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Short filmTranscript
00:00Pájaro Soñador
00:30of your great talent in the kitchen.
00:31Here, son, eat.
00:32And you, get me a little more tea.
00:34Of course, mom.
00:36Here, my love, this is for you.
00:39Yes, the truth is that your father
00:41is a charming, cultured, cheerful, and very polite man.
00:44I liked him a lot.
00:45He looks a lot like us.
00:47The truth is, yes.
00:48Yes, I always liked working with him.
00:51But now that he's changed, I like him more.
00:53Daughter, you always said that Emre looked a lot like his father,
00:55that he reminded you a lot of him.
00:57But I don't see the resemblance.
01:00What?
01:01I mean his character, my son.
01:04The doctor said that when he got over the disease,
01:06it was normal for his character to change.
01:09I've always told Leila that you look a lot like your mother.
01:12That's right, although she doesn't agree.
01:14The truth, although you know what they say, love is blind.
01:17But it seems to be true.
01:20What do you mean, mom?
01:23I didn't understand it very well either.
01:28Mevkiveh, what if we invite him to dinner?
01:30If he feels better, maybe he can come.
01:32I think so.
01:33Don't you think?
01:34What do you say, Emre?
01:35He seemed to be fine last night, right?
01:37Look, dad, we invited him.
01:38And if he feels good, he'll come.
01:40Sure, we'll do that.
01:41I think it's very good, daughter.
01:42Seriously.
01:43By the way, when is the renovation going to end?
01:46It's been almost a year since it started.
01:49Although the house is almost ready,
01:50you can put a table to invite him to dinner there.
01:53It's just that you have to change the kitchen's granite
01:55topboards and we want them made of marble.
01:57Narrow.
01:58There's not much left.
01:58Marble.
02:00And it has to be marble, right?
02:03Oh, I'll be late.
02:04Look at the time it is.
02:05They're going to fire me.
02:06Of course.
02:06Let's go.
02:07Hey, eat, son, eat.
02:09Don't leave the food.
02:10I'll eat later, dad.
02:11At least the cucumber water.
02:13Save it for me and I'll drink it when I get there.
02:15You'll drink it on the way.
02:16Take it.
02:17Okay, thanks.
02:17Come on, love.
02:18Forget about the juice and hurry up.
02:20Have a good day, boys.
02:22It's not easy to prepare it.
02:24The cucumber water.
02:25In addition, now they have to put a marble topboard
02:29in the kitchen.
02:30You'll see that the renovation does not end this year.
02:33I'm sure.
02:34Come on, don't be bad.
02:35They won't finish this year.
02:38Hmm.
02:39Hmm.
02:40Hmm.
02:41Hmm.
02:42Hmm.
02:43Hmm.
02:44Hmm.
02:45Hmm.
02:46Hmm.
02:47Hmm.
02:48Hmm.
02:49Hmm.
02:50Shh.
02:51Don't look at him anymore.
02:52Well, but you were right.
02:55You can't stop looking at him.
02:57It's just that Jan is so charming that you don't take your eyes off him.
02:59Hey.
03:00Forgive me, please.
03:01I shouldn't have said his name.
03:04Where did you get this handsome guy?
03:06I mean, it's obvious that he's a heartbreaker, right, friend?
03:09Why don't all handsome men break hearts?
03:13But what kind of therapist are you?
03:15You're not helping me.
03:16How many times do I have to tell you?
03:18I'm not a therapist.
03:19I'm a psychologist.
03:21A psychologist.
03:22They admitted me to a clinic when I became crazy.
03:25And there we met.
03:26And then we came.
03:27Shh.
03:28Look if he's looking at us.
03:29He's not looking at us.
03:30He's not looking at us.
03:31I don't think he's looking at us.
03:32Not at all.
03:33Is he looking at us?
03:35No, he's not looking at us.
03:36I don't think he's looking at us.
03:38Is he looking at us?
03:39No.
03:43The man of three letters is looking at us.
03:45Is he looking at us?
03:46He's looking at us.
03:47Oh, my God.
03:48He's so handsome, really.
03:50But, well, it's better if he leaves.
03:52Quickly.
03:55He's not looking at us anymore.
04:05Yes, very well.
04:21Zanem.
04:22Zanem.
04:23Zanem, come back.
04:24Come back, Zanem.
04:25You're scaring me.
04:26Have you dreamed again that you have three children with him?
04:28No.
04:29No, this time it was something else.
04:32Well, I thought you had gotten lost in your thoughts again.
04:35Are you hallucinating again, Zanem?
04:37No, I'm not hallucinating.
04:39Uh, all of a sudden I have a vision that seems real.
04:42I don't do it on purpose.
04:43It happens to me all of a sudden.
04:44But once you told me that your dreams always came true.
04:53And it was true.
04:56Now it doesn't come true anymore.
04:58It doesn't happen to me anymore.
05:01Forgive me, I only asked to cheer you up, but I see that it doesn't.
05:07It's been a year, Gigi.
05:09A long year.
05:10You've been together and alone practically every day.
05:13What's going on?
05:15Why is there so much shyness?
05:16I don't understand.
05:17Uma, Zanem has gone through a difficult time.
05:20She has supported me a lot during this year.
05:22I love being with her and that's enough for me.
05:24When the time comes, I will do what I have to do.
05:26When the time comes, when the time comes.
05:28But you've been saying the same thing for a year.
05:31I don't know how to tell you.
05:33If you don't cheer up, you're going to lose her yourself.
05:35I don't know if you're aware.
05:37One day Zanem will realize everything I've done for her.
05:47Are you okay?
05:48Yes, I'm fine.
05:49I was lucky not to be paralytic.
05:52Listen to me well, Gigi, and don't say anything.
05:54You just listen to me and don't get angry.
05:58I told everyone that you were going to spend the rest of your life in a wheelchair.
06:03Uma, how could you lie to me?
06:06Listen, she will go.
06:09Zanem will stay with you and of course,
06:11she will feel guilty for everything that has happened.
06:14And she will not be able to leave you until you recover.
06:17Don't let her escape.
06:19Take advantage of the time you have.
06:23How could you be so cruel?
06:25Do you think so?
06:28Okay.
06:29As soon as Zanem enters that door,
06:31you just have to tell her I'm a liar.
06:35You decide.
06:45We made a plan, yes, but it was for Zanem's good.
06:48Now we are very united.
06:49Zanem will never leave me.
06:51It seems that the role of cojito has not helped you much.
06:54You have not advanced anything.
06:56Jan has returned and they have seen each other only once.
06:59Not just for a moment.
07:01After seeing her, Jan does not want to leave.
07:04You should know that.
07:15Son, peace is the most important thing.
07:18You have to get to be in peace.
07:20Here are my favorite friends.
07:22Hello son, welcome.
07:24How are you?
07:25Very busy dad, full of meetings.
07:27Hey, how wonderful.
07:28Dad is delighted to be here.
07:30It will be difficult to get him out.
07:32Really? Seriously?
07:34Well, tonight Leila's parents want to invite you.
07:37What a detail.
07:38Hey, we can go together.
07:40No dad, it will be better if I do not go.
07:43Besides, they did not invite me.
07:45You already know Amefki, go.
07:53Sorry.
07:56Hello mom.
07:57Now that you met your father, did you forget your mother?
08:00How can I forget you?
08:02Hey, pick up Jan right away.
08:04I want you both to come to dinner with me.
08:06Uh ...
08:07I do not know.
08:08I do not know.
08:09I do not know.
08:10I do not know.
08:11I do not know.
08:12I do not know.
08:14Uh ...
08:16We can not.
08:17We have plans.
08:19Jan, let's solve the issue of the house.
08:22This woman will not leave us alone.
08:27What plans do you have?
08:31Give me the phone.
08:32That's Jan's voice.
08:34Where are you?
08:39Mom?
08:40Jan!
08:41Jan, my son.
08:42I have missed you a lot and I wanted to go see you,
08:45but Emre has not left me.
08:47Do not worry mom, I'm going to see you.
08:49Dad is sick and the last thing he needs is stress, okay?
09:00Musa, answer me something boy.
09:02We have a company, right?
09:03Why do we sell lemons in the bazaar?
09:05Yes, my friend.
09:07We have a real company, but we do not have customers.
09:10How do you want us to pay the bills?
09:13Yes, Musa, but you are rich.
09:15Finance the company with your money,
09:17and as soon as we have profits, we will pay you.
09:19Shut up, but what are you saying?
09:21I do not have money.
09:22My mother ran away and San and she took everything.
09:25And with the money I had left, I got married,
09:27I went to Papua, New Guinea, and I got divorced,
09:29and I had to go home.
09:30Do you understand?
09:31There is no money.
09:32I do not have a penny.
09:33Not a penny?
09:35Nothing at all, my friend.
09:37No patience, no money.
09:38You just have to sell.
09:39Sell!
09:40Pique Yarica has to work!
09:43Go get your lemons, Güera.
09:45We have good, good, good, good, good, good, good, good, good lemons.
09:53Oh, how wonderful.
09:56Jan, come here.
09:57Are you ready? Let's go.
09:58Yes.
09:59The lemonade is fantastic.
10:03Mr. Aziz, the landlady has an empty house.
10:07She will come home to pick up the creams.
10:09If you want, you can talk to her.
10:11Let's wait.
10:13As you wish.
10:18What do you have there?
10:19Creams.
10:20I make them.
10:23If you want, I can give you one.
10:25Do you want one?
10:26It will be a pleasure.
10:32I love these things.
10:35Oh, no, I can't believe it, Jan.
10:37Smell this.
10:41How wonderful.
10:54Your smell is driving me crazy.
10:57Crazy.
10:59That smell stays wherever you go.
11:02And it follows me everywhere.
11:16Oh, smell it, smell it.
11:18Oh.
11:29And?
11:31Do you think if I put it on, it will bring me good luck?
11:36It's already here.
11:37First his laughter arrives and then hers.
11:39Of course, silly.
11:40Hey, I have to hang up.
11:41You have to believe me.
11:42I'm at Sanem's house.
11:45Oh, Sanem, Sanem.
11:47Oh, little flowers, what a sunny day.
11:59Don't say anything, please.
12:00I'll tell you everything later.
12:02We were just talking about you.
12:04Really?
12:05Yes, let me introduce you.
12:07Mr. Aziz.
12:13Aziz.
12:14Mirivan.
12:17Hello.
12:28What are you doing here?
12:29What a surprise.
12:30I didn't expect to see you.
12:32Hello.
12:33How are you?
12:35It seems you have a very beautiful life.
12:38The truth is, yes.
12:40And sorry for the clothes.
12:42If I had known I was going to see you after so many years,
12:45I would have put on something more presentable.
12:48I had never seen you so beautiful.
12:53I'm sorry.
12:54I'm sorry.
12:55I'm sorry.
12:56I'm sorry.
12:57I'm sorry.
12:58I'm sorry.
12:59I'm sorry.
13:00I'm sorry.
13:01I'm sorry.
13:02I'm sorry.
13:03I'm sorry.
13:07Where have you been?
13:09Here.
13:13Always here.
13:19When you left me I looked for you.
13:22Unlucky.
13:25But, I found you.
13:29We have a lot to talk about.
13:31I don't know where to start.
13:33We'll talk about it later.
13:35We have a lot of time.
13:39Don't you think?
13:41That's right.
13:43We have time.
13:48I want to do something with what I've dreamed for years.
14:03I can't believe I lost it.
14:05Why do I lose everything, Ellen?
14:07Because you're always looking in a different direction.
14:11Everything happens here, and you're looking the other way.
14:15Pass me a cup, please.
14:17You always have to look at love. Don't forget that.
14:20I'm sorry.
14:22I'm sorry.
14:24I'm sorry.
14:26I'm sorry.
14:28I'm sorry.
14:30You always have to look at love. Don't forget that.
14:34You always have to look at love.
14:37That never fails.
14:40Mirivan, this is the first time I've seen you so happy.
14:46This is thanks to you.
14:48Only you produce this effect in me, and you make me smile.
14:52Wow.
14:54Why are you looking at me like that?
14:56Do you want to know why I've never been married?
14:58Why haven't you been married?
14:59Yes, we want to know.
15:01Well, actually, what I want to ask you is...
15:04Why did Mr. Aziz marry Uma if he was...
15:09so in love with you?
15:11Yes.
15:13Well, I don't know.
15:15I really don't know how to explain it to you.
15:21I don't know.
15:23Look, girls.
15:25When you're young, you think things are black and white,
15:28and that's it.
15:29There's no middle ground.
15:31I mean, you either love someone with all your heart,
15:34or you hate them to death.
15:36You know what I mean.
15:37Because this life is extreme.
15:39There are many shades of gray between white and black.
15:42Intermediate shades.
15:43Don't you think?
15:45But that's much clearer when they start coming out of your guts.
15:50What do you mean?
15:52I don't understand.
15:54Life is wonderful, even if it happens so quickly.
16:00But a life without love...
16:05is nothing.
16:07Nothing.
16:12Who cares?
16:13Look at Aziz again.
16:15I can't believe it.
16:16I feel like I'm 25.
16:19I don't know what's wrong with me.
16:24By the way, Mr. Aziz doesn't want to leave.
16:27He plans to stay in this place.
16:30Yes.
16:32You may rejuvenate even more.
16:34You're exaggerating.
16:35No.
16:37When Uma finds out I'm here,
16:39I'm sure she'll give him something.
16:43She loves me a lot.
16:45Me too.
16:48Madly.
16:49Ms. Uma...
16:51loves me a lot.
16:54That's great.
16:56Let's do contrast therapy.
16:58Let's pretend that something that happened,
17:00actually didn't happen.
17:02Let's go for a walk.
17:06Don't worry.
17:07Everything's fine.
17:08I know.
17:20Why aren't you coming, Jan?
17:22He's coming.
17:24Dad!
17:26Nice to meet you.
17:31Be careful with your head.
17:32Don't hurt yourself.
17:33I'll be careful.
17:34Oh, I bet, Dad.
17:36How are you?
17:37Good, and you?
17:38I'm fine.
17:39Good.
17:40Let me through.
17:41Of course.
17:42Sit down.
17:45Sit down.
17:49Aren't you going to tell us?
17:52What?
17:53Don't play dumb.
17:54Who's that woman?
17:58That woman...
17:59was my first love.
18:02The first and the last.
18:05The only one.
18:07So...
18:08Mirivan was the one you cheated on Mom with?
18:10Don't say that, son.
18:12I never cheated on your mother.
18:13She thinks I did, but that's a long story.
18:16I don't want to get sad.
18:18I'll tell you all about it later.
18:20It all makes me sad.
18:22Well, we don't want you to get sad.
18:25You can tell us later.
18:27Don't worry about that.
18:30Why'd you break up with Mirivan?
18:32When you fall in love with someone,
18:35you should never let them go.
18:37Because true love
18:39only comes once in a lifetime.
18:43Of course, if you're lucky enough to find it.
18:46And...
18:47if you lose it, the years go by.
18:50You get old, and one day you realize
18:53that life has gone on,
18:56but...
18:57without love.
19:00Half...
19:04incomplete.
19:10Doña...
19:12can I have something to eat?
19:14Of course.
19:15I'll go get you something.
19:18My children...
19:21I love you so much.
19:48I'm going to get jealous.
19:50Give me a hug.
19:52Come here.
20:02Do you need help?
20:04No.
20:09Dad.
20:10Son.
20:11It's a nice neighborhood, isn't it?
20:13Yes, and very authentic too.
20:15Doña Mezquive, open the door.
20:19Welcome, come in.
20:21Oh, Mirivan.
20:26Oh, wow.
20:27This is unexpected.
20:29What a surprise.
20:30I wasn't expecting you.
20:33You look very pretty.
20:34I really like your dress.
20:36You say that because I always go with work clothes.
20:39In the garden or with the animals.
20:42Good evening.
20:43Good evening.
20:44Good evening.
20:45Hello, Aziz.
20:46Good evening.
20:47But let's go to the house.
20:48Don't stay on the street.
20:49Come on in, please.
20:50Yes, please.
20:51What a beautiful and pleasant neighborhood.
20:53I loved it.
20:54Right?
20:55Yes.
20:56He is very kind.
20:57But come in, come in.
20:58It's an honor.
20:59I'm very pleased.
21:00Come in, come in.
21:01That's right.
21:03You can hang your coats there.
21:04I'll tell you something.
21:05The Pantuflas are here.
21:06What's going on?
21:07Well, it seems that your father-in-law is well accompanied
21:09for how sick he says he is.
21:11He met his great love again.
21:14Oh, I love your dress.
21:16It's very beautiful and elegant.
21:18You look beautiful.
21:19I'm serious.
21:20You are very kind.
21:22I'm shocked.
21:23Where is Sanem?
21:24He told me he wanted to sleep.
21:26Come in, please.
21:27Yes, please come in.
21:28Thank you, ma'am.
21:29Go ahead.
21:30He had to sleep just right.
21:32Anyway.
21:33Please go up.
21:34Sleep and rest.
21:35You too, daughter.
21:36What a joy that you are all here.
22:21It's so good!
22:23It's so good!
22:29You remember, right?
22:31About the bird. Do you remember?
22:33Leila was a bird in school.
22:35Yes.
22:36Yes, she was beautiful.
22:37Wait a minute, please.
22:38She was wearing a swan.
22:40Yes, it's true. She was a swan.
22:42Yes, a swan.
22:43I think the picture is around here.
22:45Let's see if I can find it.
22:47Bring it!
22:49She was so small and her costume was so big that you couldn't see her.
22:53She was so small, my beautiful daughter.
22:56I'm sure she looked pretty.
22:58Leila was very happy with that costume.
23:00I hope next time I find the picture.
23:02Well, you have a very beautiful daughter, and also very charming.
23:05Very intelligent.
23:07Yes.
23:09And very prepared.
23:11What's going on, woman?
23:13No, nothing.
23:15Leila, I can't find the picture.
23:18Maybe it's in your room or mine.
23:20I don't know. Come with me.
23:22We're going to look for it. You'll love it.
23:24You'll see.
23:25Yes, that's right. They have to see the pictures.
23:27You'll see how funny they are.
23:30Mom, what's going on?
23:31Mom, can you tell me what's going on?
23:33Puma is on the street. She's getting closer.
23:35She's getting closer.
23:36What are we going to do?
23:37You know I don't like that woman at all.
23:39I don't want her in my house.
23:40Especially now that she's happier and younger next to my divan.
23:43She even looks like a new man.
23:45Well, I don't know what we're going to do.
23:47We're lost.
23:48If Zanem were here, he would give us the solution.
23:51Take your husband right now and go out to dinner with her.
23:54Hurry up.
23:57And suddenly we find huge waves.
23:59I need you to help me for a moment.
24:01Can you follow me, please?
24:03Excuse us.
24:04Of course. Of course.
24:05Excuse us.
24:06Hurry up.
24:07What's going on?
24:08It's a joke. Why are you running away?
24:09You know, guys do things.
24:11They want to go out for a walk or something.
24:13And where is it? I skipped.
24:15What?
24:16Your wife. You went up to look for her.
24:18Oh, it's true. I'm going to look for her.
24:20No, you don't have to. It doesn't matter. Forget it.
24:22Don't worry. Sit down.
24:23Then we'll look for the photo.
24:31Mom.
24:33We were going to go out to dinner right now.
24:35Why don't you come with us?
24:37No, thank you.
24:38I won't accept one for answer.
24:39We're going to have dinner together, right, Emre?
24:41All together. Of course we will.
24:42Let's go for a walk.
24:43There's a very nice place near here.
24:45Yes, of course.
24:46You'll like it for sure.
25:16What are you doing?
25:42Come here.
25:44Hello.
25:46How are you?
25:47A little tired, but fine, thank you.
25:49How are you?
25:52Tired.
25:55Oh, yeah? How are you?
25:58I have the notebook open, but I can't think of anything.
26:02Oh, yeah?
26:04I remind you that the New York publishing house gave us an advance for two books.
26:07I don't want to pressure you, but it's been two months.
26:10We should at least send you a synopsis.
26:13I'm sorry, little one.
26:16I have a blank mind.
26:20And on top of that, about Jan.
26:24Anyway.
26:36What if we go to New York?
26:39To New York?
26:40Yes.
26:41In fact, they invited us to go to a residence at the Center for Contemporary Artists.
26:46They are organizing a great literary convention.
26:49A Biennial where many international writers of fame will be.
26:53You can participate in the seminars, readings.
26:56It's a place that is very worth visiting.
26:58And all they want is the draft in six months.
27:02Really?
27:03That's right.
27:04Jigit.
27:06I want to thank you from the bottom of my heart.
27:09I mean, what you've done for me.
27:12Thank you for your support.
27:14And for so much trust.
27:16You deserve it.
27:17This success is all yours, nothing more.
27:19For a writer who's just starting.
27:21It's a great opportunity to be six months in New York.
27:25I thank you very much.
27:35So, do you accept the invitation?
27:39I would be happy to accept it.
27:41But I can't even breathe well.
27:43Here I have the peace and calm I need.
27:46I love being in this place.
27:48I can't leave now.
27:50Do you really think that's the reason, Sanem?
27:53What are you talking about?
27:54I'm telling you what I'm offering you.
27:56The opportunity to be an international writer.
27:59And you reject it?
28:01Jigit.
28:03I don't want to be an international writer.
28:06I just want to be a good writer.
28:08That's enough.
28:12Okay.
28:14I'm not going to insist anymore.
28:17Do you want coffee?
28:18Yes, please.
28:19Good.
28:21Let's see if in the meantime I get the inspiration.
28:32Let's go.
28:51Dad?
28:55Son, I was looking for you.
29:00What's wrong?
29:02Are you okay?
29:03I'm leaving.
29:06I can't stay here any longer.
29:09And that?
29:10Why?
29:11I don't want to talk about that.
29:15Besides, I see you much better.
29:16Enough, Dad.
29:23I know I've only managed to disappoint you.
29:26You lost the company and your job because of me.
29:30But I promise you that one day I'll make it up to you.
29:34Now I have to go.
29:36Son.
29:38You could never disappoint me no matter how many years I live.
29:42Really.
29:43Look.
29:45I've always supported your decisions.
29:47And I will always support them.
29:52I love you so much, son.
30:00Don't say goodbye to either of us.
30:02Don't make me wait, Miriam.
30:06May the wind always blow in your favor, Captain Jan.
30:30Son.
30:44Son, I'm...
30:45I'm sorry.
30:59This place is wonderful.
31:11Can I take it?
31:15Of course.
31:45Aren't you going to say anything?
31:51I have nothing to say to you.
32:00Be happy.
32:15I love you.
32:24If you don't mind, I'll go see my father.
32:27Sure.
32:28Whenever you want.
32:41Forget Anem.
32:42There's nothing left of her.
32:43What else do you want from me?
32:44We're leaving tonight.
32:50Why did you come back?
32:52Go.
32:57He's leaving.
33:14I love you.
33:44I love you.
34:14I love you.
34:26The phoenix and the albatross.
34:31I said I had no words.
34:34But the truth is, I don't need them.
34:37I was his, and he was mine.
34:40He was my world.
34:41In the noise of the waves, in the darkness of the shadows,
34:44in the brightness of the stars, and in the perfume of the flowers,
34:47he was always there.
34:49Only him.
34:51He was in my body, and in my soul,
34:54and in the blood that runs through my veins.
34:57He was in every beat of my heart,
34:59and I'll be the last one.
35:02I had no words to say,
35:04because he was in every word.
35:07In every word.
35:08And together we pronounced his name.
35:11I love you.
35:12I love you.
35:13I love you.
35:14I love you.
35:15I love you.
35:16I love you.
35:17I love you.
35:18I love you.
35:19I love you.
35:20I love you.
35:21I love you.
35:22I love you.
35:23I love you.
35:24I love you.
35:25I love you.
35:26I love you.
35:27I love you.
35:28I love you.
35:29I love you.
35:30I love you.
35:31I love you.
35:32I love you.
35:33I love you.
35:34I love you.
35:35I love you.
35:36I love you.
35:37I love you.
35:38I love you.
35:39I love you.
35:40I love you.
35:41I love you.
35:42I love you.
35:43I love you.
35:44I love you.
35:45I love you.
35:46I love you.
35:47I love you.
35:52¡Dame eso!
35:53¿Por qué?
35:54Espera.
35:55Pondré esto aquí.
35:56Toma.
35:57¿Lista?
35:58¿Qué quieres?
35:59Que empieces a leer.
36:01No lo entiendo.
36:02¿Por qué no lo lees tú misma?
36:03Porque no me gusta leer.
36:05Quiero oírlo de la voz de la autora.
36:07Es una especie de audiolibro.
36:09You read very well.
36:10Please, go on.
36:11Do it for me.
36:12I think you need therapy.
36:20In the Valley of Faith,
36:23the birds crossed the Valley of Faith
36:28and had ceased to believe in anything they had not seen.
36:33However, they had to believe in what they did not see or understand.
36:39The emotions that guide us make us who we are.
36:42We do not see them, but we undoubtedly believe in them.
36:53Sometimes fairy tales become reality.
36:58It is in the moments of great despair
37:02when a phrase, a look, a touch can change absolutely everything.
37:10The birds will not cross the valley until they grow up.
37:15Otherwise, they would be trapped forever.
37:18They would be afraid to move forward and to return.
37:22Until they learn to trust their feelings,
37:25they will not understand what they do not see.
37:40In the Valley of Faith,
37:43the birds crossed the Valley of Faith
37:47and had ceased to believe in anything they had not seen or understood.
37:52The emotions that guide us make us who we are.
37:57It is in the moments of great despair
38:01when a phrase, a look, a touch can change absolutely everything.
38:05The Valley of Faith
38:35The Valley of Faith
38:55You did not leave.
38:58It's just that...
39:02You wanted to leave.
39:06Yes, and you?
39:09You want to leave?
39:12Yes, and you want me to leave.
39:18This does not lead us to anything.
39:36I couldn't.
39:51It was a mistake.
39:56That's why.
40:00I see.
40:05I'm sorry.
40:35The Valley of Faith