• 2 months ago
Transcript
00:00:00This is the boarding school of St. Margaret.
00:00:29Here, 120 boarding school students, girls between 10 and 18 years of age, are looked after by boarding school nurses.
00:00:36They receive their training at a high school, which is also visited by external students.
00:00:42The teaching staff consists of the same boarding school nurses and world-class professionals.
00:00:47As far as they teach at the high school, the nurses have completed their studies at a university or pedagogical university.
00:00:54As far as they are concerned, they are professionally highly qualified.
00:00:58More than 20% of the entire education system is taken care of by such institutions.
00:01:04The house rules are strict, but the isolation from the outside world is almost unbearable.
00:01:20This is the honorable mother and principal, who leads the school.
00:01:24She trains the absolute parental discipline of the 120 students.
00:01:36Fr. Johannes, from the Orders of the Benedictine, is the caretaker of St. Margaret.
00:01:43As the patron saint of the Orders of the Benedictine, he is best informed about the processes at the boarding school.
00:01:51At the same time, he is a religious teacher and thus has good contact with the students.
00:01:57Let us pray.
00:01:59I am the Lord Almighty, the Blessed All-Holy Virgin Mary, the Holy Archangel Michael, the Holy John...
00:02:07No doubt, the girls are in the best care.
00:02:11Why is it that the strict boarding school education has so many setbacks?
00:02:17Is it the isolation from the outside world, the almost monotonous content,
00:02:21also for the students and worldly teachers behind the walls of this castle,
00:02:24which leads to an overheated atmosphere,
00:02:27outdated educational methods,
00:02:29or the convenience of many parents, who prefer to leave the education of their daughters to an institute?
00:02:34The young girls, especially in their most difficult years,
00:02:37are exposed to other dangers in this artificial community of life,
00:02:41than their peers in a normal family.
00:02:45The documented cases shown here will prove it.
00:02:49They are the result of a representative cross-cutting.
00:03:34Lord, let them shine above you and give you peace.
00:03:38This is the husband, Axman.
00:03:40What has caused her to put her only child in a boarding school?
00:03:45After an unfortunate suicide attempt of her daughter Helga, she is of course shocked.
00:03:50She does not understand the world, and above all, her daughter.
00:03:55Go, child.
00:03:58Child, Helga.
00:04:00Louise, please.
00:04:01Mr. Axman is now sales director and representative of a car company.
00:04:05He used to be a scrap dealer.
00:04:07His wife was a prostitute.
00:04:09Now she has expensive hobbies, a chauffeur,
00:04:12and according to her, a few folds too much.
00:04:15Of course, both also have many social obligations.
00:04:18One can say, a little too much of everything.
00:04:23Yes?
00:04:24It just came to my mind what your director told me again.
00:04:27It was clear.
00:04:28Helga, please tell us finally if this is true.
00:04:30It was exactly determined.
00:04:31You must trust your parents, my child.
00:04:34We will do everything for you.
00:04:36It was finally decided.
00:04:37Alvin, don't you want to say something too?
00:04:40I'm talking to Rome.
00:04:41Could you not even talk to your daughter?
00:04:43Louise, please.
00:04:45Hello?
00:04:46Do you still hear me?
00:04:47So let's get down to business.
00:04:50Then send me a change.
00:04:53Lack of wealth and constricted living conditions
00:04:57cannot be the reason why the Axeman's
00:05:00let Helga go to a monastery school.
00:05:03It is more likely that the mother
00:05:06did not want to present her daughter to her numerous admirers.
00:05:10Maybe she is also afraid that one or the other
00:05:14could turn to the daughter.
00:05:16Then it is better to simply submit the child.
00:05:20Believe me, dear professor, I am completely exhausted.
00:05:23When the time comes, you can treat me right away.
00:05:26Cheers.
00:05:27Cheers.
00:05:29Excuse me, the business.
00:05:31Can I call you back later?
00:05:32Yes, good.
00:05:33Since the child is at home,
00:05:35she locks herself in the music room all the time.
00:05:37And the food didn't taste good at all.
00:05:39But we have an excellent cook
00:05:41who prepares Helga's favorite dishes all the time.
00:05:44Maybe we should first limit ourselves to the facts, Mrs. Axeman.
00:05:46But Louise!
00:05:48The professor wants facts.
00:05:50Yes, I do.
00:05:51The matter is quite simple.
00:05:53My daughter had sexual intercourse from the 10th to the 11th
00:05:55during the night, and she lost her virginity.
00:05:57Yes.
00:05:58And that in the hospital station of the monastery school.
00:06:00I saw the gynecological test.
00:06:02The thing ran.
00:06:03But the mouse doesn't have a tail.
00:06:04Imagine, professor, a child.
00:06:08Then you pay this horrendous pension price.
00:06:10You can still go to charity
00:06:12because you believe that the child is well raised and then this.
00:06:18And I can't even pay the tax.
00:06:20That's part of it, too.
00:06:21Your daughter says she was under the influence of a sleeping drug
00:06:24and couldn't remember.
00:06:26Yes, yes, I know.
00:06:27The night nurse said something about a light sedative.
00:06:30I will make this store compulsory.
00:06:32I won't let that happen.
00:06:33I demand compensation.
00:06:35No way.
00:06:36Why not?
00:06:37Alvin, please.
00:06:38Do you want to spread this scandal in the press?
00:06:42We have to try to talk to our child.
00:06:45We have to find out all the details.
00:06:47I suppose the experience was so devastating
00:06:49that your daughter wants to drown it out.
00:06:51Her subconscious has, I would say,
00:06:53set an absolute barrier.
00:06:55That's completely normal.
00:06:57And the only thing that helps her at the moment.
00:06:59And then I spoke to Helga.
00:07:02You don't need to talk about it, Helga.
00:07:05If you don't want to.
00:07:07But maybe it could help others
00:07:09who are involved in the matter or are only being dragged into it.
00:07:12If they mean Tommy, that's over anyway.
00:07:15Did you like him?
00:07:17Was he your boyfriend?
00:07:18Yes, but we could never really be together.
00:07:21Very carefully, I tried to learn more about Helga
00:07:25in order to give her a picture of her life at the boarding school
00:07:28and to justify her decision to commit suicide.
00:07:32Speaking of birds, nurse Barbara,
00:07:34the bird that got lost in my room was a sparrow.
00:07:37It was looking for warmth because it was so cold.
00:07:39They don't sow, they don't harvest.
00:07:42Come on, Carla, let's prepare the lesson.
00:07:44Tonight or never.
00:07:45Who's going to stitch our money-grubbing pedal?
00:07:47And the ten marks won't do it.
00:07:48He has a healthy relationship to money.
00:07:50Where is Mr. Mooshammer anyway?
00:07:52Has anyone seen him?
00:07:53Maybe in the boiler room.
00:07:54Probably in the kitchen by the big arm garden.
00:07:56Mr. Mooshammer!
00:07:58Mr. Mooshammer, we have to go to town urgently tonight.
00:08:01But I don't want to hear anything about that, miss.
00:08:03Because if she catches me, she'll catch me too.
00:08:05You just need to forget to lock the garden gate.
00:08:07Helga?
00:08:08Yes?
00:08:10Yes, please, Miss?
00:08:14Your French work leaves much to be desired, Helga.
00:08:17I gave you another three.
00:08:19By the way, I spoke with the library nurse about Henry Miller.
00:08:22She only knows Glen Miller, the good one.
00:08:24Strange, isn't it?
00:08:25But if you want, I can leave my Henry Miller to you.
00:08:27Yes, thank you very much.
00:08:28Just visit me for tea.
00:08:30Maybe Wednesday afternoon.
00:08:31Excuse me, I have to go in.
00:08:33Just in time.
00:08:34That false ace always appears in the least appropriate moment.
00:08:43What are we going to do now?
00:08:46I promised Tommy to come.
00:08:49The sing-sing tour must be done.
00:08:52Oh, shit.
00:08:53Now I'm having a walk again.
00:08:56I'll lend you a walking leash.
00:09:00Get me out of here, or you'll get into a fight.
00:09:02Come on, help me.
00:09:05What are you doing?
00:09:08Still better than Mother Superior.
00:09:10Come on.
00:09:14Hurry up.
00:09:16Come on.
00:09:18Don't do it.
00:09:19Ouch, my foot.
00:09:20If you want to get infected, we'll have to go to the police.
00:09:23Don't call the devil on the wall.
00:09:25Come on, give me the things.
00:09:26Yes, quickly.
00:09:27Finally decent clothes again.
00:09:29Come on, it's time.
00:09:30With this competition, you have to offer the boys something.
00:09:32We'll take it easy with her.
00:09:33Hopefully my smelly guy from the other day is back.
00:09:35You mean the one who danced with you so badly?
00:09:37Yes, exactly.
00:09:38I'm into him too.
00:09:39Lucky that Helga has her Tommy.
00:09:40Otherwise, all three of us would tear each other apart.
00:09:42That's why you started with your Tommy, Helga.
00:09:44I know.
00:09:45I'm also crazy about love.
00:09:46Shit.
00:09:47If Mother Superior would see us now, she would break the whip.
00:09:50And we would fly.
00:09:51Fortunately, we all have a firm whip.
00:09:53Does anyone have my jacket?
00:09:54No, it has to be in there.
00:09:55Shit.
00:09:56It has to be in there.
00:09:57It's too tight.
00:09:58I've gotten fatter again.
00:09:59I'm not.
00:10:00Yes, you are.
00:10:01But I'll dance it off today.
00:10:02Shit.
00:10:03It's too tight.
00:10:04Come on.
00:10:05Quickly.
00:10:06Look, you're going to be expensive.
00:10:07Do you really want to walk around in those classic clothes?
00:10:09You'll catch a cold.
00:10:10The others are not good either.
00:10:11Don't worry.
00:10:12Shh.
00:10:27And now something for the family.
00:10:30That's for the uncle, the aunts and all the relatives.
00:10:33Come on.
00:10:34Let's go dancing.
00:10:35Yes.
00:10:42You know, I think we have a big problem.
00:10:45Oh, what is it?
00:10:48We're going out after this dance.
00:10:50But I just got here.
00:10:56Hm.
00:11:02My boyfriend has a car outside.
00:11:08Tommy, please understand.
00:11:09If we're together for the first time, I don't want to feel like we're being watched.
00:11:13And how long do you think this will go on?
00:11:15If you can handle it.
00:11:16I certainly can't.
00:11:17It's only until next Saturday, Tommy.
00:11:21If you want, I'll stay with you all night.
00:11:24Right?
00:11:25Yes.
00:11:28Shit, he kicked me on the foot again.
00:11:30Sorry.
00:11:42Helga!
00:11:43Man, the last bus is gone.
00:11:45What?
00:11:46Shit.
00:11:53Hopefully we're lucky.
00:11:55Who's gone?
00:11:56What are we going to do now?
00:11:57Shit, how are we going to get home?
00:11:58Damn it, don't always say shit.
00:12:00Better get a cab.
00:12:01I'll get Jan.
00:12:02Oh, shit.
00:12:03If you prefer to rely on the 14 holy emergency helpers, I prefer to rely on my legs.
00:12:07Yes.
00:12:08And on this occasion, you caught a cold.
00:12:11The next day I had 39 degrees.
00:12:13The nurse at the hospital put me in the isolation room, because she was afraid I had a cold.
00:12:17But she still let this student counsellor come to you.
00:12:19The fresh one?
00:12:20The fever was already down there.
00:12:23And what did she want from you?
00:12:25I just can't find Henry Miller.
00:12:27I brought him something else.
00:12:29But don't let anyone see it.
00:12:30Sappho or the lesbians?
00:12:32Take a look.
00:12:33Are you interested in this kind of sex?
00:12:35For any kind of sex.
00:12:37Being in boarding school is the purest oven for lesbian love, they say.
00:12:40Have you noticed anything of it?
00:12:44Excuse me.
00:12:45You.
00:12:47So, Helga, now let's take our medicine and go to sleep.
00:12:51Just put it there, nurse.
00:12:52I'll make sure she takes it before I leave.
00:12:54We still have time.
00:12:55It's not seven yet.
00:12:57Very well.
00:12:58But please turn off the ceiling lighting.
00:13:01Good night, my child.
00:13:02May God protect you.
00:13:05Good night, nurse.
00:13:07Good night.
00:13:11I'm sure the sister-in-law wouldn't like that.
00:13:13Of course.
00:13:14Even though they have a lot in common.
00:13:16The homo-eroticism is more or less in every one of us.
00:13:19In many people it just doesn't get through.
00:13:21Then I have to belong to them.
00:13:26Do you have a boyfriend?
00:13:27He doesn't. It's his high school diploma.
00:13:29He's a very nice boy. His name is Tommy.
00:13:31And? Do you get along well with him?
00:13:33Yes, that means...
00:13:35We haven't really tried it yet.
00:13:38You're going to be tired.
00:13:39Yes, a little.
00:13:40Then it's time for you to take your medicine.
00:13:42Do you know that I envy you for your youth?
00:13:44Now being 18 again with lots of young girls.
00:13:47My God.
00:13:49After this free-spirited confession, you have to give me a French kiss.
00:13:52Otherwise I'll tell the headmistress.
00:13:55Agreed.
00:13:57Here.
00:14:04It tastes like hell.
00:14:07Now dream of your Tommy.
00:14:09What's his last name?
00:14:11Tommy?
00:14:12Tommy Decker.
00:14:13I'll open the window for you.
00:14:16Yes, thank you.
00:14:17Do you need the wheel?
00:14:19Good night.
00:14:28Good night.
00:14:58Good night.
00:15:28Good night.
00:15:58Good night.
00:15:59Good night.
00:16:29What's going on here?
00:16:36You have to take a look.
00:16:43For God's sake, Margot!
00:16:46What happened to you?
00:16:48I'm going to FIFA.
00:16:51I'm going to FIFA. Hurry up!
00:16:53Yes, what is it?
00:16:55I'm going to FIFA. Hurry up!
00:16:57Yes, what is it?
00:17:00Take a look at Helga.
00:17:03For God's sake, Mosheimer, what happened?
00:17:05I saw a person through the open window. I just don't know who it was.
00:17:09I don't know how it happened. I don't know.
00:17:11The nurse came running, even the honest mother.
00:17:14I was so drunk that I didn't understand why they were so upset.
00:17:17Didn't they find out that you were depressed?
00:17:19Maybe they thought I was playing theater.
00:17:21In any case, the next day they sent me to the doctor of trust.
00:17:24The gynecological examination clearly showed a defloration.
00:17:27I assume Tommy didn't have to take care of you.
00:17:31It was all so terrible. They treated me like a leper.
00:17:34I wasn't allowed to talk to anyone except the fat poor man from the kitchen.
00:17:37Good morning, Helga. How are you feeling?
00:17:40Today there's something very good. Carrots and salted potatoes.
00:17:42From fresh lands. Fresh on the German table, or whatever it's called.
00:17:45The other way around, poor man.
00:17:46Has the shock overcome you?
00:17:47Not quite yet.
00:17:48Don't take it so tragically.
00:17:50The dear God only wants to prevent you from having a child.
00:17:52Don't tell anyone that there's a big bell hanging.
00:17:54Or the parents will take their children down from school.
00:17:57And they're all afraid of that.
00:17:59Because that would make a big hole in our mother's chest.
00:18:02But what if I didn't do anything?
00:18:04Tell me, poor man. You're a woman, too.
00:18:07I don't have any experience in these things.
00:18:09I'm just a nanny.
00:18:11But I have something for you from Miss Trudula.
00:18:13She's meeting a certain young man this afternoon.
00:18:15Wait. I'll write something down for you.
00:18:17Yes?
00:18:18Tell him I'm thinking of him and that I'll definitely come on Saturday.
00:18:21Ah, while you're eating.
00:18:24Well?
00:18:26What are we talking about?
00:18:31Eat up, child.
00:18:33Are you sure that you only gave the patient a harmless sedative?
00:18:37Yes, dear mother.
00:18:39That means I didn't give it to her, but Miss Trudula did.
00:18:43Thank you, dear nurse Genoveva.
00:18:46And please tell Miss Trudula
00:18:48that she would like to visit me again.
00:18:53A young girl from the best house
00:18:56and receives a visit from a man inside the monastery wall.
00:18:59I don't know what to say to my in-laws.
00:19:02If this gets out in public,
00:19:04the left-wing press will fall on us.
00:19:07Not to think.
00:19:09Are you convinced, dear mother,
00:19:11that Helga received this man as a free man?
00:19:14Dear nurse Irvingardis,
00:19:16the window was only rejected.
00:19:18Traces of a violent intrusion could not be found.
00:19:21The alleged sedative does not exist.
00:19:25Yes?
00:19:27You didn't want to speak, Miss Director?
00:19:29Yes.
00:19:32We would like to ask you, Miss Frisch,
00:19:35to examine your conscience again
00:19:37to see if you may have contained any information
00:19:40because it did not seem important enough to you.
00:19:42If it is possible,
00:19:43we would like to clarify this painful matter internally.
00:19:46I told you, I gave her the medicine and then left her alone.
00:19:49It must have been around half past seven.
00:19:51We found a book under Helga's pillow.
00:19:55Saffo or the Lesbians.
00:19:57Do you know the title?
00:19:59I don't understand the interest in a book like that.
00:20:01As far as I know, she had a boyfriend.
00:20:03However, this relationship seemed to me rather platonic.
00:20:06Do you happen to know the name?
00:20:07Tommy. Tommy Decker.
00:20:09Don't try to fool us.
00:20:11I prefer how you managed to get into our hospital.
00:20:14Helga let you in, didn't she?
00:20:16What are you talking about?
00:20:19What hospital?
00:20:21I saw Helga with you in the pub the other day.
00:20:24You really don't have to play the gentleman in front of us.
00:20:26We think it's huge that you put your wedding night in the monastery.
00:20:30What did we do?
00:20:31Shit.
00:20:32I just think you should have been a little more careful.
00:20:35Now Helga has the high-risk procedure all to herself.
00:20:38When was that supposed to have happened?
00:20:40Tuesday?
00:20:41Oh, the dusk is breaking.
00:20:43Now I understand why our director kept denying me
00:20:47where I would have been on Tuesday night.
00:20:50Oh, man.
00:20:51And I let myself down the whole time.
00:20:53From one night to the next.
00:20:55Yes, but if you weren't there, who else was there?
00:20:59If you are so interested, ask her yourself.
00:21:02She will hopefully have remembered the name of the comrade she was with.
00:21:05At least me.
00:21:06I have nothing to do with this.
00:21:08Maria, pay!
00:21:09Don't run away.
00:21:10At least let us think together.
00:21:12Who am I here for?
00:21:14I've had enough.
00:21:16I want to get out of here.
00:21:17Why do you always believe the other instead of finding out what really happened?
00:21:21I will pray for you, dear child.
00:21:23May God open your heart to repentance.
00:21:25The Lord's hand awaits you tomorrow at dawn.
00:21:28Praised be Jesus Christ.
00:21:29Amen.
00:21:30Did she promise him again?
00:21:31Honorable mother.
00:21:32Take it with you again.
00:21:34Listen, if you don't eat on time, you won't get far in life.
00:21:37Why are you looking at me like that?
00:21:38Is Gudula back already?
00:21:39What did she say?
00:21:40Oh, right.
00:21:41Yes, that it's over.
00:21:42Over.
00:21:55And so it came to a conclusion, as it often happens when young people are left alone with themselves and their problems.
00:22:08Fortunately, the night nurse was able to prevent the worst in time.
00:22:18Jesus Maria and Joseph.
00:22:20Nurse Barbara, nurse Eutropia.
00:22:22For heaven's sake, what is it?
00:22:28She took sleeping pills.
00:22:30Get the doctor.
00:22:31Helga.
00:22:33Helga.
00:22:34Wake up, child.
00:22:36Good day, Professor Schreiber.
00:22:38Helga's father had then commissioned me to study the educational methods of the boarding school.
00:22:43Mainly, of course, in view of its compensation process.
00:22:47So, my dear children, today we are talking about the adoption act.
00:22:51Despite all the good will of the nurses, despite the most careful teaching methods, they have to fail in one of the most important subjects.
00:22:58In the field of sexual education.
00:23:00How is the adoption act going?
00:23:01Careful.
00:23:03In the adoption act, the man introduces his penis into the female vagina.
00:23:06In the ejaculation, a part of the male semen enters the uterus of the woman, which closes on it.
00:23:11Correct.
00:23:12What is the process called in the case of the man?
00:23:13Semen ejaculation.
00:23:14The ladies explain these functions as purely mechanical processes.
00:23:19The concept of lust is excluded and simply turns into reproductive drive.
00:23:24How much sperm is necessary to fertilize an egg, Harriet?
00:23:28About 40 million.
00:23:30The reproductive drive, however, receives its legitimation only through the holy sacrament of marriage.
00:23:35Sexual intercourse before marriage is unlawful, just as sexual love is perverse.
00:23:39Fertilization is a sin and makes it stupid.
00:23:42After the so-called fertilization has taken place, what happens then, Carla?
00:23:45The monthly menstruation is extended so that the forming fetus does not slip out of the uterus.
00:23:50Correct.
00:23:51Instead of clearing up and providing life support, one helps oneself with repression.
00:23:55The result is that the young girls are increasingly opposing the outdated taboos.
00:23:59Even young girls who have apparently adapted.
00:24:18This is Eva Maria, 16 years old, a student of the secondary school.
00:24:22As a child, she had an experience that permanently disturbed her relationship with the environment.
00:24:27Again and again, she sneaks into the monastery chapel to listen to the organ playing of Father Johannes.
00:24:32She does not yet know that it is not the music for which she is humming, but the Father.
00:24:53Eva Maria?
00:24:54Yes, High Priest?
00:24:55Did you like it?
00:24:56Yes, it was fantastic.
00:24:57Just great.
00:24:58Hopefully heaven will accept my offering just as graciously.
00:25:01I practiced with the Vox Celestis.
00:25:09And what does your piano lesson do?
00:25:11Oh, to get on, I would have to go to the city twice a week and practice a few hours a day.
00:25:15But I'm not good enough at school and I don't have time for that.
00:25:19But I'm not good enough at school and I don't have time for that.
00:25:23You can play the organ now and then.
00:25:25Yes? And would you help me a little until I have everything?
00:25:28It will be faster than you think.
00:25:30Eva Maria, it must have been lunchtime by now. Hurry up so that you can get something from the dinner table.
00:25:34The two nasty plums, I can't do without them.
00:25:40This is the fourth time, Eva Maria.
00:25:42This time I can't let it be used in a confession.
00:25:45But since your late arrival has ideal reasons...
00:25:47Ideal reasons?
00:25:48Then don't laugh. You look like our Father Johnny.
00:25:51Thank you, Sister Annengarde.
00:25:54Well, how was your swan?
00:25:56Quiet, please!
00:25:57Gerrit, stop your nonsense. It's disturbing the others.
00:26:00Gerrit, put away your pretzels, please.
00:26:07What do you think?
00:26:08Don't you want to try this with him?
00:26:10Do you want to see it too?
00:26:12Don't be so cheeky. Just think about how you can get the most sacred thing from our Father Johnny back.
00:26:18What are you talking about?
00:26:20Why does she feel disgusted?
00:26:22Why doesn't she take part in the sex games of the others?
00:26:25The reason is in an experience that is already six years old.
00:26:28Just as long as she is now in the convent school.
00:26:48Oh!
00:26:52Oh!
00:26:56Oh!
00:26:58What did you say?
00:26:59Did you hear that?
00:27:00Yes!
00:27:01Eva Maria!
00:27:03Eva Maria!
00:27:04Come here, right now!
00:27:07Tell me, what are you doing here?
00:27:09Did you become crazy?
00:27:10I'll teach you to spy on your parents.
00:27:12Tell me, can't you show some respect for us?
00:27:15Wait a minute.
00:27:17We will teach you decency and decency.
00:27:19I promise you, my dear child.
00:27:22At your age, I didn't even know there were two kinds of animals, let alone humans.
00:27:26Hans, I beg you, think of the neighbors.
00:27:29Don't interfere.
00:27:30I will teach you decency and decency.
00:27:32I promise you, my child.
00:27:35Let it glow.
00:27:36Lord, let our kidneys and heart glow with the fire of the Holy Spirit,
00:27:40so that we may serve you with a pure heart.
00:27:44Through our Lord Jesus Christ, your Son, who lives and reigns with you in the unity of the Holy Spirit,
00:27:49God, from eternity to eternity. Amen.
00:27:51Good night, children.
00:27:53Good night, children. Sleep well.
00:27:54Good night, Sister Anastasia.
00:28:00Hey, what did your father-in-law organize for you today?
00:28:03Come on, tell me.
00:28:04Oh, leave me alone.
00:28:06Would you rather talk to yourself?
00:28:08If you want, I'll give you one.
00:28:10I stole two from the church.
00:28:12I find you disgusting.
00:28:13Do you think your father-in-law doesn't grow his thing in his pants too?
00:28:16The Holy Mother of God won't spare him either.
00:28:19Would you like me to get him around?
00:28:20You mean get him in?
00:28:22If you can, I'll give you a pound of cognac.
00:28:24Then give me one.
00:28:25Here.
00:28:26For Eva Maria, that's not good enough.
00:28:28She's only for real things.
00:28:29Have fun, children.
00:28:30You're my best.
00:28:39Here.
00:28:53I'd rather do it with my fingertips.
00:28:56I'll do that too, but only shortly before it comes.
00:29:09So, and now, Manuel.
00:29:11No.
00:29:13This one.
00:29:14When you dream with your eyes open,
00:29:16you sometimes miss it.
00:29:18Sometimes I wonder if it's even worth it.
00:29:21What's it worth?
00:29:22Well, everything.
00:29:23That you want something or want to achieve something.
00:29:26It's not worth it.
00:29:27I don't know what kind of desire you have,
00:29:30but I have to disagree.
00:29:32Faust, second part.
00:29:34Whoever strives and strives, we can redeem him.
00:29:37May I ask you something?
00:29:39Of course.
00:29:40Why did you join an order?
00:29:42Was there no one who meant anything to you?
00:29:44I don't mean sexually,
00:29:46but that you complement each other and are there for each other.
00:29:49If you mean platonic love,
00:29:51a priest is also allowed, provided
00:29:53that he does not distract you from his greater task,
00:29:56namely to be there for everyone.
00:29:58But that's why you can have someone you really like.
00:30:02Sometimes it can't be completely avoided.
00:30:04So, and now we want to go through the passage again.
00:30:07From here.
00:30:12Go on.
00:30:15Let's leave it.
00:30:16Why?
00:30:17As long as the organs don't hurt.
00:30:28Good evening, children.
00:30:30Sometimes I wonder if the priest is really as stingy as he always is.
00:30:33Maybe he's different.
00:30:34I left my blouse up to my navel.
00:30:36He didn't even look at you.
00:30:38You're going to catch a cold.
00:30:40During the afternoon walk, the girls were so lucky
00:30:43that they were able to pick up their classmate Eva-Maria again.
00:30:47If our corrupt Mooshammer smuggles out the letter tomorrow,
00:30:50we can see the boys on Wednesday afternoon.
00:30:52You should give up on me. My debt account is overdue.
00:30:55You're afraid they won't let you dance, aren't you?
00:30:58Yes, stupid euromobbing.
00:31:00See who's coming.
00:31:02Maybe we can bring this up at our priest meeting.
00:31:04Yes, very good.
00:31:05Eva-Maria, look.
00:31:07I think your worshipper is going out.
00:31:09I think that would be very welcome.
00:31:12I've been interested in this matter for a long time.
00:31:14Have a nice day.
00:31:17It's a nice day, isn't it?
00:31:19Yes, and so warm.
00:31:20Yes, the ice will melt soon.
00:31:25I told you right away, he's gay.
00:31:27In this relationship, the Holy Stool doesn't seem to be very generous.
00:31:30He doesn't have a bad taste.
00:31:32The organ might be better than you.
00:31:34Where are you going?
00:31:36Eva-Maria!
00:31:37Eva-Maria!
00:32:00Eva-Maria!
00:32:31What's going on?
00:32:33It's the Holy Stool.
00:32:35The Holy Church!
00:32:36What's going on?
00:32:37I don't know.
00:32:38It's so loud.
00:32:39Where is he going?
00:32:40Who can see you like that?
00:32:47Eva-Tenisa Maria!
00:32:49What the hell is going on?
00:32:51What's wrong with you?
00:32:57The child must be mentally disturbed.
00:32:59Child!
00:33:00What's going on?
00:33:02Eva-Maria, come here.
00:33:06What are you standing around for?
00:33:08Why are you so curious?
00:33:09There's nothing to see here.
00:33:12Eva-Maria was banned from going out and wasn't allowed to visit her parents.
00:33:16Eva-Maria, what's going on?
00:33:17Since they were on a Mediterranean trip, he didn't spoil her much.
00:33:20Nevertheless, the incident had consequences.
00:33:23Eva-Maria's mimose shyness in the face of physical contact turned the other way.
00:33:29Eva-Maria, what's the matter?
00:33:36Can I come to you?
00:33:40Yes, come.
00:33:42I'm so unhappy.
00:33:48Have you heard from your father?
00:33:55I hate all men. I hate them.
00:33:57Of course, the nuns suspect what's going on.
00:33:59But since the church doesn't leave them any alternative than to condemn these incidents,
00:34:03they don't do such problems as if they existed.
00:34:06Well, that's understandable.
00:34:08Once the moral starts to waver, the faith is also in danger.
00:34:12That's why it will remain a taboo for a long time.
00:34:15An attitude that is not understood by young people.
00:34:19So it happens that, together with the preached morality,
00:34:22the real values are more and more questioned.
00:34:26It's getting late.
00:34:36Ladies, we won't practice the tango today. It's still too difficult for us.
00:34:39Gerda, do you have to eat again?
00:34:41Come on, put on your boots.
00:34:44One, two, three, four, five, six, seven, eight, nine, ten.
00:34:48So, ladies, the gentlemen ask for it.
00:34:51This is Ines.
00:34:53Gerda is the heir to a larger fortune and lives apart from her husband.
00:34:57And this is Petra, the daughter of a divorced industrial merchant
00:35:01who wants to enjoy his re-gained freedom.
00:35:05Ines, not so tight.
00:35:07The gentleman only touches the parts very lightly.
00:35:09Yes, yes.
00:35:10One, two, three, one, two, three.
00:35:12What do you think, if we get to know a few nice guys on Valentine's Day?
00:35:15What they have to offer.
00:35:17I would like to earn something with my own apartment and a fancy car.
00:35:20Optimist. If he notices where you're coming from,
00:35:22you'll only see a cloud of dust as soon as he's gone.
00:35:27So, ladies, partners out.
00:35:29The ladies will now take over the roles of the gentlemen and vice versa.
00:35:31Gerda will do the other side.
00:35:32But it's a cha-cha-cha.
00:35:34Then we'll dance cha-cha-cha. It's very simple. Pay attention.
00:35:37One, two, cha-cha-cha. One, two, cha-cha-cha.
00:35:40One, two, cha-cha-cha. One, two, cha-cha-cha.
00:35:43One, two, cha-cha-cha. One, two, cha-cha-cha.
00:35:46God gave us the music, so he doesn't have to be surprised when we dance.
00:35:52So, let's try it again.
00:35:53And don't forget one thing, ladies.
00:35:55Especially on Valentine's Day.
00:35:57The more you approach the gentlemen, the less he will treat you as a lady.
00:36:01Well, that wouldn't bother me. On the contrary.
00:36:03After the gentlemen are gone, you can be very calm.
00:36:05Tobe and Eva-Maria, take the steps.
00:36:11Yes, very good.
00:36:13Not like that, my hair.
00:36:16I mean, I'd like a trimmer.
00:36:18If one of you falls into the water, you'll have to wait a long time.
00:36:20Give me my boots.
00:36:21Yes.
00:36:22Give them to me.
00:36:24No, no, no, no.
00:36:28Will you scrub my back?
00:36:29Yes, I hope so. God, I hope your pockets won't be too tight.
00:36:32Not too tight either.
00:36:33No, no, only if it's much narrower than mine.
00:36:35Then you'll have better pants.
00:36:37Exactly.
00:36:38Gudrun, you know that any physical contact with other students is forbidden in your washing.
00:36:41I only scrubbed her back, sister.
00:36:43Well, then I'll see you tonight.
00:36:45And the others, go to the ball.
00:36:46I'll see you at home, too.
00:36:47What a meanness.
00:36:48But what do you expect from this strange women's room?
00:36:51I swear to you.
00:36:53Next time, I'll scratch you.
00:36:55Oh, right, a drug.
00:36:57And if it's ever the most beautiful, I'll think of those old bitches.
00:36:59What are you doing?
00:37:00Anyone have a purple sewing thread?
00:37:01Knit the dress to stay calm.
00:37:02Do you have a few strings?
00:37:03Yes, but you can have a string.
00:37:04Thanks, with these things I'm always out of touch.
00:37:07My father brought me the most handsome mini from Rome.
00:37:11What do you expect from our nun?
00:37:13Look at yourself with the nose tip.
00:37:15Give me my hair clip.
00:37:16Then they won't let us walk around naked.
00:37:19Do you have a broom, old man?
00:37:20Yes, I'll wait for you here.
00:37:24While the girls are getting ready for the Faschingsball, the sisters have other problems.
00:37:29I just came from the honorable mother.
00:37:31She told me again not to let the girls out of sight tonight.
00:37:35Look.
00:37:36A ridiculous sin on a special occasion.
00:37:38Why?
00:37:40It's from the good brothers in the Lord.
00:37:42From the Benedictines.
00:37:44God forbid.
00:37:48Oh yes, I know.
00:37:49It's going to be a sad Faschingsfest again.
00:37:51The poor girls.
00:37:52The head of the boarding school in Wieskirch even wants the toilets to be unnoticed.
00:37:56What a tasteful idea from this idiot.
00:37:59One and two.
00:38:10The Faschingsfest
00:38:23A really good party.
00:38:24Isn't it?
00:38:25And there are people who say the church wouldn't be too bad.
00:38:32I'll show you something.
00:38:35He's really worked hard.
00:38:39The Faschingsfest
00:38:47Do you really like it?
00:38:48You can try it together. You have time.
00:38:52They all look so well-dressed.
00:38:54A pure joy, the young girls.
00:38:56To the good.
00:38:57Very to the good.
00:39:00You have to open the door just like we do.
00:39:02That's the way it is.
00:39:03Instead of articulating your resistance, you adapt and reproduce the same views as the society you manipulate.
00:39:08Am I right?
00:39:09You convinced me completely.
00:39:11I'm glad.
00:39:12Here you go.
00:39:13Oh, thank you.
00:39:16And you don't want any?
00:39:17No, thank you, dear.
00:39:19Yes, yes.
00:39:30We're free on Wednesday afternoon.
00:39:32But we're only allowed to go out as a couple, so that one pays attention to the other.
00:39:35Okay, then I'll bring a friend.
00:39:37Do you feel the same way about me?
00:39:38Yes, very much so.
00:39:41Then I'll go with you.
00:39:48London would be a great wedding.
00:39:51I like the dark one.
00:39:53Man, look at how the little one is going.
00:40:02You take care of something like that in the monastery.
00:40:04A crime against humanity.
00:40:06A crime against humanity, my dear.
00:40:10Chaos head.
00:40:17I think so often of my time in the monastery.
00:40:22This heavenly peace, isn't it, Mrs. Studienrätin?
00:40:25This security and order everywhere.
00:40:28Yes, our dear sister, Christa, is creating a lot.
00:40:31Just this strength, this delicious confidence.
00:40:35Cheers.
00:40:36That these young people can create from their upbringing.
00:40:40Cheers.
00:40:44Here you are.
00:40:48Let's go to the toilet.
00:40:49Yes, of course, thank you.
00:40:53Isn't it hot here?
00:40:56Shall we both take a breath of fresh air?
00:40:59I can imagine what you're up to with me out there.
00:41:02I know Dimash, you're a very fast champion.
00:41:05A pretty boy like you, no doubt.
00:41:07Or do you think so?
00:41:08Quite the opposite.
00:41:09But I've already made up my mind tonight.
00:41:11Maybe another time.
00:41:14What a pity, the most attractive girls are always late.
00:41:16If you want, I can get you a great replacement.
00:41:29Isn't it hot here?
00:41:34Shall we both take a breath of fresh air?
00:41:36Are you the sister at the door?
00:41:38We have to register with her if we want to go out.
00:41:42And if you go out with a girlfriend?
00:41:44Doesn't work either.
00:41:45Some teenager sits on the toilet and watches so that we don't come up with any clumsy ideas.
00:41:50These nuns have a great imagination.
00:41:54It's just great.
00:41:55He has lived his life based on his own experience.
00:41:58May I ask you to dance then?
00:42:00Yes.
00:42:02Take your girlfriend with you, then we'll go to Viertlangdorf tomorrow.
00:42:05I don't know if that's possible.
00:42:06If it's not possible, we'll drive.
00:42:08We'll wait for you tomorrow at ten with the car at the junction to the bus stop.
00:42:11Agreed?
00:42:15Get out of here quickly.
00:42:18Here, so that you remember our faces when we knock on your window tomorrow morning.
00:42:21If anyone asks, you have nothing to do with it.
00:42:23Ines couldn't persuade Petra to come along.
00:42:26And so at least she was saved from a bad experience.
00:42:31Something can't be right with this guy, otherwise Petra wouldn't have been in trouble.
00:42:34Nonsense, she fell in love with her cousin, that's all.
00:42:36If you don't like him, you can still change your mind.
00:42:38Wait a minute.
00:42:42I think I have to sit down.
00:42:44How about lying down?
00:42:45She'll be upstairs in the room.
00:42:47That's what you came up with earlier.
00:42:50Come, Ines, let's have a drink.
00:42:53No, not anymore. I'm already thirsty.
00:42:56We'll bear with it, but then the point comes where I can't say no anymore.
00:43:00Did you put something in it? It tastes so strange.
00:43:04What I need is a goulash soup.
00:43:06Yes, for me too.
00:43:07I'll do it.
00:43:08Two.
00:43:11Well, Karlchen, how are you?
00:43:15Two goulash soups.
00:43:17And in each a double vodka.
00:43:19Got it?
00:43:20Just say that this is your invention.
00:43:25So, now we may have made it.
00:43:27That was the order of the boarding school.
00:43:28The poor mother wouldn't have liked that at all.
00:43:32Come on.
00:43:33No!
00:43:34Don't shout!
00:43:35Don't shout in English.
00:43:36Yes, you can be that.
00:43:38No, I can't stand it.
00:43:40You can stand it.
00:43:42Come on.
00:43:45Come on.
00:43:46No!
00:43:47No!
00:43:58One of the two cavaliers had given you a 20.
00:44:01You should take a taxi to the boarding school.
00:44:03Who is to blame here?
00:44:05The curiosity of the girls?
00:44:06Or maybe the system that replaces modern sexual pedagogical means with taboos and prohibitions?
00:44:12As long as the monastery education devours all the lust of the sex,
00:44:15hardly anything will change here.
00:44:17Until recently, even spouses should be able to feel any lust.
00:44:21Not without reason, even today, marital intercourse is still referred to as a duty.
00:44:28This is the end of the holidays.
00:44:30The girls, sometimes accompanied by their parents, return to the boarding school.
00:44:34They were in Gran Canaria, by the sea or in the mountains, in big cities or with friends.
00:44:40They flirted on the beach or in discotheques with adults.
00:44:44Teach these 15-year-olds that it is God's will that they should stay pure until their wedding day.
00:44:52Then I decided for the Englishman.
00:44:54Only the Jaguar, the pure one.
00:44:56And we, the pure ones.
00:44:57That's nothing. My granny had a Rolls Royce.
00:45:00A real crybaby.
00:45:01Who, the Jaguar?
00:45:02The Englishman, who taught me everything.
00:45:04Tell me, did you sleep with him?
00:45:06Yes, I did. It's fun.
00:45:08Show me.
00:45:09Super.
00:45:10Do you really want to wear that?
00:45:11Of course, if my father gives me something like that.
00:45:13Well, the Mr. Member of Parliament is trying to get in touch with the youth.
00:45:16Your old man probably wants to point out the progress of his party.
00:45:19It's not the best.
00:45:20I like it.
00:45:21Come on, kids, hurry up.
00:45:23What's that?
00:45:24It's really pretty.
00:45:25From my father.
00:45:26He is the Member of Parliament.
00:45:27One time with taste.
00:45:28They give each other to each other.
00:45:30Whether well or badly, because they are still innocent.
00:45:33But what used to be a virtue, is only annoying today.
00:45:36A sign that one is not asked.
00:45:39No wonder if the sisters often have a difficult position in this upstanding generation.
00:45:44They have no answer to many questions that are openly discussed at other schools.
00:45:52We were in Bolivia.
00:45:55A developing country that is over four times as big as Germany.
00:45:59What's the name of the capital?
00:46:01Kala?
00:46:02La Paz.
00:46:03Which are the main export goods?
00:46:06Jennifer.
00:46:07Meat, copper, oil and especially zinc.
00:46:10But that doesn't help them much, because the country is exploited by American companies.
00:46:13That's why the people are poor.
00:46:14Maria, don't blow your nose.
00:46:16That's not right.
00:46:17Sit down straight.
00:46:19Well, of course you're right, but...
00:46:21Brigitte.
00:46:22And that's why Che Guevara went there to tell them what to do.
00:46:25But they didn't understand it, because the government doesn't build schools for them.
00:46:28And of course the church is also part of the government.
00:46:30Don't forget, the Christian faith is against any violent change.
00:46:33And why is it against the pill?
00:46:35You can help people with it, even without violence.
00:46:37Yes, Harriet, but...
00:46:39Sister Irmengarde?
00:46:40What do you mean by the pill, Sister Genofeva?
00:46:42Yes, um...
00:46:44There are certain limits.
00:46:46You heard about the encyclical Romane Vitae.
00:46:48Ulrike Jennefer Brigitte to the Holy Spirit.
00:46:52Don't forget to worship your Ami.
00:46:55If I were to worship, I'd tell Johnny about the story that's going on.
00:46:58Here you go.
00:46:59But the shell is in the paper cup.
00:47:03Can't I have your other one? It's all worn out.
00:47:06Then it's the same.
00:47:07There's no difference in taste.
00:47:09Oh, you think so?
00:47:10Yes, of course. You can rely on that.
00:47:14What will you give me if I show you the bill?
00:47:16Don't be like that.
00:47:17You always want something.
00:47:18Fine, then I want to be generous again.
00:47:21I know.
00:47:22Look.
00:47:23How is that even possible?
00:47:25Sure.
00:47:26Show me that one.
00:47:27Can I see it?
00:47:28Here you go.
00:47:32Do you like it?
00:47:33After all, you have to educate yourself.
00:47:35You're not taught anything about the practical aspects of life.
00:47:38You can keep dirt and ethics to yourself.
00:47:40Love should be pure and beautiful.
00:47:42But with this nonsense you'll ruin an experience before you even get to know it.
00:47:49We have a little idea.
00:47:51Maybe not the right one.
00:47:52But love doesn't become impure because you master the technique.
00:47:55It's like our grandparents in the dark.
00:47:59You don't know what you're talking about.
00:48:01But you'll get the answer.
00:48:02Sister Amalthea.
00:48:03They won't report us to the honorable mother.
00:48:05I'll have to think about that.
00:48:07Fortunately, I can figure out the situation.
00:48:11Sister Barbara.
00:48:12May I come in?
00:48:13Yes, Sister Amalthea.
00:48:17Is something wrong?
00:48:21Always sex, sex, sex.
00:48:25Sometimes I feel like I can't stand it anymore.
00:48:28Is there nothing else?
00:48:30Of course there is.
00:48:32But it's not always enough.
00:48:34It's all very quiet.
00:48:35That's not how it works.
00:48:37No, not like that.
00:48:38Oh, you. Always me.
00:48:39Turn around.
00:48:40I don't think that's weird.
00:48:41You don't have to act like that.
00:48:43I don't feel like it.
00:48:44You're good.
00:48:45I've done that before.
00:48:46A little bit of information is fine.
00:48:48But if it gets too thick...
00:48:49Follow me.
00:48:50Go on with the candle.
00:48:51Do I have the right to bring you two?
00:48:53Come on.
00:48:54Don't get so worked up.
00:48:55You don't have to be caught right away.
00:49:00My thigh in between.
00:49:01Yes.
00:49:02Otherwise you won't have anything to do with it.
00:49:04Stop it.
00:49:05I can tell you.
00:49:17Now get up.
00:49:20How many times have I told you not to go to bed with the others?
00:49:23Good.
00:49:24I want to talk to you tomorrow morning.
00:49:26Please.
00:49:27Chance would like to see you.
00:49:29Harriet is the daughter of an Englishwoman and a German.
00:49:32She sees the boarding school as a better place for prominent children from failed marriages.
00:49:37She doesn't know parental love and nest warmth.
00:49:40How do you get along with your parents, Harriet?
00:49:42With whom do you get along better?
00:49:44With your father or with your mother?
00:49:46They're both happy that I'm gone.
00:49:48Which sister in law has the ability to help here?
00:49:51Not a few have entered an order because of their own sexual trauma and neurosis.
00:49:57This is Antonia Lombardi, 15 years old.
00:50:00Her father is a sales manager at a shoe factory.
00:50:04Her mother writes love novels for illustrators in Tersin.
00:50:07The upbringing of a half-wit would disturb her.
00:50:11Read your mother's letter.
00:50:13It's not necessary.
00:50:14I already know what she wrote.
00:50:16Well, then.
00:50:17Goodbye.
00:50:18Goodbye.
00:50:19Be careful with the sweets in the fair.
00:50:21It's unhealthy for you.
00:50:22Goodbye.
00:50:23Goodbye.
00:50:24Goodbye.
00:50:25While Antonia's classmates spend the holidays with their parents,
00:50:29she has to stay alone in the boarding school.
00:50:32Because in the letter she received with flowers from her mother, it says,
00:50:35a few days of vacation are not worth the long journey.
00:50:38So then, until next time.
00:50:40Kisses, your mother.
00:50:43Antonia, would you like to get a book?
00:50:46You have the best choice now.
00:50:47Yes, thank you.
00:50:48I'll come by later.
00:50:51Strange, the little one.
00:50:53Everyone else would have crawled into a corner and cried.
00:50:55But she doesn't seem to care.
00:50:57She is a little contactless.
00:50:58Even her parents lie to her.
00:50:59Did she ever really express herself?
00:51:01I'm confused.
00:51:02On some occasion she spoke quite strangely about men.
00:51:05She remembered animals.
00:51:06Heavens!
00:51:07Do you understand that, sister Amalthea?
00:51:09And whether the sister understands that.
00:51:11Because as an 18-year-old she had an experience
00:51:13that decided over her entire later life.
00:51:17On the way home from the music class,
00:51:19she had fallen into a cloud.
00:51:35At least one cabaret.
00:51:38Where are you going?
00:51:40To Lichterfelde, the nursery at the village entrance.
00:51:42I thought you were going to the kiosk.
00:51:50I'll go with you.
00:51:51But I'm not going to the kiosk.
00:51:54Don't be afraid.
00:51:55You'll get there sooner or later.
00:51:58First of all, you'll get rid of that cloud.
00:52:00No, leave me alone.
00:52:01I want to go home.
00:52:02I want to go home.
00:52:03Don't make me angry, or I'll fall.
00:52:05You go to my village and stop me.
00:52:13No!
00:52:21No!
00:52:23No!
00:52:27Stop it!
00:52:28No!
00:52:29No!
00:52:32I don't want to go there.
00:52:34Let's go.
00:52:35No!
00:52:36I'm sorry.
00:52:37Let's go.
00:52:38No!
00:52:39I'm sorry.
00:52:42No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:53:12no, no, no, no, no, no,
00:53:25Come here, Anton
00:53:27got any particular book you'd like to read?
00:53:29It's all on the index, anyway.
00:53:31We've got a new open book, Marcel Proust and André Jig,
00:53:34or maybe a travel course?
00:53:37Or maybe on psychoanalysis, after loosing all interest?
00:53:40Do you mean to say that you have complexes?
00:53:42Of course not. They can't hurt most people.
00:53:44How do you know that? One has to like all people.
00:53:47All people need love. And you seem to be one of them.
00:53:50Is that what you mean?
00:53:51Come and tell me what you have.
00:53:53What should I have, sister?
00:53:55When you hate a certain person, well, you don't really hate him,
00:53:58you just feel rejected.
00:54:00Do you think such a thing exists again?
00:54:02If you try hard enough, I'm sure it does.
00:54:04In the summer holidays I once saw a bull jumping a curve.
00:54:08That's what my father did with the housemaid.
00:54:11Antonia.
00:54:12He was wearing a grey suit and a blue tie.
00:54:15And now you want to forget this picture?
00:54:17I'm just upset that as a woman you're just an object
00:54:20that a man uses and then throws away.
00:54:23You long for love and tenderness.
00:54:25But that's not a complex for a long time.
00:54:27Even if you'd rather have the tenderness of a woman,
00:54:30I think bad weather is coming.
00:54:32The cook Armgard has stayed alone,
00:54:35but the pedestrian can comfort her.
00:54:38She didn't leave the door unlocked for nothing.
00:54:49I forgot to lock the door.
00:54:51Can't you knock, you cold-headed fool?
00:54:53Are you crazy? You've never locked the door.
00:54:55Yes, I have.
00:54:58But you know, it's the holidays.
00:55:00And the girls are all gone.
00:55:01You have to be careful.
00:55:02There could be burglars.
00:55:04If I'm with you, nothing will happen.
00:55:06I always think of the poor little Antonia.
00:55:09She must be afraid in the abandoned house.
00:55:11Don't worry about her.
00:55:14I think we should leave the horse.
00:55:15It has bigger heads.
00:55:17You know what?
00:55:18I'll put you in bed.
00:55:19Then you're not alone, right?
00:55:20No, really.
00:55:21The friends are all at home with father and mother.
00:55:23And the poor child has to spend his nights all alone.
00:55:26If you could,
00:55:27the mother of this little one would be happy.
00:55:30A young girl is happy that she can finally go home.
00:55:32Then her mother will write her a letter of resignation.
00:55:36She should rather take care of her child than write love novels.
00:55:39You're right, Joseph.
00:55:41I agree.
00:55:45If you had locked me up at this age,
00:55:47without mother and father,
00:55:49I would have become the biggest whore around.
00:55:55Hey, you can't expect it, can you, Casanova?
00:55:58Yes, Dejago.
00:55:59What about you?
00:56:00I'm going to make the poor child a delicious pudding tomorrow,
00:56:03because otherwise he won't be happy.
00:56:14I just wanted to see what you were doing.
00:56:16You're not afraid of thunderstorms, are you?
00:56:19It won't take long.
00:56:20The moon is coming up over there.
00:56:22Why don't you sit down with me?
00:56:24Only if you promise me to be reasonable.
00:56:31You came at a time when I was particularly attached to you.
00:56:35Antonia, you promised me.
00:56:38I felt you right next to me.
00:56:40Is that very bad?
00:56:42I prayed to heaven for my soul,
00:56:44but I still feel my body.
00:56:46Please don't move.
00:56:48You feel just as I imagined.
00:56:51Then you can sleep in peace now.
00:56:53Don't go away.
00:56:54I promise you, I want to be calm.
00:56:56I just want to hold your hand.
00:56:58Do you feel it too, Cynthia?
00:56:59Child, what can I say?
00:57:01God gave us the body,
00:57:03and that's what we want.
00:57:28I want to see you.
00:57:31I want to see you.
00:57:35I want to see you.
00:57:38I want to see you.
00:57:42I want to see you.
00:57:47Not all sisters of the Order show such understanding.
00:57:52Many make the self-made ascetic unkind.
00:57:55They demand the same contentment from the young girls,
00:57:58under which they suffer all too often.
00:58:00Frustration has never been a good teacher.
00:58:04The marines' cult of the monks,
00:58:06the Jesus veneration of the nuns,
00:58:08are substitutes for the earthly love,
00:58:10on which they have given up.
00:58:12No wonder if the youth rejects it.
00:58:14Eroticism cannot be replaced by morality,
00:58:16and certainly not by love.
00:58:20Here we see three-legged, three-sided,
00:58:23and here we see a very special piece,
00:58:26from the 4th century BC.
00:58:28A kneeling Silene with its extensive device,
00:58:31with a snake and a sword.
00:58:33You can't judge it like that.
00:58:35This is Elisabeth, 18 years old,
00:58:37a student at the Oberprima.
00:58:39The other is her friend Marion,
00:58:41she is already 19.
00:58:43Both are still young women,
00:58:45a fact that seems rather ridiculous to them.
00:58:48They are still young women,
00:58:50Both are still young women,
00:58:52a fact that seems rather ridiculous to them.
00:58:54But the best method to get rid of temptations
00:58:56is to lie to them.
00:58:58We can't just go to the weekend
00:59:00with the first best students.
00:59:02I don't know if we are the first,
00:59:04but we are the best in any case.
00:59:06A student at the Bartelmedizin.
00:59:08Architecture, 4th semester.
00:59:10If I may give you some advice,
00:59:12you should really try it with us.
00:59:14We are unique.
00:59:16You just need to take the train to Kreuzstraße.
00:59:18And if it doesn't work out with the Sunday holiday?
00:59:20The sisters know that my parents are away.
00:59:22They will have friends or relatives.
00:59:24And here we see the stunning portrait
00:59:26of a young man.
00:59:28Here is the telephone number.
00:59:30One of you has to call as Dr. Brenner
00:59:32and say I should also bring my girlfriend.
00:59:34Marion.
00:59:36What is your name?
00:59:38Elisabeth.
00:59:40Elisabeth Marion, please.
00:59:42Child, please don't.
00:59:44There is no reason at all
00:59:46The call should have come a long time ago.
00:59:48Maybe it's a good thing.
00:59:50After all, we don't know each other at all.
00:59:52I think this Bartel...
00:59:54Elisabeth Marion, a good news.
00:59:56Dr. Brenner has invited you over the weekend.
01:00:00It's a shame that we didn't order them tomorrow.
01:00:02Then we would have had to go to Mönnskopf today.
01:00:04You had to offer a little something to the lady.
01:00:06You can't do it so quickly.
01:00:08The easiest is always the most complicated.
01:00:11Kreuzstraße.
01:00:13Kreuzstraße.
01:00:15Endstation.
01:00:17Please get out of the way.
01:00:19Endstation.
01:00:21Hello, Marion.
01:00:23I'm glad to see you.
01:00:25Of course, we're going on a mountain tour with Dr. Brenner.
01:00:27That's almost enough for a first visit.
01:00:29Stop your two-word speech.
01:00:31Stop it.
01:00:33It's a little primitive here.
01:00:35You should be careful.
01:00:37That's not the point.
01:00:39There's a difference between the nuns and the boys
01:00:41who change at the freeway.
01:00:47There we are.
01:00:49Actually, we wanted to get up today.
01:00:51Why not? Then we'll go sleep with the chickens.
01:00:53That's out of the question.
01:00:55With the classic bean soup I'm serving today,
01:00:57you'll get cramps if you sit down right after.
01:00:59Then we'll put in an hour of gymnastics.
01:01:01Don't let the boys bother you.
01:01:03We're not in the shape of a gymnast.
01:01:05Thank you, ladies.
01:01:08I hope you're comfortable.
01:01:10It's warm here.
01:01:12How nice it smells here.
01:01:14Here.
01:01:18It tastes fantastic.
01:01:20Where did you learn that?
01:01:22Nature knowledge.
01:01:24Let's try it.
01:01:26Theoretically, we're absolutely on par with the monastery.
01:01:28But in practice,
01:01:30we sometimes feel pretty stupid.
01:01:32Do you think you can do it?
01:01:34The ascent looks pretty good.
01:01:37What is it?
01:01:39It's a shame you're so busy.
01:01:41I'd like to see you more often.
01:01:43Wednesday afternoon is fine.
01:01:45I have to go to university on Wednesday,
01:01:47but I'm free today.
01:01:49Oh, you.
01:01:51Shall we go?
01:01:53Mm-hmm.
01:01:55Can't we wait until after dinner?
01:01:57It's getting cold.
01:01:59Let's start.
01:02:01We can't guarantee there's anything left.
01:02:03Open the lid.
01:02:07Here we go.
01:02:09Give me the plate.
01:02:11Here.
01:02:13I hope it's not too hot.
01:02:17Oh, thank you.
01:02:19Not bad.
01:02:23It's gotten a bit thicker.
01:02:25I don't think so.
01:02:27Bon appetit.
01:02:30What's wrong with you?
01:02:32Nothing.
01:02:34You don't like it?
01:02:36No, I'm just not hungry anymore.
01:02:38Strange.
01:02:40Suddenly I'm not hungry either.
01:02:42We can warm up the food.
01:02:44I mean, until the others are back.
01:02:46That's a good idea.
01:03:00I didn't know that.
01:03:02Why didn't you tell me?
01:03:04I was afraid you'd...
01:03:06Come.
01:03:30Oh, God, it's so big.
01:03:32Please be careful.
01:03:35You don't have to...
01:03:49You're crying.
01:03:51Does it hurt?
01:03:53It's just that I'm so happy.
01:03:59I love you.
01:04:19Now I understand.
01:04:21I love you.
01:04:23Very much.
01:04:25I'll probably fall madly in love with you.
01:04:56Marion!
01:04:58What are we going to do now?
01:05:02Does it hurt?
01:05:07The kneecap is fine.
01:05:09It seems to be a bruise.
01:05:11Can you make it home?
01:05:13What's left for me if we don't get the Holy Inquisition?
01:05:16Unfortunately, the Inquisition was not spared.
01:05:19The director had taught Marion's parents about the accident.
01:05:22I hope Dr. Brenner will stay abroad for a while.
01:05:25Thank you very much.
01:05:30You know, you can trust me, dear children.
01:05:36So, where have you been?
01:05:40If you keep hiding like this,
01:05:42you force me to accept the worst that can happen to a girl from a good family.
01:05:46In that relationship, you really don't have to worry, dear mother.
01:05:49In that short time, I couldn't realize it anyway.
01:05:52What do you mean, realize it?
01:05:54Could you please explain it to me in more detail?
01:05:56Well, I mean if a child is on the way.
01:05:59A child?
01:06:04Do you mean to say that you threw yourselves away?
01:06:08You can't be so abysmally corrupted.
01:06:11I hardly believe that it is a sign of corruption if you like a young man.
01:06:15At 18 you are old enough to know what to do.
01:06:20The poor children.
01:06:22You have stolen the most precious thing that a young girl has.
01:06:26What did you want to give to the man who is enough for your life?
01:06:30We both get a great reward.
01:06:33Fortunately for the two girls,
01:06:35Father Johannes was not always in agreement with the educational measures of the director.
01:06:40Please close the door, Sister Eutropia.
01:06:43But it is not very serious to send the two girls from school like that.
01:06:47It is not very serious to send the two girls from school like that.
01:06:50And if you poison everyone else with your example?
01:06:53After all, I am responsible towards the parents.
01:06:55In the first place, you are responsible towards the girls, dear mother.
01:06:59I can't preach, let the children come to me.
01:07:01And on the other hand, they run away when they need someone most urgently.
01:07:04But it is also written.
01:07:06If your right eye annoys you, tear it out.
01:07:08How about a change with Jesus?
01:07:10When the Pharisees were upset about the behavior of Mary Magdalene,
01:07:13he said,
01:07:14You will be forgiven, for you have loved very much.
01:07:17In this area, we seem to be of the opposite opinion.
01:07:20By doing this, you give the opponents of our church only weapons in their hands.
01:07:23In many big cities, there are already special classes for students who are waiting for a child.
01:07:27Then it amazes me that you are not proud of a place in such an educational institution.
01:07:32After all, the conversation had given her to think.
01:07:35In order to relieve herself, she informed the parents and, by the way, limited herself to house punishments.
01:07:40Even the clerics are already beginning to question outdated taboos and moral concepts.
01:07:45They know that it is not enough to celebrate Christianity, one must also practice it.
01:07:50This means life support where it is most needed.
01:07:53In the youth.
01:07:55This is the 16-year-old Tove from Hamburg.
01:07:58A strange girl.
01:07:59Closed.
01:08:00Turned inside out.
01:08:02And apparently possessed by a purity fiend.
01:08:05Some consider her to be a striker.
01:08:07The others for a whore.
01:08:09What is she really?
01:08:39Maybe something from the time before she came here.
01:08:42Who are the parents?
01:08:43Tove never talks about it.
01:08:45Her mother works as a cashier in a café.
01:08:47As far as I know, she is a widow.
01:08:49I really try not to get close to the child.
01:08:52She doesn't lock herself up anywhere.
01:08:53She seems to distrust everyone.
01:08:59It rings at the early mass.
01:09:01At this morning hour, someone in a nearby hotel is already awake,
01:09:05who can best give information about Tove.
01:09:07Her mother.
01:09:08Frau Käthe Malzahn.
01:09:10Apparently she doesn't value getting in touch with the organ sisters.
01:09:13She orders her daughter to go to the hotel.
01:09:15Yes, please.
01:09:16Yes, you are so friendly.
01:09:17I don't feel well from the trip.
01:09:19So at three.
01:09:20Greetings to Tove.
01:09:21But today at school you were still healthy and cheerful.
01:09:24Such a thing doesn't come from one minute to the next.
01:09:27But I'm sure I'm not feeling well.
01:09:29I think I have a fever.
01:09:30Tove, look at me.
01:09:32That's why you don't want to see your mother.
01:09:34I don't want to see her.
01:09:37Well, then run around.
01:09:40Tove.
01:09:41Yes, sister?
01:09:42Think about what sacrifices your mother makes to enable you to have this upbringing.
01:09:50Yes, come in.
01:09:53Ah, there you are.
01:09:57Don't you want to say hello?
01:09:59Hello.
01:10:00Mother.
01:10:01Hello, mother.
01:10:02Come.
01:10:05Come, child.
01:10:07Shall I order you a coke or an ice cream?
01:10:09No, thank you.
01:10:13Why did you come?
01:10:14You'll find out soon enough.
01:10:18Do you like it in the monastery?
01:10:20I get along well with the sisters.
01:10:22I might get an A in French.
01:10:24You'll have to get used to the thought that I'm taking you out of school.
01:10:27I just don't have the money for it anymore.
01:10:29Don't look at me like that.
01:10:30Don't you believe me?
01:10:31Well, how could you?
01:10:32You live here carefree and carefree in your monastery.
01:10:35What you can't say about me.
01:10:37Here, look at me.
01:10:38Am I old?
01:10:39Is something wrong with me?
01:10:41At the age of 35, you just don't belong there anymore.
01:10:44You're called a mother, or a grandmother.
01:10:47But you can't blame me.
01:10:49I did what I could.
01:10:50But you just can't compete with them anymore.
01:10:53All those young things.
01:10:54They make it for a warm meal, or for a coke in a beehive.
01:10:58And if the prosecutor has his hand on it,
01:11:00even better.
01:11:01That's what they like.
01:11:02Don't you understand that, child?
01:11:04And Max?
01:11:05What about Max?
01:11:07Does he still drive his Jaguar?
01:11:10Max, he ran away.
01:11:12With his Jaguar?
01:11:14And the fine suits?
01:11:15And the golden cigarette necklace you gave him?
01:11:20Everything comes back,
01:11:22what she almost forgot.
01:11:24What she tried to forget with all her might.
01:11:26In the sad neighborhood of St. Pauli,
01:11:28where the last drunk people were on their way to school in the morning,
01:11:30and on their way home, the first nuts were on their way.
01:11:33Back then, Max was the guardian of her mother.
01:11:36Tove hated him, but she had to call him uncle.
01:11:39As far as she remembered, he was already the sixth uncle.
01:11:45Is your mother there?
01:11:46She's probably still sleeping.
01:11:48Well, but not all at once.
01:11:52He wasn't a bad guy himself.
01:11:54But he was always angry when something went wrong.
01:11:58Is that all?
01:11:59If I tell you, Max,
01:12:00just before dinner, no doctor came.
01:12:02Oh, no, what you don't say.
01:12:04They all have mice in their breasts.
01:12:06You're putting me in again.
01:12:07But because Tove, the new coat...
01:12:09I don't give a shit.
01:12:10Help me, I'll take care of it.
01:12:12You can't do that.
01:12:13Take care of whom?
01:12:14What's left of you?
01:12:15No, don't look at me like that.
01:12:17Help! Help!
01:12:19Help! Help!
01:12:21Let go of me!
01:12:22I won't let you get away with this!
01:12:24Watch out, he's going to kill her!
01:12:26Who's going to kill who?
01:12:27Uncle Max, my mother.
01:12:28Please come quickly, or it's too late.
01:12:30Then come with me.
01:12:34Watch out, dad.
01:12:37Are they gone again?
01:12:38Come on, let's go, you're too young.
01:12:43All my life I've worked for you.
01:12:46And now that I needed help from you for the first time...
01:12:48You don't have to try so hard.
01:12:49It's pointless, I'm not going to get involved.
01:12:51Oh, no.
01:12:52Has the lady suddenly become a shithead in her convent?
01:12:54But at home, you played with the boys' uncle doctor, and who knows what else?
01:12:58Stop it, my dear, you stay here.
01:13:01What do I want from you?
01:13:03You do it a few times, then we're out of this mess.
01:13:06Then I can rent the fishbowl.
01:13:09It's a completely different life for you.
01:13:11You have to think about later.
01:13:14With a fishbowl, that's something completely different.
01:13:18Tove!
01:13:31Who is Tove supposed to turn to?
01:13:33Who is she supposed to ask for help?
01:13:34The priest?
01:13:35One of the nuns?
01:13:36Or the venerable mother?
01:13:37Will they even understand her?
01:13:39Are the ladies not overwhelmed by it?
01:13:42Child, I don't understand you.
01:13:45What are you saying? Your mother is not a widow, but...
01:13:48She has the yellow card.
01:13:50But now, when the business doesn't work anymore, she wants to learn me.
01:13:54What a yellow-faced child!
01:13:56And what a business!
01:14:00What does she want to learn you for?
01:14:02She said nowadays the nuns...
01:14:04Excuse me, venerable mother.
01:14:06So, the customers only pay for very young girls.
01:14:08Some pay up to 5000 marks for their virginity.
01:14:14Does that mean your...
01:14:17Your mother wants to sell herself?
01:14:19If you do it right, you can get paid five or six times for it.
01:14:22You're lying!
01:14:23There is no such thing!
01:14:24She told me the trick.
01:14:26You take a fishbowl and fill it with blood.
01:14:28You just made that up.
01:14:30My mother is a nun.
01:14:31She knows about such things.
01:14:32Shut up!
01:14:35Shut up!
01:14:38Go now and don't talk to anyone about it.
01:14:45I have to let it go through my head.
01:14:49Horrible!
01:14:51The child of a prostitute.
01:14:53If that brings it to the public...
01:14:56Especially the parents won't be happy about the society in which their daughters live.
01:15:01I'm really sorry about the child.
01:15:03And what do you suggest?
01:15:04Dear sister Genoveva.
01:15:06Our sympathy doesn't allow us to refuse the child of a virgin mother.
01:15:10If she wants to take it with her.
01:15:13And then...
01:15:14I made myself guilty of the grave sin of hatred.
01:15:17Do you regret your sin?
01:15:19No.
01:15:21I...
01:15:22I can't be arrogant.
01:15:25Who is this hatred for?
01:15:27My mother.
01:15:28And the venerable mother.
01:15:30Tell me how it came about.
01:15:32I was on my way to you, venerable mother.
01:15:34May I ask you what you mean by entrepreneurs?
01:15:37May I ask you how you got this information?
01:15:41I'm in favor of raising the child as soon as possible.
01:15:44And...
01:15:45And what should happen to the child?
01:15:47Do you want it to go to foster care?
01:15:50Absolutely not.
01:15:53Tove will stay with us, of course.
01:15:56And who will pay the pension for you?
01:15:58Our financial resources are extremely limited.
01:16:01I could talk to the first-in-command ordinariat.
01:16:04I have a hot wire to Monsignore Huber.
01:16:06Maybe he will authorize the funds for an exemption.
01:16:09Do you want to raise your charitable zeal?
01:16:12First, I will talk to this mother.
01:16:15I'm Mrs. Malzahn.
01:16:17Hello.
01:16:18I'll call you right away.
01:16:19Go to my room.
01:16:20Yes, thank you.
01:16:22Tove!
01:16:23Tove Malzahn!
01:16:25Haven't you seen Tove?
01:16:27No, Tove isn't here.
01:16:28Sister Mathilde! Sister Mathilde! Have you seen Tove?
01:16:30No, she's not with me.
01:16:32Holy Virgin!
01:16:34Where could she be hiding?
01:16:36One moment, Mrs. Malzahn.
01:16:40I'm sorry, Mrs. Malzahn, but we can't find Tove at the moment.
01:16:48Mrs. Malzahn is waiting for her daughter for no reason.
01:16:51Tove ran away in her despair.
01:16:59You're exhausted from home, aren't you?
01:17:01I'm going to the border. Do you want to come?
01:17:03Yes, thank you.
01:17:09You don't have to be afraid of me.
01:17:11I'll hold you tight.
01:17:12Do you want to cross the border?
01:17:14Are you going over?
01:17:15Tomorrow morning.
01:17:17I have something to do here this evening.
01:17:19But we can stay together.
01:17:21Cautious treatment is guaranteed.
01:17:23Stop right now! I want to get out of here!
01:17:25And if the evil wolf comes and attacks the little girl?
01:17:27No, I can't let that happen.
01:17:28Let go of me!
01:17:29Damn you!
01:17:31Get lost!
01:17:40Tove!
01:17:42Tove!
01:17:47Yes, you're back with us.
01:17:49Isn't that nice?
01:17:51Now everything will be fine again.
01:17:59This is for our graduates.
01:18:01Is my mother still there?
01:18:03She had to go back to Hamburg.
01:18:05She sends her regards.
01:18:06So I don't have to leave?
01:18:08There was never any talk of that.
01:18:10In fact, Father Johannes had, with his threat,
01:18:13to start the archbishopric ordinariat,
01:18:15an exemption for Tove.
01:18:24When the healer says,
01:18:26Come to me, all of you who are weary and burdened.
01:18:29So he doesn't mean,
01:18:31it's enough to feed you with a Bible word
01:18:33or a well-intentioned admonition.
01:18:35On the contrary.
01:18:37He wants us to help you effectively and with all our might.
01:18:42Even if we don't always agree with the reasons
01:18:44that make a burdened man weep,
01:18:47at least we have to try to understand them.
01:18:50While the graduates are being released
01:18:52in the traditional closing ceremony,
01:18:54a new year is coming for the nuns.
01:18:57Young girls between 10 and 12 years old
01:19:00say goodbye to their parents.
01:19:02What will these girls experience?
01:19:04Similar?
01:19:06Yes.
01:19:08We live here like in God's garden.
01:19:11The flowers in it are the prayers
01:19:13that we send up to the loving God Father in heaven.