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00:00:00♪
00:00:30No, not exactly. There was a misunderstanding.
00:00:33Misunderstanding? What misunderstanding?
00:00:35Who killed her, after all?
00:00:37That's the misunderstanding. I think I did it.
00:00:40What?
00:00:41What else can I tell you? What else can you hear, Mrs. Anakrita?
00:00:45You can't describe what she went through, poor Elpida.
00:00:49Her eye was burning. I thought she was going to grab it by the neck.
00:00:53Unfortunately, I did it later.
00:00:56You've never fought with anyone.
00:00:58If you fight, you kill each other.
00:01:00What was the reason for your argument with the victim?
00:01:03I told her the truth, and she was choked.
00:01:05Then we found out.
00:01:06When did you find out?
00:01:07A few hours later.
00:01:09She sent me a letter, I brought it in the evening, and she thanked me.
00:01:12What was in the letter?
00:01:14An unknown man was watching my wife.
00:01:17Then he attacked Mrs. Mouriki. I didn't understand what he was saying.
00:01:20He insisted on seeing Elpida. He pretended to be hysterical.
00:01:23He shouldn't be in her good graces.
00:01:24He was telling me lies to get rid of the crime he had committed.
00:01:28I told him his wife was in danger, and I didn't find out.
00:01:30He's hiding something. I'm sure of it.
00:01:35But we caught you red-handed.
00:01:40I'll tell you what I think happened.
00:01:42You killed her, then you buried her.
00:01:45Then at night, you unburied the body to disappear it.
00:01:48Are you serious?
00:01:50How could I carry the body?
00:01:52My car was two blocks away.
00:01:54Exactly. There was a reason for that.
00:01:57Maybe you had a partner who heard the police and disappeared.
00:02:01You're right. Do you have proof?
00:02:04We'll find proof.
00:02:06But for now, we have strong evidence.
00:02:10I think you'll need a good lawyer.
00:02:13I don't need one. I'm innocent.
00:02:16Very well.
00:02:18Mrs. Pinelopi Mouriki,
00:02:21you are a major suspect in the murder of Elpida Fokas.
00:02:25You will be in custody until proven guilty.
00:02:28What? What do you mean?
00:02:30I'm innocent. I'm telling you, I'm innocent.
00:02:56Repeat of last scene
00:03:16Two packages of handjourning clothes.
00:03:19Put them on.
00:03:20You've been in prison, haven't you?
00:03:22Stop whining and get dressed.
00:03:23This shoe?
00:03:26What?
00:03:27Prison! She was sent to prison!
00:03:30Did they put Muriki in prison?
00:03:32No way! What kind of question is that, George?
00:03:34I'm sorry, I just can't believe it.
00:03:37Okay, when we first met her, we put her in prison, but not in prison.
00:03:41Do you believe she's guilty?
00:03:43Probably not.
00:03:44Not for murder, at least.
00:03:46What else could it be?
00:03:47For illegal entry into foreign property.
00:03:50It's not the first time.
00:03:51She also has to be charged with reckless behavior.
00:03:54Illegal self-confidence.
00:03:56Arrogance.
00:03:57Blindness.
00:03:58Unrepentant blindness.
00:04:00Stupidity.
00:04:01I'm done.
00:04:02I'm sorry, I don't understand.
00:04:03Didn't you just say, and I quote,
00:04:06Ah, Muriki, ah, ah.
00:04:08Ah, ah.
00:04:09Yes, she's very smart.
00:04:10Muriki, ah, ah.
00:04:12Yes, but this has nothing to do with us.
00:04:14This is a different matter.
00:04:16We're going to help her figure it out.
00:04:20Okay?
00:04:21And before you decide, let me remind you of a few things.
00:04:24Muriki doesn't obey orders.
00:04:26Yes.
00:04:27She exposes the department.
00:04:28Yes.
00:04:29She's ungrateful.
00:04:30Yes.
00:04:31And she permanently puts banners all around her.
00:04:32Yes.
00:04:33Also, let me remind you that the last time we took the risk to help her,
00:04:36she disappeared and left us in the lurch.
00:04:39With these facts, is there anyone who I think we should invest in to help her?
00:04:44Hands.
00:04:51Fingers.
00:04:53Okay.
00:04:54But I'm still angry.
00:04:56I don't know the details.
00:04:58I don't even know Mrs. Muriki.
00:04:59And as Confucius said, the real knowledge is to know that you know what you know,
00:05:03and that you don't know what you don't know.
00:05:05Yes, you don't have to vote for Lemahe.
00:05:07And you're new, and there's already a majority.
00:05:09Yes, but I would like to participate in the team's processes.
00:05:12Okay, then vote.
00:05:13Okay, I vote white, because as you said...
00:05:15Four for and one against.
00:05:17I think this time Muriki should show some appreciation.
00:05:20I don't think so.
00:05:21Can I ask you something?
00:05:22Again?
00:05:23One last time.
00:05:24You, since you were working with her,
00:05:26can you take on the case, even though there's no case law?
00:05:29There is.
00:05:31We'll have to ask for special permission.
00:05:33I'll talk to Mr. Kapsalis, who has taken over the case.
00:05:37Kapsalis?
00:05:38You've already agreed to it.
00:05:40I know.
00:05:41I'll show my face.
00:05:43What else can I do?
00:05:44Let's show our faces.
00:05:45One more time, for Muriki's sake.
00:05:47What else can we do?
00:05:52If I don't become indistinguishable, what's going on with Mr. Geleas?
00:05:55You become indistinguishable.
00:05:56And we don't know.
00:05:57That too.
00:06:00Hello, Rufiana.
00:06:02Where's the carrot?
00:06:03I've been looking for you.
00:06:05Are you talking about me?
00:06:06I didn't know you were so famous.
00:06:08No, I'm not famous.
00:06:09I'm not Rufiana either.
00:06:10Then why are you worried?
00:06:12Listen to me.
00:06:13I don't know if you know.
00:06:15I was at the police station last night.
00:06:17We know.
00:06:18They told us to bring you to Stavlos.
00:06:20Stavlos?
00:06:21I don't know.
00:06:22You're new here.
00:06:23I'm Patsinas.
00:06:24Nice to meet you.
00:06:25I'm not Patsinas.
00:06:26I'm an external collaborator.
00:06:27Have a nice day.
00:06:29Have a nice day.
00:06:30Not Christiana.
00:06:31What?
00:06:32Not Christiana.
00:06:33What?
00:06:34Not her.
00:06:37Come here.
00:06:38Come here.
00:06:40Don't touch him.
00:06:41Give me the knife.
00:06:42Now.
00:06:43I'm not kidding.
00:06:44Now.
00:06:45Listen to me.
00:06:46Listen to me.
00:06:47She tried to kill me.
00:06:48No, not her.
00:06:49I didn't do it.
00:06:50I'm not a criminal.
00:06:51They were investigating me.
00:06:52Listen to me.
00:06:53Listen to me.
00:06:54No, not her.
00:06:55Listen to me.
00:06:56Not her.
00:06:57Don't be afraid.
00:06:58Help.
00:06:59Ah.
00:07:00Ah.
00:07:01Come on.
00:07:02Come on.
00:07:03What?
00:07:04Wow.
00:07:05What a small world.
00:07:06What a small world.
00:07:07A world that doesn't fit me anymore.
00:07:08The world became a world.
00:07:09Wow.
00:07:10Wow.
00:07:11Now that we've reunited, what can we say?
00:07:12Forgotten past.
00:07:13What to say?
00:07:14I don't know.
00:07:15Scientific.
00:07:16I'm really now.
00:07:17I'm a scientist.
00:07:18Yes, I know.
00:07:19I'm an author, too.
00:07:20I know, I know.
00:07:21I'm a writer.
00:07:22I know, I know.
00:07:23I'm a practical researcher.
00:07:24Yes, I know.
00:07:25I'm a professor.
00:07:26Yes, I know.
00:07:27I'm a lawyer.
00:07:28I know, I know.
00:07:29I'm a doctor.
00:07:30I know, I know.
00:07:31I'm a lawyer.
00:07:32I know, I know.
00:07:33I'm a professor.
00:07:34Salt and water.
00:07:37No, I'll ruin it.
00:07:40Piece by piece, huh?
00:07:42What?
00:07:44Piece by piece?
00:07:46I'll make you like this and you'll ruin it.
00:07:59You're pretty here, though.
00:08:05You didn't tell me you were coming.
00:08:07No, I didn't.
00:08:09Something just came up.
00:08:11Can I sit?
00:08:12Yes, of course.
00:08:18Listen, Petros.
00:08:20I know I was a bit late.
00:08:22A bit?
00:08:24Okay.
00:08:25A lot.
00:08:27That's why I'm apologizing.
00:08:29Can we forget about it?
00:08:30Others will forget about it.
00:08:32You called me a racist in front of three colleagues.
00:08:35Four.
00:08:36To be exact.
00:08:37I know, I checked.
00:08:38Realize what you did.
00:08:40Me?
00:08:41You started it, you called me.
00:08:43I didn't call anyone, I just said what I thought.
00:08:45Which was completely unacceptable.
00:08:47That's how you apologize, huh?
00:08:49Apologize for saying whatever I said in front of people.
00:08:53That was my mistake.
00:08:55Yes, but you didn't change your mind about me.
00:08:58Listen, Petros.
00:09:01We may have disagreements,
00:09:03but we've been in the same place for many years.
00:09:05We know each other.
00:09:07That's why I took the courage to come and ask you something
00:09:10that may seem a bit contradictory at first,
00:09:14but I want...
00:09:15To go out for dinner?
00:09:18For dinner?
00:09:19For a drink.
00:09:20Whatever you prefer.
00:09:22You can ask me.
00:09:24I like it when a woman takes the first step.
00:09:26It's safer that way.
00:09:28Safer for whom?
00:09:30For me.
00:09:32Don't get the wrong impression.
00:09:35I'm not that kind of person.
00:09:39No.
00:09:40I mean, yes.
00:09:42I mean, we'll see.
00:09:44First, I want to ask you something.
00:09:47It's about a case
00:09:49that concerns
00:09:51one of our former consultants.
00:09:55I'm listening.
00:09:58I'm listening.
00:10:06Riki?
00:10:08What are you doing here?
00:10:12I came to tell you that we took over your case.
00:10:14Sofia, that is, spoke to the lawyer and got permission.
00:10:17Okay, no need. I have it under control.
00:10:19I can see that.
00:10:21I'm innocent and I can prove it.
00:10:23Yes.
00:10:24It's a bit difficult in prison.
00:10:26Difficult?
00:10:27I have evidence.
00:10:28Like what?
00:10:30Like the guy who was watching Voka.
00:10:32He had photos, recordings, handcuffs.
00:10:35We went into his room and we didn't find anything.
00:10:38So you don't believe me?
00:10:40I believe you.
00:10:41But the guy let it all out and left.
00:10:43And the signs on his car were fake.
00:10:45Do you have anything else?
00:10:48Not for now, but I'll find something.
00:10:50I see.
00:10:51Riki, please.
00:10:53It's very serious.
00:10:55We're talking about a murder.
00:10:56We're talking about a homicide.
00:10:5820 to 25 years in prison.
00:11:00You'll grow old in here, Riki.
00:11:02Are you done turning my key?
00:11:03No.
00:11:06The only good thing about this case is that there is no strong motive.
00:11:09The fight is not enough.
00:11:10That's what I said to the injured detective.
00:11:12What did he want me to say?
00:11:14Because there are signs, Riki.
00:11:16There are signs.
00:11:17You haven't learned that in service for so long.
00:11:19I learned what I had to learn.
00:11:22I see.
00:11:23Listen.
00:11:24Maximus Foucault stated that a very expensive jewelry was missing from his house.
00:11:30If the thief went to get it and fell on his wife...
00:11:34He said his wife was on a trip.
00:11:35Now you don't seem suspicious.
00:11:37She would have gone on a trip, he said.
00:11:39But he didn't see her leave.
00:11:40The thief may have caught her.
00:11:41The jewelry belonged to his first wife.
00:11:44A bracelet.
00:11:45Gold with diamonds.
00:11:47A gold bracelet with diamonds?
00:11:50Exactly.
00:11:51Are we talking about a lot of money?
00:11:5310,000-15,000 euros.
00:11:54Are you sure?
00:11:59You left!
00:12:00You have two minutes!
00:12:01Go!
00:12:02I'll get them.
00:12:03Don't worry.
00:12:16This is a very strong motive.
00:12:18I see.
00:12:19If we find it, we'll find the murderer.
00:12:22They'll start investigating from your house.
00:12:24But it's typical.
00:12:25Perfect.
00:12:27Nice.
00:12:29Listen.
00:12:30Do me a favor.
00:12:32Can you call Marina?
00:12:34I haven't seen her since last night.
00:12:36I don't know where the kids are.
00:12:37You can't, Ricky.
00:12:38But anyway.
00:12:39Soon.
00:12:40Soon.
00:12:49Yes?
00:12:50Come on, Marina.
00:12:51I'm here.
00:12:52Come on.
00:12:53Are you with Bulldog?
00:12:54Yes.
00:12:55Is everything okay?
00:12:56I wouldn't say so, Mom.
00:12:57They're looking for the house.
00:13:01Are you okay?
00:13:02Fantastic.
00:13:03I mean, I'm in jail, but everything else is fine.
00:13:06In jail?
00:13:07Okay, I'll explain.
00:13:08I'll go somewhere.
00:13:09I'll tell Emilio and Lavrentis to be careful.
00:13:12Okay?
00:13:13No one else.
00:13:14Okay.
00:13:15Marina.
00:13:16Do me a favor.
00:13:17Go to the bathroom and get something I have.
00:13:20A golden bracelet with two eyes.
00:13:22Patsy can't find it.
00:13:23What?
00:13:24What?
00:13:25What?
00:13:26You stole the bracelet.
00:13:27I can't believe it.
00:13:28You stole the bracelet.
00:13:29What can I do?
00:13:30I fell for it.
00:13:31I took it out of my pocket.
00:13:32I thought it was fake.
00:13:33I thought it was fantastic.
00:13:34How can she buy such things?
00:13:35What did you do, Ricky?
00:13:36Marina.
00:13:37Hide it.
00:13:38Throw it.
00:13:39No.
00:13:40Don't touch it.
00:13:41Run to the bathroom.
00:13:42Hide it now.
00:13:43What should I do?
00:13:44Throw it, Marina.
00:13:45Have you lost your mind?
00:13:46The English should know that.
00:13:47Really?
00:13:48What should I do?
00:13:49Get rid of it.
00:13:50Get rid of it.
00:13:51Is something wrong?
00:13:52No.
00:13:53Everything is fine.
00:13:54I'm fine.
00:13:56No, no.
00:13:57Don't thank me.
00:13:58Don't thank me, Ricky.
00:13:59Don't involve me in this.
00:14:00I don't know.
00:14:01I didn't hear anything.
00:14:02Nothing.
00:14:03Nothing.
00:14:04Nothing.
00:14:05Nothing.
00:14:06Nothing.
00:14:07Nothing.
00:14:08Nothing.
00:14:09Nothing.
00:14:10Nothing.
00:14:11Nothing.
00:14:12Nothing.
00:14:13Nothing.
00:14:14Nothing.
00:14:15Nothing.
00:14:16Nothing.
00:14:18Hey, hey, hey.
00:14:20Where are you going?
00:14:21I'm sorry.
00:14:22I have to go to the bathroom.
00:14:24I haven't checked yet.
00:14:25Wait.
00:14:26I can't.
00:14:27They'll leave me.
00:14:29Go.
00:14:30I'll look for you when I get out.
00:14:48Are you late?
00:14:49I'm going out.
00:15:02Thank you very much.
00:15:04It's the month's moving days.
00:15:06I hope you understand.
00:15:07What are you doing?
00:15:08Are you going out?
00:15:09You said you'd look for me.
00:15:10There's no need.
00:15:11Go.
00:15:18What do we have so far?
00:15:20Elpida Fokas.
00:15:21The victim.
00:15:2234 years old.
00:15:23She studied biology.
00:15:24But in the last three years, she hasn't been doing her job.
00:15:27Cause of death, stranglehold.
00:15:29According to the judge, she died the day before yesterday between 2 and 4 in the afternoon.
00:15:34Angelos Doschi, who followed Mouriki, stayed at his hotel until at least 3.
00:15:40At the time she was attacked.
00:15:42He could have been the perpetrator.
00:15:45He killed Fokas and buried her.
00:15:48Maximus Fokas, her husband.
00:15:50He was a construction worker.
00:15:52He returned home at 5 in the afternoon.
00:15:54He didn't worry about his wife's absence.
00:15:56Cause he had informed him that she was going on a trip.
00:15:59Fokas' body was found last night in her house's garden.
00:16:03From Mouriki, unfortunately.
00:16:05There are no bruises or other signs on her neck.
00:16:08So the stranglehold couldn't have been done by hand, wire or anything hard.
00:16:13With some soft fabric, maybe.
00:16:16Mouriki said that Fokas wore a scarf.
00:16:19She could have.
00:16:20Her husband? Does he have a lover?
00:16:22No, he's strong.
00:16:23Many people saw him at the company, but he managed to leave, kill her and come back.
00:16:27Excuse me, has anyone ever gone on a trip alone?
00:16:30Where does this fit in?
00:16:32Answer me, I'll tell you.
00:16:34Me, no.
00:16:35Me neither.
00:16:36I've been there.
00:16:37Yes, okay, me too.
00:16:38But the two of us look alike, we're special people.
00:16:40What do you mean, we look alike?
00:16:42You just met Daphne to know that you look alike.
00:16:44Besides, if anyone looks like Daphne, it's me.
00:16:47I didn't say we look alike.
00:16:49Exactly, that's what I'm saying.
00:16:51No, I'm saying the same thing, Giorgos.
00:16:53Do we look alike?
00:16:54Shut up, Daphne.
00:16:55If anyone looks like you, it's me.
00:16:56Don't drive me crazy.
00:16:57Giorgos, will this conversation ever end?
00:16:59Please, continue.
00:17:01What I want to say is that, based on the evidence,
00:17:03Elpida Fokas went on a trip alone.
00:17:05Because if she went with a friend,
00:17:07when she didn't show up the day before, when she was dead,
00:17:09her friend would worry.
00:17:11And she would inform her husband, who would worry too,
00:17:13and he would look for her.
00:17:14But he didn't look for her.
00:17:15And I come back to the first question.
00:17:17How likely is it that Elpida Fokas went on a trip alone?
00:17:20Excuse me?
00:17:21Do you want to say that for you, the culprit is your husband?
00:17:24But not necessarily.
00:17:25Elpida Fokas may have lied,
00:17:27she may have been with a heretic.
00:17:29So the heretic killed her,
00:17:31and then went and buried her in her house's garden.
00:17:34How stupid is that?
00:17:35She may have wanted to make her husband a culprit.
00:17:37Yes, and she wasn't afraid of being seen by her neighbors.
00:17:39Also, do you know how much time it takes to dig a grave?
00:17:42Of course, for this one, which is 15 minutes long.
00:17:44For the regular graves, 45-50 minutes to dig without a break.
00:17:47Are we done?
00:17:48What is the conclusion?
00:17:51There is no conclusion.
00:17:53I give food for thought.
00:17:54Thank you very much for the food.
00:17:56So, Muriki had a feeling for her husband.
00:17:59Should we follow that?
00:18:00I agree.
00:18:01Do we have anything else to do?
00:18:02No.
00:18:03Let's go, Yorgo.
00:18:07Ella!
00:18:38I'm sorry.
00:18:40I'm sorry.
00:18:41Let's see how it goes.
00:19:06Where is she going now?
00:19:07I don't know.
00:19:08What is she doing for so many hours?
00:19:12Do you think she has a girlfriend?
00:19:16Nothing is certain.
00:19:18But she may not be able to go home.
00:19:23Oh, my!
00:19:25Do you know what's going on here?
00:19:26What?
00:19:27His ex-wife committed suicide here.
00:19:31Why are you looking at me, Yorgo? What are you thinking about?
00:19:33What am I thinking about?
00:19:34What are you thinking about?
00:19:35I don't know.
00:19:36Let's go, Yorgo. We have to go now.
00:19:38Let's go!
00:19:41Let's go!
00:20:11Let's go!
00:20:19Why were you following me?
00:20:22Am I a suspect?
00:20:23It's good that you say that we were following you.
00:20:25If it wasn't for us, you would be a fool now.
00:20:27Yorgo!
00:20:28I'm sorry, but I'm also a little upset.
00:20:35I didn't blame you for anything, Mr. Foucault.
00:20:37For nothing.
00:20:38We have a duty to investigate and control everyone involved in this case.
00:20:44I understand.
00:20:47You know,
00:20:49when I found out from the police what had happened to Anna,
00:20:53I couldn't believe it.
00:20:55We are a new country, we wanted to have a baby.
00:20:57Why would she commit suicide?
00:21:01I was upset and angry with her for not talking to me.
00:21:05And I felt guilty.
00:21:06Maybe I should have done something to help her.
00:21:10All this was unbearable.
00:21:13One night I came here,
00:21:15determined to go and find her, to end her life.
00:21:19But...
00:21:22I was overcome by hope.
00:21:24Here, on this bridge, we met.
00:21:27The irony of life.
00:21:30As soon as I realized what I was going to do,
00:21:32she started shouting and running towards me.
00:21:34She took my place.
00:21:36She took me home.
00:21:38We had a long conversation.
00:21:42It was very sweet.
00:21:45It showed great understanding.
00:21:48Maybe you think I'm crazy,
00:21:51but I saw it as a sign.
00:21:54As if Anna had sent it to me,
00:21:56to tell me to live, to move on, to go further.
00:21:59And my hope was that she was pregnant.
00:22:02If she hadn't closed her shop late at night,
00:22:04we wouldn't have met.
00:22:07What shop?
00:22:09Wasn't it a biologist?
00:22:10Hope?
00:22:11No.
00:22:12How did that come to you?
00:22:14Sorry, nothing.
00:22:15Wrong information, I guess.
00:22:17What shop did she have?
00:22:18A women's accessory shop.
00:22:19She closed it a while later,
00:22:21because she wasn't doing well.
00:22:23What am I going to do now?
00:22:25What am I going to do?
00:22:28And the two women I loved are dead.
00:22:31Do you understand?
00:22:32Honestly.
00:22:34But suicide is not the solution.
00:22:36I'm not going to tell you,
00:22:38that life goes on,
00:22:39that you'll get over it with time,
00:22:40because I don't believe it.
00:22:42I'll just tell you that life is ahead
00:22:43and you still have a long way to go.
00:22:44And it's a shame.
00:23:02How are you?
00:23:03Are you fasting?
00:23:04No, I wasn't.
00:23:05No?
00:23:06What would you like to watch?
00:23:08A series, a movie?
00:23:10Yes, yes.
00:23:11Do you have any suggestions?
00:23:12Of course.
00:23:14So...
00:23:16Prison Break.
00:23:17Nice.
00:23:19The latest movie.
00:23:20I'm watching it.
00:23:21It's really good.
00:23:22It's a good movie.
00:23:23It's a good movie.
00:23:24It's a good movie.
00:23:25It's a good movie.
00:23:26It's a good movie.
00:23:27It's a good movie.
00:23:28It's a good movie.
00:23:29It's a good movie.
00:23:30Rita Hayworth's latest movie.
00:23:32Yes?
00:23:33Alcatraz's response.
00:23:36A lot of choices.
00:23:37You choose and you get it.
00:23:40Excuse me.
00:23:42Are you trying to tell me something?
00:23:43Obviously.
00:23:44Since you're not telling me.
00:23:45What can I tell you?
00:23:48I found out that Mouriki is in prison.
00:23:50So what?
00:23:51With all the stupid things he does,
00:23:52it's natural, isn't it?
00:23:53Yes, but we're talking about death.
00:23:55He's being accused of death.
00:23:56You're crying.
00:23:57There's been a misunderstanding.
00:23:58What happened?
00:24:00And?
00:24:01Did you see her at all?
00:24:02Yes.
00:24:03I saw her.
00:24:05Forcibly.
00:24:06I mean, we took on the case.
00:24:08I mean, Sofia.
00:24:09She suggested we take her on,
00:24:11and she put on her uniform, and...
00:24:14But what happened?
00:24:15How did she end up like this?
00:24:16What did she do?
00:24:18Classic Mouriki.
00:24:20She went to solve a case on her own.
00:24:22Obviously, she was short of work,
00:24:23in the body, in the police.
00:24:25She was short of your team.
00:24:28Ioanna,
00:24:29she wasn't short of our team.
00:24:32She was short of adrenaline.
00:24:33If she was short of our team,
00:24:34she'd come back.
00:24:38And with the investigation?
00:24:40How's it going?
00:24:41Have you found a suspect?
00:24:44It's a complicated case.
00:24:45Difficult.
00:24:46And the evidence Mouriki gave us
00:24:48didn't lead anywhere.
00:24:50What happened?
00:24:52Did she lose her magical powers?
00:24:54How is this possible?
00:24:59ONE YEAR LATER
00:25:05Talk to your son.
00:25:06Talk to your son.
00:25:07All this is very serious.
00:25:09We are talking 너ur own trouble on the surface.
00:25:11One year's worth of jail,
00:25:12and you are gonna get old in here, Mouriki.
00:25:15You know how much I love you,
00:25:17but every now and then you get titillated, boy.
00:25:28♪♪
00:25:36♪♪
00:25:45The victim had many secrets.
00:25:47Foukas said that when he met her in 2021,
00:25:50he was running a women's accessories store.
00:25:52But it's not registered anywhere.
00:25:54That's the problem.
00:25:55And on the other hand,
00:25:57it seems that she was working at a biotechnology lab.
00:26:00Why would she tell such a big lie about her profession?
00:26:03However, a short while ago,
00:26:05she quit the lab and stopped working.
00:26:07At the same time that the imaginary store was supposed to be closed.
00:26:11The years here coincide with what Foukas said.
00:26:13Coincidence?
00:26:14Coincidence.
00:26:15It's the well-known result of unknown causes.
00:26:18Voltaire.
00:26:19Nice to meet you, I'm Giorgos.
00:26:20No, no, no.
00:26:21I mean, we have to find the possible causes.
00:26:24Yes, obviously it's a dilemma.
00:26:25We don't need Voltaire to tell us.
00:26:27Come on, guys.
00:26:28Get to the point now.
00:26:29Okay.
00:26:30Maybe she didn't quit,
00:26:32but they fired her and she was ashamed to admit it?
00:26:34I see.
00:26:35And she erased all her past for that reason.
00:26:38It's not very convincing.
00:26:39I need something more convincing, Telemachis.
00:26:40Please.
00:26:41Okay.
00:26:42Maybe the lab wasn't a lab,
00:26:44but a showcase for something else,
00:26:45for some kind of soundproofing?
00:26:46I'm listening.
00:26:47I'm listening.
00:26:48Soundproofing for those who have fetishes with advanced medical robes.
00:26:53Look what I found.
00:26:55You won't believe it.
00:26:56Was the lab really a showcase?
00:26:57Of course not.
00:26:58The victim had a phone call
00:27:00with the director of the lab, Sofia D'Aponte.
00:27:04They were talking for 46 minutes.
00:27:05I see.
00:27:06So, Foucault had lied to everyone about her job
00:27:09and was murdered a few days after she had a phone call
00:27:13with her former co-worker.
00:27:16Something must be going on between these two.
00:27:23What does Kapsalis want?
00:27:25What does he want?
00:27:26He's asking about the case.
00:27:28How are we going to do it?
00:27:30What are you going to tell him?
00:27:37What are you going to tell him?
00:27:39I'm going to tell him the truth.
00:27:42That we don't know yet.
00:27:43That's what I'm going to tell him.
00:27:45What are you going to tell him?
00:27:48What are you going to tell him?
00:27:50Why is he asking you so many questions?
00:27:52Come on, man.
00:27:54Come on, man.
00:27:55We're talking here, and he's...
00:27:57his violin.
00:27:58What are you going to tell him?
00:28:00Tell him to be patient.
00:28:02Of course.
00:28:04Of course.
00:28:05We'll talk later.
00:28:06Where were we?
00:28:08At the phone call with the director of Daponte.
00:28:10Which director?
00:28:12Oh, yes, of course.
00:28:13Go to her office and get information.
00:28:15What are you looking at?
00:28:24Yes, yes, yes.
00:28:25I'm listening.
00:28:27Kapsalis is very interested in the case.
00:28:31Of course.
00:28:32Of course he's interested because
00:28:34I developed the case for him.
00:28:36In detail.
00:28:38And...
00:28:39it showed a lot of understanding.
00:28:41Yes.
00:28:42So you found them?
00:28:43Yes.
00:28:44You can put it that way.
00:28:46We're professionals, sir.
00:28:52We're in a hurry, though.
00:28:53We're leaving now.
00:29:04I'm sorry.
00:29:05It's okay.
00:29:06It's okay.
00:29:07It's okay.
00:29:08It's okay.
00:29:09It's okay.
00:29:10It's okay.
00:29:11It's okay.
00:29:12It's okay.
00:29:13It's okay.
00:29:20Why are you putting it there?
00:29:23I'm going to find the bathroom, but...
00:29:25It's probably not here, right?
00:29:26Okay.
00:29:28What's wrong, cutie?
00:29:30We're saying good morning, right?
00:29:32Good morning.
00:29:33I'm probably bothering you here, so I'd better go.
00:29:36You're not going anywhere. We'll get to know each other first.
00:29:39Yes, of course. We'll get to know each other.
00:29:41I paint, you paint.
00:29:43We learned that you work for the Bats.
00:29:46No, no, no. Let me explain. Listen to me.
00:29:55Let me tell you. I'm very brave.
00:29:57You know, I'm a war artist.
00:29:59Not because I'm looking for a guy who can get me out of here.
00:30:02You want me to help the Bats?
00:30:05Are you tired of everything?
00:30:07No, no.
00:30:09Can I pay you?
00:30:12For what?
00:30:15Hair dye.
00:30:176.68. Chocolate coffee.
00:30:19Governor of Kyrgyzstan for the Mikitas.
00:30:21And an autograph of Evgirou.
00:30:23We can have him in 24 hours.
00:30:25No ammonia.
00:30:26What ammonia?
00:30:27The hair dye. No ammonia.
00:30:29I have an allergy.
00:30:30No ammonia. Everything organic.
00:30:32Everything organic. Everything.
00:30:33And the autograph.
00:30:34From recycled paper.
00:30:36Why does he keep writing?
00:30:38He keeps writing. He keeps writing.
00:30:44Let me tell you.
00:30:46Can you tell me what war art is?
00:30:50I only know boxing.
00:30:52Ah, boxing.
00:30:53But...
00:30:55We'll ask the others.
00:30:57Yes, we'll ask them if it's possible.
00:30:59Thank you very much.
00:31:01I will be indebted to you.
00:31:03Indebted.
00:31:14So, guys, listen.
00:31:15This guy is a pain in the ass.
00:31:17I have to get rid of him.
00:31:18I grab his hand.
00:31:19And he grabs mine.
00:31:20And he turns his hand behind my shoulder.
00:31:22Like this.
00:31:23To get rid of him.
00:31:24Then he puts his collar on my neck.
00:31:26And he sticks me to the wall.
00:31:28What is this now?
00:31:29Kung fu?
00:31:30Jiu-jitsu?
00:31:32Karate?
00:31:34Judo?
00:31:35Crab manga?
00:31:36Maybe it's that.
00:31:38I don't dig these things.
00:31:39But I'm sure my girlfriend knows.
00:31:41Thank you very much.
00:31:43What kind of girlfriend?
00:31:44I don't know.
00:31:45I've been thinking about it for a while now.
00:31:48My head is kind of empty.
00:31:49Okay, tell me what you want.
00:31:50I want a basketball.
00:31:52With aerosols.
00:31:53White and red.
00:31:54And the last model, right?
00:31:55And it has to be gold.
00:31:56With monkeys.
00:31:57And with tires.
00:31:58From Monotires.
00:31:59Done.
00:32:00There.
00:32:02Simela.
00:32:03Basketball, white and red.
00:32:04I wrote it down.
00:32:05No, monkeys.
00:32:06And tires from Monotires.
00:32:07What is this?
00:32:08I have no idea, but I wrote it down.
00:32:09Also, a fashion magazine.
00:32:11And a nice pair of glasses.
00:32:13What happened?
00:32:14How can I talk to your friend?
00:32:16You can't.
00:32:17They caught him for sex and he hasn't moved.
00:32:19Sorry.
00:32:20Ah, okay.
00:32:21So, take off his glasses.
00:32:22Wait, wait, wait.
00:32:23Aristea has sex with a girl in the same prison as me.
00:32:27Where is Aristea?
00:32:28Can I talk to her?
00:32:29You can.
00:32:30We'll ask her if she knows what you're looking for.
00:32:32But you'll need a portrait.
00:32:35Hey!
00:32:36Da Vinci!
00:32:37Mauve Melani.
00:32:38Radia Latex.
00:32:39Medium.
00:32:40Vaseline.
00:32:41I'll talk to you later.
00:32:45What do you think?
00:32:46Does it look good?
00:32:47It's perfect.
00:32:48You look great.
00:32:50Come on, here you go.
00:32:51Half.
00:32:54Here.
00:32:55Send it.
00:32:56Nice.
00:32:58What does it say?
00:32:59Does he know?
00:33:00He wants something like you first.
00:33:02What?
00:33:03A souvenir.
00:33:04Souvenir?
00:33:05You're kidding me.
00:33:07Eh,
00:33:08have some mercy.
00:33:17Nice.
00:33:18Nice, right?
00:33:19Nice.
00:33:20They did a good job.
00:33:23We founded Elpida together.
00:33:26In 2015.
00:33:29Three years ago, she quit.
00:33:31Suddenly.
00:33:33Her husband never talked about this job.
00:33:35Do you know why?
00:33:37I can't imagine.
00:33:38It surprises me.
00:33:40Elpida was always proud of her research.
00:33:43And very passionate.
00:33:45She left before she could come.
00:33:47And what exactly was her subject?
00:33:49DNA replication.
00:33:52We had developed a very innovative analytical method
00:33:55and we collaborated with many laboratories from all over the world.
00:33:59I never understood why she gave up everything.
00:34:02And you didn't ask her?
00:34:03She didn't tell you why?
00:34:05She was invited for personal reasons.
00:34:07Nothing more.
00:34:09And you haven't had any other communication with her since then?
00:34:13I wouldn't say so.
00:34:14No.
00:34:15I mean,
00:34:16at name day parties,
00:34:17New Year's Eve,
00:34:18such things.
00:34:19Typical, I'd say.
00:34:21But ten days ago,
00:34:22you talked on the phone for quite a while.
00:34:24About a typical phone call.
00:34:26Ah, yes.
00:34:27Yes.
00:34:29I wanted to confirm her
00:34:31in order to shape the share composition.
00:34:34She still had a fair share in the company.
00:34:37Just that?
00:34:38Yes.
00:34:39And how did you hear her?
00:34:40Was she worried?
00:34:41Upset?
00:34:42How was she?
00:34:43I didn't notice anything.
00:34:45She was distant.
00:34:46Like the last three years.
00:34:49Excuse me.
00:34:50Please.
00:34:51Excuse me.
00:34:53Yes?
00:34:54Come on, can you hear me?
00:34:56Who is it?
00:34:57Come on, Mouriki, can you hear me?
00:34:59Excuse me.
00:35:01Yes?
00:35:04Mouriki?
00:35:05We can't talk. Do you know?
00:35:07I know, but it's urgent.
00:35:08I found the guy.
00:35:09Which guy?
00:35:10The guy who was watching Foucault.
00:35:12How did you find him, Mouriki?
00:35:13How did you find him?
00:35:14How did you find him?
00:35:15I'm going crazy.
00:35:16In the prison?
00:35:17It's a long story.
00:35:18I can't explain it.
00:35:19His name is Pantelis Nikolaou
00:35:20and he is an athlete in New Smyrna.
00:35:22Mouriki, I just hope
00:35:23you don't insult your position.
00:35:25That's all I ask.
00:35:26Nothing is illegal.
00:35:27I swear.
00:35:30You just have to send me a few things.
00:35:33What things, Mouriki?
00:35:34What things?
00:35:35Here, for my informants.
00:35:37They are wonderful girls.
00:35:38We adored meeting them.
00:35:40Yes, yes, notes.
00:35:41Notes.
00:35:42So, six boxes of napkins,
00:35:45a large panettone,
00:35:47no sprinkles,
00:35:48tattoo materials,
00:35:50latex gloves, medium,
00:35:52a pair of sneakers,
00:35:54basketball shoes,
00:35:55size 40,
00:35:56a hair dye,
00:35:58chestnut chocolate.
00:36:03Nikolaou, don't move.
00:36:04Don't move.
00:36:05Don't move.
00:36:06Come here.
00:36:07Down, down.
00:36:08Hands behind your head.
00:36:09Behind your head.
00:36:10Where's your gun?
00:36:11Where are you?
00:36:14Ah, notes.
00:36:15Perfect, yes.
00:36:16Yes, without ammunition.
00:36:19I see.
00:36:20Yes.
00:36:21Don't you have any more napkins?
00:36:24We'll burn it tonight, girls.
00:36:26Ice cream?
00:36:27Come on, crazy.
00:36:28Yes.
00:36:29Kisses.
00:36:30You have a lot of kisses.
00:36:32Perfect.
00:36:35Finally, a dress for the break.
00:36:38I'm so glad you came.
00:36:42Now,
00:36:43now I've learned my lesson.
00:36:47Where's Stella?
00:36:48She's at home with Emilio.
00:36:49Ah, that's good.
00:36:50I didn't think you'd say anything to Aspa.
00:36:52No, no, no.
00:36:53I took the message.
00:36:54You?
00:36:55When are you going out with Kallos?
00:36:56What?
00:36:57Aren't you going to tell me?
00:36:58Didn't you talk to Giorgos?
00:36:59What did he say?
00:37:00He didn't tell me.
00:37:01He says he's on a business trip.
00:37:02On a business trip?
00:37:03I'm sorry.
00:37:04Didn't you find Enofos?
00:37:05What else can I do?
00:37:06What exactly did he say?
00:37:07Kalantzis identified Pantelis,
00:37:09but I couldn't find him.
00:37:10He admitted that he was following the victim,
00:37:12but he didn't say why.
00:37:13The same goes for the workshop.
00:37:17The workshop?
00:37:18What workshop?
00:37:19A...
00:37:22I don't remember what it's called.
00:37:23Biotechnology.
00:37:24That's it.
00:37:25That's where the victim works
00:37:26before her husband finds out.
00:37:28The director of the workshop said
00:37:29that the case is questionable.
00:37:30She admitted that she was following Elpida and the others,
00:37:33but that they had nothing to do with the murder.
00:37:37The others?
00:37:38Who are the others?
00:37:41The others?
00:37:42No, I'm sorry.
00:37:43Yes.
00:37:44I'm sorry.
00:37:45I don't know who the others are.
00:37:46What about the others?
00:37:47What about the others?
00:37:48What about the others?
00:37:49What about the others?
00:37:50The others?
00:37:51What about the others?
00:37:52The others?
00:37:53The others?
00:37:54Oh, the others, ok.
00:37:55And who is he?
00:37:56Do we know him?
00:37:57Nikolaos's photos also have the car of the unknown man.
00:37:59From the signs,
00:38:00we can identify him.
00:38:01A nobleman, a Frenchman.
00:38:02No.
00:38:03A slacker.
00:38:04No, no.
00:38:05A Frenchman?
00:38:06A Frenchman?
00:38:07No.
00:38:08No, no.
00:38:09♪
00:38:39What's your relationship with Elpida Fouca?
00:38:41I've never seen her, nor him.
00:38:43I see.
00:38:45Are you here with your wife and your child?
00:38:49Yes.
00:38:50I'm sorry, but we're being watched. We're in danger.
00:38:53Mr. Makri, Elpida Fouca works at the SF Laboratory,
00:38:57which specializes in genetic research.
00:39:00And now, she's dead.
00:39:02Do you have a relationship with the laboratory?
00:39:04What are you talking about? I'm a 5G.
00:39:06Yes.
00:39:07Mr. Makri, one doesn't exclude the other.
00:39:14Well, that's all I know.
00:39:16I have a lesson now. I have to take the kids home.
00:39:18Let's go, kids.
00:39:19Okay.
00:39:20Bye.
00:39:21Bye, my love.
00:39:23Marina, Marina, listen.
00:39:25What happened? Did we solve the problem?
00:39:27Yes, Mom. Don't worry.
00:39:29Well done, my love. Well done.
00:39:37Ah!
00:39:42Pinelopi?
00:39:44Pinelopi?
00:39:46Oh, hello. What are you doing?
00:39:48Where is my daughter?
00:39:49I've been looking for her since yesterday, and her cell phone is off.
00:39:52Oh, my love, my little girl.
00:39:54How is my baby doing?
00:39:56You remind me of Grandpa.
00:39:58Where is she?
00:39:59She has a lot of work these days.
00:40:01It's urgent that I bring her something when I see her.
00:40:05Yes, to bring her, to knock on her door, to come to her mother.
00:40:08Empty an old trunk, to see if she wants anything.
00:40:11Don't tell me later that I threw her her things.
00:40:14Okay, I'll tell her.
00:40:16Or maybe...
00:40:17Or maybe I'll wait for her. Will she be late?
00:40:19I don't know, but I think she'll be late.
00:40:22Don't get tired now.
00:40:24She won't be late for you anymore, my love.
00:40:26You'll become a queen at night.
00:40:29No, no. It's just that...
00:40:31I don't know if she told you.
00:40:33She has a new job now.
00:40:35Private investigator.
00:40:37Not with the police.
00:40:39By herself.
00:40:40And she's doing very well. Thank God.
00:40:42Yes.
00:40:43Private investigator.
00:40:45Detective, that is.
00:40:47Like Sherlock Holmes.
00:40:48Something like that.
00:40:49Without a hat and without a pipe.
00:40:52But she doesn't pick up the phone.
00:40:54Don't worry.
00:40:55I'll always worry about this girl.
00:40:58And why are you talking to me in the plural?
00:41:01I'm younger than you.
00:41:03I'm sorry.
00:41:04Out of respect.
00:41:06It's just that we don't know each other that well.
00:41:09Anyway.
00:41:11What I don't understand is why does a grown-up hug you
00:41:14to take care of the child
00:41:16when there's an ugly old lady?
00:41:18What are you afraid of?
00:41:20Don't I teach her bad?
00:41:21What can I...
00:41:23What can I say to you?
00:41:25Don't tell me anything.
00:41:27I'll tell her when I meet her.
00:41:29And I just remembered that I have a client waiting for me at home.
00:41:33And she's weird.
00:41:35One of her is a pervert.
00:41:37The other one is a pervert.
00:41:39We're in the same business.
00:41:42Grandpa.
00:41:43Grandpa.
00:41:44Aspa.
00:41:45How come you're here?
00:41:47Welcome.
00:41:49Welcome.
00:41:50My love.
00:41:51My love.
00:41:52How are you, Lavrentis?
00:41:54I'm fine.
00:41:55And you?
00:41:56Me?
00:41:57As you wish.
00:41:59I've learned my new tricks.
00:42:02I'll never let my mother down.
00:42:05It's okay, Grandma. It's not her fault.
00:42:07Who's to blame?
00:42:09She chose the new job by herself.
00:42:11She works day and night
00:42:13and doesn't pick up the phone.
00:42:15It's a demanding job.
00:42:17Yes.
00:42:18Yes.
00:42:19She has rehearsals all day.
00:42:21Vocal lessons.
00:42:23Then she has the program.
00:42:25She works day and night.
00:42:27Rehearsals.
00:42:28Vocal lessons.
00:42:30Yes.
00:42:31It's a difficult job for a singer.
00:42:33A singer?
00:42:35What did you tell me, Detective?
00:42:38He was right.
00:42:40She didn't become a singer.
00:42:42Not exactly.
00:42:43She's just working on a case that...
00:42:47Grandma.
00:42:48In a nightclub.
00:42:49The owner's wife made her watch her husband.
00:42:52She thinks he's cheating on her.
00:42:54That's it.
00:42:55Yes.
00:42:56Now she's the owner's wife.
00:42:58What else can I say?
00:43:00Nothing else.
00:43:02Excuse me.
00:43:03Isn't that client waiting for you?
00:43:06Oh, yes. You're right. I forgot.
00:43:08I'll call you.
00:43:10Yes, my love.
00:43:11I'm leaving.
00:43:12Bye.
00:43:13Tell Pinelope to pick me up.
00:43:16Don't let her pick you up.
00:43:18Bye.
00:43:24Negative.
00:43:25Fine.
00:43:26Just a little bit more.
00:43:28I'll be right back.
00:43:30Bye.
00:43:31Don't let me go.
00:43:32Bye.
00:43:33Bye.
00:43:34Bye.
00:43:35Uh...
00:43:36Aaah.
00:43:37Ah!
00:43:38Ah...
00:43:39That handsome guy...
00:43:40and he's not...
00:43:41Ow!
00:43:42Ow!
00:43:43Handsome...
00:43:44handsome guy.
00:43:45Yes!
00:43:46The video you have just watched is the result of hypertension.
00:43:58Hey, carrot, do not eat all my data!
00:44:00Yeah, yeah, I'm finishing!
00:44:02Come on, let's get together, come on!
00:44:10Well, in the best...
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01:07:36I'm glad you came out.
01:07:38Me too.
01:07:39Okay, it's not that bad inside.
01:07:41I made friends.
01:07:43Maybe we can do something to get out earlier.
01:07:48Penelope...
01:07:52Regarding what happened last year between us...
01:07:54I know, I know. It didn't mean anything more.
01:07:56No, no, no.
01:07:57It did.
01:07:59It meant a lot.
01:08:02And that's the problem.
01:08:04I want to say...
01:08:06I care about you, Penelope.
01:08:07And...
01:08:10And I know I hurt you a lot.
01:08:11And I know that...
01:08:15I regret it.
01:08:20And I know I lost you.
01:08:21As a friend and...
01:08:23And as a colleague.
01:08:25But the problem is that...
01:08:28You don't just miss me.
01:08:29You miss Giorgos.
01:08:30And Daphne.
01:08:31And Sofia.
01:08:33Even if you don't accept it.
01:08:36Anyway, what I want to tell you is...
01:08:40If there's even a chance...
01:08:43A very small chance...
01:08:46For you to come back...
01:08:48I want you to think about it.
01:08:54I don't want you to answer me now.
01:08:58Think about it.
01:09:06Think about it.
01:09:07Think about it.
01:09:35I...
01:09:36I have my memories in my dreams.
01:09:38And a bar weighing 90 kilos.
01:09:41The whole gym looks at me.
01:09:42No one believes me.
01:09:44And all of a sudden, I do a...
01:09:45Crack!
01:09:46And you stay there.
01:09:47The truth is that I'm going crazy, guys.
01:09:49Do you know if I did a good handstand?
01:09:51I do a good massage.
01:09:53I only believe in my mother's kisses.
01:09:55Although I rarely get sick.
01:09:58Because when the soul gets wet...
01:10:00The body blooms.
01:10:02And who has said that?
01:10:06No one. It was my idea.
01:10:08A dilemma of a cockroach.
01:10:32What's up, guys?
01:10:33How are you doing today?
01:10:36I like that.
01:10:37What are you guys doing?
01:10:38I taco tomatoes.
01:10:39I'm taking out the cast.
01:10:40No, don't do that.
01:10:41OK, brother.
01:10:43I know you don't like making faces.
01:10:45You get to have some fun.
01:10:46Well...
01:10:47Thoseadosadosadosados...
01:10:49You know, it's a day.
01:10:50I want to be happy.
01:10:51And I want to live a simple life.
01:10:53I don't want to have to be...
01:10:54I'm kidding, I don't want to be...
01:10:56I'm kidding, I'm actually kidding.
01:10:58I would like to be careless.
01:11:00I have to do it.
01:11:01I'm going to hesitate.
01:11:03Can I be alone?
01:11:04Let's do it together, let's do it together.
01:11:05You
01:11:35You