• 6 hours ago
A.l-F.o.n.d.o-H.a.y-S.i.t.i.o Temporada 11 Capitulo 143

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00:00To know what you've done, why didn't you tell me you were going to do this dance?
00:04Because it was a surprise for Juanita, man.
00:06Okay, but I've taken the surprise.
00:09We are partners and I have the right to know if you do something to the micro, okay?
00:12Don't worry, man, you'll have the opportunity to surprise someone at any time.
00:16Don't worry, that's how things are, Pepe.
00:18Oh, I want to see my surprise, I want to see my surprise.
00:20Come on, come on, come on.
00:23Let's see.
00:25There it is.
00:30I'm going.
00:35My love, I move to live here with you and enjoy our love.
00:40What a surprise.
00:44Juan, Juan, Juan, Juan, Juan, Juan, Juan, Juan.
00:47I need you to tell me something very important.
00:50I don't want to think about it, I don't want to think about it, I don't want to think about it, I don't want to think about it.
00:53But if he really divorced me.
00:56I want to ask you to allow me to take care of the household chores in the house.
01:02Of the whole house.
01:04Oh yeah?
01:05Now you want to be a nice butcher.
01:07No, no, no.
01:08It's not that, but I also want to feel that I contribute to the home.
01:12That I want to put a grain of sand in this family.
01:15A commissioner published on social media everything that happened between Jimmy and Salvador.
01:19And now we are a trend.
01:20Look at the comments.
01:23I hope they cancel the operating permit.
01:26Francesca has become a fucking bad death, let's go from bad to worse.
01:29I hope my dad finds out.
01:31No, no.
01:32Not a word to my dad.
01:34That rain is pure story.
01:35He's finally going to tell me that he divorced me.
01:37He divorced me.
01:38He divorced me.
01:41Joel.
01:43I have a clown show there.
01:46And my friend RocotĂ­n got sick, Joel.
01:52I wanted to ask you.
01:54Yes.
01:55What are we?
01:58We are what you want us to be.
02:02We are.
02:03Oh, thank you very much.
02:05You are the best.
02:06Well, I'm going down to dance now.
02:08Thank you, my king.
02:12Which hospital are we going to go to?
02:13Oh no, it's not a hospital.
02:15It's the stone penalty.
02:23The stone penalty, girl?
02:25Sir, calm down.
02:26Because we are going to go with all the security of the case.
02:28No, no, no.
02:29It's not the stone penalty, girl.
02:30No, no, no.
02:31You're crazy.
02:32What do you have?
02:33They have knives with their pencils and soap.
02:35How ugly your heart, Joel.
02:36No, horrible.
02:38They are normal people like you, like me.
02:40They have the right to receive a little bit of joy in their lives with him.
02:43No, no, Maca.
02:44I just remembered that I already sold the costume.
02:46I have sold it.
02:47Well, I promise you that it will be a super experience.
02:50No, no, no, Maca.
02:51Besides, I have things to do.
02:52Don't worry.
02:53Well, don't worry.
02:54Don't worry.
02:55I know.
02:56I understand you.
02:57If you can't.
02:59If you don't want to.
03:00It's okay.
03:04Do it for me, then.
03:05Let's go.
03:06Thank you, Joel.
03:07Thank you very much.
03:10Let's go to my house.
03:11To give you some lessons on how to be a good clown.
03:13No, no, no.
03:14No need.
03:15How are you going to teach me?
03:16With respect.
03:17Well, to synchronize us, to rehearse, to chat.
03:20That's another thing.
03:21Okay.
03:22Okay.
03:23It's fair.
03:24Gaspar.
03:25Don't forget to put a double padlock on it.
03:27Really?
03:28Yes.
03:29I'll put a padlock on it.
03:30Go ahead.
03:31Calm down.
03:32Go, go.
03:33What do you think?
03:37It fell.
03:40And the padlock?
03:43It has no key.
03:51I know you.
03:52Don't be mysterious.
03:53You have no excuse.
03:54Dance my cumbia.
03:56My cumbia, my cumbia, my cumbia.
03:58We want to forget the sorrows.
04:03Look, I think I already found out who that bastard is
04:06who is talking badly about me.
04:08His name is Pollo Gordo.
04:10Pollo Gordo.
04:16Hello.
04:18Yes, this is him.
04:21Request.
04:22I have not made any request.
04:26Ah, that request.
04:27Yes.
04:28No, sorry.
04:29Could I cancel it?
04:31I can't cancel it.
04:34Could I at least change the address?
04:36Neither?
04:37The motorized is already on its way?
04:40Okay.
04:43Oh, damn.
04:45This gampilĂ­n has gotten into trouble again.
04:48But he doesn't learn.
04:50Sonso, it seems.
04:51It seems or is.
04:53Ale.
04:54I have to go home.
04:55It's an emergency.
04:56What happened?
04:57I made a request.
04:58Already?
04:59It's a request for Juli.
05:01It was when we were in our best moment and ...
05:03And you can't cancel it?
05:05No, the motorized is already on its way home.
05:08I'm asking you for a taxi.
05:09Wait for him outside.
05:10Thank you, sister.
05:12In this restaurant, the fun never ends.
05:15What ended was the restaurant.
05:17The restaurant.
05:48Very good.
05:49Very good.
05:50Now you have to choose your clown name.
05:53My name?
05:54But I already have a name.
05:55Juan González, the legend.
05:57No, Pajuel.
05:58That's a name for an urban singer.
06:01You have to choose a short name.
06:04Funny, very funny.
06:05Okay, okay.
06:06It can be this one.
06:07The legendary clown.
06:08With his ...
06:11No, no.
06:12No other.
06:13Then it can be this one.
06:14The beautiful clown.
06:16No, less, Pajuel, less.
06:17Talent without.
06:18No, neither.
06:19Kissing.
06:20Yes, it can be.
06:21No.
06:22I'm going to baptize you.
06:23Like this?
06:24Yes.
06:25A turn.
06:26A turn?
06:27Yes, a turn.
06:31A profile, a profile.
06:34The other profile.
06:36I have it.
06:37Are you ready?
06:38Bring it closer.
06:39The clown Mondonguito.
06:41What do I have to do with Mondongo?
06:43What's wrong with you?
06:44It has nothing to do, Pri.
06:45No, Pri.
06:46Turn around.
06:47Well, because ...
06:50What a good memory.
06:52Did you remember that my favorite dish is cacao?
06:54Yes or no?
06:55I love it, Pri.
06:56Yes, of course.
06:57Very good.
06:58Why else is it going to be, Pajuel?
06:59I like it too, I like it, I like it.
07:01Stay, stay.
07:02Now we have to do some practices.
07:04Let's see.
07:05The balls.
07:06The balls.
07:07Grab it.
07:08Grab me the ball.
07:09Here.
07:10Here.
07:11There it goes.
07:12There it goes.
07:13There it goes.
07:14There it goes.
07:15There it goes.
07:35It doesn't hurt.
07:36It doesn't hurt.
07:37Here, here.
07:38It hurts here.
07:39I don't think it's a fracture.
07:41Can you stand up?
07:42I think so.
07:43Let's see.
07:44Oh, Pri.
07:45Be careful, be careful.
07:49What happened?
07:50Oh, what happens is that ...
07:52There was a cobweb up here and I wanted to get it out.
07:54And well, that's why I brought the chair, right?
07:56To get there, but ...
07:57But I lost my balance and I took out the muck.
07:59Oh, water, water, water.
08:00It hurts, it hurts, it hurts.
08:02It would be better if we went to the clinic to check you.
08:04Let's go.
08:05No, no, no, no.
08:06No, Julisita.
08:07It is not necessary.
08:08I know my body.
08:09Look, cleaning and organizing happens to me.
08:11No, no, no.
08:13Juana, no way.
08:14Look, I ...
08:15I can take care of cleaning the rooms and the patio.
08:17Oh, no, Julie.
08:19You have to finish your high school things.
08:21No, no, no.
08:22I already told you.
08:23Right now it happens to me.
08:24Don't worry.
08:25Juana, look.
08:26As a nurse I am.
08:27It is my responsibility to ensure the health of everyone in the house.
08:29Don't worry.
08:30I'll take care of it.
08:31Oh, but Julie.
08:32No, no, no.
08:33I already said, I already said.
08:36You ...
08:37You stay resting until you get better.
08:40Meanwhile, you can do an activity that does not require so much effort.
08:45I could go ahead with lunch.
08:48Yes, yes.
08:49Good idea.
08:50Oh.
08:51Come on.
08:52I'll help you.
08:53Calm down.
08:54Slowly, slowly.
08:55It's okay.
08:56It's okay.
08:57It's okay.
08:58It's okay.
08:59Yes.
09:03No, no, no.
09:05Relax.
09:06Yes.
09:11Another very important aspect is the clown slap.
09:13Ah.
09:14So I'm going to throw you one.
09:15Wait a minute.
09:16What happens?
09:17What happens?
09:18Calm down.
09:19What was it?
09:20No, no, no.
09:21It's a lie.
09:22Look.
09:23I'm going to pretend to slap you.
09:24My hand is going to pass.
09:25Yeah, yeah, yeah.
09:26But it's not even going to rub you.
09:27And you automatically turn around very fast.
09:28And you do this.
09:29Ah, yeah, yeah.
09:30Like this.
09:31Like this.
09:32People are going to think I hit you.
09:33But no.
09:34Are you ready?
09:35Ah.
09:37Come on, come on.
09:39Go.
09:40Well.
09:41Adelina first.
09:42But it can be better.
09:43I get a little closer and you just throw it.
09:45No, no.
09:46Because I can hit you.
09:47No, no.
09:48You just rub my nose.
09:49I'm too fast.
09:50I'm too fast.
09:51Too fast.
09:52Come on.
09:53One, two, three, go.
09:54Ah.
09:55Sorry.
09:56Sorry.
09:57Sorry.
09:58Sorry.
09:59Sorry.
10:00Sorry.
10:01Sorry.
10:02Sorry.
10:03Sorry.
10:04Sorry.
10:05Welcome to Cooking with Tere.
10:07Palmas.
10:08Oh, how exciting.
10:10Today I'm going to surprise my prince of Wakanda with a dish that I'm sure he's going to love.
10:14Dry soup with carapulcra.
10:16Mua.
10:18Well, but for that I'm going to need the internet to let me go, right?
10:22Let's see.
10:23Dry soup, carapulcra.
10:26Oh, but there are many things.
10:28You need many ingredients to do this.
10:30How complicated.
10:31No.
10:32I'm sorry, my cocoa biscuit.
10:33With the cocoa biscuit we are going to activate plan B.
10:35An easier and tastier dish.
10:38I'm going to call Charo.
10:39She can set me free for that.
10:42What is Charo doing?
10:47Girl, how are you?
10:50Come here.
10:51How nice that you have the buoy for me.
10:53What are you doing?
10:55Piglet.
10:58Oh, how delicious these sheets smell.
11:00500% cotton.
11:02I'm sure Miss Macarena is going to feel in the clouds.
11:05Oh, how happy I am that he has returned home.
11:07With his joy he illuminates this home that is sometimes so dark.
11:11Oh, what makes me sad is that he has left young Mike so handsome, so attentive.
11:15Young, solvent.
11:17I think he will never find anyone like him.
11:19Oh no, Claudio.
11:20You have to be positive.
11:21I'm sure she will soon find her blue prince.
11:26Oh no.
11:27Oh no, what am I looking at?
11:28Clowns dancing.
11:30Oh no, it must be a swindler for so much work.
11:32It's me, Claudio.
11:34Oh, Miss Macarena.
11:35Joel.
11:36Oh, thank goodness.
11:37Well, I came to leave you these sheets.
11:39Because I was thinking about ...
11:41About what?
11:42The blue prince.
11:43Can you tell me what's going on?
11:45Nothing.
11:48Felix.
11:49Felix.
11:50Cristobal.
11:51Oh, what a game.
11:52And I see you nervous.
11:53What, have you seen Tuncho or what?
11:54Felix, have you seen if there is a delivery for the Gonzalez house?
11:56A delivery?
11:57You mean a motorized with a package, right?
11:59Yes, a package more or less this size.
12:01Oh, that size?
12:02Yes, for Yuli.
12:03For Yuli?
12:04What time did he come?
12:05No, he hasn't come.
12:07But ...
12:08What so much mystery with that package?
12:10What is that package?
12:11It's a package that I sent him to do ...
12:16Felix, it doesn't matter.
12:17What matters is that if you see that the motorized arrives,
12:19you intercept it and call me by phone.
12:22Well, yes.
12:23I can do that.
12:24Thank you very much.
12:25But ...
12:26How much is there?
12:28Are you serious, Felix?
12:29But Cristobal, please.
12:30I'm risking my life.
12:31You already know how the Gonzalez are.
12:32They are savages.
12:33They can lynch me.
12:34What lynch?
12:37Of course, Cristobal.
12:38That one, my Cristobal.
12:39Is it a little short?
12:40I don't have more cash, Felix.
12:41You don't have cash?
12:42But that's no longer a problem.
12:44Well, Cristobal, you should have said it before.
12:49Okay.
12:57Okay.
13:27Okay.
13:28Okay.
13:58Tito?
14:03I can accept that you have returned to the house
14:05after what happened to my compadre.
14:08Also, I witnessed how Xavi harassed you
14:11and that's why we kicked him out of the house.
14:13I also want to thank you for the delicious spicy wheat
14:17with the baked quesito you prepared.
14:19And also, I congratulate you on your initiative
14:22to take care of the household chores.
14:24But I want to warn you something, Juana.
14:27Pepe is more than a brother to me.
14:31And if you hurt him again...
14:33Oh, no, no, no, no.
14:34Please.
14:35Let the earth bring me right now.
14:37If I fail Pepito, even with the thought.
14:40I want to fix all my mistakes.
14:43Careful, Juana.
14:44Careful with playing with my compadre's feelings.
14:47No.
14:48You're not going to have a complaint about me.
14:50I already told you what I had to tell you.
14:52Tito.
14:53Since you're here,
14:55don't you want to try what I've prepared?
15:00You're not going to poison me, are you?
15:02Oh, please.
15:03What nonsense are you talking about?
15:05No.
15:06This is a dressing of a typical dish of my land.
15:10You're going to like it.
15:13Let's see.
15:15I'm going to try it.
15:16Mmm.
15:18Let's see.
15:24What? What?
15:25You didn't like it?
15:26You didn't like it?
15:27Oh, sorry.
15:28I only know how to prepare two dishes.
15:29But don't worry.
15:30I'll do it again.
15:31But if you don't know how to cook,
15:32why did you offer yourself?
15:34Oh, sorry.
15:35I just wanted to be nice to the whole family.
15:38But I can prepare another dish if you like.
15:40No, no, no, no.
15:41Don't prepare another dish.
15:43Better don't do anything.
15:44I'm going to order something to eat.
15:45Oh, no.
15:46Tito.
15:47How do you think?
15:48How are you going to spend your money?
15:49No, no, no.
15:50I prefer to spend for the good of the family.
15:53Oh, Tito.
15:54Thank you very much.
15:55I knew you were tough.
15:57But deep down, you're a very kind man.
16:00That's why my Pepito loves you so much.
16:03Don't get confused.
16:05I'm just hungry.
16:08Well, okay.
16:09I promise I'll give you everything back.
16:11You have a job with me, okay?
16:13Yes, of course.
16:15Okay.
16:31Listen, little girl.
16:33Are you going to a costume party?
16:35Ale didn't tell you?
16:36I'm working on a volunteer work.
16:37And Joel is going to accompany me to bring joy to the most in need.
16:40Give me those five.
16:41Good luck.
16:42Die.
16:43That's for making Julie suffer.
16:45Now I'm going to get a glass of water
16:47or a glass of oatmeal.
16:49Macarena.
16:50I'll go with you.
16:51You don't deserve it.
17:00Luckily I arrived before the motorized
17:03and I could talk to Felix to let him know.
17:05I can be a little calmer now.
17:09Wait.
17:11I'm trusting Felix and his surveillance skills
17:14for something so important?
17:16Cristobal, what's wrong with you? Are you crazy?
17:40I don't know.
18:07Julie, I'm going to the supermarket.
18:09Anything?
18:10Nothing for now.
18:11Okay.
18:27Juana, what are you doing?
18:28Cleaning the windows.
18:36Where are you going?
18:38I thought someone was entering the winery.
18:41Why don't you close the winery
18:43and finish with the windows?
18:45And lose that income?
18:46No way.
18:47Then my cousin won't bother me.
18:49But don't worry.
18:50I can do several things at once.
18:53And why are you limping?
18:56I hit my hip really hard
18:58trying to clean some cobwebs on the ceiling.
19:00Julie saw me.
19:01But it's okay.
19:02I'm a strong woman.
19:03Besides, I made them a promise.
19:05And I'm going to keep it.
19:07Hey, let me help you with the windows.
19:10So you can stay in the winery
19:11and don't strain your hip.
19:13No, no, no.
19:14You have to work.
19:15I'll take some pills and I'll go.
19:17No, no, Juana.
19:18I can't see you like this and do nothing.
19:20Besides, I work from home today.
19:22And I'm going to the supermarket.
19:23But don't worry.
19:24I can do it later.
19:26Are you sure?
19:28Oh, Jimmy.
19:29That's why the family loves you so much.
19:33Okay.
19:35Oh, my hip.
19:37My hip.
19:41She's really trying to please the family.
19:46Well, let's clean the window.
19:50My hip.
19:52My hip.
19:54My hip.
19:59My hip, my hip, my hip.
20:01For Juana, everything she wants.
20:03My hip, my hip, my hip.
20:05For Juana, everything she wants.
20:09Can I know what you're doing?
20:11Watching.
20:14And don't you think it's a little weird,
20:16not to say toxic or sick,
20:18that you're watching your ex from the balcony?
20:21Coqui, I'm not watching Julie, okay?
20:23I'm...
20:25watching a delivery that's coming to her house.
20:27And what's so special about that delivery?
20:29It's a gift I asked for her
20:31and I had completely forgotten.
20:33A romantic gift, I suppose.
20:35Too much, I'd say.
20:36And you don't want her to misinterpret it?
20:38At this point, I'd think it's a mockery.
20:42And don't you think that's a good opportunity
20:44for them to talk?
20:45Who knows, maybe they'll even fix their differences.
20:48Impossible, Coqui.
20:50If she sees that gift,
20:52she'd put it on my hat
20:53or burn it in the middle of the runway.
20:56Well,
20:58if that's how things are,
20:59there's not much more to say.
21:02I'll leave you so you don't lose focus.
21:15Are you going to stop?
21:17What bad sense of humor do you have to make a joke?
21:19Come on, it's late.
21:20Let's go.
21:29I'm sorry.
21:39Look at me.
21:59Look at me.
22:05Damn him.
22:07He's going crazy again with Mati.
22:13I hope they all end up together
22:16and there's no one left behind.
22:18He's everywhere.
22:22What the hell are you doing, clowns?
22:24Is there a party?
22:25No, sir.
22:26We're going to bring some joy
22:28to those who have committed many crimes.
22:30Are they going to the Congress?
22:31No, to the Penal Piedras Flacas.
22:33They're going to be released.
22:34Piedras Flacas.
22:37What's wrong?
22:38Nothing, I'm just laughing
22:39because you're a bit of a clown.
22:41I'm the clown Mondonguito.
22:42More respect, please.
22:44Do you know why?
22:45Why?
22:46Because I like cacao.
22:47What else could it be?
22:49That's enough, clown.
22:50See you, sir.
22:51See you, clown.
22:54What was that?
22:55We're leaving.
22:56The taxi is here.
22:58That's it.
22:59Let's go.
23:03She's a bit of a clown.
23:07I love my job.
23:28Yes, please.
23:29A chicken on the grill
23:30and cut it into eight pieces.
23:33Yes.
23:34Eight pieces, I said.
23:36With all the cream, potatoes and salad.
23:38Here are the new slices.
23:46That guy has been sleeping
23:47on his balcony for a while now.
23:51Has he become a stalker again?
23:57I don't know.
24:14I know you're hungry now.
24:16In a little while,
24:17we're going to put in your delicious menu.
24:20What are you craving now, daddy?
24:23Rice with chicken,
24:24with your guancaina potato.
24:28Or beans with dried beans.
24:30That Drago, beans with dried beans
24:31with his creole salsita.
24:32The best.
24:34What am I going to wait for?
24:35I'm going to eat my delicious menu right now.
24:39What am I going to wait for?
24:43Who is hungry?
24:48Honey.
24:49What a surprise.
24:51Look, I brought you your lunch.
24:53Yes?
24:54Yes, make yourself comfortable.
24:55Well, how happy.
24:56I'm not going to go to the menu anymore.
24:57No, no.
24:58You're not going to go to the menu anymore.
24:59You're going to eat what Tere has cooked.
25:01Look, I know that
25:04cooking is not my specialty,
25:06but I've made my best effort.
25:07Try it, try it.
25:17How is it?
25:20Honey, it's delicious.
25:21It's delicious?
25:22It's delicious?
25:24From today, my specialty will be
25:26rice with scrambled eggs.
25:28How nice.
25:29Oh, honey.
25:30You know, I was very nervous
25:32because I knew that this was going to be
25:34like a big step.
25:35And I said, I'm going to do it.
25:36I'm going to prepare rice with scrambled eggs.
25:38It turned out very well.
25:39And it came out.
25:40Listen to me, banana for the other one.
25:42Banana for the next one.
25:43Yes, honey.
25:44Yes.
25:53All the things on the table,
25:54we're going to check them.
25:55Miss,
25:56take all your things out of your pocket.
26:22All right.
26:52What else do you have there?
26:54I don't have anything, sir.
26:56No, no, no.
26:57Hey, baby.
26:59Baby.
27:00Baby.
27:01It's a baby.
27:12Before this time,
27:13the restaurant had a queue.
27:14I don't know.
27:15I'm not sure if it's because of the money.
27:17I think it's because of the food.
27:19Before this time, the restaurant had a queue.
27:23Now look.
27:25People get carried away by the media.
27:28My dad is going to come back and he's going to find Francesca broken.
27:33Alessia, I can't help but feel guilty for what happened.
27:38I could have handled the situation better with Jimmy.
27:41I don't know, prevent people from watching that show, I don't know.
27:45No, no, it's not your fault. He's the only one responsible for all this.
27:49I miss the restaurant.
27:51Well, if you want to help, think of something that will get us out of this situation quickly.
27:56We have to help Francesca again.
28:00I could stand at the door with a sign that says,
28:03Have you danced?
28:05Perfect, but we have to put on the costume of the case.
28:20Hi mom, did you get the videos I sent you?
28:23Yes, my love, to the touch.
28:25Claro's mobile network is very fast.
28:27Change to the fastest mobile network in Peru, to 0800 00200.
28:36Oh, why did I take the whole bottle?
28:39I let myself explode, but they can arrive at any time.
28:43Although, maybe I can use the bottle that is full.
28:47Maybe I can use the bottle that is full.
28:56Here's your cleaner.
28:58Thank you, how much do I owe you?
29:01It would be 15 soles.
29:0515 soles? But a few days ago I bought it right here at 12.
29:09Oh Claudio, but the prices go up.
29:11And that's because of the war, the rise of oil, the Peruvian selection.
29:16Oh yes, everything is very bad lately.
29:18But can it go up so fast?
29:20Oh, it's because of inflation.
29:22Also, those are the prices that Mr. Gilbert left me.
29:24Well, I'm very busy, I don't have time to talk.
29:27Here are your 15.
29:29See you later.
29:39Inflation?
29:41It's me.
29:46It's me!
30:06Welcome, a pleasure to welcome you.
30:10Mucho gusto.
30:12This way please.
30:15Maca, Maca, they're picking on you!
30:17Maca!
30:18Ante Verga!
30:19Ante Verga, here, here.
30:21No, no, no, no, no.
30:22Let's go, Maca.
30:23How are we going to leave?
30:24We have the security guys, the director's back,
30:27and they're even hitting on us.
30:28How?
30:29I'm scared, Maca.
30:30They're hitting on us, man.
30:31No, I'm scared.
30:32Let's go.
30:33You're right, right?
30:34Of course.
30:35Yes, yes, yes, they're hitting on us.
30:36And you're staying with me, little fish.
30:38Hey, silence!
30:39Gentlemen, please.
30:40Gentlemen, please.
30:41Gentlemen, please.
30:43Hey!
30:44Hey!
30:45Hey!
30:46Hey!
30:47Sayoko, Sayoko!
30:48Sayoko, over here!
30:49Sayoko, over here!
30:50Sayoko, over here!
30:51Sayoko, over here!
30:52Sayoko, over here!
30:53Maca, they cut me off a few shots, Maca.
30:54They cut you off?
30:55Yes, yes.
30:56We started off badly.
30:57They're making fun of me.
30:58No, no, no, that's why we came.
30:59To make them laugh.
31:00No, no, no, they're laughing at me, not at me.
31:01I'm not used to that.
31:02I like to put them in the center, not to put me in the center.
31:03Maca.
31:04Ay, I can't take it anymore.
31:29I can't take it anymore.
31:33At least Felix is watching like never before.
31:35It's my chance.
31:59Let's go.
32:16Yes, hello?
32:17Hello, I have a request for Miss Julie Flores.
32:19It's me.
32:21A signature from you, please.
32:23Let's see.
32:28But I didn't ask for anything.
32:30Oh, it's from...
32:32Cristobal Montalban.
33:12Good afternoon, gentlemen.
33:14We know that in the last few weeks
33:16we have experienced moments of tension
33:18and discrepancies,
33:20and that is why we have managed
33:22the visit of our volunteer friends
33:24so that they can share with us
33:26I want you to give a round of applause
33:28to Payasita and Mondongon.
33:30No, no, no.
33:32I don't know the name.
33:34Mondonguito, because I like the Caucasus.
33:36Payasita and Mondonguito.
33:38A round of applause, please.
33:40Thank you very much, Mr. Wolbein.
33:44Hello, hello!
33:46How are you?
33:52Don't shout so much
33:54that you make us deaf.
34:00We are here
34:02because we have been told
34:04that in the Piedras Blancas Penalty
34:06there is the best public in the world.
34:08Is that true?
34:12No, no, no.
34:14Don't let me be seen.
34:16It's not a crime to participate.
34:18Well...
34:20Don't kill me.
34:22I don't know what to do.
34:24I'm a little nervous.
34:26Calm down.
34:28Forget what we know.
34:30I can't do it.
34:34I meant that
34:36you have all the freedom in the world
34:38to do it.
34:42No, no, no.
34:44Gentlemen, do you know
34:46what is the most dangerous coffee in the world?
34:48The espresso.
34:50Excuse me, sir,
34:52but you don't know anything.
34:54You're playing with Argentina's hair.
34:56You're playing with Argentina's hair.
34:58You're playing with Argentina's hair.
35:00Does anyone charge?
35:02I'm going to sleep.
35:04I'm going to sleep.
35:20I'm going to sleep.
35:22I'm going to sleep.
35:24I'm going to sleep.
35:26I'm going to sleep.
35:28I'm going to sleep.
35:30I'm going to sleep.
35:32I'm going to sleep.
35:34I'm going to sleep.
35:36I'm going to sleep.
35:38I'm going to sleep.
35:40I'm going to sleep.
35:42I'm going to sleep.
35:44I'm going to sleep.
35:46I'm going to sleep.
35:48I'm going to sleep.
35:50I'm going to sleep.
35:52I'm going to sleep.
35:54I'm going to sleep.
35:56I'm going to sleep.
35:58I'm going to sleep.
36:00I'm going to sleep.
36:02I'm going to sleep.
36:04I'm going to sleep.
36:06I'm going to sleep.
36:08I'm going to sleep.
36:10I'm going to sleep.
36:12I'm going to sleep.
36:14I'm going to sleep.
36:16I'm going to sleep.
36:18I'm going to sleep.
36:20I'm going to sleep.
36:22I'm going to sleep.
36:24I'm going to sleep.
36:26I'm going to sleep.
36:28I'm going to sleep.
36:30I'm going to sleep.
36:32I'm going to sleep.
36:34I'm going to sleep.
36:36I'm going to sleep.
36:38I'm going to sleep.
36:40I'm going to sleep.
36:42I'm going to sleep.
36:44I'm going to sleep.
36:46I'm going to sleep.
36:48I'm going to sleep.
36:50I'm going to sleep.
36:52I'm going to sleep.
36:54I'm going to sleep.
36:56I'm going to sleep.
36:58I'm going to sleep.
37:00I'm going to sleep.
37:02I'm going to sleep.
37:04I'm going to sleep.
37:06I'm going to sleep.
37:08I'm going to sleep.
37:10I'm going to sleep.
37:12No, it can be with...
37:14Ah, yes.
37:22But, Julie, as if you liked it.
37:24What? The chupete.
37:26Ah, yes.
37:42Since I saw you, my world has changed.
37:44Now it's just you and me.
37:48Everything is so different
37:52when you're with me.
38:02Julio, what are you doing?
38:04I liked how you fell in love.
38:12You fill my soul.
38:14Your song calms me down.
38:16I breathe, I smile
38:18when we dance.
38:22When we dance.
38:34You know I love you.
38:38I'll always be by your side.
38:42Now you're very strong
38:44in my heart.
38:48It speeds up
38:50every time I'm with you.
38:52Nothing to say, nothing to think about.
38:54You are my happiness.
38:56Since I saw you,
38:58my world has changed.
39:00Now it's just you and me.
39:02Everything is so different
39:06when we dance.
39:08When we dance.
39:10When we dance.
39:28FĂ©lix! FĂ©lix!
39:30FĂ©lix!
39:32Did someone come to make the delivery?
39:34No, nobody came.
39:48How delicious!
39:52And now, as our next act,
39:54we're going to need
39:56a cake.
40:00Let's all
40:02dance!
40:06Come on!
40:08Come on!
40:10Let's party!
40:12If you don't dance,
40:14you don't get a cake.
40:16I said,
40:18if you don't dance,
40:20I'll cheer you up.
40:22What are you doing?
40:24Why?
40:36I think the man in jail
40:38has gotten upset.
40:40That man over there
40:42is the Taita del Pabello.
40:44Who's the Taita?
40:46He's the boss of Los Preciosos.
41:06Did he just take you like that?
41:08Yes.
41:12CristĂłbal didn't talk to you?
41:14I don't believe you. Did he text you?
41:16No, no. I checked my phone,
41:18my email, everything.
41:22Let's see, cousin, if something is clear,
41:24it's that he wants you to forgive him.
41:26He took his time doing this.
41:28Yes, of course.
41:30If not, why would he give me something so beautiful?
41:32It's very beautiful.
41:34I can't deny that.
41:40Do you think
41:42I should forgive him?
41:48Let's see, cousin.
41:52I don't want to be
41:54the best counselor in the world right now,
41:58but if I know something,
42:00it's that you're wonderful
42:02and you don't deserve
42:04anyone to mistreat you
42:06or make fun of you.
42:14There's no night
42:16when I think of that idiot
42:18kissing Lucia.
42:22But that idiot
42:24was also the one who made me
42:26the happiest woman in the world.
42:28Love is very complicated.
42:32It never turns out the way you want it to.
42:46I'm going to forgive him.
42:58I'm going to forgive him.
43:10I'm going to forgive him.
43:18Oh!
43:20What an elegant chair!
43:24Felix, have you already mowed this chair?
43:26Yes, well, all of this is recycling.
43:28Once a week they come to pick up the recycling, right?
43:31Oh, but it's still good.
43:34Yes, it's very good.
43:36That way the wealthy people, the people with money,
43:38they throw away new things.
43:40If not, where do you think I got my teapot for my coffee?
43:44Ah, then, can I take it?
43:47Well, I had already taken a look at it, but it's fine.
43:50You better take it, yes, because it's like very attractive
43:53for my work in Guatemala.
43:55Oh, thank you, FĂ©lix.
43:58Let's see.
44:00Oh, oh, oh.
44:02What happened?
44:03Oh, no, FĂ©lix.
44:04Do you think you can help me taking it home?
44:06What happens is that my hip hurts a lot.
44:08Ah, it hurts you.
44:09Of course, of course, I'll take it.
44:10Because they have already forgiven you.
44:12Oh, it's just that I'm doing my best.
44:14Oh, that's fine, I can take it, don't worry.
44:25They take so long.
44:27I'm not going to wait all day standing either, right?
44:39They already gave it.
44:50Is this the first time you have serious problems?
44:54No.
44:56Have you finished several times?
44:59Yes.
45:03The way I see it, he's not for you.
45:08And you may not be for him.
45:11Let's calm down.
45:12There is no need to oversize this situation.
45:14It is not so serious.
45:16Feel this body, man!
45:17Feel this body!
45:18Feel his body!
45:19Let's feel his body!
45:21Let's feel his body!
45:22Let's feel his body!
45:23Let's feel his body!
45:26Let's feel his body.
45:27ls it true?
45:40What's up?
45:42Don't you see Juelia is coming?
45:44l don't, actually.
45:46She'll be late.
45:48How do you know?
45:50They just kidnapped him!
45:52What?

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