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00:00:00You
00:00:30So
00:01:00So
00:01:30So
00:02:00So
00:02:17Eins zwei drei vier fünf sechs sieben acht
00:02:21Neun
00:02:45Merci monsieur
00:02:52And don't hurt each other, monsieur. Martial art is a conversation between the weapons.
00:03:03Here you learn to survive, Count. Killed outside.
00:03:12Hey, uncle, uncle!
00:03:14Stop!
00:03:21Stop!
00:03:23Forgive me, Duke.
00:03:25Master Cocardas?
00:03:26Allow me to introduce you to my nephews, la gardiere.
00:03:28I thought he had committed himself as a soldier.
00:03:30I am released, Duke.
00:03:31Shouldn't it be for seven years?
00:03:33I killed a colonel.
00:03:35Compliment.
00:03:36My colonel.
00:03:37Oh.
00:03:38Well, because of a woman.
00:03:39You are forgiven.
00:03:40His wife.
00:03:42Aye, aye, aye.
00:03:44Can I do something for you?
00:03:46I am eager to find out your secret.
00:03:48My secret?
00:03:49The Nevers shot.
00:03:51Please grant me the honor of a fight.
00:03:53Your measurements irritate me.
00:03:55Do I want to help you?
00:03:57All right.
00:03:58En garde.
00:04:02Make room, monsieur. Make room.
00:04:12En garde!
00:04:14Allez, monsieur.
00:04:34I can't believe it.
00:04:36The Schneidsee is a Duke, my boy.
00:04:42Yes, that's how I like it.
00:05:08I like it.
00:05:10Good!
00:05:12Keep going!
00:05:38Well, let's prepare for the end.
00:05:45Look closely.
00:05:47I'll count to five.
00:05:49Then it's over.
00:05:54One, two, three, four, five.
00:06:00That would be your death.
00:06:08Your Excellency, it is our honor.
00:06:16Your Excellency, the Duke of Orléans is with us.
00:06:19I have to be somewhere, my friend.
00:06:21Ah, cousin!
00:06:23Cousin!
00:06:28My friends, to our joint name day I offer
00:06:33Philippe of Nevers and my cousin Philippe of Gonzaga.
00:06:36Where is this Gonzaga?
00:06:38He stands, as always, in the background.
00:06:43So, we offer our outstanding cousin Philippe of Orléans
00:06:47this dagger, forged to Toledo by Ramon Sanchez de Eridia.
00:06:53Well balanced.
00:06:54Yes.
00:06:55A little heavy maybe, huh?
00:06:57But beautiful.
00:06:58Thank you, cousin.
00:06:59You should try it right away.
00:07:00I recommend this one to you.
00:07:01A left-handed, come here.
00:07:03Why not?
00:07:04Who, me?
00:07:07And that he does not get a scratch.
00:07:09He must win.
00:07:11Why?
00:07:12Because the king is his uncle.
00:07:13They always kiss each other when they see each other.
00:07:19Completely undressed, completely undressed.
00:07:20So, let me see your art.
00:07:34Wait, this is mine.
00:08:05I slipped on a macrona.
00:08:08Who is amused here that I slipped?
00:08:14No, too heavy.
00:08:16I'll give you your present, Nevers.
00:08:20What is the name of our young hit head here?
00:08:23Lagardère, excellent.
00:08:24A name that I will remember.
00:08:35Help me.
00:08:38It hurts me.
00:08:39Touching your hump should bring you luck.
00:08:42Touch, not hit.
00:08:48This one is in my interest.
00:08:51I do not want to spend my whole life standing in the background.
00:08:55Pass.
00:09:04Pass.
00:09:23No.
00:09:26This Mississippi is to have, cousin.
00:09:29For very little money we can buy a huge area.
00:09:32Between the English possessions up there
00:09:34and the warm sea of Louisiana down here.
00:09:36A quarter of your fortune is enough.
00:09:39I guarantee an income of 10 to 1.
00:09:42These areas are fabulously, unfortunately poorly populated by wild tribes.
00:09:46However, we would get rid of them, with rum and organs.
00:09:49Money, he always talks about money.
00:09:51Are we cream?
00:09:53I do not want a bit of hair on my ears when I play cards with the princesses.
00:09:57Pass.
00:10:00Cousin, we have to serve the king in the fight for his fame.
00:10:03Do we die in the flower of our life?
00:10:05We have a right to it.
00:10:06And to trade over them is not negligible in our rank?
00:10:10You alone inherit my fortune.
00:10:12That is worthy of complaint, but be patient.
00:10:14A fourth ball, a happy duel,
00:10:18and you are rich.
00:10:20Done.
00:10:21But since you so like to waste my money,
00:10:23did you know that Moranvert is for sale?
00:10:25Yes, the old Moranvert had such toothache,
00:10:27there was only a gun left.
00:10:28Now his castle is empty.
00:10:30I want it.
00:10:31I love castles.
00:10:33Cousin, the Mississippi!
00:10:35Do not forget!
00:10:36Moranvert!
00:10:38For me!
00:10:44Hey, you there!
00:10:45Good evening, knight. What do you want from us?
00:10:47I have a letter for the Duke of Nevers.
00:10:49Give it to me.
00:10:50No, only to the duke.
00:10:52Gonzaga takes care of everything. I'll get him.
00:10:54Wait here.
00:10:55Wait here!
00:11:04Greetings, knight.
00:11:06I am a good friend of the Duke of Nevers.
00:11:08Give it to me. I'll bring him the letter.
00:11:10No, monsieur, only to the duke.
00:11:11My goodness, you stink just like your horse.
00:11:13I've been galloping for five days without a break.
00:11:16And by the way, I do not stink, I smell.
00:11:18Who sent you?
00:11:20Blanche von Quelus.
00:11:22That's a secret.
00:11:23There, opposite, you can drink something.
00:11:25Come on, give it to me. I'll bring it to the duke.
00:11:27There's nothing to do.
00:11:28I'll give it to him personally.
00:11:32There I may play cards with the princesses.
00:11:34Very well, duke.
00:11:38Duke!
00:11:39Where are you going?
00:11:40Duke, it's me!
00:11:41Him again.
00:11:43This letter against my revenge.
00:11:45Jerome, hand it over to him. Come on, go ahead.
00:11:47No, duke, I get angry quickly.
00:11:49And then I kill lackeys, not just officers.
00:11:51Give him the stick, that's enough.
00:11:53Bring this letter to the duke.
00:11:55No, no, no, only personally, the duke said.
00:11:57Only for you personally, duke.
00:11:59From Blanche von Quelus.
00:12:01Blanche von Quelus?
00:12:03Let him go.
00:12:04You read better than I do.
00:12:06I'll try.
00:12:08My dearest,
00:12:10have you received
00:12:12my letters so far?
00:12:14What letters? Read faster.
00:12:16You like to joke. I've never read a letter myself.
00:12:18All right, all right.
00:12:20This is the letter to the duke.
00:12:22The letter to the duke.
00:12:24The letter to the duke.
00:12:26The letter to the duke.
00:12:28The letter to the duke.
00:12:30The letter to the duke.
00:12:32The letter to the duke.
00:12:34This is the twelfth letter
00:12:36in twelve months.
00:12:38You had sworn
00:12:40eternal love to me.
00:12:42You kept this promise
00:12:44involuntarily.
00:12:46Your love oath
00:12:48weighs eight pounds.
00:12:50It has emerald green eyes.
00:12:52What?
00:12:54Completely clear,
00:12:56your child meant.
00:12:58And then?
00:13:00Your love oath
00:13:02weighs eight pounds.
00:13:04It has emerald green eyes.
00:13:06Your love oath
00:13:08weighs eight pounds.
00:13:10It has emerald green eyes.
00:13:12Your love oath
00:13:14weighs eight pounds.
00:13:16It has emerald green eyes.
00:13:18Your love oath
00:13:20weighs eight pounds.
00:13:22It has emerald green eyes.
00:13:24Your love oath
00:13:26weighs eight pounds.
00:13:29And I didn't know
00:13:31what had become of the other letters.
00:13:34I thought she had forgotten me.
00:13:37I was just as desperate as she was.
00:13:39But nobody saw that.
00:13:41I wasn't trained to
00:13:43show my feelings.
00:13:44It's decided.
00:13:45Tomorrow I'm going to Queluz
00:13:46and I'm going to marry the beautiful Blanche.
00:13:48Thank you very much.
00:13:50Thank you for this son you gave me.
00:13:53Ah, cousin,
00:13:54have you heard the news?
00:13:56I'm getting married.
00:13:57And guess who?
00:13:58Blanche of Queluz, right?
00:13:59Cousin, do you still love her?
00:14:01Forget her.
00:14:03Ah, I forgot a little thing.
00:14:04She gave birth to my son.
00:14:05You are no longer my heir.
00:14:07But I double your benefits.
00:14:08I'm sure you will love this child.
00:14:10You have to love it.
00:14:12And clean up this letter for me.
00:14:14Find out what has become of the others.
00:14:27I love you.
00:14:57He stole my love from Blanche.
00:14:59He's going to eat me.
00:15:01He's going to eat me with his almonds.
00:15:09Find me Pirol.
00:15:11Pirol!
00:15:28Pirol!
00:15:39Look, Pirol.
00:15:41He's got a sharp blade.
00:15:43The youngest one?
00:15:44We can't do without him.
00:15:47Dear God, my intestines are burning.
00:15:57How much is an arm that leads the dog?
00:15:59A month, an hour?
00:16:01Just for tonight.
00:16:02We have a guest.
00:16:03Ah, tonight?
00:16:04I don't have time.
00:16:05For 100 louis.
00:16:06For 100 louis?
00:16:07I'll slaughter everyone.
00:16:08What do I have to hear?
00:16:10You sell your services for a paid salary?
00:16:12You're ruining our business.
00:16:13200 would be a great price.
00:16:14300 seems reasonable to me.
00:16:15Pirol, you're crazy.
00:16:17100 louis right away.
00:16:19Another 100 at the delivery of the corpse.
00:16:21I pay, you obey me.
00:16:23I have to bow for so much elegance.
00:16:28Come on, let's go inside.
00:16:36He's coming.
00:16:46May I know who the lucky one is we're slaughtering?
00:16:49I won't pay for your curiosity.
00:16:51Let's go.
00:16:57Let's go.
00:17:11This is his city.
00:17:12Everyone does what he wants.
00:17:14Leave it, Martin.
00:17:15We'll be there soon.
00:17:16I'll go by foot.
00:17:17Hey, foreman, clear the road.
00:17:27This is the Duke of Nevers.
00:17:29What's he doing?
00:17:57Come on.
00:18:28Ha!
00:18:54Merci.
00:18:56You coward.
00:18:57Duke.
00:19:00It's me.
00:19:01Again?
00:19:02This time I won't spare you.
00:19:15That was another tactic.
00:19:19Are you a stupid murderer now?
00:19:20Who pays you?
00:19:22An ugly face.
00:19:24That's too bold.
00:19:25I'll spare your life if you tell me who pays you.
00:19:28I don't know.
00:19:29And even if I do, I'm not used to betraying you.
00:19:32Are you used to dying?
00:19:34Right now?
00:19:38Nothing can save you anymore.
00:19:40How do you feel so close to death?
00:19:52What's wrong?
00:19:55Come to me.
00:20:03A good hunter, this Lagardère.
00:20:05He brings his prey there.
00:20:06Be quiet, Cretin.
00:20:07The opposite is the case.
00:20:13Put him down there.
00:20:15Salt, vinegar.
00:20:16Quick.
00:20:17Quick.
00:20:23Do it again.
00:20:27You have publicly insulted me.
00:20:28You owe me for the good deed.
00:20:29You will fight with me, but on my side.
00:20:31You were not a traitor.
00:20:32I take you in my service.
00:20:35Ride with me to Queluz.
00:20:36You are my escort.
00:20:38And my wage?
00:20:39Your life in a straw bag and bread.
00:20:41Perfect, my duke.
00:20:43Pierre, I'm leaving.
00:20:44The right wing will be pink carpeted.
00:20:45No, blue.
00:20:46It's a boy.
00:20:47And buy two amens.
00:20:48Two tributes from the country.
00:20:49That's what we need here.
00:20:50The laughter of a child.
00:20:55Nevers may not reach Queluz.
00:20:59Within two days I want his death.
00:21:02But, Count.
00:21:03Killing him is not enough.
00:21:05So inherit his child everything.
00:21:07As long as Nevers is not married,
00:21:09his offspring is just a bastard.
00:21:13And under the bastard is nothing.
00:21:15Nothing.
00:21:24Very good.
00:21:25Forward!
00:21:33Today we will spend the night in my castle Lombrel.
00:21:46The old...
00:21:47...the king...
00:21:49...wanted to marry me to a Flemish princess.
00:21:51A Fas.
00:21:52Gertrude van den Bloyken.
00:21:56They will all make a face when they hear about my marriage.
00:21:58I always acted as if I only loved boys.
00:22:00Have you ever seduced a boy?
00:22:02Oh, no.
00:22:03Not that, no.
00:22:04Quite right, dear friend.
00:22:06Good night.
00:22:15Good night.
00:22:30About a year ago I met Blanche at the ball of the throne.
00:22:33I had never seen Gonzaga so fascinated by a woman.
00:22:37Of course I came to him. I love to annoy him.
00:22:40We dance, drink champagne, I make her laugh.
00:22:43The night was wonderful.
00:22:44The Waltz of Versailles was a single concert of love.
00:22:48We also partied.
00:22:51Tell me, where were you actually born?
00:22:54I was found in the ruin of the Lagardère Palace in Paris.
00:22:57After that I lived under the bridges.
00:23:00Under the bridges?
00:23:01Oh, I would have loved that.
00:23:02So your parents allowed you to spend the night outdoors?
00:23:06Monsieur Damme, look closely.
00:23:09Look at my great hero's courage.
00:23:13When he throws coins, I jump into the river.
00:23:19Bravo!
00:23:20Monsieur Damme, look closely.
00:23:23Look at my great hero's courage.
00:23:27At eight I jumped from the Pont Neuf into the Seine to get the coins out,
00:23:31which the gaffers threw at me.
00:23:33Sometimes I had to crouch and slip into baskets or hat boxes.
00:23:38Then you were a kind of... I don't want to offend you, but...
00:23:40You wanted to say a gawkler.
00:23:42Yes, a gawkler.
00:23:50You're not a lost child, are you?
00:23:52No, Duke, I would rather say I found it.
00:23:55Found by Crocker Das and Pasquale,
00:23:57the two who taught me the art of fencing.
00:23:59And a few other little things.
00:24:03Allow me a remark.
00:24:04When you gawk, you keep your mouth shut.
00:24:06You ask me uninterrupted questions. I have to answer.
00:24:09And you don't speak with a full mouth.
00:24:11That's the way it is. Make sure you can do it.
00:24:17Excuse me, Duke.
00:24:19Have you noticed that you've been talking to me for three days?
00:24:25May be.
00:24:33May be.
00:24:58Da!
00:25:04In the next village we'll take fresh horses.
00:25:07And tomorrow we'll be in Chilus.
00:25:11Escalade is before us.
00:25:13I'll make my son the Marquis of Escalade.
00:25:15Isn't Marquis of Escalade handsome?
00:25:17You could say that. Your son is really lucky.
00:25:19Oh, yes.
00:25:20I like you, my friend.
00:25:22Tell me, do you want to be nobleman?
00:25:25I can do that with the strength of my rank as Duke of Nevers.
00:25:28Just Lagardère, that sounded ordinary.
00:25:31Kneel.
00:25:32On your knees.
00:25:34Your first name?
00:25:35I've never had anything like that.
00:25:37You really lack everything.
00:25:41The knight's strike.
00:25:44I strike you to the knight Lagardère.
00:25:58The knight's strike.
00:26:29Let's go.
00:26:30No, no, that's madness.
00:26:31Don't worry, the farmers also drive their cattle over there.
00:26:33Good, but not both at the same time.
00:26:59Help!
00:27:12There's Perol with his horses, he's dead.
00:27:14Hurry to Chilus, I'll stop them here.
00:27:16You'll never make it.
00:27:17Hurry, hurry, Duke, run away.
00:27:22Then listen to me carefully.
00:27:24The first tactic is known to you.
00:27:26The second makes you invincible.
00:27:32Go, attack.
00:27:33Septim Parade.
00:27:34Riposte.
00:27:35Quad binding.
00:27:37Batuta on the arm.
00:27:39Tear the opponent around, exchange weapons.
00:27:42Disarmament.
00:27:44Punch in the forehead.
00:27:45Yes.
00:27:48But he can't penetrate into the forehead.
00:27:51Yes.
00:27:52Right here, at this point.
00:27:54Now you.
00:27:57Ouch.
00:28:09Now we are blood brothers, knight.
00:28:11You made me immortal, Philip.
00:28:13Immortal.
00:28:15Now I can keep up with an army.
00:28:18Immortal.
00:28:26Yes.
00:28:56Wow.
00:29:27Shh.
00:29:39No!
00:29:48No!
00:29:57No!
00:30:17Blanche.
00:30:19Does the bastard dare to raise his voice?
00:30:22Yes, father.
00:30:23He shall remain silent.
00:30:24I forbid him to speak under my roof.
00:30:26He is a newborn.
00:30:27One more reason for him to remain silent.
00:30:29The shame has no age and no forgiveness.
00:30:33Baron, someone wants to see you.
00:30:36I never receive in the morning.
00:30:38Not in the afternoon and even less in the evening.
00:30:40And now get lost.
00:30:41Baron, I told him, but...
00:30:44Baron?
00:30:47Blanche.
00:30:48Blanche.
00:30:53Monsieur, even if you were a prince.
00:30:56He is a prince.
00:30:58My prince.
00:31:02Philippe Louis-Charles von Villepin,
00:31:04Duke of Nevers, Marquis of Lognes,
00:31:07Vicomte of Dancy,
00:31:08Lord of Soindre,
00:31:09D'Amartins and Poussinval.
00:31:11Do you want to take the present Blanche Aurore
00:31:13and Marie of Colus as your wife?
00:31:16Yes.
00:31:18I do.
00:31:19In the name of Christ, I declare you husband and wife.
00:31:43Would you like to dance with me?
00:31:48Oh.
00:32:18Let's go.
00:32:48Ah!
00:33:18Oh, my little one.
00:33:21Just look.
00:33:22It's your picture.
00:33:24I would like to take yours.
00:33:28Delightful.
00:33:31Oh, yes.
00:33:49Yes.
00:33:50Ouch!
00:33:55So.
00:33:56And now to bed.
00:34:03I lost my wreath.
00:34:05My wreath of orange flowers.
00:34:07The only thing I have to keep when I leave you.
00:34:10Later.
00:34:11No, no.
00:34:12That brings bad luck.
00:34:14Find it for me.
00:34:15I beg you.
00:34:16Look for it.
00:34:18Madame,
00:34:19I am ready for your slave.
00:34:48I am ready for your slave.
00:35:18I am ready for your slave.
00:35:20I am ready for your slave.
00:35:41Faster!
00:35:42Faster!
00:35:43What is it?
00:35:44The wreath,
00:35:45the wreath of children.
00:35:46The baby's umbilical cord!
00:35:47What is it?
00:35:49Tell me!
00:35:50Later, later!
00:36:10Stop!
00:36:12Go!
00:36:17Let me go!
00:36:26Through the castle, I'm on my way!
00:36:32Take the baby!
00:36:33Bring it on!
00:36:35Let me go!
00:36:39Save the baby, Philippe!
00:36:40Save the baby!
00:36:43Save the baby!
00:36:46Stop!
00:37:16No!
00:37:17No!
00:37:18No!
00:37:47This way!
00:37:48This way!
00:38:15You?
00:38:19I'd give my life for you ten times over, you traitor!
00:38:22I'll only take it from you once, cousin.
00:38:35I marked you!
00:38:36Won't you come to La Gardere?
00:38:38Is La Gardere coming to you?
00:38:45I'll get the horse.
00:38:46Not necessary.
00:38:47I'm on my way.
00:38:48To the other country.
00:38:52They have my wife.
00:38:55My child only has you.
00:38:57Save it.
00:38:59And give birth to me.
00:39:01In one, ten or twenty years.
00:39:04Give birth to me.
00:39:06I know the murderer.
00:39:07Who is he?
00:39:08Who?
00:39:09Who is the murderer?
00:39:11Who?
00:39:12Who is the murderer?
00:39:20Philippe.
00:39:21I swear.
00:39:23In one, ten or twenty years, I'll have done you justice.
00:39:40No!
00:40:10No!
00:40:40No!
00:41:04Is anyone there?
00:41:11So, my friend.
00:41:13Voila.
00:41:19Are you hungry?
00:41:22Wait.
00:41:26Yes, yes.
00:41:32Wait, little man.
00:41:33Right away.
00:41:34Patience.
00:41:41No.
00:41:44It will be.
00:41:46The two men will do it.
00:41:49I'm still practicing.
00:41:52At some point I can do it, my boy.
00:41:58Oh, you, my fright.
00:42:00A girl.
00:42:01The whole stand up for a woman's image.
00:42:11Oh, oh.
00:42:13Good.
00:42:14I'll wait until everything has calmed down.
00:42:16Then I'll bring you back.
00:42:19Bring back?
00:42:20To whom, actually?
00:42:22Nobody lives anymore.
00:42:24Fall asleep, my little child.
00:42:29Dream of something beautiful and that vibrates.
00:42:33Dream of heaven and nature.
00:42:41Yes, my heart, these are the first.
00:42:44This is called a flower.
00:42:46Soon it will be spring.
00:42:48But yes, and spring is full of hope.
00:42:52Tomorrow, at the latest the day after tomorrow, we'll go down from here to the people.
00:42:56Yes?
00:42:58Then we'll look for a family, a very dear one.
00:43:11Oh, oh.
00:43:16Oh, oh.
00:43:23Can you understand me?
00:43:25Do you understand me?
00:43:27Yes, what's up?
00:43:29Please be so nice and let us rest a little with you.
00:43:32My son, Marcello, fell into the river.
00:43:37He is put to gelato.
00:43:39Come here.
00:43:40Thank you.
00:43:44Do you want soup?
00:43:46Well, it seems to be better for him.
00:43:48And go.
00:43:52What is the name of the knight of my son?
00:43:56Unimportant, knight enough.
00:43:58Bene, grazie, knight, grazie.
00:44:02Are you artists?
00:44:03Ambulante.
00:44:05On markets and castles, at weddings and funerals.
00:44:08With simple tricks we bring people to laugh.
00:44:11With words and grimaces.
00:44:17In a village, the host told me about a drama.
00:44:22Unbelievable.
00:44:24Terrible.
00:44:26Like in the theater.
00:44:28A whole wedding society.
00:44:30Three tailors from here.
00:44:31They are looking for a culprit.
00:44:33He stole a child.
00:44:36A child saved.
00:44:40I will not ask any questions.
00:44:42Thank you, Signore Paolo.
00:45:02You are so ugly.
00:45:08Be quiet, be quiet.
00:45:10She is crying.
00:45:11I do not hear anything.
00:45:13Aurora does not cry at night.
00:45:15The first spell maybe.
00:45:17Yes, yes, I'm coming.
00:45:20Who is screaming?
00:45:21What is it?
00:45:22Nothing, nothing.
00:45:24Are you well, my little angel?
00:45:25Yes, yes, yes.
00:45:30Sleep, my little one.
00:45:32Sleep, sleep.
00:45:35She had a bad dream.
00:45:37Yes, yes, yes.
00:45:46Well, let's rest a little.
00:45:48Oh no, let's go for a walk.
00:45:52Bravo, Capitano.
00:45:55Go to your grandma, go.
00:45:59Come on, give it to me.
00:46:01Come on.
00:46:05Goodbye.
00:46:26You are cold.
00:46:28You are cold.
00:46:55You are cold.
00:46:57You are cold.
00:47:25Paolo.
00:47:26Paola.
00:47:27Follow me.
00:47:55Hurry up.
00:48:09Hide here.
00:48:11Hurry up.
00:48:21An accident, a big accident.
00:48:23A man and his child fell into the water.
00:48:26The gore got stuck.
00:48:28Bring her here.
00:48:30Do you think I wet my boots?
00:48:32Hey you, fish her out.
00:48:55Let me kiss the poor child one last time.
00:48:58Oh, save yourself the sight.
00:49:00She is badly affected by the rocks and her brain is ...
00:49:03I don't understand you.
00:49:05Here is the little one.
00:49:08For the family.
00:49:11Ah, she is almost exhausted.
00:49:25Let's go.
00:49:56Mama.
00:49:58Mama.
00:50:00Mama.
00:50:03Mama.
00:50:25What?
00:50:27I'm not just a widow.
00:50:29My pain-stricken mother is dying.
00:50:32Calm down.
00:50:36I understand you.
00:50:38Forgive me what I'm saying now, but ...
00:50:40You have a great fortune that you,
00:50:42in memory of Nevers' love,
00:50:44to protect against the greed of others and evil coincidences,
00:50:48are obliged.
00:50:50By the death of my father,
00:50:52I already have a fortune with which I do not know what to do.
00:50:55Good, madam.
00:50:57It is a balm
00:50:59for the pain of the soul.
00:51:01Our cousin is absolutely right.
00:51:03Those who do good, do not do evil.
00:51:05Our dear Ursuline can prove it.
00:51:08It's so hard.
00:51:10I'm tired of living.
00:51:12You will get by.
00:51:14Madam, you are not alone as you think.
00:51:18Wasn't there also a small medallion
00:51:20with the name of the child?
00:51:22Aurora.
00:51:24I already said no to you.
00:51:26Under the threat of life,
00:51:28in an isolated mountain castle,
00:51:30there was no medallion.
00:51:32I know it's a weak consolation,
00:51:34but I can tell you
00:51:36that the murderer, the child thief,
00:51:38Lagardère, is drunk.
00:51:40He has thus experienced justice.
00:51:42Oh my God!
00:51:44My child!
00:51:46Why did this have to happen?
00:51:49To do evil is the only joy for some.
00:51:51In the name of the family council,
00:51:53the chairman of which I have the honor,
00:51:55I order Consarga
00:51:57to be the curator of the inheritance.
00:51:59With the task of managing
00:52:01your fortune in terms of well-being.
00:52:08Finally we will show who we are.
00:52:13And you will love me, madam,
00:52:16because I love you.
00:52:21I love you.
00:52:49All right, darling?
00:52:51Hop, hop, hop!
00:52:53Tell me, Papa.
00:52:55Die, you scoundrel!
00:52:57Only death remains for you!
00:53:01Hooray!
00:53:03I love you!
00:53:21Hooray!
00:53:27Hop, hop!
00:53:29Come on!
00:53:31Keep going!
00:53:33You lazy buggers!
00:53:35Ho, ho!
00:53:38My darling!
00:53:40Heya!
00:53:42Can you read on?
00:53:45The Handling of the Florets
00:53:47by Sieur La Perche du Coudray.
00:53:49Page 12.
00:53:52The fencing instructor
00:53:54goes to the Septic Invitation.
00:53:56No, Septim, Septim!
00:53:58Spell it!
00:54:00S-E-P-T-I-M.
00:54:02S-E-P-T-I-M.
00:54:04S-E-P-T-I-M.
00:54:06S-E-P-T-I-M.
00:54:08Septim.
00:54:10S-E-P-T-I-M.
00:54:12Oh, yes, Septim.
00:54:21We're buying in too much.
00:54:23Of what?
00:54:25Of everything. Even artists have to understand
00:54:27that the expenses have to stay below the announced ones,
00:54:29otherwise...
00:54:31We have to create savings.
00:54:33Who knows what the future will bring?
00:54:35For me, the future is now or never.
00:54:40The water is ice-cold!
00:54:42Wonderful!
00:54:48Stop!
00:54:50That's a nice little fish you've got there.
00:54:59I'm coming out!
00:55:01No, no, stay there!
00:55:03Wait!
00:55:05You could at least have a sense of shame.
00:55:07You're not even ten anymore.
00:55:09Oh, all of a sudden?
00:55:11I'm usually a little girl.
00:55:13You don't belong with people like that.
00:55:15But I don't know these men at all.
00:55:17And me? Am I nobody?
00:55:19Am I nobody?
00:55:21You're my father. A father is not a man.
00:55:23Oh, thank you.
00:55:25I'm even very shameful.
00:55:27Ask Giuseppe how many times I've missed him.
00:55:29And Marcello?
00:55:31Marcello? With Marcello it's like with you.
00:55:33He's my brother.
00:55:35I mean, he's my brother.
00:55:37I spend all my time with him,
00:55:39teaching him as a father.
00:55:41I mean, from morning to night I'm trying to...
00:55:44Oh, yes, you're trying.
00:55:46Where are the others?
00:55:48In the city, I think.
00:55:50Come on!
00:55:57Forward!
00:56:02Where are your men?
00:56:04I don't see any.
00:56:05All these pretty little asses are so needy.
00:56:08And him? Is he a goat or what?
00:56:10I'd rather say a kind of donkey.
00:56:16Let go! Get away from me!
00:56:18Get away from me!
00:56:20Get away from me!
00:56:27Help!
00:56:29Donkey!
00:56:36Help!
00:56:38Help!
00:57:05Help!
00:57:16You ugly toad!
00:57:18Stop it!
00:57:35Stop it!
00:57:56Who taught you that, Papa?
00:57:58What do you mean?
00:58:00To fight.
00:58:02I was born to do that.
00:58:04I just need a stick in my hands.
00:58:06But no.
00:58:08You did everything like you did with that thing.
00:58:10Just like that.
00:58:14Stop it! That's no game for a girl.
00:58:17It's not a game at all.
00:58:19Why don't you ever listen?
00:58:21Why do you always resist like a boy?
00:58:23No mother taught me to be a girl.
00:58:25I'm your mother.
00:58:27Yes, my mother, my father, everything.
00:58:31I'll tell you a secret.
00:58:34A family secret.
00:58:36What you just saw was the Nevers hit.
00:58:39Who is Nevers?
00:58:44Nevers is a very kind man.
00:58:52I'll tell you one day.
00:58:54One day? So you never mean...
00:58:57Come on, I'll teach you the Nevers hit.
00:59:01Come on.
00:59:05First you have to confuse your opponent
00:59:07before you make the last move.
00:59:09To the knee,
00:59:11septim parade,
00:59:13riposte,
00:59:15fall,
00:59:17quad,
00:59:19bindung,
00:59:21batuta on the arm,
00:59:23tear the opponent around,
00:59:25disarmament and straight shot
00:59:27into the forehead.
00:59:29But the blade can't penetrate there.
00:59:31Here, between the eyes.
00:59:33A weak spot.
00:59:39Well, again from the beginning.
00:59:41En garde.
00:59:51And he's finished.
00:59:53Your opponent with a single hit.
00:59:56Two to beat, ladies and gentlemen.
01:00:01Guys, attention!
01:00:04Attention!
01:00:06The famous
01:00:08company
01:00:10of the farmer Columbine.
01:00:12Did you see that?
01:00:14Yes!
01:00:16I'll pierce you with my long thing.
01:00:18With my long thing
01:00:20I'll pierce you.
01:00:22Ha!
01:00:24You miserable!
01:00:26Oh!
01:00:28She's punished,
01:00:29I replaced Columbine
01:00:31with the deadly shot.
01:00:40Papa,
01:00:42do the Parisians never laugh?
01:00:44Parisians laugh everywhere,
01:00:46but not at a comedy.
01:00:48Marcello!
01:00:50She!
01:00:52Quick, quick, we're almost there.
01:00:54Hurry up!
01:00:56I'm almost there.
01:00:59Did you see those two?
01:01:02Lovely kisses, as sweet as honey.
01:01:05They want to taste the secret of life.
01:01:08You're jealous.
01:01:11Marcello is a gaukler
01:01:13and I don't want Aurore to marry a gaukler.
01:01:15Forgive me, Paolo, but...
01:01:17It's fine.
01:01:30Ah!
01:01:40Your dinner will take place at my place tonight.
01:01:43You may join us.
01:01:45Everything else will be arranged.
01:01:50Papa, my admirer invites us to dinner.
01:01:53I'm not ready yet.
01:01:55You're not invited either.
01:01:57Only Marcello and me.
01:01:59To where?
01:02:01To Paris!
01:02:06Come on!
01:02:08Place Royal!
01:02:25Come on, come on!
01:02:30Go on, go on, my child.
01:02:45...to the Church of God and to the King.
01:02:49That's a lot.
01:02:51Come on, my dear.
01:02:53I'll show you the way.
01:02:55Good evening, my friend.
01:02:56Good evening, my friend.
01:02:58To the beauty of the night!
01:03:03Ah!
01:03:05D'Argensin, for you.
01:03:07Food for your little mouth.
01:03:09Are you as beautiful as you look from behind,
01:03:11should you forget the women's room, my dear?
01:03:20Do you like theater?
01:03:23Yes.
01:03:26Ah!
01:03:42Ah!
01:03:44What's going on, Louis-Joseph?
01:03:46I knew it right away.
01:03:48The slut is a bitch!
01:03:50Marcello!
01:03:52Leave some for him.
01:03:53I offer ten pistols for him.
01:04:23Ah!
01:04:33Ah!
01:04:50You have one minute to live.
01:04:54Yours is already gone.
01:04:57Confuse the enemy.
01:05:07Ah!
01:05:16Dead!
01:05:18Ah!
01:05:20Ah!
01:05:21Ah!
01:05:23Oh, no!
01:05:25Oh, no!
01:05:27My God!
01:05:30Dead?
01:05:32Who?
01:05:34Louis-Joseph?
01:05:36Our best blade-fighter?
01:05:39The blow was, I suppose...
01:05:41Tremendous.
01:05:43This boy was inconspicuous.
01:05:45Nice legs.
01:05:47Show me how he did it.
01:05:48First he opened,
01:05:50then a parade of bullets,
01:05:52then a flash of a baton on his arm,
01:05:54as far as I could see.
01:05:56And hop!
01:05:58Louis-Joseph had one more hole.
01:06:00There.
01:06:02There?
01:06:05And where did he play the game?
01:06:07On a Yarmouth.
01:06:09Where else?
01:06:11A theater, a comedy.
01:06:13In Paris?
01:06:15No, a little further away, in the village of Chaillot.
01:06:16A theater in Chaillot.
01:06:19Urbain, bring the Baron out.
01:06:22Thank you, my sincere thanks.
01:06:24You have amused me, as always.
01:06:27Thank you very much.
01:06:29Have you heard, Essock?
01:06:31Impossible, Count.
01:06:33Nevers brought the secret of the blow into the grave.
01:06:35You mean Lagardère?
01:06:37He knew the secret, too.
01:06:39Lagardère, but he's no longer a boy.
01:06:41For Dajonson, all men are young and classy.
01:06:43This devil of Lagardère died 16 years ago, didn't he?
01:06:44And if he didn't die?
01:06:47Then Aurore could...
01:06:49Count, how should she have come out of the family grave of Nevers?
01:07:08Open it.
01:07:14Open it.
01:07:24We were led into the light.
01:07:27She's alive.
01:07:29That's for sure.
01:07:31Nevers' daughter is alive.
01:07:3516 years of hard work,
01:07:38grudges,
01:07:41crimes, and then this!
01:07:44If the heirs reappear now, I'm lost.
01:07:47Then you demand the heirs from me, and everything is lost.
01:07:50He's come back. Lagardère is among us.
01:07:52That's him, the murderer.
01:07:54He's come back.
01:07:56Tonight in the cello, tomorrow at the regent's,
01:07:58and soon you'll find my neck under the ball of the henchman.
01:08:00And what will become of you, you idiots?
01:08:02You'll be skinned.
01:08:04You'll be skinned on the blasted grave.
01:08:06Find him.
01:08:08Kill him.
01:08:12Forward!
01:08:14Forward!
01:08:21Come to us, the comedians,
01:08:23and give us your applause.
01:08:26You can laugh.
01:08:28You can cry.
01:08:30Heiliger Bim Bam, do you hear that?
01:08:32Oh, that bastard!
01:08:34That means he's not dead.
01:08:36If you throw coins at him,
01:08:38I'll jump right in.
01:08:39I don't think so.
01:08:45Oh, my uncle.
01:08:48Come here, let me push you, uncle.
01:09:09Get out of here.
01:09:11Get out of here.
01:09:13Get out of here.
01:09:15Get out of here.
01:09:17Get out of here.
01:09:19Get out of here.
01:09:21I want that damned Lagardère who's hiding among you.
01:09:24I'll be back tomorrow
01:09:26and burn your shops, your children, your women's paintings,
01:09:28and your bones.
01:09:30You have a 12-hour deadline,
01:09:32but tomorrow everything will be on fire here.
01:09:34Everything.
01:09:40My friends, the whole troop must leave.
01:09:42But where to, my boy?
01:09:44To the Iraqi camp.
01:09:46And them?
01:09:48Please, in my name,
01:09:50give yourselves shelter.
01:10:10Oh, my God.
01:10:31We're closing.
01:10:33It's closed!
01:10:35Hey, my friend.
01:10:36If you want to buy stocks, you're too late.
01:10:38They were gone right away.
01:10:40But tomorrow, back to work.
01:10:42I don't see anything here.
01:10:44Isn't that the Rue Cancombois?
01:10:46It's all being closed.
01:10:48That was once.
01:10:50Now there's a bank, a bank, and another bank.
01:10:52Everything here is being sold at horrendous prices,
01:10:54even the last window.
01:10:56Thousand pounds!
01:10:58Here, here.
01:11:00I'm coming.
01:11:02I need an audience with Count Gonzaga.
01:11:04It's about a very big deal
01:11:06that I want to propose to you.
01:11:37What do you want?
01:11:39Something to know.
01:11:41About what?
01:11:43About the man with the red handkerchief.
01:11:45Pirol?
01:11:47Why do you refuse the offer?
01:11:49I'm listening.
01:11:51Cruel, dangerous.
01:11:53He kills more easily than he breathes.
01:11:55Who does he work for?
01:11:57For my lord, Monsieur Gonzaga.
01:11:59This Gonzaga is supposed to be quite rich.
01:12:01A colossus.
01:12:03How come?
01:12:04The grief has almost brought her to her senses.
01:12:06Blanche von Nevers lives, then?
01:12:08If you can put it that way.
01:12:10Since the duke learned of her daughter's death,
01:12:12she only kneels, eats nothing, and shuts her mouth.
01:12:14It's sad when a beautiful woman is sad.
01:12:16As a martyr,
01:12:18she lives up there, behind the windows,
01:12:20locked in her room.
01:12:24She lives with Gonzaga?
01:12:26Under his protection.
01:12:28For 16 years, my lord has been kneeling at her door.
01:12:30But you, no, no, no.
01:12:32I want to see Blanche von Nevers.
01:12:34She won't receive anyone but me.
01:12:36Then I'll break down the door.
01:12:38A call from her man would catch you.
01:12:40In the corridors, sneak around for ten days.
01:12:42Make sure she receives me.
01:12:45Will you let me live, then?
01:12:47Grant me my happiness.
01:12:49Touch your hump.
01:12:53Tomorrow morning? Here?
01:12:55At eight o'clock?
01:12:57Done.
01:13:05Who was that you were talking to?
01:13:07And about what?
01:13:09It was unimportant.
01:13:11You liar!
01:13:13You son of a bitch!
01:13:15You'll never forget this face, huh?
01:13:17It was Lagardère!
01:13:19I'll kill you!
01:13:21I'll kill you!
01:13:22I'll kill you!
01:13:44Impudence!
01:13:46The death of a lowlife!
01:13:53He was found on the street.
01:13:55As dead as you see him, Count.
01:13:58They killed him.
01:14:00They killed him.
01:14:02My fun-lover.
01:14:04My little monkey.
01:14:06This meanness.
01:14:08That was the crime of one man.
01:14:10You make fun of several.
01:14:12You stab here and there.
01:14:14You stab everywhere.
01:14:16We have a single stab.
01:14:18A signature.
01:14:20I know.
01:14:22He's very close.
01:14:24I feel it.
01:14:52I feel it.
01:15:23I feel it.
01:15:43Ah, the Circle of Miracles.
01:15:45Just like in the Gospels.
01:15:47Lame stand up, blind see.
01:15:50Am I not right?
01:15:52It's time for you to tell me everything.
01:15:57Yes, but I don't have the time.
01:16:01I'll keep it short if you want, but...
01:16:04I'll hurt you, Noro.
01:16:06Then you keep telling me. Why?
01:16:10I'm not your father.
01:16:13I'm not your father.
01:16:16I'm not your father.
01:16:19I'm not your father.
01:16:22It's true, I'm the man you're looking for.
01:16:25Knight Lagardère.
01:16:27You accuse me of killing a noble man, but I swear it's not true.
01:16:30And why?
01:16:48Turn around, turn around.
01:16:49No, too straight, too straight.
01:16:52And you, turn around. No, you stink.
01:16:54Ah, a dromedary.
01:16:57Is your buckle real, too?
01:16:59Get out of here.
01:17:01Write your name and sign it.
01:17:03Write your name and sign it. You wait.
01:17:08No, get him out of here.
01:17:15Do you understand the bookkeeping?
01:17:16In order to appreciate your wealth, which should be immeasurable,
01:17:19I would still need three days, noble sir.
01:17:22Meichler.
01:17:24Oh, I was born with the buckle, wasn't I?
01:17:28What a dress, interesting.
01:17:31Oh, we bite into two things, our own tongue and...
01:17:35And what else?
01:17:37Yes, a certain thing that the lady particularly likes.
01:17:42A little joke?
01:17:43A little joke?
01:17:45He amuses me, I'll take it.
01:17:47You listen to me on the street, you inform me, you take my instructions,
01:17:51and you return to the street to control the market.
01:17:54I do the bargaining.
01:17:56And my... my honorarium?
01:17:59Your honorarium?
01:18:01You can keep what you take out of your pocket.
01:18:03Go ahead.
01:18:05Oh, did the noble sir lose the other one? The other glove?
01:18:08Mind your own business.
01:18:09You told me your conditions, I'll tell you mine.
01:18:12I live in the city, I eat in your kitchen,
01:18:15I have my office here, and this man doesn't give me any orders.
01:18:19I'll strike, sir, that's how the bargain works.
01:18:29I like him, but keep an eye on him.
01:18:33Every buckle is a curse.
01:18:35You don't have a buckle for no reason.
01:18:36Every buckle is a curse.
01:18:38You don't have a buckle for no reason.
01:18:49Touch my buckle and you'll be lucky.
01:18:53Because no contract signed on my buckle has ever been without luck.
01:18:59Good day, I have the honor.
01:19:06Good day, I have the honor.
01:19:36Good day, I have the honor.
01:20:06Good day, I have the honor.
01:20:37I love this house.
01:20:40It doesn't belong to anyone, so it belongs to us.
01:20:42You call this decayed shed a house?
01:20:44But you can close the holes.
01:20:46I take care of the roof and the floors.
01:20:49I also do the cleaning.
01:20:51I want three children, lots of boys.
01:20:57And we all live together.
01:20:59These are child's dreams.
01:21:01Marcello doesn't even have a real job.
01:21:03Marcello doesn't even have a real job.
01:21:05Who's talking about Marcello?
01:21:08I mean the two of us.
01:21:13I...
01:21:16I don't like that.
01:21:18I have to talk to you about very serious things.
01:21:20And I think you're missing something very serious.
01:21:25Aurora von Nebert, daughter of the Duke.
01:21:28Heir of 20 titles of palaces, counties, huge lands.
01:21:32Me?
01:21:34And what's my name again?
01:21:36Aurora von Degenstoss?
01:21:38Aurora von Degenstoss.
01:21:40Be serious for two minutes.
01:21:42You're behaving like a father, as if you're not my father anymore.
01:21:47Well.
01:21:49We have to talk.
01:21:51If I lied to you all these years, then only to...
01:21:53My best, I know.
01:21:55No, you don't know anything.
01:21:57I thought your mother was dead.
01:21:58All these years on the country road, that was...
01:22:00I wanted to replace her.
01:22:02I...
01:22:04So I have a mother?
01:22:06And you met her?
01:22:08Not yet.
01:22:11Oh, my mother.
01:22:14You speak a language there.
01:22:16And you even write.
01:22:18And yet there is a word that I never had in my mouth.
01:22:21That I didn't even think of.
01:22:24Oh, mama.
01:22:25She loves you.
01:22:27She hopes for you.
01:22:29You will get your rank back.
01:22:31My rank?
01:22:33Oh, my God, are we even in?
01:22:35No, you. You get the fortune.
01:22:37No, we share everything, of course.
01:22:39But if you want, I'll stay with you here in this safe.
01:22:41I have nothing against poverty.
01:22:43The main thing is that you are with me.
01:22:45Before an Aurora von Nevers separates us,
01:22:47I'd rather be an Aurora of nothing.
01:22:49I want you, you.
01:22:51I want to love you with you.
01:22:53You are a child.
01:22:56I give you back the world that is yours.
01:22:59I decided that,
01:23:01despite your stupid dreams.
01:23:03Kiss me.
01:23:08Do you think my heart is free?
01:23:11Do you think a man of my strength comes out without a lover?
01:23:14Ornella doesn't love you.
01:23:16Not like me.
01:23:19I don't mean that.
01:23:21I know someone in town.
01:23:22A very beautiful and spiritual lady.
01:23:24You are lying!
01:23:26She is a baroness.
01:23:28A baroness?
01:23:30A real baroness?
01:23:32Of course.
01:23:34And what am I? A duke?
01:23:36What can an old baroness do to me?
01:23:38She is of the best age.
01:23:40She will be a baroness.
01:23:42Narrow-mouthed, dyed hair,
01:23:44and affected from top to bottom.
01:23:46A real slut!
01:23:48A whore!
01:23:50No, this woman is educated and very entertaining.
01:23:52You are deceiving me!
01:23:54My God!
01:23:56I hate you!
01:23:58Get out of my life!
01:24:01I hate you with all my heart.
01:24:13No time! No time!
01:24:15Wait! Wait!
01:24:17Sell! Sell!
01:24:19Do what you want!
01:24:23Sell! Sell!
01:24:34Sell! Sell!
01:24:52Sell!
01:25:22Madam.
01:25:36What are you doing here?
01:25:38How dare you?
01:25:40Who are you?
01:25:42Wait!
01:25:44Your daughter, Madam.
01:25:46What do you have to say about my daughter?
01:25:48She is alive.
01:25:49I am the messenger of the knight Lagardère.
01:25:51Your henchman.
01:25:53Your saviour.
01:25:55Enough!
01:25:57Why are you torturing me?
01:25:59Another of Gonzaga's vices.
01:26:01He wants to drive me crazy.
01:26:03Go away! Leave me alone!
01:26:05Your daughter is alive, I swear.
01:26:07But bringing her here would be too dangerous.
01:26:11You are playing a dirty trick on me.
01:26:14I will call...
01:26:16No! No!
01:26:17At least give him a chance.
01:26:19It is Lagardère who is asking you to do this.
01:26:21In memory of a certain letter.
01:26:24Your love oath weighs eight pounds.
01:26:26And he has very green eyes.
01:26:31But...
01:26:33I...
01:26:35I will bring you proof.
01:26:37And you have to listen to me if you want to see Aurora again.
01:26:42Aurora!
01:26:44Aurora!
01:26:48Lagardère!
01:26:50Lagardère!
01:26:52Lagardère!
01:26:54Lagardère!
01:26:56Lagardère!
01:26:58Lagardère!
01:27:00Lagardère!
01:27:02Oh, no, no!
01:27:04Of course, my dear.
01:27:06Lagardère!
01:27:08Is this really true?
01:27:10All this would be mine?
01:27:12The bank?
01:27:14The building?
01:27:15Even the whole street?
01:27:26What is Aurora doing here?
01:27:28What are you protecting, you stupid cats?
01:27:32Look at me, you sheep's head.
01:27:34Don't you recognize me?
01:27:38Oh, that's our little one.
01:27:40Our dear little boy.
01:27:42Every bit of him is ugly.
01:27:44What's with this bag?
01:27:46That's the only way I got into Gonzaga's house.
01:27:48And what did the boy say?
01:27:50Nothing, not a word.
01:27:52Romus Lagardère forgot for a moment.
01:27:55Well, my dear, you should go home now.
01:27:58Trust him, he's a good guy.
01:28:00There are many bad guys, but I...
01:28:02We know him well.
01:28:04We just forgot his face and...
01:28:06I want to eat something.
01:28:14I want to eat something.
01:28:18No!
01:28:20That's enough.
01:28:24Your eyes are kind.
01:28:26It's almost as if I knew you.
01:28:28We've met before, haven't we?
01:28:30You just drink too much.
01:28:32Every time I'm unhappy.
01:28:34Unhappy?
01:28:36A beautiful child like that?
01:28:38A love child.
01:28:40I must forget this wretch.
01:28:41This deserter, who sacrificed his life for you,
01:28:44cleaned your ass and taught you how to write?
01:28:47How do you know all this?
01:28:49Well, your... your watchers, they told me...
01:28:55I love him, do you understand that?
01:28:58He's the only one who...
01:29:00He doesn't even see me.
01:29:02Maybe he loves you too?
01:29:06More than he thought.
01:29:09Explain that.
01:29:12Maybe he just discovered it.
01:29:15But I'm sure he'll never tell you.
01:29:17But yes, he should tell you.
01:29:20Maybe I love you too, O'Rourke.
01:29:24Maybe I'm just discovering that I love you too.
01:29:28Why are you silent?
01:29:33His arms?
01:29:36His age?
01:29:37In 20 years I'll be his age too.
01:29:42Why are people so ugly?
01:29:45To bring a little justice into the world.
01:29:47Beautiful and good is not the same for everyone.
01:29:50I'm sure you can be loved.
01:29:52For us women, a little bump here or there doesn't matter.
01:29:55It would be nice if I could say to you,
01:29:57I love you,
01:29:58and hop,
01:29:59the fairy tale prince is here.
01:30:02But still, I would love him.
01:30:05Maybe there's a way.
01:30:07I know someone who loves you.
01:30:09Maybe there's a way.
01:30:10I know someone who can do a little witchcraft,
01:30:12who can bring back a lost love,
01:30:14with all kinds of magic.
01:30:15She would have to turn the love of a father into the love of a man.
01:30:19Into love.
01:30:20She does miracles.
01:30:21But for her magic she needs personal objects,
01:30:24like jewelry, medallions, or...
01:30:27My medallion?
01:30:28Is that possible?
01:30:29But yes.
01:30:30Yes?
01:30:31Will you give it to me?
01:30:32Yes.
01:30:34Here.
01:30:36Hey, please stand up straight.
01:30:39That's what she says to me.
01:30:45You're not distrustful enough.
01:30:51Tomorrow you're a princess.
01:30:53And me?
01:30:54I'm like your grey mouse.
01:30:56A nothing, a nobody.
01:30:58Hey, come here.
01:31:00I'll go through the back door.
01:31:02So, watch out.
01:31:03If I find this bird again outside his nest,
01:31:06I'll massacre you.
01:31:09Come on.
01:31:21Louis, come here.
01:31:31Monsieur?
01:31:32Shh.
01:31:39I beg you.
01:31:40I made a promise.
01:31:48And I promised to give you back the light.
01:31:53Here it is.
01:31:55It's called Aurore.
01:31:59Oh, yes.
01:32:00I recognize the medallion.
01:32:02I have it.
01:32:03Is it really true?
01:32:05I told you, madame.
01:32:06She's alive.
01:32:09I beg you.
01:32:10Tell me about my child.
01:32:12Is she pretty?
01:32:13Nothing in the world exceeds her,
01:32:15neither in appearance nor in beauty.
01:32:17I want to see her.
01:32:18Get me out of here.
01:32:19You're prisoners.
01:32:21You're in danger of the claws.
01:32:23The claws of a shark.
01:32:24That's right.
01:32:26I just realized it too late.
01:32:28She's not alone.
01:32:30There's whispering.
01:32:31Maybe her godfather.
01:32:33We don't have a day off.
01:32:34And why a godfather?
01:32:36She doesn't eat, she doesn't drink.
01:32:38You ask yourself, how else can she be sinful?
01:33:04Still busy?
01:33:06Did you scare me?
01:33:08I'm doing a great job here, noble sir,
01:33:10that I wanted to surprise you with.
01:33:13You did it.
01:33:15I'm surprised.
01:33:19What kind of work is it?
01:33:21Checking the entire inventory of your fortune.
01:33:25I've got it all in my head.
01:33:28What do you want to check?
01:33:30The miscreants.
01:33:31Too many miscreants.
01:33:32In your books I see possessors who belong to others.
01:33:35Names that disappear, that reappear.
01:33:37Society without society.
01:33:38Societies that only exist on paper.
01:33:43Good.
01:33:46In the bookkeeping you have large playrooms.
01:33:49That's... that's business.
01:33:51But, but, but, noble sir, you pay for it.
01:33:53You pay for everything.
01:33:54Taxes, taxes, rights, compensation, fees.
01:33:57You pay for everything.
01:33:58You pay too much.
01:34:00I pay, yes, too much.
01:34:02That's true.
01:34:03If you pay, you always pay too much.
01:34:05But I have arrangements.
01:34:06I know tax collectors.
01:34:07Here a zero more, there a zero less, half, half,
01:34:09and my profit is already right.
01:34:12I understand.
01:34:13Yes, I understand.
01:34:15Secret.
01:34:17May God ensure that everything stays between us.
01:34:22Exactly.
01:34:25God, you and I
01:34:28are perfectly suited for a secret.
01:34:32Maybe even one too much.
01:34:38A wine from my homeland.
01:34:42The Lugana Davis Conti.
01:34:46Do you know Mantua?
01:34:48The Lombardy?
01:34:50No.
01:34:51I was born there.
01:34:52My family was expelled.
01:34:54Poisoned.
01:34:55Yes, as soon as you think of Italy,
01:34:57you immediately think of the Boccia family.
01:34:59What is it?
01:35:00Drink.
01:35:01What are you waiting for?
01:35:05Life is the only misunderstanding.
01:35:07Three cousins named Philippe.
01:35:09Nevers stole me the love of Blanche.
01:35:11Orléans used my bank to squeeze his fat ass on the throne.
01:35:15And I, the most famous of all,
01:35:16was only good at getting the chestnuts out of the fire.
01:35:20But beautiful chestnuts, I would say.
01:35:22You have money, that's something.
01:35:24Oh yes, the money.
01:35:26But it's just an illusion.
01:35:28Like a visitor, he comes and goes.
01:35:31Good day, dear money.
01:35:32Adieu, dear money.
01:35:33But there is a game to play.
01:35:34A magnificent game.
01:35:35A big game.
01:35:36The Mississippi.
01:35:38Who will populate it?
01:35:39Who will find it?
01:35:41Who will build the place?
01:35:43Who has the goal of not having anyone set foot there?
01:35:45Me.
01:35:46Do you know what the Mississippi is?
01:35:48It's paper.
01:35:49Yes, here the regent will make me a representative king of a kingdom of paper.
01:35:53For whose property he holds me.
01:35:55I've already sold it.
01:35:56I don't even know how often.
01:35:57Sold to these piles of cow heads that are auctioned.
01:35:59That's stupid.
01:36:00I've sold too much.
01:36:01Far too much.
01:36:02But the life of this castle...
01:36:04It would be enough to buy it back.
01:36:08The cash register is empty.
01:36:10I have 10,000 women.
01:36:12But it would be necessary to have 300,000.
01:36:14300,000.
01:36:15350,000.
01:36:17If I had a boyfriend...
01:36:20I would say, help me get my shares back.
01:36:25There is a way.
01:36:27To buy back today's exchange rate is impossible.
01:36:30Far too high.
01:36:32But...
01:36:33If the exchange rates fall...
01:36:37I understand.
01:36:39I understand.
01:36:46If they are in the cellar, buy them back.
01:36:52Do it for me.
01:36:54It shouldn't be a shame.
01:36:56Yes, but still...
01:36:57If you don't have gold, how are you going to buy it back?
01:37:00Are you drunk enough?
01:37:01To raise gold, you need a clear head.
01:37:04Clear head.
01:37:07Do you understand?
01:37:09Oh yes, sir.
01:37:10The shares must fall very quickly and very low.
01:37:13Rumors, bad news, panic.
01:37:15Bankrupt?
01:37:16Yes, sir.
01:37:17You don't listen to me.
01:37:18Yes, I do.
01:37:19I'm sorry.
01:37:32Is this little object so important to you?
01:37:35We all have our secrets, sir.
01:37:38Is it beautiful?
01:37:39As beautiful as I am ugly.
01:37:41Oh, you have to tell me that.
01:37:43I swear on the monstrous love stories.
01:37:46Noble sir.
01:37:49Yes, sir.
01:38:07There's nothing to explain.
01:38:08Be patient, they're going up again.
01:38:10What do you mean, they're going up again?
01:38:12You don't have to worry.
01:38:14As long as the bank is open, you can ask for your money back.
01:38:17Have faith.
01:38:18Have faith?
01:38:19Who else can you trust today?
01:38:20I'm selling on the spot.
01:38:22I'm in with 4,000.
01:38:23No, no, no.
01:38:24Don't listen to him.
01:38:25Everything's fine.
01:38:26Don't get involved, or you'll be at 3,000 in an hour.
01:38:293,000?
01:38:34The shares are falling, Buckliger.
01:38:35Why didn't you tell us?
01:38:37Yes, the shares are falling.
01:38:38As if that were important now.
01:38:40We're close to bankruptcy.
01:38:41Bankrupt?
01:38:42Bankrupt?
01:38:43Bankrupt?
01:38:44Bankrupt?
01:38:45Bankrupt?
01:38:46Bankrupt?
01:38:48It's over!
01:38:49It's over!
01:38:50The bridge is closing!
01:38:51The bridge is closing!
01:38:52I'll get five for that.
01:38:54That's enough!
01:38:55If war is right outside, we'll react immediately.
01:38:57What?
01:38:58It's war!
01:38:59It's war!
01:39:00I'm out of here!
01:39:05Open the door!
01:39:06We want to leave!
01:39:07We want to leave!
01:39:08We want to leave!
01:39:09We want to leave!
01:39:10We want to leave!
01:39:11You're not going anywhere!
01:39:12We want to leave!
01:39:13You should be ashamed.
01:39:14You're not paid!
01:39:15You have no information.
01:39:16No, get out!
01:39:17Get out!
01:39:18The bank is closed!
01:39:19You see?
01:39:23Have you gone mad?
01:39:24Get out!
01:39:25Get out!
01:39:26We want to leave!
01:39:27We want to leave!
01:39:28Are you crazy?
01:39:33I want that back!
01:39:34I want my bank card back!
01:39:35I want my bank card back!
01:39:36Get out!
01:39:37Get out!
01:39:38We want to leave!
01:39:39We want to leave!
01:39:40We want to leave!
01:39:41The ungrateful!
01:39:42I give you dreams.
01:39:43I make them rich.
01:39:44And now listen to this idiot.
01:39:45Come on, you fool.
01:39:46Come on.
01:39:47A nice start, a very nice start.
01:39:48How was the rate at the end?
01:39:492,000.
01:39:50I didn't want to push it too fast.
01:39:51Well done, well done.
01:39:52And tomorrow?
01:39:53Tomorrow?
01:39:54Tomorrow 1,000.
01:39:55800, 800.
01:39:56At 800 we'll buy everything.
01:39:57Then I'll pay the gentlemen out of their money.
01:39:58But tell me, where do you get so much gold?
01:39:59For 300,000 francs?
01:40:00That's my special recipe, sir.
01:40:01And you betray your kitchen secrets.
01:40:02You're a liar!
01:40:03You're a liar!
01:40:04You're a liar!
01:40:05You're a liar!
01:40:06You're a liar!
01:40:07You're a liar!
01:40:08You're a liar!
01:40:09You're a liar!
01:40:10You're a liar!
01:40:12And his kitchen secrets...
01:40:13You betray them.
01:40:19But remember, Mother Theophania,
01:40:21The daughter of Mrs. de Cancer
01:40:22She alone has the authority to give you my gold.
01:40:25Mother Theophania.
01:40:26Tomorrow I will bring your daughter in the ball.
01:40:30You will be recognized publicly in those courts.
01:40:32But I look like I am afraid.
01:40:35I can't show myself to society like this.
01:40:39Bis morgen, bis morgen, Herzogin.
01:40:48Hurry up! Hurry up! Hurry up!
01:40:51It won't be enough for everyone!
01:40:53Our shares are almost at the price of paper!
01:40:55Less than nothing!
01:40:56Less than nothing is still more than nothing, young man!
01:40:58Hurry up!
01:40:59My sisters, my sisters, is everything alright?
01:41:02Yes.
01:41:03Hurry up, ladies! Hurry up, gentlemen!
01:41:06Gentlemen, thank you very much! Let me through!
01:41:08Hurry up! Hurry up!
01:41:16So, here we have 75 together, so 1,275.
01:41:20And 25 is exactly 3,300.
01:41:22No, you didn't count that! 1,300, Papa!
01:41:25Paolo, Paolo, Paolo!
01:41:26How am I supposed to work if I keep losing?
01:41:28Yes, good, good.
01:41:2925 is 1,300.
01:41:31Well done. Well done.
01:41:33In a week, when the storm is over, we'll sell for tenfold.
01:41:36Oh, what am I talking about? For a hundredfold!
01:41:38You had this wonderful idea.
01:41:39No.
01:41:40Yes, maybe, but it doesn't matter.
01:41:41What's your idea against the execution?
01:41:42And the execution, that's you.
01:41:44Just clear all this mess away.
01:41:45Tonight is Versailles.
01:41:47And where are the shares?
01:41:48In a monastery.
01:41:49A monastery? To hell with it!
01:41:51The bank would have pointed to you.
01:41:54Yes, right.
01:41:56Right, I'm not going anywhere.
01:41:58You really think of everything.
01:42:00Mein Ränkeschmied, mein vierblättriges Kleeblatt.
01:42:03Wie kann ich dir danken?
01:42:05Aber ja, natürlich, wie konnte ich vergessen?
01:42:07Ein Schmuckstück.
01:42:09Und wenn dafür die geheimnisvolle Kleine?
01:42:11Erzähl mir ein wenig von ihr.
01:42:12Ihren Namen, ihr Alter, ihren Buckel.
01:42:15Oh, mein Herr.
01:42:18Nein, jedermann pflanzt in einem Geheimdorf.
01:42:21Er ist ja ganz rot geworden.
01:42:24Sag's mir, erzähl's mir.
01:42:26Ist sie reich?
01:42:27Sie ist stumm.
01:42:28Sie ist doch mit Sicherheit etwas...
01:42:30Abnormes.
01:42:32Was erwartest du von ihr?
01:42:34Eine Familie, mein Herr.
01:42:37Eine Mutter für meine Kinder.
01:42:40Und in Paris wimmelt es dann von munteren,
01:42:42missgestalteten kleinen Käfern.
01:42:45Was gibt's?
01:42:46Graf, ich muss mit euch reden.
01:42:48Vertraulich.
01:42:49Nein, nein, nein, nein, vor ihm kannst du sprechen.
01:42:52Kein kindisches Getue mehr.
01:42:54Ihr müsst einander ertragen.
01:42:55Ich höre, na los.
01:42:56Rede!
01:42:57Das bewusste Mädchen.
01:42:58Mädchen?
01:42:59Nevers.
01:43:00Was, aufgespürt?
01:43:01Eingefangen.
01:43:02Von dir? Wo?
01:43:03In ihrem Unterschlupf im Viertel der Betlau Diebe.
01:43:05Bist du sicher, dass sie es ist?
01:43:06Ja, sie hat ihren Namen geschrien.
01:43:08Ror von Nevers.
01:43:09Ich hätte sie gern von einem Dach gestoßen,
01:43:12doch ich fürchtete zu missfallen.
01:43:15Ich habe was Besseres vor, Louisiane.
01:43:17Zu wissen, dass die Tochter meiner bigotten Cousine Hure
01:43:20in Baton Rouge geworden ist,
01:43:21wird meine alten Tage verschönern.
01:43:23Sag, Baptiste, er soll mein Festgebad herrichten
01:43:25und du wartest hier auf mich.
01:43:27Bring sie zum Schiff nach Le Havre,
01:43:28die Sendung nach Louisiane.
01:43:29Ich will sie sehen.
01:43:31Komm jetzt!
01:44:00Schneller!
01:44:20Halt dich!
01:44:23Rauf mit euch!
01:44:27Weiter, noch!
01:44:29Schneller!
01:44:33Hier! Hier!
01:44:44Oh, mein Junge, wo willst du hin?
01:44:46Weiß ich nicht.
01:44:53Wer bist du?
01:45:23Vorsicht, hinter dir!
01:45:53Au revoir!
01:46:14Ich sage jetzt, spring!
01:46:30Lass sie mir!
01:46:37Genug gefackelt.
01:46:39Kämpfen wir modern, schnell
01:46:42und effizient.
01:46:52Der mordende Tote wird nicht mehr morden.
01:47:03In zwei Stunden feiere ich meinen Triumph.
01:47:05Keinen Feind, keine Bedrohung mehr.
01:47:07Die Zukunft gehört mir.
01:47:09Aber das Mädchen haben wir nicht.
01:47:10Soll sie nur kommen, ich werde sie gebührend empfangen.
01:47:12Aus der Guatemala von Mississippi werde ich sagen,
01:47:14auf der Reichtümer ziehen.
01:47:15Seelisch fühle ich mich als junger Mann.
01:47:17Kann man endlich meinen Buckligen finden?
01:47:19Ich kümmere mich persönlich darum gerade.
01:47:20Eure Hoheit.
01:47:22Zum stellvertretenden König sagt man eure Hoheit.
01:47:24Gewöhn dich schon mal dran,
01:47:25nicht dass du dich versprichst.
01:47:26Schnell, meinen Buckligen, meinen Buckligen.
01:47:33Komm her.
01:47:35Er ist da, er ist da.
01:47:43Komm her, komm her.
01:47:47Gib mir deine Hand.
01:47:48Ja, so ist gut.
01:47:57Hier, sieh mal, was ich gefunden habe.
01:48:00Das ist ja wunderschön.
01:48:03Ein schöner Stoff.
01:48:12Die Halterung für den Buckel hat die Kugel abgefangen,
01:48:14sonst wärst du nicht mehr unter uns, mein Junge.
01:48:16Trink was und ruhe dich etwas aus.
01:48:18Ausruhen bei dem Treffen,
01:48:20das für heute Abend ansteht.
01:48:22Jungs, in diesem Zustand...
01:48:25Gut, ich mache mich wieder schön.
01:48:32Du sollst gestern im Wirtshaus jemandem begegnet sein.
01:48:35Gestern?
01:48:37Gestern ist weit weg.
01:48:39Meine Onkel haben mir von einem Buckligen erzählt.
01:48:42Ach ja, der war sehr hässlich, aber nett.
01:48:47Er sprach von der Liebe, der Liebe eines anderen.
01:48:50Bucklige haben selten Gelegenheit von eigenen Liebschaften zu erzählen.
01:48:53Was hat er so gesagt?
01:48:55Ach, nur Dummheiten.
01:48:56Dass Armut die Liebe verhindern könne.
01:48:58Alter ebenfalls.
01:49:02Du hast ihm geantwortet, aber in 20 Jahren bin ich auch in seinem Alter.
01:49:08So, genug geschwätzt, meine liebe Herzogin.
01:49:12Es ist an der Zeit, den Schleier zu lüften.
01:49:18Seit dem Wirtshaus hatte ich es geahnt, aber...
01:49:22Warum hast du mich getäuscht?
01:49:24Um die anderen besser zu täuschen.
01:49:29Dies ist das letzte Mal, dass ich dich duze.
01:49:32O Rohr von nichts.
01:49:34Sei still.
01:49:36Dreh dich um.
01:49:40Heute Abend wirst du deinen Titel wiederfinden.
01:49:42Deine Stellung.
01:49:44Und ich die meine.
01:49:46Eure Mutter hat mir das mit wenigen Worten zu verstehen gegeben.
01:49:49Ich spreche mit ihr.
01:49:51Ich werde es ihr sagen.
01:49:53Niemand wird mich von euch trennen.
01:49:55Niemand.
01:49:56Nichts.
01:49:58Weder Mutter noch Vermögen.
01:50:00Wir beschreiten wieder die Landstraßen.
01:50:02Allein.
01:50:04Du und ich.
01:50:21Ich werde es ihr sagen.
01:50:47Seine Hoheit, der Herzog von Orleans.
01:50:50Präsident des Königreiches Frankreichs.
01:50:53Ich werde es ihr sagen.
01:51:18Ha!
01:51:19Endlich erfahre ich, wer du bist, Mistgeburt!
01:51:21Wenn du es weißt, stirbst du!
01:51:26Du könntest wenigstens meine Stimme erkennen.
01:51:28Hat sie sich so verändert seit den Gräben von Kellys?
01:51:31Du?
01:51:32Das ist unmöglich!
01:51:33Wie viele Male muss man dich denn töten, damit du stirbst?
01:51:51Nein!
01:52:02Nein!
01:52:14Sie betreten den großen Salon.
01:52:16Meine Stunde naht.
01:52:17Jetzt komme ich.
01:52:21Oh, nein.
01:52:22Nein, das akzeptiere ich nicht.
01:52:24Oh, nein.
01:52:25Die Toten sind tot.
01:52:26Oder die Naturgesetze sind nur eine Farce.
01:52:28Den, den diesen Mann umgebracht hat, habe ich selbst getötet.
01:52:32Wer hat dir das Gehirn durchbohrt?
01:52:34Sprich, Kadaver!
01:52:36Wer hat dir das Gehirn durchbohrt, Kadaver?
01:52:38Er!
01:52:39Schon wieder und immer noch er!
01:52:42Hier ist das Protokoll eurer Verpflichtung.
01:52:45Ich werde es ihr sagen.
01:52:47Ich werde es ihr sagen.
01:52:49Hier ist das Protokoll eurer Hoheit,
01:52:52welches Graf Gonzaga zum Stellvertreter des Königs
01:52:55in eurem Gebiet Lusiana macht
01:52:57und ihm das Vorrecht gibt,
01:52:59die Kupfer-, Gold- und Silberminen auszubeuten.
01:53:01Ja, gut, gut.
01:53:03Wo ist er denn, dieser Gonzaga?
01:53:05Hier bin ich.
01:53:06Ich bin hier.
01:53:07Ein kleiner Zwischenfall in letzter Minute.
01:53:09Schon recht, aber beinahe hätte ich gewartet,
01:53:11wie der Alte immer sagte.
01:53:12Ich meine, Ludwig XIV., der König.
01:53:15Jetzt ihr, mein Lieber.
01:53:16Pardon.
01:53:17Augenblick!
01:53:26Eure Hoheit scheinen heute Abend wohl die Hochzeit zu zelebrieren
01:53:30zwischen Philipp von Gonzaga, hier anwesend,
01:53:33und der lieblichen, fernen Lusiana.
01:53:37Wer ist dieser Mensch?
01:53:39Das ist mein Buckeliger, mein Privatsekretär.
01:53:43Jedoch ist eine Frage nicht gestellt worden.
01:53:46Wie eine rituelle Frage, die ausgesprochen wichtig ist.
01:53:49Kennt jemand ein Hindernis, das dieser Verbindung entgegensteht?
01:53:55Nun sprich.
01:53:56Die Antwort lautet ja.
01:53:58Ja, es gibt ein Hindernis.
01:54:01Du hast komödiertisches Talent.
01:54:03Doch nicht übertreiben, Buckeliger.
01:54:05Mein Herr befindet sich in dem Glauben,
01:54:07hier als Besitzer der Aktienmehrheit zu unterzeichnen.
01:54:10Aber ja, wir haben soeben die 120.000 Aktien zurückgekauft.
01:54:13Oh nein, alle Aktien sind in Hände übergegangen,
01:54:15die nicht mehr die euren sind. Salut!
01:54:18Monsieur, werd ihr wohl so freundlich, mir mitzuteilen,
01:54:20wer eurer Meinung nach der Empfänger ist?
01:54:24Ich habe die Ehre, euch vorzustellen,
01:54:26die Besitzerin der Aktienmehrheit der Mississippi-Gesellschaft.
01:54:32Das ist grotesk. Das ist ein groteskes Märchen.
01:54:35Und zum Beweis dessen, was ich behaupte,
01:54:37sind hier die 120.000 Aktien.
01:54:44Und werdet ihr so freundlich,
01:54:46mir den Namen unserer geheimnisvollen,
01:54:49aber charmanten Spekulantin zu nennen?
01:54:52Aurore von Nevers.
01:54:54Um euch zu dienen, eure Hoheit.
01:54:57Ach, von wem?
01:54:59Wer außer euch würde diesen Schwachsinn bezeugen?
01:55:01Ich.
01:55:08Das Komplott ist ungeheuerlich.
01:55:10Das Komplott ist ungeheuerlich.
01:55:12Als Zeugin ruft man eine Irre auf.
01:55:15Herzogin, ich freue mich,
01:55:18das Ende eurer schmerzvollen Zurückgezogenheit zu begrüßen.
01:55:30Ich wusste es, Madame.
01:55:32Ja, eure Tochter.
01:55:34Ich wusste, sie ist am Leben.
01:55:36Ich warte auf einen Beweis.
01:55:38Genug!
01:55:40Auf eure Lügen falle ich nicht mehr herein.
01:55:42Dieser arme Unglücksselige hat mir meine Tochter zurückgebracht.
01:55:45Es wäre uns angenehm, es hier euren Namen zu erfahren.
01:55:48Eure Hoheit, ich bin Ritter Lagardère.
01:55:52Ich hatte es dir gesagt.
01:55:54Kommst du nicht zu Lagardère, kommt Lagardère zu dir.
01:55:57Lagardère?
01:55:59Das ist der Mann?
01:56:00Jetzt wirst du für deine Verbrechen bezahlen,
01:56:02für deine Gemeinheiten, für den Mord an Philipp von Viver.
01:56:05Wie kann ein solcher Schurkis wagen, mich zu beschuldigen?
01:56:08Mich? Ohne Zeugen, ohne Beweise.
01:56:10Ich habe den Beweis.
01:56:12Die Hand des Mörders von mir,
01:56:14gekennzeichnet an jenem Tag in den Gräben von Quelus.
01:56:17Verteidigt euch, Gonzaga.
01:56:18Eine ehrenhafte Verwundung.
01:56:20Ich verteidigte Nevers.
01:56:22Nicht das Geringste habe ich zu befürchten,
01:56:24denn ich vertraue auf die Justiz in diesem Land.
01:56:27Komm her, du Schurk.
01:56:28En garde.
01:56:31Es gibt Gesetze.
01:56:32Duelle sind verboten.
01:56:33Das Verbot ist hiermit aufgehoben.
01:56:35Ich appelliere an das Gottesgericht.
01:56:38Gott ist immer auf der Seite des Stärkeren.
01:56:42Der Kampf ist ein ungleicher.
01:56:44Er erkennt den Geheimstoß.
01:56:46Er wird mich ermorden.
01:56:48Ich gehöre immerhin zu eurer Verwandtschaft, Cousin.
01:56:50Wenn ich schlechtes Blut habe, begebe ich mich zum Adalas.
01:56:55Verräter!
01:56:56Ja.
01:56:57Verräter.
01:56:59Verräter.
01:57:00Oder Priester.
01:57:01Priester.
01:57:02Das sind Berufungen.
01:57:03Es ist amüsant, einer zu sein.
01:57:06Es ist ein Spiel.
01:57:07Man tut so, als ob man zu den Guten gehört.
01:57:10Das bringt etwas Abwechslung ins Leben.
01:57:12Ja, ich bin ein Verräter.
01:57:14Ein Verräter aus Neigung.
01:57:18Ich genieße Verrat.
01:57:19Ein Vollblutverräter.
01:57:21Und Judas ist im Grunde genommen ein Künstler.
01:57:32Entschuldigung.
01:57:34Entschuldigung.
01:58:02Scheiße.
01:58:22Vorsicht!
01:58:23Quatsch!
01:58:28Rechts!
01:58:30And left!
01:58:39And punch!
01:58:48Look at me.
01:58:52Come closer.
01:58:54Much closer.
01:58:59Much closer.
01:59:01I wanted to tell you...
01:59:02Be quiet!
01:59:29Thanks for watching!