Category
🎥
Short filmTranscript
00:00:00Music
00:00:29All of thee!
00:00:32Life to thee!
00:00:37All of thee!
00:00:52All of thee!
00:00:54All of thee!
00:00:57All of thee!
00:01:00All of thee!
00:01:12Here it is, everything is here
00:01:18Ok
00:01:20Are you sure, beauty?
00:01:22Check it yourself
00:01:25Sure
00:01:33Good, everything is here
00:01:36You are...
00:01:39A perfect secretary, yes
00:01:42Do you want to show off?
00:01:44As soon as I get the right job, you'll see if I show off
00:01:48No, stop it. What if someone came in?
00:01:53Ok
00:01:55Here it is, now no one will come in
00:02:22Get yourself
00:02:25Can you see all the things you're doing?
00:02:29All your dreams
00:02:32All the way
00:02:34You hope tomorrow
00:02:36Will be a better day
00:02:39Don't give up that fight
00:02:42Hold your head up high
00:02:45Don't you worry
00:02:48I'll be by your side
00:02:49Music
00:02:59Mike
00:03:01Mike
00:03:03Mike
00:03:05Mike
00:03:07Music
00:03:19Music
00:03:47Mike
00:03:49Mike
00:03:51Where the hell did you go?
00:03:54Music
00:04:08Mike
00:04:10Where the hell did you go?
00:04:13I went to the archives
00:04:15Rodders wants to see you immediately
00:04:17No, don't tell me Katie
00:04:20You managed to convince the boss
00:04:22I'm your secretary
00:04:25It's fantastic, you're great
00:04:29We couldn't have foreseen that the audience would rush without Brenda
00:04:34Larry, the voice of the heart is not just a soap opera
00:04:38We'll get back on track as soon as possible, I guarantee it
00:04:41Three days?
00:04:43I don't do miracles
00:04:44Me neither
00:04:46Okay, I'll keep you informed
00:04:50He was our president
00:04:53The voice of the heart has to get back on track
00:04:56The fall of Odians was a hard blow, wasn't it?
00:04:59Indeed, and it's a real disaster
00:05:02Consider that it brings us more sponsors and publicity to that soap opera
00:05:05Than all our other programs put together
00:05:08On the other hand, Mr. Rodders
00:05:10Brenda's pregnancy could no longer be hidden
00:05:12Mike, I'd like you to take care of this
00:05:16Well, I'm just an expert in mass media
00:05:21You know the audience better than anyone else
00:05:24You're the most suitable
00:05:26Do you know what people would like for this soap opera?
00:05:28Yes, they'd like another character like Brenda's
00:05:32It's your job to find him
00:05:34Katie, she doesn't just praise your abilities
00:05:38She says you can also write
00:05:39I don't really lack ideas
00:05:42And to tell you the truth, I like to put them on paper
00:05:45Okay, Mr. Rodders
00:05:48Give me a week
00:05:50Three days, Mike
00:05:52I'll give you just three days
00:05:54And the idea has to be the right one
00:05:56Okay, I agree
00:06:09Bye-bye
00:06:30There's a lot of correspondence here
00:06:33Why don't you pretend to be my secretary?
00:06:36You're really excited about this job
00:06:37Yes, and I'd like to be even more excited
00:06:40To do it well, I need all the adrenaline I have
00:06:44I'll get you some of mine, so you can get rid of these letters
00:06:48Okay, Katie, thanks
00:06:50Well, see you later
00:06:54Later
00:06:56Bye-bye
00:07:00The Voice of the Heart
00:07:0245 episodes
00:07:05Thank you
00:07:07Are these the last two episodes without Brenda?
00:07:10Yes, the last two, in numerical order
00:07:13I heard about the new assignment
00:07:16Congratulations
00:07:19You didn't come here to ask me for the bill, did you?
00:07:24I didn't ask you anything
00:07:26You were the one who came looking for me
00:07:29Come in, Lorraine, I was joking
00:07:31Come back here
00:07:37Come here
00:07:41Look at the women, they're all the same
00:08:07I'm sorry
00:08:37Look
00:09:07I'm sorry
00:09:37I'm sorry
00:10:07I'm sorry
00:10:37You're big
00:11:07Come
00:11:08Thank you
00:11:13What are you up to tonight?
00:11:16I've got those soap operas that keep playing in my head
00:11:21Then, why don't we talk about it together, Mike?
00:11:26You see, the fact is that Brenda played a determined and unpredictable character
00:11:33All the other characters don't have the same charm
00:11:37It's not easy at all
00:11:39Even the writers have tried
00:11:42They made one up for an actor
00:11:45But I think we need a woman
00:11:49You're right about that
00:11:51But how does it have to be physically?
00:11:54It's hard
00:11:55Well, it should be the audience telling us
00:11:58Yeah, it would be nice if they came and told us here
00:12:03Ask the audience
00:12:08You're right
00:12:10Why not?
00:12:11It's right
00:12:13It's a fantastic idea
00:12:15Really fantastic
00:12:17Tell me what's so fantastic about everything I've told you
00:12:21The audience knows what that character has to be
00:12:25I only said to ask them
00:12:27Exactly
00:12:29And I'll ask the audience
00:12:31Maybe
00:12:33With a contest, what do you say?
00:12:35What do you say?
00:12:37A simple, generic contest
00:12:40Yes, that's right
00:12:51We'll create such an expectation around the new character
00:12:54That the success won't be in vain
00:12:57The audience will be happy to participate in creating a new character
00:13:01Yes, it should work
00:13:02But we shouldn't give them any indication
00:13:05What part should this woman play?
00:13:08Sally was the character Brenda played
00:13:10And this could be Sally's secret sister
00:13:13A secret sister?
00:13:15Yes
00:13:16Not bad
00:13:18She's a couple of years younger than Sally
00:13:21And her mother had an extra-marital relationship
00:13:24And why does she come to the Emerson's house?
00:13:27Well, her mother left a note in the will
00:13:29That after Sally's death
00:13:31Her sister's inheritance would go to her
00:13:35Right, I'll call the president
00:13:38Prepare the contest and choose the collaborators
00:13:41Can I take Katie?
00:13:43Only if you make sure our audience returns to the stars as soon as possible
00:13:46Count on it
00:13:50Hey, did you hear that Katie?
00:13:52Come on
00:13:54Now you work with me
00:13:56This is our job
00:14:00Part two
00:14:09Why didn't you show up?
00:14:12I was waiting for you to call me
00:14:15Well, I wanted to, but I've had a lot of work these days
00:14:19I can imagine
00:14:22Well, I have to organize a staff of collaborators
00:14:26Have you thought about me too?
00:14:27Maybe
00:14:29You know I'm ready for any experience
00:14:31Well, I'm ready to let you do all the experiences you want
00:14:35Look, we're talking about work, not sex
00:14:38Well, sometimes the two things coincide
00:14:44I think I understood quite well what kind you are
00:14:47You are one of those who take advantage of all situations
00:14:51I'm your friend
00:14:53Deep down I wanted to offer you a more interesting job
00:14:55Keep your job to yourself
00:14:58Hi, Lorraine
00:15:00Hi, Katie
00:15:03How stupid
00:15:05She thinks she has a brain
00:15:07Just because she happens to have a nice pair of legs
00:15:10But maybe it's you who didn't realize she has a brain
00:15:15Come on, don't say bullshit
00:15:17Please
00:15:20I thought about the slogan of the contest
00:15:22It could be
00:15:24The face of the heart
00:15:27The face of the heart
00:15:30The face of the heart
00:15:33Yes, not bad
00:15:35Listen, the questionnaire is presented as a kind of game
00:15:39With which the audience must indicate the characteristics of this face
00:15:46Now try to define the details
00:15:48We can't afford to make mistakes
00:15:50Ok
00:15:59Let's hope for the best
00:16:03Questionnaire number 32
00:16:19It's already here
00:16:28It's already here
00:16:41It's you, Rick
00:16:43Who do you think I am?
00:16:46You still have to get dressed
00:16:47I just need a moment
00:16:49It's already late, you've been working there for a month
00:16:51The alarm clock didn't ring
00:16:53I struggled to find you that job
00:16:55Don't make me look bad
00:16:57What bad looks?
00:16:59I won't stay half an hour longer
00:17:02When are we going to see the furniture for our house?
00:17:06Please, we don't have a house, Rick
00:17:09I know, we'll buy it
00:17:11Don't start with this story again
00:17:14You're a real temptation, Patricia
00:17:16I'm not late anymore
00:17:18I know, but when we're married, we'll do it day and night
00:17:21I'll make you a lady
00:17:23And you'll only think about the house and me
00:17:25Yes, sure
00:17:27Rick, don't dream with your eyes open
00:17:29I'm not thinking about getting married
00:17:31Come on, stop dreaming
00:17:33What do you want from life?
00:17:35What can happen here?
00:17:37The world doesn't end here
00:17:39Look, you were born here
00:17:41And we've known each other for a lifetime
00:17:42But my destiny doesn't end here
00:17:46Patricia, marry me
00:17:48When you have children, you'll stop dreaming
00:17:53But I don't want to stop dreaming
00:17:56Then you'll stop, you'll see
00:17:58No, I won't
00:18:02The contest has given unexpected results
00:18:04The president is very happy with you
00:18:07Good, soon we'll have the face we're looking for
00:18:10Mike, you deserve a raise
00:18:13Thank you
00:18:15Well, keep me informed of any news
00:18:18Certainly
00:18:20Ah, Mr. Roders, there's that girl, Laurence Temple
00:18:23She's already proved to be unproductive more than once
00:18:26I thought it was appropriate to warn her
00:18:29No problem, she'll lose time somewhere else
00:18:32Believing is the best thing
00:18:40Let's go, let's go
00:18:44Finally!
00:18:46I thought we'd never finish
00:18:48Now it's up to the computer to examine all those data
00:18:52Now, Katie, you need a good night's sleep
00:18:55So tomorrow morning you can be in the office by 8
00:18:58Again?
00:19:00You have no mercy
00:19:02Katie, tomorrow will be the main day
00:19:04The computer will give us the identikit
00:19:05I'm starting to think that Laurence was lucky
00:19:09Why did you do it, Mike?
00:19:13Do what?
00:19:15Come on, you got it
00:19:17That girl is just an incompetent
00:19:19And our emitter doesn't know what to do with her
00:19:23The truth is that she tried not to be put under you
00:19:28You have no scruples
00:19:30Katie, in our job, scruples are a luxury
00:19:33Try to understand me
00:19:36Don't you want to go home with me?
00:19:40You'd better sleep tonight
00:19:43Tomorrow you'll have to face a tiring day
00:19:59Here we are
00:20:01Here's the face we're looking for
00:20:03We just have to find it
00:20:05Fantastic
00:20:07Now prepare a calendar of TV shows and newspapers
00:20:12The face of the heart will be seen by the largest number of people
00:20:15We just have to wait
00:20:17Think about it
00:20:21It's beautiful, isn't it?
00:20:23Yes
00:20:27Bravo, you're great
00:20:29Yes, yes, like that
00:20:30Did you see that canister?
00:20:32It's spinning
00:20:34It's the last night and tomorrow they'll change the movie
00:20:37We're going to see the new one
00:20:39Enjoy the game now
00:20:41Thank you very much
00:20:43I had also read the book of this movie
00:20:45You read too many books
00:20:47You have to think, you have the game
00:20:49Look at me
00:20:51Yes, like that
00:20:53Yes
00:21:01Hello
00:21:03Patricia, whatever you're doing, watch TV
00:21:06Channel 7
00:21:08Why? Enrique is watching the game
00:21:10Do as I say, it's important, hurry up
00:21:13Give me time to do it
00:21:15No, no
00:21:20What the hell are you doing?
00:21:22This is the face we're looking for
00:21:24Whoever recognizes the face of this girl
00:21:26contact our TV studios as soon as possible
00:21:28Our soap opera The Voice of the Heart
00:21:30is eagerly waiting for its new protagonist
00:21:32It's the opportunity you've been waiting for
00:21:34It's our dream
00:21:36Don't let it slip away
00:21:38This is the time to make it happen
00:21:45Have you ever had acting experience?
00:21:47Yes, of course
00:21:49I followed acting classes for three years
00:21:51singing and dancing
00:21:53and my mother wanted
00:21:55Okay, okay, that's enough
00:21:56Now we're going to take pictures
00:21:58for our archive
00:22:00and then we'll decide
00:22:02Do you want to come with me?
00:22:04I'd like to have that part
00:22:06I'd like to have a small role
00:22:08Try to keep me in mind, please
00:22:10Yes, of course
00:22:12Bye
00:22:15Bye
00:22:23I have a bad feeling
00:22:24I think I'm going to meet
00:22:26another one of those girls
00:22:28If I'm not mistaken
00:22:30when we started
00:22:32you didn't mind at all
00:22:34At the beginning
00:22:36luckily we're done
00:22:38What do you think?
00:22:40Do you think we've found the new face?
00:22:42No
00:22:44No one has that something
00:22:46I was expecting to find
00:22:48Yes, you're right
00:22:50as always
00:22:52Nice satisfaction
00:22:54Yes
00:22:56We'll find her sooner or later
00:22:58Don't worry
00:23:00Give me your hand
00:23:24I'm sorry
00:23:40I'm sorry
00:23:55It's her
00:23:57Now we have to see
00:23:59if she's up to it
00:24:01Yes
00:24:04She'll be
00:24:06I'll take care of it
00:24:08personally
00:24:19Hello
00:24:21I'm talking to Miss Patricia Morgan
00:24:22Yes, it's me
00:24:24I'm Mike Fraser
00:24:26Channel 7
00:24:28We've got your picture
00:24:30and we'd like to meet you
00:24:32I'll have to get ready
00:24:34in a couple of days
00:24:36There's a train ticket
00:24:38ready for you
00:24:40An agency will contact you
00:24:42Thank you, Mr. Fraser
00:24:44I'll see you tomorrow
00:24:46at 10
00:24:48Thank you
00:24:52Goodbye
00:25:07Miss Morgan
00:25:09My name is Rodgers
00:25:11I'm the director of Channel 7
00:25:13I'm Mike Fraser
00:25:15We were anxious to meet you
00:25:17I ran away
00:25:19I didn't even have time to change
00:25:20You look great
00:25:22You're the girl we were looking for
00:25:24When do I start?
00:25:26Don't worry
00:25:28We'll give you time
00:25:31I have to tell you
00:25:33I've never acted before
00:25:35That's not a problem
00:25:37I hope I don't disappoint anyone
00:25:39I'm sure
00:25:41no one will be disappointed
00:25:44You must be tired
00:25:46after the trip
00:25:48I'll take a shower
00:25:50Katie will take you to the hotel
00:25:52and get you what you need
00:25:54OK
00:25:56I'll call you from the hotel
00:25:58OK
00:26:02I think she's the right one
00:26:04Her voice is perfect
00:26:06We'll have to find someone else
00:26:11Someone else?
00:26:13Why?
00:26:15That girl is a fish out of water
00:26:17She's never acted before
00:26:18You should be the lead
00:26:20Listen, Mr. Rodgers
00:26:22You gave me a chance
00:26:24Let me go all the way
00:26:26Patricia Morgan is my problem
00:26:29OK?
00:26:31OK
00:26:48Let's go
00:27:19This is the bathroom
00:27:21The bathroom?
00:27:23Yes, it's all yours
00:27:25It's beautiful
00:27:27I'm exhausted
00:27:29We've been out all day
00:27:31I can't take it anymore
00:27:33A nice hot bath and a good night's sleep
00:27:35will fix you
00:27:37Katie
00:27:39Do you want to be honest with me?
00:27:41Sure
00:27:43Do you really think I can become a star?
00:27:45Don't worry
00:27:46I'll do miracles for you
00:27:49Don't worry
00:27:51See you later
00:28:46Go!
00:29:04Go!
00:29:10My country is in darkness because of this
00:29:13Everybody with me
00:29:14Everybody?
00:29:16You're not a jealous boyfriend
00:29:18I'm so happy
00:29:21I've been waiting for this moment for so long
00:29:24He knew it
00:29:27Tell me the truth
00:29:29Did you really dream of becoming an actress?
00:29:32Not really
00:29:34But when I saw Identikit on TV
00:29:36I couldn't help but think about it
00:29:38Besides
00:29:40Everybody said I could do it
00:29:41What could I have done?
00:29:43Well
00:29:45Your dream has become their dream
00:29:47I just hope I won't disappoint anybody
00:29:50No
00:29:52It won't happen
00:30:07The voice of the heart has gone abroad
00:30:09Italy, France and Germany are already waiting for you
00:30:14Let's hope for the new star
00:30:17Here it is
00:30:20Put it here
00:30:22Turn around
00:30:24Now you'll read this letter
00:30:26You've just received it
00:30:28It'll change your life
00:30:39Ok
00:30:41Everybody ready?
00:30:43Action!
00:31:09I want you to know that your father is Ronald Emerson
00:31:14I love you very much
00:31:16And when you find out the truth
00:31:19I'm sure you'll love him too
00:31:22I think your place is here
00:31:24In the Emerson's house
00:31:27These are, my dear Rhoda
00:31:29My last wishes
00:31:31With love, your mother
00:31:35Bravo!
00:31:40She's good, isn't she?
00:31:52Well done, Patricia
00:31:54Please, come with me
00:31:56I want you to meet the president
00:31:58So
00:32:00What do you think?
00:32:02Our computer has done a good job
00:32:05And I'll make it perfect
00:32:07Nobody doubts it
00:32:10So, see you later?
00:32:13Really later
00:32:15I have an appointment with Patricia
00:32:17Well, we could eat together
00:32:20Don't you think?
00:32:22Let's go, come on
00:32:24You won't be jealous
00:32:26Not at all
00:32:28It was just to be together
00:32:30Ok, I think I'll offer you a pizza from Raffaello
00:32:33See you there at 2
00:32:39Ok
00:32:56You know, once I worked in a fast food restaurant
00:32:59Really?
00:33:01Yes
00:33:03Don't tell me you were a waiter
00:33:05Yes, I was 17
00:33:06I was a waiter
00:33:08Really?
00:33:10Yes, I lost my job after 4 days
00:33:13Let's go
00:33:36Thank you
00:34:06Thank you
00:34:37No
00:34:49I can't believe
00:34:52I'm so happy
00:35:06Let's go
00:35:30You were going to eat that pizza from Raffaello?
00:35:33I told you I had an appointment with Patricia
00:35:36I was going to wait for you
00:35:38Katie, if you're jealous
00:35:40It's your problem
00:35:42It's your business
00:35:44I can't worry about this shit
00:35:46I have more important things to think about
00:35:48Well, excuse me
00:35:51Listen Katie
00:35:54They gave me a chance
00:35:56Can you understand that?
00:35:58And I want to play it my way
00:36:00All of it
00:36:02All of it?
00:36:04You know the truth
00:36:06You're selfish
00:36:08If there's a selfish person here, it's you
00:36:28It was a failure
00:36:30All the newspapers say the same thing
00:36:32They should have taken it with the viewers
00:36:34They were the ones who chose you
00:36:36But it's everyone's responsibility
00:36:39You knew very well
00:36:41That you had the main role
00:36:44And I was convinced
00:36:46That you would have done it
00:36:48But you can't draw blood from a rabbit
00:36:50You're a woman without character
00:36:52Without grit
00:36:54Do you know why you never thought of being an actress?
00:36:56Because it's the last thing you should do
00:36:58If I failed
00:37:00It's only your fault
00:37:02It's your fault
00:37:04Only yours
00:37:06You always decided for me
00:37:08You never asked me
00:37:10How I wanted to play that character
00:37:12You never asked me
00:37:14If I felt it
00:37:16Well, you're wrong
00:37:18It's your fault
00:37:29I told you from the beginning
00:37:30That girl was just a fish out of water
00:37:32She didn't have any grit
00:37:34It's not just your fault
00:37:36If the audience is still so low
00:37:38The audience needs time
00:37:40Listen, we've already sent a wave
00:37:42Two episodes
00:37:44And it had all the time it needed
00:37:46Even the first series of the soap opera
00:37:48Has arrived the fourth episode
00:37:50Before taking off
00:37:52Mike, if you don't come immediately
00:37:54You'll be the one to take off
00:37:56Don't worry
00:37:58I already have something in mind
00:38:00I'll be there
00:38:10Who is it?
00:38:12It's Mike
00:38:16Ah, it's you
00:38:21I'm sorry about what I told you
00:38:23This morning in my office
00:38:25You're right
00:38:27I'm sorry
00:38:28Okay, don't worry
00:38:30I accept your apologies
00:38:32But I'm in a hurry
00:38:34I don't want you to leave
00:38:36I want to work with you
00:38:38Mike, we're not there
00:38:40Keep saying I want to, I want to
00:38:42Okay, you're right
00:38:44I'll just tell you
00:38:46That if you want
00:38:48I'll be in the restaurant nearby
00:38:50I'll wait for you there
00:38:58Okay
00:39:24Listen, why don't we forget
00:39:26Everything that happened
00:39:28Yesterday?
00:39:30It's not easy to forget
00:39:32I say yes
00:39:34Let's go to our studios
00:39:36What are we going to do?
00:39:38You want me to try all the scenes again?
00:39:40You know you can't get blood out of a toad, right?
00:39:42I just want to talk
00:39:44And then you'll see I'll finish it
00:39:46Let's go
00:39:50It would have been fantastic
00:39:52To convey to the audience
00:39:54All the feelings I had here
00:39:56It's true I'm a prevaricator
00:39:58It happens a lot
00:40:00To have to deal with people
00:40:02Who know what they want
00:40:04I think that to get in tune
00:40:06With the audience
00:40:08You have to create a climate of trust
00:40:10Rhoda has a character
00:40:12Too altered, aggressive
00:40:14On the contrary
00:40:16She's one who's suffered a lot
00:40:18And she feels lost
00:40:20In the world of Emerson
00:40:22Hey, we underestimated you
00:40:25See Mike, Rhoda's life
00:40:26Is like mine
00:40:28All Rhoda's fears
00:40:30Her uncertainties
00:40:32Push the audience to recognize
00:40:34Her gestures, her words
00:40:36In fact, people often tend to identify
00:40:39With the experiences of others
00:40:41This is what has to come out of the screen
00:40:44What compromises do you think there are
00:40:47Between Rhoda's desire for success
00:40:49And the attractions of her body?
00:40:51Well, ideally
00:40:53There should be a balance
00:40:55Because the body has its own way of communicating
00:40:58More effective than words
00:41:25Oh baby
00:41:27I wanna hear you say that
00:41:30You and I are more than just friends
00:41:35Just lately
00:41:37I've been going crazy
00:41:40Waiting for romance
00:41:42I've been waiting for you
00:41:44I've been waiting for you
00:41:46I've been waiting for you
00:41:48I've been waiting for you
00:41:50I've been waiting for you
00:41:52I've been waiting for you
00:41:54Let the romance begin
00:41:58I want you and you want me to
00:42:02And we've grown enough
00:42:08So let's wait no longer
00:42:13We'll go all the way
00:42:17If you open your heart
00:42:20Let's do it, baby, are you ready for love?
00:42:27We'll go all the way to heaven
00:42:31Let's do it, baby, say you're ready for love
00:42:40Oh, baby, don't leave me yawning, dreaming
00:42:44Thinking about the way things could be
00:42:49If only you would let me show you
00:42:54How much love there is inside of me
00:42:58Love is strong and we can't go wrong if we just believe
00:43:09That love is forever
00:43:14Love will show the way
00:43:18If you trust in your heart
00:43:23Let's do it, baby, are you ready for love?
00:43:28We'll go all the way to heaven
00:43:32Let's do it, baby, say you're ready for love
00:43:39Are you ready for love?
00:43:42Let's do it, baby, are you ready for love?
00:43:47We'll go all the way to heaven
00:43:51Let's do it, baby, say you're ready for love
00:44:01Our love is true
00:44:05Don't you know what you've gotta do?
00:44:10Just take my hand and I'll be forever with you
00:44:32See, Mike, Rhoda's life is like mine
00:44:35All Rhoda's fears and uncertainties
00:44:38push the audience to recognize herself in her gestures and words
00:44:42It's fantastic!
00:44:44Fragile and terribly sexy
00:44:47That's how the audience wants the protagonist of the voice of the heart
00:44:52That's our Rhoda
00:44:55Willful and docile
00:44:58I'm sure of it
00:45:06They were yours, the roses?
00:45:08Let's say yes
00:45:10No, they were beautiful, but I thought they were someone else's
00:45:14They wouldn't have been so beautiful, believe me
00:45:17I was thinking of taking you to eat something
00:45:19Well, I'd like you to take me home
00:45:21Beautiful and, unfortunately, faithful
00:45:24Please
00:45:35Thank you
00:45:44You were fantastic
00:45:48Every episode is a great success
00:45:51Thank you, Katie, I'm very pleased, too
00:45:56What beautiful roses!
00:45:59The viewers will make your life more and more difficult
00:46:06OK, see you tomorrow
00:46:09OK, bye
00:46:29Yes, we'll let you have her CV
00:46:32No, I'm not authorized to answer this
00:46:35I'm sorry, I can't let her talk to Miss Morgan
00:46:40That girl exploded like a bomb
00:46:42Katie, don't tell anyone you want news of Patricia
00:46:46And tell the journalists that the press conference is this afternoon
00:46:50Don't worry, Mr. Rogers
00:46:52Mike, warn Patricia and instruct her on what to say
00:46:56This time I'm sure Channel 7's ratings will go up
00:47:02And mine will go up
00:47:18Good morning, this is for you
00:47:20Thank you
00:47:27Hello?
00:47:37Hello?
00:47:39Hi, honey, it wasn't easy to find you, how are you?
00:47:42Hi, it's you, Rick, where are you calling from?
00:47:45From my house, I wanted to tell you that you are very good
00:47:48even if I don't approve this job of yours
00:47:51Well, yes, it's a wonderful experience
00:47:54If you think you can't do without it, I'll marry you anyway
00:47:58But I don't want to marry you
00:48:00It's better if you forget me, Rick
00:48:03How can I forget you if every night you're on TV
00:48:06reminding me that you're my girl
00:48:10Yes, but you'll find another girl who'll make you happy
00:48:13But I was happy with you
00:48:15What's wrong with us?
00:48:17I even found you a job at your farm
00:48:20Well, fuck you, Rick, and don't ever look for me again, okay?
00:48:34Everyone's talking about you, look
00:48:39Do they all say nice things?
00:48:41Of course, they say you're good
00:48:44that you're beautiful
00:48:47and sexy
00:48:50and...
00:49:00Mike, listen
00:49:02Hi, Cathy
00:49:03Hi
00:49:04Well?
00:49:05Is that how you got together with Patricia?
00:49:08Well, you know, sometimes chit-chat goes beyond reality
00:49:12Besides, it was inevitable that she fell
00:49:15But it's not an important thing, you know
00:49:18Because on set, everything works for the best
00:49:21Oh, of course, you put yourself in this job
00:49:24Look, this doesn't change what's between us
00:49:27You know I'm good with you
00:49:28I just know you're good with everyone
00:49:30Come here, don't be like that
00:49:31You and me, we'll just have to be together for a while
00:49:34I'll see you one of these evenings, okay?
00:49:37No, tonight
00:49:38No, not tonight
00:49:39I have to go with Patricia to a reception
00:49:42Tomorrow evening
00:49:43Tomorrow evening, at your place
00:49:45No, no, at your place
00:49:47Okay, okay, okay
00:50:02Here you go
00:50:04With a sip of wine, I'll feel more like Rhoda Emerson
00:50:07You're going really fast
00:50:09You know, we already have several requests for a new series
00:50:13The credit is yours
00:50:18You know, Mike, I love you a lot
00:50:22For various reasons
00:50:24I love you a lot too
00:50:28I won't let you down
00:50:30And I know you won't let me down
00:50:32No, of course not
00:50:47Hey
00:51:17Hey
00:51:19Hey
00:51:49Hey
00:51:56Is this the scene we're shooting tomorrow?
00:51:59Yes, it is
00:52:01Now, though, put away that copy, okay?
00:52:04Like this
00:52:06Maybe I made a mistake
00:52:19Were you expecting her?
00:52:22Well, we just had to talk about work
00:52:24Katie and I are just old friends
00:52:27No, wait, I can explain
00:52:31What's there to explain?
00:53:02What's there to explain?
00:53:07What's there to explain?
00:53:13What's there to explain?
00:53:19What's there to explain?
00:53:26What's there to explain?
00:53:35What's there to explain?
00:53:44What's there to explain?
00:53:53What's there to explain?
00:54:03What's there to explain?
00:54:13What's there to explain?
00:54:23What's there to explain?
00:54:43What's there to explain?
00:55:08Try to understand
00:55:11It's the first time I've fallen in love
00:55:14Why didn't you fall in love with me?
00:55:17I'm sorry
00:55:19I'm really sorry, you know
00:55:21That you got in the way, Katie
00:55:24That means that if that's the case
00:55:27I'll just have to
00:55:30accept to play
00:55:33the role of the friend who sacrifices herself
00:55:40You're a real friend, Katie
00:55:43Have you already talked to her?
00:55:46No, no
00:55:49It won't be easy to make her understand
00:55:51that I'm telling the truth
00:56:13Patricia, I have to talk to you
00:56:15You're angry and you have every reason
00:56:17But I'll let you explain
00:56:18Please
00:56:20The things between us
00:56:21have never been so clear, Mike
00:56:25Hello, Mr. Roders
00:56:27Good morning, Patricia
00:56:29I want to give you some good news
00:56:31The last episode had an increase in audience
00:56:33of 15%
00:56:35And the character of Rhoda
00:56:36is still your favorite?
00:56:37Of course, everyone is in love with Rhoda
00:56:41I received her flowers
00:56:43the usual red roses
00:56:44But without dinner invitation, why?
00:56:46I was convinced that my dinner invitations
00:56:47wouldn't interest you
00:56:49Things change
00:56:50Excuse me, I'll leave you two alone
00:56:52I have something to do
00:56:54Excuse me
00:56:57I'll pick you up at 8
00:57:00Perfect
00:57:12This wine is really special
00:57:15I feel so light, light
00:57:18You've never signed so many autographs
00:57:20like tonight
00:57:21Mike is right
00:57:23when he says that the audience is yours
00:57:25I don't want to hear about the audience
00:57:28or about the soap opera
00:57:29or even about Mike
00:57:31You're right
00:57:33I'm such an idiot
00:57:37What are you up to, Mr. Roders?
00:57:39Just because I came to dinner with you
00:57:41you think I'll come to bed with you?
00:57:43Stop calling me Roders
00:57:45My name is Theodore
00:57:49Theodore
00:57:51Your name is so ridiculous
00:57:53Let's have another drink, Theodore
00:57:56I think you've had enough
00:58:00Everything is spinning around me
00:58:03Come, I'll take you to bed
00:58:11Now it's better
00:58:18Now it's just the ceiling spinning
00:58:21You're a true friend, Theodore
00:58:25Mike is a son of a bitch
00:58:30I...
00:58:31I love him
00:58:32Sometimes things change
00:58:34I wish he were here
00:58:40The fact is that
00:58:42I want to make love to him
00:58:45So I guess I'll be with him
00:58:49But...
00:58:50I'm not sure it'll work
00:58:52Why not?
00:58:58I'm sleepy
00:59:02Let me sleep
00:59:14Hello?
00:59:19Hello, Mike, my love
00:59:26I miss you
00:59:29Mike
00:59:35Mike
00:59:37Is that you, Mike?
00:59:40I miss you so much, Mike
01:00:01Mike
01:00:10Mike
01:00:28I miss you, Mike
01:00:39Mike
01:01:09Mike
01:01:13No, my phone
01:01:18No, leave it, don't worry
01:01:35She's fine, she's a child
01:01:40Mike
01:01:43I need to lie down
01:01:56Mike
01:02:00No
01:02:04No
01:02:09Leave him alone
01:02:10No
01:02:12I'm sure Mike...
01:02:31Ouch
01:02:33It hurts
01:02:40Ouch
01:02:58No
01:02:59I don't want to, no
01:03:01I don't want to
01:03:06No
01:03:07No, leave him alone
01:03:37No
01:03:52Listen, Mr. Rodgers
01:03:53What is it, Mike?
01:03:55If you have any problems, don't come and tell me now
01:03:57I need a good cup of coffee first
01:04:00Have you had a bad night?
01:04:01No, not at all
01:04:03Patricia asked us for advertising spots
01:04:07Mike, that girl is a real force of nature
01:04:11Oh, I know that between you two there is something more than friendship
01:04:14But she says that deep down she has nothing important
01:04:17Yes, that's right
01:04:20Tell me the truth
01:04:22She's insatiable
01:04:23She has a really incredible erotic charge
01:04:27I'll bring you those requests in a while
01:04:37Bye
01:04:41Bye, Mike
01:04:43All I did was think about us
01:04:48And maybe you didn't even sleep
01:04:52Mike, we behave like two idiots, don't you think?
01:04:55Yes, you're right
01:04:57But I think...
01:04:59that none of us gave up
01:05:01I always told you that it's not bad
01:05:03and you got along very well with Mr. Rodgers
01:05:07Look, Mr. Rodgers and I have a business relationship
01:05:10It's not what you think
01:05:13I think I've learned something this time
01:05:16Never trust those women who say they can't do without you
01:05:23Maybe you should try to understand those women
01:05:38I'd like to extend your contract with us
01:05:41I have something in mind for you
01:05:43I'll make you a star
01:05:46And what would be my part?
01:05:48You'll be the lead
01:05:50You weren't born for those secondary roles
01:05:55No, please, really
01:05:57I was drunk last night, believe me
01:05:59It was a misunderstanding
01:06:00I thought it was a good way to understand each other
01:06:03But I love Mike
01:06:06This Mike...
01:06:07He's just a magazine
01:06:10He's a scoundrel
01:06:12He's one of those who need people
01:06:15Maybe
01:06:16But you know how they say
01:06:18You can't control your heart
01:06:20I hope this doesn't stop us from being good friends
01:06:24No, of course not
01:06:33This is for you
01:06:36Wow!
01:06:38It's beautiful!
01:06:40Why this gift?
01:06:42To make all the others angry
01:06:45Tonight at the reception, you'll be the prettiest
01:07:03Excuse me
01:07:05I'm sorry to disturb you
01:07:06No, no, you're not disturbing us
01:07:09What do you think?
01:07:11Well, I think
01:07:13It's a very expensive gift
01:07:15Yes
01:07:16And Patricia deserves much more than this
01:07:23Well, I think they're waiting for me
01:07:25At 6.30 you have an interview and a photo shoot for Variety
01:07:29Don't forget
01:07:30Oh, of course
01:07:31Thank you
01:07:36Well
01:07:38Our Patricia is making a great investment
01:07:41For our TV network
01:07:44Mike
01:07:45I'd like you to take care of that new program
01:07:48Well, you know
01:07:49Patricia's work doesn't leave me much free time, boss
01:07:53From now on
01:07:54You won't have to worry about her anymore
01:07:56But why?
01:07:57Patricia is my creature
01:07:58And I really want to take care of her
01:08:02But maybe she's not happy
01:08:06I don't understand what I'm doing wrong
01:08:08I raised her ratings to the stars
01:08:12You know how strange these actors are, Mike
01:08:15Now, she prefers that I take care of her personally
01:08:19I really think she's more suited
01:08:21To take care of the accessories
01:08:24You don't have to worry about me
01:08:26You're very busy
01:08:27And you'll have other good opportunities here at Channel 7
01:08:30I'm sure of it
01:08:31No, I won't accept any content
01:08:33And Patricia
01:08:34Will reflect on how I was the one
01:08:36Who started her great success
01:08:38In the same way, I'll mark the end of it
01:08:41I'll see you later
01:09:02The news about Patricia Morgan
01:09:04Is valuable material for any journalist
01:09:08It'll be all yours in a moment
01:09:11I think people would like
01:09:13I don't know
01:09:14To have some indiscretion
01:09:16Some...
01:09:18News
01:09:19Some little scoop
01:09:20To make us curious
01:09:22I don't know
01:09:23Some little gossip about her
01:09:32A relationship between you and Mr. Rogers, for example
01:09:36I see
01:09:37That you managed to understand me on the fly
01:09:40This
01:09:42Is news
01:09:43Patricia
01:09:44Has a very troubled emotional life
01:09:48I myself was one of her lovers
01:09:50Do you understand?
01:09:52And I know there's also a jealous boyfriend
01:09:55In her town
01:09:57Patricia Morgan is
01:10:00A girl
01:10:01Who's insecure and willful
01:10:04Who goes to look for some security
01:10:07In a glass of wine
01:10:08Before every shoot
01:10:12I don't know how to thank you, Mr. Fraser
01:10:15This issue of our magazine will surely go up in smoke
01:10:18Words of wisdom
01:10:19And now I owe you
01:10:21See you soon
01:10:39What does this mean?
01:10:42I read that article
01:10:43But you don't have to give it importance
01:10:44It's just gossip
01:10:46Gossips that can ruin me
01:10:48But nothing can happen to you
01:10:49In any case, if you want
01:10:51We quarrel
01:10:53I'm afraid
01:10:54Of what can happen
01:10:56Often you change your mind
01:10:58Maybe you haven't seen
01:10:59Between me and Mike how it ended
01:11:02I don't know
01:11:03I don't know
01:11:04I don't know
01:11:06I don't know
01:11:07Between me and Mike how it ended
01:11:09You know
01:11:10Now he doesn't even want to work with me anymore
01:11:12Oh, this Mike
01:11:13He doesn't deserve that you suffer for him
01:11:18You're so dear, Theo
01:11:21I love you
01:11:22And I'm just waiting for you to come and live with me
01:11:26Yes, but I'm sorry
01:11:28I don't feel it yet
01:11:30For now
01:11:31Mr. Rodgers
01:11:32Is Mike here?
01:11:33He wants to talk to you
01:11:35Let him in
01:11:38Yes
01:11:43These are the latest data of the audience
01:11:48The voice of the heart does not know obstacles
01:11:52It seems that the news
01:11:53On the private life of our Patricia
01:11:55They did well to the newspaper
01:11:57Already
01:12:01Someone
01:12:02Naturally
01:12:03Without wanting it
01:12:04He did us
01:12:05He did us a big favor
01:12:07With those revelations
01:12:11If there's nothing else, I'll go
01:12:13I have a lot of work to do
01:12:15Yes, go ahead, Mike
01:12:35Yes
01:12:52I'm sorry
01:12:53This is not the right evening
01:12:57I see it too
01:13:00Are you really in love with her?
01:13:02No, no
01:13:03I think I hate her
01:13:04Yes
01:13:05Sometimes the two feelings are confused
01:13:07One with the other
01:13:10I can never get it out of my mind
01:13:12And you instead
01:13:13Here it is
01:13:14You went to mess with that fool Rodgers
01:13:17Why don't you let it all go
01:13:18And come away with me?
01:13:21You know
01:13:22I've already had a great proposal
01:13:25And there would be job opportunities
01:13:27Also for you
01:13:29No, leave me
01:13:30It's like those two
01:13:31They threw me a challenge
01:13:33But they don't know
01:13:34What?
01:13:38That I
01:13:39If I want
01:13:40I can hit
01:13:42Harder than I did
01:13:47What the hell are you talking about?
01:13:51If it was you
01:13:52Providing those indiscretions
01:13:54Released on the newspapers
01:13:56Well
01:13:58I
01:13:59I thought you had changed
01:14:01But instead you remained
01:14:02The usual fucking selfish
01:14:05And then
01:14:07You have nothing
01:14:08Nothing to say
01:14:10The fact is that
01:14:11In this damned story
01:14:14I too begin to despise myself
01:14:32I
01:14:33I
01:14:34I
01:14:35I
01:14:36I
01:14:37I
01:14:38I
01:14:57Shall we start
01:14:58Charles Payden
01:15:02These are the photos
01:15:03I told you about
01:15:05They are ordinary photos
01:15:06You have to think about it
01:15:07To make them interesting
01:15:10Don't worry
01:15:11I have a friend specializing
01:15:13In photomontage games
01:15:16A portrait of a woman must come out
01:15:18Willing to do anything
01:15:20To get there
01:15:22An Emerson wheel
01:15:23In flesh and bone
01:15:24Exactly
01:15:26The public likes
01:15:27This resemblance
01:15:28Between the character and the actress
01:15:31It makes everything seem incredible
01:15:33And I recommend
01:15:34The most total discretion
01:15:39Don't worry Mr. Rogers
01:15:41I think I've shown you
01:15:43That you can trust how I work
01:15:46Okay?
01:15:47Good
01:15:53Now they just talk
01:15:55About my private life
01:15:57And you let them talk
01:15:59Thanks to them
01:16:00Your soap opera
01:16:01Is breaking all the audience records
01:16:03Of the year
01:16:04Yes, but they write a lot of nonsense
01:16:06And they'll end up discrediting me
01:16:08People know
01:16:09That journalists always exaggerate
01:16:11This is just a game
01:16:12Between you and them
01:16:13I'm starting to get tired
01:16:14Of this game
01:16:15You are a protagonist
01:16:16Patricia
01:16:17That's why people
01:16:18Want to have the illusion
01:16:19Of being able to
01:16:20Enter your private life
01:16:22Yes
01:16:23I hope you're right
01:16:30Patricia
01:16:31Hi
01:16:32Hi
01:16:33I've come to say goodbye
01:16:35I'm leaving
01:16:36I've decided
01:16:37I'm going back to Italy
01:16:39Ah
01:16:40The atmosphere here
01:16:41At Canal 7
01:16:42Has changed
01:16:43A lot
01:16:44It's a difficult time
01:16:45For me too
01:16:46And for you
01:16:47And for me
01:16:48And for you
01:16:49And for you
01:16:50And for you
01:16:51And for you
01:16:52And for you
01:16:53And for you
01:16:54And for you
01:16:55And for you
01:16:56And for you
01:16:57And for you
01:16:58And for you
01:16:59And for you
01:17:00And for you
01:17:01And for me
01:17:02What are you waiting for?
01:17:03Go and check
01:17:04Unfortunately
01:17:05I have a contract
01:17:06To respect
01:17:07Yes
01:17:08Stay focus
01:17:09Here
01:17:10People are without
01:17:11any scruples
01:17:13Is Mike here with you?
01:17:16No
01:17:17Between us
01:17:19There was nothing...
01:17:21Ah
01:17:26Good luck
01:17:27I'll try them in another way, you're right.
01:17:35The new survey will be used to know if the public is satisfied with your choice.
01:17:40And the choice would be me, of course.
01:17:42You all have the privilege to make me feel only an object.
01:17:46Why an object? You are the protagonist of all this.
01:17:50I wouldn't say so.
01:17:52My private life has been turned upside down to satisfy the public.
01:17:55It's the public that keeps our television network going.
01:18:00We can't forget it.
01:18:02Of course.
01:18:04See you later.
01:18:06See you later.
01:18:23I'd like that dream to start again.
01:18:29And don't you think it would be a mistake, Mike?
01:18:33No.
01:18:36Damn.
01:19:06Mike.
01:19:36Mike.
01:20:06Mike.
01:20:36Mike.
01:21:06Oh.
01:21:36Oh.
01:21:38Oh.
01:21:41Oh.
01:21:43Oh.
01:22:06Oh.
01:22:08Oh.
01:22:10Oh.
01:22:12Oh.
01:22:14Oh.
01:22:16Oh.
01:22:18Patricia.
01:22:20Oh.
01:22:22Oh.
01:22:24Oh.
01:22:26Oh.
01:22:28Breakfast is what we need now.
01:22:30Here are eggs and bacon for you.
01:22:32Perfect.
01:22:34What do you think about going out of town?
01:22:38I'd like to, but...
01:22:40They've anticipated the recording of the episode this morning.
01:22:43Good, but then we'll take a nice vacation.
01:22:46Oh, sure. You have to take me to a place where they can't recognize me.
01:22:51I'm tired of being constantly at the center of attention.
01:22:57According to the latest rumors, I've just broken a relationship with an important businesswoman.
01:23:02I've read it.
01:23:04Well, Patricia, I have to tell you something.
01:23:07I was the one who gave those news to Spider for the first time.
01:23:11What?
01:23:12Yes, I know, it was horrible, but I was so angry with you and Rodders that I couldn't understand it.
01:23:16You did this to me? You're a son of a bitch!
01:23:19I had lost my mind. Try to understand me.
01:23:22You ruined my life, and you even have the courage to say you love me.
01:23:27Look, I've only talked to Spider once. I don't know anything else.
01:23:31Mr. Rodders had me on guard about your true nature.
01:23:34I didn't want to believe him.
01:23:37I didn't want to believe him.
01:23:39Please, don't go.
01:23:40Patricia!
01:23:52The result of the poll is very clear, Larry.
01:23:55Rhoda Emerson no longer satisfies the taste of the public.
01:24:00Certainly the public has not approved that Patricia was in private life as in fiction.
01:24:07Heroes are consumed quickly in these times.
01:24:10In any case, we have already started the trials to look for new protagonists of The Voice of the Heart.
01:24:16Let Mike Fraser take care of it. He's a smart guy, he knows his stuff.
01:24:22Very well, Larry. I'll keep you informed.
01:24:26What interests us most is that the credibility of our network is not compromised.
01:24:33But Patricia will come out crushed.
01:24:36A scapegoat is necessary.
01:24:39And Patricia Morgan, I think it's the least damage.
01:24:44Well, so Larry Rodders gets rid of all his responsibilities.
01:24:49Mike, are you really in love with her?
01:24:55These are my business.
01:24:58There can be no room for feelings for an ambitious man like you, dear Mike.
01:25:03Or like her.
01:25:05And anyway, I didn't call you to talk about feelings, but about work.
01:25:09Another program for children.
01:25:12The latest survey provided us with the characteristics of the new hero of The Voice of the Heart.
01:25:17But with an intelligent journalistic campaign, Patricia, we can still save her.
01:25:22Patricia Morgan is over for our television.
01:25:26Clear?
01:25:28You know what?
01:25:30She really sucks.
01:25:33Speaking of you, it's really funny.
01:25:35You were the first to play with her credibility.
01:25:39Fuck Rodders.
01:25:53Hello.
01:25:56You have a nice look this morning.
01:25:58I slept all night.
01:26:00Are there any news?
01:26:02Yes, and also good.
01:26:05Now you can take a nice vacation.
01:26:08Is it a way to tell me that I closed with the soap opera?
01:26:11No, nothing at all.
01:26:13Rodder will be back in the next series.
01:26:15And then I have other projects for you.
01:26:18Did you talk to Larry about that film?
01:26:20Yes, but he says it would be better to wait.
01:26:24Instead, I asked him to present some other proposals.
01:26:28I would have thought of a show.
01:26:30What do you say?
01:26:32Well, I'm down with the moral.
01:26:35I had started a brilliant career and then suddenly it's all over.
01:26:40I don't want to hear you say certain things.
01:26:43Come on, pack your bags and come stay with me.
01:26:45We'll be friends or we'll be just what you want.
01:26:49But I don't want you to stay here alone with some strange ideas.
01:26:53Okay, I'll think about it.
01:26:55I've already thought about it for you.
01:26:57In a couple of hours I'll pick you up and you'll come to me.
01:27:18Come on.
01:27:48Rodders, what a son of a bitch.
01:28:10Believe me, those people are too hot.
01:28:14Listen, Rick, try to talk about something else, okay?
01:28:18Okay, as you wish.
01:28:20But remember, if you hadn't refused to listen to me,
01:28:24none of this would have happened to you.
01:28:27And you, what are you going to tell me?
01:28:31My job is going well.
01:28:33At the end of the year I'll have a promotion.
01:28:36Congratulations.
01:28:38Thank you.
01:28:40I was in the middle of a conversation.
01:28:43They said things about you.
01:28:45I can imagine.
01:28:47It would be better if you waited a while to be seen around.
01:28:51Are you kidding? I didn't kill anyone.
01:28:54I just need to go back to myself.
01:28:58I'll help you.
01:29:01You know, I'll want you more than before.
01:29:04Please, Rick, I don't feel like doing it.
01:29:10Okay.
01:29:12You'll do it with me, right?
01:29:14I read the papers with what they said about you.
01:29:17If you read them, you know I'm not a good guy.
01:29:20So, go away.
01:29:23I'm sorry.
01:29:25I really wanted to see you.
01:29:27Okay, we're friends.
01:29:29Do you want to go to the supermarket with me?
01:29:34I'd like to, but I have to go back to the office.
01:29:37Try to understand me.
01:29:39Yes, you're right.
01:29:41I'll be back soon.
01:29:44Okay, go to hell.
01:29:46Let's go.
01:30:09Bye.
01:30:35Hi, Patricia.
01:30:36No, wait a minute.
01:30:42These flowers are for you.
01:30:46What can I say? I'm an idiot, but I love you.
01:30:49I love you to death.
01:30:52I left everything I had down there.
01:30:54Success.
01:30:55To rebuild a life here with you.
01:30:58It's true, I swear.
01:31:02But...
01:31:03I have to trust you.
01:31:06You'll never regret it, I promise.
01:31:08My love.
01:31:36I love you.
01:31:37I love you too.
01:31:38I love you.
01:31:39I love you.
01:31:40I love you.
01:31:41I love you.
01:31:42I love you.
01:31:43I love you.
01:31:44I love you.
01:31:45I love you.
01:31:46I love you.
01:31:47I love you.
01:31:48I love you.
01:31:49I love you.
01:31:50I love you.
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01:31:55I love you.
01:31:56I love you.
01:31:57I love you.
01:31:58I love you.
01:31:59I love you.
01:32:00I love you.
01:32:01I love you.
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01:32:33I love you.