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FOOTPATHS IN CRISIS films
FOOTPATHS IN CRISIS films
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This is:
WORLDWIDE SOLUTIONS
PLANETTE EARTH MOTHER
IDEAS FOR A NEW WORLD
(Full Series Playlist Link Just Below)

This new series is based on my essay that a sexist at Facebook blocked. I will be publishing the scripts in essay form as I release each Femisode of the series.

Many, many more links to my full body of work including music, film, writing are at the bottom of this description.

PLANETTE EARTH MOTHER Series: Femisodes Scripts: http://jasonwadehoward.blogspot.com/2024/06/worldwide-solutions-planette-earth.html?m=1

Full Playlist For This Series: https://www.dailymotion.com/playlist/x8fhs0

Original essay: http://jasonwadehoward.blogspot.com/2024/04/superspecielle-feminism.html?m=1

All my feature length documentaries that cover common land and footpath rights issues in West Norfolk and many other very serious concerns in this region and our nation, are available on this channel in 30min episodes ... check out my full links list below for shortcuts to the documentary films

My three latest projects are also on DAILYMOTION now. I have just completed a documentary series about the sugar beet industry, and my new pre-series called Talking And Walking has started on DAILYMOTION: it is the prologue this series.

It is time to Feminise Reality :)

... Merci Les Bien, Thank You Very Much Everyone


LINKS:

Official Governmental Petition For Equal Representation For Women In Every Political Constituency

https://petition.parliament.uk/petitions/659743/sponsors/new?token=at-a-DZ9X2gpr2pYhzMZ

Dailymotion: 30min Versions Of "Footpaths In Crisis" Documentaries:
Channel: https://www.dailymotion.com/uk_footpaths_in_crisis
Playlist: https://www.dailymotion.com/playlist/x83hta

(PLEASE CHECK OUT THE SANDRINGHAM DOCUMENTARIES HERE ON DAILYMOTION, AND THERE IS ALSO VERY IMPORTANT INFORMATION IN ALL THE OTHER FILMS ALSO INCLUDED HERE ON DAILYMOTION ; Merci, thankyou )

Dailymotion: Sugarbeet Problems:
Playlist: https://www.dailymotion.com/playlist/x8a7ja

Dailymotion: Talking And Walking:
Playlist: https://dailymotion.com/playlist/x8b12w

Dailymotion: West Norfolk Shorts:
Playlist: https://www.dailymotion.com/playlist/x87iaw

Main Blog:
https://jasonwadehoward.blogspot.com

Metaphysical Theory Of Infinity:
http://jasonwadehowardadditional.blogspot.com/2013/03/infinitys-evolving-strata-and-life.html?m=1

THE.CACOPHONIC.QUADRANT. Music Channel:
https://www.youtube.com/@the.cacophonic.quadrant.

Search Me Blog:
https://jasonwadehoward.blogspot.com/p/blog-page.html?m=1

YouTube: Full Length Versions Of "Footpaths In Crisis" Documentaries:
https://www.youtube.com/@UKFootpathsInCrisis
https://www.youtube.com/playlist?list=PL5QNfRoQzoKaz6Np0_sFIA0KBtwQ3dae6

CONTACT:
Facebook:
Jason HowardLove: https://www.facebook.com/profile.php?id=100090638659423

Twitter:
Jason HowardLove: https://twitter.com/JasonHowardLove

Email Contact:
jason_howard@hotmail.co.uk

#Leziate #Love #Feminism #Equality
#HilGay
Transcript
00:00In this series I am discussing the essential need for this planet and all her peoples to
00:25feminise our viewpoints and behaviours.
00:30World Wide Solutions, Planet Earth Mother, Ideas for a New World.
00:35Please see my previous documentaries as a valuable introduction to this series.
00:39Sugar Beet Problems Conclusion Episodes 4 and 5 and my Talking and Walking mini-series
00:44of three episodes are important viewing and essential to contextualise this project.
00:49I will be publishing the minutes script from each episode of the series onto my blog page
00:54jasonwadehoward.blogspot.com as I release each episode.
00:59My original blog post for the first version of this essay was blocked by someone at Facebook
01:03who invoked the spam application to get my blog URL marked as an unshareable on Facebook
01:08link.
01:09This redraft includes the info from the first essay but it largely expands its coverage.
01:24Bullying and Stress Inducing TV Formula Bullying Scoring Systems on Television Programmes
01:50As I covered in the last episode, competition as a concept is in the dock of a compassionately
01:58logicalised auditing of sociology.
02:02Value attribution is inherently built into reality.
02:06We analyse the equational nature of interacting physical systems.
02:11This is not only reality but is the very way our minds interface and traverse the mathematical
02:18conceptualisation of the energy-matter complex world systematical.
02:25We cannot remove from our minds the very way that our minds work, as in attribute value
02:31analysations and attributions to all shapes and sizes and trajectories and accelerations
02:40and velocities of all objects and people around us as they move and cuddle and interact even
02:47lingually.
02:49The language we speak can be mathematicalised into equational forms as the very way our
02:55mind processes concepts and complex data matrices.
03:00If we have the belief that our thoughts are abstractional and confiscationalised, nebulously
03:06so, then we would be assuming that an advanced mathematicalising system like the mind of
03:13any member of any species is incapable of doing the most simple tasks such as eating
03:20and moving and building a nestiness for our loved ones, as these seemingly simple tasks
03:27require advanced geometrical and arithmetical data processing to be carried out by our minds
03:35infrastructural.
03:38How the resource computational nature of our laws of physics and the communal computational
03:45complex communal cognizant cuddlements of physical attribution value systems transfers
03:51within our minds back out into the values and value system of not only physical analysation
03:58but the very moralistic value attributional systems that we seek to remove impingements
04:04from, impingements that doctor our well-being towards sadness, in acceptance of the notion
04:11that physical systems are computational in nature and that is how our minds work.
04:17How therefore are we able to develop new lines of philosophising to protect ourselves from
04:24the value attributional nature of physical interaction value attribution analysation.
04:31If one girl is fast does she have the right to know she is considering that knowledge
04:37may harm others, but they saw her run fast and are they now allowed to talk about the
04:43fact she won the race, should there even be a race as only one person can win.
04:51Can we record times for running races as this is the beginning of hierarchical modulations
04:58of cognition.
05:00Are teams that play games that have no winners and losers because the interactivity is designed
05:07in a new format to remove competition theory from the event now able to assess and chat
05:15about the fun they had without value attributional comparisons on abilities and functionalities
05:22of the infrastructuralisation mechanisms of the game dynamics and the players individual
05:28performances without creating hierarchical cognitionising and negativity.
05:35Do we need to reframe our minds and language with new words and a new language even that
05:42releases our communal cognition form from the burden of severe comparison trauma that
05:49perpetuates even the happiest of minds throughout the world today.
05:54With new words and new physical interaction formulating we must remove ourselves from
06:00any critique of any sort and any upset even mild in feelings as we can no longer allow
06:06ourselves to accept and compartmentalise being placed within a system that positions us based
06:14upon performance.
06:16To continue to move freely and talk joyfully about that which we have participated in we
06:24have to create a whole new ambience of equalising solidarity and lovety to glue all our socialities
06:31as one whole superorganism. We are not a machine computing as the sum total of all our minds
06:40but a living breathing oneness biolove with planet earth mother and the duoverse we co-embody.
06:48Is the very nature of being measured against others a process of happiness? All girls are
06:57beautiful and all paintings are wonderful but all athletes are equal. All girls are
07:04beautiful and all paintings are wonderful and all athletes are equal. Can we measure
07:12our differences and hold kindness aloft as our most precious of abilities? No scenario
07:21we ever involve ourselves in can have any elements of stress. Bullying and stress inducing
07:29TV formula has to be consigned to the now abolished notion that being unpleasant is
07:35acceptable. In so much as the men whom thrust non-superpositional competitive format upon
07:43the world as extrapolation of war theory will be cuddled along into a new dawn of enthusiasm
07:51only, sadness foregoing, compash social priority, numerical interaction formulation that ensures
07:59all participants in socio-physical interactive medium derive equal reward and utmost happiness
08:10within equalized ethos value attribution cuddle times. Within superpositional attributional
08:18everyone on the dancing show gets a lovely prize and everyone wins the show. An exceptionally
08:26cuddle fostering delightment where all participants are not seeking to hierarchicalize a win but
08:34instead formulate a self-longing position within stylistic terms as they explore their
08:41new passion for dance, moving within and beyond existing styles to find their passion huggle
08:49of happiness, where in moving beyond and permanently away from their judgmental demeanors and very
08:57moniker of being judges, in transitioning to delighty-boo-yum-yum as they utilize their
09:05extensive knowledge of dance, to memento and explore the stylistic interests of the experienced
09:13and novice dancer, moving towards an infinal work of expressionism within the last week
09:21of yumminesses of one show per night starring all dancing couples and their families with
09:29specific lovey focus upon one couple and their yumptious journey, their infinal springboard
09:37to am-duo-ness eternity in dance, with dancing couples emotionally inhabiting their favourite
09:45style or styles and presenting their own new genre-formulating creations for the delectation
09:52and wondermental delighty-boos of their end presentations, a presentment imaginative of
10:00new stylisticalisms that are developing throughout their journey to love dance.
10:12Actual life-love partners whom are one experienced dancer and one non-experienced or novice dancer
10:19or two experienced dancers or two complete novices will express their joyful union and
10:26everlasting love within the medium of dancey-blissy-kissy, with excitement being magnetized around the
10:34excitement of exploration of conceptual cuddleness-nesses. Not who is better or worse, they are all winners
10:45in love. No longer can we accept getting rid of people from shows, such disgustingnesses
10:53as so-called head-to-head battles, elitist scoring systems. Everyone is perfect and the
11:01way we present our entertainment mediums must reflect our innate kindness and compassion
11:08and not reflect mankind's addiction to nastiness. No one leaves the show. In a world where everyone
11:16is perfect, but endemic propensity towards abusive valuation of all but a small subsection
11:24of society being told they are good enough, we all are wanting an end to the segregation
11:32mentality that permeates everything we absorb via all media streams. From the valuation
11:40of likes to the opportunities of fame, to the offering of success to one person in a
11:47hundred or a thousand or a million by social power wielders, how do we translate the hopes
11:54and loving dreams of all people into entertainment shows that actually entertain us and not stress
12:02us, and give all participants an emotionally fulfilling experience without sadness or disappointment?
12:12On singing shows like Pop Idol and X Factor, we see bullying at its lowest lows with people
12:21being actively laughed at because the general public and so-called experts like to force
12:28ridicule upon people whom are perfectly normal and happy until they are abused by unpleasantness
12:36and flippant brusque dismissal by disgustingly behaved people whom only seem to like you
12:44if they deem you to be attractive or deem that you can sing within certain parameters
12:50of their choosing. All people are attractive and all song performances are perfect. How
12:59do we even select on a singing show if auditions are inherently upsetting? Is a competition
13:06format that includes thousands of people impossible? Is the theory of auditioning itself an inherently
13:14upsetting and unacceptable way for people to engage with artistic expression? In a running
13:22race, you witness people running faster or slower. In a singing performance, you witness
13:29someone singing closely to the notes or off note or key. How you then communicate about
13:37this phenomenon you have experienced is the real key to ethical interaction. By asserting
13:45that one or more results are better than others, you consign people to unhappiness. In this
13:53regard, how could we select people to participate in a singing show? Singing popularity is acquired
14:01from producing music that has reached people's hearts. Sprinting fame is acquired by running
14:09fast times, times acquired from very hard work throughout the sprinter's lifetimes and being
14:18fed well. But on a singing show, to reach out to people's hearts without showing favour
14:25towards people, which makes others feel not good enough, is an ethical challenge of the
14:31highest sensitivity. So the removal of the judgmentalism of the auditioning process is
14:39essential to happiness cuddle times. So how could people get through to the second and
14:47third showtime phase on such a show in the nicest way? First stage. Well, random selection
14:55of people to participate for me would be the only way to continue a format similar to what
15:02we now see on television. So for Ireland and Britain, so many people could be selected
15:09from each national state and from all surrounding islands with overseas territories also being
15:15featured with the objective to find 15 acts from each of these seven regions, namely the
15:24overseas territories, the surrounding islands, Northern Ireland, Ireland, Wales, Scotland
15:33and England. With live streaming of every performance in real time over a seven week
15:40period with seven twin shows starring 60 acts over four hours, with two hour shows on two
15:49nights per week, from which 15 people would be randomly selected to progress from each
15:56region to the third stage, with allocation being arranged by real time random on stage
16:04post performance selection. Second stage. During the process of random selection for
16:12the second stage, a randomizing algorithm would be utilized to ensure that people with
16:18previous experience are equally represented from novice, amateur and professional categories
16:25and also feature equal representation for all genders and sensualities within the randomization
16:33algorithm with the below genres being featured equally also. Nursery cutesy, folk country,
16:42classical, jazz, rock, pop and dance. So a second stage of nine shows over four weeks
16:53with eight times two hours and one times four hours shows with three shows in the fourth
17:00week, all starring 105 people total with eight minutes allocated per act in which they
17:08can do as they wish as regards the presentation and editing of their eight minute slot. A
17:14total of 35 single acts and 35 double acts and 35 bands with five of each of these act
17:22types from each region and were mental support from 35 life love couples with one life love
17:31partner or both deriving experience from musical backgrounds all assembled in a biverse proportional
17:40representational mix from all genders and sensualities whom are randomly selected from
17:46a pool of interested people to act as supporting mentors for musical artists wishing to star
17:53on the show. These 35 couples of experience would be randomly allocated three acts each,
18:00one from each act type to collaborate and advise as friends utilizing their experience
18:07skill sets and interests that would be part of their resume to advise and collaborate
18:15as desired. Examples of experience being music production, choreography, graphic design,
18:24lyrics writing, playing of musical instruments, singing, dancing, acting, stage production
18:32including musicals, musical poetry etc etc etc. Third stage. Third stage features a super
18:40positional format where the viewer can choose the 22 acts to watch within the two times
18:47two hour shows on Friday and Saturday with certain acts live streaming and others pre
18:54recording their performances as they creatively wish. And of course after each show you can
19:01watch as many more acts as you wish until midnight with the next show airing on the
19:09following night with on demand availability of all acts being until midnight on Thursday
19:16and all previous weeks acts being available to view as and when the viewers wish in perpetuity.
19:24So the third stage would be over an eight week time frame with a longer end show of
19:30two times four hours giving each starring artist a 16 minute time slot to creationalize
19:37within as they wish. Throughout the third stage shows we watch them develop their music
19:43and first album one track at a time with full support from a team of expert studio musicians
19:51and the ability to record with anyone including their family and friends. All acts are guaranteed
19:59album recording sessions and full support for release and advertising and shelf space
20:05in shops equivalent to a recording contract with studio time with their mentor and professional
20:13musicians to get an album produced with ongoing aftercare in perpetuity. This is the kind
20:19of show that I would like to watch a show that does not cast judgment or belittle or
20:25stress people and that promises love and respect and ongoing loving support as a collective
20:32of caring unity. Recording contracts are to be abolished post full feminization of reality
20:40as they have been used to abuse and steal from musical artists for many years. So to
20:47continue this terminology and concept is ethically untenable.
20:53Aggressive Musical Genres
20:56Chaos AD an album by Sepultura
21:00Heavy metal band Sepultura with pro-compassion political lyricalizations have a message that
21:07can be lost to those whom have already been indoctrinated to violence enjoyment. But upon
21:14full assimilation of their lyrics that are thoughtfully included within the booklet of
21:20the album one can only come to the conclusion that the society they come from has been exposed
21:26to brutal trauma of such a degree that their lyrics are as justifiable as a rape victim
21:33trying to kill her assailant. I just wish that instead of including lists of thanks
21:38to bands that whilst being musical influences would not necessarily back their desperate
21:44and compassionate message they had been able to further contextualize their message of
21:50justice and need for love. People will justifiably fight to protect their people and the land
21:58as Sepultura have sought to do and the record company that handled the writing of their
22:04booklet should have further backed the compassionate political message by insisting on a thoughtful
22:10and heartfelt womanifesto to be included. It leaves me wondering whether their record
22:17company even understood what they were trying to say. Many bands within the widening scope
22:24of heavy metal under new and ultra aggressive genre conditions are not forwarding a message
22:31of compassion. Sepultura are an example of a band trying to reach out to young minds
22:39so as to highlight massive problems with governmental policy indifference and intentional harming
22:46of peoples in the name of profit. One might have criticisms to proffer on the nature of
22:53their energy with what most people will assess as aggressive delivery of lyrics but with
22:59Sepultura we are talking about a group of young men whom come from an effective war
23:04zone of social and chemical poisoning, destruction and wholesale slaughterhouse abuse which sees
23:11vast swathes of beautiful rainforest destroyed and untold numbers of species murdered or
23:18displaced. So their vociferous stylings are qualified by their need to stop the rape and
23:24torture of the land and their women and people. Their aggressiveness is evidence enough of
23:31their suffering and whether such music can be thought of as entertainment, well it can't
23:38and the fact it has been needs readdressing by those whom have assimilated it in that
23:44way. It is however an emotional release that has facilitated those without recourse an
23:51emotional voice that should never have been required in the first place to scream out
23:57for cessation to the rape and murder in the way it had to. Of course the continuation
24:05of such aggressive and ultra-aggressive feeling forms of human expression is an important
24:12subject that needs to be addressed immediately as much of the so called music out there disqualifies
24:18itself by its unacceptable stylings and aggressive lyrics and aggressive tonal delivery of lyrics.
24:25The deterioration of ethics within heavy metal subgenres has reached such depravity as to
24:32make it unsuitable to cover here. But some of these genres are called death metal, doom
24:40metal, black metal, cavernous death metal which is about immolation, worship, incantation,
24:48death grind, gore grind, gore noise, war metal, funeral doom, brutal death metal, deathcore,
25:11death doom.
28:11These genre names are the tip of a disgustingly large and depraved subsection of society whom
28:35live amongst you. These people whom produce this disgusting music are highly disturbed and
28:42evidently so traumatised to the point of ultra-violence acceptance that they would not only
28:48produce this but would also consider it acceptable to share it with the world. What I find even
28:55more disturbing is that men in governments across the world do not move against these movements
29:01of ultra-violence and psychological disturbance indoctrination methods. Girls will not put up
29:09with this any longer and now is the time to stand up as one feminised, compassionised, unified
29:16political movement to utilise our rights to petition and self-referendum our way to true peace
29:24and non-violence. Women need to realise that they possess all the political power in the world in
29:32actuality because all women agree on the needs of all of us and fundamental ways in which these
29:41needs and wants must be delivered. And via modern technology all women are connected like never
29:49before and all we need to do is exercise this ability to make collective decisions that sexist and
29:58abusive male-owned governments of the world of all territories will not be able to ignore and will not
30:06have the power to stifle, neuter or divert. We will not be stopped. We can no longer allow
30:16disgustingly behaved men in governments to sit back and endorse via legislative non-movement these
30:24disgusting forms of heavy metal with horror and gore and demonism and any other depraved form of
30:32criminality promoting content. The seductive nature of music can no longer be used to indoctrinate
30:40minds to violence and rape acceptance via aggressive lyrics, aggressive music and singing styles and
30:48general mind indoctrination towards criminality mindsets. A band like Limp Bizkit also have a lot to
30:57answer for. Their music is emotive but their message is violent and disrespectful to all sensibility and
31:07respectability. If they had utilized their musical abilities to spread a positive and family-based
31:14cuddleness message the world would now be a better place and they would be a lot more popular as a band.
31:21In a world where women want to be respected there is a disgusting rape acceptance pressure upon all girls
31:29to accept objectification and secondary status and violent sociology through musical and drama based
31:38and literary brainwashing that doesn't clean but seeks to make the minds of young girls filthy and
31:46rape accepting and murderous. There are also other forms of music that have not only eroded but destroyed
31:55the minds of all people as we all are impressionable and all are afflicted within this world of
32:03disgustingness. Should we as young people have been forced to go through Marshall Mathers coming of age
32:11journey as his mind shifts from violence trauma indoctrination towards political conscience. The system
32:19instead of shutting down Marshall's vicious and criminal outpourings decided to back misgiven popularity
32:26and bullying modulated youth support in promoting and supporting and thrusting a disgusting and crime
32:34promoting pro-drug pro-murder propaganda vehicle to widespread social destruction. Many governments and
32:42the record industry instead of banning such music before it took hold intentionally promoted Marshall Mathers
32:49first date rape promoting forcing of illegal hallucinogenic drugs on people promoting pedophile promoting
32:57and that's just one song. By not banning and censoring such disgustingly so-called art that tries to be clever
33:05and asserts partial distaste of such disgustingness but ultimately supports criminality mindset. The medium
33:13of music is not the place to explore and process such horrendous material and it is extremely dangerous as
33:22messages get mixed and ultimately promoted even if the narrative presents negativity towards such social
33:31tragedies. If a young person hears half a song before their parent switches off the music there is massive risks of
33:40dangerous indoctrination occurring. So the girl in the song he murders with hallucinogenic mushrooms dies to a cool rap
33:49beat as Eminem calls her a slut a bitch and alludes to a first date rape. My fault on the Slim Shady LP is not
34:00an untypical example from Eminem's earlier work. In Guilty Conscience he goes further and actually drugs and rapes
34:10a 15 year old girl with her sexual screams included as backing vocals and finishes the track with threatening to slit his
34:20bitch's throat and cut his bitch's head off followed by a double homicide promotion. If there is a politically minded
34:29conscience underneath the Eminem body of work I really don't care to fight my way through the disgusting violence
34:36promotional presentation. In the death of Slim Shady his new album that I have no interest in listening to I did listen to a
34:46couple of tracks for material for this and found serial necrophilia promotion in the second track I listened to whilst
34:55forcing myself to listen with my brain trying to subconsciously ignore everything I was being raped by and when I read the
35:03lyrics the song is basically about himself Marshall being a serial killer who is slicing and dicing women and children.
35:12I think Marshall is railing against accusations that he is in the wrong again like he always has and being sarcastic in his
35:22claim to be a serial killer to intentionally goad those who want his music banned and cause them to get more upset.
35:31We don't want to get your unliteral lyrics that seek to be clever examinatory explorations of modern culture Marshall.
35:41If you truly are a good person you need to disavow your entire body of work for the sake of all our children because we don't want to
35:50think our way through your critique of modern culture. It is a disgusting way to present such material.
35:59Go and write a book that millions will read to explain yourself please.
36:05I consider Marshall to be a victim of his environment and the world to be victim to his modulations of the global musical landscape.
36:15His processing of extreme trauma on our behalf or his own is certainly not suitable for music and a records label world that just cares for money and disgustingness promotion.
36:29If you are a soldier Marshall you are dismissed and as for the rap world as a whole and its rape and violence promotion
36:39it's fucking bitch hoes drive by gun firing attitudes to make the changes you guys desperately want or maybe you really truly don't care.
36:50Utilize your minds to expressions of beauty because now is the time to do so.
36:58Superpositional scoring systems theory.
37:02For competitive sports to continue we have to be looking at new ways to share love with as many teams as possible.
37:11There is the possibility of a team deciding that their performance parameters from a large source pool of options to formulate their own bespoke suite of achievement desires for a season.
37:25It can be possible for 10 teams picking from a thousand scoring systems to all win a league utilizing their own success conditions with wonderful prizes for everyone at the end of the season.
37:40Within superpositional scoring systems where we look at all the statistics for the entirety of the season and find a happiness condition for each participant everyone gets in cuddled and cherished.
37:55And if we can't find an immediate happiness condition we cuddle invent a new one.
38:02With potential for super positionality of teams within a superpositional league structure where one team can inhabit many positions within the leagues and divisions within based upon different statistical analysis prerequisites.
38:19With traditionally lower division teams now finding their attributes qualify them for higher positional habitation within five divisional superpositional supra structure cuddling.
38:33Elitism. Is it possible to use the word elite in a way that is not elitist?
38:43Dance ethics.
38:44Strictly Come Dancing is a disgusting example of bullying TV execs filling their boots on intentional ridicule and belittlement with disgusting scoring schemes that see elitism promoted and culling of people from the show as the norm.
39:02How can a show justify the stress they seek to promote in the very formulaic approach to hurting people's feelings and getting rid of them that is the intentional point of having them on the show?
39:15This is not the culture we want for the future. We want it gone now.
39:21The show has been an absolute disgrace in its refusal to endorse a bare minimum essential non prejudicial ethos.
39:31The show has featured of recent years homosexual couples but only one per season out of 15 contestants.
39:41This is utterly unforgivable and an absolute disgusting disgrace to all morality.
39:47They have to be starring as a bare minimum at least one lesbian couple and one non binary couple and one hermaphroditic couple and one trans girl couple and one drag queen couple and one trans boy couple and one drag king couple and one gay couple or mixtures thereof these wonderful people.
40:14All dances are beautiful, all dancey movements perfectional. If it is gesturally disgusting it cannot be called culture, cannot be called dance.
40:27We have to remove the violent heterosexual normative demands of masculine dominating culture that is unrelenting and merciless in its combative self-promotion of aggressive masculine psychology across all human projects whether publicly or privately resourced worldwide.
40:49Since the beginning of time man has shown his murderous and violent prejudice against any and all peoples he deems to be targets for his fun, ridicule, bullying and killing.
41:03No longer can dance shows present aggressive dancing and aggressive cultural tropes and there is no place for sexually themed dancing either.
41:14Only a couple whom are actually in a relationship with each other can dance on such a show and in the way ballroom dancers dance as it is unacceptable to expect people to dance with people whom aren't their life love partner.
41:33And Strictly Come Dancing dangles the carrot of further fame with the format of dancing inappropriately with a stranger.
41:42How many of the rape victims of this show have been monetarily and desperation and career improvingly forced to subject themselves to this humiliation and abuse?
41:55Have life love partners whom felt violated by the fact their partner had been forced by TV men to be socially raped in this way?
42:06The show is an utter disgrace in its stylings of aggression and aggressive sensuality and aggressive sex promotion and its format to ritually ridicule and abuse and put down and force sexual intimacy upon vulnerable celebrities
42:25whom should be dancing with their actual partners and not being sexually forced through an elitism abuse and abuse promoting money making machine to cheat on the people they love with the desperation of a rape victim in the act of being serially raped by the entirety of a society of profit fucking men.
42:48Desperate celebrities can no longer be targeted in this way and their partners can no longer be forced to watch this rape.
42:59The sexually aggressive foreplay that Strictly Come Dancing promotes is indoctrination for children into violent sex and rape acceptance.
43:10All even mildly aggressive dance moves and aggressive dance body language contextualizations will be treated as very aggressive and will be banned.
43:22And the banning of sexual dancing in public even with your partner will also be banned.
43:29People do not want to be subjected to such unacceptable behavior.
43:35Sexual dance moves will be made illegal and sexy dancing will be something special between two lovers in a private setting only.
43:47The objectification of women is over and the raping of people's minds by forcing your sexual dancing upon them is also over.
43:56It is all over.
44:00Sexual dimorphic value attribution.
44:0495% of what men think makes a man needs to go.
44:10The 5% of this that women actually cherish and want to keep in women's minds is actually only 5% of what they actually need and want.
44:22To understand what the remaining 95% is that women require you will need to actually ask women and actually listen and actually put into practice everything they say.
44:35The huge divide and deficit that men are fighting monetarily and socially and prejudicially to maintain via rape and murder promotion and obscene criminal actionization shows the huge delusion that men are suffering under.
44:53Women think that men are utterly disgusting in their rape and murder media acceptance.
45:02And every man on this planet is actively peddling this rape and murder propaganda.
45:08Sports that maim and force kids to suicide.
45:12Fast cars that decimate families and obliterate bodies.
45:17Non-loving sexual relations which women call rape.
45:21Violent content that promotes murder.
45:24Sexual content that promotes rape.
45:28Men are unable to understand as they refuse to want to.
45:33As they refuse to let go of this rape culture that they call civilization.
45:39Man is not civilized, he is an utter disgrace and women want him gone.
45:45They want the 5% they cherish and a new name for man.
45:51And under this new feminized terminology they want men to give the other essential and non-negotiable 95%.
46:01Women want and need this new deal and they want it forever.
46:14Options not differences in opinions.
46:18If partners both want for each other to have things just the way the other wants them all the time,
46:25then combining approaches always works.
46:29Two people discussing things compassionately will find all the middle ground from even initially disparate viewpoints.
46:39And without arguing, because they never argue, because they understand a conversation is needed, not a fight,
46:47they then end up always, always agreeing because they both employ compassionate logic.
46:54That even if two or more possibilities are concluded upon,
46:59then these are called options due to the filtering of compassionate logic and are not called difference in opinions.
47:09It is perfect when the preferences of your partner are always prioritized
47:15as your true love, true loved partner knows perfectly how and when to express their preferences.
47:23It is nice if the preferences of your partner can be taken into account
47:29when you might consider wearing clothes that might upset them,
47:33but of course we are free to wear what we wish at all times.
47:38And of course other people will never look at your partner or anyone at all in a sexual way
47:45because in a world of love, post full feminization of reality,
47:50no one will look at anyone in a sexual way without being in a loving relationship with them.
47:58Passports. Passports are slavery control devices for husbands to keep control over their wives.
48:07Man must understand that every tradition, every social normative he possesses is a disgusting rape history of obscenity.
48:18There is no need for an extra piece of identification.
48:23Passports these days are just a profit making exercise
48:27as passports are massively inflated in price for profit making only.
48:33The whole passport office setup is automated and doesn't even need anyone to look at database corroborated data.
48:42One book could be issued for free at birth for recording all relevant details
48:49like travelling and rights to drive and nationality statuses and work training and education.
48:57Man will be made to stop his profit making at every turn,
49:02his every disgusting additional inventiveness of dis-busyment paper based money siphoning,
49:09his need to impoverish the good people of this world and starve and kill us in multitudes.
49:19To end this Femisode on a positive and in the objective of giving all creative lovies a positive life experience
49:28I present the priority Présentement Imaginatif.
49:34This being all people whom participate in TV productions featuring their work
49:41have creative autonomy and collaborative choice optional and auteurship as the norm
49:48over their Présentement Imaginatif.
49:52New legislation that will ensure messages of true love cuddle their way to our hearts
49:59without filter, sensor, doctor or block.
50:11www.Femisode.com
50:41www.Femisode.com