12:05There was no time to even lose the magic.
01:12:07The girl is young.
01:12:08She must have found someone of her age.
01:12:11No, no.
01:12:12The lover is older than me.
01:12:13Older?
01:12:14Yes.
01:12:15As incredible as you are, there are older people in the world than me.
01:12:18I don't understand him.
01:12:20What does this man give her?
01:12:21How do I know?
01:12:22Is he going to be a prostitute?
01:12:23For God's sake, Judith.
01:12:24She's a psychologist.
01:12:25She used to work at Mercadona.
01:12:26I got her to stop cars on the highway.
01:12:29Okay, whatever.
01:12:30I've already taken matters into my own hands.
01:12:32I told Max and the boys to think about one thing.
01:12:34Scare her.
01:12:35Judith?
01:12:36The old woman.
01:12:37To leave her alone.
01:12:38Dano won't get a heart attack.
01:12:39The fear is harmful to the heart.
01:12:40Don't wait for them to scare him, but tell him to be careful.
01:12:43And what's the man's fault?
01:12:45He may be conscious and not even know he's married.
01:12:48I don't have the honor to meet him.
01:12:49He may be a wonderful man.
01:12:50But the fact is that he sleeps with my wife.
01:12:52I don't know.
01:12:53You're in control of the conversation, and you come up with such things.
01:12:56I know.
01:12:57Jealousy blinds me.
01:12:58I'm not myself.
01:12:59They don't think clearly.
01:13:01After all, a man regrets these jobs.
01:13:11Lele, how's the old man?
01:13:13He's probably injecting himself with something.
01:13:14Call him out.
01:13:15Come on, I'll run away.
01:13:16What should I tell him?
01:13:17What do you mean?
01:13:18Stop!
01:13:19Excuse me, sir.
01:13:21What?
01:13:22Come on!
01:13:23What are you doing?
01:13:24What are you doing?
01:13:25Let me go!
01:13:26Please!
01:13:27Help!
01:13:28What?
01:13:29We are dangerous mercenaries.
01:13:30I don't have money.
01:13:31I only have two euros for a watch.
01:13:33Take the watch.
01:13:34Rolex, give it to me.
01:13:35When you look at us, we look like rats.
01:13:38I don't know.
01:13:39I don't see your faces.
01:13:40Listen, if you want us to leave you alone, you know what to do.
01:13:43What?
01:13:44Don't tell him anything.
01:13:45Don't mention my name again.
01:13:46Stop seeing your lover.
01:13:48What lover?
01:13:49What lover?
01:13:50So you have a lover?
01:13:51Look at him.
01:13:52He's fighting for a lover.
01:13:53Wait a minute.
01:13:54The client is calling you.
01:13:55Listen, go to hell.
01:13:57What?
01:13:58I'm going to kill him.
01:13:59He's playing with me.
01:14:00Sir.
01:14:01Maxi, don't do anything.
01:14:03What?
01:14:04Wait, I can't hear you.
01:14:05What's going on?
01:14:06I'm going to run away.
01:14:07I'm going to run away.
01:14:08I'm going to run away.
01:14:09Hey, you.
01:14:10Hey, you.
01:14:11Come here.
01:14:12Maxi.
01:14:13Maxi, are you there?
01:14:14Yes, tell me.
01:14:15Forget the contract.
01:14:16I don't want you to do anything to this man.
01:14:17All right, all right.
01:14:18Calm down.
01:14:19Boys, the mission is over.
01:14:21Let's run.
01:14:22Let's run.
01:14:23Big deal with the old people.
01:14:24They don't look like they're crossing.
01:14:26And now a live broadcast from the Moncloa Palace,
01:14:29where Prime Minister Mariano Rejoi
01:14:31meets Angela Merkel and François Hollande.
01:14:34Please, attention.
01:14:36We're on air in three, two, one.
01:14:39Nobody move.
01:14:41I'm taking control of this room.
01:14:42Hey, what are you doing on air?
01:14:44Drop the gun.
01:14:46Drop this record.
01:14:47I want the whole of Spain to see it live.
01:14:49Are you crazy?
01:14:50We're broadcasting news right now.
01:14:51That's exactly why.
01:14:52Hurry up.
01:14:53They're going to fire me.
01:14:54I'm going to drop the gun.
01:14:55All right, all right.
01:14:56Calm down.
01:14:57Advertisement of sea gifts.
01:14:59How can a man fall so low?
01:15:01No way.
01:15:02That's how they give you things on TV.
01:15:04Dressed like Scarida, mother.
01:15:06You're good in whatever you dress.
01:15:08It's going to be the simplest advertisement.
01:15:09I cried from the acid of milk with fibers.
01:15:11She was right.
01:15:12She was worthy of Scorsese.
01:15:13Can they afford such a simple thing on TV?
01:15:18Of course.
01:15:19Maybe it's so bad that they're ashamed to release it.
01:15:22Sea gifts, Ressio.
01:15:23Only the freshest fish.
01:15:26You have to take your eggs off.
01:15:29Kormchija, Scarida, left on board.
01:15:31Yes, Captain Ressio.
01:15:33Left, you fool.
01:15:35I have to run.
01:15:36You have to protect your eggs.
01:15:38Fresh Scarida, get on board.
01:15:40Get on board.
01:15:41The rest of you, get on board.
01:15:43Yes, yes.
01:15:45Did they let me go?
01:15:50This is the end of my career.
01:15:52Don't worry, dear.
01:15:53Other things in life are good for you.
01:15:59Maxi, for God's sake.
01:16:00You just had to scare him.
01:16:01He's scared enough now.
01:16:03At least he's alive, isn't he?
01:16:04I think he's breathing.
01:16:05So, you owe us 832 euros.
01:16:08You can pay me in cash or cash.
01:16:10Whatever suits you.
01:16:11He's not going to stop because of you.
01:16:13A man can die.
01:16:15It's his fault he didn't take care of himself.
01:16:16He's crazy.
01:16:17Because he's fighting with his wife.
01:16:18I don't know if I can live with this.
01:16:20You can, man.
01:16:22Eric, I'm going to the hospital.
01:16:23What's wrong?
01:16:24Is there a problem?
01:16:25A car hit my psychologist.
01:16:27Oh, my mother.
01:16:28Who?
01:16:29Gerardo.
01:16:30He went to school with my father.
01:16:31I've known him since I was little.
01:16:33Since when have you been going to the psychologist?
01:16:35Since we got married.
01:16:37I...
01:16:38I didn't want to tell you because...
01:16:40It's something personal.
01:16:41You have to tell me.
01:16:42These things are my love.
01:16:43Otherwise, it could be a misunderstanding.
01:16:45What misunderstanding?
01:16:47Imagine you're seen with him on the street
01:16:49and they think you have a relationship or...
01:16:51Who would think such nonsense?
01:16:53He could be my grandfather.
01:16:55Well, yes.
01:16:56Only an idiot would think so.
01:16:58And...
01:16:59How's the old man?
01:17:02Bad.
01:17:03He needs surgery.
01:17:04He's in a hurry.
01:17:05The asphalt jungle is a trap for pedestrians.
01:17:08What jungle?
01:17:10He's running from some attackers.
01:17:12There are witnesses.
01:17:14Why are there witnesses?
01:17:16Maybe they can catch them.
01:17:17I don't know.
01:17:18This is important.
01:17:19You have to understand.
01:17:22Will you come with me to the hospital?
01:17:24Yes, yes.
01:17:25You drive the car.
01:17:26I'll be right there.
01:17:27Mom?
01:17:28Yes, I just learned.
01:17:29I'll see you at the hospital.
01:17:31Don't cry.
01:17:32He'll get better.
01:17:36Hey!
01:17:37We're closing the case.
01:17:39Come on!
01:17:40Let's celebrate it with a beer!
01:17:42Bertha!
01:17:43I managed to hack the signal of...
01:17:52Oh, shit.
01:17:53I'm sick.
01:17:54Let me go!
01:17:55Puppets of the government!
01:17:56I have permission from the king!
01:17:58I'm like James Bond.
01:17:59I have permission to break the law!
01:18:01Get in the car.
01:18:02Bertha, I recorded everything on my cell phone.
01:18:04I don't know how to do that.
01:18:06You're so clumsy.
01:18:08My menu.
01:18:10Camera.
01:18:11It doesn't make sense.
01:18:12What should I do to get rid of Simon?
01:18:14No, he's a criminal.
01:18:15I want the lawyer of Ruiz Mateos.
01:18:17He's very busy.
01:18:18Will you talk to him later?
01:18:20You don't know who you're talking to.
01:18:21I'm the future prime minister.
01:18:24Remember your face.
01:18:25You'll retire as a passer-by, Fleroy Merlin.
01:18:29I don't know what to do with this man.
01:18:31He was born to fight.
01:18:32He should've stayed with Ilario.
01:18:34The one with the cement.
01:18:35Or with me.
01:18:37Kokie!
01:18:38No, no.
01:18:39Not now.
01:18:40He's not like that.
01:18:49It's been a long day.
01:18:53How can your life change in a blink of an eye?
01:18:56Yesterday I was at Gerardo's therapy.
01:18:58He looked so happy.
01:19:00He was getting ready for the New Year's marathon.
01:19:03And all of a sudden he's between life and death
01:19:05in a cold operating room.
01:19:07Yes.
01:19:09We're in the morning.
01:19:10We need to talk.
01:19:11Eric, I went to the psychologist
01:19:12because it made me feel calm.
01:19:14There's nothing in common with you.
01:19:15Don't start with the nonsense.
01:19:17No, no, no.
01:19:18It's not that.
01:19:20I did something terrible.
01:19:26Mom, mom.
01:19:27How did the surgery go?
01:19:28How is he?
01:19:36He's fine.
01:19:38He'll get better.
01:19:39And why are you crying?
01:19:41Yes.
01:19:42Mom, kiss him from me.
01:19:44Tell him I'll go see him tomorrow.
01:19:47It's terrible.
01:19:48We're in the morning.
01:19:49How nice.
01:19:50I'm so happy for you.
01:19:51And for yourself.
01:19:52And for everyone.
01:19:54What were you going to tell me?
01:19:56You said you did something terrible.
01:19:57What did you do?
01:19:58No, just...
01:20:01I asked for a hair transplant offer.
01:20:04Is that so?
01:20:06Good.
01:20:07What do you mean, good?
01:20:08Come on.
01:20:09I'm going to cut my hair.
01:20:10Wait until you're born,
01:20:11because hair transplant is always...
01:20:13No, I'm going to cut it now,
01:20:14because I don't know.
01:20:16What if I don't forget it later?
01:20:18Why wouldn't you forget it?
01:20:19It's not that easy, Eric.
01:20:21I'm at a difficult age
01:20:23to not talk about you.
01:20:25I'm going to cut it now,
01:20:26because I don't know.
01:20:29You're going to cut it?
01:20:31I don't know.