Miami Vice Season 1 Episode 6 Calderone's Demise
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TVTranscript
00:00where in the Bahamas that's all Calderon said the Bahamas there's over 700 islands in that chain
00:20Mendez you better get specific real fast or that glass ain't gonna be the only thing that's broken
00:28hey I'm not his travel agent man Calderon is opening up new supply routes he's using
00:42shrimpers to hold coke to the to the island then cigarette boats to the mainland using the
00:48Bahamas as a base for Miami operation is that why he hired Ludovicro Armstrong to eliminate
00:55competition something like that they were taking over his supply routes you is using this is this
01:05network of wholesalers that he uses in Chicago and Detroit Cleveland New York you ever seen her
01:12before Calderon's got women all over the globe Angelina Madera age 25 born middle in Colombia
01:20educated and sacred heart convent in Bogota University of San Paolo then Georgetown most
01:27recent Andrews Island in the Bahamas what is she to call her own wife mistress hooker
01:36what are you asking me for I mean you guys got all the answers you can forget any deals Mendez you're
01:47gonna be strolling in the prelims as an accessory to at least seven homicides you may not fry but we are
01:54personally gonna see to that you get a year and a day set you loose in a federal pen with a snitch jacket
02:02I'll take odds you don't make it past your first group therapy session last chance Mendez give us a hook
02:13the Argentinian Ludovicro Armstrong the hitman he still had half of his pay coming to
02:32when and when and where once he completed his hit list he was supposed to go to the con Bay Lodge
02:42on San Andrews Island and checking under the name of Miller just wait until he was contacted
02:51just called her own or any of his people know what the Argentinian looks like no I'm the only one to have a son
03:12I want a full report on the Mendez investigation typed up and on my desk before you leave you got it and looked at something straight
03:36the Rodriguez was a good man he died a good cop we all have a lot of feeling about that understood we
03:43have absolutely no jurisdiction out there I want you to check in with local authorities second you land
03:50you're there for surveillance only despite Calarone the Bahamians extradite him that's it no vigilante
03:58stuff the only place Calarone is going to be nailed to a wall is in a Miami courthouse
04:03heard something from Melch over division last week that this Calarone was responsible for your
04:11brother's death up in New York you heard it right
04:21you heard it right
04:23you heard it right
04:25so
04:28so
04:30so
04:37so
11:00great four days total and utter nonsense man you're gonna love this place beautiful women night
11:08clubs water sports and listen anything you need me i mean anything see the kid i can get you into
11:19some jamaican ganja man stuff will tie-dye your frontal lobe in technicolor maybe later
11:30smart i came down on spring break got in some caribbean grass missed my plane back to the mainland
11:41spring break huh how long ago was that seven years last april
11:52let me get your bags checked in luis
11:54that's okay we'll have them yes sir reservations are under uh miller any messages yet nothing sir
12:06thanks
12:13knew you guys are up to summer friend of a friend in new york
12:17about that hey man whatever you say is cool you know one out of three people coming through here
12:25got something going it's ways of the island mystery foreign entry
12:30you know
12:37you know her it's angelina teaches school up at the north end of the island
12:44stone fox talented too
12:47you know we can find it like i say man it's a small island
13:03man it's a small island
13:33no sign of calderon at all huh i assure you if a criminal of calderon statue were on my island
13:43i'd be the first to know
13:45we know where you're staying detective and we'll notify you of any change of status
13:53i appreciate that
13:56and while you're here we'll try to make your stay as comfortable as possible
14:03we're at your disposal
14:06by the way where is your partner
14:11fishing
14:33and i would love you too
14:48Reminds me of a Cuban painter, Martaretz.
15:13I don't know if I'm more startled at your presence or the fact that a tourista would be acquainted
15:20with that show.
15:22He and Colican happen to be two of my favorite Caribbean artists.
15:30Actually, I'm on sort of a shopping mall.
15:36I own a small gallery up in Soho.
15:42I really would like to see some more of your works.
15:47I'm flattered, but I only give them away to my friends.
15:52Well, in that case, I absolutely hope to have one.
16:00What's your name?
16:02Angelina.
16:06I'm Richard.
16:10Mine's Richard.
16:14I've got to go.
16:15You can't.
16:16Why not?
16:17Haven't you heard that old Buddhist custom?
16:21That if karmic faith causes someone to enter into your life, they have to be your guests for dinner and dancing at this terrific cafe I heard about on my bouquet.
16:32That's a very liberal interpretation of Buddha's philosophy.
16:36I've really got to go.
16:38Is that your boyfriend out there on that yacht?
16:41Are you a man of a thousand questions?
16:43Well, I see you again.
16:45He's talking to you.
16:48It's perfect.
16:52It's perfect.
16:54It's perfect.
16:56It's beautiful.
16:57It's perfect.
17:11How'd you make out?
17:36Like a bandit.
17:38How about you?
17:40Nothing.
17:42Hallberry says he hasn't seen Hyden or Hera Calderon in some time.
17:47Yeah, he'll be here.
17:50Not now.
17:52Tomorrow, the next day.
17:54I know it.
17:55Guy could be anywhere, Tubbs.
17:58South America, Europe.
18:00Hasn't stayed alive this long being predictable.
18:04Oh, yeah?
18:05Well, we just got lucky.
18:07Everybody's got their weak spots, pal.
18:09We'll get the boat numbers, and then we'll check every harbor.
18:22Then we'll put in a call to Swanson.
18:27Hey, pal.
18:29You're not in the process of forgetting you're a cop, are you?
18:32We go by the book.
18:37Just like we did before?
18:41Ended up standing on the surf, watching the man fly away with a big smile on his face, and ten million clear, and a Swiss bank account.
18:51Listen, if you can't put a lid on that vigilante impulse of yours, then just toss a badge right now.
19:03Get him on your own.
19:04But otherwise, we're here to surveil, to catch him, and to port him back to Miami.
19:16Pure and simple.
19:17Yeah, I'll follow the agenda, all right, Crocky.
19:22But if it starts to slip back into an instant replay of what happened before, I'm going to get him.
19:29Nobody's going to stand in my way.
19:32Not that over-educated hooker.
19:35You.
19:37Or anyone else.
19:45Tubbs.
19:45You're looking in pretty good shape for a dead man.
20:10Made the front page.
20:12Ah, a high-ranking Dade County vice detective was shot to death yesterday in the South Beach area.
20:21Authorities believe the killing to be linked with seven other contract murders in the South Florida area.
20:28Well, that ought to convince Calderon's people that the Argentinians' hit list is complete.
20:36You heard from him yet?
20:37Nada.
20:38Morning, gentlemen.
20:40Your breakfast has arrived.
20:44So, what's on the agenda this beautiful island day?
20:49I can lay a couple of doobies on you, man.
20:51You can kick back, relax, do the whole island trip.
20:57Scuba, parasailing.
20:59No appetite, man?
21:00No appetite, man?
21:01Mind if I have a piece of toast?
21:02Sure.
21:03Help yourself.
21:04Thanks, man.
21:05Oh.
21:06Well, I'm taking a day off from writing.
21:08Never touch a typewriter on southerly trade winds.
21:12Oh, the negative ions throw off your whole metaphorical assimilation.
21:17What kind of book you're writing, Jimbo?
21:19Novel.
21:20I've been working on it for the past five years.
21:23Got it up to 2,127 pages.
21:27The house was built on the highest part of the narrow tongue of land between the harbors
21:39and the open seas.
21:41It had lasted through three hurricanes and was built solid as a ship.
21:46Hey, I like that.
21:47It's beautiful.
21:48Ought to be.
21:49It's Hemingway.
21:51I'm working on what ought to be a contemporary island classic,
21:55sort of a cross between Mutiny on the Boundary and the Road Warrior.
22:00I've got to go, man.
22:02Oh!
22:03Almost like that.
22:07Millen?
22:08Thanks.
22:14Good.
22:15Got to meet with Calderon's man in two hours.
22:19Final payment for the hit man.
22:21You need any backup?
22:23No.
22:24No, I better do this one solo.
22:26It's in the middle of town.
22:27I doubt if they're going to pull any stunts.
22:30Good.
22:31That means I can continue on with my little romance.
22:36Well, despite your obvious charm, how do you know she's going to meet you?
22:42Oh, I believe she'll see me again.
22:46And we're not going to meet you.
22:47We're all in the middle of town.
22:50Hope you're walking.
22:54Do you remember?
22:56Now, class, let settle down.
22:57I have a special story for you today.
22:59It's Heidi in the pasture.
23:01Are you ready?
23:02Heidi was awakened early the next morning by a loud whistle.
23:07the sun was shining through the round window into golden rays on her bed and on the large heap of
23:14hay and as she opened her eyes everything in the loft seemed gleaming with gold
23:27teresa would you finish reading the story to the class please
23:37i inquired at the hotel where i might return this i thought i'd never see this again
23:45my father gave this to me really thank you you're welcome
23:51you know and since we missed dinner i thought i might try you for lunch well i'm sorry but i
23:57have other plans for lunch well i'm a social being i just tag along i'm sorry i'm afraid
24:06who i'm having lunch with wouldn't go for that hey who is this guy he's making me jealous already
24:16little don't you commit yourself to him until you get to know me better
24:20okay how about dinner
24:24you can handle a juggling act i'd love it 7 30.
24:36so
24:48so
24:50You're enjoying your stay on the island, Mr. Miller?
25:11Leave from the port of tourism.
25:13Cut the questionnaire, let's get down to business.
25:18Press clippings, the Herald.
25:21Seven obituaries, number eight's on page one.
25:3360,000 American.
25:38Nice doing business with you.
25:44We're not done doing business.
25:46Your people omitted telling me about Crockett.
25:51My price for that kind of job is the same for politicos.
25:56You owe me an extra 30,000.
25:58Senor Calderon never renegotiates.
26:05This is not a renegotiation.
26:08It's not even a negotiation.
26:11You see, my prices are not negotiable.
26:14Senor Calderon either pays my fee or he becomes number nine on my list.
26:21Possibly we can arrange something.
26:32The only thing you have to arrange is delivery by sundown.
26:35Or convey your message.
26:39Tell Calderon I don't deal with errand boys.
26:44Money that gets paid for blood gets paid in person by him.
26:48I understand completely.
26:54I understand completely.
26:54Angel, where did you go, huh?
27:12Thinking of something or somebody out there?
27:14You should go easy on the alcohol.
27:18I like this a patient.
27:23Gracias.
27:24Hey, this was that vineyard we visited in France a couple of years ago.
27:30Remember?
27:31Vineyards?
27:33What do I know about vineyards?
27:36All I know is a kid.
27:38If it was big, it was a tree.
27:42The smallest grass.
27:44You're always so sensible.
27:45Yes, you're so sensible too, huh?
27:58Habla.
27:59Yeah, Indianian.
28:01He wants an extra thirty thousand and he wants to pay him face to face.
28:05I don't know.
28:06I don't know, ma'am, about this Angelina.
28:10She's just not what I expected.
28:11Something just does not compute.
28:12I don't know, ma'am, about this Angelina.
28:15She's just not what I expected.
28:19I don't know, ma'am, about this Angelina.
28:30She's just not what I expected.
28:32Something just does not compute.
28:35In all my years of doing undercover work, Tubbs,
28:38I've never gotten used to the idea of using people.
28:42But you have to.
28:43Look, just because she's playing sound of music with you
28:49doesn't mean she doesn't have another act altogether for Call to Rome.
28:53Don't go getting turned around here, buddy.
28:56And nobody has to tell me about getting turned around.
28:59I know exactly what we came here for.
29:05Hey, they must be going to the festival.
29:13Oops.
29:34Oops.
29:34What the hell is this?
30:04Hey, there's people.
30:06They're cars.
30:07What are we into, man?
30:08A hard ride.
30:18We've got to get out of this city.
30:20Hey, you're telling me.
30:23Right, where we're going?
30:25There.
30:26Where?
30:27Right here.
30:30Right here.
30:30What?
30:31It's a dead end.
30:32Better not be.
30:34They're still with us?
30:37Like a bad dream.
30:39Lost.
30:41All right.
30:43All right.
30:45All right.
30:47All right.
30:51Hang on.
30:59Hang on.
31:12Hang on.
31:13Hang on.
31:14All right.
31:14What?
31:15Left.
31:17Hey,ford.
31:18Forget it.
31:19Hang on, tub.
31:43I'm gonna park this thing.
31:49I'm gonna park this thing.
32:19I'm gonna park this thing.
32:49I think we just heard from Calderon.
33:01Another fine predicament you got us in.
33:07Another fine predicament you got us in.
33:13I just received word.
33:28Are the both of you all right?
33:29Well.
33:30I was on my way to your hotel when I heard about it.
33:34You got something for us?
33:37Calderon's boat just departed from the island.
33:40When?
33:41This morning.
33:42The serial number on the yacht is 768-Alpha-311, registered to a Macedonia holding company.
33:53It's one of Calderon's corporate fronts.
33:56A yacht fitting that description came into St. Marcos for refueling around noon.
34:01Why wasn't the coast guard alerted?
34:03Spider planes have already been called in.
34:06There's 5,000 square miles of water out there.
34:10He could be en route to Cuba, the Antilles, Costa Rica.
34:14Damn it!
34:15If there's anything else we can do for you while you're on the island.
34:20I appreciate it, but we'll be going back to Miami right away.
34:24Fine.
34:25Henderson here will arrange a ride back to the hotel for you.
34:37Again, my deepest apologies about all this.
34:40Yeah.
34:51So we're just gonna leave the island just like that?
34:53Huh?
34:54Cool.
34:57This stinks.
34:58What are you talking about?
35:00Calderon knows who we are.
35:04How do you know that?
35:05Aubrey?
35:10He's the only other one that knows who we are on this island.
35:14You sure?
35:16Enough so we operate under that assumption.
35:21That means no backup, no support.
35:26That means that Aubrey's one of them,
35:28and our badges don't mean a damn thing on this island.
35:31You got it, Ming.
35:34We're so under,
35:36we may as well be on another planet.
35:39I wanna go see Angelina.
35:41Calderon did leave.
35:42I can get a destination out of her.
35:45Is that the only reason, pal?
35:48Business.
36:01It's a little early for dinner, isn't it?
36:17Uh, yeah.
36:18Something came up and I have to leave the island in a couple of hours.
36:34Come on in.
36:35Uh.
36:52I find this a little, uh, difficult to say.
36:57I understand.
37:00I've been feeling the same way, too.
37:03You know what I'm still looking for.
37:05Are you okay?
37:06Uh.
37:07I don't know.
37:08I don't know.
37:09I'm still looking for you.
37:11I'm sorry.
37:12Um...
37:14I don't know anything.
37:16How can I help my wallet?
37:19Um...
37:21You really?
37:22I don't know anything.
37:23You got to help your wallet.
37:25I know.
37:27I don't know anything.
37:29I don't know anything.
38:30Drifting away to places, private places, places others aren't allowed into.
38:38Didn't I tell you I was a misunderstood soul?
38:44No, really.
38:45Yeah, I see something in your eye, too.
38:51Do you?
38:52Yeah.
38:55A little tiny eyelashes.
38:58Silly.
38:59Pass me my watch, please.
39:01Oh, tell me you've been watched by your boyfriend all this time.
39:16Isn't he a bit too old for you?
39:18That's not my boyfriend.
39:20That's my father.
39:22Your father?
39:24I was hoping you'd stick around for the festival.
39:27I want to introduce him to you.
39:29Tonight?
39:32There's a masquerade party at the beach club.
39:38Yeah, how could I pass that up?
39:40Oh, I love masquerades.
39:55Tonight.
39:56Tonight?
39:57Yeah, tonight.
39:59I got an intro set to meet with Calderon tonight at the festival.
40:08Okay, I'll tell you what we do.
40:10Just like we planned, we'll leave.
40:13We'll go down the coast, we'll dock the boat.
40:15After it gets dark, we'll double back.
40:17You know, she doesn't understand.
40:24I mean, she thinks that her father's just a wealthy financier who donates half his income to the church.
40:35I knew it didn't add up.
40:37I mean, you know, why can't things just be black and white, huh?
40:40I mean, you go after the bad guys, and you get the bad guys, and that's that, and you don't end up destroying some innocent person's life.
40:51What is it with you, Tubbs?
40:53Changing your mind about getting this Calderon, or what?
40:56Absolutely not.
40:58What's your problem?
41:03The problem is...
41:05Angelina is Calderon's daughter.
41:10His daughter?
41:12Yeah.
41:13And you know what else, Sonny?
41:16I really do care for this woman.
41:25Time.
41:278.18.
41:298.2.
41:31Hand me the .44 mag.
41:40We're not going after elephant, Tubbs.
41:46I know, I know, I know, I know she's a country girl.
41:49Hey, let the good times roll.
41:52Got them?
41:52Hey.
41:53I let my Yankee brothers down.
41:56Guys, you gotta be in for some serious party time tonight.
42:00John Karko goes extremely whacked.
42:03I think we can handle it.
42:11Okay.
42:13Later.
42:14Uh-huh.
42:15Yeah, later.
42:22Potty time.
42:23I know.
42:24I know.
42:24I know.
42:25I know.
42:26I know.
42:26I know.
42:27I know.
42:27I know.
42:28I know.
42:28I know.
42:29I know.
42:29I know.
42:30I know.
42:30I know.
42:31I know.
42:31I know.
42:32I know.
42:32I know.
42:33I know.
42:33I know.
42:34I know.
42:34I know.
42:35I know.
42:36I know.
42:36I know.
42:37I know.
42:37I know.
42:38I know.
42:38I know.
42:39I know.
42:39I know.
42:40I know.
42:40I know.
42:41I know.
42:42I know.
42:42I know.
42:43I know.
42:43I know.
42:44I know.
42:45I know.
42:46I know.
42:47I know.
42:48I know.
43:49Wait a minute. Isn't that her over there?
43:58Yeah. Keep an eye on me.
44:01I think I'm going to have an introduction to Carl Jerome real soon.
44:04I've got your back.
44:14Angelina, is your father here?
44:17No, he's not here yet. He's never on time.
44:19I look forward to meeting him.
44:29Come on, let's stand.
44:31Come on, let's stand.
45:01I'm so happy right now. I wish this moment would last forever.
45:16So, uh...
45:18Uh...
45:31That'd be wonderful. Thank you.
45:34I'll do that job.
45:36Don't move.
46:05Is there a problem?
46:06No problem.
46:07Just don't move.
46:08Hey, man.
46:09Drink the rum.
46:30It was all just a game.
46:53You were just using me this whole time.
46:56What kind of person are you?
46:58You're going to take me to your father.
47:00You can go to hell.
47:01Your father kills people.
47:02He's got my partner.
47:04My father is not a killer.
47:05I don't know what you're talking about.
47:07For God's sake, why don't you open up your mind and your eyes?
47:11Your father is in one of the five countries.
47:14He's been an international crime figure for the past 20 years.
47:17No.
47:18Yeah, arrest files.
47:20Possession and intent to sell 120 kilos of cocaine.
47:25DEA files a date as far back as 1966.
47:28That's a lie.
47:30Maybe you remember Rudolfo Mendez.
47:33A curly-headed fellow used to come by and visit the villa just for a drink and leave with a stuffed envelope.
47:38I don't know what you're talking about.
47:40Mendez was kind enough to tell us about seven murders that your father had commissioned in Miami last month.
47:49My father would never do that.
47:52Your father had a cop shot to death in New York City.
47:57Leave me alone.
47:59And a cop with my brother!
48:01Sir!
48:31Yeah, looking forward to seeing Miami again.
48:53Nice scenery down there.
48:58Miami's looking forward to seeing you.
49:01The local authorities and $350 a week cops for a few lousy dollars, you have to clean my toilet bowls.
49:24You don't get it, huh?
49:25DEA, FBI, your county, city, your technologies, your computers, you can't catch one little man who didn't make it past the fourth grade.
49:44You know, the only time I see a judge is when I tee off with him at the country club.
49:57$42 million.
49:59$42 million tax-free.
50:03Why do you think they call it the land of opportunity?
50:05Even fat cats fry Calderon.
50:11Yeah, it's true.
50:14Only if they allow mistakes to exist.
50:19Señor Calderon, the detective, he got away.
50:24You see?
50:28Idiota!
50:29Stupid, you!
50:30Levantate!
50:32Get up!
50:33Go find him!
50:35Levanta, get up!
50:37Levantate!
50:39Shoot him a couple of times in the head and throw him in the ocean.
50:42Father.
50:42I didn't know what he's doing here somebody's told me things about you
51:01you've been talking to me
51:12call her on to those goons of yours to drop their weapons right now I'm gonna blow your brains out
51:22no what are you doing get out of here you don't want to see this you heard of go get out of here
51:31father get out of here father
51:34I said drop him
51:43I said drop him
51:49I said drop him
52:05No!
52:20No!
52:22No!
52:25No!
52:28No!
52:29No!
52:33No, no, no, no, no, no, no, no.
52:52Chief Albrey and, uh, Anderson, will be held in detention until the preliminary hearing.
53:06Good. We'll need you back.
53:15It wasn't supposed to turn out this way.
53:17I, uh, I had thought I had everything worked out.
53:25All except for you.
53:31I'm a, I'm a cop, Angelina.
53:37And that makes it all right for you, Richard.
53:41What brought you to the asylum was something far more than just your job.
53:47I tried to ignore, I didn't mean more than that.
53:52Oh, what's love got to do, got to do with it?
53:59What's love but a second-hand emotion?
54:05What's love got to do, got to do with it?
54:10Who needs a heart when a heart can be broken?
54:16It may seem to be you, but I'm acting confused when you're close to me.
54:24If I tend to look dazed, I read it someplace.
54:33I've got calls to be you, but there's a name for it.
54:39I said, there's a name for it.
54:42There's a phrase that fits.
54:48But whatever the reason to do it for me, oh, what's love got to do, got to do with it?
55:00What's love but a secondhand emotion
55:06What's love got to do, got to do with it
55:12Who needs a heart when a heart can be broken
55:18I've been taking on a new direction
55:45But I have to say
55:50I've been thinking about my own projection
55:57It scares me to feel this way
56:03What's love got to do, got to do with it
56:10What's love but a secondhand emotion
56:15What's love got to do, got to do with it
56:22Who needs a heart when a heart can be broken
56:27What's love got to do, got to do with it
56:32What's love but a sweet old fashioned emotion
56:38What's love got to do, got to do with it
56:43Who needs a heart when a heart can be broken
56:49What's love got to do, got to do with it
56:55What's love but a secondhand emotion
57:01What's love got to do, got to do with it
57:06Who needs a heart when a heart can be broken
57:11What's love got to do, got to do with it
57:14What's love get to do with it
57:22Who needs a heart when a heart can be broken