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00:00I need somebody, I just need somebody
00:05You know, I need someone
00:30Do you still feel the passion?
00:34In Chiba Prefecture, Ichihara City, there are a lot of high-quality products
00:41Hey, what is this?
00:44I'm so happy
00:46I'm crying
00:51Today's guest is
00:54Tatsumi Ryuto, the young prince of Enka
01:10He was born in 1998 in Fujihide, Osaka
01:17He was taken to karaoke every weekend by his grandparents
01:23and sang Enka songs by Michiya Nihashi and Kiyoshi Hikawa
01:30He participated in the Teen's Karaoke Tournament when he was a junior high school student
01:35and won the tournament
01:38He was scouted by his current agency and took lessons
01:45In 2016, he went to university
01:49He performed street Enka live in Kinshi-cho and Akabane
02:00At first, no one listened to Enka
02:03but more and more people started to listen to Enka
02:06and he got more and more people to listen to Enka
02:12At the age of 20, he made his debut in Shita-machi Junjou
02:16Wow, he's so young
02:23With his sweet mask and excellent singing ability, he won the Japanese Record for Best Newcomer
02:42Everyone, do you remember this phrase?
02:49Maria in the Labyrinth was the ending theme of the show from July to September
03:01Here comes the guest
03:04Tatsumi Ryuto
03:12You're from Fuji-dera, Osaka?
03:13Yes, I'm from Fuji-dera
03:15I've never been to Osaka
03:17Actually, when I was a junior high school student
03:19I went to the stage of Shinkabukizano with Mr. Imada
03:22Stage?
03:23Yes
03:24It was in the corner of the Amateur Men's Committee
03:27Oh, Mr. Kiyoshi Hikawa?
03:28Yes, Mr. Kiyoshi Nishikawa
03:29You were there?
03:30Yes, I was there
03:32He told me that I was good at singing
03:35Oh, really?
03:36I was so happy
03:37Did you remember?
03:38No, I didn't
03:42In Akabane and Kinshicho, there was a street live
03:46It was a bustling city
03:48On a cold day, they bought me a hot cup of tea
03:52They bought me rice balls
03:54It was an experience that you can't buy with money
03:57That's true
03:58When I went to Akabane, there were a lot of people who said that I raised them
04:05As a fan of Kanteidan, you're Maria
04:07Yes, thank you
04:08Maria, Maria, Maria
04:10Oh, it's already over
04:13Mr. Imada, of course, you know
04:16He found out
04:17I'm excited
04:18I've never heard of it
04:23Let's take a look
04:24Open the treasure
04:29I see
04:30That's right
04:31What is this?
04:32This is a Nissan UFO car
04:35It's rare
04:37If you apply in 1993, you'll get it
04:42Was it on a commercial?
04:44That's right
04:45I knew it
04:46Please prepare a commercial
04:48I see
04:49UFO mask
04:50Yakisoba
04:51When the battle is over, Yakisoba is played in one car
04:55And when you get tired
04:56I'm going to sleep
04:57You sleep in Yakisoba sleeping bag
04:59These wonderful products are now available in three UFO Nissin Marks
05:02I'm waiting for your application
05:05This is nostalgic
05:07I remember
05:09I was a teenager and I had a sleeping bag
05:13When I went to the staff's house
05:16I thought, what is this?
05:18They told me to give it to me
05:20Did you get it?
05:21Yes
05:22I think this is worth it
05:25The design is cute
05:27I love UFO
05:29I wanted it as a Yakisoba fan
05:31I see
05:33Can you ride a one-seater?
05:35No, I can't
05:36It's a pity
05:38I wish I could ride a one-seater while singing on stage
05:42That's new
05:43Maria
05:51Are you going to ride it?
05:541993
05:56I was born in 1998
05:58That's before you were born
06:00That's a long time ago
06:02How much is it?
06:04200,000 yen
06:06200,000 yen
06:07It's quite expensive
06:09Let's go
06:10Open the price
06:151, 2, 3, 4
06:19100,000 yen
06:21That's expensive
06:23100,000 yen
06:25I thought it would be more expensive
06:27It's in good condition
06:29It's the same as it was back then
06:31It's 31 years old
06:33There are a lot of collectors
06:36But this one-seater has 3,000 copies
06:39There are a lot of copies
06:413,000 copies?
06:42There are a lot of copies
06:45There are a lot of people who have taken it
06:47It's good, so it's still there
06:49I see
06:51If you ride this and go on stage
06:54It will be a big hit
06:56That's 10,000 yen
06:58It's expensive
07:01Next is Fukui Prefecture, Fukui City
07:04Dinosaur
07:05We visited this bowling alley
07:10The next client is 87 years old
07:14Tsukushi Tamamura
07:18When he was 55 years old
07:20He started bowling to get rid of his lack of exercise
07:24He was so absorbed
07:26His skills are
07:33Amazing
07:36His recent average score is about 180
07:41When he was 61 years old
07:43He achieved a perfect score of 300
07:47I've been doing this for 30 years
07:49I never get tired of bowling
07:52Depending on the lane
07:54The way the ball turns
07:56It changes a lot
07:58Technique is important
08:00But luck is also important
08:02I want to aim for a perfect score again
08:06I will do my best
08:08Please do your best
08:09By the way, what is the treasure?
08:12It's a treasure written by a famous woman
08:17It's a treasure written by a famous woman
08:19About 50 years ago
08:21Through a newspaper
08:23It was sold for 1.7 million yen
08:26His father bought it for his father
08:30But after his father died
08:32His family was not interested in it
08:35So he left it
08:38In a recent Taiga drama
08:41The topic is purple silk
08:44Suddenly, this treasure
08:47I started to like it
08:50Please look forward to it
08:53What is the treasure?
08:55Let's take a look at the studio
08:58Here comes the client
09:00Mr. Kusukan Tamamura from Fukui
09:03Nice to meet you
09:05Nice to meet you
09:10Your bowling is still active
09:13Thank you
09:15It's a middle waist
09:17It's good for your legs
09:19You can train your legs
09:21I can walk on a narrow road without a cane
09:25Can you walk on a narrow road without a cane?
09:28No doubt
09:29No doubt
09:30This is a great confidence
09:32It's a treasure
09:33It's a treasure
09:35Let's take a look
09:36Open the treasure
09:38Purple silk
09:44What is this?
09:46This is a story of Yosanokiko
09:48This is a story of Yosanokiko
09:50There are 54 stories
09:52There are 44 stories
09:55There are 54 stories
09:58Each story has a song
10:01Each story has a song
10:03Mr. Sanakko is a person who translated the story of Genji into modern English.
10:10He studied Murasaki Shikibu because he was my teacher.
10:16I can't read everything, but his writing is very beautiful.
10:22It's really beautiful.
10:24It's beautiful.
10:26It's a delicate handwriting.
10:28I've won an award before, so I know.
10:31That's a mistake.
10:33The story of Genji in Murasaki Shikibu has been read over a thousand years.
10:40It is the greatest long story in the history of Japanese literature.
10:44It is a long story in the form of a series of 54 chapters,
10:48mixing the history of love and several fates of the hero, Genji,
10:52who is the son of the emperor.
10:58There are more than 450 characters in the story.
11:04The person who translated the story of Genji into modern English for the first time
11:08is Akiko Yosano, who is also known as a poet.
11:13She was born in Osaka, Sakai, in 1878.
11:18She became familiar with the literature of Kokon when she was young,
11:22and started to study Tanka when she was in her mid-teens.
11:25Yosano Tekkan, the sponsor of the Tanka Revolutionary Movement,
11:30wrote a letter to Yosano Tekkan,
11:33saying that she would like to visit her hometown, Myojo.
11:38When they met Tekkan, who came to Osaka for a performance at the age of 21,
11:45they fell in love with each other.
11:49At that time, Tekkan had a wife,
11:52and they fell in love with each other.
11:57After that, Tekkan broke up with his wife,
12:01and Akiko abandoned him.
12:04The first poem, published at the age of 22,
12:07is called Midaregami,
12:10and it describes the burning love between Tekkan and Yosano Tekkan.
12:13Yawahada no atsuki chishio ni furemo mide
12:18Sabishikarazu ya michi wo toku kimi
12:22Kurokami no chisuji no kami no midaregami
12:27Katsu omoi midare omoi midaruru
12:31The expression of love between women is unprecedented,
12:36and has been criticized by traditional families,
12:40but in the society,
12:44it has been fiercely criticized for breaking the taboo.
12:49After that, not only as a family member,
12:52but also as a feminist,
12:55she was also active as an educator and a political commentator.
12:59It is the story of Genji that such Akiko went through in her life.
13:06At the age of 11, she was repeatedly poisoned,
13:10and at the age of 14, she wrote her first modern translation,
13:14Shinyaku Genji Monogatari.
13:17However, this was only a small part of the original text,
13:23so she continued to write,
13:26and in the Great Kanto Earthquake,
13:29it was difficult for her to write most of the original text.
13:33Even so, at the age of 60,
13:35she wrote a complete modern translation,
13:38Shinyaku Genji Monogatari.
13:41At the beginning of each chapter,
13:44Akiko added a short story,
13:47Genji Monogatari Raisanka, to the story.
13:53Let's take a look at some of the requests
13:56that Akiko Yosano wrote one by one
13:59on a sheet of colored paper.
14:01Let's take a look at the first one.
14:04Genji Hikaru,
14:06from a young age,
14:08had a similar desire to the act of Kiritsubo,
14:12and thought of Fujitsubo,
14:15but after the Great Kanto Earthquake,
14:18she married Aoi, the daughter of Sadaijin.
14:21However, she could not forget Fujitsubo.
14:24In the first chapter,
14:26Genji Hikaru,
14:28thought of Araji Tozou.
14:31Fujitsubo, the shining flower of purple.
14:34Genji, Hikaru.
14:37Akiko, who longed for an unfamiliar love,
14:40praised Genji's song.
14:44Yuugao, who had many mysteries,
14:47was attracted to Genji,
14:49but one night, Yuugao was attacked by a monster
14:52and died.
14:54In the second chapter,
14:57Yuugao thought of a dream.
15:00A dream that was as nostalgic as a nightmare.
15:03A dream that would soon disappear.
15:06When Yuugao awoke from the nightmare,
15:09he was like a dream.
15:12He sang the sorrow of Genji
15:15that he was gone from this world.
15:18In the fifth chapter,
15:21he saw a girl who looked a lot like Fujitsubo,
15:24and he fell in love with her.
15:27Haru no no no,
15:30Ura Wakakusa ni shitashimite,
15:33Ito Oudoka ni koimo narinuru.
15:36Osanai Wakamurasaki wo
15:39Haru no no no Wakakusa ni tatoe,
15:42Genji nari no aisuru sama wo yondeiru.
15:45Akiko no ryurei na moji mo jitsu ni migoto de,
15:48Joutai wa kiwamete yoi.
15:50How was the evaluation?
15:53If it was real, wouldn't it be amazing?
15:56It's amazing.
15:58It's a full smile.
16:01Even if you look at the letters one by one,
16:04I feel like it's real.
16:07It's real.
16:09I think it's real.
16:12The result of the evaluation is
16:15the head of the commercial.
16:21Hey, what is this?
16:29Tears are coming out.
16:38No, it's like this.
16:40It's beautiful and real.
16:43It's P.
16:45It's suspicious.
16:47How much is the evaluation fee?
16:501.7 million yen when my father won.
16:531.7 million yen.
16:55I want to raise the price and get 2 million yen.
16:582 million yen.
17:00Let's go.
17:02Open the price.
17:05How is it?
17:07You'll go, right?
17:081, 2, 3, 4, 5, 6.
17:12Congratulations.
17:15Congratulations.
17:17It's amazing.
17:19It's amazing.
17:21It's definitely Yoshino Akiko's new work.
17:26In the story of Genji,
17:29there are a lot of things like scrolls,
17:32Byobu, Tanzaku, and Origyo.
17:35There are a lot of things.
17:37The song changes little by little.
17:41The contents are different.
17:43For example, the last part of the 37-chome Yokobue
17:46is called Yume no Yukue no Samuki Yoakana.
17:49This is called Yume no Yukue no Shirama Hoshikere.
17:53The content has changed completely.
17:56There are a lot of very passionate songs,
17:59especially Yomogiyu,
18:01one of Hikaru Genji's lovers,
18:02is called Suetsumuhana.
18:04In the garden of my house,
18:06where there is no road to walk on,
18:08I wrote Yomogiyu,
18:10and Hikaru Genji came to visit me.
18:14I was so happy.
18:16I felt invincible.
18:18It's interesting.
18:20The joy of Suetsumuhana
18:22is expressed very straightly.
18:24It's very Akiko-like.
18:26It's written as Minobe Tamiko's original painting.
18:29It was written for the wife of Minobe Tatsukichi,
18:33who is famous for Tenno Kikansetsu.
18:36The origin is clear and precious.
18:39Please take good care of it.
18:41How was it?
18:43It was good.
18:45I think it would be good
18:47if people who are interested could see it.
18:50Let's show it to everyone.
18:52Go on a business trip!
18:54In Ichihara!
18:59This time, the stage is Ichihara City, Chiba Prefecture.
19:04It is a city rich in nature,
19:06with a famous place for autumn leaves,
19:10and the largest dam in the prefecture,
19:13Takataki-ko,
19:15opened Ichihara Gohan Museum in 2013.
19:21The exhibition room was renovated
19:24using some of the old buildings,
19:26and the exhibition room is full of open spaces.
19:29You can see works that are integrated with architecture,
19:32and works that are integrated with the natural landscape,
19:36as well as unique modern art.
19:41The Kominato Railway, which crosses the city,
19:44has a history of about 100 years.
19:47The retro and lovely appearance of the diesel engine
19:51is very popular with railway fans and tourists.
19:56In spring, there are cherry blossoms and nanohana flowers.
20:00In summer, there are sunflowers.
20:04In autumn, there are autumn leaves.
20:08And in winter, there are illuminations.
20:11You can enjoy various collaborations in all seasons.
20:16First, let's talk to Mr. Namiki, a very energetic 89-year-old.
20:21What is the secret to your energy?
20:22I sleep early and wake up late.
20:24You sleep early and wake up late.
20:26I sleep as long as I can.
20:27How long do you sleep?
20:2810 hours.
20:2910 hours?
20:31Wow.
20:32Don't you wake up?
20:33I do.
20:34You do, don't you?
20:37Another secret is that he is passionate about bonsai.
20:42This is Shinpaku, which he has grown for 30 years.
20:46This bonsai is quite expensive, isn't it?
20:49How much does it cost?
20:51I'd say 30 yen, but it might be a little more expensive.
20:5450 yen?
20:55If it's 50 yen...
20:56You can sell it.
20:58No, I won't buy it.
21:02Here are the treasures.
21:08These are three items from the Miyagawa mine.
21:12They were all purchased 20 years ago from a friend.
21:16The first thing he got was this Seiji's ash tray.
21:21It cost 200,000 yen.
21:24This is a picture of a kawasemi tree standing on its leaves.
21:30It looks just like a real kawasemi tree.
21:33The color is good.
21:35It's very beautiful.
21:37It's cute, but it's also tense.
21:40It's like he's aiming for a prey.
21:43I think this is the moment when he realizes that.
21:47Just like bonsai, you can feel the world from a small world to a big world.
21:52That's the power.
21:54The bird's cauldron cost 300,000 yen.
21:57The bird's cage cost 150,000 yen.
22:01This bird is probably...
22:05It's still a baby. It's not a parent.
22:08If it were a parent, the color would be a little more beautiful.
22:11I don't think it's expressed that much.
22:15They're all wonderful sculptures, so they must be real.
22:19When I went to the exhibition at the Miyagawa mine,
22:24There were a lot of things that matched this.
22:27I see.
22:29I thought it was similar.
22:31The estimated value is 650,000 yen in total.
22:37I thought I'd get a sense of fate.
22:41I can't stop my heart beating.
22:43Let's take a deep breath.
22:46I'm out of breath.
22:48I'm out of breath.
22:51What's the result?
22:54Ta-da!
22:561 million yen!
22:58I did it!
23:00Congratulations!
23:02I did it!
23:04The Makuzu-yaki Miyazawa mine.
23:07The first generation, the second generation, and the third generation are all here.
23:11First of all, the first generation.
23:13This is the cauldron of death in the middle.
23:16It's not a duck. It's a dead duck.
23:19It's not a duck.
23:21I made the cauldron look like it was holding an egg.
23:24The sharp eyes of a woman and the gaze of a warm mother are overflowing.
23:34The first generation is a work of the famous painter Nonomura Nisei in the Edo period.
23:41I established the molding of Makuzu-yaki.
23:45The second generation is the cauldron of death.
23:49He is very good at politics and has many masterpieces.
23:52It's transparent and deep.
23:57The craftsmanship is not running away.
23:59The third generation is the cauldron of death.
24:03The sharp eyes are aiming for the fish in the pond beyond the lotus flower.
24:10But I can't get enough of his cute gestures.
24:15Well done, all three generations.
24:18Please take good care of it.
24:20Thank you very much.
24:22The next generation is the oldest, Nagai-san.
24:26How old are you?
24:28I'm 92 years old.
24:3092 years old!
24:32What's the secret of your long life?
24:35I practice English a little for my mental health.
24:40How long have you been practicing English?
24:43Since I was 85 years old.
24:45Since you were 85 years old!
24:47There's someone next to me who can speak English.
24:49Yes, I've been curious about it for a while.
24:52Can you speak English?
24:57I'll do my best.
24:59What's your name?
25:01My name is Keiko Nagai.
25:03Nice to meet you, Keiko.
25:05I like you working as a commentator.
25:08Thank you very much.
25:10It's very nice to see you today.
25:13What do you think about the presidential election?
25:16Why are you asking about the presidential election?
25:19I like Harris.
25:21You like Harris?
25:23Kamala Harris?
25:25I think you've gone crazy.
25:27Give it back to me!
25:29Here are the treasures!
25:31What's this?
25:34It's the time of the Andes civilization.
25:38It has a unique shape with a hole in the head of an animal.
25:44The Andes civilization is a culture that flourished in the 16th century
25:50when the Inca Empire was destroyed.
25:55However, it is not known which culture was used in which period.
26:01This is what her late husband, Mr. Tadashi, left behind.
26:05Mr. Tadashi was a coordinator of the Middle and South American travel in the 1960s.
26:11I heard that he got it from someone who took care of him in Peru.
26:17I wanted to know if it was valuable.
26:22So, I brought it with my husband today.
26:25I see.
26:27The estimated value is 50,000 yen.
26:32Her husband had a lot of overseas business trips, so it was hard for him to raise a child.
26:36However, it is still a good memory.
26:40What is the result?
26:42It's 100,000 yen!
26:45That's great!
26:52It's definitely the real thing.
26:56It's about 800 years old.
27:00It was exported to the north coast of Peru.
27:03It's called the Kupisunike culture.
27:06It's the oldest culture in the local area.
27:10It's a low-temperature, black-and-white kiln.
27:14That's why the charcoal sticks to it and becomes black.
27:19It was used as a tableware.
27:22It was taken to the grave with the body.
27:26It was used for the funeral.
27:29The cultural property protection law was introduced in 1985.
27:35It was a gift from the older generation.
27:39I hope it will be taken good care of.
27:42I learned a lot today.
27:44I'm so happy.
27:46I'm crying.
27:50Next is Mr. Yoshino, who married a wife with a rare name.
27:55What's your name?
27:57My name is Rin Shiho.
27:59Not your name?
28:01Your name is Rin Shiho?
28:03Yes.
28:05What does Rin mean?
28:07It means bell.
28:09That's a cute name.
28:11What do you call Rin Shiho?
28:13I call her P-chan.
28:15Why P-chan?
28:17The treasure is a tea bowl of death.
28:21When he was in his early 20s,
28:24his seniors at work...
28:26He lost his money in a car accident.
28:31He couldn't afford to live on his own,
28:33so he asked me to lend him 100,000 yen.
28:35I told him that I would give him what I cherished,
28:38and that it would be a great help if he lent it to me.
28:40He was a senior who took care of me,
28:43so I said yes.
28:45So he was a debt collector?
28:47That's right.
28:49What did he say?
28:51He said it was a Shino-yaki from the Azuchi-Momoyama period.
28:56A Shino-yaki from the Azuchi-Momoyama period for 100,000 yen?
29:00Why are you making such a fuss?
29:02That's what I'm saying!
29:04So if you have this,
29:06what about the 100,000 yen?
29:08It won't come back.
29:10His evaluation was a total of 500,000 yen.
29:15After that, he quit his job to run away from work,
29:19so he lost all his money.
29:22What is the result?
29:25Takada!
29:27200,000 yen!
29:29That's too bad.
29:31200,000 yen!
29:34This isn't a Shino-yaki.
29:36The shape and size are different.
29:38It's probably a Shino-yaki from the Azuchi-Momoyama period
29:41It's one of the many Shino-yaki that were baked in the Azuchi-Momoyama period.
29:46It's baked with a lot of oil on the coarse soil,
29:51so it looks like a shell.
29:54It's a pretty good tea.
29:58If you take a sip of tea every day,
30:02your heart will calm down,
30:04and your wife will be happy.
30:07Next is Mr. Koyama, who is aiming to pass the judicial exam.
30:12I thought a young lawyer would come.
30:16You're already the president of a law firm.
30:19How old are you?
30:21I'm 80 years old.
30:2380 years old!
30:25I've taken the exam 18 times since 1943,
30:28so I'm still calm.
30:30So you're still going to take the exam?
30:33I want to take it until I die.
30:36If you pass the exam,
30:38I want to be a lawyer.
30:40Why do you want to be a lawyer?
30:42It's a man's dream.
30:46It's not very well explained.
30:50Here are the treasures.
30:55It's a nice wall.
30:57Please read the back.
30:59Do you want to pass the exam?
31:00No, no, no.
31:02This is the book of Mr. Sakuma.
31:06About 10 years ago,
31:08he found this when he was cleaning up his house.
31:12His grandfather was working in Nagano,
31:15where he was born,
31:17so he probably got it.
31:21When he found it,
31:23it was full of bugs and was tattered,
31:26so he re-painted it.
31:28How much did it cost?
31:30It cost 100,000 yen.
31:31100,000 yen?
31:34In fact, for a certain reason,
31:37he decided to appear on the show.
31:40He was supposed to be on the show,
31:43but he suddenly decided to be on the show.
31:46So he's here to make up for it.
31:48He's here to make up for it?
31:50If I may say so,
31:52it's like a love letter.
31:55It's like a love letter.
31:57It's like a love letter.
31:58I'm happy to be on the show.
32:00It's like a miracle.
32:02I see.
32:04You're very positive.
32:07His evaluation is a fair 1.5 million yen.
32:13He won the evaluation,
32:15and he's determined to pass the exam.
32:21After this, the audience is excited to see the result.
32:28The result
32:34It's very tasty.
32:36It's cute.
32:38This is real.
32:40Really? I'm happy.
32:42The next day
32:44About 10 years ago,
32:46they reorganized their home.
32:49They spent 100,000 yen to renovate their home.
32:52This is the result of their hard work.
32:54What is the result?
32:57The result
32:59500 yen
33:01No way.
33:03500 yen
33:05One coin?
33:07Don't say one coin.
33:09It's a shame.
33:13If you look closely,
33:15it's not a flesh.
33:17It's a print.
33:19A print?
33:21In general,
33:22we even print the impression.
33:25But the impression
33:27is printed.
33:29The impression itself is a fake impression.
33:32It's good that it's just a print,
33:35but on top of that,
33:37they print a fake impression.
33:40It's a very bad fake.
33:44Are you okay?
33:46I'm okay.
33:48Next is Mr. Miyahara,
33:50who has been collecting baked goods for 50 years.
33:52What attracted you?
33:54My friend
33:56was a collector.
34:00He showed me beautiful things,
34:02and I woke up.
34:04He has a collection of about 50 items.
34:07He has been collecting items from all over Japan.
34:12How much have you used so far?
34:14It's a secret.
34:17The treasure is five plates of koimari.
34:2227 years ago,
34:24I exchanged it with a plate of Keitokuchin I had,
34:28and someone gave it to me.
34:31Who did you exchange it with?
34:33It's a secret.
34:35How much was the plate of Keitokuchin?
34:38It's a secret.
34:40There are many secrets.
34:43I like the vivid color of the dye.
34:48Mr. Miyahara's evaluation is 500,000 yen for a plate of 100,000 yen.
34:54His family has been treating his collection as garbage for many years,
34:59so I want him to say it's a fake.
35:02What is the result?
35:04Ta-da!
35:06600,000 yen!
35:08That's great!
35:10It's a little higher.
35:12This is a good plate.
35:14This is a Jotemon from the Koimari Sobetsu family in the middle of the Edo period.
35:19It has a good picture.
35:21It's a rare item.
35:23There are three karakos.
35:25They are holding it on the desk and studying.
35:30They are bored, so they jump out of the rooftop and play.
35:35It's really dynamic.
35:40There is a name of Uzufuku on the back.
35:42The karakusa pattern on the side is also double-lined, and the inside is filled with dami.
35:48It's an old method that has nothing to do with it.
35:52Please enjoy it carefully from now on.
35:55Thank you very much.
35:57The Detective Team will be broadcast anywhere in Japan.
36:02Next is from Odaicho, Mie Prefecture.
36:05From Odaicho.
36:07Seiryu Miyagawa, which has been chosen many times, flows in the most fertile river.
36:14More than 90% of the town is a forest.
36:18I visited this school, which stands out in such a great nature.
36:24Hello. Welcome to Osugidani Natural School.
36:28The next client is Kaori Onishi, the principal.
36:32Mr. Onishi.
36:34Mr. Onishi was born in this town and studied biology at university.
36:40He was appointed to the Philippines as a member of the Youth Overseas Cooperation Team.
36:45He was a private teacher for three years.
36:50After that, he came back to his hometown.
36:54What he was waiting for was the aging and declining of the local residents.
37:00This school was originally an elementary school.
37:03But I found out that it was going to be an open school.
37:06I wanted to make an effective use of it and make the town more active.
37:10In 2001, it became a natural experience school for children.
37:15The place to learn is outside the classroom.
37:18It is a rich nature that Odaicho is proud of.
37:21This day was a river play experience for elementary school students.
37:27If there is a machine, the children can understand the flow of the river and the structure of nature.
37:34They can play as much as they want.
37:36I think it's an experience that can enjoy the fun of the countryside, which is different from games and the Internet.
37:47In addition, we invited the local elderly to the course.
37:51They taught us traditional fishing methods, such as fishing with a hook.
37:57We also held various experience programs, such as caring for tea gardens, harvesting, and boiling hot water with firewood.
38:08Not only in the town, but also all over the country, children are participating.
38:14In addition, Mr. Onishi is also working hard to make the town more active.
38:19We are planning a new specialty of the town that combines Yuzu and tea.
38:27There is a way to drink Chinese tea by picking out citrus fruits, putting tea leaves in it, and drying it to enjoy a refreshing flavor.
38:37I would like to make it with Yuzu.
38:41Actually, I was looking for a picture that could be used in the package, so I found this picture when I was looking for an online auction.
38:50The picture is perfect for the image of tea in the project.
38:55Moreover, the author was a great painter representing the Edo period, so I was surprised.
39:00Thank you for your evaluation.
39:03Let's take a look at the picture in the studio.
39:08Here comes the client.
39:11This is Mr. Onishi, who came from Ie-ken.
39:15Nice to meet you.
39:17Nice to meet you, too.
39:20Children are here today, right?
39:22Yes, they are.
39:24Are they local children?
39:26Yes, they are.
39:28What do you recommend the most to play in the local area?
39:30Shakuri.
39:32Shakuri.
39:34I want to try it.
39:35I want to try it, too.
39:37If I were 50 years old, I would definitely go there.
39:40This project is mainly for children, but we are also doing a pilgrimage to Kumano.
39:49Kumano Kodo is located in Odaicho.
39:52200 km?
39:54It's a journey to be reborn.
39:56A journey to be reborn.
39:58It's worth going there.
40:00This is a treasure.
40:02This is a new product.
40:04This is a package of yuzu and tea.
40:06Let's take a look.
40:08Open the treasure.
40:13This is perfect.
40:16This is a good picture.
40:18This is a picture of Ike no Taiga.
40:21Ike no Taiga is a big name.
40:23What is drawn here?
40:24This is a picture of a thousand people living in a tangerine called TACHIBANA.
40:32Is this a new product?
40:34This is the same concept.
40:36There are various things in the tangerine.
40:38This is perfect.
40:40Do you have a product name and other ideas?
40:42This is a picture of tea in TACHIBANA.
40:46This is TACHIBANA.
40:48This is a good picture.
40:51I bought this on the Internet.
40:52How much is this?
40:54This is 100,000 yen.
41:00What did you think when you received this?
41:03There are eyeballs in the eyes of a thousand people.
41:07When I saw this, I thought it was real.
41:10What is this technique?
41:12This is a very detailed technique.
41:14That's why I can see the facial expression.
41:17This is alive.
41:19This is alive.
41:21This has a taste.
41:23Each person has a different expression.
41:25This is cute.
41:27I don't think this kind of brush is easy to draw.
41:32This is easy to draw.
41:34This is good.
41:36This is real.
41:38Are you sure? I'm glad.
41:41The brush is freely used from the pristine water to the equal person.
41:50Taiga in Ike is a masterpiece of BUNJINGA, which was active in the middle of the Edo period.
41:57He was born in 1723 in Kyoto.
42:02He has been praised for his talent in writing since he was a child.
42:09He lost his father at an early age.
42:12He has been self-taught since the age of 15.
42:16At that time, Kien Yanagisawa, the pioneer of BUNJINGA, recognized his talent.
42:23He learned various techniques not only from Kien, but also from Chinese etiquette.
42:34Among them, the Shito-gawa, which is drawn with fingers and nails, has become a popular technique.
42:45BUNJINGA was originally drawn by Chinese intellectuals as an art.
42:52He pursued a world that was rich in nature and pure, and a land where he could live freely without being covered by the world.
43:04Taiga reads a book of mangas and follows the path of BANRI.
43:09Taiga travels all over Japan to realize the ideal of this BUNJINGA, and he also challenges the SINKEI-ZU.
43:18SINKEI-ZU refers to the actual scenery, but it also contains the experiences and emotions he gained on the journey.
43:28At the age of 38, he crossed Mt. Fuji, Mt. Tateyama, and Mt. Haku.
43:34He drew the SINKEI-ZU of Mt. Asama based on his experience at the time.
43:41In the foreground is Mt. Asama.
43:44In the center is Mt. Myogi.
43:46In the distance is Mt. Fuji.
43:50He also used the perspective method of Western painting, which was just introduced at the time.
43:55He expressed the greatness of nature without exaggeration by using a horizontal screen.
44:01It is said to be the best work of SINKEI-ZU of the Edo period.
44:09After the age of 40, he added a bit of eroticism to the picture.
44:15In this painting, which depicts the ancient Chinese painting, SHOUSHOU-HAKKEI,
44:21he expressed the color of the leaves of YANAGI in a subtle way,
44:26and the reflection of light in an unusual way.
44:32Or, RYUU-KA-DOU-JI-ZU, in which two people are trying to catch a small fish by reaching out their hands from the bridge.
44:41If you look closely, you can see the trees reflected in the river.
44:46In this era, there is no other picture in the world that depicts the unusual beauty of nature so vividly.
44:53On the other hand, the portrait of the person is unadulterated,
44:58and there are no flaws in any of them.
45:03KOKU-HO-JU-BEN-ZU is a portrait of a new-era Chinese scholar,
45:08who drew the daily life of a free-spirited scholar,
45:13by taking the material of the poem of RIGYO.
45:17I can see that he enjoyed drawing from the bottom of his heart.
45:23The painter, KOSUGI-MISEI, who saw this picture later in his life,
45:28said that in Japan, there was already a pureness like that of a young man,
45:33which Picasso sought in the Edo period.
45:38In response to this, he rewrote GOU as HO-AN,
45:42and transferred it from Western painting to Japanese painting.
45:47Let's take a look at the request again.
45:51At the foot of the Ike-no-TAIGA,
45:54there is a scratch on the box.
45:58This is based on a Chinese story
46:01in which a thousand people were shooting GOU
46:05when they saw a large flower bud.
46:08The delicate scratch makes it look like a large painting.
46:13In addition, there is a highlight of HIRAI-KEN-SAI
46:17and FUKUDA-HAN-KOU,
46:20the painters of the late Edo period.
46:24What is the conclusion?
46:28I thought he was a great person.
46:32Do you have confidence in yourself?
46:34Do you have confidence in yourself?
46:37But it's 100,000 yen.
46:40What is the result?
46:52It's a real book.
46:55It's difficult.
46:58Mr. Ibara, you're not a judge, you're a lawyer.
47:01How much do you think the book is worth?
47:04I think it's worth 1 million yen.
47:08Mr. Tatsumi, what do you think?
47:11I think it's worth 1 million yen
47:15because there are many things
47:19that people who grew up in nature can choose.
47:23I'm a little suspicious.
47:26I think it's worth 5,000 yen.
47:28SUGAI, you've changed a lot.
47:32I don't know.
47:34I think it's worth 1.2 million yen.
47:37Let's open the prize.
47:50It's worth 10,000 yen.
47:53I'm sorry.
47:55Oh, I see.
47:58Unfortunately, IKE-NO-TAIGA was a fake.
48:02This work is based on the original.
48:06This is the original.
48:08It's completely different.
48:11The real thing is a very relaxed atmosphere.
48:15It's an elegant work.
48:18Compared to the original,
48:21there is no taste in the line.
48:23The atmosphere is completely different.
48:26It's very relaxed.
48:29I feel like I'm in a class.
48:33But I think it's a very cute work.
48:37I think it's good for Tsutsumigami.
48:40Thank you very much.
48:42I want to use it in the package.
48:44Please use it.
48:46A large number of people have applied.
48:49If you want to sell a treasure,
48:53please apply for the photo and episode of the treasure.
48:59We are waiting for you.
49:01For more information, please see the program homepage.