Oh! My Ladylord Ep-2

  • 2 days ago

Category

😹
Fun
Transcript
00:00:00On the way back home, I met him again.
00:00:06It is the day of the finals.
00:00:12This is the hall where the finals are held.
00:00:18The place where the finalists, same as the game, are gathered to celebrate.
00:00:24I don't know what I'm doing with my life, I don't know what I'm doing with my life.
00:00:54I don't know what I'm doing with my life, I don't know what I'm doing with my life.
00:01:24I don't know what I'm doing with my life, I don't know what I'm doing with my life.
00:01:54I don't know what I'm doing with my life, I don't know what I'm doing with my life.
00:02:24I don't know what I'm doing with my life, I don't know what I'm doing with my life.
00:02:54I have something to do, so I have to go. I'll talk to you next time.
00:02:56When's the next time?
00:02:58You're coming in, right? There's nothing to do right now.
00:03:01You know what's really weird right now, right?
00:03:03If you have a lot of money and a lot of time and nothing to do, just do something.
00:03:07Don't be obsessed with a dark son.
00:03:15I keep asking if you're going to do Hanbit's work at No. 2.
00:03:18Do you just ask?
00:03:20I'm not begging you.
00:03:22I'm not begging you.
00:03:26Director Lee said he would cast you.
00:03:31Really? But I guess he's not in a hurry yet.
00:03:35What do you mean?
00:03:37He's the boss of the drama.
00:03:39Han Bisu.
00:03:43Let's go.
00:03:44My house is gone.
00:03:47Hyejin sold her house without telling me.
00:03:50I have nowhere to go and nowhere to work.
00:03:53Why did you do that all of a sudden?
00:03:54I don't know. I'm going to live in my parents' house.
00:03:56Hyejin.
00:03:57So are you going in?
00:03:58No.
00:04:00All right. Then I'll find a place to stay right away.
00:04:02Oh, my house.
00:04:08Did you get feedback from the owner?
00:04:10Top actors don't usually answer quickly. It takes some time.
00:04:13Is it okay to make the top writer wait?
00:04:15Bisu, it's been a while since the top writer collapsed.
00:04:22Red Siren. The heroine is being cast because of the production team's corruption.
00:04:25Is the production team going to be corrupted?
00:04:28From the rumor of corruption to the rumor of assault.
00:04:30Where are they going to end up?
00:04:34You saw it, didn't you? Our fate is only up to the owner.
00:04:37So why did you open the owner's office three times?
00:04:40Should I contact the owner's agency again?
00:04:43No, you don't have to.
00:04:46I'll meet the owner.
00:04:50Han Bisu.
00:04:51You lost your house and your drama.
00:04:54Do you like it when I ask you to do it?
00:05:05Why are you here again?
00:05:06Why don't you give me feedback?
00:05:08You said you'd give me a chance to appear in my drama.
00:05:11Oh, I'm going to give it to you.
00:05:13It's not like, please do it.
00:05:16You must like to be different.
00:05:19Honestly, I've been thinking about it for a few days.
00:05:22Should I appear in your work or not?
00:05:24But I've decided now.
00:05:26The script was fun.
00:05:28I thought it was Han Bisu.
00:05:30Han Bisu did Han Bisu.
00:05:32But I'm not going to do it.
00:05:35What's this stupid twist?
00:05:36Are you taking revenge on me right now?
00:05:39I'm Oh Joo-in.
00:05:41I'm in line for a drama.
00:05:43Why do I have to do a work that's going to collapse?
00:05:46I don't know if I'm going to do it or not.
00:05:49Would you like to leave my house now?
00:05:51Oh Joo-in.
00:05:53I...
00:05:57I'm going to break up with Oh Jae-kyung for a while.
00:06:03What's wrong with my mom?
00:06:05This is Nabomyeong Hospital.
00:06:07You're Oh Joo-in, the guardian of Yoon Jung-ah, right?
00:06:09I'm sorry for being late, but I think I have to contact you.
00:06:13My mother keeps saying she's going to go home.
00:06:15I can't calm down at all.
00:06:17It's getting worse all of a sudden.
00:06:19Can you come now?
00:06:21You keep looking for your daughter.
00:06:23I'll go now.
00:06:26I can't talk anymore today.
00:06:28I have to go to my mom.
00:06:30Mom.
00:06:36Where are you going?
00:06:38I'll take you there.
00:07:00Mom.
00:07:17Let go of me.
00:07:19Mom.
00:07:20Mom is here.
00:07:23You made me go to my daughter.
00:07:25Bad people.
00:07:28Mom.
00:07:29No, they're good people.
00:07:31Let's go.
00:07:32I'll read you my favorite dad's novel.
00:07:35Dad?
00:07:38No, no, no.
00:07:40Joo-in, I'm going to find my dad.
00:07:44No, no, no.
00:07:49Mom, it's okay.
00:07:50No, no.
00:07:51It's okay, Mom.
00:07:52It's okay.
00:07:55It's okay.
00:07:56It's gonna be okay, Mom.
00:07:59Mom.
00:08:05Mom, it's okay.
00:08:06Mom.
00:08:08She's getting worse all of a sudden.
00:08:11She used to be so considerate
00:08:13that she couldn't sleep.
00:08:17Can her mom's condition get this bad all of a sudden?
00:08:21There are many possible causes,
00:08:23but each patient is different.
00:08:25It could be fatigue,
00:08:27a psychological change that causes anxiety,
00:08:30or an environmental change.
00:08:33Environmental change?
00:08:34The test will start soon.
00:08:36Let's talk about the results in more detail.
00:08:39Yes, thank you.
00:08:58Joo-in.
00:08:59Joo-in.
00:09:00Joo-in.
00:09:01Joo-in.
00:09:02Joo-in.
00:09:03Joo-in.
00:09:04Joo-in.
00:09:05Joo-in.
00:09:06Joo-in.
00:09:07Joo-in.
00:09:08Joo-in.
00:09:09Joo-in.
00:09:10Joo-in.
00:09:11Joo-in.
00:09:12Joo-in.
00:09:13Joo-in.
00:09:14Joo-in.
00:09:15Joo-in.
00:09:16Joo-in.
00:09:17Joo-in.
00:09:18Joo-in.
00:09:19Joo-in.
00:09:20Joo-in.
00:09:21Joo-in.
00:09:22Joo-in.
00:09:23Joo-in.
00:09:24Joo-in.
00:09:25Joo-in.
00:09:26Joo-in.
00:09:27Joo-in.
00:09:28Joo-in.
00:09:29Joo-in.
00:09:30Joo-in.
00:09:31Please wait a few minutes.
00:09:32Ms. Kim,
00:09:32I'm sending you a link to my residence.
00:09:34I searched for a place similar to the original, Hanok.
00:09:56Why?
00:09:57What do you mean, why?
00:09:58I have to report it to meet Joo-in.
00:09:59What happened?
00:10:00Did you meet her?
00:10:01I met her.
00:10:02Did you meet her?
00:10:03So?
00:10:04So what happened?
00:10:05Huh?
00:10:06What did she say?
00:10:07Is she going to do it or not?
00:10:08Hey.
00:10:09She's not going to do it?
00:10:10Damn it!
00:10:11Hey, then you should have convinced her by all means.
00:10:12If you can't do it, kneel down.
00:10:13I can't.
00:10:14I can't.
00:10:15I can't.
00:10:16I can't.
00:10:17I can't.
00:10:18I can't.
00:10:19I can't.
00:10:20I can't.
00:10:21I can't.
00:10:22I can't.
00:10:23I can't.
00:10:24I can't.
00:10:25I can't.
00:10:26I can't.
00:10:27What should we do?
00:10:28At least shout!
00:10:29He's struggling too.
00:10:30What's with that calming voice?
00:10:33Leave it to Oh Joo-in now.
00:10:43Ha...
00:11:05Did he leave?
00:11:09It must have been hard to find him.
00:11:13Ha...
00:11:27Joo-in, why are you here?
00:11:31I came back after the shoot.
00:11:34I missed my mom.
00:11:37Did your mom cause you trouble again?
00:11:39No, it's not like that.
00:11:41Ha...
00:11:43I'm sorry.
00:11:44I'm busy, but I can't even rest.
00:11:47I don't like seeing my mom's face like this.
00:11:51Mom, you don't want to go home, do you?
00:11:59I won't stick it.
00:12:00Tell me when you want to go.
00:12:02Let's stay healthy in a comfortable place.
00:12:05Yes.
00:12:12Ha...
00:12:15Oh!
00:12:16Oh!
00:12:17I'm sorry.
00:12:18I told you to be careful.
00:12:20Oh, it hurts.
00:12:30Are you okay?
00:12:33Oh, Han Bi-soo, you bastard.
00:12:36He's the craziest of the crazy.
00:12:39No, God was terrible, so I asked him to fix it a little bit.
00:12:42But he ran like he was going to kill me.
00:12:44So I pushed him.
00:12:46Why is my arm like this?
00:12:47I don't know if I slipped.
00:12:49Oh, I see.
00:12:52You pushed him and slipped alone.
00:12:54No, but if the actor said it was hard to act,
00:12:58If you asked me to fix it,
00:12:59Shouldn't you at least pretend to listen?
00:13:01I don't know if God is appealing that it's wrong.
00:13:04I asked him to fix it because it was hard to act.
00:13:06Oh, I'm sorry.
00:13:07I was angry from the writer's point of view.
00:13:12Oh, really.
00:13:13Oh!
00:13:14Manager!
00:13:15Please turn this on!
00:13:17Manager!
00:13:19Oh, writer.
00:13:21Did you work all night here?
00:13:23No, I'm not tired at all.
00:13:26Your face is straight because you don't have any work these days.
00:13:28Oh, I have to make him do it even if he wants to work.
00:13:32Oh, so the writer told the owner.
00:13:34You're the same thing.
00:13:37I'm going to run hard now.
00:13:40Oh, I decorated it with the CEO.
00:13:43Do you like it?
00:13:46Well...
00:13:48I don't care.
00:13:50I have to find my house again.
00:13:52If the CEO gets a call from the owner,
00:13:54He asked me to call him right away.
00:13:57You're going to call me, right?
00:13:59You must be waiting.
00:14:04I'm sorry.
00:14:11What's the point of writing?
00:14:14If you don't stick it in, you won't get a single call.
00:14:24Someone who will save you.
00:14:34I'm sorry.
00:14:52I'm sorry.
00:14:53I'm sorry.
00:15:04You're the one from then, right?
00:15:07That's right.
00:15:08When you had an accident.
00:15:09I told you then.
00:15:11Who I am.
00:15:14Someone who will save me?
00:15:16You remember exactly.
00:15:19You're going to die.
00:15:21What?
00:15:22It's an extension of time.
00:15:24There's not much time left.
00:15:26Think about how to live.
00:15:36What is it?
00:15:38It's not once, it's twice.
00:15:39That's right in front of you.
00:15:43It's hallucination.
00:15:44I can't even distinguish between hallucination and reality.
00:15:46Did I come here?
00:15:47Have you ever heard of rain?
00:15:48What?
00:15:49How do you describe the sound of rain when you write?
00:15:50Knock, knock, knock?
00:15:52Can you be sure that's the sound of rain?
00:15:54No, what is it?
00:15:56Why is it suddenly raining?
00:15:57Hit the floor.
00:15:58Hit the roof.
00:15:59Hit the tree.
00:16:00The sound of hitting an umbrella.
00:16:03There's no such thing as rain in the first place.
00:16:05So what you've heard so far is not the sound of rain.
00:16:09It's an illusion that it's the sound of rain.
00:16:11People who miraculously survived after the accident.
00:16:14I've had sequelae.
00:16:16I've had a lot of stress lately.
00:16:19It's a habit.
00:16:20Besides, I heard that the chairman sold the house as he wanted.
00:16:23No, but that can't be hallucination.
00:16:27It was so vivid.
00:16:28It was so scary.
00:16:33There's a certain way to check if it's real or not.
00:16:40What? Selfie?
00:16:43I didn't know I'd hear the word selfie from a 30-year veteran doctor.
00:16:47You don't even know if you're a ghost or a human.
00:16:49Selfie?
00:16:51If you're a human, you'll be photographed, and if you're a ghost, you won't be photographed.
00:16:56You're going to die.
00:16:57What?
00:16:58I gave you more time.
00:17:00There's not much time left.
00:17:02Think about how to live.
00:17:04I'm going to die?
00:17:08What? Is there a human that doesn't die?
00:17:12I gave you more time.
00:17:15I don't know what it is.
00:17:18The board of directors and I are going to use state-funded funds to expand the VIP room.
00:17:23The doctor's executives want to use it for the external center equipment.
00:17:28I know you want to make money.
00:17:32But while I'm the chairman, think about the field staff first.
00:17:38I knew it.
00:17:41Please visit the secretary.
00:17:44You're not going, and I'm going?
00:17:46I sold my house and brought all my stuff, but they won't come in.
00:17:50I think it's because I'm standing with you.
00:17:55You should think about it.
00:17:56That's why I told you not to sell the house.
00:17:59What's the reason you're selling the house and bringing in your grown-up children?
00:18:02I want to live with my parents, but why do I need a reason?
00:18:06I want to live with my family now.
00:18:15What are you doing?
00:18:41What are you doing?
00:18:42You don't know? I threw away the trash.
00:18:44What kind of person is this?
00:18:45Why? Is the bread a waste? Then go in together.
00:18:47Let's get rid of the trash at once.
00:18:49Can I be this rude to a guest?
00:18:50Guest?
00:18:52Did you buy something? I didn't sell anything.
00:19:03Get out, get out, get out, get out, get out, get out, get out, get out, get out.
00:19:06What kind of person is this?
00:19:12What kind of person is this?
00:19:19Why doesn't everyone leave me alone?
00:19:28You had a hard time doing the makeup show.
00:19:30But you're sure you're not working with Han Bi-soo, right?
00:19:35Yes.
00:19:36I got a call from the head of your production company.
00:19:38Number two pictures?
00:19:39You said you'd pray for Han Bi-soo.
00:19:42I almost cried.
00:19:45I guess it's really an emergency.
00:19:46Let's work together so that Jun and Han Bi-soo can do the drama together.
00:19:51What did the CEO say?
00:19:53You know, I'm not the type to work with sympathy.
00:19:56Don't go over to their sympathy-inducing operation.
00:20:02I'll think about it and decide.
00:20:05I'm here to rest, but I don't know what I'm doing.
00:20:15Uncle, do you have Kim Choo-ja's app?
00:20:18Kim Choo-ja? Are you going to listen to it?
00:20:21No, my grandmother is.
00:20:23It's my grandmother's birthday today, so I'm going to buy it for her.
00:20:34Oh, my God.
00:20:42Can you see the circle here? Count it.
00:20:45One, two, three, four.
00:20:49That's right.
00:20:51This is the only one.
00:20:53Why is it so expensive?
00:20:55Let's say there are 100 people who like this album.
00:20:57But there are only 10 of these.
00:20:59Do you think this is going to be expensive or not?
00:21:01I think it's going to be expensive.
00:21:03Then I can't buy it.
00:21:07Goodbye.
00:21:10Wait a minute.
00:21:12I can't find Kim Choo-ja's song.
00:21:14I don't know the title.
00:21:15I just have a song that my grandmother always sings.
00:21:19Sing it.
00:21:20What?
00:21:21That's how I'll find it.
00:21:22Wave, dance.
00:21:26Wait a minute.
00:21:27The waves are dancing, but why aren't you dancing?
00:21:29Why aren't you dancing?
00:21:30Wave, dance.
00:21:35Wave, don't be sad.
00:21:40All right, that's it.
00:21:5010,000 won.
00:21:55All right.
00:22:00I don't know who it is, but my grandmother...
00:22:13Who is it?
00:22:24There was a place like this around my house.
00:22:26My house?
00:22:28As soon as I moved in, the sound of my house stuck in my mouth.
00:22:32It was originally my house.
00:22:34A long time before you lived.
00:22:36Did you come in to check that out?
00:22:38With full makeup?
00:22:46What are you doing here?
00:22:47Hobby life.
00:22:49But why are you here?
00:22:50I have something to say.
00:22:52What do you want to say?
00:22:53There's only one thing I want to hear.
00:22:59Thank you for helping me.
00:23:02I was going to say that, but I wasn't prepared.
00:23:07Well, thank you.
00:23:09That's when I was next to you.
00:23:12Even if it was someone else, it would have been the same.
00:23:15No one can do that.
00:23:16I don't know how far my mom's hospital is, and when the treatment is over.
00:23:20You didn't ask anything, you took me and waited for me.
00:23:24Other than that, do you have anything else to say?
00:23:28Anything else to say?
00:23:33If you don't have it, it's okay.
00:23:36I'll do it. Red Siren.
00:23:42Instead, I'm going to decide after three or four minutes.
00:23:44That's not a decision, it's a deal.
00:23:47Then find another actor.
00:23:49I heard that Director Lee said that he would give me a favor.
00:23:52What is it?
00:23:53Anyway, I don't have a secret.
00:23:55So you have to write the script very well.
00:23:57You know I'm good at writing.
00:23:59That's why I wanted to appear in my drama.
00:24:02Three minutes are already out.
00:24:04I just need four minutes.
00:24:06Just wait.
00:24:07Is it possible in a week?
00:24:09There are so many places to do it with me.
00:24:11How much do you want to see?
00:24:14Okay, I'll take that fan.
00:24:17Fan?
00:24:18When the script comes out, get ready to clap.
00:24:22If you don't like it, cut my feet.
00:24:23Do you like to cut and kill?
00:24:33So, if you write the script, it's right?
00:24:37That's it.
00:24:38Okay.
00:24:39I'll take that fan.
00:24:41Hey, one accident is about three days.
00:24:46Two days.
00:24:49I'll hang up in two days.
00:24:51Okay, okay.
00:24:52Hold on, hold on.
00:24:53I'll have to contact the director.
00:24:56Yeah, do it.
00:24:58I'll write a killing script in two days.
00:25:01I'll make the main character flat.
00:25:04You said you'd cut your hands if you didn't like the script.
00:25:22If you're scared, I'll cut it for you.
00:25:35What the hell are you doing?
00:25:37You just have to write down what he thinks.
00:25:39Why can't you do something so easy?
00:25:41Why can't you collaborate?
00:25:43Why?
00:25:45Please, writer.
00:25:47What's going on?
00:25:51Oh, please.
00:25:53Writer.
00:25:54No, just looking at the picture like this, of course I can't write.
00:25:58I can't even see it.
00:26:01I'm calling my husband right now.
00:26:03Writer.
00:26:04Maybe it's not inspiration.
00:26:07Maybe it's a slump.
00:26:10It's a slump.
00:26:11Shut up!
00:26:13Wait a minute.
00:26:14That's right.
00:26:15That's right.
00:26:16Slump.
00:26:17You haven't even written a title yet.
00:26:19I didn't write it, I didn't write it.
00:26:21I didn't write it.
00:26:22Then double it.
00:26:23Why would I double it?
00:26:24You're a good guy.
00:26:25Oh, that's ridiculous.
00:26:27Get out of here.
00:26:28Get out of here.
00:26:29Get out of here.
00:26:30Get out of here.
00:26:31Get out of here.
00:26:32Get out of here.
00:26:33Get out of here.
00:26:34Get out of here.
00:26:35Get out of here.
00:26:36Get out of here.
00:26:37Get out of here.
00:26:43This isn't it either.
00:26:47Why?
00:26:48Writer.
00:26:49What?
00:26:50Oh, the slump.
00:26:51Yeah.
00:26:56Writer.
00:26:57Maybe it's because the seats have changed.
00:26:59What seat?
00:27:00The seats.
00:27:01Like you can't sleep when the bed changes.
00:27:03Maybe it's because the seats have changed.
00:27:05Writer.
00:27:06It doesn't make sense that one seat has changed.
00:27:09You're sensitive, so you can't even see shit outside.
00:27:12No matter how much shit it is.
00:27:14You're right.
00:27:16It's a letter from this intelligent fingertip that took me in.
00:27:19You're a genius, so it makes sense.
00:27:22So it's because I'm a genius.
00:27:26That makes a lot of sense.
00:27:29Writer.
00:27:30What are you going to do if you go in here?
00:27:32You're the one who gave it to me.
00:27:34Is there any other way?
00:27:39Come on.
00:27:42You catch the wind properly.
00:27:59What are you doing here?
00:28:02The person next to me...
00:28:03Hello.
00:28:04I'm assistant writer Jung Jae-hwan.
00:28:06The reason we're here is...
00:28:08That's...
00:28:09Yeah, so...
00:28:11Is there anything you lost when you moved out of here?
00:28:13What?
00:28:14What is it?
00:28:15Yeah.
00:28:16It's important, right?
00:28:17A lot.
00:28:19That's right.
00:28:20It's so important that our writer can't write without it.
00:28:24Let's find out what it is.
00:28:25I can't find you.
00:28:27It's so small that I can't see it.
00:28:29I can only see it in my eyes.
00:28:31So what is it?
00:28:33Excuse me for a moment.
00:28:34No, where are you going?
00:28:35Excuse me.
00:28:38I have to hurry.
00:28:39I have to go see the CEO now.
00:28:41Writer.
00:28:42Go to the room you used as a studio over there.
00:28:45I'll look for other places.
00:28:48You have to look carefully.
00:28:58What is it?
00:29:10What the hell is that huge thing?
00:29:14Assistant writer?
00:29:15He said he left something and came to find it.
00:29:17That plain face that's not seasoned at all.
00:29:20It's my perfect style.
00:29:28What is it?
00:29:41This is my clean room.
00:29:43My clean room.
00:29:55What is it?
00:29:57What is it?
00:30:04Good.
00:30:10Can I go like this?
00:30:11Hurry up and go to the CEO.
00:30:12It's going to take some time to soothe you.
00:30:14He's very angry.
00:30:15I'll mark this place.
00:30:16I'm going to persuade the CEO and go to the end, so come right away.
00:30:19Okay.
00:30:20I'll send the writer and go right away.
00:30:23It's okay, right?
00:30:24What's not okay?
00:30:26They're not thieves.
00:30:27They're the writers who work with you.
00:30:29Hurry up and go.
00:30:30Okay.
00:30:32Go.
00:30:34It's okay, right?
00:30:35It's okay.
00:30:36Why are you so worried?
00:30:37Hurry up and go.
00:30:52It's working.
00:30:56It's working.
00:31:03Actually, that's how it works.
00:31:06We look crazy, don't we?
00:31:08No, no.
00:31:09I 100% understand.
00:31:11You have to have that crazy side to be a true artist.
00:31:17Wow, sister.
00:31:19You know art, too.
00:31:22Of course I know.
00:31:24Oh, my lips.
00:31:25Oh, my lips.
00:31:27It's crazy.
00:31:29Lips.
00:31:31Art.
00:31:43One shot.
00:31:53Oh, I'll get ready.
00:31:54Oh, yes.
00:32:07You don't even look at each other, so our CEO is very angry.
00:32:10Oh, my.
00:32:13You always said you enjoyed the drama.
00:32:18Let's go together, CEO.
00:32:21Are you really going to do it with Han Bi-soo?
00:32:23Even though I stopped you?
00:32:25You know I respect your opinion first.
00:32:29But Han Bi-soo...
00:32:30I don't want to see his face.
00:32:32He quit because he was my actor three times.
00:32:34Aren't you angry?
00:32:35I wouldn't have been angry if it were me.
00:32:37But why did Han Bi-soo leave all the money-making scripts?
00:32:43I want to do it.
00:32:46I know you're good at writing.
00:32:49But Jun, you might not be able to renew your KT Cosmetics model contract.
00:32:55There's a rumor that Kim Ji-hyun is doing it.
00:32:57You hurt your arm.
00:32:59No, if I sign a contract, I'll have to shoot a CF for the new cosmetics season.
00:33:03Can you do it right away?
00:33:04He's usually a tough guy.
00:33:05He's the only one who wants to be the host.
00:33:07He's not an arm. He's got a cast on his neck.
00:33:12I know you can't stop an actor from falling in love.
00:33:14If you work with Han Bi-soo, you'll be hit.
00:33:35Where are you? What happened?
00:33:38Why aren't you replying?
00:33:39It's over. I'm going home now.
00:33:55Hey, hey, hey, hey, hey.
00:34:00Hurry, hurry, hurry, hurry, hurry, hurry.
00:34:02Oh, my God.
00:34:07I'm done working on it.
00:34:10I'm not done yet.
00:34:11No, no, no, no.
00:34:12I'm not done yet.
00:34:13I'm not done yet.
00:34:14Don't be jealous.
00:34:16I'm not going to be jealous.
00:34:18Hurry up!
00:34:20Hurry up!
00:34:22Hurry up!
00:34:24Hurry up!
00:34:34Hurry up! Hide!
00:34:36Hide!
00:34:49Huh? You're still here?
00:34:51You didn't even answer your phone.
00:34:53Well...
00:35:00Does this smell like alcohol?
00:35:02No, no.
00:35:04I put on a lot of alcohol-containing toner.
00:35:07It's almost like soju.
00:35:09Something must have happened.
00:35:13No, nothing happened.
00:35:18Not yet?
00:35:20No, he's already gone.
00:35:23He's gone.
00:35:25He's gone.
00:35:27He's gone.
00:35:48Writer?
00:36:14Writer?
00:36:17Hi.
00:36:38I'm so disappointed in you.
00:36:40I trusted you, but you did this to a spy?
00:36:42It's all my fault.
00:36:48Even if you curse at me, please curse at me.
00:36:50I can't even compliment you two.
00:36:52Compliment?
00:36:54You're not doing this either.
00:36:56You don't even have a housekeeper.
00:36:58I know even if you don't emphasize it.
00:37:00If you argue about this, you're trespassing.
00:37:02If you argue about this, it's all for you.
00:37:04Oh, this is for me?
00:37:06You asked me to write the script quickly.
00:37:08So can't you see that I'm making a blood-sweat-and-sweat trio?
00:37:11If I write the script quickly and give it to you,
00:37:13it's good for you to decide quickly.
00:37:15Win, win.
00:37:17It's strangely persuasive.
00:37:20As you know, I'm special.
00:37:22That's why I'm only written in special places.
00:37:25That's over there.
00:37:27It's where my masterpieces were born,
00:37:29and it's right over there that I've never left.
00:37:33Someone took it away now, but...
00:37:35You're making me feel guilty.
00:37:37I bought this house fair and square.
00:37:40I'm almost done with the fourth part.
00:37:42I just need to write a few more scenes.
00:37:44It's almost done.
00:37:46It's almost done.
00:37:49It's almost done.
00:37:51Does it take a long time to write all the scenes?
00:37:54Bring the printer. Install it.
00:38:10It's almost done.
00:38:35Where were you hiding when the master came?
00:38:38I was crouching under the table.
00:38:40Oh, my God.
00:38:42It must have been hard.
00:38:44It's okay.
00:38:46I'm not kidding.
00:38:50You have all the conditions I like.
00:38:52Yes.
00:38:53No, but...
00:38:55What you said earlier...
00:38:57Is it true?
00:38:58What do you mean?
00:38:59I mean, I've seen a man I've never seen in my life.
00:39:03You said your eyes were turned upside down.
00:39:05Oh, my God.
00:39:06You're talking nonsense again.
00:39:08I'll pretend I didn't hear it.
00:39:10Why?
00:39:11When I heard that, I was more nervous than when I was caught at the restaurant.
00:39:14My heart was 100 times more fluttering.
00:39:18I'm going crazy.
00:39:28Are you done?
00:39:29Yes.
00:39:30Did you really finish the fourth part here?
00:39:32In a few hours?
00:39:33What can't I do?
00:39:34Come in and read it.
00:39:35Yes.
00:40:04Oh, my God.
00:40:28How was it?
00:40:29It's not bad for writing fast.
00:40:31I think it was the same.
00:40:33Oh, my God.
00:40:34Did you steal it?
00:40:36What do you mean?
00:40:38Are you trying to steal the audience at your concert?
00:40:41Review it now.
00:40:42It was creepy.
00:40:43It was creepy.
00:40:44This is a masterpiece.
00:40:45If you don't have enough words, you can express it with your whole body.
00:40:48Please edit everything from part one.
00:40:53All of them?
00:40:55It's clear and good that it's a script with excellent suction power.
00:40:58It's good.
00:41:00Part one and two were cruel, but seven people died in the early part three and four.
00:41:04I tried to kill 17 people, but I took out 10 people.
00:41:07I'm a thriller writer.
00:41:09What's the point of killing people in a thriller?
00:41:12You don't have to look at the blood to complete the thriller.
00:41:16What if you don't like it?
00:41:19Then I can't do it either.
00:41:21I have to do it to be biased.
00:41:24So you're going to fix my script on the pretext of bias?
00:41:28I'm asking you to make it together.
00:41:30A better work.
00:41:31Don't get me wrong.
00:41:32You're an actor.
00:41:33You just have to act according to the script written by the writer.
00:41:38I can't do this.
00:41:39I can't do this either.
00:41:52What?
00:41:53That's enough.
00:41:54How dare an actor say that to a writer?
00:41:58What?
00:41:59A person who only acts according to the script?
00:42:01Do you think I'm patient because I don't have a temper?
00:42:03If you're a top writer, I'm a top star.
00:42:07Oh, my God.
00:42:08Oh, my God.
00:42:22Oh, Master Oh.
00:42:24You didn't really accept the fact that you weren't going to do it, did you?
00:42:28Oh, my God.
00:42:32Oh, my God.
00:42:58Oh, my God.
00:43:06Again?
00:43:09If I go back in there with my feet, I'm not a writer, I'm a 속기사.
00:43:22Writer, standing ovation.
00:43:25When did you get here?
00:43:27Writer, you're amazing.
00:43:28One script in a day.
00:43:30It's a little cruel, but now I just need to get the νŽΈμ„±, right?
00:43:34No, I just need to pack my luggage.
00:43:36What luggage?
00:43:37You're going home completely, and I'm going on a trip.
00:43:42What are you talking about?
00:43:43Writer, is it a bad thing with the owner?
00:43:46No, it's a good thing for each other.
00:43:50We're not right.
00:43:51Wait a minute.
00:43:52Are you going to quit here?
00:43:54Then what about me?
00:43:55What about our CEO?
00:43:57Writer, you can't miss Jun.
00:44:00Jun is a mermaid who came to save the writer who fell into the water and breathed artificially.
00:44:05Yeah.
00:44:06But the mermaid is overreacting.
00:44:10Yes, I think you're overthinking it.
00:44:12Wait a minute.
00:44:13Come out.
00:44:14The mermaid is done.
00:44:16Artificial respiration is done.
00:44:25I'm sorry.
00:44:55Yes, mom.
00:45:13How are you feeling today?
00:45:14I heard that the director was completely recovered earlier in the day.
00:45:17Uh, good.
00:45:19I attended the singing class today.
00:45:21My mom must have liked it.
00:45:24Sing me the song I learned today.
00:45:26Not yet.
00:45:27I'll practice more and sing it for you.
00:45:29Are you still turning on the lights in every room?
00:45:33When you were alone, you opened all the doors and turned on the lights in every room.
00:45:38No, not anymore.
00:45:40What's wrong with my daughter?
00:45:42I don't have energy in my voice.
00:45:46There was something I wanted to do well, but I don't think my heart was delivered well.
00:45:52What's going on?
00:45:53Is it about work?
00:45:55Because of the problem of deciding on the next drama.
00:45:58If you really want to do it, do it.
00:46:02I really want to do it.
00:46:07I'll think about it.
00:46:09Go in, mom.
00:46:10Good night.
00:46:11Yes.
00:46:21Yes.
00:46:27Is this going to the throat?
00:46:29You're blocking someone else's throat.
00:46:31I'm going to change the restaurant.
00:46:36You really can't do this to me.
00:46:38Don't do this to me.
00:46:44I heard the master's script came out.
00:46:46It's right in front of you, but why are you so angry?
00:46:49What's so good about being separated from the owner?
00:46:52You have to say that the owner is doing it.
00:46:54You know you're going to change your voice.
00:46:55You don't have a house.
00:46:56I came to Hanok and I even got you a studio.
00:46:58I've been doing everything for you so far.
00:47:00Why do you do everything you want?
00:47:02What's all my heart?
00:47:04The actor just needs to act.
00:47:06What is he? He's trying to fix the script he wrote.
00:47:10I don't know if it's someone else because I'm doing it.
00:47:13You can do that.
00:47:15You don't trust me.
00:47:17Who's the one who's trying to help you when you don't even look at your work?
00:47:20It's not the master.
00:47:30I don't know. I'm going to eat.
00:47:36I'm sorry. I'm angry.
00:47:38I'll apologize.
00:47:39Please understand my position.
00:47:45I'm sorry.
00:48:11What's the owner's schedule?
00:48:15I don't know.
00:48:41He's going to an awards ceremony in the evening.
00:48:43It's time to start. Why aren't you coming?
00:49:14I think the viewers will want to see those charms sooner.
00:49:18What's the next work?
00:49:22It's a perfect work for me.
00:49:25Then it's a romantic comedy.
00:49:28Thank you for today's interview.
00:49:43I don't want to go out right now.
00:49:57You're sleeping well.
00:50:01I'm going crazy. What should I do?
00:50:08I'm sorry.
00:50:14Why am I so sleepy?
00:50:19Is it because of the script?
00:50:34Secretary Han came to see you.
00:50:36I think he went to tell you that he's going to do a drama with you again.
00:50:39I've got the exact news.
00:50:44Should I just go?
00:50:47No.
00:50:49I've come this far. I have to do something.
00:50:59It's a waste to miss it, isn't it?
00:51:01That's why you can't go back, isn't it?
00:51:03You saw it earlier.
00:51:04I'm a star.
00:51:08A shining star.
00:51:10Han Bi-soo, you're a star that no one can see without me.
00:51:15I'm a star, you're a star.
00:51:17It's not a star, it's a poop.
00:51:20How can a woman poop?
00:51:22You really came.
00:51:26Did you wait in front of the bathroom to meet me?
00:51:28Yeah, no, it's a coincidence.
00:51:30The bathroom and the movie theater are all coincidences.
00:51:33Whether it's a coincidence or a coincidence, it's a good thing.
00:51:36We have to meet at least once.
00:51:38Didn't you say everything you wanted to say in front of the camera?
00:51:41What?
00:51:42I heard you chose the right work for you.
00:51:45That's not what I meant.
00:51:47You don't want to do it with me, do you?
00:51:48But it's not like that, is it?
00:51:50I guess you can't even tell what to say to the camera when the camera turns around.
00:51:54That's what you're saying.
00:51:55I guess there's a lot of scripts in the meantime.
00:51:57I told you to get rid of the dead.
00:51:59Have you been looking at this work and that work?
00:52:02I thought you said that because you loved my work.
00:52:05I came to do my best.
00:52:06Do I have to act for you now?
00:52:11Reporter Lee.
00:52:12Oh, my God.
00:52:13How long have you been here?
00:52:15You two have a good line.
00:52:16The place is dramatic.
00:52:18You're not going to send this out as an article, are you?
00:52:21What should I do?
00:52:22I think I should use this if I want to eat and live.
00:52:24Let's do one thing.
00:52:25Either cause sympathy or threaten.
00:52:28I don't know if it's a beggar or a gangster.
00:52:32What?
00:52:33Reporter.
00:52:34Shall we talk?
00:52:35This is a really good thing if you put a good title on it.
00:52:38It's a bad smell that people like.
00:52:41There are many ways to eat and live.
00:52:43The food will smell like a bathroom, so eat it well.
00:52:49Reporter.
00:52:50Reporter.
00:52:55Now it's done as you wanted.
00:52:57The board is broken and there's an article.
00:53:05Oh, I didn't come here to do this.
00:53:36Let's start the interview right away.
00:53:41I can't believe a person with this kind of personality is writing a drama.
00:53:44I think he's good at writing genres because he's good at beating people.
00:53:46I'm going to have to believe in Han Bi-soo's work from now on.
00:53:52Now it's done as you wanted.
00:53:54The board is broken and there's an article.
00:53:57Oh, that's not it.
00:53:59You don't have a house.
00:54:01Come to Hanok.
00:54:02I'll get you a studio.
00:54:03I've done everything for you so far.
00:54:05Why is everything up to you?
00:54:33Are you sleeping?
00:54:45I'll meet reporter Lee.
00:54:47Call me.
00:54:53Will it change if I kneel down now?
00:55:03I'll meet reporter Lee.
00:55:13Writer.
00:55:20I'm sorry.
00:55:21Did you cough?
00:55:24You have to get up now.
00:55:26You have to get up quickly.
00:55:27There's an article.
00:55:29Writer.
00:55:32There's an article.
00:55:34Get up from your seat.
00:55:35It's noisy.
00:55:37Why are you so excited?
00:55:39You haven't seen it yet.
00:55:41What did you do?
00:55:42Search it.
00:55:45Han Bi-soo.
00:55:52There's an article.
00:55:56What is this?
00:55:57Writer.
00:55:59You're amazing.
00:56:01What is this?
00:56:19Yes.
00:56:20What's going on?
00:56:21It's a different story.
00:56:23Come home.
00:56:25I think it's going to be a little noisy.
00:56:36You have a hobby that surprises people.
00:56:40That's a relief.
00:56:41That's a relief.
00:56:42That's what I'm going to do.
00:56:43The writer came to see me.
00:56:45The writer came to see me.
00:56:46What if Gwang-ja does that?
00:56:47What if Gwang-ja does that?
00:56:48I've been talking all night to choose a work.
00:56:50I've been talking all night to choose a work.
00:56:53It's all for the writer.
00:56:59You don't have to do it with me this time.
00:57:02Why me?
00:57:03Is that important?
00:57:04It's important that we do it together.
00:57:05That's right.
00:57:06Instead, just make sure I don't hang up when I'm working.
00:57:09Yes.
00:57:13Pardon?
00:57:14Give me that room.
00:57:16From today.
00:57:17Who do you want?
00:57:19I can't do that.
00:57:20I'm going to write this drama.
00:57:22I'm going to devote my soul as if it were my last work.
00:57:25Is that so?
00:57:26You brought Oh Joo-in as the main character of my drama.
00:57:28You should show this kind of passion.
00:57:29What's wrong with you?
00:57:31You have a dream, don't you?
00:57:32I don't have a dream.
00:57:34There's only one thing I want.
00:57:36Is that one...
00:57:47Yes.
00:57:48If it doesn't work, come and write it sometimes.
00:57:50Not sometimes.
00:57:5124 hours.
00:57:52That means you're going to live with me now.
00:57:54Why do you focus on living?
00:57:56I'm not going to live here.
00:57:58I'm going to work.
00:57:59That or that.
00:58:00I'm going to lock myself in that room and not move a step.
00:58:04That doesn't make sense.
00:58:05I'm going to put my soul in this script for Oh Joo-in.
00:58:08That doesn't make sense either.
00:58:11Ha...
00:58:17I checked that I'm the only one who can write here.
00:58:28I want to write.
00:58:40But there's one condition.
00:58:42You have to keep it.
00:58:54Why are you the master?
00:58:55My name is Joo-in.
00:58:56Oh Joo-in.
00:58:58Joo-in...
00:59:00Joo-in?
00:59:01Is this right?
00:59:03Oh, I don't know.
00:59:04Just do what you do.
00:59:05I'm the writer.
00:59:06You're the master.
00:59:07I can't act with a script written by a writer who was captivated by the privilege ceremony and the May ceremony.
00:59:11It's very extreme.
00:59:13But something's a little dark.
00:59:15I knew it.
00:59:16Let's make a contract.
00:59:17It's like I'm a slave.
00:59:19Do you want me to tear up the contract?
00:59:20All right.
00:59:23Master.
00:59:26What?
00:59:27What did you just say?
00:59:29I didn't hear you well.
00:59:33Master.
00:59:36One more time.
00:59:38Master.
00:59:41All right.
00:59:42Yes.
01:00:07Master.
01:00:24It's been three months.
01:00:25A man I don't know became my boyfriend.
01:00:27Did you take a break?
01:00:28Until someone talks to me.
01:00:30You're so rude.
01:00:32Are you playing cards?
01:00:34I'm opening it.
01:00:35Mr. Oh Ji-in.
01:00:36Oh Ji-in.
01:00:37If you two are together in one place, you'll get a divorce.
01:00:41Hurry up.
01:00:42I miss you.
01:00:43I miss you, too.
01:00:44Oh Ji-in.