Nineties Eastenders (26th May 1998)
Category
🦄
CreativityTranscript
00:00I know I'm late.
00:28Don't worry, you're here before Michael.
00:37Hey, Matthew, where's your dad got to?
00:39I don't know.
00:40There's got to be a riot here if he don't show up.
00:42I think he's on his way.
00:43It's not arguing to be late.
00:44Do you think one of us should give him a shout?
00:46No, I'm sure he'll be alone in a minute.
00:48All right.
00:51It's all right, Michael's late and all.
00:53I wonder what his excuse is, then.
00:56It's not here, I can't find it anywhere.
00:58Where's the other one?
00:59At the top of the stairs.
01:01Oh, here it is.
01:02I wonder how it got there.
01:08I thought you were late.
01:09So I'm late.
01:12Go on.
01:13I don't want to go.
01:15We could both find him sick.
01:16I can't, I've got too much to do.
01:18Anyway, I think I've had enough sick leave this year.
01:20Are you tired of me already?
01:22Am I that transparent?
01:25See you later.
01:31Yeah, I'm sure we can come to some arrangement, Jim.
01:34Yeah, well, let's get together, go over the figures.
01:39Yeah, yeah, I see.
01:42Yeah, yeah, I know how it is.
01:44Thanks for calling back.
01:50I thought I've told you, but I don't know what's coming.
01:52I thought I've told you, but I don't know what's keeping him.
01:54You don't seem very worried.
01:56They're getting restless.
01:58Well, do you think someone should call over at the house, see if he's OK?
02:00Don't they send someone else out if he calls in sick?
02:02Don't worry, I'm sure he'll be along soon.
02:04That's what Matthew says.
02:05Here he is.
02:06All right, Michael?
02:07Yeah, well, I overslept the alarm, so...
02:08You've got to catch it, mate.
02:09What time did you call this, then, eh?
02:11I was being dragged out of my bed backwards.
02:13Oh, boy, that's the question, isn't it?
02:14Sorry, everyone, it was the alarm.
02:16I forgot to set it, all right, it happens.
02:18Where have you been?
02:23Morning.
02:24I wouldn't bother, there's nothing to eat.
02:26I was supposed to shop, wasn't I?
02:28It was your turn.
02:29Sorry.
02:31Ah, well, we'd only have to wash up if there was anything to eat.
02:34My turn again?
02:35Now you come to mention it.
02:37You know, I've been thinking about housework.
02:39You do it, and before you know it, it needs done again.
02:41All that time you're wasting.
02:43For what?
02:44The pleasure of not living on a pig's die.
02:46A clean house is the sign of an empty life, believe me.
02:49I know.
02:50We've all lived in dives in our time and where we start now,
02:53but when it's your own place, your home...
02:55What's a home? A place that you sleep in?
02:57It'll get done when it gets done.
02:59I mean, I've got better things to do.
03:01Like going out and getting drunk every night?
03:03This isn't you, Ruth.
03:04And what is me?
03:06The perfect wee housewife with her pennies scrubbing the doorstep?
03:09Of course not.
03:10Good, cos I've tried that and it's really boring.
03:12Right, I'm going to the cafe if there's nothing to eat here.
03:15Are you coming?
03:17So, how's it getting up here, all right?
03:19Well, I'm sure we can find someone to complain about, can't we, Sam?
03:22Forget it, mate.
03:23Listen, I've had enough ego loss for the rest of the day, all right?
03:26Yes, love.
03:29Slept in, eh?
03:30I take it from that that the dinner party went well.
03:33In the end. Eh?
03:36Nothing ever goes how you expect with Susan.
03:38I should probably know better, but there's just something she does to me.
03:42I'm really pleased for you, mate.
03:44Thanks. Thanks for the good advice, yeah.
03:46Well, you were the one that said to stop living my life for other people
03:49and do what I want to do.
03:51I talk a lot of rubbish.
03:52Yeah, you do.
03:54But what you said that night, it made sense.
03:56It made me think a lot about it.
03:58You don't want to pay anything to me.
04:00Well, for once, I'm glad I did.
04:02It's just what I really needed.
04:06The point is, we've been open a couple of months
04:08and we're just not getting the business in.
04:09I've told him it's going to take time.
04:11George said this was a sure thing, that we'd have no trouble here.
04:13Well, I'm sorry, but he's just not around.
04:15He sold us the right bill of goods, didn't he, and then clears off out of it.
04:17No-one held a gun to your head. Every business venture is a risk.
04:20He told Mum we'd be much better off out here.
04:22In the long term, and I know he's right.
04:24Well, the least he could have done was stick around and help us get it up and running.
04:27Exert some of this influence we're always hearing about.
04:29Introduce some of his rich friends and associates to the place.
04:32I'll see what I can do.
04:33Oh, what? They'll turn out for you too, will they?
04:35I know everyone who matters round here.
04:37What we need is some proper publicity, adverts, promotions.
04:40That'll cost money.
04:41Well, maybe Annie can get a local celebrity in. Get us in the paper.
04:44Like I said, I'll see what I can do, but I've got a lot on at the moment.
04:47It's your investment. It's in your interest.
04:49Not interrupting, am I? The bloke at the club said you might be over him.
04:52Yeah, you are, actually.
04:53Unless you come to do another write-up on this place.
04:55You got Ian Beale to do that, haven't you? For a really impartial opinion.
04:58You're a bit out of date. He's no longer a backer, yeah, but good idea.
05:02I'll see about that, Rosa.
05:03Don't forget the backhander.
05:04Was it something you wanted?
05:06It's about the incident last night at Palmer's gym.
05:08What incident? Haven't you heard about it?
05:10Why? What happened at the gym?
05:11Someone broke in last night, did a lot of damage.
05:13I'll have to get back to you about publicity.
05:15Any idea who might want to do a thing like that?
05:17How could I? I've only just heard about it.
05:19Could there be any connection between this and the fire at your father's house?
05:21Of course not. That was an accident.
05:23Can we continue this on the way back to the office?
05:25You haven't had any trouble here, have you?
05:27Do you think it's malicious, aimed against George?
05:29There's always petty stuff like this going on at the gym.
05:31Threats daubed on the walls don't sound petty to me.
05:34Well, let's get the facts first, shall we? I'll get back to you, Rosa.
05:39Do you think that girl's right? George could be in trouble?
05:41No, she's just trying to stare at it.
05:43Haven't we got enough to worry about here?
05:49Haven't you got anything more exciting to go chasing after?
05:51Because you really are wasting your time on this one.
05:53You really don't know of anyone who might have a grudge against your father.
05:56Sorry to disappoint you.
05:57So why would they paint pay up or else on the wall?
05:59Maybe the electricity bill was overdue.
06:01Can you tell me where Mr Palmer is at the moment?
06:03He's on holiday.
06:04He's been gone for quite a while, isn't he? Is this likely to bring him back?
06:06An amateur paint job on the gym? I hardly think so.
06:09Look, there really is no story here, so if you'll excuse me, I've got better things to do.
06:16See you over there.
06:23Sarah.
06:24Hi.
06:25We've missed you at the refuge. Everyone's asking where you are.
06:27Look, I'll make her stop.
06:28Look, what about Dan? That's all I want to know.
06:30Nothing. Just excuse me, will you?
06:40Sour coffee?
06:41Yes, please.
06:43And I'm saying that Annie hasn't got time for our problems.
06:46Let's just see what she comes up with.
06:47She's got better things to do than find celebrities to come here.
06:50She's the one that's always dropping hints about her influence around here.
06:52You didn't have to be so rude to her.
06:54I was just getting my point across.
06:55I was embarrassed. We should never have bothered her. She's got a lot on her plate.
06:59We're finding out just how much George spreads himself around, aren't we?
07:02The question is, where do we come on this list?
07:04If she's got problems at the gym, we can't expect...
07:06If she can't take the heat, then she should get out of the kitchen.
07:12George would never have gone away if he couldn't rely on her.
07:15He's really got it made, hasn't he?
07:16All his women running around while he relaxes on the beach.
07:19It's not like that.
07:20He left you high and dry.
07:21He trusted me to get on with things, and that's what I was doing.
07:26What a morning.
07:27And all on an empty stomach.
07:29Didn't Mum cook you breakfast?
07:30No, it wasn't time, was there?
07:32You could have given us a shout.
07:33I wasn't sure if you wanted me to.
07:35Next time, feel free.
07:36If there is a next time.
07:38It was all your mum's fault, I forgot to set the alarm.
07:41So, did you like the dinner?
07:42Only when she got over the shock.
07:44Thanks for going out and giving us a chance to talk.
07:46I didn't want to be in your way.
07:48Well, tonight it's going to be the three of us, out on the town for some fun.
07:51You don't want me there.
07:52Yeah, of course we do.
07:53Look, it's your choice, where do you want to go? Anywhere you fancy.
07:56Show, pictures, down to dogs.
07:58Hey, we haven't done that for ages.
08:00Why don't you bring Sarah?
08:02Dan, look, if your mum and me can get talking after all this time,
08:06it's not the same.
08:07Well, why not?
08:08What have you got to lose?
08:11Yeah, Phil, do you want me to adjust this clutch cable while I'm at it?
08:14Does it say adjusted cable in the works order?
08:16Well, no, but I just...
08:17Well, then just do what it says, Ricky, will you?
08:19Morning.
08:20Hi.
08:21Hi.
08:22Never better.
08:23Just came by to see if you need me today.
08:25I was meant to get on the blower when I get some more action.
08:27Don't worry about it.
08:28Everything alright?
08:30Yeah, yeah, I should get back over Ken, let's get the rest of that money.
08:33I wasn't dropping hints.
08:34No, no, I need to get out of here anyway.
08:36Ricky, I want that done by the time I get back.
08:42Seen him?
08:43No, I don't know, he's been in a strop all morning.
08:45Have you asked him what's up?
08:46Well, when Phil's like this, the best thing you can do is just keep out of his way, mate.
08:49That's funny, he was in a good mood all weekend.
08:51Yeah, well, that's Phil for you, isn't it?
08:52He needs to take an hour to himself.
08:54Have to see what I can do.
08:55Yeah, well, good luck, you'll need it.
08:58Alright.
08:59Hello.
09:00Could I talk to you about Sarah for a minute?
09:03What about her?
09:04She's upset between us.
09:06What's she told you about it?
09:07Well, not much, that's the trouble.
09:09Well, I don't think I can help it.
09:11Look, I know you were supposed to be engaged, or she thought you were,
09:14but something went very wrong.
09:16I don't see what this has to do with anyone but us.
09:18Believe me, I'm not trying to pry.
09:20It sounds like it to me.
09:21It's just I don't know Sarah really well.
09:23I can see how upset she is, and I'm worried about it, but she won't talk to me about it.
09:26I didn't do anything wrong.
09:27I'm not trying to blame anyone, I'm just concerned about Sarah.
09:30Her mum's away, and I don't think she's got anyone to talk to.
09:33She can't do anything without worrying what the church will say.
09:36Now, she'd be much happier if you just left her alone.
09:40Oi, I'm looking for Peggy Mitchell.
09:42Sorry, she's not around, she's gone out.
09:44When will she be back?
09:45Later this evening. Can I give her a message?
09:47It might be too late.
09:48Maybe you could help, it's about George Palmer. I'm trying to find out where he is.
09:51Peggy would hardly know, she broke up with him ages ago.
09:53Yeah, and I was just wondering if she's still in touch with him at all.
09:55No, I don't think she has much to do with him anymore.
09:57She hasn't mentioned hearing from him, no postcards or anything?
09:59You'll have to talk to Peggy about this.
10:02Right.
10:03Sorry.
10:05Here you go.
10:08That's what it's all about.
10:09Thank you very much.
10:11Might have some more work for us later in the month.
10:13Great.
10:14Yeah.
10:15Let's go out and celebrate.
10:16Maybe some other time, eh?
10:18All work and no play.
10:20You're in danger of taking life too seriously.
10:22Not in the mood these days.
10:23I can't get excited about a repair contract anymore.
10:26You're missing the glamour of the protection game.
10:28No, no.
10:29No, we're well out of that.
10:31We're doing all right, aren't we?
10:33I should put this away for a rainy day.
10:35Where's the fun in that?
10:37Well, you can't take it with you.
10:38So what are you going to do with it?
10:40Add it to the pile.
10:41I've still got some money for Manny sitting around.
10:43You are loaded.
10:45Yeah.
10:46So, we're two single guys with money to burn.
10:48Let's get out there and find ourselves some female company.
10:51What, pay for everything and get dumped at the end of the night?
10:53A couple of high rollers like us.
10:55We'll have to price them off.
10:58I've got a better idea.
10:59What's the plan? Are we going up to town?
11:01No.
11:02We don't have to go that far to have a laugh.
11:17There you go, love. You get that down there.
11:19Oh, thanks.
11:20You're looking a bit pale.
11:21Try and take care of yourself.
11:23Oh, there's not much point in cooking for one.
11:25Why? Where's Tony?
11:27Well, he's out a lot. You know, working or whatever.
11:29Oh, must be lonely for you.
11:31Oh, no, I don't mind.
11:32I mean, I've got exams next month, so I need to concentrate on them.
11:35I didn't get too much done on the run up to the wedding, so...
11:37No word from the two lovebirds?
11:39Not even a postcard.
11:41They must be having a good time.
11:43Still, you'll be glad when your mum gets home, won't you?
11:45Yeah.
11:46In the meantime, you get out with your friends.
11:48Don't sit in that house on your own.
11:50All work and no play.
11:51I know, I know.
11:52Are you still up and out of the refuge?
11:54Er, no, not today.
11:56Well, there you go.
11:57You've got no excuse then, have you?
12:01People have got long memories in this business.
12:03What, nobody will consider it?
12:04It is such a good deal, but all I've had all morning is,
12:07''Oh, sorry, Roy, it's a bad time.''
12:09Or, ''Sorry, you know how it is.''
12:11You can't take it personally, love.
12:12No-one will give me sale or return on the volume of stock I need,
12:15so what am I supposed to think?
12:16Well, maybe this ain't the right time to explain.
12:18I know I could make this work.
12:20Yes, I know you could and all, but we've got to be realistic.
12:23I'm not finished yet.
12:24I'm seeing Oliver Phillips tomorrow.
12:25For a bank loan?
12:27Is there any option left?
12:28Well, what kind of money would you have to borrow?
12:3130,000, whatever he agreed to.
12:33That's a lot of money, Roy.
12:35Look, I can justify it. The figures add up.
12:37Yes, but he knows how you lost Manor Wood.
12:39Ollie's a maid. He knows it wasn't my fault.
12:42Love, it's Earl of Adair.
12:43I mean, if anything was to go wrong...
12:45I know what I'm doing.
12:46Shouldn't you think about it more carefully?
12:48I haven't got time. I've got to move on this now or I'll lose it.
12:51Good opportunities don't wait around forever, you know.
12:56All right?
12:57Looking for a dress?
12:59You never know. I might get an offer I can't refuse.
13:01What do you reckon?
13:03Yeah, looks good.
13:04Why don't you try some dress yet?
13:06What about these?
13:08I'm afraid my disco queen days are long behind me.
13:10Oh, come on. You're as young as you feel.
13:12Don't you mean you're as young as the person you're feeling?
13:14No, no, no. Smart and sensible, that's more my style.
13:17Oh, come on, this would really get Michael steamed up under the collar.
13:20Really?
13:21Not that you need much help on that score.
13:23You've already put a sparkle in his eye.
13:25Is that right?
13:26Yeah, although the casuals would appreciate you getting him out of bed earlier in future.
13:29I'll have to see what I can do.
13:31And what about the dress?
13:32Don't forget to set the alarm tonight.
13:35Hey, you going out?
13:37Yeah, me and Philip to Vic.
13:39Business of pleasure.
13:40Strictly pleasure. We're going out into town.
13:42Yeah, where are you off to?
13:43I don't know. Phil's arranging it all.
13:45Sounds like it could be fun.
13:46We'll see.
13:47What about you? What's the action tonight?
13:49I've got nothing planned.
13:50Is Polly not around?
13:51No, she's working late. Some story she's got to get finished.
13:54That's a drag.
13:55So, I'm up for anything.
13:57I'd invite you along, but I don't know what Phil's got arranged.
13:59It's all right. I get the picture.
14:01I wouldn't want to intrude on a boy's night out.
14:03You'd probably end up down the dogs. I don't know what Phil does for fun.
14:06Well, you're about to find out. Have a good time.
14:09There's plenty to do around here if you fancy a night in.
14:11Yeah, right.
14:21I thought I saw you come in.
14:23Are you all right? You looked upset this morning.
14:28Look, I hate this.
14:30Can we just...
14:32Look, I'm really sorry about what happened.
14:34Oh, it's a bit late for that.
14:36I didn't know you were going to tell everyone.
14:38That's what you do when you get engaged. You tell people.
14:40What did you think was going to happen?
14:42I thought it was just between me and you.
14:44Were you ashamed of me?
14:45No.
14:47I thought we were just agreeing to go steady and not see other people.
14:51Getting married is something else, Sarah.
14:53Then why did you agree to it?
14:55I don't know. Because you wanted it so much.
14:58I didn't force you into anything.
15:00You kept going on about it. I wanted to make you happy.
15:02And get what you wanted.
15:04Didn't we both want that?
15:05It was all you were ever interested in.
15:07No, that's not true.
15:09Sarah, I really like you, but I'm not ready for this.
15:12There's just too much stuff going on.
15:14Why? What's happened?
15:16Oh, just stuff at home.
15:18I miss not having you to talk to.
15:20I just want to be friends like we were before.
15:22Well, I don't know if I can.
15:24Please, Sarah.
15:25Look, I just don't know.
15:29All right, Mark?
15:31Yeah, I'm fine.
15:32Can I get you one?
15:33No, thanks.
15:34Come on, if I can't buy my own cousin a beer...
15:36I said no thanks.
15:39It's not about what happened between me and Ruth, is it?
15:42Don't you mean what didn't happen?
15:44If it's me living in the house, I'll move out.
15:46It's none of my business where you live.
15:48I don't want to make things worse than they already are.
15:50I wouldn't worry about it. I don't think things can get any worse.
15:53For what it's worth, I think Ruth's putting on a brave face.
15:57She's not very happy.
15:58It makes two of us, so let's just drop the subject, yeah?
16:01Where does that leave you and me?
16:03I don't know, Connor.
16:05Maybe blood ain't thicker than water after all.
16:13Where have you been?
16:14Karl wouldn't let me go.
16:16We've got rehearsals in five minutes and I wanted to go through this with you first.
16:19It's not easy, you know, rearranging my life to rehearse every evening.
16:22Well, tell me about it. I had to get cover for the Cav.
16:25Karl doesn't like me being out every evening. It's not fair on him.
16:27It's just until we get this gig behind us.
16:29He's just a kid. He doesn't understand.
16:31Yeah, he does. He thinks it's cool you're in a band.
16:33He talks to you about it, but when I'm rushing out the door every evening, it's a different story.
16:37Look, we're all tired. We're all tense.
16:40We ain't got the energy to waste on bickering.
16:42So what was it?
16:44I was thinking about how we could rejig the intro here.
16:47Hello? You with me?
16:49Yeah, sorry. It's just I still haven't sorted out a sitter for Monday night.
16:53Can we talk about this?
16:55We've only got five minutes.
16:57Right. The intro.
17:03Well, look at you. What's this native?
17:06It needed an airing.
17:08Well, should I go back and change?
17:09No, don't worry about it.
17:10Well, where are we going?
17:12You'll see. Come on.
17:15So what's on the agenda tonight?
17:17Dinner for two at a quiet little place, you know.
17:19And ten pin bowling and pizza for three afterwards.
17:21Hey, you really know how to sweep a woman off her feet.
17:24No, it was Matthew's idea. Family night out, you know.
17:26I don't care where we go. I just can't wait to see her.
17:28Yeah, you're a lucky man.
17:30Yeah, I know.
17:31Not often you get a second chance in life, is it?
17:33Here's to second chances, eh?
17:37Feeling lucky?
17:38Lucky? Who needs luck when you've got native charm?
17:41I didn't mean that. I meant lucky.
17:44Here we are.
17:47You sure this is a good idea?
17:49Why not?
17:50Well, you mightn't be welcome.
17:53Don't fight the value, are you?
17:55Anyway, I'm on as good as anyone's.
17:57It's your show.
17:58I'm a member, and he's my guest.
18:03I mean, they'll be rehearsing now. I really should be there.
18:06Yeah, but you've still got to earn a living
18:08while you're waiting for the big record contract.
18:10You can laugh, but just you wait.
18:12So, are they ready for this gig?
18:14Well, Lola's nervous, but she'll pull through.
18:16I mean, we've been working hard for it,
18:18but between this and rehearsals and Alice working nights,
18:21I ain't had a chance to see her all week.
18:23No, there's a record.
18:24A whole five minutes without a mention of Alice.
18:26Yeah, well, when this gig's over,
18:27I'm going to give that situation some serious attention.
18:30Still holding out on you, is she?
18:32It's not like that. I'm going to do things differently.
18:35We're getting to know each other.
18:36Amazing.
18:37I mean, she likes everything I do.
18:39It's uncanny.
18:40But is she going to like your come-up-and-have-a-coffee routine?
18:43That's the question.
18:46So, are we going to play some cards, eh?
18:48I'll get the drinks in.
18:49Just keep your head clear.
18:51I haven't seen you two in here for a while.
18:53Yeah, it looks like you're doing a bit of livening up.
18:55What can I get you?
18:56A whiskey and a Coke.
18:58So, where's the boss?
19:00She's been down at the gym all day. Some sort of hassle.
19:02Don't stop, does she?
19:04You expecting her in later?
19:06She usually puts in an appearance.
19:08What's the maximum on the blackjack table?
19:11That's the discretion of the house.
19:13Good.
19:16It's dirty money.
19:17I might as well put it to good use.
19:20The house has 19.
19:22Player wins with 20.
19:24This might stick around.
19:25This could be interesting.
19:28Place your bets, please.
19:30£10 minimum.
19:37Where could she have got to?
19:38Decided on what to wear, probably.
19:40Yeah, well, I said on the note it was casual.
19:41Well, it still takes hours.
19:43If I drink any more, I'm going to be bowling all over the place.
19:45Come on, Dad, have another drink.
19:51Are you all right?
19:53Yeah, maybe I'll give her a ring.
19:55Yeah, tell her if she doesn't hurry up, we're going to go without her.
19:58Hiya, what can I get you?
20:00Oh, I was looking for Tony, actually.
20:02Oh, he hasn't been in this evening.
20:04Oh, he must have got held up at work.
20:06Oh, it's just weird at home, you know, with Mum and Terry being away.
20:09Stay and have a drink?
20:12No, I'd rather not.
20:14Still not talking?
20:16I don't know.
20:18He sort of apologised.
20:20Saw it all?
20:21He had already thought it through, what being engaged meant.
20:23Meaning he changed his mind?
20:25Yeah, maybe I did push him into it.
20:27It was my idea.
20:28Don't start blaming yourself.
20:30Matthew Rose has always done exactly what he wants to do.
20:33He says he wants to be friends.
20:34How many times have I heard that one?
20:36Yeah, but how can you get back to being friends when you've been...
20:39..together?
20:40How can I ever trust him again?
20:42One chance, that's all they get.
20:44I feel like I can't trust anyone ever again.
20:46I'm beginning to think that's the best approach to take.
20:48Go in with your eyes open and expect the worst.
20:50No, I know I should be more forgiving.
20:52I wish I could be.
20:53Why should you forgive him?
20:55We did apologise.
20:56You don't owe him anything.
20:57And as for all that turning the other cheek stuff,
20:59have you ever noticed how it's always the women who do it?
21:05You know, I never cook that lot.
21:07The house has 21.
21:09I've had enough. How about you?
21:11You're joking. I'm staying here until I win that lot back.
21:13Come on, Phil, sometimes the luck's just not with you.
21:15I'm enjoying myself.
21:17You must be down about a grand.
21:18It's only money, isn't it?
21:19Fish bits, please.
21:20It's too rich for my blood.
21:24Are you all right?
21:25I've had better days.
21:26What's this about trouble at the gym?
21:28Just kids messing around.
21:29What's going on?
21:30Ah, just a bit of action over there.
21:32I can see that.
21:33Phil's betting hundreds and losing.
21:35Is he drinking?
21:36No, but he certainly seems to be enjoying himself.
21:49Sweet.
21:51I don't believe it. Where's she dealing from, eh?
21:54Oh, well, easy come, easy go.
21:57Back in ten minutes, folks. Thanks very much.
22:00Come on, enough's enough.
22:01There's no way I'm jacking it in now.
22:03It's just not your night.
22:04I'm due a break any time.
22:06Phil.
22:07Want a drink?
22:13What are you playing at, Phil?
22:15It's blackjack, isn't it?
22:17I mean coming in here and throwing that kind of money around.
22:20Plenty more where that came from.
22:21What are you trying to prove?
22:22I'm just having a good time.
22:24Well, I'd prefer if you did it somewhere else.
22:26Why?
22:27Is a memory too painful?
22:29The sight of you making a fool of yourself is.
22:31Well, I didn't know you cared.
22:33I've got other customers to consider.
22:35Well, the house is up.
22:37That's all that matters to you, isn't it?
22:39I don't want your money.
22:40Realise they won't keep you warm at night?
22:42I've paid you back.
22:43There's nothing between us any more.
22:44Let's keep it like that.
22:45Well, if me credit runs out, you could always send the lads over, couldn't you?
22:49I don't want any trouble.
22:51Neither do I.
22:52Then stop making an idiot of yourself.
22:55Listen.
22:56I'm just a working guy.
22:58Out for a good time.
23:01No.
23:03You didn't scrub me nails.
23:09There she is. About time too.
23:10You'd nearly given up, wouldn't you?
23:11So, are you all right?
23:13Hi.
23:14Where's Matty?
23:15Well, he went out to look for you.
23:16Did you get the flowers?
23:18I could hardly miss them.
23:19All right, so, what do you want to do?
23:21Do you want a quick drink here first, or shall we get going?
23:23Oh, don't let me break anything up here.
23:25It's all right, I was just keeping him company, that's all.
23:27No, no, I think we should get moving.
23:28Yeah, sounds like you're in for a real treat tonight.
23:30Is that before we get to bed or after?
23:32Sorry?
23:33Isn't that what he's been telling you?
23:34One night of patron and he's got me where he wants me.
23:36Look, I'm sorry if I've put my foot in it, all right?
23:38Don't worry.
23:39Michael was in there long before you.
23:41Oh, just get out of your way.
23:44Susan, what's wrong?
23:46The whole market knowing our personal life, that's what's wrong.
23:48They don't.
23:49Well, Sanjay does, Bianca does.
23:51I dread to think what you've told Matthew.
23:53Can't we just have a nice evening?
23:55No.
23:56I can't do this with the whole world laughing and nudging behind my back.
23:58Well, at least let's get out of here.
24:00Why?
24:01They all know about last night.
24:02They must be gasping for the next instalment.
24:04It's not how it seems.
24:05Yeah.
24:06And explain to me how our personal life got to be this week's hot gossip.
24:10I was happy.
24:11I suppose people guessed.
24:13Well, they can just guess again then, can't they?
24:18Can't you say something to him?
24:20I've tried. He won't listen.
24:22What a waste.
24:23Well, whatever system he's playing, a better payoff soon.
24:26I don't believe this.
24:27I mean, how much did you slip up?
24:29The table's closing now.
24:31What?
24:32I'm sorry, we're closing for the evening.
24:34But I'm down.
24:35I want a chance to win it back.
24:37Orders of the management.
24:38Yeah, well, that ain't good enough.
24:39Phil.
24:40No, no, no.
24:41I've come to play.
24:42Now, I ain't done yet.
24:44They're saving you from yourselves.
24:45Yeah, well, we'll see about that.
24:46It's a game.
24:47You lost fair and square.
24:48Nobody's looking for trouble.
24:49Then don't stick around.
24:52I want to know why the alarms didn't go off.
24:54I want to know who locked up last night.
24:55I want a full investigation.
24:57I'll have to call you back.
24:59Tell them to open the table again.
25:00The management retains the right to decline any bets at any time.
25:03What's the matter?
25:04You afraid of being taken to the cleaners?
25:05There's no danger of that.
25:06I'm just giving you a way out.
25:08I don't need any favours from you.
25:09I know why you're doing this.
25:11You just can't accept that it's over.
25:13It's you that can't take me being around.
25:14Oh, just cut your losses and go before it gets any more embarrassing.
25:17Listen, I'll go when it suits me.
25:18I ain't one of your eyed gorillas.
25:19And by the way, which one's your current bit of rough?
25:22You've gone a nerve.
25:23Well, you don't call them relationships, do you?
25:25And you're the expert on marital bliss, of course.
25:27Well, at least I got that far, didn't I?
25:28Don't you get tired of one-night stands?
25:30I should have realised that's all you were.
25:32You couldn't take it, could you?
25:33A man with a mind of his own.
25:35Someone you couldn't push around.
25:36Oh, spare me the amateur psychology.
25:38I got bored, Phil.
25:39Losers bore me.
25:41You are so hard, ain't you, eh?
25:42And we're still bad losers.
25:44You know, it's a shame you've forgotten how to be a woman along the way.
25:47Well, I'm sure when I meet a real man, he'll all come back to me.
25:55Mr Mitchell's leaving now.
25:56I ain't going anywhere.
25:57Your membership's been revoked.
25:59I'm afraid I'm going to have to ask you to leave.
26:01If they touch me.
26:02How we do this is entirely up to you.
26:06Come on.
26:11Show over.
26:12I tried to stop him.
26:13Not that hard.
26:14Don't know what got into him.
26:16His loss, not mine.
26:26What, you want a rat, eh?
26:27Eh?
26:28Do you want to fight?
26:29Well, come on, I'll be happy to give it to you.
26:30Come on.
26:31She's got you well trained, ain't she?
26:33Do everything you're told, do you?
26:34Even tell her you went and sneezed, has she?
26:36Come on, Phil, let's get out of here.
26:37No, just one more thing.
26:38Yeah?
26:39Go on, fetch that boy.
26:40Take it to her, go on.
26:41Kenny!
26:42Just let her go.
26:43Sorry, Connor, for taking you to the dump like that.
26:45Oh, don't worry about it.
26:54Mum?
26:56Oh, sorry, love.
26:59Connor, just leave me alone, will you?
27:01Are you all right?
27:02Just leave me alone.
27:28I love you.
27:29I love you.
27:30I love you.
27:31I love you.
27:32I love you.
27:33I love you.
27:34I love you.
27:35I love you.
27:36I love you.
27:37I love you.
27:38I love you.
27:39I love you.
27:40I love you.
27:41I love you.
27:42I love you.
27:43I love you.
27:44I love you.
27:45I love you.
27:46I love you.
27:47I love you.
27:48I love you.
27:49I love you.
27:50I love you.
27:51I love you.
27:52I love you.
27:53I love you.
27:54I love you.
27:55I love you.
27:56I love you.
27:57I love you.
27:58I love you.
27:59I love you.
28:00I love you.
28:01I love you.
28:02I love you.
28:03I love you.
28:04I love you.
28:05I love you.
28:06I love you.
28:07I love you.
28:08I love you.
28:09I love you.
28:10I love you.
28:11I love you.
28:12I love you.
28:13I love you.
28:14I love you.
28:15I love you.
28:16I love you.
28:17I love you.
28:18I love you.
28:19I love you.
28:20I love you.
28:21I love you.
28:22I love you.
28:23I love you.
28:24I love you.
28:25I love you.