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00:00You're going to hit me. Go ahead.
00:02Please, let me go. I'm warning you.
00:04Give me a reason to break your face.
00:06What's going on?
00:07Are you going to hit me as if you were two drunkards in a tavern?
00:09Don't get involved in this, Cruz.
00:10What do you mean, don't get involved?
00:11What are you reproaching him for telling me about Maria Antonia?
00:13Isn't that right?
00:14I'm not reproaching him for anything.
00:15He's just a messenger.
00:16Let him go.
00:19Your secret is safe with me.
00:21You don't know how much I appreciate it.
00:23Just one thing, Hanna.
00:25Don't tell anyone.
00:27You don't know how much I appreciate it.
00:29Just one thing, Hanna.
00:31Who else knows?
00:33Mr. Baeza also knows.
00:35And how did he take it?
00:36Let's just say he's not as optimistic as you are.
00:38Well, you know he has a very different way of seeing things,
00:41and not a great sense of responsibility.
00:45I'm aware.
00:47Tomorrow I have to leave with my parents to San Sebastián
00:49to visit my sister and her husband.
00:51Well, it sounds very fun, doesn't it?
00:54My brother-in-law and I ...
00:56Let's just say we're not the people who get along the best.
00:58Because of character differences.
01:00I don't know if that's it,
01:02or that he's a petulant and arrogant person.
01:04Feli, Feli, don't give it to him.
01:06Because Feli, Feli ...
01:07Maria, enough.
01:08No, no. You're right, Hanna.
01:10I didn't notice much connection with her husband when I saw them together.
01:12Well, let's see.
01:14Maybe she's trying to be a little more discreet.
01:17Teresa has never been one of those timid people either.
01:19And especially how she takes things the other way.
01:22For that very reason.
01:23She probably didn't want to upset Mrs. Petra.
01:25She swore eternal love to her on the fact of my son's death.
01:28And two weeks after leaving here, she was already dating someone else.
01:32Do you think she was pretending to be here?
01:34All I know is that I was barely a year away from my son's death.
01:38And that woman has redone her life as if it were such a thing.
01:41Because she has no sense of respect.
01:43And is she going to stay here for a while?
01:46Well, MartÃn just invited me to spend a few days here.
01:49So if my parents don't mind, I can stay here for a while.
01:53Great.
01:55Well, let's hope the novelty of her presence will divert the attention of other visitors.
02:01I offer you the position of first lackey in the palace of the Count of Matesanes.
02:07No one will pay you more quarters, right, Salvador?
02:10That's it, that's it.
02:12Maria, what's going to happen with the wedding?
02:14What's going to happen, Simona?
02:16Because it will be celebrated when it can, period.
02:19We are maintaining a friendship relationship.
02:22Curro behaved like a walking gentleman saving his beloved.
02:26In life, things are more prosaic.
02:30And that's why you've decided to be friends.
02:33I don't think either of you wants to force things.
02:37He's a ruthless murderer. You can't talk to him and you can't buy him either.
02:41What can we do?
02:43Nothing. Leave things as they are.
02:45Let Mrs. Adarre remain locked up in that cabin without seeing her son.
02:49That's true, but alive.
02:51And for how long?
02:52As long as necessary. The next step will be taken when it has to be.
02:56If it was as you say and you had told me, I would have believed you.
03:00Because you were my husband.
03:02But now ...
03:04Now I don't know who you are.
03:07Cruz Recapacita.
03:09Go.
03:14I'm about to hire your husband like the rooster.
03:17I hope you don't disappoint me. I'm risking it for you.
03:21I know perfectly well, Mr. Baeza.
03:23And I assure you that I will not disappoint you.
03:25You really don't know how much I appreciate it.
03:27And I ask you, please, to trust me. And also him.
03:29As I told you, he learns very quickly and he is a good man.
03:32There was nothing good in all this misery.
03:34The trench comrades.
03:37In those circumstances, I suppose the ties become very close.
03:42I assure you that I would not be here if it weren't for them.
03:45And now, excuse me if I don't specify more, but ...
03:48I don't like to talk about it.
04:13Oh!
04:17Oh, Mr. Baeza!
04:19But what is it that has made you fall?
04:21Because of your motto.
04:23I'm not a socialist.
04:24Forgive me, I thought it was Gregorio.
04:26Forgive me, I am very happy to see you.
04:28And I am very happy to see you, Mrs. Adares.
04:30Although you were about to give me a good smile.
04:33Well, I've been very nervous lately.
04:35Especially at night.
04:37But you have a very good face.
04:39It shows that you are better here.
04:41Better than in that cave.
04:43Sit down, please.
04:47I know it's not time, but ...
04:49I preferred to come at night so that the absence of Palacio is not noticeable.
04:53But has something happened?
04:55No, no, and that's what it's about.
04:57But if nothing has happened, why did you come?
05:00Well, I wanted to visit you.
05:03Mr. Baeza, don't take me for a fool, please.
05:06Well, we still haven't found a way to neutralize that man.
05:10But that was already known before.
05:12No, but I wanted to talk to you.
05:13Has something happened?
05:15No, no.
05:19I've missed you.
05:21Since you left La Bromesa, it's been chaos.
05:25Well, I am calm here, because no one comes to see me.
05:28What if someone comes and grabs your ...
05:30... ice cream stick?
05:35It's funny, but that's one of the things I've missed the most.
05:38Which one?
05:39La risa, que suele ser cosa de dos, ¿no le parece?
05:43SÃ, se dice que rie solo, que está loco.
05:46Yo he estado a punto de hacerlo varias veces.
05:48Bueno, de eso y de hablar con las paredes de esta cabaña.
05:51Bueno, sÃ, ha estado usted demasiado sola.
05:53Pues sÃ, demasiado.
05:55Salvo cuando venÃan a verme MarÃa Fernández o...
05:59O Jana y don Manuel, que se les ve muy felices y muy bienvenidos, ¿no le parece, señor Baeza?
06:06Señor Baeza, no se preocupe, que sé perfectamente que usted sabe lo que hay entre esos dos, al igual que lo sé yo.
06:12Es un asunto delicado.
06:14Pues sÃ, lo es.
06:15Insobradamente delicado.
06:16Señor Baeza...
06:17DÃgame.
06:18Yo querÃa pedirle un favor.
06:20Si está en mi mano.
06:21Pues que no los delate.
06:23No lo tienen fácil, es una historia de amor verdadera, se lo aseguro, y no se lo compliquemos más nosotros, por favor.
06:30No se preocupe, don Manuel y Jana pueden estar tranquilos porque yo no le voy a decir nada al señor Márquez.
06:37¿Y ellos lo saben ya?
06:38Bueno, no de una forma rotunda y definitiva.
06:42Pues dÃgaselo, que deben estar aún sin vivir.
06:44¿Usted cree que es necesario?
06:46No, necesario no.
06:47Ah, muy normal.
06:48Es imprescindible.
07:00¿Qué pasa?
07:01Nada.
07:02¿Qué pasa?
07:03Nada.
07:04¿Qué pasa?
07:05Nada.
07:06¿Qué pasa?
07:07Nada.
07:08¿Qué pasa?
07:09Nada.
07:10¿Qué pasa?
07:11Nada.
07:12¿Qué pasa?
07:13Nada.
07:14¿Qué pasa?
07:15Nada.
07:16¿Qué pasa?
07:17Nada.
07:18¿Qué pasa?
07:19Nada.
07:20¿Qué pasa?
07:21Nada.
07:22¿Qué pasa?
07:23Nada.
07:24¿Qué pasa?
07:25Nada.
07:26¿Qué pasa?
07:27Nada.
07:28¿Qué pasa?
07:29Nada.
07:30¿Qué pasa?
07:31Nada.
07:32¿Qué pasa?
07:33Nada.
07:34¿Qué pasa?
07:35Nada.
07:36¿Qué pasa?
07:37Nada.
07:38¿Qué pasa?
07:39Nada.
07:40¿Qué pasa?
07:41Nada.
07:42¿Qué pasa?
07:43Nada.
07:44¿Qué pasa?
07:45Nada.
07:46¿Qué pasa?
07:47Nada.
07:48¿Qué pasa?
07:49Nada.
07:50¿Qué pasa?
07:51Nada.
07:52¿Qué pasa?
07:53Nada.
07:54¿Qué pasa?
07:55Nada.
07:56¿Qué pasa?
07:57Nada.
07:58¿Qué pasa?
07:59Nada.
08:00¿Qué pasa?
08:01Nada.
08:02¿Qué pasa?
08:03Nada.
08:04¿Qué pasa?
08:05Nada.
08:06¿Qué pasa?
08:07Nada.
08:08¿Qué pasa?
08:09Nada.
08:10¿Qué pasa?
08:11Nada.
08:12¿Qué pasa?
08:13Nada.
08:14¿Qué pasa?
08:15Nada.
08:16¿Qué pasa?
08:17Nada.
08:18¿Qué pasa?
08:19Nada.
08:20¿Qué pasa?
08:21Nada.
08:22¿Qué pasa?
08:23Nada.
08:24¿Qué pasa?
08:25Nada.
08:26¿Qué pasa?
08:27I have things to do.
08:29Today you've got confession free time?
08:32Now, stop so mean to me and have drinks with your uncle.
08:36On another point seriously.
08:38Are you gonna make me look like a cheapskate?
08:41This is not about that.
08:42Now, talk to me.
08:53Tell me, what do you want me to talk to you about?
08:57How are things going with Pelayo?
08:59Good.
09:00Just good?
09:01Seeing you, I get the feeling that things are going well for you.
09:05Am I wrong?
09:08It's hard to say.
09:11Expressions like those of wind in the mouth are so imprecise.
09:15Well, it's an expression like any other, it's a way of speaking.
09:18Yes?
09:20Let's use that way of speaking then.
09:22How's the jam business going since you've been in charge of it?
09:26Well...
09:27Is it drifting?
09:28No.
09:29Is it on the way to bankruptcy?
09:30No.
09:31It's a profitable business.
09:33Don't tell me.
09:34I can show you the account books if you want.
09:37How can it be that in a few months the business has gone up?
09:40It's just that I find it hard to believe.
09:42You find it hard to believe because it's a lie?
09:44It's a lie because you don't know how much you've lost.
09:47You've lost a lot of money.
09:49You find it hard to believe because it's a lie?
09:51Is that business still doing well?
09:55Yes.
09:57Reducing expenses and degrading its image.
10:00Changing is not degrading.
10:03You made jam for Cursis and for Sibaritas.
10:07I'm going to Pueblo Llano.
10:09You're going to El Precipicio.
10:11When?
10:12Very often, yes.
10:14We used ingredients of the highest quality.
10:18We cooked them with a master formula.
10:20And we paid a fair wage to the women for their good work.
10:24You were throwing away the money, I mean.
10:28And what are you going to say?
10:29That you buy the worst fruit you can find?
10:31You use recipes of bad luck and you pay hungry wages.
10:35Of course you're still making a profit, but for how long?
10:38Your product is so bad that it will end up not being loved by anyone.
10:42As usual, you're wrong.
10:44The only thing I've done is adapt to the circumstances of the market.
10:49Get a genre that allows me to increase production.
10:52And restrict some crazy wages.
10:55And all of this, of course, guaranteeing quality buyers.
10:59Please.
11:02The business is still doing well because it got a contract with the army.
11:06Its clients are poor soldiers who have no right to have an opinion.
11:11And yet, I've heard that you've received complaints.
11:14Dealing with complaints is a capital part of running a company.
11:19As I suppose you already know.
11:22Yes, a company that does not offer quality in its product.
11:27And what's more, I know that the women of the town feel so exploited
11:31that they are thinking of quitting working with you.
11:34Your information is wrong.
11:36Everything you say is in your head.
11:39This business is doing well.
11:41And it will continue to do well as long as I'm in charge.
11:46I hope it's for a short time.
11:49I, of course, will do everything in my power to recover it.
11:54Good luck.
11:56THE BEST
12:07What would you say are your virtues, Mr. RodrÃguez?
12:11My virtues?
12:12Yes. Related to the position in the street, you see.
12:15I look at things.
12:17You look at things?
12:18Yes. I pay attention to the little details. I look at them.
12:22And I learn quickly.
12:23It is known that for the same reason, as I look at a lot.
12:25I see, I see.
12:27But it lacks service experience.
12:31If you mean to serve in a house, I have no experience, sir.
12:35But he learns very quickly. I already told you, Mr. Baeza.
12:38And he also keeps all things to himself.
12:41No, yes, that's very good.
12:42Yes, but in our occupations, you need something more than looking at a lot.
12:48Or being very attentive.
12:49Of course.
12:51You will have to perform entirely new functions for you.
12:56I hope to learn them soon, Mr. Baeza.
12:58For the good of all, yes, we hope so.
13:01Well, let's hope that if you are as excited as you seem,
13:07then be so and learn soon.
13:11Welcome to the promise, Mr. RodrÃguez.
13:13Am I hired?
13:15It seems so.
13:17Thank you very much, Mr. Baeza, Mrs. Arcos.
13:20One moment.
13:22You have something to say, Mrs. Arcos.
13:25That's right.
13:26I understand that I will be allowed, right?
13:28Of course, go ahead.
13:32I don't want, not even for a second,
13:36that you think that the promise is an infamous place where you can kiss in the corner.
13:41I don't think anyone thinks that, Mrs. Arcos.
13:44Of course not, we guarantee it.
13:47Just in case.
13:49It is better to make things clear from the beginning.
13:52As we must also make it clear that the lackeys and the maids
13:56do not have permission to sleep in a ... in a joint bed.
14:02No matter how married they are.
14:04It is true, we have not commented on that.
14:07So don't worry.
14:09No, really.
14:10We are here exclusively to work.
14:13Do you mind sleeping separately?
14:16Of course not, not at all.
14:18Not at all.
14:20What I mean is that ...
14:23that if you can't, you can't.
14:25What are we going to do?
14:27I see.
14:29So you don't mind not sleeping together.
14:32That's what we just said.
14:34Really? Is that okay?
14:36Well, nothing.
14:38If that's the case, it makes things a lot easier for us.
14:42Thanks to both of you.
14:45Well, there's nothing else to talk about.
14:48Excuse me.
15:10Porro.
15:12Hanna.
15:13Why aren't you having breakfast with the others?
15:16I'm not hungry.
15:18That's weird of you.
15:20I don't want to be part of family talks either, really.
15:23I'm sorry, sir.
15:26You know perfectly well that I'm not saying this for you.
15:28If not for ...
15:29I know.
15:31And why aren't you hungry? There has to be a reason.
15:35Well, yes.
15:36But what else does it matter? That's it.
15:38It matters to me.
15:42Okay.
15:44Last night, I talked to Julia.
15:47The girl who brought the pendant to Martina.
15:49A one-off conversation?
15:51No.
15:52We were talking about the war.
15:55What strangest conversation to have with a stranger?
15:58Well, yes.
16:01Besides, you don't really like to talk about that, do you?
16:05No. But she started asking me questions.
16:07About the war?
16:08Yes.
16:09Well, I think it was out of curiosity,
16:11but she didn't realize how much those things bothered me.
16:14Maybe she was being very subtle.
16:17Well, maybe at first she was, Hanna.
16:19But then she wasn't.
16:20And I didn't stop until I told her that it hurt me to remember all that.
16:23How uncomfortable it must have been.
16:25Yes, it was.
16:26But because it really hurt me.
16:28Besides, I answered her with vagueness.
16:31Yeah, it's very strange that she didn't realize anything.
16:34Yeah.
16:35Besides, even if she didn't do it with any malice,
16:37it made me nervous.
16:40She even asked me if she had ever been hurt.
16:43As if she could get away with such an experience.
16:47Well, maybe she was saying it because
16:49it's true that there are people who die in the war,
16:51but I suppose there are also people who return home without a scratch.
16:54No.
16:55It's just that even those people are hurt, Hanna.
16:58Even if it's not physically.
16:59They have seen too many atrocities to be able to forget them.
17:02Even if they want to.
17:04You're right.
17:06She also asked me if I had found anything good
17:10among so much misery.
17:12And it's hard to find something good, isn't it?
17:15Yes.
17:17The only positive part were the companions.
17:22But almost all of them ended up dead, so ...
17:28War is desolation.
17:30It's death, it's violence, it's senseless pain.
17:33And yet I had to explain everything to this girl
17:36in an almost impassive way.
17:38But it's normal, Curro.
17:39It's your way of protecting yourself.
17:41No.
17:44Every day I try to get rid of the bad memories.
17:47I try to convince myself
17:50that none of what happened was my fault.
17:53That I just wanted to help.
17:56And every night,
17:58the dead come to ask me for explanations.
18:01How horrible.
18:03They come one by one.
18:07And it takes its time.
18:08Because, of course,
18:09what hurry are you going to have if you're dead, right?
18:12And what do you want to know?
18:15Why.
18:17Everyone asks me why in their own way.
18:22And the worst of all is that I don't know what to tell them.
18:33Are you doing that again?
18:35Please.
18:36It's not welcome.
18:38Every month I send my daughter to New York
18:40the same amount of money.
18:42And she, on the other hand, receives less and less.
18:46Yes, I know that war is affecting the currency market.
18:49But I also know that in Rio Revuelto,
18:51there is a lot of fish.
18:54Yes.
18:55That's exactly what I'm insinuating.
18:59What do you mean, who do you think I am?
19:02I don't need to believe anyone, sir.
19:04I'm the Marquis of Lujan.
19:08Tell Mr. Pontejo that this is intolerable
19:10and that I await his call.
19:12Good morning.
19:14Problems with the bank?
19:17No.
19:19I have the impression that you had a problem with the bank.
19:23You won't think that with your background
19:25I'm going to trust you with my worries.
19:28Oh, you.
19:29It's still something discretional.
19:31Call it whatever you want.
19:33However, I have no problem trusting you with mine.
19:38Yours?
19:39My worries.
19:40Specifically, I'm worried about your daughter Catalina.
19:43I'm not going to talk to you about my daughter Catalina.
19:46Why?
19:47Because it's none of my business.
19:49If you're worried about my daughter,
19:50talk to her and express your concerns.
19:52I've already done that.
19:53Very well.
19:54And when?
19:56She has been insolent to me in an unacceptable way.
19:59It seems that you are getting used to
20:01speaking ill of people behind their backs.
20:03Alonso, you should set some limits for your daughter.
20:07I always forget that among your many virtues
20:09there is the desire of the father
20:10that we all would have liked to have.
20:12As you wish.
20:14But I still think that you should give her the ground
20:16now that she has returned to Palacio
20:17and above all, she has returned accompanied.
20:20And why would I have to do that?
20:22She is very arrogant, Alonso.
20:25Yesterday she spoke to me without the slightest respect
20:27and on top of that she dared to question
20:29my way of running the jam business.
20:31So what?
20:32What do you mean, so what?
20:33I have to remind you that I took care of that business
20:35and besides, from one day to the next
20:37it was because your dear daughter
20:38failed you and hid in the hangar that you have.
20:41You omit its motives at your convenience.
20:43You are right.
20:44I omit the part where the business was a cover
20:46for the arms smuggling.
20:47Something you took advantage of?
20:49Say what you want.
20:51But not because of my good trades,
20:53because of my connections,
20:54because of the contracts obtained
20:56and because of the necessary adjustments in the business,
20:58the jams would be nothing more than a nice memory.
21:02You will say that.
21:03I do not rule out that your interests were others.
21:06How do you say?
21:07I tend to share my daughter's opinion, Lorenzo.
21:10What you say is very offensive.
21:13She has a lot of fun coming from you.
21:15I don't think I've offended you at any time.
21:17No.
21:18You only settle for deceiving me,
21:20which is worse and also offends a little.
21:22And we are with that.
21:23You deceived me to get you with the fourth part of my estate.
21:26You deceived me when you hid for your benefit
21:29that Pelayo and Cavendish were doing business.
21:31I would love to go to Rostraposo.
21:32It is true.
21:33In your discharge, it must be said
21:34that when you deceive the same person twice,
21:36it is more the fault of that person than yours.
21:38I better leave you today, this is impossible.
21:39But Lorenzo, I'm not going to stop until I throw you out of the promise.
21:42I already did it once
21:43and you came back thanks to Cruz's protection.
21:46But nothing lasts forever.
21:52I love you.
22:07Mr. Bézar, is everything going well with Mrs. Piaz?
22:09Yes, yes, yes.
22:11But it is not for her that I have brought you here.
22:16I wanted to call you,
22:17but not to talk about Mrs. Darre,
22:19but to talk about you.
22:23Yes, no, no, don't look at me like that.
22:25I think you already know where I'm going.
22:27Mr. Rómulo, you know perfectly well that you have already spoken to me.
22:30Yes.
22:31And you have also done it with Hanna.
22:32Yes, yes, I have already given you my opinion separately
22:34regarding your relationship.
22:36And I assure you that we have both taken good note of it.
22:39Yes, but given the circumstances,
22:40I think it is not too much to go a little deeper.
22:44Frankly, I think they have everything against it
22:47to embark on a path that I do not wish for anyone.
22:51They are going to suffer a lot, of course,
22:53even if they are good people and they do not deserve it.
22:56Mr. Bézar ...
22:57Don't interrupt me, I'm out of breath.
23:00Where were you going?
23:03That we were good people and that we did not deserve to suffer.
23:05That's it, yes, yes, yes.
23:07If they are going to fight together for that love,
23:09I predict a very difficult future for them.
23:13That, to put it mildly.
23:16That said, they are two adult people.
23:19They have the right to make their own decisions,
23:21to make their own mistakes.
23:23The truth is that I have given you so many advice
23:26since I was a child that you must be tired of me.
23:29No.
23:31Well, maybe a little.
23:34But I am very grateful for your concern, Mr. Bézar.
23:37I am not your father.
23:39But hey, I would like to think that I have done everything possible
23:42for everything to be fine,
23:44within my attributes as mayor.
23:47You are no longer a boy.
23:49You are a man.
23:51And you, Miss Expósito, a woman made and right.
23:55You are the owners of your lives, of course,
23:57and you have the right to govern them and pursue your illusions
24:01without anyone deciding for you.
24:05And that is why I have called you both to talk to you.
24:08What I mean is that I am not going to intervene
24:11in your relationship.
24:13And I'm not going to reveal it to the Marquises either.
24:17With this I mean that I have not seen anything,
24:20but that I would not like to see again what I have not seen.
24:24I don't know if I explain myself.
24:26No, no, Mote.
24:28What you mean is ...
24:29Yes, yes, please don't put me in more commitments.
24:32Ah, yes.
24:33Don't worry, Mr. Bézar.
24:36We will be discreet from now on.
24:38Yes, yes.
24:39Well, good luck.
24:42And I wish you all the happiness in the world.
24:45Thank you very much, Mr. Bézar.
24:50Can we go now?
24:52Yes, yes, yes, of course.
25:03Sir, Madam.
25:05I wanted to thank you for the enormous privilege
25:08that it has been to serve this house for so long.
25:11Very well.
25:12It has been a very demanding job,
25:15but I feel very honored and very proud
25:17to have served the Luján family.
25:19And we are honored by your good disposition, Salvador.
25:22Thank you, sir.
25:23Time has flown by.
25:25I still remember the first day I came to the palace
25:28that it was difficult for me to learn what was mine.
25:31For a reason.
25:33Yes, Madam.
25:34Because the demand has always been up to the good name
25:37of this palace.
25:38It can be said louder.
25:40I think it happens to all of us who serve here in La Promesa.
25:44We do not want to defraud the heads of service
25:46because that would mean that we are defrauding you.
25:50Interesting reflection.
25:52Thank you, Madam.
25:54You're welcome.
25:56And finally, I know you are aware
25:59that I have been offered a higher position in another palace.
26:02But please, I don't want you to think that I'm leaving
26:04because I'm not happy or I'm not at ease in La Promesa.
26:07Quite the opposite.
26:09In fact, the gratification that Mr. Baeza has given me
26:12is quite generous.
26:14The gratification?
26:18Well, sir, madam,
26:21I want you to know that I will never forget you.
26:25And that my loyalty and my gratitude
26:27will always be linked to this family.
26:30That gratification is a small sample of recognition
26:32for your dedication, Salvador.
26:34Small is a saying, right?
26:39We wish you the best in your new position.
26:42I know you will do as well as here.
26:44Thank you very much, Mr. Marquis.
26:46La Promesa will always be your home.
26:48Its doors will remain open to you.
26:52Well, you have already heard the Marquis.
26:54We are so grateful to you
26:56that we have even given you a gratification
26:58that is even excessive for you.
27:00He said generous, Cruz.
27:02Generous, excessive.
27:04Anyway, my husband says that the doors of this palace
27:08will always be open to you.
27:10And I tell you that I take note of the date
27:12on which you leave us.
27:14Let's see how long it takes you to return.
27:16Thank you very much once again, Salvador.
27:19Thank you, sir.
27:21Madam.
27:29We have taught him everything he knows.
27:31And he abandons us to serve others.
27:33And you also give him a gratification.
27:35In this house he will earn more
27:37and have more opportunities to ascend.
27:39It is human to want to progress, Cruz.
27:41Well, I do not agree, Alonso.
27:43This is a betrayal.
27:44A betrayal?
27:45Yes, a betrayal.
27:46And betrayals must be punished,
27:48not rewarded.
27:50Never forget them.
27:55Has Salvador gone up already?
27:56Yes, he has passed by here to say goodbye
27:58and he has gone up and shot.
28:00I understand very well why he wanted to say goodbye
28:02to the Marquises.
28:03Well, because he was born to be grateful, Lope.
28:05Well, you write them a note and that's it.
28:07It's not the same, Lope.
28:09It will not be the same, Mrs. Simona,
28:10but you save yourself the discomfort of being there
28:12in front of the Marquises.
28:13And I don't say it for the Marquis,
28:14I say it for the Marquise.
28:15Yes, that's true.
28:17Well, in any case,
28:18Salvador's thing is nothing more than
28:20goodbye, very good queen now.
28:22And well, it is not in vain
28:23that they see that you are grateful.
28:25Well, there would be a lot to talk about.
28:29Now it will turn out that gratitude is a bad thing.
28:32Nobody says that.
28:34The thing is to see who has to be grateful to whom.
28:38Don't start, Candela.
28:40In the end, the boy works for them
28:43and they pay him a salary.
28:45If we take into account how much work
28:48and how much the salary is,
28:50I think the Marquises would have to thank Salvador.
28:54Or not like that.
29:03Well, it seems that someone has remembered you,
29:08Mrs. MartÃnez.
29:09MartÃnez.
29:13Is it about virtues?
29:15Yes.
29:16Well, let's see what he tells us.
29:18Oh, my God, I trembled.
29:20Excuse me, Mr. Pellicer,
29:21but it is the first letter I have received
29:23since I left the town.
29:26Well, he has found a B,
29:28Cantaro's weapon.
29:32He says they have already arrived in the town.
29:35And what else does he say?
29:37That they have settled down very well.
29:39Good news.
29:41What else?
29:42That the trip was a bit long
29:45and Adolfito was quite protestant.
29:48Of course, he is very small.
29:53What?
29:54What does he say?
29:55Nothing.
29:56Little secret, no, huh?
29:57Little secret, no.
29:59We are?
30:02He says that as soon as they arrived,
30:04he realized that he could be very happy there.
30:08Oh, but how nice, Mrs. Simona.
30:10And that with the money we gave him,
30:13they were able to buy all the materials
30:16to make the arrangements the house needed.
30:24And he tells me to thank you all again
30:28for your generosity,
30:31for having renounced the gratification
30:34of Doña MarÃa Antonia.
30:37Well, she looks very happy, doesn't she?
30:41She is very happy, Lope.
30:43She says that for her it is wonderful
30:46to be able to spend time with the child,
30:48play with him, take care of him,
30:51cuddle him at night before going to bed,
30:53give him a little kiss, tell him a story.
30:56Poor thing.
30:57Come on, he doesn't deserve it.
31:00And he also says that every day
31:02he gets along better with his in-laws.
31:06And that is thanks to the fact that he already has a job.
31:09Look, bourgeois.
31:12In the house of a seamstress,
31:14sewing and fishing.
31:17And that he combines it
31:19also helping his in-laws in the garden.
31:24And that's it.
31:27That he loves me and that.
31:31Well.
31:34Well, it seems that Virtudes couldn't have done better for him, huh?
31:37Yes.
31:38It is seen that yes,
31:40that he had to leave,
31:43after all.
31:45Are you realizing, Mrs. Simona?
31:48A letter, news about your daughter?
31:52Yes.
31:55It is now you who reads the letter to us.
31:58That's the least of it.
32:02The important thing is that this letter is real.
32:28I'm going to miss you for a while.
32:32We will continue to have them.
32:34Yes, but it will not be the same.
32:37Of course.
32:38Although we see each other from time to time.
32:42Do you think?
32:43Yes.
32:45Look, all the days off I have
32:47will be for you and for me.
32:48All.
32:50I like that.
32:51Besides, now that
32:53we are going to see each other less,
32:54we will want to be together more.
32:58I hope so.
33:01Of course.
33:04There are those who say that with the distance
33:06one also forgets to love.
33:09Those are nonsense.
33:12I don't know, Salvador.
33:15I don't know.
33:17I don't know.
33:18I don't know, Salvador.
33:21Look, whoever said that phrase
33:23didn't love us as much as you and I love each other.
33:28Maybe.
33:30Of course.
33:32I'm actually happy that this opportunity came to us
33:35and suddenly ...
33:37Of course.
33:39I'm sure that soon we will get together
33:42and get married and start a family.
33:48Do you have it ready?
33:50Yes.
33:52I have already said goodbye to ...
33:54everyone.
33:55From ...
33:57the colleagues,
33:59the gentlemen
34:01and Lope too.
34:06Then go away now.
34:08Yes.
34:10Why are we going to delay it any longer?
34:19No, Maria, don't come.
34:21Please.
34:22Don't be silly, Salvador, please.
34:24If you don't, you'll never see me again.
34:29As we said, right?
34:31A farewell without pain.
34:34Only with love and ...
34:35and desire to prosper.
34:38That's it.
34:40Goodbye.
34:42Goodbye.
34:44Goodbye.
34:46Goodbye.
34:49And so everything will be fine.
35:01Salvador.
35:04I love you.
35:08I love you too, Maria.
35:19I love you.
35:31I love you.
35:48I love you.
36:05There is nothing to worry about, everything is fine.
36:07Father, be honest with us.
36:09I'm being honest.
36:10No, you are not.
36:12Are you going to deny your father?
36:15You yourself
36:17assured that things were not going well
36:19between mother and you.
36:21That's why we wanted to talk to you
36:22to see if we could help you.
36:23I don't need help.
36:25Great.
36:26Don't be stubborn.
36:27It's my thing, period.
36:29Father, if we could help you,
36:31maybe the three of us
36:32would find a solution.
36:33Yes, there is nothing wrong with letting yourself be helped.
36:35But that happens for being honest.
36:37Tell us what's going on and ...
36:40And why Cruz and you are like this.
36:43Like what?
36:46Well, tense.
36:47Tense.
36:49Father Catalina is right, they are tense.
36:51They look tense.
36:54We look tense because we are tense.
36:57But who is not tense in the promise?
36:59There are only confrontations between each other.
37:01Each one goes his own way and against the others.
37:04Not all.
37:06You are the exception.
37:08Well, yes.
37:10Neither Pelayo nor I have tried to attack anyone.
37:13In fact, since we arrived,
37:14we have tried to bother as little as possible.
37:17And I'm not going to be hypocritical.
37:20I knew that his return could find a hostile response.
37:23But of course he has not stood up to her.
37:25If the poor man is in his lair
37:26to try to bother as little as possible ...
37:28Hey, Catalina, we're not going to go around that anymore.
37:30It's very spoken.
37:32But you know it seems inappropriate to me
37:34that you brought Pelayo back after what happened.
37:38I trust you.
37:39But this time you have not been right.
37:41And I don't think you are in a position to give conjugal advice.
37:44Neither to your father, nor to anyone.
37:48And you, Manuel.
37:50You know I don't like to stir up the past.
37:53But I have to remind you how you got when your mother and I
37:55tried to mediate in your marriage.
37:57Everything was justifications and bad faces.
38:01So I don't think you are qualified to give me advice either.
38:11I'm sorry.
38:22The Zagala was happy.
38:24It was the opportunity that her real husband was waiting for.
38:27That forced him to leave.
38:30Yes.
38:31But they were going to double his salary.
38:33And that was very good for both of them.
38:35That life is very expensive.
38:37And having a family means making sacrifices.
38:42But then...
38:47Why did it hurt him so much that he left?
38:50It wasn't just the distance.
38:54What if something had broken between them?
39:12It's time.
39:14Marcelo, do you want to stop whistling?
39:15And stay still, for God's sake.
39:17How do I look?
39:23You look perfect.
39:24And you're also very handsome.
39:26I know.
39:27Hey, stop fooling around.
39:28This is not a game.
39:30It was just a joke, woman.
39:32Marcelo, I need you to focus.
39:34You can't screw it up again.
39:36I'm not going to screw it up.
39:38You'd better.
39:39Because it's still hard for me to understand that all this went well.
39:42What?
39:43It went well.
39:44Because we did it well.
39:45It went well by pure miracle.
39:47But I'm not always going to be able to cover up your mistakes.
39:49It won't be necessary.
39:50You'll see.
39:51I'm going to do it on request.
39:53I hope so.
39:54Look, you're getting serious, huh?
39:56Listen to me carefully.
39:57It's important that you do everything they ask you to do.
39:59Everything, with no exceptions.
40:02There will be tasks that you don't even know where to start.
40:04I'm already surprised, Gaby.
40:06Marcelo, do you want to listen to me?
40:08And when the time comes,
40:09don't even think about pretending that you know how to do something you don't.
40:12Got it?
40:13Got it.
40:14Everything you don't know, you ask.
40:15Nobody knows.
40:16Yes.
40:17And no improvising.
40:18Got it?
40:19Got it.
40:20And one more thing.
40:21Before you screw it up,
40:22if you don't have anyone,
40:23look for me and ask me.
40:24Is that clear?
40:25Yes, it's clear.
40:26Calm down.
40:28I'll calm down when I see that you're not going to screw it up.
40:30I'm not going to screw it up.
40:32I promise.
40:33I'm very grateful that you got me this job.
40:35Besides,
40:36this place is very nice and I want us to stay.
40:49I think I've never seen such beautiful gardens.
40:52My uncles, the Marquesas, have a large number of gardeners.
40:55And they demand a lot from them.
40:56That's why gardens are a great source of pride.
40:59Oh, look!
41:00Curro, Julia, Manuel.
41:01She's Julia,
41:02a guest from Martina.
41:06A pleasure.
41:07The pleasure is mine.
41:08I finally meet the other war hero.
41:11No, actually,
41:12neither Curro nor I are war heroes.
41:14That's questionable.
41:17The truth is that it isn't.
41:19In fact,
41:20we met someone at the front.
41:22War heroes.
41:23That's right.
41:24And I assure you
41:25they didn't look like us.
41:27That's right.
41:28And I assure you
41:29they didn't look like us.
41:31And what was the difference?
41:33That the hero has an ideal
41:35and is willing to die for it.
41:37Exactly.
41:38And it wasn't the case for the two of you.
41:40No, we got to a point
41:41where we just wanted to go home.
41:43And we had no intention of dying.
41:47Dinner time is approaching.
41:49The ideal thing would be to get ready.
41:52I understand that you're coming with us today, right?
41:55If you're going to stay a few days at La Promesa,
41:57you should meet the family.
41:59I'm a bit tired, to be honest.
42:02Don't worry about that.
42:04You'll have time to rest.
42:07I suspect you're shy, Julia,
42:09but I won't insist.
42:11Okay.
42:12But if you don't mind,
42:13I'll rest here for a moment
42:15and get ready right away.
42:17Perfect.
42:18Well, we're leaving.
42:22Julia.
42:25Julia.
42:49Do you like it like this, ma'am?
42:52It's not bad.
42:56In fact, it's very good, Teresa.
42:58It couldn't have been better. Thank you.
43:03What do you want, Petra?
43:05I wanted to talk to you, ma'am.
43:07Alone.
43:09You can go.
43:10Excuse me.
43:18How is it going with Teresa
43:20as a personal maid, ma'am?
43:24You haven't reported anything to me.
43:26If I haven't reported anything to you,
43:28it's because I didn't want to report anything to you.
43:30Well, yes.
43:31It bothers me that you have her busy
43:33with so many other tasks.
43:34She should be at my complete disposal.
43:37I can't do without her work
43:39in other functions, ma'am.
43:41It's hard enough for me to frame everything
43:43so that the palace functions as it should.
43:45Well, as you wish.
43:46But make sure
43:47that attending to me is your top priority.
43:49She's an excellent personal maid.
43:52Of course she is, ma'am.
43:55Anything else?
43:56Or have you only come for this?
43:58No.
44:00I wanted to ask you if you know
44:02how long Miss Julia will stay in the palace.
44:05Miss Julia?
44:07Yes, I would like to be informed
44:09so that I can organize myself with the service.
44:11Not only for the matter of the dormitory,
44:13but also for the food and the laundry.
44:16Who is that Miss Julia you're talking about?
44:19The girl whose niece, Miss Martina,
44:22invited her to stay in La Promesa, ma'am.
44:24The one who came to bring the earring
44:26that she had stolen?
44:27That's right.
44:28Apparently, as soon as she got here,
44:30she suffered a...
44:32a faint.
44:34And both Miss Martina and Mr. Curro
44:37thought it appropriate
44:38that she stayed here that night.
44:41How well does she know how to shoot with the king's gunpowder?
44:44The next morning,
44:46she and Miss Martina became such good friends
44:48that her niece decided to invite her
44:50to stay a season in La Promesa
44:52in gratitude for the earring.
44:55But she seems like a wild and discreet girl.
44:59Yes, so discreet that I haven't met her yet.
45:02Does the lady want her to come?
45:04No, thinking about it, it's better not.
45:07I have no desire to meet anyone.
45:10And how long are you going to stay?
45:12I don't know, ma'am.
45:14I remind you that I have precisely come to ask you that.
45:19Again with those?
45:21Again you come to me with unanswered questions?
45:24It's just that I don't think she or Miss Martina
45:26have said anything about it, ma'am.
45:28Well, I'm tired of everyone in this palace
45:30doing whatever they want
45:32without asking permission from anyone.
45:34That Martina invites a stranger to stay in the palace
45:37or that Catalina shows up with Pelayo without warning.
45:40I understand, ma'am,
45:42but it's because of her anger about her stepdaughter
45:44and Count Añil.
45:46You're always so sharp.
45:48Well, at the service station,
45:50we were all very surprised that the doors
45:52were opened to Count Añil
45:54after all the turmoil that was formed
45:56and the damage that the family has done to him.
45:58Especially Miss Catalina.
46:00I don't care about that.
46:02I don't know, ma'am.
46:03What matters to me is the family.
46:05If it were up to me, that girl could go to the end of the world
46:07with her count, married or unmarried.
46:10I'm so eager to get rid of her
46:12that I'm willing to suffer another scandal,
46:14the same or greater than the previous one.
46:18I understand what you're saying, but
46:20I have the impression that you're worried about something else.
46:25Your impression is correct.
46:28And what is it, ma'am?
46:30Oh, no.
46:32There's something else, but I'm not going to tell you.
46:34Look,
46:36maybe I'll tell Teresa later.
46:40No.
47:00Good afternoon.
47:02What are you doing, brushing your boots?
47:04They're mine. They were a bit dirty.
47:06I see.
47:08The new boy, Marcelo, has already joined.
47:10I gave him his uniform and he must be at work.
47:12And how do you see him?
47:13Very green.
47:14So green?
47:16The good part is that he gets up at will.
47:18That's something.
47:20Did you want something else?
47:21No.
47:26To tell the truth,
47:28I wanted something else.
47:30Well, you tell me.
47:34What's going on, Romulo?
47:36No, what's going on?
47:38I don't know what you mean.
47:39Your behavior.
47:40Lately, it's the strangest thing.
47:42My behavior is still the same.
47:44I don't know why you say that.
47:46I'm talking about your meetings with Hanna,
47:47with MarÃa Fernández, with Don Manuel.
47:49About your going out at night, so late.
47:51That's probably why you're wearing dirty boots.
47:54I mean that behavior.
47:56It's clear that something is happening that you haven't told me, Romulo.
47:59And until now, I haven't told you anything.
48:01I was hoping it would come out of you,
48:03but it doesn't seem to be the case.
48:06And I've had to lie several times
48:09for some of those meetings
48:11so that Petra wouldn't follow the trail.
48:14But I can't keep doing this forever
48:16if you don't tell me the truth.
48:18What's going on, Romulo?
48:30MarÃa, wait a minute.
48:31Let me help you.
48:33I don't know what these pumpkins will have,
48:35which are bigger than me.
48:36And that's not hard.
48:39You don't have to smile at me without wanting to.
48:41I know you have to be in a bad mood.
48:44Well, just so you know,
48:45I smile to make myself happy.
48:47That's also possible.
48:49Well, then smile all you want.
48:54I stayed inside, Hanna, when he left.
48:57Because I didn't want us to say goodbye at the door,
48:59because I said it was going to be more painful.
49:03And I think it still hurts.
49:06But now you have to think that he's not going to war,
49:08nor is he going far.
49:10He's in a stone house from here.
49:12Yeah.
49:15And besides,
49:16you told me that you will be able to see each other often,
49:18because you will be able to see each other on the days off.
49:20Yeah, Hanna, but that does coincide.
49:22Our day off.
49:24Well, I'm sure you're going to make it coincide.
49:28Look at me.
49:30And when you see each other,
49:31you're going to die of desire to be together.
49:33That's what we said to each other,
49:35to comfort each other.
49:37And because it's the truth.
49:39I hope, Hanna,
49:41that later things get complicated
49:43and nothing goes the way you want.
49:49Well, speaking of complications,
49:51could you talk to Mr. Baeza?
49:53About Mr. Manuel and you.
49:55Well, yes.
49:56And this time it has gone much better
49:58than the previous time.
50:00Really?
50:02Mr. Baeza told Manuel and me
50:04that he's not going to intervene
50:05and that he wants us to be happy together.
50:07Wow, Mr. Baeza.
50:09It must have been hard for him to take that step.
50:11He's a very rigorous man.
50:13But at least he gave it.
50:15And bless him.
50:16Yes, bless him.
50:18And Mr. Manuel and Mrs. Hanna
50:20will have the path cleared.
50:22And how far along the path are you?
50:25Well, much more advanced
50:27than we thought.
50:29Manuel, without telling him who he was,
50:31managed to get the new priest of the village
50:33to marry us in secret.
50:35In secret?
50:36Yes, in the hermitage,
50:37without telling anyone.
50:39Wow, with the new priest, right?
50:40That's the same thing,
50:41he cleans your house,
50:42he makes you a secret wedding.
50:45Well, although Manuel
50:46would have given you a good donation.
50:48I imagine.
50:51What's wrong with you?
50:52Nothing.
50:53Well, now you'll have to tell Mr. Manuel the truth, right?
50:56What truth?
50:58Well, what truth is it going to be, Hanna?
51:00You wanted to tell him before the war was over,
51:02and in the end you decided you weren't going to do it
51:04so as not to complicate things.
51:06No, I didn't tell him
51:07because you told me it wasn't the time.
51:09Well, but now it is.
51:10You have to step on the altar
51:11with a clear conscience.
51:15You have to tell Mr. Manuel
51:16how and why you came to the promise.
51:22Why?
51:30I shouldn't have come back.
51:32And I never intended to come back.
51:34It doesn't seem like it.
51:36If I came back,
51:37it's because Catalina came looking for me.
51:39Catalina.
51:40The parsley of all sauces, right?
51:43What other single woman
51:45shows up alone at a man's house
51:47and stays there for days,
51:48unconcerned about his honor
51:49and what they can say about her?
51:51I give you my word
51:53that Catalina's honor is intact.
51:55Do you think your word
51:56has any value at this point?
51:58And Catalina's honor?
52:00I don't give a damn.
52:02What bothers me
52:03is that shameless woman
52:04still doesn't care about
52:05the reputation of the family.
52:06I don't think that's the case.
52:08Catalina came to see me
52:09because she needed it.
52:12And this time has served
52:13so that we both realize
52:14that the love we have for each other
52:15deserves another chance.
52:17The love you have for each other?
52:19As if you had ever
52:20felt anything for her.
52:24Or have you not told her the truth yet?
52:26The truth is that I fell in love with her.
52:30And you know that.
52:31If that were true,
52:32you would have told her
52:33the other truth.
52:36Didn't she tell you that I was the one
52:37who knocked on your door
52:38to bring you to the palace?
52:40Didn't she tell you that our agreement
52:41consisted of you getting married
52:43and taking her away from here?
52:45Because, among other things,
52:46I don't think anyone in their right mind
52:47could stand her.
52:52Tell me,
52:53what will the smart and integrate Catalina
52:55think when she discovers
52:57that the only boyfriend
52:58she has had in her life
53:00was the one I had to buy?
53:08What are you up to
53:09with Hanna, MarÃa Fernández and Don Manuel?
53:11Don't insist, please.
53:12Come on, man, tell me.
53:14I thought there was mutual trust
53:15between the two of you.
53:16Yes, there is.
53:17And I value it a lot.
53:18That's why I'm asking you
53:20to leave me alone.
53:22I don't understand.
53:23Maybe I could help you.
53:24At the last minute,
53:25she decided to go out for dinner in Luján.
53:27I hope she managed to get
53:28the Count of Añil out of his cave
53:30and didn't leave alone.
53:31They went together.
53:32I'm sure your daughter and the Count
53:34have been very responsible
53:36and they went with a carabiner.
53:38From now on,
53:39in addition to her tasks
53:40such as the street
53:41and attending to Mr. Curro,
53:42she will be in charge of instructing Mr. RodrÃguez.
53:45He has just joined
53:46and it is always good
53:47that he works alongside
53:48an experienced lackey
53:49who serves as an example.
53:50You will be his godfather
53:51so that he learns this noble trade.
53:53Okay,
53:54I'll show you everything you need.
53:56What does he have there?
53:59Let's see ...
54:00Yes, he has a very irritated neck.
54:02What is red?
54:03Like a tomato?
54:04What's wrong with him?
54:05Is it possible that the cake
54:06we had as a dessert
54:07had nuts in it?
54:08Yes, because it was
54:09an apple strudel.
54:10Why?
54:12I was writing a letter to Salvador.
54:14But he just left.
54:16Yeah, but I've missed him
54:17since the first minute he left
54:19and I wanted to tell him.
54:21Well, it's nice that you do it.
54:22You don't leave anything inside.
54:24And you don't miss ...
54:26I'd better not bring that up.
54:28No?
54:29Yes, better.
54:31It still hurts a lot.
54:34I have something to tell you.
54:36Yes,
54:37I also have something to tell you.
54:40Hanna, you can't imagine
54:41how happy my body is.
54:44Sorry,
54:45I cut you off.
54:46You had something to tell me.
54:48The marmalades of La Promesa
54:49were a symbol of modernity,
54:51exquisiteness, good taste.
54:53Now you can't qualify
54:54that sugary, insipid paste.
54:56I had a confrontation with him
54:58about this issue
54:59and I spoke clearly to his face.
55:01You don't usually go around with people.
55:02Well, no.
55:03I told him I would do everything possible
55:04to get the company back.
55:06As you understand,
55:07my duty is to inform you
55:08of your visit to the lady.
55:10And I insist
55:11that there is no need.
55:13So you can receive her
55:14as she deserves.
55:16Lady,
55:17I'm sorry,
55:18but
55:19I can't allow you
55:20to access the palace
55:21through this entrance.
55:23Can you come with me to my office?
55:27Spend the whole day
55:29with Marcelo.
55:31It can provide
55:32a kind of trust
55:34between the two.
55:37It would be beneficial for you
55:41and also for me.