Hoshyarian | Haroon Rafiq | Saleem Albela | Agha Majid | Goga Pasroori | Comedy Show | 2nd FEB 2025
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00:00Hoshiyariya Hoshiyariya
00:18Assalam-o-Alaikum viewers, I am Haroon Rafiq and you are watching Hoshiyariya.
00:22Friends, you must have seen that there are many great politicians and businessmen in the world
00:28who are more than 75 years old, but they are not only very active, they are also very ahead in politics
00:35and along with that they live their lives very magnificently.
00:38You must have seen that when you go to America, UK, Europe,
00:42the people of very old age are doing their own work and are very fit.
00:47And what happens here is that after the age of 50-60, the elders sit down and they are not able to work
00:54and it becomes difficult for them to move.
00:56You are the biggest reason for this.
00:59Yes, you are the one who makes your elders realize that you are old,
01:04you sit, you lie down, you rest, you are old.
01:08You are not loving them very much.
01:11You are degrading their body.
01:14As soon as you start putting this thing in someone's mind again and again
01:18that you have become very old, you cannot do this, you cannot do that,
01:23you are degrading them.
01:25This is one major reason according to analysis
01:29because of which many elders become redundant and they feel that they have become very old.
01:35At this time, the president of America is above 75 years old,
01:38the ones who were before this were above this too.
01:40So, just keep in mind that if you want to sympathize with them,
01:44let them get up, let them work, let them walk,
01:48if you want to serve them, there are many other ways,
01:52don't make them redundant.
01:54Come, let's start today's show with this message.
01:57Let's take you to Murree today and see what is happening in Murree this time.
02:01Today's weather is very cheater.
02:11Cheater.
02:13Sit, sit, sit.
02:14It's not that cold.
02:16It's less cold.
02:18This ice is very expensive.
02:20You buy new fridge and TV, this ice comes.
02:24Ice comes from the fridge?
02:26Yes, inside, outside, all over.
02:28I don't know why this guy is feeling so cold.
02:30It's not cold, I am from Canada basically.
02:32Of course, for you it's not that cold.
02:34I don't feel cold at all.
02:36Yeah, good for you but not for him I think.
02:38You are from Pakistan, right?
02:40Yes, brother, I am from here.
02:43We met online and instantly matched.
02:46As soon as he found out that I have a green card.
02:49So you are here for honeymoon.
02:52I am here for my honeymoon, yeah.
02:54And he is here for money moon.
02:57This place is less cold.
02:59I take you to a much colder place.
03:02Which place is that?
03:03Sibi.
03:05Green mountains.
03:06Like the K2?
03:08Yes, pomegranate, grapes and ice.
03:12Pomegranate?
03:14Yes, brown color ice only found in Sibi.
03:17Brown color ice?
03:19He wants to go to a warm place.
03:22Is that the seventh wonder of the world, Sibi?
03:24We go to Canada soon, soon?
03:27Soon, soon.
03:28I love you.
03:31He has only married you to go to Canada, that's it.
03:34Mr. Haroon, this is wrong.
03:37It's very apparent.
03:38He is so concerned about me that he wanted to have a first baby in Canada.
03:42Baby, baby, baby, baby, baby, baby, baby.
03:45Why?
03:46We go Canada, plan family, then.
03:49Now you understand?
03:51This is only because of Visa.
03:53There is a catch everywhere.
03:55I think you are not that English.
03:58No, no, I am, I am English.
04:00Okay.
04:11We don't want any target.
04:13Excuse me, I think we should leave.
04:14Yes, yes.
04:15We go Canada soon?
04:16Sibi, we go Sibi soon.
04:18Inshallah.
04:19The brown mountain?
04:20Yes, yes, yes.
04:31Wow, wow.
04:45After so long, which woman is feeling shy like this?
04:48Our love has never ended.
04:50Nasreen, tell him.
04:53Our love has never ended.
05:00You both are married?
05:01Yes.
05:02How long have you been married?
05:04We have been married for almost 40 years.
05:0740 years.
05:0840 years.
05:09And till today, see, this is love.
05:11I wish all couples become like this.
05:13Ameen.
05:14This is our prayer.
05:15Yes.
05:16May Allah make it happen.
05:17What is the secret of such a good marriage and still love, uncle?
05:21We have never doubted each other all our lives.
05:23You have given me freedom.
05:25You have given me freedom.
05:27We are watching your conversation and we are watching ours.
05:31Do you know something?
05:32What?
05:33That I...
05:34No, no, buddy.
05:35I have never fought in my life.
05:37I have never fought in my life.
05:40Aim, uncle. Aim.
05:41Why should I aim?
05:42Am I misbehaving?
05:45Buddy, aim here.
05:47Here?
05:48Yes.
05:49No, no, I am aiming.
05:50I don't do injustice.
05:51We are two, right?
05:52Then what is the use of your third one?
05:54Why should he aim?
05:55He has done it 40 years ago.
05:57Yes.
05:58And he has done it so well.
05:59Yes.
06:00Yes.
06:01He has done it so well.
06:04Oh, oh, oh.
06:05Sister, you aim.
06:07Here.
06:08Bring a glass.
06:09Bring arrows.
06:10Bring anything.
06:11Then you will see how I aim.
06:13Okay, sister.
06:14I will bring a glass and arrows.
06:16You sit here.
06:17Here is my gun, brother.
06:19Yes, I will take care.
06:20Otherwise, I will distribute the money.
06:21Yes.
06:22Are you here with the kids or alone?
06:24No, no, alone.
06:25How many kids do you have?
06:26I have one kid, Mashallah.
06:27Okay, Mashallah.
06:28Yes, dear.
06:29Yes.
06:30Do you know something?
06:31Yes.
06:32Can I tell you something from my heart?
06:33Go ahead.
06:35I have never seen a woman as graceful as you are.
06:40Buddy, how cleverly you have called your wife old.
06:43No, no, I am also old.
06:44I have white hair.
06:45She also has white hair.
06:46I can see silver in both of them.
06:48Yes, but white hair comes in youth too.
06:51But I love her a lot.
06:53Really?
06:54I love her a lot.
06:55Now you are each other's support.
06:57No doubt.
06:58There is no doubt in this.
06:59Yes.
07:00Is your son obedient?
07:01My son is very obedient.
07:02You should have called him and asked him.
07:04He will do the work.
07:06Call him quickly.
07:07Yes.
07:09It is very cold.
07:10Very cold.
07:11Yes, Khalid.
07:12Yes, father.
07:13Tell me, son.
07:14Is the motor fixed?
07:15Yes, father.
07:16I am getting it fixed by sitting on the motor.
07:18The motor switch is in my hand.
07:20You tell me.
07:21How is uncle's condition?
07:23Son, it is very serious.
07:25Because it is very cold here.
07:27How is it cold in the hospital?
07:29There is a wardrobe in his room.
07:32It is very cold.
07:33Oh no.
07:34He has lost his patience.
07:36God will give health.
07:37Nothing will happen.
07:38Nothing will happen.
07:39Father, tell me.
07:40When are you and mother coming back?
07:41Yes, God willing.
07:42We will come in two days.
07:43No, no.
07:44It will take a week.
07:45It will take a week.
07:46He still has some breath left.
07:48Yes.
07:49Sister, be strong.
07:50Sister.
07:51Is mother well?
07:53Yes, mother is well.
07:54Mother is crying.
07:55She is crying.
07:56She is crying.
07:57She is crying.
07:58She is crying.
07:59She is crying.
08:00She is crying.
08:01She is crying.
08:02Mother's eyes are twitching.
08:03Sister has lost her consciousness.
08:04Yes.
08:05Call the nurse.
08:06Call the nurse.
08:07Sister has lost her consciousness.
08:08You take care of yourself and mother.
08:09Come back home soon.
08:10Do not leave the house empty and go anywhere.
08:11No, no.
08:12I am at home.
08:13Very good, my son.
08:14Sister will be fine.
08:15It is switched off.
08:16It is switched off.
08:17Now you don't cry to sister.
08:19Both of you ran away from home.
08:21No, no.
08:22We have not told our children that
08:23sister is dying.
08:24We have not told our son.
08:25We cannot tell him.
08:26He is very cunning.
08:27Yes.
08:28Oh, I see.
08:29We have not told him.
08:30We have told him that
08:31his brother-in-law is sick.
08:32We are going to see him.
08:33We have brought an excuse.
08:34I see, I see.
08:35Yes, yes.
08:36By the way,
08:37when you leave the house,
08:38you should inform someone.
08:40God forbid,
08:41if there is an accident
08:42and you die,
08:43who will bring the dead body back?
08:44Son,
08:45death can come
08:46even on a chair.
08:49It does not come
08:50only in mountainous areas.
08:56Darling,
08:57listen to me.
08:58Oh, God.
08:59I don't know
09:00where boys come from
09:01to tease girls.
09:05Who will save you now, girl?
09:07How far will you run?
09:09Hello, hello.
09:10Come here.
09:11Yes.
09:12You come here.
09:13Oh, hello.
09:14Why are you teasing the girl?
09:15Why are you teasing a young girl?
09:16Are you out of your mind?
09:17Young girls tease old women.
09:19Oh, God.
09:20Why? Why will you tease an old woman?
09:21Brother, we have come to tease her.
09:22Are you out of your mind?
09:23Why have you come to tease her?
09:24This is our work.
09:25Don't you understand?
09:26We have teased her
09:27because of our daily bread.
09:28Oh, girls.
09:29Who is your daily bread?
09:30Why have you come to tease her?
09:31We have struggled for 16 years
09:32to tease her.
09:33She is so beautiful
09:34that we have come to tease her.
09:37Listen to me, dear.
09:38Why do you get involved
09:39in old fights?
09:40We have come from abroad.
09:41Have you gone mad?
09:42Girls are everyone's.
09:43We are theirs.
09:44We are theirs.
09:45We have brought so many
09:46red powders for you.
09:47You have gone to tease her.
09:48Listen to me.
09:49We are not letting you tease her.
09:50You can call her madam.
09:51But you can't tease her.
09:53What do we do?
09:54There is a problem.
09:55What problem?
09:56We have to give her daily bread.
09:57Leave him.
09:58I am not a fool.
09:59Girls will tease you
10:00because of your daily bread.
10:01I will not tease her.
10:02I will beat her.
10:03She is a schoolgirl.
10:04You will beat a schoolgirl?
10:05Yes, I will.
10:06Brother, brother,
10:07why are you beating her?
10:08She is a schoolgirl.
10:09I will beat her.
10:10She is a schoolgirl.
10:11I will beat her.
10:12I will beat her.
10:13Why are you beating her?
10:14Listen to me.
10:15You seem to be a reasonable man.
10:17Yes, yes.
10:18Look at her.
10:19Yes, yes.
10:20These two ruffians
10:21are after her.
10:22And they are teasing her.
10:23We have sent them.
10:24So, you are going to
10:25take their help?
10:26No, no, no.
10:27You didn't understand me.
10:28You have come here
10:29to have fun, right?
10:30Come on, let's go.
10:31You don't know
10:32who we are.
10:33Who are you?
10:34Aren't you with them?
10:35You are my friend.
10:36Come on, let's go.
10:37Come on, let's go.
10:38There is a shoot going on here.
10:39He is a villain.
10:40The girl had to come.
10:41He had to tease her.
10:42He had to come
10:43and beat her.
10:44Why are you beating her?
10:49No matter what,
10:50I will not let the girl
10:51have fun here.
10:52He won't let her have fun.
10:53Okay.
10:54No one can tease
10:55a girl here.
10:56Sit down, son.
10:57Sit here.
10:58I will tease her.
10:59I will tease her.
11:00Listen to me.
11:01We are in the film.
11:02I am happy.
11:03I won't let her have fun.
11:04We have found
11:05a scene to tease her.
11:06There is no other work
11:07in the film.
11:08Don't tease her in front of me.
11:09Come on.
11:10Let's do one thing.
11:11You go somewhere else.
11:12No.
11:13You go somewhere else
11:14for the shoot.
11:15Okay.
11:16Come on, doll.
11:17No.
11:18You do the shoot.
11:19The girl won't go.
11:20You are the girl.
11:21Are you my son-in-law?
11:23I think the director
11:24has spoken to the girl.
11:25No.
11:26Director.
11:27Director.
11:28Why are you calling me?
11:29Cut it.
11:30Cut it.
11:31What happened to you?
11:32Sir, he is the guy.
11:33He is saying
11:34that he won't let the girl
11:35have fun.
11:36How will the scene happen?
11:37What is your problem?
11:38Listen to me.
11:39No.
11:40You think I am a reasonable person.
11:41Yes.
11:42I am a smart guy.
11:43Yes.
11:44All three of these guys
11:45are teasing the girl.
11:46I am her father.
11:47I won't let the girl have fun.
11:48I am Jaya.
11:49I am Jaya.
11:50You are the one
11:51who is like this.
11:52You are the one who is like this.
11:53What happened to you?
11:54This film is set.
11:55I won't let her have fun.
11:56I won't let her have fun.
11:57I won't let her have fun.
11:58Do one thing.
11:59You call the police.
12:00Come on.
12:01Why should I call the police?
12:02I don't have hands and legs.
12:03I will stop her myself.
12:04You have hands and legs.
12:05You are a coward.
12:06You are a coward.
12:07You are a coward.
12:08You are a coward.
12:09You are a coward.
12:10He won't let her have fun.
12:11He won't let her have fun.
12:16Why?
12:17Why shouldn't she have fun?
12:18I don't want to do this.
12:19What?
12:20Nothing sir.
12:21Nothing sir.
12:22Just goji berries.
12:23I won't do it.
12:28The shift is near.
12:29Make it fast.
12:30Director, listen to me.
12:31Yes, sir?
12:32Just shoot her.
12:33We will hit her twice and then cut.
12:35Okay.
12:36Dad?
12:37Listen to me.
12:38Get up.
12:39Do you want to work in a film?
12:42Your scene is just to tease the girl.
12:44Him?
12:45Yes.
12:47Okay, do it.
12:49We are teasing him.
12:50I knew that you are making a film.
12:52He is so used to teasing that he can't tolerate anyone else teasing him.
12:58Come, sir.
12:59Come.
12:59Okay.
13:00You are here again, doll.
13:01Come on.
13:02Come on.
13:02Come on.
13:03Sir, we are the creators.
13:06You can't do this.
13:07Come on.
13:07Come on.
13:08Come on.
13:09Tell us.
13:09He is wearing a shift.
13:10We will edit him later.
13:16They seem to be a strange couple.
13:18They were loving each other earlier.
13:20Now they are teasing each other.
13:21What is this?
13:22That's why he doesn't allow anyone to tease him.
13:25Why?
13:25He wants to tease himself.
13:28Cameraman.
13:29Come here, son.
13:31Yes.
13:32Leave it. We will do it later.
13:33Take this.
13:35Take this.
13:36Take a long shot from here.
13:37Okay?
13:38Take a girl from here.
13:40Take a hero from here.
13:41And take three of them in one frame.
13:44Okay?
13:44Start sound.
13:45Camera.
13:46Action.
13:48Oh, God.
13:49I don't know where she comes from.
13:57Dogs.
13:59Wait.
14:00When he came earlier, he wasn't a dog.
14:05Now I am a dog.
14:07You are a dog.
14:08He is a dog.
14:10He was saying that you should get up.
14:13When he came later, why didn't he call him a dog?
14:15Dogs don't call you a dog.
14:17You are wearing a shift.
14:19Come again.
14:20This is my dialogue.
14:21Come again.
14:22You are a dog.
14:23Who is decent to call a dog a dog?
14:27What?
14:29Producer, give me a pittan.
14:30Where will I get such shifts?
14:32Yes.
14:33Are you ready?
14:34He has gone to the washroom.
14:36Oh, God.
14:39I am here.
14:42Start sound.
14:43Camera.
14:44Action.
14:46I don't know where he comes from.
14:50Dogs.
14:52Dogs.
14:53Wait.
14:54He is a dog.
14:57Dogs are not allowed to graze.
14:59What did he say?
15:00Which animal is not allowed to graze?
15:01Go ahead.
15:02Brother, don't do this.
15:04This is my debut.
15:06Oh, God.
15:07Brother, you are wearing a shift like me.
15:11Stop right here.
15:12Dhrindo.
15:14Yes, Shabba.
15:14What did you think?
15:16That there is no one behind this girl?
15:18Close.
15:20Come behind me.
15:22Shabba, make a Ooty of him.
15:24How long will you save him?
15:26Until he is cut.
15:28Do whatever you want.
15:30I won't let you get cut.
15:32Go away from here.
15:34If you want your life.
15:36This is my life.
15:39Today..
15:39If this is your life..
15:41..then this life will end today.
15:43He is saying so many dialogues.
15:45Where did he come from?
15:46You have brought a talent here.
15:48Tell him.
15:49You are very lucky.
15:51Why?
15:52He has become the main character.
15:56Okay, now the scene is..
15:57..that you will fight.
15:59Brother, please sit.
16:01Sit down.
16:02I will make you do the next scene.
16:04Come.
16:04Dhrindo.
16:05Yes.
16:05You will fight here.
16:07Okay?
16:07You will go in front of him..
16:09..and wear clothes like Salman Khan.
16:11Then you will show your body.
16:12Okay.
16:13Come.
16:13Start sound.
16:14Camera.
16:15Action.
16:17Shabba, Shabba.
16:18Come here.
16:19Come here.
16:20Come here.
16:22We will do four rounds.
16:23I will get only one if I win.
16:26Come here.
16:28Hero.
16:29Come here.
16:30He has to do the next scene.
16:34Come on, Hero.
16:36Wear the jacket.
16:38Shabba, Shabba, Shabba.
16:39Wear it fast.
16:42Leave it here.
16:44Come here.
16:45Wear it close.
16:46Okay.
16:47Shabba, Shabba, wear the shirt.
16:47Hurry up.
16:48Ready.
16:50Keep it on 2x.
16:53Very good.
16:54Why didn't you come towards the body?
16:55How many shirts have you worn?
17:02There is one more shirt below.
17:04Wear the shirt again.
17:05Where is the body?
17:06Wear the shirt.
17:10Very good.
17:12Wear the shirt.
17:12We need the body.
17:14Where is the body?
17:20Buddy.
17:22Why do you want the body?
17:23Wear the shirt.
17:25The shirt below.
17:27You said you will go to the gym.
17:29But you are going to the gym.
17:35Brother, it is very cold.
17:37Please take this scene to the next scene.
17:41Son, we want the body.
17:43We want the body.
17:45I can't be blamed.
17:46I am Siddharth Jitte.
17:49We want it.
17:50The next scene has been recorded.
17:54Prabha, come here.
17:56What is he saying?
17:56He is saying that he didn't want to press the red button.
18:01Come on.
18:01The entire scene will be played again.
18:02Come on.
18:03I will have to tease the girl again.
18:05Come on.
18:06It will be recorded again.
18:07Where are you going?
18:08I don't want to tease the girl again.
18:14Start sound.
18:15Camera.
18:16Action.
18:18He is coming.
18:19He wants to tease the girl again.
18:20Brother, he wants to tease the girl again.
18:23You are a fool.
18:24No one can stop me today.
18:27Why is that man harassing that woman?
18:29Why don't you go and stop him?
18:31He looks like his father from behind.
18:39Greetings, father.
18:40Son, are you getting the car model fixed?
18:41You should be ashamed.
18:43You went to visit your uncle.
18:45And here you are harassing a girl and a mother.
18:46What kind of a mother are you?
18:48What kind of a mother am I?
18:49Ten hundred.
18:51Actually, son, do you know something?
18:53There was a shooting going on here.
18:55Shooting.
18:56So he said that he needs a young man to tease the girl.
19:02Why did you lie to us about uncle?
19:03You are making an excuse of uncle's illness..
19:06..and here you are harassing girls in a movie.
19:09Disgusting.
19:10He is harassing girls. Disgusting.
19:11Son, even you were sitting on the motorbike.
19:14Oh.
19:15Yes.
19:17Motorbike is bent.
19:18Who told you to record it?
19:24Viewers, we will take a short break.
19:26We will meet again after the break.
19:35Welcome back, viewers.
19:36We have a guest with us in this break.
19:39She is his daughter and another young man.
19:41Let's ask him why he is here.
19:43Greetings.
19:43Greetings.
19:44Greetings.
19:46Mr. Haroon, I have come to meet you.
19:49I have raised my daughter Kajal with great love.
19:52Believe me, she never used to say a word..
19:54..and always fulfilled my wishes.
19:56But you are not fulfilling your wishes.
19:57What is your wish now?
19:59I have just said that father, please let me live my life.
20:02Let me marry the boy of my choice.
20:05Who is the boy of your choice?
20:06Can you see this handsome boy?
20:07I thought you have come to buy a tea set.
20:10It looks like a copy of Sunny Deol's tea.
20:12This tea is making better products than this.
20:16Sunny Deol himself is not that good.
20:18No, he is just making a copy.
20:22I was wondering how much he respects the ideal.
20:25I don't even spit on the chair I have asked for.
20:27Let me speak in Urdu. First look at my tits.
20:32The problem is that he is poor.
20:34And I am a nobleman.
20:36I see.
20:37And now I can't sit with him.
20:39I can't get along with him.
20:41This is wrong.
20:42Look, if your daughter has fallen in love with him..
20:45..then you should help her and support her.
20:47I am ready to help her.
20:49Then?
20:50Mr. Arun, he roams around on foot.
20:52I told him to buy a car from me.
20:53Okay.
20:54So that he can roam around with his daughter.
20:56He says that I spit on the car I have asked for.
20:58He does say that.
20:59I spit on it.
21:02Okay, okay. Why do you spit?
21:04This is the hand of a labourer.
21:06He kneads the dough and changes its shape.
21:08This is not a labourer.
21:09Why don't you spit on the labourer's face?
21:11He is spitting.
21:13He is not a great artist.
21:15He kneads the dough and I also change its shape.
21:18Anyone can do that.
21:18He is not a real artist.
21:20He looks like a tandoor.
21:22Look, don't say anything about him.
21:24I won't be able to tolerate it.
21:26Mr. Arun, he lives in a hut.
21:28I told him to buy a piece of land.
21:29I have a house.
21:31Take it and live there with my daughter.
21:32He is right. So what does he say?
21:34He says that I spit on the house I have asked for.
21:37What do you think?
21:38I spit on it.
21:40Okay, he says that you don't get married.
21:41Tell him that I am your future father-in-law.
21:47What do you like in this boy?
21:49His self-respect, love, care.
21:51Does he care for you?
21:52Of course, he does.
21:53Look, there is nothing greater than love in this world.
21:56Does he respect you?
21:57He respects me a lot.
21:59Because there is another problem.
22:00If a person loves his lover a lot
22:04or if he doesn't respect the person he wants to marry
22:08then he won't be able to live his life.
22:09But he looks like a stone.
22:11I don't think he has any emotions.
22:13What did you say, Irza?
22:15I love him.
22:17I can leave the world for him.
22:19Look, dad. Accept him politely. That's it.
22:22Go, Simran. Live your life with him. Go.
22:25You are telling him to live with us.
22:28Look, if you think about it
22:30what uncle is saying is absolutely right.
22:32He is saying that if you have fallen in love..
22:34At least make him work.
22:35I will make him work.
22:37He has given me a lot.
22:38He is saying something very good and appropriate.
22:40How will he work?
22:41Look at the bandage on his head.
22:43It doesn't look like he has a headache.
22:45Why don't you take any medicine for headache?
22:47I don't take anyone's medicine.
22:48Oh, God!
22:51Uncle, I will give you an advice.
22:53If your daughter wants to jump into the well
22:56then let her jump into it.
22:57Let her jump into it.
22:58My only daughter is the apple of my eye.
23:01Sir!
23:02She is the apple of my eye.
23:04Don't you have any shame or morality?
23:06You are saying this in front of her father.
23:08Sir, what else can I say?
23:09No, she is the apple of my eye.
23:11Does anyone say this in front of their father?
23:13Dad, I want to marry her.
23:15No, I will have to get rid of her.
23:17I am a selfish man. I will never..
23:19Didn't you ask for the proposal?
23:20No.
23:21Then?
23:21I didn't ask for it.
23:22I am a selfish man. I will give it to her.
23:24I went to her for my daughter.
23:27Wow! You are a good man.
23:29He went.
23:29And the biggest problem for me is that
23:31you spit on me and you are a selfish man.
23:33And thirdly, there are so many tensions.
23:35My dear daughter is growing old in his love.
23:38Hey!
23:39Do something for yourself.
23:40Yes, sir. I will improve.
23:42I will improve as a selfish man.
23:43You should get a job.
23:45I will never get a job given by anyone.
23:47He is a selfish man.
23:48He will lose everything.
23:50My dear friend..
23:55And listen, Mr. Chhepeda.
23:56What?
23:56The electrician has come.
23:57He said that he will spit on your bill.
24:01Dad, when I get married, I will get him to do all the work.
24:04Why are you getting worried?
24:05What if he doesn't change even after marriage?
24:07I will change him. There is no problem.
24:09Love and affection can change the elders.
24:11What is this?
24:13What do you feel when you see him?
24:15That this boy will be successful?
24:16When I see him..
24:18..I feel like barking at a hundred dogs.
24:24Not dogs.
24:25Black dogs.
24:26The black ones are on the side.
24:28When I see him, the black ones are on the front.
24:31If you leave my daughter's life today..
24:33..then I am ready to give you Rs. 1,08,000.
24:37Why more than Rs. 8,000?
24:38I am giving him Rs. 8,000 as rent.
24:40Okay.
24:41He is giving you an offer.
24:44Sir, I am not a beggar.
24:47What?
24:47He thinks he can buy me with money.
24:50This is not possible.
24:51You can even buy old iron from him.
24:54Sir, how will a person progress like this?
24:56He refuses to do everything.
24:58No. You should control yourself.
25:02That's right.
25:02You should follow the rules.
25:04You should go with the world.
25:06He is such an arrogant man.
25:08He is so arrogant.
25:10Sir, you are absolutely right.
25:11This alliance is not suitable for you.
25:13Get rid of this boy.
25:15God will give you a better life than this.
25:17Mr. Haroon, if my daughter's happiness is with him..
25:20..then I am ready to give my daughter's hand..
25:22..to him for my daughter's happiness.
25:24Oh, this..
25:25In this condition?
25:26Yes.
25:26You will be cruel to your daughter.
25:28Yes.
25:29How is this cruelty?
25:30Mr. Haroon, if he doesn't do this..
25:32..he is in a tough spot.
25:34What if the girl becomes rebellious?
25:35From the father?
25:36Yes.
25:37If the girl becomes rebellious from the father..
25:39..then she won't be able to complain..
25:42..that the father is at fault.
25:43Yes.
25:44Yes, I am saying that if she wants to jump into the well..
25:47..then let her do it.
25:47She will know that whatever her life is..
25:49..it is because of her.
25:51She has already become rebellious, dear.
25:53She used to wear branded clothes.
25:54She is wearing a non-stop blouse since six months.
25:57Father.
25:58For his sake.
25:59For your happiness, dear.
26:00Give me your hand.
26:03Take this.
26:03For your daughter's happiness..
26:05..I am giving her hand to you.
26:06I am not giving my hand to anyone.
26:08Don't talk nonsense.
26:14Now spit it out.
26:17What nonsense are you talking?
26:19I have given you so much respect..
26:20..that you are talking about your father.
26:22Very good.
26:24Very good, dear.
26:25I have been telling you that I don't want to listen to your nonsense.
26:27You keep talking nonsense.
26:29When did you start speaking in dialogues?
26:32Hit him.
26:33Hit him hard.
26:34He will go to the police station.
26:36He will be beaten up and he will be spitted on.
26:40The one who doesn't respect my father..
26:42..will respect me?
26:43Very good.
26:44I respect my father so much..
26:46..and I will try to do the same in future as well.
26:48You see, the seat is empty and you want to sit in it.
26:52I will sit in the seat you gave me.
26:54Hey!
27:00Viewers, we will take a short break.
27:01We will meet again after the break.
27:10Welcome back, viewers.
27:11In the last break, we have two poets with us.
27:15One is my close friend and the famous poet of Pakistan..
27:18..Dr. Tahir Shaheer.
27:20And along with him, a gentleman has come.
27:22He has come himself.
27:23We didn't invite him, but he has come.
27:26Let me tell you his name.
27:27Khayal Chakralvi.
27:28So, let's start the show.
27:31And thank you very much for coming.
27:34Doctor, you have given us time.
27:36Thank you as well.
27:37Mr. Khayal Chakralvi.
27:38Yes.
27:40Is he the one?
27:41No, he is a normal poet.
27:44The wall is different.
27:45I see.
27:46You haven't done the arrangement yet.
27:48What is this, sir?
27:51He is sitting here and arguing.
27:52He is sitting on me.
27:56Mr. Arun, look at the poet's nose carefully.
27:59Yes.
28:00I think he can hit a nail in the wall with this nose.
28:04Actually, she wants to say that he has a big nose.
28:08If a poet has a pen, he keeps it in the locker of the bank.
28:11He has stolen a pen before as well.
28:13Okay, excuse me.
28:15Shall I order something for you?
28:16Cold, hot banana.
28:17You should balance what you are ordering.
28:20Why?
28:21Banana doesn't go well with tea.
28:24Okay, fine.
28:25Shall I order tea and popcorn for you?
28:28Fulle.
28:28Fulle, yes.
28:29I think you are considering him to be a monkey.
28:33I am going to attend the party.
28:36I will get the cash from the book.
28:39Mr. Arun, this poet can draw a line from his nose.
28:43What line?
28:47I see.
28:47He doesn't draw lines from his nose.
28:49So, you don't find it difficult to apologize.
28:51I haven't read the book yet.
28:53I am apologizing for the first time.
28:54Please read the book.
28:55Did you post your poetry on social media?
28:58Did it go viral?
28:59I didn't post it, I uploaded it.
29:02Okay, whose student are you?
29:04I am my own student.
29:06What?
29:07I learn from my past.
29:09I see.
29:09That's why I am my own spiritual student.
29:12Wow, no one else wanted to do this.
29:15So, you consider yourself to be a competition.
29:19I have fought with myself.
29:22I have seen how well you can write.
29:25Wow.
29:27He is right.
29:28Bring tea and popcorn.
29:30What?
29:31Oh, sorry.
29:32Leave the tea.
29:33Get a sieve for him.
29:34Because he will pick the corn very well.
29:37She wants to say that he is like a parrot.
29:40Okay, let him say it.
29:41Why are you saying it?
29:42I am explaining it to you.
29:44I remembered it from the competition.
29:45So, basically you are striving to be better than yesterday.
29:49Look, I was fond of it since childhood.
29:52Okay, tell me about your past and future.
29:55What is it?
29:58After poetry, you put your hand on your head and salute.
30:03And after that, you go to your in-laws and salute.
30:06Okay, don't do it.
30:08I am sorry.
30:09Tell me about your future.
30:10Go ahead.
30:11I request the new talent from my future generation.
30:16As it is, whatever you have written, don't change it.
30:19Whatever is safe, make it reach the people.
30:22Wow.
30:24As it is, I have it with me.
30:27Like this, I am in front of you.
30:28Chanda Shah.
30:29Whatever you have, keep it to yourself.
30:31I will slap you if you make me read it.
30:35My poem, Mr. President.
30:36Your poem.
30:37My poem.
30:38Yes, your poem.
30:39It is not a poem, it is a poem.
30:41Okay, I have written it. Listen to it.
30:44My poem is called,
30:46Tea and You in Winter.
30:49Wow, it is good.
30:51It reminded me of a poem of mine.
30:53There was fragrance in the air.
30:55Sarak.
30:55Clouds were in joy and waves.
30:57Wow.
30:58There was fragrance in the air.
30:59Clouds were in joy and waves.
31:01Wow.
31:02I have heard that all of them are in your city today.
31:04Wow, wow, wow.
31:06Wow, wow, wow.
31:08Now, where will I get the poem that you have written?
31:13No, no, I have made the ambiance.
31:14I have made the ambiance warm.
31:15Okay, you have written a good poem.
31:16Are you from Bukhari Kalabha?
31:19You tell me. You tell me.
31:20Okay, sir, when you are reading poetry.
31:22Yes.
31:22And the president also has a broom in his hand.
31:25What is the use of a broom when he is sitting?
31:28He is a poet.
31:28He is a poet.
31:30Why?
31:30What is the use of a broom when he is sitting?
31:32The broom is used to make it open.
31:35I have heard that in poetry,
31:37you pull a wall from someone's hand
31:40and sit on a wall.
31:43And on top of that, you do this.
31:46I think you are talking about something else.
31:49Yes, yes, it is wrong.
31:50Why do you do this during poetry?
31:55Don't do this. He is a famous poet.
31:56He used to come in Manjan's advertisement once upon a time.
31:59Yes.
31:59Really?
32:00And Manjan used to tie him up in a collar.
32:03He used to ride a small bicycle very well.
32:06Now, no one is coming after me.
32:08I am a poet.
32:13Yes, tell us.
32:14Tell us a poem.
32:14The first one is..
32:17The poem is complete.
32:18Okay.
32:19You don't let me read the words.
32:20You are very generous people.
32:22Okay, then tell us.
32:23Why did you let me read it?
32:24I will cut you into pieces.
32:27Is this the poem?
32:28Even if it is something else, after betrayal..
32:33Even if it is something else, after betrayal..
32:36Yes, you gave me flowers earlier.
32:39Even if it is something else, after betrayal..
32:43..it opens up a person's eyes.
32:48Very good.
32:50Even if it is something else, after betrayal..
32:52..it opens up a person's eyes.
32:53Yes, yes.
32:54This isn't a poem, it's a thing.
32:56It's a thing, it's not even in weight.
32:58Weight?
32:58There's no weight. You tell me, Doctor.
33:00Sir, how would they know about poetry?
33:04Biscuit taught me a lot with tea.
33:07If you get drowned in this, you'll break.
33:09Wow, wow, wow.
33:10Very good.
33:11Very good.
33:12Very good.
33:13Very good.
33:14Very good.
33:15Very good.
33:16Very good.
33:17Yes.
33:18Poetry has been stolen.
33:23Look, this is my poem.
33:25Yes.
33:26This is the one you stole.
33:29I'm sorry.
33:29Don't be so scared.
33:31You can't insult someone by calling them like this.
33:33I get the idea.
33:35I get the idea.
33:35Sir, next time I'll call you.
33:36I get the idea.
33:37I got the idea.
33:38Don't be upset.
33:39I'll get tea and double roti for him.
33:42Hello.
33:44Okay, so you read this during poetry
33:46and got drowned in it?
33:49Look, I'm sorry.
33:50Today's poem was stolen by you.
33:53I'll trouble you again.
33:54The doctor wrote the name of the tea
33:57instead of the medicine.
33:59The doctor wrote the name of the tea
34:01instead of the medicine.
34:03He also wrote, morning, afternoon and evening.
34:06Wow, wow, wow.
34:07Oh God, oh God, oh God, oh God, oh God.
34:10Tell me the name of that doctor.
34:12Is this the work to be done?
34:16That tea was useful for me.
34:18Okay, why are you wearing long pants
34:20when you're supposed to burn it fast?
34:23Where's your monkey?
34:29That tea was useful for me.
34:31Otherwise, I was suffering from your pain.
34:35I was dying for it.
34:38And I was also fond of strong tea.
34:40Wow.
34:41Wow.
34:42Wow.
34:43But Haroon sir, this is a bit too much.
34:45I get what I want in my poetry.
34:47What do you want if I don't?
34:48If your poetry isn't good,
34:50I'll put you in a cage and let you go.
34:53Okay, I'm sorry.
34:54He'll keep joking.
34:56Your poetry was good.
34:57I see a need for improvement in it.
34:59And your thoughts are very good.
35:01Thank you very much.
35:02So, I'll now go to Dr. Tahir Shaheer.
35:05I'll put the candle in front of you, Dr. Shaheer.
35:07Wait.
35:08What about the bread?
35:09I was just joking.
35:10What about the flowers?
35:11That was also a joke.
35:12Okay.
35:13Get up, monkey.
35:15Okay, Dr. Saheer.
35:16A poem of his in Punjabi.
35:18Okay.
35:19There's a problem with the heartbeat here.
35:22There's a problem with the heartbeat here.
35:24There's a problem with his yawning.
35:26Wow.
35:27Wow.
35:28I could've done better,
35:29if Masafda had checked me first.
35:33There's a problem with his yawning.
35:35He can't sleep at night.
35:37He can't sleep at night.
35:39He can't sleep.
35:41So, let's fix the problem.
35:42It's a matter of waking up for one person.
35:44Oh, wow!
35:46This is a very true thing.
35:47It happens to me daily.
35:48It's a matter of waking up for one person.
35:53And your wife is a smart wife.
35:55It's a matter of us having two mothers.
35:57Wow!
36:00And who opens the door in the cold?
36:02And who opens the door in the cold?
36:04It's a matter of opening the door.
36:06Wow!
36:07And I have only three sons.
36:10What?
36:11I have only three sons.
36:12It's a matter of having three sons.
36:16Wow!
36:17And do you want to fry or rub it on your face?
36:19Do you want to fry or rub it on your face?
36:21It's a matter of rubbing it on your face every time.
36:24Wow!
36:25And there is no one on one side.
36:28Yes.
36:29There is no one on one side.
36:30It's a matter of keeping on one side.
36:32Wow!
36:34And in the common love...
36:36In the common love...
36:38It's a matter of having a cousin.
36:40Wow!
36:42And there is no one on one side.
36:45It's a matter of keeping on one side.
36:47Wow!
36:50It's time for a short break.
36:52Don't go anywhere.
36:52We will meet after the break.
36:54Beware!
36:58Beware!
37:03Beware!
37:07Welcome back, viewers.
37:09Jeerza Khan.
37:10Mr. Arun, I like those people a lot.
37:14Those people...
37:15No.
37:16Okay, not those people.
37:17She said, those who are the best shovels.
37:21I like those people who take their work seriously.
37:25Wow!
37:25And whether they are sick or whatever,
37:28they give priority to their work.
37:31Arzu, you have given priority to your work
37:33even though you are not well.
37:35Yes.
37:35Thank you for coming.
37:36But...
37:37Look, she didn't give priority to her work.
37:41It's easy to pay the cheque,
37:42but it's difficult to pay the interest.
37:44She has given priority to her work.
37:47She has given financial priority to her work.
37:54Sir, in your presence,
37:55such a smart and intelligent person...
37:57Your uncle is a fool.
38:01Let me tell you an incident of today.
38:02I, Malaika, Irza and Fareed were in the make-up room.
38:06Sir, you have entered.
38:07Okay.
38:08Fareed said,
38:08Assalamualaikum, Mr. Agha.
38:09Mr. Agha said,
38:10Waalaikumussalam.
38:12I said, Assalamualaikum, Mr. Agha.
38:14He said, no comments.
38:15Yes.
38:16Okay, listen to me.
38:17You are an educated person.
38:18I am an illiterate person.
38:19Yes.
38:19No doubt.
38:23I am a biology professor.
38:26Yes.
38:26You tell me,
38:28Assalamualaikum.
38:29Waalaikumussalam.
38:30Mr. Agha, Assalamualaikum.
38:32Can we talk?
38:33No comments.
38:33You said the same thing.
38:35I will tell you.
38:36I will tell you everything.
38:37Tell me.
38:37You are an idiot.
38:40You are an idiot.
38:41You didn't hide your make-up.
38:43I will tell you.
38:44His tent is right in front of you.
38:47Yes.
38:48Wait a minute.
38:48You have always supported us.
38:50Yes.
38:51You have to earn for yourself.
38:52Why are you after the girls?
38:55You have to earn for yourself.
38:56What is this?
38:58How is your goat's food?
39:02Is this a joke or is the matter serious?
39:05It is serious.
39:06It is serious.
39:07The doctor said, take her to Multan.
39:10Take her to Multan.
39:13The matter has become serious.
39:14You have become a good person.
39:17Sir, I have come.
39:18He said, Assalamualaikum.
39:19I said, Waalaikumussalam.
39:20He later said, Assalamualaikum, Mr. Agha.
39:23I said, Waalaikumussalam.
39:24He said, you didn't say it so loudly to me.
39:26I said, no comments.
39:27Yes.
39:28Look at this.
39:29It has to be said.
39:30It has to be said.
39:31Mr. Judge, you are not saying it wrong.
39:33He is covering the matter.
39:34He said, no comments.
39:35And I can't tolerate this.
39:37Don't do it.
39:38Leave the show.
39:40He will not stop.
39:41He will continue in every segment.
39:43For now, let's go to the audience.
39:44Come.
39:45Who does the audience have?
39:46Michael.
39:47Assalamualaikum, sir.
39:48Waalaikumussalam.
39:49Mr. Arun, before starting your program,
39:52the small speech you give,
39:54the three-second speech,
39:56before speaking,
39:58think about it for three seconds.
40:00Yes, absolutely.
40:01Sir, the way you told me,
40:03I got a lot of response from it.
40:06Alhamdulillah.
40:07Because it used to happen that
40:08you spoke quickly and took a loss.
40:11Yes, absolutely.
40:12The three seconds you gave,
40:13we get a lot of benefit from it.
40:15And I want to tell others to follow this.
40:18Thank you, sir.
40:22And secondly,
40:23I have a small request from Mr. Agha Majid.
40:25Make it big.
40:26Make it small.
40:27Yes, yes.
40:28Please sing a song by Mehndi Hassan.
40:31Which one?
40:32Which one?
40:33Gulo Mein Rang Bhare.
40:34Oh, yes.
40:35He did this three seconds ago.
40:38Let me tell you something interesting.
40:40I don't know much about singing or music.
40:44When I have to ask about singing,
40:47I take advice from him or Irza.
40:51But there is one thing.
40:52The Ghazal you sang,
40:54Gulo Mein Rang Bhare,
40:55Baad-e-Nau Bahar Chale.
40:57This Ghazal by Faiz,
40:59people often mispronounce it.
41:02Yes.
41:03When they sing it.
41:04And secondly,
41:05even the greatest singer breaks the intonation.
41:08I have seen it.
41:09So you don't know much about music.
41:12No, no.
41:13I only know a little.
41:14Okay, this happened.
41:15This is a true story.
41:17One of our famous singers,
41:19I won't mention his name.
41:20It's not a good thing.
41:21He had come to a friend's place.
41:24He said,
41:25Mr. Arun,
41:26you also tell us your wish.
41:27I didn't have any wish.
41:28I said,
41:29you sing well.
41:30Keep singing.
41:31He said,
41:32I don't have any wish.
41:33I said,
41:34Gulo Mein Rang Bhare Baad.
41:35He said,
41:36What?
41:37I said,
41:38Gulo Mein Rang Bhare Baad.
41:39Gulo Mein Rang Bhare Baad.
41:40You have sung so many times.
41:41So,
41:42one breaks the intonation.
41:43But,
41:44I have nothing to lose in this.
41:46The Ghazals of Mehdi Hassan,
41:48the way Agha Sahab sings,
41:49No doubt.
41:50America will also see.
41:51No doubt.
41:53Gulo Mein Rang Bhare
41:59Baade Nau Bahar Chale
42:06Wow.
42:07Chale Bhi Aauke
42:12Gulshan Ka Kaaro
42:18Baar Chale
42:21Wow.
42:22Wow.
42:23Gulo Mein Rang Bhare
42:29Baade Nau Bahar Chale
42:36Wow.
42:37Wow.
42:38Maqam Faiz
42:44Koi Raah Mein
42:49Wow.
42:50Wow.
42:51Jacha Hi Nahin
42:56Aha.
42:57Maqam Faiz
43:02Koi Raah Mein
43:07Aha.
43:08Jacha Hi Nahin
43:15Jo Koi Yaar Se Nikal
43:21Le Toh Sue Daar
43:24Wow.
43:25Wow.
43:26Wow.
43:27Wow.
43:30Wow.
43:31Wow.
43:32No, but Agha Sahab,
43:33if you are singing Gulo Mein Rang Bhare,
43:34then why are you singing Baade Nau Bahar?
43:36Yes,
43:37I will think about it after the show.
43:40Who is next?
43:41Assalamualaikum.
43:42Waalaikumassalam.
43:43I am Imran from Lahore.
43:44I have a question for Gokay Bhai.
43:46What do you do?
43:47Sir, I work in a bank.
43:48Imran Sahab, you work in a bank?
43:49You are in a good position.
43:50Again Gokay is asking you a question.
43:53Why?
43:54You are saying that I am a garbage man
43:55and Gokay is asking me a question.
43:57Gokay Bhai,
43:58I have a question for you.
43:59You played a role in Samhara.
44:01I want to see it.
44:02Oh, okay.
44:03You got married.
44:04Yes.
44:07Alhamdulillah.
44:08You got married to Samhara.
44:14Assalamualaikum viewers.
44:15I am Samhara.
44:18May Allah forgive me.
44:19What should I tell you?
44:21I am sitting in the newsroom.
44:25A producer,
44:26may Allah forgive me.
44:27He is coming today.
44:29Excuse me,
44:30let me talk.
44:31Do you know who is next?
44:33Who?
44:34Samhara's husband is next.
44:38And brother,
44:39you are free.
44:40If you consider him Samhara,
44:41it means that
44:42you will lose your heart.
44:46Who is next?
44:47Assalamualaikum.
44:48Walaikumassalam.
44:49My name is Salar Suja.
44:51I would like to say a couplet.
44:53Go ahead.
44:54I don't show my face
44:55that what is love.
44:58I show you
44:59that what is love.
45:03How can I hug
45:05someone else?
45:07How can I hug
45:09someone else?
45:11If I was there,
45:12I would tell you
45:13what is love.
45:14Wow.
45:17I have another couplet
45:18related to this.
45:20Go ahead.
45:21Smoke rises on the river bank.
45:23I know something is wrong.
45:26Smoke rises on the river bank.
45:28I know something is wrong.
45:30The reason why I became an ascetic.
45:32I don't know what is wrong.
45:35Wow.
45:38It's the same.
45:41He is saying
45:42that you are a very nice man.
45:46Viewers, this was today's show.
45:48We will meet in the next show.
45:50Take care.
45:51Allah Hafiz.