• 16 hours ago
Transcript
00:00As long as Santos doesn't know what happened to his mother,
00:04you're not going to forgive yourself.
00:06I can't do that.
00:08But you have the right to know.
00:09It's been years since I've known.
00:10Why does it have to be different now?
00:12Because he's not a kid anymore.
00:13So what?
00:14I wanted to tell you that, for my part,
00:16I agree that we should still be friends.
00:19That we can talk about it is already a step.
00:21I hope I didn't push you too far.
00:23No, not this time.
00:25Who are those with whom I'm supposedly related?
00:29Mrs. Leocadia has already told me everything.
00:31She told me that my family comes from the north
00:34and that I come from a high lineage.
00:36Well, that's good.
00:38That way I have one less task.
00:40I don't have to repeat everything to you again.
00:43To Aunt Clara's house.
00:44I didn't know you were going to leave.
00:46It's the best for everyone.
00:48And especially for me.
00:49I'm tired.
00:51Tired of arguing with my father,
00:53of the insidious comments about Cruz and the captain.
00:56And I'm sure she will help me.
00:58We look closely at the guests.
00:59Few, but of Alcurnia.
01:00So that at least the honor of the Lujan people is not diminished.
01:03Are you proposing that we prepare the wedding in two days?
01:06Precisely.
01:07The wedding is canceled again?
01:09As happened with Miss Catalina?
01:11No.
01:12This time there will be a wedding, but you cannot attend.
01:15They have been orders from Mrs. Cruz and they have been firm.
01:19And Martina?
01:21No one has notified her.
01:22Maybe we will arrive on time if we send her a telegram.
01:25Do you know Julia's address?
01:26Calm down.
01:27She has already been notified.
01:28She already knows about the wedding.
01:30Thank you, Curro.
01:31Thank goodness.
01:33Do you like them?
01:35I like the detail of your parents.
01:38But you would not have chosen them in your life.
01:41Well, you know that I am much simpler than all this, but ...
01:45But I don't care.
01:47I will get used to these alliances,
01:49how to lie about my past and ...
01:52to everything that is needed.
01:57What?
02:04Is it a secret passage?
02:06I don't know, Vera.
02:07I don't know, there has to be some way to open it.
02:10A secret mechanism, a lever, something.
02:13Well, you haven't seen a few leaflets.
02:16What if instead of laughing you give me a hand?
02:18Let's move this.
02:20Let's go.
02:25Don't worry.
02:26All those rumors that feed the liars can scandalize many.
02:30But not me.
02:31You will not be the first woman who gets pregnant before going through the altar.
02:35You got pregnant before you got married?
02:44Yes, you are right.
02:46I got pregnant while still single
02:48and I had to face many inconveniences because of it.
02:53And ... was it very hard?
02:55More than I imagined.
02:57People I believed in, my friends, turned their backs on me and closed the doors on me.
03:02Among those people who rejected you was my stepmother.
03:07What difference does it make who it was?
03:09The fact is that they rejected me.
03:13I see what awaits me.
03:15Well, things don't have to be like that for you.
03:18Times change very slowly for women.
03:21The same thing will happen to me.
03:23And they will also reject me.
03:25Maybe.
03:26But then you will know who your true friends are.
03:30I guess so.
03:32The truth is that it does not bother me.
03:34Cruz has prepared me for it without wanting to.
03:38I don't understand you.
03:41She was always a witch with me.
03:44And she has treated me with contempt.
03:46So I don't care if others do it.
03:50And as for her, well ...
03:52She will continue to treat me with hatred.
03:54As she has been to this day.
04:00You are very tough with Cruz.
04:02I no longer judge her as before.
04:05You were her friend.
04:07Maybe.
04:08But you know how things are between nobles.
04:12Defending the honorability of your title is the first thing.
04:15And she couldn't have such a close relationship with a plebeian.
04:18Yes.
04:20The title before the people.
04:24But you know what I tell her?
04:26That the title is defended by doing good.
04:28And not by reneging on friends.
04:31Maybe you're right.
04:34But a lot of time has passed.
04:36I don't hold a grudge against her.
04:38That's from having a noble heart.
04:41Or a memory that prefers to remember the good things to the bad.
04:46Whatever it is, I envy that she can speak without grudge.
04:49The truth.
04:51Time softens everything.
04:54When I returned to Spain, I felt that I missed my old friends.
04:59And I decided to come to visit Cruz
05:01and forgive everything that had happened between us.
05:04And did she miss her?
05:06Of course.
05:07She is delighted that we have reunited after all these years.
05:11Well, I'm glad for you.
05:13My stepmother can be a terrible host if she doesn't miss the visits.
05:18That's not the case.
05:22And with respect to your future son,
05:25can you give me some advice?
05:27Of course.
05:30Never, but never, never,
05:33be ashamed of the creature you carry in your womb.
05:38Because I'm sure that the best thing you're going to do in your life is bring it to this world.
05:46No, Belmonte is a thousand times better bullfighter than Joselito.
05:49Where is he going to stop?
05:50Belmonte?
05:51But if he gets angry, he won't take us 20 races.
05:53Besides, you haven't seen either of them.
05:55Well, let's see if now a Spaniard is going to have to see something before giving his opinion.
05:59You don't know what we just found in Mrs. Marquesa's room.
06:02Well, more like what we haven't found.
06:04Well, it's true, we haven't found anything, but we know what to find.
06:07But what is this? A riddle or something?
06:09It's more like a mystery.
06:12There is a false wall in Mrs. Marquesa's room.
06:15It sounds hollow.
06:21It sounds hollow?
06:23Let's see if what is hollow are your heads.
06:25How funny, Sigio.
06:27I'm sure there is a false wall in Mrs. Marquesa's room.
06:30Yes.
06:31And behind that false wall, I'm sure there is a secret door
06:35that connects to a secret passage.
06:38And how far does that passage go?
06:40We have been looking for a mechanism that can move the piece of wood
06:43in front of the hollow wall.
06:45Teresa, where are you getting this from?
06:47Secret doors, passages, mechanisms ...
06:51The truth is that it looks like a story of cheap leaflets.
06:54Well, I'm sure whoever has read those leaflets has made this passage.
06:57But to exist exists.
06:58You are giving them a lot of imagination.
07:00Both.
07:01Well, it is true that the walls of this palace are quite thick.
07:05If they have found a hollow wall, they may be right.
07:09Right.
07:10The same reason you have when you say that Belmonte is better than Joselito.
07:13And what are you two talking about now?
07:15Well, yes.
07:16Isn't it strange that in such an old palace there are these kinds of things
07:19so that the gentlemen use them and leave without being seen?
07:22Isn't it?
07:23In the royal palace there were a lot of passages.
07:25There was one that reached the royal theater.
07:28And in the palace of the Duke of Arabia it was rumored that there was also one
07:31that he used to make his chanchullos.
07:33Let's see.
07:34One moment.
07:35Because the one who has been in this palace the longest is me.
07:37And in my life I have heard nothing of any passage.
07:40Of course.
07:41Like Mrs. Márquez was going to tell you that she had a secret passage.
07:43You see that a secret passage is worth being secret.
07:46What's wrong with you?
07:48Are you bored?
07:49Don't you have homework?
07:50Please, huh?
07:51A little sensitivity.
07:52Well, I don't know if it will be boredom or a lot of imagination.
07:56But if there is a passage, I want to find it.
07:59And I'm going to see him.
08:00Marcelo.
08:02I remind you that you and I are not exactly to get into trouble.
08:05Don't worry, I know what I'm doing.
08:07At what point can we count?
08:08This one takes us for ghosts.
08:10And the other one is more dangerous than an old shotgun.
08:12I'm going with him, I don't trust him.
08:18My God.
08:19I'm scared.
08:21López, is there really something behind that wall of Mrs. Márquez?
08:26Yes.
08:29We have to decide who will accompany you to the altar.
08:32So that he prepares the suit for you.
08:35I have thought that ...
08:37Maybe it could be Mr. Baeza.
08:39A mayor?
08:42He has always supported me since I arrived and he has treated me as if he were my father.
08:46So I would like to thank him that way.
08:49No, don't even talk.
08:50We have enough with what we have.
08:52But mother ...
08:53Don't insist, Manuel.
08:55There is nothing else to talk about.
09:01Okay.
09:02So we have thought that if it cannot be Mr. Baeza who accompanies him to the altar,
09:07be my father.
09:08That can't be either.
09:10You can't put your father in that position.
09:12I think I would accept.
09:14Well, maybe he would, but only out of commitment.
09:17Your father is quite uncomfortable with this situation, as if to add salt to the wound.
09:22Well, I let him talk to him.
09:24Manuel, don't you understand that I already accompany you to the altar?
09:27We can't both be godfathers.
09:29And why is that?
09:30Because it's not done that way.
09:32And stop rebutting everything I tell you.
09:34Manuel, it's done. Let it be.
09:38Yes, it can't be either the Marquis or Mr. Baeza.
09:42Maybe it could be Curro.
09:45I don't think it's a bad idea.
09:47Curro?
09:48He's too young, besides.
09:51What are you going to do? Accompany my nephew?
09:53He doesn't look like it.
09:57Mother, he says he doesn't stop rebutting everything I tell him, but I think it's the other way around.
10:01He doesn't stop putting obstacles in everything we propose.
10:03I put obstacles with all the sense, Manuel.
10:05We need someone with age and more distinction.
10:08Really?
10:09And do you have someone in mind?
10:13Well, as we are talking, I am thinking of someone who would be perfect.
10:18He's got age, he's got a title, good manners ...
10:21And do we know that gift of virtues?
10:24Your uncle Lorenzo.
10:26A decorated military man, with a title, a family member ...
10:30What else can we ask for?
10:32But I've never had a good relationship with him.
10:36Well, what kind of relationship were you going to have if until two days ago you were a maid?
10:40No, no, it's just that when I moved to live here in Pantanoble, he didn't treat me well either.
10:44Doesn't he remember all the provocations he's given me lately?
10:48Come on, please, let's not dramatize, huh?
10:51My brother-in-law has a somewhat particular sense of humor, that's all.
10:55Well, it's not funny to me.
10:58Hanna, I'm not asking you to make a great sacrifice either.
11:01Just walk a few meters from his arm to the altar, it's not that bad.
11:04I would sincerely like the one who accompanied me to the altar to be someone I had a minimum of affection for.
11:09Honey, you're going to have to learn that in our world, rules go before affections.
11:16A girlfriend cannot go to the altar accompanied by a servant or a servant.
11:20And no more talk.
11:32Well, the church is already clean and then we will go to decorate it.
11:35And what are you going to do to decorate it?
11:38We have prepared flowers and bows for the bank heads.
11:41That always looks very nice.
11:43And we will put bouquets everywhere.
11:45Oh, it's going to be beautiful.
11:47What less, Hanna deserves it all.
11:49Yes, the poor girl suffered a lot until she got here.
11:52I still remember the day she came to the promise.
11:54And I, I don't forget it.
11:56That day there was another wedding, that of Mr. Tomás and Mrs. Jimena.
11:59May they rest in peace.
12:01It was going to be a happy day and things ended very badly.
12:05Well, yes, Hanna arrived at the appointed time.
12:07Even if it was for bad things.
12:09I, seeing the character he had, I thought he wasn't going to last here for three days, huh?
12:13The character and the anger that Mrs. Marquesa got from him from the beginning.
12:17But Mr. Manuel's accident changed everything.
12:20That thing I've heard about the plane sometime.
12:23That's right. If they don't print him with the plane and Hanna is not there to save him,
12:27who knows what would have happened now.
12:29How romantic.
12:31It's as if they were destined to get married from the first moment.
12:34You are very novelist, Teresa.
12:36And that?
12:37Nothing.
12:38Nothing, she's very romantic.
12:40The point is that if Hanna didn't get the hand of Mr. Manuel,
12:43she wouldn't be at the promise today.
12:45But she stayed here and from the first moment, she and I had a good friendship.
12:50Candela, that was not the case.
12:52At first, none of us trusted her.
12:54The truth is that we had no references.
12:56You would not trust her because I have a very good eye
12:59and from the beginning I knew that you could trust Hanna.
13:02No.
13:03For you, the fat bitch.
13:05I remember that those days I was very sad for the death of Mr. Tomás
13:09and I was very dry with her.
13:11But then, thanks to Hanna, I'm here.
13:14Healthy and safe.
13:16He saved my life.
13:17You, Mr. Manuel and some others.
13:19Yes, it is.
13:20First he saved his life and then he marries him.
13:22Don't tell me it's not romantic.
13:24Yes, Teresa, it's very romantic.
13:28The pity is that ...
13:30is that we can't all go to the wedding.
13:33I see.
13:34Well, don't worry, I'll look at all the details
13:37and then tell you in detail.
13:39I will also be very attentive.
13:41Don't miss any detail, huh?
13:43How is the groom doing?
13:44What words are said in the altar?
13:45The sermon of the priest.
13:47And the dress that the guests are wearing.
13:49And the jewels of the ladies.
13:51I'll take a notebook to write it all down.
13:53I don't care about all that.
13:56I would be satisfied with seeing the faces
13:58of joy of the grooms and the tears of emotion.
14:02Well, we have to stay here.
14:05Life is capricious.
14:10Well, Mrs. Candela, we won't be able to attend
14:13the banquet and the celebrations either.
14:15We will only go to the ceremony.
14:16You won't dare to complain, will you?
14:18Let's see, everyone has their problems here.
14:21Happiness is not always complete.
14:24Well, let's hope Hanna's is not.
14:26Yes, we hope so, at least.
14:31Come on, give me a glass of water.
14:45What?
14:46Any important news?
14:49Not much.
14:52The economy is not doing well
14:54and it is seen that there is a strike
14:56in the textile companies of Barcelona.
14:59And the echoes of society?
15:01Anything outstanding?
15:04I don't read those pages.
15:05I'm not interested.
15:07Well, you should.
15:10It is known more about the departure of a country
15:12and where the power is really
15:14by the echoes of society than by reading the news.
15:16If you say so.
15:18But I'm bored.
15:20Of course you're bored, Curro.
15:23The young man is too worthy
15:25to read certain things.
15:27Do you know what's wrong with you?
15:29You have too many scruples.
15:31Not like your cousin.
15:33What are you saying now?
15:35Well, while you are busy rejecting young people
15:37like Julia,
15:39because she is not at your level,
15:41your cousin is going to marry a simple maid.
15:43Again with that.
15:46Look, we refused to get married
15:48because we didn't want to.
15:49On the other hand, Manuel and Jana
15:51are going to get married because they are in love.
15:55In love, look.
15:56I'm not going to listen to such nonsense.
15:58As soon as the priest gives the blessing,
16:00I'll disappear from there.
16:01Honestly, I don't think anyone needs him.
16:06Brother-in-law, we have to talk.
16:12Here?
16:13Yes.
16:14Curro can be in front.
16:16It's about Manuel's wedding.
16:18Cruz just told me who wants
16:20Jana to accompany him to the altar.
16:25Me.
16:26Is that what you want?
16:28Without consulting me first?
16:30You know that sometimes it can be very impulsive.
16:32Impossible.
16:33No, I have other plans.
16:36Weren't you going to come to my son's wedding?
16:39Yes, yes, but ...
16:40But nothing.
16:41Little changes if you attend the wedding
16:43sitting on a bench or accompanying the bride to the altar.
16:46But of course it changes.
16:47She's a maid.
16:49I can't accompany a simple maid.
16:53If Manuel can marry her,
16:54you can accompany her to the altar.
16:56And stop complaining.
16:57You should be grateful.
16:59Grateful? Why?
17:00For accompanying an insolent woman
17:01whom I can't even see?
17:03My friends are going to laugh at me.
17:04Lorenzo, enough!
17:06I don't like this wedding either.
17:08Stop whining.
17:09I want this to end at once.
17:11Uncle Alonso, for me it would be an honor
17:13to accompany Jana.
17:15Yes, I appreciate Jana
17:17and I would do anything for my mother.
17:20So yes, I would like to accompany her.
17:23Better for you, right?
17:29No, go to Lorenzo.
17:30Alonso, what more does the father have than the son?
17:32Besides, Curro also has a title.
17:34Let's see, Manuel, Jana and my wife have already discussed it
17:37and it has cost them to reach an agreement.
17:38Let's leave it at that.
17:39But how can you reach an agreement
17:40that compromises me without counting on me?
17:42If you have any complaints, give them to Cruz.
17:44I'm sure she'll be delighted to talk to you.
17:52Don't look at me.
18:12I love you.
18:18You are beautiful.
18:21Stop telling me that, Manuel.
18:29Of course, Maria, and you have managed
18:30to make this dress fit you like a glove.
18:33What we may not have achieved
18:34is that it is not the same as the original.
18:39Jana, with you nothing is like it was before.
18:42Yes.
18:52Come in.
18:58Look what we brought you.
19:01Your wedding dress.
19:03What do you mean my wedding dress?
19:05What? What surprises you so much?
19:07You will have to wear a wedding dress to church, right?
19:09Of course, but I already have the dress
19:11that Manuel gave me.
19:13No, that dress is too simple.
19:15You have to wear something that is up to the task.
19:17Take it off, Pia.
19:19Thank goodness that the fashion designer
19:20has sent us a beautiful one.
19:22You'll see.
19:27Put it on.
19:28Here it is.
19:29This way we will see how it will look
19:30and if we will have to make any adjustments.
19:33Yes, yes.
19:36You can look in the mirror.
19:38Come on.
19:43What? It's nice, right?
19:46Well, I don't know.
19:48It seems too pompous to me.
19:50I like it much more than it is simpler.
19:53Jana, it's about your wedding.
19:55It's not the time to be discreet.
19:58I see.
20:02It's not even white at all.
20:04Well, that is the most suitable color
20:07given the circumstances.
20:09What do you mean?
20:11Come on, dear.
20:12Don't tell me I have to explain you
20:13so many things.
20:15Well, yes, I would like you to explain them to me.
20:18In a wedding dress,
20:19snow-white represents purity.
20:23And I'm very afraid that you lost yours
20:24a long time ago, right?
20:28Besides, I don't know what you're complaining about.
20:29This other one is not much whiter either.
20:34Look, I ...
20:35Let's leave this conversation here.
20:36Yes?
20:38It's just that, honestly,
20:39this dress is not even my style.
20:43It's not the style of this family
20:44to be related to servants either.
20:49Come on, Jana.
20:50Do me a favor and collaborate with me.
20:52It's not easy for me
20:53to carry out this wedding
20:54with so much pressure.
20:56But I don't ...
20:57You don't what?
20:59You don't what?
21:00Don't you like it?
21:01Even though I have struggled
21:02to get it in time?
21:04Very well, don't wear it.
21:06You can go to the altar
21:07with your little white light
21:08and your little brown skirt.
21:21But, can you hear me well?
21:23Yes, yes, yes.
21:24Much better than the other day.
21:26Did you hear anything
21:27I told you?
21:28If I'm being honest, no.
21:31So,
21:32didn't you hear
21:33that Manuel and Jana are getting married?
21:35Yes, but that was already known.
21:37No, Martina.
21:38They're getting married tomorrow.
21:39Tomorrow?
21:40But tomorrow can't be.
21:41I'm on the other side of Spain.
21:42I wouldn't make it in time.
21:43But how are you on the other side of Spain?
21:45Weren't you in Córdoba
21:46at your friend Piluca's house?
21:47Yes, yes, yes.
21:48Well, but we decided
21:49to go to Santander
21:50and here I am.
21:53Martina, you have to come back.
21:55It's Manuel.
21:56I'm the one who feels it the most.
21:58I'm the one who feels it the most.
22:00But I wouldn't make it in time
22:01even if I took a train right now.
22:02I wouldn't make it.
22:03And what if you rent a car
22:05with a driver, for example?
22:06No, I wouldn't make it either.
22:07It's impossible.
22:08How can they really think
22:09of getting married like that,
22:10overnight?
22:11I don't understand.
22:12I don't know.
22:13They decided it so suddenly
22:14and Aunt Cruz tried
22:15to change her mind,
22:16but she couldn't.
22:18I feel so bad
22:19about losing that wedding.
22:20I don't know...
22:23Martina,
22:24what do I tell the family now?
22:25What excuse do I give them?
22:26No, no, no excuse.
22:28Tell them I wouldn't make it in time
22:29because I found out late
22:30and that's it,
22:31that in the end it's the truth.
22:32No, no, no, I don't know.
22:33I don't know.
22:34I've really messed up.
22:36Because it's true
22:37that I didn't hear you well
22:38on the phone,
22:39but I didn't think
22:40you heard anything.
22:41And then
22:42I told Uncle Alonso
22:43that you would come to the wedding.
22:44Well, it's not your fault
22:45that he barely heard me.
22:46So I don't know,
22:47I'll send a congratulatory telegram
22:48to the grooms
22:49explaining my absence.
22:52Yes,
22:53it will be better.
22:54Anyway,
22:55please,
22:56please tell them
22:57that I feel in my soul
22:58not being present
22:59and that...
23:00that I wish them the best.
23:02Martina,
23:03they already know that.
23:05So...
23:06enjoy Santander.
23:08And...
23:09come back soon.
23:11Don't worry.
23:27Oh, but hey,
23:28and that castrulla?
23:29Where did you get it from?
23:30I had never seen it before.
23:31Because it belonged to Don Fermín.
23:34And I thought it would be good
23:35to dress it
23:36to officiate the wedding
23:37of an entire heir
23:38to the Marquis.
23:40But...
23:41but it has some untrimmed hair.
23:44Do you think you can fix it?
23:45Well, of course,
23:46in a moment.
23:48Uh...
23:49and what do you think
23:50about this?
23:51I don't know,
23:52I don't know,
23:53I don't know,
23:54I don't know.
23:55And...
23:56and you, who are a priest,
23:57can you tell me
23:58how long a sanctuary lasts?
23:59One minute or five?
24:01Well, Maria,
24:02I haven't measured it.
24:03Well, it doesn't matter.
24:06Don't worry,
24:07you'll have it for the wedding.
24:09If God wants
24:10that wedding to take place,
24:11finally.
24:12Maria,
24:13don't lie to God's name
24:14in vain.
24:15No, if it's not in vain.
24:16If I, more than anyone,
24:17want those two to get married
24:18because I know
24:19how well they love each other
24:20and how difficult it has been for them.
24:21And besides,
24:22I'm already preparing
24:23for the big day.
24:24Are you invited?
24:25Not only am I invited,
24:26but I'm in charge
24:27of guarding the bouquet.
24:29And it hasn't arrived yet,
24:30but as soon as they give it to me,
24:31I'm going to keep it
24:32so that no one sees it.
24:33But I thought
24:34it was the dress,
24:35what couldn't be seen before.
24:37Yes,
24:38that's what they say
24:39about Malfario.
24:40But I want the bouquet
24:41to be a surprise for everyone.
24:43And since when
24:44is the bouquet a surprise?
24:45Well, Father,
24:46you'll know a lot
24:47about Refeito Emilia,
24:48but I'll tell you
24:49about the bouquet
24:50that you have no idea.
24:52That...
24:54I can't believe it.
24:56Besides,
24:57Hanna hasn't been allowed
24:58to choose anything from her wedding,
24:59but she has been allowed
25:00to think about the bouquet.
25:02Hanna has chosen the flowers,
25:03then?
25:04You don't know.
25:05No, Hanna hasn't chosen anything
25:06because otherwise
25:07it wouldn't be a surprise.
25:08Let's see if you're going to be
25:09the one who's not explaining well.
25:11Well, I'll explain better.
25:13Hanna has decided
25:14that the bouquet is a surprise
25:16and she doesn't want to see it
25:17until the day of her wedding.
25:18That's why she doesn't know
25:19what it will be like.
25:20Okay, I understand.
25:22Hanna has decided
25:24not to decide.
25:26And you have decided
25:27to complicate everything
25:28and put all the letters together
25:29so that nothing is understood.
25:31Eh?
25:34It's this one.
25:51Cultivating your brain a bit?
25:54Well, at least that's what I'm trying to do.
25:57Do you mind if I sit down?
26:00Please.
26:08I'm sorry if I get in
26:09where they don't call me,
26:11but you look a bit serious
26:12to go to your wedding tomorrow.
26:14Let's see, I'm honestly happy
26:16to marry Manuel, but
26:19when I imagined my wedding
26:20I didn't imagine it would be like this.
26:22Although I suppose the important thing
26:23is that I'm going to marry
26:24the person I love.
26:26And why do you say
26:27that you didn't imagine
26:28that your wedding would be like this?
26:30I suppose I thought
26:31that maybe I could choose something,
26:33like the guests, for example.
26:37And they haven't allowed you.
26:39And I would have liked
26:40all the service members to come
26:42because they are my friends,
26:43but only one can come.
26:47I understand you.
26:49Although I can also understand
26:50the Marquises.
26:52If that had been
26:53the only thing they had chosen.
26:55Now it turns out that also
26:56Doña Cruz has chosen
26:57who is going to accompany me to the altar.
27:00And it's the captain of the Mata.
27:02How corrupt.
27:03He doesn't have your sympathies.
27:04Why lie?
27:05The truth is that he doesn't.
27:07That man has made my life
27:08impossible since Manuel
27:09told me that we were dating.
27:12And honestly,
27:13before we didn't get along either.
27:15And why have they chosen him?
27:17The Marquise will know
27:18that it was her idea.
27:20As she also chose
27:21my wedding dress.
27:23So you can imagine
27:24that I'm not very happy.
27:26Well.
27:28But the important thing,
27:29as you say,
27:30is that you are going to marry
27:31the man you love, right?
27:33I suppose that if not,
27:34I would not have endured
27:35everything I have endured.
27:37Do you think that
27:39with this hasty wedding
27:40you have not made it very easy
27:41for Cruz either?
27:43I don't know.
27:44It may be, but ...
27:45Organizing a wedding well
27:46takes months.
27:48And she is making a great effort
27:49for everything to go well
27:50in a matter of days.
27:52What happens is that
27:53Manuel and I have been waiting
27:54for too long.
27:56We decided to postpone it
27:57because
27:59we both felt that if not,
28:00that day would never come.
28:02Well.
28:03All is for the main objective,
28:04which is that you are happy
28:05on your wedding day.
28:07I will try.
28:08Despite everything.
28:09No.
28:10Don't try it.
28:11Do it.
28:12Enjoy every moment
28:13because it is a day
28:14that will not be repeated again.
28:16Your big day.
28:18Agree?
28:22You have a very beautiful smile.
28:24Let it shine a lot tomorrow.
28:29Mrs. Leocadia.
28:49Well, I'll give this a little touch
28:50and it will be gorgeous.
28:51You're going to look like a brush.
28:53Not like poor Hanna.
28:56Doesn't Hanna like her dress?
28:58Not much.
28:59Because they have chosen it.
29:01And of course,
29:02she is disgusted.
29:03Well, a little bit.
29:05But hey, the important thing
29:06is that she is going to marry Mr. Manuel
29:07and that makes her very happy.
29:10But you don't look like it much.
29:13What's the matter?
29:14I am very happy for my friend.
29:17Although the wedding makes me a little sad,
29:19the truth.
29:20And that?
29:23Because I was about to get married
29:25and not just once.
29:26And in the end,
29:27it couldn't be.
29:29Yes, with Salvador.
29:30I remember.
29:32The same.
29:34Candela went to look for me in the village.
29:37And there I was waiting.
29:40But you didn't show up.
29:43Well, the strange thing would have been
29:44that we had introduced ourselves.
29:46I didn't give a real for that wedding.
29:49And that?
29:50Because that didn't go to any port.
29:52And I still think that Salvador is a good boy
29:54and I hope he finds a girl who loves him very much.
29:58I hope you too.
30:01Yes, I hope.
30:05Are you sure you will have it on time?
30:08Yes.
30:09Yes, yes, don't worry,
30:10it will be for tomorrow.
30:12What a relief.
30:14Then I'm going to the village
30:15and I'll look for you to pick it up.
30:33Yes, look for me, yes.
30:35Look for me.
30:36And everything you want.
30:37Everything you want.
30:41Oh, María Fernández, for God's sake,
30:42what are you saying?
30:45Oh my God, send me strength, huh?
30:47So as not to succumb to this temptation.
30:48And send me a lot of strength
30:49because the temptation is very fat.
31:01Now we are going to put the sugar pearls.
31:05Do you think it's a good idea
31:06to put pearls on it?
31:08Because I have heard
31:09that the pearls come to be like tears.
31:11And if there are pearls,
31:12on the day of your wedding,
31:13don't laugh, listen to me,
31:15then the bride will cry a lot
31:16in her wedding.
31:18That is a
31:19superstition
31:20of the many that are said.
31:22Jana will be very happy
31:23in her wedding.
31:24Just in case, huh?
31:25When the river sounds,
31:27bring water.
31:29Supercherias, Candela.
31:31Supercherias
31:32are supercherias
31:33until they stop being supercherias.
31:34They have to be, right?
31:36And are you going to show
31:37that it is true?
31:39I show a lot of things
31:40when I get dressed.
31:41Come on,
31:42show me
31:43how well you know
31:44how to put the sugar pearl
31:45in the middle of the flower.
31:47You'll see.
31:50Then I don't want to tell you,
31:52I told you,
31:53but if I have to do it.
31:55Candela, you focus
31:56on what we know how to do.
31:58And the rest,
31:59you leave it to others.
32:01Our specific task
32:02is that the food
32:03is delicious
32:05and that the guests
32:06are not hungry.
32:07We will do what we can,
32:08because preparing a wedding
32:09is a race.
32:11At least there are not
32:12many guests.
32:13And if there were many,
32:14we would not have arrived.
32:15And I don't even want to think about it,
32:16if we are officers,
32:17I don't even want to think
32:18how Jana will be
32:19after what
32:20Mrs. Darre told us.
32:22Yeah,
32:23that they haven't even
32:25let her choose
32:26her wedding dress.
32:27Apparently,
32:28Mrs. Marquesa
32:29had some very unfortunate
32:30comments.
32:31As always,
32:32it's not about Jana.
32:34Put the captain
32:35as a godfather.
32:36Come on.
32:37It's annoying
32:38that you're fed up
32:39with such a tasty cake.
32:41It had to be the other way around
32:42and Jana had to enjoy
32:43preparing everything.
32:44Yes.
32:45But look,
32:46quite the opposite.
32:47The poor thing
32:48had to come down
32:49to tell us
32:50that we are no longer invited.
32:52What a disgust
32:53the girl has taken.
32:54And what a disgust
32:55we have taken too.
32:57I was very excited
32:58to go to that wedding.
33:00Well,
33:01let's hope
33:02that from now on
33:03they won't do it again.
33:05Yes,
33:06I'm listening.
33:07I want them
33:08to say yes
33:09once and for all.
33:10At least
33:11the cake
33:12is going to be fine.
33:13I was thinking
33:14about Mrs. Marquesa
33:15and I was going to
33:16have a heart attack.
33:18Oh, Candela,
33:19don't get upset
33:20and keep going.
33:21We still have a lot of work to do.
33:23And do you think
33:24there will be
33:25enough space here?
33:27Yes.
33:28Yes, everything has been so fast
33:30that there won't be many guests.
33:31Well,
33:32then there will only be
33:33select people,
33:34like me.
33:36I don't know, Curro.
33:37All I want
33:38is for this
33:39to end as soon as possible
33:40and for me to be able
33:41to marry Jana
33:42and enjoy my marriage
33:43in peace.
33:44That's it.
33:45That's it.
33:46That's it.
33:47That's it.
33:48That's it.
33:49That's it.
33:50That's it.
33:51I understand, Manuel.
33:52But you'd also have to enjoy
33:53the day of the wedding, right?
33:56It's difficult.
33:58This ceremony has been done
33:59more to the extent
34:00of my mother than ours.
34:02I understand.
34:03In that regard,
34:05I'd like to talk to you
34:06about something.
34:09Is it possible
34:10to change Jana's godfather?
34:15I'm afraid not.
34:18Manuel,
34:19Manuel, Hanna and the captain don't like your mother's decision.
34:23And I would go with Hanna to the altar with a thousand loves.
34:27I know.
34:29Of course I know.
34:31And nothing would make Hanna more excited than you taking her to the altar.
34:36But we've been talking to my mother and there's no way to change her mind.
34:41She says you're too young.
34:43What?
34:44But let's see, Manuel.
34:46Hanna and the captain can't even see each other.
34:49I know that too.
34:51Curro, I'm tired of fighting.
34:53Honestly, I want to do as my father says.
34:56Let him be.
34:59Manuel, are you okay?
35:01There's one day left for your wedding and you seem so down.
35:04I'm fed up, Curro.
35:07I'm fed up that my mother is a witch.
35:10But I have to keep the guy so Hanna doesn't come down.
35:14I see.
35:16I swear there are times when I would take him by the hand and ...
35:20And I would go with her.
35:22Far away. Without telling anyone.
35:25And why don't you do it?
35:28We already tried once, remember?
35:31And it didn't work out very well.
35:38No, this is my house.
35:40And here is my family.
35:42So no, I'm not going to run away.
35:44I don't want to run away.
35:46And neither does Hanna.
35:48It wouldn't be running away.
35:50It would be freeing yourself, Manuel.
35:52Maybe.
35:54But I'm going to hold on.
35:58There's not much left, Curro.
36:01In nothing, there will be no turning back.
36:02Besides, if my mother is so upset, it's because she knows she has lost.
36:07And when Hanna and I get married,
36:09she will have no choice but to accept it.
36:13Do you think so?
36:16More than to believe it, I wish it.
36:19But I can't show Hanna my thoughts.
36:23It seems as if you were doing a little play in front of each other so as not to worry each other.
36:31Tomorrow that little play will be over.
36:34Hanna and I are going to get married in front of the people we love.
36:38And there will be no more pandemic.
36:42That's what I wanted to hear.
36:46By the way, as for getting married to the people you love,
36:51there is one thing I have to tell you that you may not like.
37:00What's going on now?
37:06Yes, yes.
37:07I'm sorry for the delay.
37:08It's just that the grooms were in a hurry and we couldn't convince them of anything else.
37:13Her?
37:16I don't know if they coincided in a dance.
37:18She's from the north.
37:21Yes, from the north.
37:23Does she belong to the family of the Counts of Benavente?
37:28Yes, it's a great family.
37:33Of course.
37:36Of course, yes, yes.
37:38Anyway, Baroness.
37:40It's a pleasure to know that we will count on your presence.
37:44And sorry for the delay.
37:46Goodbye.
37:53What?
37:55Looking for a reading?
37:57If you want, I can recommend you a couple of novels that I have recently read.
38:01Thank you. I was just curious.
38:04Still with the wedding invitations?
38:06Yes, what a remedy.
38:08And thank goodness that almost everyone has a phone because many have not received the invitation.
38:14Yes, by writing everything is much more cumbersome.
38:17And also, that way you can give explanations about who the bride is.
38:20Yes, although, well, there aren't that many, just which family she belongs to and that.
38:26Yes, I think it's good that you give them, even if they are false.
38:31What did you say?
38:33Be careful Cruz.
38:35Lies have very short legs.
38:38I don't know what you mean.
38:40Hanna herself has told me.
38:44And to think that this dinner was scrubbing the floors of this house ...
38:50I guess I felt the need to tell the truth.
38:54Not everyone can lie as well as you.
38:57It is clear that she is useless and cannot even keep her mouth shut.
38:59Oh, don't get mad at her, Cruz.
39:02Besides, I really think she will be a very good wife for your son Manuel.
39:05Well, I think quite the opposite.
39:08Now I understand why you were so upset from the beginning with that wedding.
39:12But don't get like that.
39:13These things happen from time to time.
39:15And it's not that serious.
39:17Of course they are.
39:19If you didn't tell me what mother raises a child to end up marrying a maid.
39:23She has already stopped being a maid and is going to become a nobleman.
39:27It's all a matter of patience.
39:29She doesn't have an education, Leocadia.
39:32Everything is learned, Cruz.
39:35That wretch is not going to learn anything, I'm telling you.
39:39Anyway.
39:41I'm very sorry that you came to the prom in such a blind moment.
39:44Don't worry. I'm very comfortable.
39:47If I worry, yes.
39:48As things stand, I'm afraid that ...
39:51that we won't be able to serve you well.
39:55I mean, I don't know, maybe ...
39:58Would you rather ...
40:01leave me?
40:05I'm having a great time. And now comes the most entertaining moment.
40:09The wedding.
40:12I don't like that dress for Hanna. I'm not going with her.
40:16The truth is that it is very pompous.
40:18And she would never have chosen something like that.
40:20Yeah, but it's a gift from a knight. And since it's a gift from the Marquise, well ...
40:24She has to shut up.
40:26And what are we going to do to Maria?
40:28And besides, she's very pretty.
40:30I don't know.
40:32I don't know.
40:34I don't know.
40:36I don't know.
40:38I don't know.
40:40And besides, she's pretty no matter what she wears.
40:42Yes, but she's not happy.
40:44Today the dress test was very serious.
40:47Well, but at least she was happy to marry Don Manuel.
40:50Yes, but she would have liked to have another kind of wedding.
40:53With another dress, with the guest service, for example.
40:56Yeah.
40:58But hey.
41:00It can be seen that she knows how to argue with her mother-in-law.
41:02In the end, the wedding is a matter of one day.
41:05And having to swallow the Marquise is forever.
41:08Well, it's forever, Teresa.
41:10At some point that woman will die, I say.
41:12Although she has a very healthy face.
41:14The same goes for her for a while.
41:16The point is that I don't know if Hanna will be able to follow my advice.
41:19That one thing is to advise and another thing is to have to swallow with the Marquise every day.
41:23She's trying to make her life bitter every day.
41:26And that's precisely why she gives him a dress like this and ...
41:29prohibits the whole service from going to the wedding.
41:31She's a pain in the ass.
41:33With everything we love her.
41:35And on top of that, she allows Mrs. Petra to attend.
41:37And to top it off, she makes the captain of the mate accompany her to the altar.
41:40That man should not accompany not even a filthy trot to the slaughterhouse.
41:44María, what things you have.
41:47Anyway, poor thing.
41:49She's been where she likes for a few days.
41:52Well, listen to me, María.
41:54Tomorrow at this time, Hanna will be married.
41:57And you will see how little by little the waters are calming down.
42:01God hear you, Teresa.
42:08Father.
42:09Do you know what vessel we are going to use in the wedding invitation?
42:13I think the best thing would be to use the one from Limoges.
42:15The one with the Marquise's shield.
42:17Well, I'm going to review it. And the glasses?
42:19Take out the Bohemian glassware, the one with the golden rivet.
42:22And the cover, the one bathed in gold.
42:24Do you think there will be covers for everyone?
42:26Yes, plenty. And as for the maintenance, we will use the French one.
42:29The one with the embroidered in gold thread.
42:32That's right, yes.
42:34Well, I'm going to review everything.
42:36Wait a minute, Santos.
42:38Now that you're here, I wanted to tell you something.
42:42With all the fuss at the wedding, I haven't had time to talk to you.
42:46Sure, go ahead.
42:52I've already told you and I repeat it to you.
42:54Your son has the right to know the truth.
42:57And believe me, he will know it soon.
43:01Tell him, Mr. Pellicer.
43:03Because if he doesn't do it sooner or later, I'll be the one to do it.
43:09But I need time.
43:11I'm not going to wait forever.
43:17You see, I wanted to tell you...
43:22Well, nothing.
43:24Actually, nothing.
43:26Well, nothing.
43:28Actually, nothing.
43:30Keep working.
43:33Is it okay, father?
43:35Yes, yes.
43:37It's just this wedding that...
43:39Things can't be done in a hurry.
43:42Just that?
43:43Don't you think it's not enough?
43:45To make a wedding go well, you have to plan it months in advance.
43:49Well, but it's a simple ceremony with few guests.
43:52Yes, yes. It's a lot of work, little time.
43:54You have to be aware of all the details.
43:57But things can't be done like that.
43:59So it's just that?
44:01What else could it be?
44:04Well, I don't know.
44:06You'll know.
44:08I've been very nervous lately.
44:10Tomorrow.
44:11Tomorrow, when everything is over, I'll be much better.
44:16Well, I hope so.
44:18Because I'm starting to worry.
44:20I'm going to leave this and go check on the table.
44:51This was going to be played on my wedding day.
44:54The emperor's waltz.
44:56It was a choice of Pelayo.
44:58One of his favorites.
45:02Catalina, are you sure?
45:04Don't you mind if we use in our wedding the songs you have prepared for yours?
45:08No, on the contrary.
45:10Since we've been choosing them for so long,
45:13at least the selection is good for something.
45:17Well, thank you.
45:21Although you will dance a piece with me.
45:23Whichever you want.
45:25Although I imagine you will be very demanded.
45:28Don't believe you.
45:30Besides, I'm hoping that the event ends as soon as possible.
45:34Come on.
45:36It will be your day, I'm sure you will enjoy it.
45:39I hope more than what I'm enjoying with the preparations.
45:43I see.
45:45Yes, it's very restless, isn't it?
45:48Especially because of the rush.
45:50But I'm telling you, all I want is for it to be fast.
45:54So that I can finally be Hanna's husband.
45:57Tomorrow?
45:58Then you can have a quiet life.
46:01The life you want.
46:04Well, that won't be so much.
46:07No, if you're not here.
46:10Are you still thinking about leaving?
46:15Yes.
46:17I'm leaving, Manuel.
46:19As soon as your wedding is celebrated, I'll leave.
46:21But you're going to get very bored with Aunt Clara.
46:24Maybe, but I'll be calm.
46:26And I'm sure she'll be happy to have me there for a while.
46:29And why don't you leave in a few weeks?
46:32Catalina, Martina is not here.
46:35If you leave too, Hanna will be left alone in danger.
46:38Can I still work here?
46:40If my mother is determined to make our life impossible,
46:42work will not be enough to contain her.
46:47We need you.
46:51Manuel, I don't think it's a support.
46:53Rather, on the contrary, it would be a burden.
46:56You will never be a burden.
46:58I have no energy at all.
47:00And when the pregnancy progresses, it will be worse.
47:05Why don't you see it this way?
47:07We could help you.
47:09With the pregnancy, we would support each other.
47:12Thank you, Manuel, but I have to go.
47:15In fact, I need it.
47:17But here, we would all take care of you.
47:20There are many people who love you here, Catalina.
47:23Yes, but not everyone.
47:25There are people who hate me.
47:27Manuel, don't insist.
47:29Please.
47:31You know, I've been thinking about some words Pelayo told me.
47:35Well, it would have been good for you to forget what that bastard told you.
47:38And about him too.
47:40Well, I think he was right in this case.
47:42I doubt it.
47:44He told me that it was necessary to put the earth in the middle and leave the promise.
47:48Yes, well, he did.
47:49I'm not just saying it for him.
47:55Catalina, I ...
47:59I know that happiness is not breathed here.
48:02It was breathed in the old days.
48:06I know it's not like when Tomás was here.
48:10But that doesn't mean we have to leave the promise, that's all.
48:13I don't know.
48:16I just don't feel like this is a good place to give birth to my son.
48:21It's decided, Manuel. I'm leaving.
48:32I'm going to miss you a lot.
48:37Hey, don't be sad.
48:39We can visit.
48:41It won't be the same.
48:43I really enjoy your conversations.
48:47Well, we'll talk on the phone.
48:49It won't take long.
48:51At first.
48:52Then we'll get used to it.
48:54No.
48:57Catalina, tell me one thing.
49:00Does my mother have anything to do with all this?
49:09Her goal was for me to be as close as possible to you.
49:13She wanted me to seduce you.
49:17To take you as far away from here as she could.
49:20Her obsession was to get rid of you at all costs.
49:30A few days later
49:36Ma'am.
49:38Here it is, freshly ironed.
49:40And I took care of supervising it myself.
49:42Better.
49:43You can't trust her anymore.
49:46Yes.
49:47I like this dress.
49:49You're going to look more elegant than your own girlfriend, ma'am.
49:53That's supposed to be a compliment, right?
49:57Of course, ma'am.
50:00Because it doesn't have much merit to look better than a vulgar maid.
50:05No, ma'am.
50:07Besides, I don't care much about standing out at a wedding that I wish was never celebrated.
50:13I understand you very well, ma'am, but since it's going to be celebrated ...
50:17A scoundrel.
50:19And also insolent.
50:21I really don't know how my son can be so blind.
50:24Well, you know what they say about love.
50:27Oh, Petra.
50:29Don't try to comfort me with things like that.
50:32No, ma'am, no.
50:41Does the lady want to choose the jewels she is going to wear?
50:44No, I don't want to choose anything.
50:47And do you know what she has done? Besides, the shameless one.
50:51She has told Eucadia who she is.
50:53What? Eucadia knows what?
50:56She knows everything.
50:58She has told Hanna.
51:00Leave me out of it, of course.
51:02But why did she tell her?
51:04Well, I don't know. I guess to annoy me.
51:07At what time did she let her enter this palace, really?
51:10Yes, unfortunately, yes, ma'am.
51:12If I had kicked her as soon as I saw her appear, we wouldn't be here now.
51:16Yeah, but there was so much work to do that day with Mr. Tomás's wedding, ma'am.
51:21Hanna is going to marry my son.
51:23With my only son, Baron.
51:25The heir to the title.
51:27And I can't do anything to prevent it.
51:29I swear I would do anything to prevent this wedding.
51:31I would even cut off a hand.
51:33Please, ma'am, don't say that.
51:35Well, I don't speak for speaking.
51:37Does it bother you so much?
51:39So much.
51:52Well, in that case, ma'am.
51:56I think I could still do something to prevent it.
52:00Something like what?
52:03I don't know, ma'am.
52:05But, for example, that the Civil Guard showed up suddenly.
52:08Yes, and that they arrested Hanna.
52:10Because someone, I don't know who, but someone,
52:12would have reported her for a crime she could have committed.
52:15What crime?
52:16I don't know, ma'am. That's the least of it.
52:18The important thing is that the Civil Guard take Hanna
52:21and lock her up as long as necessary
52:23so that the wedding can't be celebrated.
52:25I hope they are happy.
52:48And as many people say.
52:50Yes.
52:51The truth is that they deserve it.
52:52Because both of them had a pretty bad time
52:54keeping this love a secret for so long.
52:56Do you think everything is going to be so easy?
52:58Really?
52:59I hope this setback doesn't spoil the most important day of your lives.
53:05Don't worry, Curro. It's just another adversity.
53:08My mother is the one who will suffer the worst.
53:11As if she didn't have a long face enough.
53:13Well, don't worry about that.
53:15I will take all the blame.
53:18Well, I have no choice but to go.
53:21I know how Maria Antonieta felt
53:23when she was taken to the guillotine in her car.
53:26I don't know why I have the feeling that something is going to go wrong.
53:28Because you are a ashes.
53:30But the only truth is that you are going to marry the love of your life.
53:33So enjoy the luck you have.
53:35Don't disappoint me.
53:40Maria, this door won't open.
53:42It will open.
53:49We are locked up.
53:51But you have to officiate the wedding.
53:53Knowing the lady, she will end up winning the war.
53:57What do you think will happen then?
53:59I don't know.
54:01But what is certain is that the Marquise of Lujan never loses.
54:06Really, no one knows where the priest is.
54:09No, no one has seen him for hours.