ワイドナショー 2024年10月06日 石破内閣発足も野党猛反発！話題の映画監督出演
ワイドナショー 2024年10月06日 石破内閣発足も野党猛反発！話題の映画監督出演
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:01Good morning!
00:03It's time for Widerashow!
00:05Thank you for coming, Izumiya-san.
00:07When I asked you before the show,
00:09you said that you wanted to invite a few people to your show.
00:16I decided to have a free concert half a year ago,
00:22so I didn't think it would rain that much that day.
00:29So I went to Kanazawa with my local friends.
00:34It was about 20km away,
00:38so I called the theater director.
00:43He told me to go home.
00:45You were in a terrible situation.
00:47I was in a terrible situation.
00:49The road was in a terrible state.
00:51What about your car?
00:53I was in a terrible situation.
00:55I don't know what will happen in 5 or 6 minutes.
00:59The staff I talked to earlier said that the typhoon was coming and it was hard to go home.
01:04There was an earthquake three times a year.
01:09It's a shame.
01:10It's really a shame.
01:12There is a company called Hesil that I know.
01:18The power was taken away by the earthquake.
01:21The company invested 100 million yen in power,
01:27but the power was taken away by the earthquake,
01:30and the factory was shut down again.
01:33Why did the company shut down so much in such a short period of time?
01:37I think it's because of the earthquake.
01:40I think it's because of the earthquake.
01:43I don't know if you want to run a stable government as the Ishiba government,
01:50but I'd like you to do that first.
01:56This program is a wide show where celebrities who are usually scooped gather to talk about their personal opinions.
02:05It has been decided that Shigeru Ishiba will be appointed as Prime Minister of Japan.
02:12Shigeru Ishiba, Prime Minister of Japan
02:15On January 1st, the National Assembly was convened,
02:18and Shigeru Ishiba was appointed as the 102nd Prime Minister of Japan.
02:25At night, the new cabinet was announced.
02:29I think this cabinet is a cabinet of acceptance and sympathy.
02:36There were 13 new members.
02:39There were two women.
02:41There were no new members from the old Abe faction, which was swayed by the Uragane issue.
02:47And then...
02:50On October 9th, the cabinet was disbanded.
02:53On October 15th, the cabinet was re-elected.
02:56On October 27th, the cabinet was re-elected.
03:01I think it's important for the people to know whether they can trust this cabinet or not,
03:06or whether there are other options.
03:13At a press conference, he stated that the cabinet would be disbanded on October 9th.
03:19In this early disbandment policy, the ruling party said...
03:24We discussed this with the budget committee,
03:27and then we provided the people with judgmental material.
03:31I don't think we've kept our word.
03:35And he rebelled.
03:38On October 4th, Prime Minister Ishiba wanted to make his first statement in the National Assembly.
03:46We will not back down!
03:48To make this decision, we must first...
03:53At the beginning of the meeting, he made a strong statement.
03:58We have a political analyst, Ms. Atsuo Ito.
04:05Ms. Toyosaki, what do you think?
04:08I don't know where to start.
04:12I've never disliked Mr. Ishiba.
04:16He said it was a supplementary budget,
04:19and that it was before the general election.
04:21He also said it was a choice between a husband and wife,
04:24and that he wanted to move forward with the current situation.
04:29I had high hopes for him,
04:32but as soon as he said that,
04:34it was as if someone had shot him in the back.
04:38His statement changed everything.
04:41Should I look at him as someone who wants to do something,
04:44but has no choice but to put up with it?
04:47Or should I look at him as someone who will change once he becomes president?
04:52I don't know what to think.
04:55Thank you, Mr. Kasamatsu.
04:58What do you think?
05:00I think it's different from what I said earlier.
05:05No matter who becomes president,
05:08it's going to be like this.
05:11I think it's different when they're hitting people.
05:16As a symbol of that,
05:18and this is a great position,
05:20I think there's a reason for that.
05:26But I don't know anything about politics,
05:29so when I heard the news,
05:31I felt that way.
05:33I don't think it's Ishiba-san who's hitting people.
05:36What do you think, Mr. Izumiya?
05:38Well, I want to support Shigeru, but...
05:43Shigeru Tsunagai.
05:46Shigeru Tsunagai is around you.
05:48That's the only thing in common.
05:50Prime Minister Ishiba Shigeru.
05:52We're all the same.
05:55It's fine, but as she said,
05:59everyone likes Ishiba-san.
06:02Shigeru Tsunagai is popular among the people.
06:05If he becomes prime minister,
06:08I want him to do what I want him to do.
06:12If he does that,
06:14Moriyama will say,
06:16do the election.
06:18Do it.
06:19Do it while you're still popular.
06:21Let's do the election while we're still popular.
06:23He hasn't even been appointed yet.
06:25Isn't he just a name?
06:27That's what Mr. Izumiya said.
06:29What do you think, Mr. Ito?
06:31Mr. Atsushi, would you like to say something?
06:33I've been telling the media
06:35that I want Ishiba-san to become prime minister.
06:38Why do you support Ishiba-san?
06:40Even though the opposition
06:42stabbed me with a spear,
06:44I wanted Ishiba-san to become prime minister.
06:46But if he becomes prime minister,
06:48this mess.
06:49I wanted Ishiba-san to become prime minister.
06:52From a human point of view,
06:54I'm sure he's behind it.
06:58Moriyama.
06:59Moriyama.
07:02Maybe there were promises
07:04when the votes for the election
07:06went up.
07:08Maybe.
07:09But isn't that the most important thing?
07:11After the debate,
07:13Ishiba-san changed the most important part
07:15of getting the people's trust.
07:17I'm very disappointed in him.
07:19Was the person who stabbed you right?
07:22I can't say that.
07:24But now that I think about it,
07:26I'm starting to doubt
07:28if what they said was right.
07:30You're shaking.
07:31Yes.
07:32But I'm going to debate
07:34on the resolution
07:36of the Japan-US regional agreement.
07:38That's why I'm going to look at Ishiba-san.
07:40You're going to debate
07:42on the resolution of the Japan-US regional agreement.
07:44Yes.
07:45As a Japanese citizen,
07:47I strongly believe that
07:49we should treat each other equally.
07:51Because it's a country and a country.
07:53I'm looking forward to Ishiba-san's
07:55debate on the resolution
07:57of the Japan-US regional agreement.
07:59Ishiba-san is shaking.
08:01It's a difficult feeling.
08:03After this broadcast,
08:05Ishiba-san will probably
08:07stab me with a spear.
08:09Maybe I'll shake.
08:11I don't know.
08:13Ito-san, what do the guests think?
08:15Ishiba-san,
08:17isn't what you're saying a little different?
08:19What do you think?
08:21I've been dating for 30 years,
08:23so I have a lot of expectations.
08:25In particular,
08:27in the political reform 30 years ago,
08:29he was the one who stood up
08:31and advocated the Bappon Reform.
08:33So, in this case as well,
08:35if you set the ground right,
08:37it would have been a money problem,
08:39a political and financial problem.
08:41When I became Prime Minister,
08:43I wondered if I would actively
08:45get involved in this problem,
08:47but it wasn't like that.
08:49In the end, the money problem
08:51was a matter of whether or not
08:53the people who were punished
08:55would be recognized.
08:57Apparently,
08:59the direction of recognition
09:01was the direction of recognition
09:03including the recognition of the defamation.
09:05I thought it was something that
09:07would not be recognized.
09:09If you're prepared to do that
09:11and want to run for office,
09:13you're moving in the direction
09:15of recognition.
09:17In the end,
09:19there was a sense of expectation
09:21that the people would be recognized.
09:23That's why there was a lot of support
09:25in the public opinion polls.
09:27However,
09:29at this stage,
09:31everyone is saying
09:33that it's not the same as before.
09:35So,
09:37to conclude,
09:39Mr. Ishiba said
09:41with a sense of expectation
09:43that he would run
09:45until the election.
09:47He might become a stable government.
09:49If that happens,
09:51I think he's thinking
09:53of running for office.
09:55He's thinking because he's a friend.
09:57There's a sense of expectation.
09:59But he has to win the election.
10:01If you think about
10:03how the people are looking at this,
10:05you don't know if this method
10:07was successful until the election.
10:09Did you get a phone call
10:11from your friend?
10:13No.
10:15I don't want to choose
10:17someone I don't get along with.
10:19For example,
10:21if you think about the election,
10:23the merit of running for office
10:25is that the opposition
10:27can't cooperate.
10:29They don't have time to negotiate.
10:31The Liberal Democratic Party,
10:33the Nationalist Democratic Party,
10:35and the Communist Party.
10:37That's why they decided
10:39to run for office in the meantime.
10:41If the opposition
10:43doesn't cooperate,
10:45I think it will be a tough election.
10:47But if the opposition
10:49doesn't cooperate,
10:51I don't know what will happen.
10:53Mr. Atsushi,
10:55what do you think
10:57about the cabinet?
10:59Mr. Asou,
11:01Mr. Suga,
11:03Mr. Moriyama,
11:05Mr. Kato,
11:07Mr. Iwaya,
11:09Mr. Kato,
11:11and Mr. Murakami.
11:13Mr. Murakami.
11:15When I said
11:17that I like this kind of politician,
11:19Mr. Tyler,
11:21who was running for office,
11:23joined the cabinet.
11:25I was glad to hear that.
11:27But he was fired
11:29because of the pension issue.
11:31I was worried
11:33about Mr. Tyler.
11:35I'm not the one who appointed him,
11:37but I have to take responsibility
11:39when it comes to politics.
11:41That's not true.
11:43But when the cabinet is decided,
11:45the weekly magazine,
11:47Newsweek, Shinchon,
11:49and others will
11:51write articles about it.
11:53Maybe that's why
11:55I wanted to run for office as soon as possible.
11:57Do you want the Komeito
11:59to run for office as soon as possible?
12:01Yes, I want the Komeito
12:03to run for office as soon as possible.
12:05The problem is
12:07that the Komeito
12:09has to surround people
12:11who can be trusted.
12:13I can't say that.
12:15Among the members,
12:17Mr. Suga is the most trusted.
12:19For example,
12:21Mr. Katsunobu Kato,
12:23the Minister of Finance,
12:25is a member of the Motegi faction.
12:27He and Mr. Motegi
12:29were in a competition
12:31during the presidential election.
12:33But Mr. Katsunobu Kato
12:35is a member of the Suga faction.
12:37That's right.
12:39Mr. Katsunobu Kato
12:41is a member
12:43of the Suga faction.
12:45So the people
12:47who support Mr. Katsunobu Kato
12:49will have a strong influence
12:51on the Suga faction.
12:53Yes,
12:55but Mr. Katsunobu Kato
12:57is closely related to Mr. Suga
12:59in Kanagawa.
13:01So Mr. Katsunobu Kato
13:03I'm not young compared to the 13 members of the House of Representatives.
13:06But on the other hand, aren't you expected to have a stable cabinet, a stable working class?
13:12Well, when a new cabinet is born, people tell me to give it a name.
13:17What cabinet?
13:19I call it the Lightweight Cabinet.
13:21The Lightweight Cabinet?
13:22It's called the Lightweight Cabinet.
13:24Oh, it's the lightest of the lightest.
13:27The party is heavier.
13:29There's Mr. Suga, Mr. Moriyama, and Mr. Asawa.
13:32So the party is heavy and the government is light.
13:36In the news, it's often said that Mr. Asawa refused to take pictures.
13:42This is amazing.
13:44You don't have to be so popular.
13:46You just have to put up with it and take pictures.
13:48Surprisingly, there are a lot of people who refuse to take pictures.
13:51I don't know what's going on.
13:53Well, I think it's Mr. Asawa.
13:55On the other hand, I think he's been asked a lot of questions.
14:00Well, if you think about it, the Lightweight Cabinet is like an ornament.
14:04It's an honorary position.
14:06In this general election, Mr. Asawa obviously didn't vote for Mr. Ishiba.
14:11Of course, Mr. Takahashi did, too.
14:13Yes, he said he did.
14:15Well, I don't know what he's thinking.
14:19Originally, even if he was asked to be the Lightweight Cabinet,
14:22I thought, well, I'm fine with it.
14:24But then he took it.
14:26I was a little surprised about that.
14:28Mr. Asawa, when I listen to you, I think it's a scary world.
14:32After all, it's important to have a position.
14:36I don't know. I really don't know.
14:38The purpose is a little off, isn't it?
14:41These people are in a good position.
14:44I think they're doing their best to talk about being in a comfortable place, in the comfort zone.
14:51Well, I don't really care.
14:54You're not interested in the power struggle there.
14:57I don't know anything about it.
14:59I don't know anything about manga.
15:01I don't know who the manga characters from volume 13 are.
15:04I don't know who they are.
15:06I'm sure you all know who they are.
15:08I don't know much about it.
15:10I understand what you're saying.
15:12But after this, there will be an election.
15:14The ball will be thrown at us.
15:16Considering that, I don't know what kind of person he is and what he's planning to do in the future.
15:21I think we need to keep an eye on it now.
15:23I don't think it's going to lead to an election.
15:26In the end, it's not good or bad.
15:32It's not good, but it's been going on for years.
15:35Of course, there are some things that are getting better, but there are also some things that are bad.
15:39If it's going to be like that whether you look at it or not,
15:42I don't know.
15:44I think you should do something else.
15:46That's what I think.
15:48That's why there's less and less interest in politics.
15:50I think there are a lot of people like that.
15:52I don't think so at all.
15:54There are a lot of people who are interested in politics.
15:58But there are a lot of people who are not interested in politics.
16:02That's why it's called political distrust.
16:04It's better not to be interested in politics.
16:08From their point of view.
16:10From their point of view, they just want to do it as a group of organizations.
16:15They don't want the wind to blow.
16:17That's right.
16:19Let's do it again.
16:21That's a good idea.
16:23If you're deceived, you'll be deceived.
16:25There was a first-hand speech.
16:27Five pillars to protect.
16:30Rules, Japan, the people, the region, young people, women.
16:33It's a machine.
16:35To protect the rules.
16:37This is a problem.
16:39With each and every member of the committee who pointed out this problem.
16:41We need to face each other again.
16:43We need to reflect.
16:45We need to put more effort into it.
16:47It's a deep reflection.
16:49That's the end of it.
16:51And when you say we protect the people.
16:53It's preparing for the installation of the disaster prevention center.
16:57You're saying we're moving forward.
16:59We're not saying we're going to build a disaster prevention center.
17:03We're going to move forward.
17:05That's right.
17:07The first rule is to protect the rules.
17:09If you think about the official question.
17:11The ruling party should be protecting the rules, but it's protecting the people who broke the rules.
17:15I see.
17:16I see.
17:17That's good.
17:18I see.
17:19Ito-san, you're still so into it.
17:22The only way to launch the disaster response was Ishiba-san's original way of doing it.
17:30But I feel like that has been toned down a bit in terms of preparation.
17:35Sasaki-san, the election is on the 27th.
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22:07Look up the sky.
22:29He invited Mr. Yasuda to make rice from behind the scenes of the film.
22:35Really?
22:37Mr. Yasuda, the director of Samurai Time Slipper, is here with us today.
22:42Thank you for coming.
22:47We'll hear more about making rice later.
22:50You're 57 years old.
22:52You were born in 1967?
22:54Yes.
22:55So you're the same age as me.
22:57And you're from Kyoto?
22:59Yes.
23:00That's great.
23:01You don't have a career as a film director.
23:07That's right.
23:08I'm a film director, but it's an indie film.
23:12I've never worked as a female director.
23:15This is my third film.
23:17But I've been working hard since the first film.
23:22You've been working hard.
23:24Did you want to make a film after graduation?
23:29Not really.
23:31I've been in college for 8 years.
23:338 years?
23:34Yes.
23:35That's a long time.
23:37You should've played.
23:38I wanted to pay my own tuition.
23:41So I started working.
23:43I worked as an event director.
23:48I wanted to make a short movie.
23:52That's how it started.
23:54It's called Samurai Time Slipper.
23:57The story is about a samurai called Aizu Hanno.
24:01He's a time-slipper in Uzumasa.
24:08He's a time-slipper who plays the role of Kirare.
24:15When did you come up with the idea?
24:20There was a film contest at the time.
24:24I applied for it.
24:28A few years ago, I saw a TV commercial.
24:31I thought it was interesting.
24:35I made a movie called Gohan.
24:38Seizo Fukumoto played the role of Kirare.
24:43When Seizo Fukumoto and the TV commercial came together,
24:46I thought it would be interesting for a samurai to play the role of Kirare.
24:53That's how I came up with the idea.
24:55I saw it.
24:57Did you see it?
24:58Yes, I did.
24:59How about you, Mr. Kasamatsu?
25:01The movie was very interesting.
25:04I didn't know much about the director's career.
25:10He made the movie very carefully.
25:14I'm glad to hear that.
25:17Don't say that.
25:19I'm glad to hear that.
25:20I'm sorry.
25:21I thought it was amazing.
25:24The way the time passed and the main character got used to each other.
25:30Normally, they would notice each other.
25:34I thought it was strange.
25:36They would notice each other.
25:38I thought the audience would notice it, too.
25:41I thought it would be a shame for the samurai not to notice it.
25:48I thought it was amazing how they got used to each other.
25:52In the first half of the movie, it was like a comedy.
25:55It wasn't a high-profile comedy.
25:59It was a high-profile comedy.
26:02In the second half of the movie, I explained the world view of the character.
26:06In the second half of the movie, I talked about the difficulty of making things.
26:09I talked about the meaning of life and the value of life.
26:13I talked about those things.
26:15I thought it was amazing.
26:19I'm glad to hear that.
26:21I'm about to cry.
26:23It was amazing.
26:26I watched the movie.
26:28In the first half of the movie, there were many people who didn't know who they were.
26:33That's right.
26:35I thought they were real people.
26:38I thought they were real people.
26:41I thought they were real people.
26:44It was like an amateur group.
26:48It was like an amateur group.
26:51It was like an amateur group.
26:54It was like an amateur group.
26:57It was like an amateur group.
27:00It was like an amateur group.
27:03It was like an amateur group.
27:06It was like an amateur group.
27:09It was like an amateur group.
27:12It was like an amateur group.
27:15It was like an amateur group.
27:18I think there are not many going-to-the-Amusement Park movies like this.
27:21I think there are not many going-to-the-Amusement Park movies like this.
27:24I think they were accepted to the movie.
27:28How was it?
27:29It was very interesting.
27:31I haven't seen many period dramas, but I laughed without any resistance.
27:36Everyone has a sense of what a time slip is.
27:41I was very interested in watching it.
27:45We're amateurs, but we know it's not expensive, and it's spreading from the first volume, so it's exciting, and it's a big hit, and in the end, it would be nice if you could take a show at the end of the year at the Nihon Academy Awards, so you'll want to support it, right?
28:03That's right. If you're a famous actor, you're definitely an important person. There's a little bit of development, isn't there?
28:11No, there's no way it's not. But this work, of course, I think people in the movie industry know it well, but there were a lot of people I didn't know, so in the first five minutes, I was like,
28:24I thought this person was the main character.
28:34It's amazing.
28:37The director is amazing. He's a director, scriptwriter, original work, shooting, lighting, sound, editing, title design, modern costume, vehicle, 11 roles, and staff.
28:49The staff are not enough.
28:54Izumiya-san, a small group like that is trying to move the world little by little.
29:00In conclusion, all the entertainment industry is like that, but amateurs can change it.
29:10They're all amateurs. If you have a sword or you don't have a sword, it's boring.
29:18You have to spend a lot of money, but amateurs do it just for admiration, so they're strong.
29:26So, after all, all art is born by chance, thinking that amateurs can change it.
29:33In addition, in a self-published movie with no money, period dramas take a lot of money, such as costumes, heads, and so on, but in that area, the people at the Toei film studio read the script and made it as cheap as possible because it was funny.
29:53When I was called, I said, Mr. Yasuda, is this a self-published movie?
29:57Yes.
29:58You're going to spend all your money on yourself?
30:00That's right.
30:01If it's a self-published movie, we always oppose it with all our might, but this movie is funny, so we're going to do something about it.
30:11If you oppose it with all your might, it's going to cost a lot of money, so don't do it.
30:16That's right.
30:17But the script is funny, so I'll do my best to cooperate with everyone.
30:21That's right.
30:22So, I spent all my money on it.
30:25In my case, it was a very small amount of money, but it was enough to buy an apartment.
30:32I spent all my savings on it, and I thought it would be okay if I sold my car.
30:38It was 7,000 yen in total, right?
30:40Actually, there was another TV show the other day, and I was asked to show it.
30:45It's a bad TV show.
30:48It's not 7,000 yen, it's 6,250 yen.
30:54Did you consult your family about the decision?
30:57No.
30:58When I shoot a movie, I do my job properly and do it in the frame.
31:02But this time, it's a little different from usual, so I kept quiet as much as possible.
31:06Did you feel that you could do it while you were shooting and put in your own money?
31:13When I wrote the script, many people called me and told me that I should shoot it because it was funny.
31:22I thought I could get about 70% of the money if I did business.
31:28But I thought I could get about 10% of the money if I did business.
31:33So, it was a good gamble.
31:35So, you invested in it, but you didn't know if you could get it back.
31:39Mr. Kasamatsu, there's a committee system in movies, right?
31:43A lot of people make money from the committee system.
31:46Even if it's a gamble, it doesn't hurt everyone, and it's well-distributed.
31:52And there's a system that doesn't turn red because it's done on TV and other places.
31:57But a genius's opinion is not reflected.
32:00When it comes to voting, it's a majority vote.
32:03A majority vote is not a genius's opinion, it's the opinion of someone who isn't.
32:08It's an average vote.
32:11So, there's a majority vote.
32:13I see.
32:14Did you write the script based on the actors?
32:20Or did you choose the right person based on the script?
32:26I wrote the script based on several actors.
32:28And I was lucky enough to work with Mr. Yamaguchi.
32:35Did you look for him?
32:37Yes, I did.
32:38When I was auditioning for a B.S. drama, I found him.
32:42So, he was in the movie.
32:44Yes, he was.
32:45He was in a B.S. drama.
32:47He was in the 19th century.
32:49I didn't know who was watching.
32:52That's right.
32:53And he won a gold and a silver award at the North American Film Festival, Fantasia International Film Festival.
33:00Wow.
33:01By the way, the silver award is not about the money.
33:05The silver award is for a film worth 6 billion yen.
33:10It was the first film in 6 weeks in Hong Kong.
33:15I see.
33:16I'm so happy.
33:18I'm so happy.
33:19I'm so happy.
33:20I'm so happy.
33:21I was surprised.
33:23I was surprised.
33:24There was an actress who played the role of the assistant director in the movie.
33:29She was the assistant director in the movie.
33:34What?
33:35What?
33:36That's right.
33:37That's right.
33:38She was the assistant director.
33:40She was a real assistant director.
33:41She was a real assistant director.
33:42She was not just an assistant director.
33:44She was also in charge of the sword and production.
33:48She was also in charge of the location.
33:49She was also in charge of the location.
33:50She was also in charge of the location.
33:51She was also in charge of the location.
33:52She was in charge of the location.
33:53She was in charge of the location.
33:54She was in charge of the location.
33:55She was a farmer.
33:56She was a farmer.
33:57She was a farmer.
33:58She was a farmer.
33:59She was a farmer.
34:00She was a farmer.
34:01She was a farmer.
34:02She was a farmer.
34:03She was a farmer.
34:04She was a farmer.
34:05She was a farmer.
34:06She was a farmer.
34:07She was a farmer.
34:08She was a farmer.
34:09She was a farmer.
34:10She was a farmer.
34:11She was a farmer.
34:12She was a farmer.
34:13She was a farmer.
34:14She was a farmer.
34:15She was a farmer.
34:16She was a farmer.
34:17She was a farmer.
34:18She was a farmer.
34:19She was a farmer.
34:20She was a farmer.
34:21She was a farmer.
34:22She was a farmer.
34:23She was a farmer.
34:24She was a farmer.
34:25She was a farmer.
34:26She was a farmer.
34:27She was a farmer.
34:28She was a farmer.
34:29She was a farmer.
34:30She was a farmer.
34:31She was a farmer.
34:32She was a farmer.
34:33She was a farmer.
34:34She was a farmer.
34:35She was a farmer.
34:36She was a farmer.
34:37She was a farmer.
34:38She was a farmer.
34:39She was a farmer.
34:40She was a farmer.
34:41She was a farmer.
34:42She was a farmer.
34:43She was a farmer.
34:44She was a farmer.
34:45She was a farmer.
34:46She was a farmer.
34:47She was a farmer.
34:48She was a farmer.
34:49She was a farmer.
34:50She was a farmer.
34:51She was a farmer.
34:52She was a farmer.
34:53She was a farmer.
34:54She was a farmer.
34:55She was a farmer.
34:56She was a farmer.
34:57She was a farmer.
34:58She was a farmer.
34:59She was a farmer.
35:00She was a farmer.
35:01She was a farmer.
35:02She was a farmer.
35:03She was a farmer.
35:04She was a farmer.
35:05She was a farmer.
35:06She was a farmer.
35:07She was a farmer.
35:08She was a farmer.
35:09She was a farmer.
35:10She was a farmer.
35:11She was a farmer.
35:12She was a farmer.
35:13She was a farmer.
35:14She was a farmer.
35:15She was a farmer.
35:16She was a farmer.
35:17She was a farmer.
35:18She was a farmer.
35:19She was a farmer.
35:20She was a farmer.
35:21She was a farmer.
35:22She was a farmer.
35:23She was a farmer.
35:24She was a farmer.
35:25She was a farmer.
35:26She was a farmer.
35:27She was a farmer.
35:28She was a farmer.
35:29She was a farmer.
35:30She was a farmer.
35:31She was a farmer.
35:32She was a farmer.
35:33She was a farmer.
35:34She was a farmer.
35:35She was a farmer.
35:36She was a farmer.
35:37She was a farmer.
35:38She was a farmer.
35:39She was a farmer.
35:40She was a farmer.
35:41She was a farmer.
35:42She was a farmer.
35:43She was a farmer.
35:44She was a farmer.
35:45She was a farmer.
35:46She was a farmer.
35:47She was a farmer.
35:49Riri-chan, the woman who was accused of cheating on her husband,
35:53and also accused of cheating on her husband,
35:55for the total amount of 155 million yen.
35:59She is the defendant, Maihiko Watanabe.
36:04She was charged with the crime of cheating on her husband,
36:07for the total amount of 18 million yen.
36:11The court ruled in the court hearing on the 30th of last month,
36:14that the defendant, Nagoya Kousai,
36:15has committed a crime of cheating on her husband.
36:17She was sentenced to 8 years and 6 months in prison.
36:19She was fined 8 million yen.
36:21The judge pointed out that her motivation was unsuitable.
36:24However, she admitted that it was true,
36:26and apologized to the victim.
36:27She said that her husband is partially disabled.
36:29She was sentenced to 6 months in prison.
36:34From that morning,
36:35she was asked to sign a lawyer's letter.
36:36She was asked to sign a lawyer's letter.
36:37Many people lined up for her.
36:38Many people lined up for her.
36:39She was asked to sign a lawyer's letter.
36:40Many people lined up for her.
36:41She was asked to sign a lawyer's letter.
36:42Now, they are discussing about the payment for the electric bike.
36:50The supporters of Watanabe are saying that they will pay for the electric bike and compensate the victim.
37:03On the Internet, they say that they don't think that they are close to the victim's feelings.
37:07They say that they will do the same thing again without compensation.
37:12They say that they will do anything to compensate the victim.
37:18Now, let's look at this news.
37:21Three men named Riri-chan have accused Watanabe of cheating on his girlfriend.
37:29He was sentenced to 8 years and 6 months in prison.
37:35He was sentenced to 8 years and 6 months in prison.
37:40The reason why Watanabe was sentenced to 8 years and 6 months in prison is that the host paid for the victim.
37:54He was sentenced to 8 years and 6 months in prison.
37:59Mr. Kasamatsu, what do you think about this?
38:08When I think about Riri-chan alone, I think it's a matter of desire for approval.
38:16It's not the desire for approval of pop music.
38:20I think Riri-chan needs to change the way she perceives the world and the filter she has.
38:31Otherwise, she will think that what she does is not enough.
38:34I think Riri-chan needs to change the way she perceives the world and the filter she has.
38:46I think Riri-chan needs to change the way she perceives the world and the filter she has.
38:56I've never seen the manual, but I'd like to take a look at it.
39:01I think it's very difficult to convey the same message to people who are far away.
39:11I think it's a talent to be able to do that.
39:15I think it's very difficult to convey the same message to people who are far away.
39:32Some people say that there is no problem if the payment method itself is not a criminal offense.
39:42Some people say that the payment method is not a criminal offense.
39:48There are no rules.
39:50Of course, even in prison, economic activities are limited.
39:53I think Riri-chan has a heart that can do it even though she knows that there are people who can't accept it.
40:01But if I were the producer, I would recommend the book.
40:17Mr. Izumiya, what kind of crime is Riri-chan?
40:20I don't think this person did anything wrong.
40:27So I think it's like, why do I have to be such a heavy crime?
40:35It's not just her problem.
40:37In general, the way we spend money is too light.
40:45It's hard to live like this, but we don't use it properly.
40:48If a young girl comes to me and says she likes me, I think it's true.
40:55If the girl says she's having a hard time with money, I think it's okay.
41:03Mr. Toyosaki.
41:05There is a life after the crime.
41:10I don't think it's bad to have a supporter or to be paid.
41:16I don't think it's bad to have a supporter or to be paid.
41:18However, as a premise, I think it is a premise to apologize from the bottom of one's heart and atone for one's sins.
41:29I can't see if the perpetrator is doing it.
41:32Whether you're apologizing or not is decided by the person who receives the apology.
41:36If you look at some of the reports of the victims, you don't seem to think so.
41:41I don't think this is an apology.
41:42If you look at some of the articles written by this person, you need to take care of your heart.
41:50If someone had guided me correctly, I might not have been able to do this.
41:56I think we need to think about how to take care of this part so that it won't happen again.
42:04How about you, Mr. Maezawa?
42:06There is a demand to write a suicide note and make it paid.
42:11I don't think it's a good idea to say that I'm still in need of something.
42:17If you know that you can make money in Angra, you can do it.
42:20Is there a system that suits the individual's talent?
42:25No, there isn't.
42:27There isn't, is there?
42:29There isn't such a detailed system.
42:35The so-called individual AI, which reproduces the deceased person with AI, is calling for debate.
42:42Individual AI is a service that lets the deceased person learn about their past photos and information from AI, and reproduces the individual's speech in videos.
42:53Recently, it has been reproduced up to the individual's thought circuit, and it is said that there are AI that can talk.
43:00There are many people who can't forget the deceased person and want to talk to him again.
43:08In China and the United States, it has been spreading for several years, and the market is expanding around the world.
43:15In a company that is developing in Japan and starting service next year,
43:22I want to see my loved ones again.
43:24Is it greed to think so?
43:29MEMORIAL FIX
43:31It is to fix the memories of loved ones.
43:36Diaries, videos, books, and smartphone files form a beautiful stream of data,
43:44and make the loved ones eternal.
43:48This was created for the elderly who were given priority over their partners,
43:53and is said to be the purpose of caring for the hearts of those who have been left behind.
43:57On the other hand, there is a need for mental relief,
44:01and it is a virtue for the deceased person to express their feelings on their own.
44:06There are also voices pointing out that the boundary between reality and dependence becomes vague.
44:14What do you think?
44:18It has become such an era.
44:21Currently, about 10 companies in China offer the same service.
44:25The market is expanding.
44:27China's digital human market grew to a scale of 2.6 billion yen in 2022.
44:33It is expected to grow four times in 25 years.
44:37The same service will start in Japan.
44:41Ms. Toyosaki.
44:43I hope it will lead to therapy.
44:48In the video, it was assumed that the elderly would die,
44:53but it is not limited to the elderly, such as children.
44:58I think there is a possibility that the elderly will die,
45:01and the heart will be hurt because they are lonely,
45:04and they will not be able to move on to a new life.
45:10There is no guarantee that it will lead to therapy.
45:13I'm a little concerned about the current situation.
45:16I agree.
45:18Now, we can watch videos of people who have passed away
45:21by taking pictures on a smartphone,
45:25but I think AI is one of the points.
45:28Mr. Shigeru Izumiya, what do you think?
45:29As for my personal memories,
45:33I want to take pictures of cute things,
45:36such as dogs and children.
45:39I know what it feels like to take pictures.
45:43I want to take pictures with that hand and this hand.
45:46It's a matter of personal thought,
45:50so I don't think I care.
45:53However, I think it's a good idea to use the dead
45:57as a means of making money.
46:00I think it's a good idea to use the dead
46:03as a means of making money.
46:06If it makes a lot of money,
46:09it will attract a lot of people.
46:12I think it's a good idea.
46:15If it's a personal interest, I don't think I care.
46:18So you don't want it to be a company or a means of making money?
46:20I don't want it to be a company or a means of making money.
46:23Do you know what you want to do?
46:25I know what I want to do.
46:27Mr. Kasamatsu, what do you think?
46:29I don't think it's a bad idea.
46:34I think there are various ways of thinking,
46:37but I think people will get tired of it
46:40if they do what they want to do.
46:43In the end, people will get tired of it.
46:47If it's popular, it's popular.
46:50It's popular, so it's okay.
46:53If everyone has it, it's okay.
46:56I don't think anyone will use it anyway.
46:59I think it's sad that it's popular,
47:02but no one will see it anymore.
47:05But if you say that,
47:08that's all.
47:11Mr. Atsushi?
47:13I think it's a good choice.
47:16I'm afraid that the AI will read the data
47:19and manipulate the people who are alive
47:22because they can't say what they want to say.
47:26This is an AI,
47:29so if someone adds a little bit of power,
47:32it can become a very rampant AI.
47:35That's definitely the case.
47:38I don't think it makes sense
47:41to start controlling the people who are alive.
47:43I went to college with my mom.
47:46I thought it would be interesting
47:49to leave a legacy of clothes
47:52because of my mother's death.
47:55I studied what individuals want to leave
47:58and what people want to leave.
48:01If the matching doesn't go well,
48:04it doesn't make sense
48:07to leave a legacy of individuals
48:10who want to leave AI
48:13because they can't say what they want to say.
48:16If you just want to make AI
48:19with your personal thoughts and ego,
48:22if you just want to make AI
48:25for your dead grandparents and grandchildren,
48:28I'm worried about the service.
48:31As long as the people who are alive
48:34are matching, there's no problem.
48:37I asked my mom
48:40to leave a legendary video.
48:43But on Christmas Day,
48:46she sent me
48:49a video of her grandchild
48:52playing the flute she had forgotten.
48:55I wanted to leave this.
48:58She told me to think about the meaning.
49:01I wondered what it was.
49:04My mom's only wish was
49:07to leave my dad alone.
49:10My dad's voice was heard
49:13and my mom's voice was heard.
49:16I thought it was amazing
49:19that Kuniko had a strategy
49:22to call her dad.
49:25I left a message
49:28to my dad
49:31so that my family
49:34and the Tamura family
49:37could continue to go around
49:40like this flute.
49:43But it wasn't AI.
49:46My mom left it as a legendary video.
49:49The man who left it
49:52was wondering what it was.
49:55Mr. Iruzuka, is there a legal problem
49:58with making AI?
50:01There are many ways to make AI.
50:04You can make it with a robot
50:07or in a virtual space.
50:09You can make it with copyrights.
50:12But it's difficult.
50:15As you said,
50:18AI makes people walk alone.
50:21Famous people like you
50:24have a problem
50:27with making AI
50:30and walking alone.
50:33There is a difference
50:36between being on TV
50:39and being on TV.
50:42But if you are an AI,
50:45you can be on TV.
50:48You can only be on TV
50:51when you are mad.
50:54You can't be mad at home.
50:57You can't be mad at TV.
51:00I think there are some things
51:03that you shouldn't do.
51:06For example,
51:09there is a possibility
51:12that a famous person
51:15will come back to life.
51:18Famous people have a base of information.
51:21So it's possible
51:24to make a third person
51:27by making AI.
51:30I think it's possible
51:33because there is no law.
51:36But as an individual,
51:39you have to think about
51:42how to make AI.
51:45What will happen to this service
51:48in 5 or 10 years?
51:51When you die in 2 or 3 years,
51:54you have to think about
51:57how far you can go with AI.
52:00What if you are asked
52:03to make your own AI?
52:06You have to make it.
52:09You are in the computer.
52:12You are asked to make it,
52:15but you never open it.
52:18You should open it once a day.
52:21You should set a time to save.
52:24Do you have to do it forever?
52:27That's the pressure.
52:30I think it's a pressure for the living.
52:33I think new humanity
52:36will go to that zone.
52:39What is the minimum manner of society?
52:42What is the current situation of watches?
52:45Watches for men and women.
52:48In recent years,
52:51you can check time on your smartphone.
52:54If you don't feel the need,
52:57there are more people who don't wear watches.
53:00On the other hand,
53:03some people think
53:06watches are the minimum manner
53:09of society.
53:12It's rude to look at your smartphone
53:15during a consultation,
53:18so you can check time with a watch.
53:21The era of wristwatches
53:24may be changing.
53:27This is a wristwatch.
53:30It's a scale.
53:33I think Kasamatsu-san is the only one
53:36who wants to make a watch
53:39with a scale.
53:42Maezono-san and Kasamatsu-san.
53:45Isn't it great?
53:48Kasamatsu-san, do you hear about watches
53:51from senior actors?
53:54A few years ago,
53:57I heard about watches from senior actors.
54:00They told me stories about watches.
54:03When I didn't have money,
54:06I couldn't sell watches.
54:09So I wanted a watch.
54:12I only have three watches.
54:15I've received a lot of kindness
54:18from senior actors.
54:21Can I sell this one?
54:24No, you can't.
54:27You can't.
54:30You can't.
54:33Kasamatsu-san has three luxury watches.
54:36No, I don't.
54:39You've been working hard.
54:42That will motivate you.
54:45No, I don't.
54:48Maezono-san, do you have a watch from Rome?
54:51I don't have it anymore.
54:54Why?
54:57That's the first watch I bought.
55:00Do you want something good?
55:03I have senior actors.
55:06Sports and watches are linked.
55:09Oh, I see.
55:12When people get rich,
55:15they buy watches.
55:18Sports and watches are linked.
55:21Why do you have such an important watch?
55:24I'd like to know that, too.
55:27I don't have it anymore.
55:30You're like a kid.
55:33I collect G-Shock watches.
55:36I've been collecting them.
55:39I don't know if it's my image,
55:42but I have a sensitive skin.
55:45Only Izumiya-san has a sensitive skin.
55:48Only Izumiya Shigeru has a sensitive skin.
55:51He has a sensitive skin.
55:54My skin turns red.
55:57Do you have a metal allergy?
56:00No, I don't.
56:03Toyosaki-san.
56:05I think it depends on the impression of the watch.
56:08In October,
56:11when I said,
56:14please look at this,
56:17there were a million watches here.
56:20Don't you hate it?
56:23I don't know if it's expensive.
56:26I don't know if it's expensive.
56:29For example,
56:31I don't buy things like that.
56:34Even if it's a momentary thing,
56:37I'm afraid it won't fit my TPO.
56:40Even if it's a momentary thing,
56:43I don't want to blame it on someone.
56:46I have the image of Miyasako.
56:49I love him.
56:52I love Toyosaki-san.
56:55I have the image of Miyasako.
56:58I always have a watch
57:01You know, I'm like this.
57:03And when I say, I'm Miyasako,
57:05I'm like this.
57:07You're shining, aren't you?
57:09Yes, I am.
57:11You have an impression, don't you?
57:13Yes, I do.
57:15So, at one point,
57:17Miyasako and other
57:19same-generation entertainers
57:21were buying expensive watches.
57:23They were influenced.
57:25Now, entertainers are buying a lot.
57:27They're buying a lot on YouTube.
57:29They're buying a lot on YouTube.
57:31So, I'm like,
57:33Oh, this person is buying this one.
57:35Do you know what they're buying?
57:37I know if they're attacking
57:39or protecting.
57:41I know if they're naughty
57:43or smart.
57:45Do you know if they're attacking
57:47or protecting?
57:49I know if they're attacking
57:51or protecting.
57:53I know if they're attacking
57:55or protecting.
57:57When you're on TV,
57:59do you care
58:01if the watch
58:03looks bad?
58:05Do you care?
58:07To be honest, I don't care.
58:09On the contrary,
58:11I'd rather wear something weird.
58:13Something cheap?
58:15I'd rather wear something
58:17that's not high quality.
58:19I'd rather wear something
58:21that's not high quality.
58:23I'd rather wear something
58:25that's belong to a loved one.
58:27For example,
58:29this reading letters.
58:31For example,
58:33this reading letters.
58:35Well,
58:37I think
58:39I can read
58:41at my own pace
58:43at my own pace.
58:45I think
58:47I can read
58:49at my own pace
58:51at my own pace.
58:53I thought you said you were going to add more.
58:55I thought you were going to say,
58:57Don't put more in!
58:58There's plenty.
58:59There's only truth in it.
59:00Don't twist it.
59:01I'm sorry.
59:03Newspaper
59:06How was it, Mr. Kazamatsu?
59:07Thank you for this program,
59:09I'm going to study a lot,
59:11I'm starting to feel news
59:12is something close to me.
59:14I think it's great.
59:16But it's a bit...
59:18I'm glad we had a good time today.
59:21I don't have much interest in it.
59:23It won't change, right?
59:25Even if you think that way,
59:27you can't say it, right?
59:29So, I want to listen to everyone's opinions
59:31in an easy-to-understand way,
59:33and while listening to the opinions of the viewers,
59:35I want to study a little and make Japan a better country.
59:37You're lying.
59:39All of a sudden, at the end.
59:41All of a sudden, at the end.
59:43You're lying.
59:45No, no, no.
59:47Thank you very much.